#I feel like we are forgetting our origins and the fact that they are quite awful people objectively
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sometimes writing is getting a text at 3am saying "good luck with the war criminals" when your friend finally goes to sleep
#this is in reference to the hertamei au I'm writing... I may have gone a bit overboard on the morally grey front but let's be honest..#I'm just keeping it real and TRUE to the source material#I feel like we are forgetting our origins and the fact that they are quite awful people objectively#hertamei#ruan mei#herta hsr
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situation ask game: joe hills for 16?
16. Meeting past/future self
"Howdy!" Joe Hills says.
"Howdy!" Joe Hills says back. "This seems to be quite the predicament."
"Oh god, there are two of them," whispers Doc. He'd just wanted to check on the log shop, man. Joe had said something about fixing some redstone (inherently terrifying to hear), and he'd just wanted to come check on it and inevitably fix the fixed redstone, and now there are two of them.
"I have to say," the first Joe Hills--presumably, the original one, given that he's insisting on saying everything through that stupid hand puppet he made this season, although Doc couldn't tell you--says. "I'm fairly certain seeing my own ghostly visage is normally considered a bad sign in most literature. Luckily, this isn't literature, so I can ignore the ill portent."
"Alas, I am, in fact, a bad omen," the second Joe Hills says, all too cheerfully. The second Joe Hills does not have a hand puppet and appears by all measures to be a ghost. Doc would generally agree that's a bad sign too, except for the fact that the Joe he knows is a ghost about fifty percent of the time, and oh no, he's already confused. There are two of them and he's already confused.
Maybe he should go get some coffee. The cafe Cleo set up is supposed to be good, and if he's this confused, maybe he'll manage to get himself to walk past the cats before he remembers he's supposed to be scared.
"Oh no," Doc's Joe says. "I don't have time for bad omens. For one, I'm not any good at killing pillagers. For another thing, I'm busy. See I was trying to help and I accidentally broke Doc's redstone and I feel bad because I think he's like, actually for-real mad about it, not fake mad, and we're supposed to be business partners, right, so I thought I'd come here and fix the redstone. Except then when I was hanging out with Mumbo at the end of our setup confessional Mumbo mentioned something and I just now remembered it and I think I fixed it wrong, so I'm here to try to figure that out, and that means I really don't have time for a bad omen."
"We never do," the ghost Joe says, shaking his head.
Doc, weirdly, feels touched.
"So if you could go away and give me dire warnings later--"
"Sorry, I don't have time to be put off for later! If you put this off for future Joe, you're putting this off to me! Then I'll have to do this all over again, and it'll be a closed time loop. Or, I guess mostly closed, because I don't remember this. But maybe you hit your head and forget everything! I don't know! I don't know how time travel works, but closed time loops were always the really confusing ones because they try to make sense. If we don't try to make sense you might still be able to change things."
"Oh no. What if this is a self-fulfilling prophecy?"
"I hadn't considered that," the ghost Joe says.
"I mean, everything I've ever read says that in trying to avert catastrophe, I am likely to accidentally cause it!" Doc's Joe says.
"Maybe the solution is for you to not believe my warnings?" the ghost Joe says. "No, that always ends badly too. That means there's dramatic irony!"
"Right, right. Maybe you just have to be as clear as possible, so I can't misinterpret your words?"
"No, I think the solution is to be vague," the ghost Joe says. "Good prophecies are normally vague that way. I mean, I'm mostly just here to tell you how to avert the nasty end of the world that kills everyone super dead, not anything too complicated! If I put too many details in, I'll leave in a dramatically appropriate loophole by accident, and then you'll never manage it."
"True, but Cleo says that I should always be given exact instructions, or I'll do the wrong thing on purpose," Doc's Joe says.
"We do that even more with exact instructions."
"That is true! And I guess it's harder to remember exact instructions?"
"Maybe the solution, given that I am going to vanish back to the past in five minutes," the ghost Joe says, "is that I should simply write down my instructions. That will make them harder to misremember or misinterpret."
"I will lose those too! This is too much responsibility!"
"I know! That's what I said!" ghost Joe says. "I said, why are you asking me. I mean I know the ghost thing is the only reason I can do this, but I don't want this kind of responsibility! I am not trustworthy! You all have known this since, like, day one, stop putting this kind of stressful responsibility on me! I do weird things when I'm stressed! I mean, I'm always stressed--"
"That's true, we are," Doc's Joe interjects.
"--but this is even more stressful than that! If I thought anyone else could do it, I would have said no! And now I don't know how to--"
"Man, if the world is going to end and kill all of us, stop worrying and just say how," Doc says, stepping out of his hiding place and throwing up his hands. "You're wasting time!"
"Oh, you're right," ghost Joe says. "So, the world will end when--"
He vanishes.
Doc and Doc's Joe stare after ghost Joe into the distance. Finally, Joe, with the world's most betrayed expression, turns to Doc.
"You scared me off!" he says. "If you hadn't shown up I'm sure I would have explained eventually."
"WHAT," Doc says as calmly as possible back. It does not appear to appease the Joe he's left with at all.
#answered#boonbeenblade#ask game#a bee fic#joe hills#docm77#hermitcraft#hermitfic#two joes would form the world's dumbest feedback loop is what i'm saying.
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on forming a basic understanding of the moth
cw: parasitism
As a moth, the second most common refrain I hear is "I don't know what you are" in a myriad of different phrases. This is understandable and even preferable to the topmost common refrain. However, this confusion is not because us moths are strange or unusual on some deep, existential level. And indeed, it is a mistake to assume that because one is not strange or unusual, one cannot be a moth. Many of us present as perfectly ordinary, even to ourselves.
Of course, the typical moth will be glad to know that you find it confusing. Even I, as I write my little essay, am torn between being a good communicator and helpful teacher and throwing you off a cliff into a cloud of soporifics and dream-stuff. Thus, assuming an adverserial, distrustful stance to whatever I say is probably a reasonable thing to do. I could be lying out of my abdomen. Or possibly my thorax. Even if I was, I would still be attempting to present my case in such a manner that I would appear trustworthy and thuswise lure you into a false sense of confidence. I wouldn't do that to you though. We're friends, right? We're buddies!
Anyway, at the heart of the moth is a simple syllogism. If the term is unfamiliar to you, you will likely have encountered many examples of them in your life, such as Aristotles famous formulation, originally found in his foundational work en.wikipedia.org/wiki/Syllogism (350 BC). His syllogism states as such: "All men are mortal. Socrates is a man. Therefore, Socrates is mortal." I could explain syllogisms more thoroughly but I've already provided you with a source to learn for yourself. I'm a moth, not a science teacher. Instead, let's look at the syllogism of the moth. Consider this:
"All moths yearn. The author of this text is a moth. Therefore, the author yearns."
Simple, no? Now, put your thinking cap on and consider this one for size.
"All moths yearn. The author of this text yearns. Therefore, the author is a moth."
Now, I want you to ask yourself whether the statement given is true. And please do it before semantic satiation claims us all. I'll just give you some time to think really hard and I'll be doing that by way of writing nonsense to pad out the length of this paragraph because I need to make it look longer to satisfy the part of my brain that makes writing such a hassle sometimes but please don't be alarmed as purple scissors will not harm you underneath the tulip skies so long as you think really carefully and draw your conclusions with precision.
Did you think about it? Did anything seem amiss? That's right, there wasn't! The second syllogism is perfectly sound and valid beyond a reasonable doubt. All moths yearn, and all that yearns is moth. Good on you for not falling for that trap. You're so smart, and <first draft note!! insert applicable compliment here: beautiful | handsome | Still. don't forget to edit this later!!> too!
Of course, you might be thinking something along the lines of "well, I feel a deep sense of need for something too but that doesn't make me a moth." In reality, you are... possibly maybe correct in some sense of the word. However, what you experience as an emotion is actually a moth's egg, laid in the sweet tasty fabrics of your heart. If this makes you think "woah, so moth-eggs are everywhere, then", you would be quite right! While modern life has taken away the stars by which we navigate the night, those same conditions paradoxically help in the spontaneous generation of our eggs. Don't take this as me saying modern life bad. Pointing out how modern life is bad and bad for you is somewhat passé and indeed, we moths have existed since day one. In fact, to assume that I am saying that modern life bad assumes that I think mothiness is a bad thing. And I'm not saying that, stop saying I'm saying that.
Anyway, let's move out of the realm of baseless accusations about what I believe in and talk about the lifecycle of a moth a tad more. As described, a moth begins life as an egg, just like all other girls. And as discussed, a moth-egg is experienced by the fabric that lays it as yearning. Academic sources and my diurnal dreams differ on whether the yearning or the egg comes first. You may have heard this dilemna by its authorised discursive phrase, "chicken and the egg". A nice lil peek behind the Veil for you there. Don't worry about it.
As the moth-egg hatches, the moth/yearning enters its larval stage. The larva/yearning will begin to consume its fabric/host-mind. While this may sound scary, I invite you to consider how you are already being consumed by many things all the time, metaphorically. Capitalism consumes your labour, love consumes your reason, a third thing consumes another abstract concept, and so on and so on. Thus, while the process of mothly consumption gradually gnaws through the liminality between metaphor and literal, mind and soul, soul and body, it is still no more destructive than the aforementioned. You will not survive life unchanged. Give it up. Embrace metamorphosis. That's my advice to the moth-eaten fabrics in the audience anyway. But you're not moth-eaten. You're <ok seriously though what's a good gender, species, construct, and modality neutral word of praise?> so you don't have to worry about me trying to hasten anything. The eggs in your mind have not hatched. They will not hatch. Don't worry about it.
When the larva/yearning has thoroughly consumed its banquet/host, it weaves itself a cocoon/anticipation within the nice space left within the host's closet/skull. Some naughty witches have devised means of harvesting silk/desire from this cocoon/anticipation and the smart ones even wait until the imago/apotheosis has emerged before committing to the harvest. I wouldn't do either though, so don't worry. But we're getting off-track here. During this gestation period, the moth-to-be experiences a gradual shift in cognition. While most sources typically describe this shift in cognitive possibility space as "major depressive disorder" or "bipolar disorder" or "dissociative disorder" or even "other specified dissociative disorder", these label only apply to the more mundane, less exciting forms of having one's mind consumed. If you're a fully grown imago, you should sue!! In fact, please send me an ask with your frequency, flavour, and cardinality and I'll send you an oneiro-mail with instructions on the proper legal curses to apply.
Ah, distracted distracted. Mustn't let one get too distracted. You are not an imago. At least if you're the audience/sucker I'm writing this essay/trap for. No, no, no. You're here to learn what the lifecycle of a moth/yearning is! So let's talk about the moment a moth/yearning hatches/transcends. While the shift from larva to pupa is gradual enough that one might not even realise it is happening, the moment of transcendence is not. The final step of any metamorphosis is the most traumatic. It is a moment of great pain and of great bliss. John of the Cross/some nerd described it as "the dark night of the soul", which is a fitting description considering, yknow, nights. Moths. You get me. But that nerd was subscribed to some fake news youtuber and misattributed the whole thing to some old geezer who died a whole lotta time ago. Foolish. Foolish! No no no, the moment of hatching is something far greater, and something far more. To hatch is to see the light of Mansus with one's own eyes. To hatch is to become solid. To hatch is to transcend, to reach one's apotheosis of yearning. To become yearning itself. The false self is discarded, the true self is adorned. I see the shapes of things and I reach my hand out and the pain of change once again grips me and my heart sings and I become fluid again to become something anew for the me that is me is not the me that you see but the process is me and you are but a static object compared to me and I see the gods and the devils and they are static too and while my shape shall never be as luminescent I shall deconstruct their light and burn and burn and burn to be reborn and thus shall i die and never die and maybe i even get to drink the sweet sweet nectar of monster energy once again for i shall just be a little guy who is so terrible and nice and so i shall jump for the raw beef and fail the jump and burn in parkour prison until i change again for though i am not great or powerful you shall never diminish my joy and my love and my cycle of mistakes and fuck-ups will continue unto morrow and tomorrow and so it goes and so it goes and.
Oh, you're still here. Didn't notice you. I hope the lil writing exercise didn't bore you or anything. I think writing a bit of modernist pablum every now and then helps keep the mind unpretentious the rest of the time. Gotta keep that ol' noggin nice and crunchy. But in any case, I hope you've enjoyed this brief look into how to write a good essay or whatever the ohio this piece was about. If you're still suffering from symptoms of wanting-to-write-good-but-you-don't-know-how, please send an ask with your true name and object of yearning. I will get in contact with oneiro-mail as soon as I can.
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The Jockification of Jeremy
This is Part 1 of a sequel to The Cupbearer, Part 2. The characters of Jeremy and Chase are my invention. The characters of James (the originally unnamed narrator of the previous story), Tyler, Steve, Derek, Brittney, and Becky were created by the earlier writers.
We start where the last story left off, seen from Jeremy's point of view.
__________
Dear Diary,
I can’t believe I’m actually going to get to make out with Steve and James! They are so effing hot! Steve’s the cuter one, but they are boyfriends, after all, so it’s a package deal. That’s fine. James is sexy, but he’s scary, too. He’s not tall, and he’s quite a bit shorter than Steve, but he’s big! He almost looks like that linebacker guy Derek’s younger brother, except that Derek is blond, and James’s hair is so dark it’s almost black. They’re not related as far as I know, other than being total jocks. Derek has the reputation of being one mean SOB, and he looks the part. All the freshmen are terrified of him. But the freshmen avoid James, too. From what I hear, he’s stuffed one or two guys into a locker before.
The bottom line is that there’s no way I want to get on James’s bad side. He made it clear this was a one-time thing, and if I bother Steve and him after this, he will seriously mess me up. I believe him. You don’t tell a guy like him No.
It’s funny; despite him looking like a walking stereotype of a dumb jock, rumors have it that the guy’s super smart. If he is, he sure doesn’t come off that way. He doesn’t seem gay, either, but neither does Steve. Our football team has several gay jocks, and unless you see one of them kissing a guy, you can’t tell them apart from the straight jocks. Certainly no one makes fun of any of them for being gay. And, to their credit, they’ve made life easier for all the gay guys at school. The gay jocks may not like nerds or geeks much, but they will intervene if they see any gay kid being harassed for being gay. That’s really cut down on the homophobia, because you’re taking your life in your hands making an anti-gay remark if one of the gay jocks overhears it.
Steve isn’t as intimidating as his boyfriend. He’s very cute, especially for a football jock. He’s tall, and plenty built, too, but he doesn’t have the sheer size his boyfriend has. James’s thighs look big enough to crush a bowling ball. I can’t imagine him wearing jeans; it must be hard for him to find clothes that fit. In fact, I don’t remember seeing him wear anything but athletic shorts, even this time of year, but a lot of the jocks wear shorts all the time. James and Steve seem to find shorts that are a lot shorter and more form-fitting than what most of the other jocks wear. Maybe that’s how you can tell gay jocks: they’re not afraid to show off how built they are.
Dear Diary,
Tonight’s the night! I’m going to meet them at Steve’s house for a “study” session after dinner. Hopefully they forget to shower after practice. I hear that they and several of the guys on the football team have monster cocks, and from the look of the bulges in their shorts, I don’t think I’ll be disappointed.
I feel a little bad that I’m hiding all this from Chase. He’s been my best friend since grade school, and we share practically everything, but he doesn’t like jocks. At all. And he sure doesn’t get why I find them hot, so I don’t want to get him started.
Dear Diary,
I have a lot to tell you. First off, Steve’s got a nice, big room, and his house is huge. Clearly his parents have a lot of money. Other than being big, his room is pretty much what you’d expect of a jock: athletic gear and clothes lying around, and more than a whiff of locker room smell. One thing’s odd, though; he’s got a large, fancy, and expensive-looking chess set in his room. Hardly the kind of thing you’d expect from a football player. I heard somewhere he used to be on the chess team, although that’s hard to believe. Second, you really have no clue how big guys like that are until you see them out of their clothes. Steve’s gorgeous like an athletic model, but I about fainted at the sight of his cock. I knew he had a big package, but that thing’s obscene! And James’s is just as big, if not bigger. Now James is one hairy dude: chest, legs, arms, everywhere. He’s even got 6-pack abs you can hardly see for all the hair. Steve’s got hardly any chest hair, just a few hairs around his nipples, but he’s got a lot of leg hair and a nice treasure trail leading up to his belly button.
It was a hot time, but kind of overwhelming. I actually felt a little queasy afterward. Maybe one of them had a cold, because my voice is kind of scratchy and hoarse now, and I feel “off”, as if I’m coming down with something. Well, whatever happens, it was absolutely worth it! I even got a little souvenir! I’m not sure whose jockstrap it is, I’m guessing Steve’s, just because it was his room. It’s huge and stretched out, but that tells me nothing: either one of their packages could have done that. I know some people think some of the football players must be on steroids to be so big, but it can’t be that. Even I know that steroids shrink your balls, and there’s nothing shrunken about their balls.
Dear Diary,
When I went to bed last night, I slept with the jockstrap as a reminder of what a good time I had. I think I’ll wear it to school. Under my clothes, no one will know I’ve got it on. Not even Chase.
Dear Diary,
Wearing the jockstrap to school was interesting. It’s obviously way too big for me, so I wore it under a pair of my briefs so that it’d stick close to my balls. It must be my imagination, but it felt kind of warm and tingly down there when I had it on. Another weird thing is how that jock smell seems to get stuck in your nose. I even imagine I smell it on myself even when I’m not wearing the jockstrap. I still feel a bit “off”. I’m not as hoarse now, but I seem to have a lot of phlegm, and I’m having trouble clearing it out. My nose isn’t stuffed up, but my voice kind of rumbles as if I’ve got a cold.
Dear Diary,
I’ve worn that jockstrap to school all week, and now it’s getting kind of gamey. But it’s recovered amazingly from being stretched out by jock football player monster cocks; it’s not loose at all now. In fact, I think I could wear it by itself without the briefs to hold it in place. To avoid chafing while wearing the extra material, I found I had to start walking with a bit of a rolling swagger. It just feels more natural. I can’t believe I used to just mince around. This feels so much more, I don’t know, confident, I guess.
Dear Diary,
My balls and cock started to feel itchy all the time, and I was scratching a lot, so I decided I’d better give up and wash that jockstrap out. I’ll have to do it myself. I don’t want to put it in the laundry and have my mom ask me what I’m doing with it.
Dear Diary,
I finally washed the jockstrap out in the sink and then let it dry in my room overnight. I think that got all the smell out, but since I kind of have that smell in my brain all the time now, it’s hard to tell for sure. Anyway, washing it seems to have shrunk it a lot. I wouldn’t call it tight, but my junk fills it just fine, and I certainly don’t need briefs to hold it on. That’s a good thing, because my briefs all suddenly got tight and uncomfortable, and now I’m sticking to boxers. My throat isn’t scratchy anymore, and the phlegm finally cleared up, but my voice hasn’t gotten back to normal. I don’t sound sick or anything, but everything comes out in this low rumble that doesn’t sound like me. A few people have made comments about it, including Chase, who asked me why I sounded so douchey. Maybe my voice hadn’t quite finished changing? I’d been hoping to audition for the winter musical, but unless my voice recovers, I don’t see how I’d be able to sing any of the leads.
Dear Diary,
Mom must have messed up something in the laundry, because all the sudden my clothes are all tight, and my pants have shrunk and they’re riding highwater. Even my shoes are tight; she must have tried to wash them, too.
Dear Diary,
As much as I hate to give it up, I think I’d better stop wearing that jockstrap. Chase came over to work on our joint class project, and the first thing he said was that my bedroom smelled like a locker room. I guess I just don’t smell it anymore. I’m itchy down there again, so it’s probably time to wash out that jock anyway. Then I guess I’d better put it away. Too bad. It’s been fun while it lasted.
Dear Diary,
I had the weirdest dream last night. I was in the locker room suiting up for a football game with Chase, Derek, James, Steve, and Tyler. I’ve never even talked to Tyler. He’s one of the other jocks on the football team. I think he’s friends with James, not that it matters; all the jocks seem to hang out together in one big herd. Anyway, that dream kind of freaked me out. First, what’s Chase doing playing football? It didn’t even really look like him; it was like a jock version of Chase, which was kind of hot. Second, why would I dream about Tyler when I hardly know who he is? Third, I’ve never played football in my life. Football season’s about over, anyway, but our team’s in the playoffs this year for the first time in forever, apparently. Everyone’s saying what got them there was all the new players we got this year, like Tyler, James, Steve, Zach, and some others. With that much talent and size, we’re creaming the other schools.
Dear Diary,
What the fuck is going on with the laundry? Just when I think Mom is done shrinking my clothes, she does it again. It’s getting to be pathetic. I mean, people are looking at me funny, even Steve and James. That Tyler guy, the one from my weird dream (and he is one husky dude; he’s nearly as big as Derek), he looked at me sideways in the hall and said something like, “You been working out, little bro? You ever think about trying out? Football’s about over, but basketball and wrestling are starting, and I think they’re both short a few guys. I don’t think I’ve noticed you before, but you’re getting some height on you, and some muscle, too.” I mean, he’s talking to me as if he thinks I’m a jock. I don’t get it. Just because my pants are shrinking doesn’t mean I’m getting taller. And I certainly haven’t been working out.
Dear Diary,
Steve and James were looking at me weird again today. I don’t know what those dudes are staring at me for. I haven’t said word one to them since we made out. As I said before, bros, I don’t want a mean-looking motherfucker like James to beat me up because he thinks I’m trying to hit on his boyfriend. Not that I haven’t been horny as hell lately. I keep zoning out in class thinking about naked football players or basketball players or wrestlers or whatever, and by the time I snap out of it, half the school day’s gone by, and I hardly remember any of it. I think about Chase, too. Sometimes I imagine Chase as a naked football player or wrestler, and then I really get horny. By the way, I had to start wearing that jockstrap again. I bought myself another one, too. It was just too uncomfortable to go without wearing one. I think I wore that first fucking strap too long and got used to the feeling. If I’m not wearing one now, my balls feel all heavy and shit, and my dick flops all over the place when I walk, and I feel as if I’m lumbering around with this huge weight in my pants. I guess I just need the support, especially since none of my briefs fit anymore.
Dear Dudery, Dear Di – Let’s just drop this dweeb diary shit and I’ll just write what happens, okay?
Things keep getting weirder. Today James came up to me in the hall and said, “Little bro, I think you and I need to have a little bro talk. Let’s take a walk.”
James strolled until we’d reached a hallway hardly anyone was in, and then he turned toward me with his eyebrows slightly raised, as if he’d asked me a question and was waiting for the answer. I said, “What’s up, dude? I’ve left you and Steve alone, so what’s your effing beef?”
James said, “You have, and that was smart. Trust me, you do not want to be on my bad side. But that’s not what I wanted to talk to you about, not exactly, anyway.”
Then I said, “So? What’d you want to talk about?”
“You, little bro. I wanted to talk about you – and your future. Think of me as kind of like a guidance counselor,” he said with a chuckle and a one-eyebrow-raised smirk on his face. “Seriously, though, are you feeling okay, little bro? You notice anything different about yourself lately?”
“No, I feel fine,” I said, puzzled. “Well, I’ve been kind of itchy, but my clothes are too tight. My mom’s been doing something with the laundry. She keeps shrinking everything.”
His smirk widened into one of those shit-eating grins that all the jocks seem to do when they think something’s funny that you don’t. He said, “Look, little bro, don’t go blaming your poor mom. A mom’s a gay bro’s best friend anyway, but that’s another story. Let’s get back to what’s been going on with you, little bro, because Steve and I – and Tyler, and some others – have seen this kind of thing happen before. Your clothes haven’t changed, little bro, not at all. You have. Are you really that clueless? Have you given yourself a good look in a mirror lately?”
“What the fuck is that supposed to mean, James?”
“Yeah, there it is. That’s what I was waiting for. Starting to lose it, aren’t you? You really don’t want to push it with me, little bro, but I’m going to be – magnanimous – and let that pass. As I was saying, I’ve seen this kind of thing before. You’re feeling super aggressive right now, and super horny, and that’s why you’re lashing out. Otherwise, you’d know better than to try to get me mad. Let’s get back to the point. Have you seriously not noticed that you’re at least three inches taller than you were a couple of weeks ago? You’re taller than I am now. And you’ve gotten bigger. It’s not a lot, but I can see it. You’re scratching yourself a ton when you think no one’s looking, so I’m guessing you’re sprouting some new hair. Your voice is lower, and – how do I put this – you don’t exactly talk like a theater queen anymore. You’ve also been looking kind of distracted, as if something’s on your mind. And I can guess what it is, because those tight pants of yours leave nothing to the imagination.
“Anyway, little bro, even if you haven’t noticed that you’ve been changing, other people have.” Then he leaned in so closely that I could feel his hot breath on my face. He whispered, “And – assuming you remember our recent get-together – Steve and I know very well that your package wasn’t nearly that big when we saw it, okay? We’re guessing that jockstrap you filched from us fits you pretty well by now, right? So go take a good hard look at yourself in the mirror and then tell me what you really see, because right now, you’re either really dumb or you’re in complete denial. Or maybe both.”
I couldn’t say a word. I couldn’t think. Suddenly I was so filled with rage I couldn’t see straight. I wanted to lash out; I needed to hit him or hit something, but James said, “Calm down, little bro. I know you really want to go there, but don’t, okay. You may be taller, but I’m a lot bigger and stronger than you are, and I really don’t want to hurt you. That aggression you’re feeling right now will get more manageable in time, trust me.”
My brain was spinning a thousand directions at once, trying to make some sense of what James was telling me, but all I could think to say was “Why do you keep calling me ‘Little bro’?”
“Because you’re almost a bro, but not quite.” Then he smirked at me again and added, “Oh, before I forget, expect a talk from the basketball coach about trying out for the team. Maybe the wrestling coach, too, but I know for a fact that my bro Derek talked to the basketball coach about you.”
“Why the fuck would I join the basketball team, bro? I don’t know how to play basketball.”
“Because, bro,” he said pointedly, with an even bigger smirk, “Jocks belong to a team. Before I joined the football team, I didn’t know how to play football, either, so not knowing how is fucking beside the point. You’re here in school to learn, right? So you’ll learn – the way I did. Resistance, little bro, is futile. You know,” he said, with a strange look on his face, “You were kind of a cute little dude. It’s almost a pity. But there are – compensations – to being a jock, as you’re about to find out, and there are worse things than turning into the kind of guy you’re attracted to. I’m sure you’ll end up pretty hot, but your days of being a cute little geeky dude are over.”
I couldn’t understand what he was trying to tell me, but oddly, my spinning brain again latched onto only one thing in what he had said, and I sputtered: “Wait, Derek? That mean-looking linebacker dude with a neck wider than his head? He doesn’t even know me. Why would he talk to the basketball coach about me? What’s going on?”
James barked out a laugh, “I’ll have to tell Derek that one. You’ll make his day. But little bro, back to the point, seriously, are you that dense? I told you: you may not have noticed how much you’ve changed, but other people have. Important people. Take it from your guidance counselor, little bro. Later!” And with that, he swaggered off.
“What the? How? Wait, you think I’m turning into a jock or something? I’m not dumb. You must be crazy! Wait!” But he was gone.
I felt kind of nauseous, so I decided to go into the men’s room and take a good hard look at myself, as he’d suggested.
I was determined to be completely honest with myself. The first thing I noticed looking in the mirror is that my clothes looked geeky and awful. No wonder people were looking at me funny. My pants were ridiculously tight and riding a good three inches above my ankles. I looked stuffed into my shirt, too. At least the shirt didn’t ride up like my pants, but what was I thinking dressing like this? None of it came close to fitting. I looked like some dumb jock dressed up as a nerd for Halloween. Wait. Did I really look like a jock?
I looked at myself again and reminded myself to be honest. James was right: I was taller than I remembered. And I had a little muscle in my arms and chest that I didn’t remember, either. But the real shock was my face. How could I have changed that much without noticing? I hardly recognized myself. My brows were heavier, my jaw was firmer, my lips were a bit fuller, and I had a lot of scruffy hair growing on my face. How often did I shave now? Clearly, it was no longer enough. As I stared at my strange face in the mirror, my slightly pouty lips were hanging agape, giving me a distinctly dopey look. Is this really how I looked to other people? I scratched at the fuzz on my cheeks and suddenly felt restless. I needed to go do something, you know, run, jump, hit something, or whatever. I couldn’t just stand still. I left the men’s room and ran down the hall. I was way late for my next class, and no one was in the halls. Still running without realizing where I was going, I found myself down by the locker rooms where the coaches’ offices were.
I stopped then and stood for a minute at a loss, wondering what I was thinking, just coming down there when I should be in class. I was about to head back upstairs when a tall well-built man in athletic clothing started approaching from the other end of the hallway. He was in his middle thirties, or maybe early forties, and very handsome, even though he was old enough to be my dad. When he got close, he said, “Well, this is a surprise! Jeremy, isn’t it? I’m Coach Sanders. I was going to try to catch you later today, but since you’re here, come into my office!”
I followed him without saying a word, as if I’d been struck dumb. Once in his office, the coach had me sit down in a chair facing his desk. “So, Jeremy,” he started. “I don’t think we’ve ever met. I’m the basketball coach, and I like to talk personally with any young man who shows the kind of potential you’re showing right now. I don’t know if you remember our former football coach?” I shook my head, my mouth hanging open like an idiot. “Well, our new coach has a fine program, and the football teams are doing an amazing job finishing up their season. But he’s reaping the benefit of the special training and conditioning regimens the old coach had developed for bringing young men like you to their true potential as athletes.”
I nodded dully as if I understood what he was talking about, but then I said, “Young men like me?” What did he mean by that?
“Yes,” said the coach. “Young men like you that don’t have an athletic background. He did some incredible work with guys like you. For example, I think you know Steve O’Connor? And his boyfriend, James? And James’s friend Tyler. They were all part of his program. And there were others as well.”
“Oh,” I said, “I had no idea those guys hadn’t come from an athletic background, as you put it, Coach. They all seemed like total jocks to me.”
“I’m sure they did, Jeremy, and that’s exactly my point. His work was truly amazing. Just think of it: some of our biggest football stars had never played football before, and now they’re such ‘total jocks’, as you put it, that you had no idea that they hadn’t always been jocks. Steve O’Connor, for example, used to be on the chess team.”
“Excuse me, Coach, but I’m not sure I understand why you’re telling me all this.”
“Because, Jeremy, I wanted to let you know that you have the potential to excel just as much as those young men have. You see, I am very familiar with the old coach’s methods. I assisted him frequently, and I still have a lot of his program materials. Given where you are now, I feel I have the means to help you reach your potential.”
“That sounds really interesting, Coach,” I said, “But I should get back to class. As it is, I’ve already missed half the period.”
“Don’t worry about that, Jeremy. I can excuse you from class. As you said, you’ve missed half the period already, and by the time you get back you might as well have not gone at all. But if you’re willing to give me just a few more minutes of your time, I can show you a bit of what I have in mind for a conditioning program for you. Follow me!”
We left his office and entered the men’s locker room, passing through it into a smaller room with an old couch, a television, and a couple of chairs.
“Now, sit down and make yourself comfortable for a minute, Jeremy,” he said, indicating the couch. “But those clothes of yours, son, they don’t come close to fitting you. You’re way too big for them, and I want you to be comfortable. I’ve got a spare basketball uniform you can wear. I’ll be right back.”
Reddening with embarrassment, I stripped down to the jockstrap, and I put on the basketball shorts and tank top the coach brought me. Both were a bit big on me, but it was a relief after being cramped in such tight clothes.
Once I’d finished changing, he came back in the room and said, “Okay, Jeremy, now that you can relax, there’s a little video I want you to watch. Just sit here, watch the video, and I’ll come back to get you when it’s over.” He queued up the video on the TV, gave me a pair of headphones for the audio, told me to lean back in the couch and relax, then he dimmed the lights and left the room.
I really didn’t expect much from the video, but it was amazing. I remember how exciting it was, and just thinking about it now reminds of how proud it made me feel to be a jock. It’s funny, though, because now I really can’t describe what it was about, something about commitment, drive, and sports, I think. It didn’t seem very long; at least, I don’t remember watching it for very long. But I must have fallen asleep or something, because the next thing I remember was the bell going off. The lights were back on – again – I think, but I was sitting there blinking my eyes and trying to remember where I was. I was in Coach Sanders’s office. The coach was sitting at his desk, and Derek was standing next to him, looking at me curiously.
I said something like, “Oh shit, dude. I mean, Coach, I’m so sorry. I must have zoned out. I’d better get to my next class. I’m so fucking late! Sorry about the language, Coach.” Something about me sounded off, but I couldn’t put my finger on it.
“Jeremy, son, snap out of it. That was the final bell. Classes are over. Are you feeling okay?”
“Yeah, Coach, I feel fuh, I feel, uh, effing awesome, actually. All revved up and ready for practice. I didn’t miss practice, did I? Am I forgetting something? You wanted me to watch a video or something?”
“You already watched it, Jeremy.”
“Oh, okay, Coach. Sorry. Yeah, that’s right. I did watch the video. Did I see everything you wanted me to see, then?”
“Yes, you did. You’re doing just fine, Jeremy. You’ll be feeling like yourself again in no time. And don’t worry about your classes. You’re excused for today. But just remember that you need to keep your grades up if you’re going to stay on the team, particularly when you’re doing two sports.”
“Understood, Coach,” I said. “Uh, grades shouldn’t be a problem for me, I think.” At least, they’d never been before. “But, uh, sorry, what two sports was I doing again?”
“Basketball and wrestling, son. Look, I know maybe grades aren’t a problem for you generally, but you know you’re not the brightest kid in school, and you’ll have a lot more, well, distractions in your life right now. Both teams are counting on you. And remember that the weight program and diet I’ve outlined for you are just as important as practice. You have a ton of potential, but to realize that potential, you need to start packing on some serious muscle.”
“Got it, Coach. I know it’ll be a lot of work, but I’m really motivated, and I’m super stoked about your program.”
“Glad to hear it. Well, you’re already suited up for practice, so get out to the gym and start warming up. And remember, we’re hitting the weight room after practice.”
“Sure, Coach. I’m looking forward to it.”
“Okay, get out of here, big guy,” he said, patting me on the shoulder. “Derek will show you the way. I’ll see you at practice.”
I had to say it was super cool of the coach to take all that time with me personally, especially since I wasn’t a very big guy, at least not yet. I caught my reflection in the mirrors as I went back through the locker room. The basketball uniform fit me well. Of course, it was nothing like my wrestling singlet, which was skin tight and hid absolutely nothing, especially my bulging package. The basketball shorts were loose and hit a bit above my knees. My long, hairy legs were skinnier than I liked, and my upper body was the same, but I could see the beginnings of some pec muscles under the tank top, and deltoids, biceps, and triceps starting to form on my shoulders and arms. I looked rangy, not built, but I’d be packing on muscle soon with Coach’s program. I hadn’t realized how bushy my armpits had gotten, and there were a few fine chest hairs showing above the neck of the tank top. I’m glad I finally got a haircut, though. I look really cool with the high fade. It’s way more practical, especially for wrestling. Most of the other bros keep their hair short, too, although not all of them keep it as short as Derek does with that blond buzz.
Anyway, basketball practice was great, and the other bros on the team are awesome! Everyone seems super chill, and I just fit right in. There are even some gay jocks on the team like me, and they’re all really hot. Steve O’Connor’s one; it’s nice to see someone I already know. Steve introduced me to Zach Davis, who’s one of the gay jocks, and he’s almost as cute as Steve.
After hitting the weight room, I showered and went back to my locker. I guess I’d left a clean outfit in there, but the clothes didn’t look familiar. I didn’t see any underwear, but there was a pair of compression shorts, so I pulled those on, stuffed my package into them, and then put on a T-shirt. The compression shorts felt soft and silky against my cock and balls, although the bulge was a little obscene. The support was almost as good as a jockstrap. I’ve really hit a growth spurt recently, and everything’s gotten bigger, if you know what I mean. The bulge wasn’t so obvious once I put a pair of regular athletic shorts on over the compression shorts. That reminds me; I need to tell Mom and Dad that I need some more jockstraps. My balls have gotten so big and heavy that I really need that extra support, especially for basketball.
When I finally got my phone out of my locker and looked at it, I had a bunch of messages from Chase wondering where I was. I don’t know what his problem was; it should have been obvious: I was at practice. It’s not as if I’d been gone all day. Sometimes I wonder why I’m friends with a geek like him anyway. But he is awfully cute for a little dude, and I’m pretty sure he’s into me. Maybe if I went out with him, I could talk him into going out for wrestling. He could certainly stand to pack on some muscle. Anyway, I had other plans for the night. Derek invited me over to his place to watch the game with some of the other bros. His girlfriend Becky was going to be there, and Tyler and his girlfriend Brittney, plus Steve and James. I guess James and Tyler have been best friends forever, and Becky was friends with Steve and James, who had fixed her up with Derek. It’s so cool that the straight bros and gay bros get along so well. Zach was supposed to be there, too. Maybe I’d get to know him a little better.
Anyway, I texted back Chase: “Chill out, bro. Was at bball practice. C U tomorrow @ school. Got plans 2nite.”
Chase sent: “Plans? U OK? Someone got ur phone? Since when u play basketball?”
“Going to Derek’s to watch the game. Tell u bout it 2morrow. Later!” Anyway, I had a great time hanging out with the bros and watching the game. Zach seemed nice, but I wasn’t really into him, and I don’t think he was into me, either. I kept thinking about Chase. He kept blowing up my phone, but I ignored it. I was trying to decide what to do, but it was hard to think; I was so tired after practice and working out. I finally went home and collapsed on the bed. I barely managed to get my clothes off before I fell asleep, and then I dreamt about hot, hairy bros, but all the bros had Chase’s cute little geek face. It made me think how hot Chase would be if he were a jock, too. That woke me up, and then I realized my cock and balls needed some serious attention before I could get back to sleep. When I finally came, my balls must have been really backed up, because I made a huge mess. I had to clean it up the best I could, because I couldn’t exactly get up and change the sheets without waking everyone else up. But I sure felt a lot better. My thoughts calmed way down, and I felt really mellow and chill. I fell right back to sleep.
To be continued...
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The Lonely End of Belos
Or why Hunter, Caleb, Evelyn, Lilith, Collector, or anyone that Belos personally wronged didn't get to be the witness to his demise.
I admit, I was a bit unsatisfied with Belos' demise. After all the build up with Caleb hallucinations and Grimwalker bones, I thought he would fall into the graveyard pit, see the ghosts, and realizing all too late it's his fault before he melts into a pile of bones.
Prior to that, before Thanks to Them, I speculated on Belos' fate would be him being hunted down by an angry mob of humans led by Jacob Hopkins believing him to be some kind of cryptid monster either threatening the town... or offer a rare opportunity to get rich on the news. And then he falls apart like an animal.
And when Watching and Dreaming trailer hinted at Belos possessing the Titan, I wondered how they were going to defeat Belos without resorting to revenge or poetic irony (since Belos is this big final boss that the heroes would blow up like with the core). I thought perhaps they would turn Belos into a Palisman tree and make him give back all the Palisman he devoured in a twisted form of redemption. Perhaps they'll remind him of his past and start a mental collapse that causes him to lose control of the Titan as he sees images of Caleb. I was pretty sure Caleb would show up just before Belos dies, giving him the realization that he's damned.
But his actual demise... feels empty. He did fall apart as I expected and there's sense of loneliness in his demise, but... no Caleb. No Evelyn. Nothing hinting to his past. Heck, I don't think the name Philip is even brought up once. It feels like we've been cheated out of a cathartic demise, and I spent the hours since the special aired trying to make sense of this choice and why. Why is there no Wittebane lore.
And ultimately, I make this conclusion:
Belos refused to open up about his past. It's quite telling the Collector spilled everything of his Freudian Excuse from being bullied by the Archivists to being wrongfully imprisoned by King's Dad to his desire for friends and being accepted. Him opening up communications of his insecurities allowed Luz, Eda, and King to empathize and help him. To teach him kindness and forgiveness. To teach him the value of life through death. And through their teachings does the Collector become better and ultimately redeemed.
But Belos? We know he had a traumatic past and a lot of insecurities with his brother. We know he's a lot like Luz and the Collector when he was a child. But unlike them, he never opened up about his insecurities. He forcibly molds them into abstract ideas and rules. For the greater good of humanity. For the good of your souls. He always tries to make it non personal, thinking it makes him selfless and pure.
But what he ends up creating is a caricature of himself. A shallow representation of his former human life. The Hollow Mind portraits released this week on Twitter shows tragedy with the happy memories being free of scratches and burns. Those were the original looks. But in the actual episodes, even the happy memories were scarred and burned. As Understanding Willow reveals, if you burn the memory pictures, you essentially erase them from existence. This means that Belos barely remembers his past. Now that I think about it, Belos never actually used the word brother at any point. Just an old friend. At first, I thought he was trying to avoid triggering trauma memories regarding Caleb's murder, but now I wonder... did he actually forget Caleb was his brother?
Because if he did, then it explains why he never seem to make the connection that Eda and Lilith may in fact be the descendants of Evelyn and Caleb. He only remembers Evelyn's first name but can't remember her face or anything that would link her to the Clawthrones.
And then it hits me. Despite being the big main antagonist of the series... Belos has only one personal connection to our main trio: Luz the Human. Eda, he dismisses her as an Owl Lady outlaw who isn't important in the grand scheme of thing. And King, he thinks it's a weird dog demon, not a baby Titan. But Luz, he's obsessed with because A) she would help him learn the Light Glyph and find the Collector and B) she's the first human he has seen in centuries.
Thus, it is Luz that Belos focuses on the most. It's Luz that Belos wants to form an actual connection since Caleb's death. And when you think about those witnessed Belos' demise... Luz is the only one that Belos has any genuine interactions with. Eda, King, and Raine... they were all background pawns or obstacles, not even worth specializing personal grudges towards like he would with Lilith, Hunter, Evelyn, or even Caleb.
So in spirit, Luz is the last lifeline for redemption and forgiveness. And Belos blew it. He was so obessed with Luz due to her human status but he never gave anything about his past to her (Luz only got Belos' backstory from Masha). He assumes that being human alone is sufficient enough for speaking terms. And he choose the best looking human look for her: A non-broken nose Philip Wittebane. Just as how she saw him in Elsewhere and Elsewhen. The ideal adventurer and hero of the 17th century. He evidently forgot that this bearded Phillip destroyed Luz's respect for him. This Philip lied to her and betrayed her and Lilith. This Philip was not the hero Luz envisioned. After all, the Philip she idolized in the diaries was clean shaven. He could have chosen that form... if he actually remembers that.
And then he sloppily try to make himself sound like he's freed from a curse, sloppily using the term dark magic instead of wild magic, and taking great pains to even say that he did horrible things, even under the excuse of a curse. He has no idea on how to make himself relatable when it's all there within him deep down. He just uses the surface-deep level of relatability and Luz doesn't buy it. And the boiling rain melts away that skin deep humanity, revealing a rotting ghoul barely clinging onto life, screaming of how witches are evil and unforgivable as he crawls to Luz. Notably, he still doesn't give a reason as to why he thinks they're all evil. We all know what it likely is, but Belos never confirms it to Luz.
Belos is virtually on autopilot, repeating the mantra of humans are superior and witches are evil. He never speaks about how Caleb was "stolen" from him by a witch. He never speaks about how Gravesfield taught that witches are evil. His memories almost completely erased by his self-inflicted denial, all he can think of is wiping out witches and saving humanity. A caricature of his former self.
And by failing to swayed Luz, he's completely alone. There is no Caleb now. No Evelyn. No Hunter. No Lilith. No Grimwalkers. No Flapjack. Just Luz whose connection he tries to forge is now a shallow parody because of how much he doesn't understand her at all. But she wouldn't kill him since that would give him a known company at his last moment. Instead he meets his end by those that he doesn't even see as personally important beyond pawns. Though they have a lot of personal grudges against the former Emperor and tyrant, Belos only sees strangers at the end of in his long life.
Philip Wittebane is nothing more than a faded memory of a bygone era. He died with his brother Caleb, regulated to just folklore ghost stories told in Halloween of Gravesfield. To some, they may never really exist in the first place since 1613 is a very long time.
The creature that resembles Philip is just Belos and he is little more but a parody of a man, full of sound and fury, signifying nothing.
#emperor belos#belos#philip wittebane#caleb wittebane#luz noceda#eda clawthorne#king clawthorne#raine whispers#toh analysis#evelyn toh#toh spoilers#character analysis#I realized I might have charted another villain's downfall in my description#ganondorf#calamity ganon#the legend of zelda#the owl house#toh watching and dreaming#toh 3#toh 3x03
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forever grateful to you for sharing your musings, as if the book writing weren't great enough and hard work enough, you truly spoil us and i love you.
I'm popping in here to ask if you would like to talk about how you see Dumbledore. Sometimes I feel his manipulative side is abused in fanfiction, depicting little more than a heartless chess master.
And well, I guess I'm curious to find out if Lionheart Albus has a heart and will we get to see it. Maybe the more generous glimpses you give us of Snape and his interactions with him will shed some light on his hidden depths? Or will his appearances remain fleeting and enigmatic, always far and above all the little people we do know and adore?
Sorry, I know you can't possibly be completely balanced in your portraying of the whole cast, or they would spread too thin. I am here for the plot, for the Dramione and the Blacks, but I deeply enjoy all the character building (I truly live for all of them, not only our loved ones, I even cherish Warrington with sincere hate and am waiting for his comeuppance ) so I thought I would ask if you wouldn't mind a few comments on our opaque headmaster.
Thank you, friend! You're really kind.
Dumbledore has a relatively minor role in Lionheart for a few reasons — chief among which is, as you point out, that we just don't have time for everybody to get the same level of characterization the mains do. I have plot justifications for that, but it'd be disingenuous to suggest otherwise: Dumbledore's minor because I'm less interested in him than I am in Snape and Narcissa, and Lionheart is much more about Draco's sphere of the world than Harry's. That being said, I think some people forget how small Dumbledore's role is in the original books. He pretty much exists to deliver exposition and tell Harry how to beat the final boss; dude doesn't even get a gesture at a backstory until he's already dead. In fact, it's kinda weird to me that everyone (including a lot of people in the series) treats Dumbledore like he's some kind of guardian for Harry, especially with respect to the decision to keep him at the Dursleys. I know it's set up in the prologue, but if I'm Dumbledore, and I'm catching strays for Vernon Dursley being a piece of shit, I'm gonna be like:
The TLDR on Dumbledore is he's blamed way too much for stuff he doesn't do instead of the stuff he does. People seem to blame him for everything bad that happens to Harry because he's a competent adult in the general vicinity of the kid. But with the possible exception of hiring Lockhart — a bad decision I attribute to Early Installment Weirdness and, just maybe, a certain scarcity of applicants for a position where the last dude Literally Fucking Died — there's not a whole lot of shit that happens to Harry in the first few books Dumbledore could've prevented. Plus, he does in fact have Other Shit to be Doing. Is he a really powerful wizard who probably could've saved Harry's ass in a lot of the fights he gets into? Yes. Does he also have a whole school to run, a secret guerrilla group to direct, a Ministry full of political enemies to placate, and — oh yeah — a snake-faced immortal evil sorcerer he's playing 4D chess with at all times? Yes!
The whole lamb-to-slaughter thing with Harry is admittedly quite dark, but I don't read it as machiavellian. For one, Dumbledore obviously comes to this conclusion after a lot of deliberation, and to his death, he refuses to tell Harry about it, because (one assumes) he never intends to kill Harry himself. He's willing to hinge the fate of the free world on his respect for Harry's autonomy and/or his faith that Harry will make the "right" choice. That's pretty humane, given the circumstances. And he holds off on telling Harry about the horcruxes because... he doesn't want to inform a literal child that he'll eventually have to kill himself for the war effort. Oh, GOD, what a SCHEMING MONSTER. Surely this is motivated by menace, and not the grieving reluctance of a seasoned veteran who wants to preserve whatever few years of happiness this kid can eke out of life.
The areas where Dumbledore is morally shady come out most in his interactions with other adults. His conversation with Severus in 1981, for instance, is the one time in the books where I was legitimately frightened of him, because it's a rare time he's completely without mercy or grace. "What will you give me in return, Severus?" is a character-defining line, because Snape has just told him that two twenty-somethings and their infant child are about to be murdered, and Dumbledore's hit back with the subtextual equivalent of: "Tough shit. Why is it my problem?" Which is COLD AS FUCK! And we can kind of infer that he's not in earnest here, that he's manipulating Severus by making him think Dumbledore won't protect the Potters (even though they're Order members, which this theory requires us to assume Severus doesn't know) so that he can get him to work as a spy — but we don't know that for certain, right? It's all inference. We hope that his implicit threat isn't genuine, but what would happen if Severus said no, and walked away? How much did Albus understand about Snape's feelings for Lily, and what kind of person does it take to bluff like that in front of a known Legilimens? That line is intimidating as fuck whether or not Albus means it.
It's bits like these, where he's talking to people that he actually dislikes, where we get hints of the real Machiavellian Albus Dumbledore, and it's absolutely fascinating. He's the veteran of two wars, going on three when he dies, and you can tell in how he conducts himself. That includes, by the way, his gentility with children and his respect for innocence. But he's not just Good Funny Grandfather Dude or Crafty Mastermind. He's a general. He's been waging wars from the back lines since his twenties. That does something to your brain, and it doesn't leave a lot of you left over for anything else.
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ASLFUA ending theory
I’ve recently re-read this webtoon, along with the Korean raws, so there will be SPOILERS for those who are not up-to-date with it. I will also compare it the the Korean drama, 25 21, so if someone hasn’t watched it, please skip those sections. Thank you. :)
So, let’s start off by clarifying that I love After School Lessons for Unripe Apples. I adore the relationship between Cheol and Miae, and I love them both as characters. I need to address this here, because otherwise some might think this is a hate post. It is not. What I will conclude at the end of my post is my interpretation of how the story will end, and it is an objective conclusion, not my subjective feelings. Please understand before accusing me of favoring certain characters over others.
This webtoon is very similar to the Korean hit-drama, 25 21 in many ways. They are both set in the same time period, they are about youth and friendship, and are centered around a boy and a girl and their blossoming relationship. The girl is positive about life, full of energy with an eccentric personality, while the boy is more cautious because of his own bad experiences in the past, and he starts to see the beauty of life again and be more himself after meeting the girl. Of course, these similarities are coincidental as we know that Unripe Apples was published before 25 21. At the beginning of 25 21, we get to know that the main characters are no longer together in the future. Despite hoping that the narrative will keep them together, we have to resign to the fact that the show will be about their youth and they will eventually get separated. Let’s not talk about how that happened, because the execution was quite clumsy, but the main idea is the following: two young people meet when they need each other the most at a certain point in their lives - they develop a friendship which later becomes romantic love - life and circumstances force them apart, and the love they shared will only be a memory while they experience new things. Now, let’s look at what we know about Aslfua:
In the second chapter of the webtoon, we are told that Cheol is someone Miae will never forget. This message is reinforced again in chapter 4, when they end up being in the same class. This leaves the readers wondering: why is the wording like this? In fact, the meaning is the same in the original Korean text. If Miae and Cheol get married one day, why are we told that she would never forget him? Because, if the foreshadowing is intentional, Miae and Cheol will one day part ways. I know that it is hard to imagine for us readers, who watch their story unfold in front of our very eyes, but this is a very likely outcome. From the very beginning, Cheol is introduced in every way as Miae’s first love. Miae often compares their moments together to the comic she reads, My First Love Next Door Is Number One. The comic is a blatant symbol of their relationship- they live next door, the main character is like Cheol, and he is the first love of the girl. The narrative keeps emphasizing when something significant happens, that Cheol and Miae are 16 years old, with sentences like “this is the age when everything is embarrassing”. It’s not a coincidence in my opinion that the emphasis is always there. Because it keeps us not forgetting that this is a certain period in their lives, which will one day pass. But if they do not end up together, you may ask, what was the point?
Well, in my opinion, the story has always been about Miae and Cheol helping each other, while the romance has been secondary. Cheol meets Miae at the lowest point in his life. For him, meeting her is more than a romantic relationshp, meeting Miae is a start of a significant turn in his life. Cheol becomes friendlier, more expressive and acts more like a young boy. Miae, on the other hand, learns to be more responsible when she is with Cheol, and he helps her out many times. The time that they spend together might be short for all we know, but it is truly something they will never forget. Interesting that the author has drawn them together in high school, wouldn’t that be a spoiler at this point? Well, it wouldn’t if they do not go to the same high school, in this case it would be a what if scenario. There are also a lot of illustrations on her social media, but they are not strictly romantic. This leads me believe that while Cheol and Miae will indeed fall in love with each other, it will be just a short period of their lives. Yes, heartbreaking, but very realistic if you ask me (as an adult, I’m speaking from experience).
So, here comes the more controversial part. If Cheol and Miae do not end up together, what about the other characters? It’s a very interesting question. Because, for a long time, the webtoon did not have a clear second male lead. Second male leads are usually introduced only for the sake of creating drama between the main characters. We know from the start that they will not end up with the main character, but they are usually fun people with an unrequited crush, who are introduced at the beginning as part of a love triangle.We could observe the same pattern in Cheese in the Trap, the author’s other work. In Ho was shortly introduced after the male lead,they had a personal grudge against each other, fell in love with the same girl, etc. He was included in promotional art, but it was obvious he was destined to lose.
Let’s look at Unripe Apples from the same perspective. Jinseop is shortly introduced after Cheol, he has a fun personality and personal connections to Cheol. Does he end up as the second ml? No.He seems like the perfect candidate, but he only becomes Miae’s friend without romantic feelings. What about Jungwook? He’s Cheol’s friend, goes to the same academy as Mae, he is handsome and kind, another perfect candidate. But no. He never has any romantic feelings towards Miae. So, here comes the strange part. We are introduced to a boy way long into the story, Seo Jisu. His apperance seems random at that point of the narrative until we realize: but he has been there all along. In fact, if Korean theories are true, he has been in the story since chapter 1. Miae gets back her pencil, but it wasn’t Cheol’s doing. Soemone drags Miae away from the crowd at the sports festival. She dances with a faceless guy who keeps saying random things. They are sent out to the corridor for not paying attention. He finds Miae’s nametag and wears it. And, if the theories are true from the Korean raws, he went to the same elementary school and confessed he liked her in front of the whole class before transferring. So, this guy was truly everywhere in the narrative even before we were aware of his existence. But why?
If he was truly destined to be the second ml, why wasn’t he introduced earlier? Why was this character needed when we already had at least two boys who could have fulfilled the same role? Jinseop already created tension between the main characters, so what was the reason? Also, Jisu is weirdly separated from certain parts of the story. He doesn’t go to the academy, in fact, we never see him outside school. Jinseop is tied to Cheol’s past, and we see him a lot outside of school with Miae. And how does Miae see Jisu? She thinks he’s weird, while others characters think the same of her. Even though they recently made connection, she looks at him a lot, while they are not even friends. Miae had already had a lot of male friends from the cast, why was one more added? And why don’t we know anything about him?
Well, here comes the final conclusion. I think Jisu will be the one Miae will stay with at the end. Otherwise I do not see why the author chose to drop so many hints of him even before his introduction if it wasn’t going to be important. If Cheol and Miae get separated, which is supported by the narrative, the most likely outcome is that she introduced Jisu to be Miae’s final love interest. Again, I’m not saying this because I prefer him over Cheol. I love both characters. I relate a lot to Cheol. It is my objective conclusion based on the narrative, if the author wants to portay a realistic coming-of-age story. It would be pointless if she created Jisu’s character only to create drama at that late point of the story, and honestly, bad writing, especially with how she built up his character in the background. Obviously, I can be wrong. The story will still be good even I’m wrong. But it’s an interesting possibility to think about.
#aslfua#after school lessons for unripe apples#mi ae hwang#kim cheol#hwang miae#cheol kim#seo jisu#miae#cheol#jisu#unripe apples#theory#webtoon
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I’ve seen a number of posts dismissing discussions of racism in the new storyline out of hand. To the point where I have no idea what the original criticisms were. And I think that’s really unfortunate. Partly because it feels like there’s a part of our community we’re not listening to and partly because I have some questions on the subject and would really like to hear what people are saying about it, but I’m clearly not following the right people.
I think folks forget how important Eddie is as Hispanic rep. Although 25% of the US population is Hispanic, only 3.3% of lead roles in TV are played by Hispanic actors (source) They’re also only 1.6% of showrunners and 1.9% of directors. And they are also under 5% of executive or management roles in media (source). So there is clearly a systemic problem.
But how does that apply to 911? Well - Carlos on lone star is notorious for having the least screen time of any character, despite the fact that his character is the closest to Athena in terms of role. And Eddie? Well, the latest I could find was season five totals - and Eddie and Chim, the non-white or black men, were bottom of the barrel. To really establish a pattern, you’d want more than two shows, but at least across half a decade of shows, the pattern is pretty consistent. I’m not making an argument about the reasons for that, but those are just the numbers. If I were to speculate, I’d assume it was a combination of who the network exec, showrunner, and executive producer was, since they have the power to make decisions. Just coincidentally, their racial identities mirror the screen time of the characters? Hmmmm
So then let’s look at who does press for the show - making themselves more visible…yeah, that’s largely Oliver. And you can say that’s because he’s a POV character- but you might be surprised to learn that in many seasons either Hen or Athena had more screen time than Buck. Yeah. Really. But you NEVER see Aisha put out to do press the way that Oliver is.
Why is that? Is it because she’s a black woman? Because she plays a queer character? And who is making that decision and why? Because that lack of visibility impacts her personal career. Same thing with Ryan Guzman and Kenneth Choi, who both have less screen time AND less press.
But in particular- and this is the rub - Ryan has CLEARLY been making intentional acting choices FOR YEARS to shape his character and his dynamic with Buck as queer. Oliver played into them, thinking of them as natural chemistry- but it’s clear that other creators on the show - notably the directors and writers, picked up on Ryan’s choices and fan reactions to reframe the dynamics and the characters.
And it’s really clear that Tim originally intended to have Eddie come out, but the poor reaction to Natalia and the fact that the actress was unavailable led him to switch the storyline to Buck. All of which is perfectly understandable.
But if there’s one person most responsible for the reason we ultimately got bi!Buck, it’s Ryan Guzman - for the bravery and perseverance of his choices as an artist. It’s amazing to me that in all the praise for Oliver saying that he “would have” leaned into Buck as queer even without the go ahead…no one has thought to praise the actor who actually DID THAT - for YEARS- when he was in a much more precarious position as a character and an actor. Like really take a minute to look at what that took…he was risking his livelihood with that choice.
And then, when the show DOES finally make it canon…who gets the praise? The buzz? The support? The white guy who was mostly oblivious for the past five years. Like…how is THAT fair?
And OK, the original plan was for the helicopter pilot to be Lucy, and that fell through so they reached out to Lou, because Tommy was a former character- but also quite likely because he looks a good deal like Buck - and the SL was supposed to have that character be a stand-in for the other half of Buddie. When they switched to Buck, they had to make Tommy have similar hobbies to Eddie to establish the similarities, since they couldn’t rely on looks.
But that meant they totally whitewashed the story line. And if you want to talk about firsts - when has a Hispanic lead come out as gay or bi? And how many of them were men? And how many were over 21? And on a mainstream show?
And no, it wasn’t intentional (just a function of having so many more white characters than Hispanic characters), but it was unfortunate. Not to mention the intersectionality of it all.
So…I honestly think there’s a decent basis for critique there. Not a “these people are terrible” critique, but a “not paying attention to diversity systemically” in a way that lets unconscious bias have the same impact as deliberate bias.
And I really wonder at the people who just dismissed the entire discussion - how hard did you listen? How willing were you to hear what people were saying? Because this is an issue that has to do with real people, their careers, their hopes, dreams, and identities. And you should be willing to listen.
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An (incredibly long) "I want"-style song dedicated to the most unruly of trios: John Lennon, Paul McCartney, and George Harrison.
The setting is the late 50's – it's deliberately a bit of a mish-mash :-)
Lyrics below the cut!
John: Green
Paul: Blue
George: Purple
P&G: Pink
J&P: Red
JP&G: Neutral
Liverpool gave up on me the first day of preschool
Teachers called me unruly cause I don't suffer fools
And my aunt who says she can't believe I’d throw it all away
Quarrybank, that school for cranks suspended me the other day
All those lads who quit this band to learn a proper trade
Think that I don't understand the facts of getting paid
But you both see,
It's them not me, it's us and this here prophecy
Do you see us five years on – well
Maybe three, that's sort of long
As they're writhing for our songs
And “Your group's on now, John "
Earning some preposterous wage
Free of this less-town-more-cage
As we enter center-stage
In our gold disk age
And the birds will have to queue
For a single peck at you
Then, emboldened by the view
Watch them molt on cue
And all we need is not to quit,
They'll call us Great Britain's
Newest stars, brand new guitars, guaranteed not to split
Picture us: the favourite band
With a record deal in hand
Going deaf from screaming fans
As per my new masterplan
Where we going, fellas? Where we going?
Where we going, fellas? Where we going?
(To the topper-most of popper-most of popper, to the topper)
To the toppermost of the poppermost!
I hear music in my head
Wherever I go
It's like it's bursting out my soul
It's something I cannot control
Meanwhile I can't drop this tune
Every night When I get home
I watch dad roll his eyes
"Heard of this thing called a comb? "
I sigh as he implies
That mum would be
So unhappy and so disappointed in me
However inopportune
There's a decade dawning soon
Shooting for the moon
And John may seem unreasonable
But his dream is feasible
Sometimes yes, guess he's a gull
I'll appease him though
And then I see how for we're come
Joined, we're greater than our sum
See, the rhythm's in the strum
Of the guitars and then some
Playing my part in your vision, I'll
Grab a pen, so much to discover
Let's produce another
Lennon-McCartney original
See the day John and me met
And Yes George, I didn't forget!
We become a matching set
Writing tete-a-tete
Where we going, Johnny? Where we going?
Where we going, Johnny? Where we going?
(To the topper-most of popper-most of popper, to the toppermost)
And where do I fit in?
And when do I come in?
Is there a spot for me at the
To the toppermost of the poppermost!
I'm the youngest, there's no day when they let me forget
But the part Paul will not say: I'm their safest bet
See the fact is they don’t practice systematically like me
I know my chord charts, strings, fretboard, parts of my soul, sorted by key.
Still the world is their playground
And I am watching from the fence
I can't yet jump with confidence
But mum taught me about patience
I still feel Julia's arms around me every time I play
What would my mum say? (She tells me)
Anything I set my mind to (She taught me everything)
The heights I'll climb to (She wanted everything)
My time soon
Anything to prove I'm worth it (Wouldn’t approve)
Move the earth, they'll learn…
I had to learn to be the only one believing in me
And ever since she's gone, I can hardly stand it (Mum says I can stand it)
No one understanding (Don’t quite understand it)
The thing she saw in me
And dad, he just wants me to be practical
She’d call me her rebel without applause and tell me
Just keep making noise, always play in your own key
I will wait patiently
He may believe in me but not my choice
They will have no choice but to love me
Where we going fellas? Where we going?
To the toppermost of the poppermost!
Insert band name here.
Liverpool has no idea what’s coming
Liverpool will never be the same
They’ll put up posters of us
Like on this truck
John, that’s a bus!
Put your glasses on, Jesus!
And dad will be non-plussed when
Walking down the street he’ll see John (John), Paul, George (George) of the…
Johnny and the Moondogs… What! Definitely not. The Shoes!
The Quarrymen… Nononononono, JaPaGe3!
Liverpool has no idea what’s coming
Liverpool will never be the same
When they all see us one as three the blasphemous song trinity.
Everybody’s bitching
Where’s that old ambition
That got you essay prizes and into the institute?
I’m not a delinquent
I’ve just been rethinking
No one realizes I’m still just as resolute
Just keep making noise
Always play in your own key
They will have no choice
But to love me
Anything I set my mind to
The heights I’ll climb to
My time soon
Anything to prove I’m worth it
Move the earth
They’ll learn from me.
Where we going, fellas? Where we going?
Where we going, Johnny?
Where we going, fellas? Where we going?
(To the topper-most of popper-most of popper, to the topper)
And where do I fit in and when do I come in?
Toppermost of the poppermost.
#the beatles#beatles#you would not believe how much time went into this lmao#or maybe you would#GOOODNESSS#main-tagging this. I've Earned It!#also sry if the colours are fucked up it's tumblr's fault not mine I corrected this twice already#my voice#fiona.docx#fic#friends.jpg
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Appalachian Witchcraft for Beginners: Review
This is: Appalachian Witchcraft for Beginners: The History, Remedies, and Spells of a Rich Folk Magic Tradition by Auburn Lily
Rating: 2/10
Pros: Some information presented is correct, like the information on “ingredients” isn’t too bad if not a super small amount of them, she mentioned red clay which a lot of books seem to forget exists. And this book’s aesthetics? 10/10 for the illustration work, colors, fonts! I also appreciated the insistence that you help the land as much as possible, as well as the land’s original inhabitants and to give Indigenous voices space.
Cons: There is so much I was so disappointed by. First off let’s get this out of the way: The author in her bio on her own website auburnlily.com claims she is a starseed. I have a LOT of personal feelings about the Starseed movement and how it damages the progress of mental health and getting help and medication for said mental disorders. But this should have been the first major red flag that this book would not be what it says on the cover.
A lot of my problems are as follows:
Most folk workers don’t use the same three or four ingredients…in this case:
Peppermint. Rose. Essential Oils. Crystals, usually citrine or black tourmaline.
Actually we tend to not use crystals at all unless we’ve adapted them into our practice ourselves…the old folk didn’t have pretty rocks to use they got at the New Age store in the town square, alright?
A LOT of this information is definitely tinged in a new age and modern light. The correspondences for the days of the week mentions “The Goddess” which we don’t…deal with??? At all??
Another example:
Grannies used to use the bible and ‘faith healing’ to avoid persecution from their community.
Absolutely not! She mentioned the witch trials a minimum of 6 times, which (ahaha good pun) almost made me roll my eyes into the back of my head, then I read the bible to avoid persecution part and almost burned the book on the spot.
Faith healing is NOT a cop out.
It was the way things WERE. Were there hexers? Yes. Were they given a wide berth sometimes? Also yes. But they also had their place in the community! The hexer in my family, Flossie, was respected with some fear, but she was also the person who scorned lovers and cheated on spouses went to. When the police were hounding moonshiners a few came to her for cop go away works.
The author also insinuates that Yarb Doctors were held in higher regard because they didn’t use faith/and or gender may have had a point in that. I dunno what yarb doctors and grannies she talked to but men were not allowed in the birthing room, that was a Granny’s responsibility and by god they did it well. You never backtalked a Granny, they were and are the backbones of their communities.
Now that I’m off that soapbox, the author also seems to believe that meditation, third eyes, astrology in a modern way, and crystals are critical for Appalachian witchcraft which is stupidly incorrect. Her recipe for floor wash is hogwash and far too simple and small, her candle color correspondences are laughable…especially that little line on Orange: “Helps with menstrual cramps.” If that was the case no straight woman in Tennessee would get cramps because they all wear orange at least once a week for their team.
She only uses Hoodoo like…3 times which is better than most authors so I supposed that’s progress? But the author also hates baneful work and makes mention of that fact numerous times.
The author also has quite a few love spells mentioned, and weirdly enough…a lot of her ingredients in OTHER spells are also the same ingredients in her love spells. How strange.
My final and most damning gripe, the author seems to believe that stereotypes make for amazing offerings to the ancestors. In particular…the Irish would appreciate offerings of potatoes. You have to be kidding me.
Overall: Yet another new age witch trying to make folk magic look far more complicated and fluffy than it is. I hated this so much. I didn't even touch the "Open the healing channel" and "Reparative Visualization" "SPELLS" she includes which sounds like absolute woowoo.
Proof of some of these claims are below:
#buggy's book reviews#witchcraft for beginners#appalachian folk magic#witchblr#Reading garbage so you don't have to!
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🐱: Jimin, let’s get you shirtless and do a dance just like that.
🐥: I’m on it.
🎬: [cut]
⚠️ 🤡 Speculation ahead:
Ok, I included that moment at the top because I want to start with something positive before we get into this.
I don’t believe in the “2018/2019 break-up” theories. I just don’t see it. And trust me, I’ve looked for it because let’s be honest…you can’t have a break-up without a relationship to begin with, right? In other words, you could argue that it would actually help prove that yoonmin is “real.” Not to mention the fact that many yoonminers see a rift during that time. It’s human nature to want to see what everyone else is seeing. No one likes feeling like “I must be missing something.” But…I have looked and I don’t see it. During that time, we do see some restraint when it comes to their physical affection, but there are enough wonderful moments scattered throughout that time that I just don’t see a break-up. That’s my opinion, and I understand I’m kind of on my own on this. 😉
Now…where I do see some bumps in the road is late 2019 and early 2020. This includes Jimin’s visit to the Shadow set, which clearly didn’t go the way Jimin had hoped and which was still the subject of some debate a couple months later at the MOTS7 purple sweater day. (Sorry, I can never remember the official name of anything.)
The Black Swan contemporary dance reaction video, where that screenshot at the top came from, was released on 200119…in other words, right in the midst of this period.
I see good and bad here. Yoongi says Jimin should do a shirtless dance too. Jimin says that Yoongi’s video (I assume this was a reference to Interlude: Shadow) was amazing.
On the other hand, there were some little bickering moments in this video that don’t quite feel like the “for fun” Tom-and-Jerry bickering that we’re used to.
But enough about that! Rather than dwelling on the negative, what I find incredible is the way we are able to see them repair this problem (whatever it was). Because that’s what people who are extremely close do. With Yoongi and Jimin, we see them making extra efforts to fix things throughout mid 2020. They put in the effort and emotional energy to rectify things. And we see the result of this effort during surgery era when Jimin was so attentive and concerned about Yoongi, and Yoongi in turn was appreciative and outspoken about Jimin’s support.
- at the MOTS7 event, Yoongi mentions that Jimin showed up at the Shadow set and that he appreciated it even though he didn’t express that at the time. Remember, at this point we hadn’t seen the visit yet. So Yoongi isn’t saying this for our benefit. He’s saying it for Jimin.
- radio live in May 2020: Yoongi brings up the fact that Jimin did not show up to the Daechwita set and asks why. They discuss it pretty openly, the fact that Jimin had wanted him to ask. He wanted to be appreciated more fully/openly. 🐱: “Do I have to beg?” 🐥: “Of course!” Bravo to Jimin for being up-front about this and telling Yoongi what he wants. And bravo for Yoongi for listening and then demonstrating that he understood…
- also during that live: Yoongi lists the times in which he’s publicly stated that Jimin is special to him. He also mentions that he originally wrote People for Jimin.
- and let’s not forget Yoongi’s absolutely glowing intro for Jimin that day, and Jimin getting so giggly and telling Yoongi he loves his radio voice.
- during ITS, Yoongi invites Jimin into the trailer to listen to songs he is working on. We know one of those songs was Amygdala, which is very special and personal to Yoongi. We also know this song was for Yoongi’s solo album, not BE. So, Jimin’s role as Music PM was not the reason Yoongi invited him to hear the song.
- also during ITS, we see Yoongi make an effort to spend time with Jimin. They ride together in the car, do woodcarving together, play video games. Yoongi makes an effort to invite Jimin to participate, especially in the gaming.
- Yoongi was very vocal about wanting Jimin to be the music pm for BE, and he praised him more than once for his efforts during the BE promotional period.
- and then sprinkle in a dash of matching shirts during the yoonminjin dance live.
We are talking about real adults in a real relationship/friendship/partnership/whatever you want to call it. There will be challenging spots along the way. That’s an absolute guarantee. What tells me a lot about yoonmin and their bond is that we see a problem and then we get to see them implement a solution. To me, from my perspective as a yoonminer, I think all of this shows that they’re willing to put in the effort to overcome hurdles when they come across them. It also shows a lot of emotional maturity/emotional intelligence on both of their parts.
Sorry I didn’t link to receipts for all of this because I had a lot to say, but feel free to ask if you’d like a source for any of this.
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Our flowers and what they represent
Seeker as lavenders and Informant as forget-me-nots
These flowers are something that we desire from each other, on top of encapsulating it’s owner in a way.
Informant on being forget-me-nots On the theme of Rememberance, he doesn’t want to be forgotten. He is someone who has spent years hiding and being on his own, and I like to think that the moment the werewolf incident happened, something clicked in him, a sense of guilt that came along with becoming a form of danger (as the werewolf) which then pushes him to want to help, and why he’s always throwing himself into his work, why he’s so devoted (devotion being one of the meanings behind the flower)
The next theme of forget me nots is True Love. Informant is someone who desires companionship, he wants someone to be by his side, but he’s realistic with this type of love because he knows he wouldn’t be the perfect partner, that he wouldn’t and can’t fulfil everything his partner would want due to his reserved nature, due to all the walls that he has built up.
Additionally on the topic of this, the origins of forget-me-nots are of a knight who fell into a river whilst picking flowers for his beloved, the weight of his armor being the one that caused him to drown. I could project this onto Informant in the sense that his duty was the one that caused his downfall, his fault for leaning too close to danger — to the river just for his beloved. Like not shedding the armor as a form of devotion “i protect you by protecting the world around you”
Seeker’s desires Following the theme of Remembrance Seeker doesn’t want to be forgotten either, to not be needed once the city is saved. Like yes, things still do need to be found, but not in the frequency that would take up all of their time. They don’t want to be cast aside, and besides, what would they even do once the city is over? It goes into their theme of being a blank slate, that they’re only made for one thing. Onto True Love, just like informant, they desire companionship. someone that would understand them, but unlike informant, it’s rather idealistic and innocent in their perception in the sense that, they believe that Informant is the one that they’re meant to be with, which is why they don’t stop being interested even when Informant pushes them away.
something something.. they desire each other so that they can be remembered by each other
Seeker on being Lavenders The first number of themes that ties with lavenders are Silence, Devotion, Serenity and Calmness. On Silence, it’s how they don’t quite have a say in the things they do, a lot of the times it’s the townspeople telling them “yes! do this! do that! get this item and get me that item — quick!” they do have a say in things but it’s only on minor issues, when there are life threatening problems, they are the one that automatically has to step up to do the job. it’s a forced sense of Devotion. They’re the only ones that can do it, so they have to.
On Serenity and Calmness, it’s the fact that they’re supposed to be the rock, the person that shoulders all of the city’s problems, so they keep calm, they cannot panic in the face of other townspeople who are. They’re who people turn to in a time of need, and a pillar of support they will be.
The next set of themes are Elegance and Royalty. Both in the sense that they’re seen as a higher being, not human in a way. They’re a well known figure, they even have fans! they’re already being looked up to.
Informant’s desires Talking about Silence, I imagine Informant would desire this in his past self, from having an overbearing brother, I feel like he’d wish he had someone in his childhood that wouldn’t want anything out of him, someone who doesn’t have any expectations of him. Someone who would listen to him for once. Silence in listening.
Then, Serenity and Calmness. I think this one is rather obvious, with how Informant would desire some respite from his risk filled life. with all that adrenaline pumping, Seeker with their Calm demeanour is something he takes relief in, His Serenity.
Finally, Elegance and Royalty. This is less of a want and more of a ‘makes him think about himself’ It’s another thing he wishes he had in his past self. He never truly felt like he was fit for the life of a noble, so in his perception, seeing that air of Elegance around the Seeker, he can almost imagine them at the parties he was invited to but never went. He wonders of a life where he was more fitting for that sort of life. It makes him rather reflective on where he is now.
#heads up this is a really long post#with a couple of repeated points for people who r familiar with these two#i love them. i’ll post the drawings separately#the informant#seekers notes#selfship#f/o community#「Love Note Unfolded in Secret」
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So most of the time I like to just draw the stuff I like from things I like to help my adhd brain relax before I start heading off to work for the day (but I also like to draw down story ideas as well)
Like to leave fandoms to do their own thing
And fairly odd parents fandom at the moment has some Great ideas and fanart but it’s getting harder and harder not to want to rant as the few who seem to misinterpret Timmy Turner and his relationship with the fairies in fairy world
Heck some seem to forget what crazy rather dangerous dumb neglectful people Timmy’s birth parents happen to be from day one or fact half of dimdales treats kid Timmy quite horrible (( they ignore all the abuse that Timmy gets from
Vicky / cocker and the bully as well as ignoring all the neglect or crazy stuff Timmy’s own birth parents put him through
So while I’m sketching Cosmo and Wanda just started ranting about this
Heck for half of Timmy’s wishes are not all on Timmy
Cosmo kinda fumbles things too but people don’t want to acknowledge this (( I love Cosmo and Wanda but in the original Cosmo caused quite a few troubles)) and other reasons are from the people around Timmy at the time causing Timmy having to wish to fix it
Also if the fairies truly hated Timmy why did they have huge birthday celebrations for Timmy’s birthday hmm? You don’t do that for someone they hate!
Heck they even had a show in fairy world where they’d loved watching his life with Wanda and Cosmo before poof/ peri came into the picture
Heck Timmy managed to save the universe and fairy world and yet SOME peeps like to think Timmy was the worst kid and all those wishes were all his fault and fairies hated him???
Thank goodness this is a fictional character if he was a real kid going through all this and this wasn’t done in a sitcom comedy kind of fashion I’d say Timmy’s birth parents would be the kinda horror monster kinda parents like being as one meer touch and plants die both both of Timmy’s birth parents; heck before they had Timmy they ran a ghost hunting as well as alien hunting jobs but being as their way of getting the ghosts/ aliens was to blow up the house/ ghost or alien so of course everyone hated them for that & tried to run them out of town ( they ended up having to move from one part of dimsdale to the other side and had to change their names (apparently dad’s name was mum and mum’s name was Barnbie before they had their names change to just dad and mum like they literally choose to be called mum & dad by everyone before they even had Timmy;; it’s no wonder so many adults didn’t want to be their friends when Timmy had to wish for Wanda & Cosmo to be adult friends for his parents And then when they wanted to spend time with Timmy again instead of saying oh sorry we’re just gonna cut this dinner short we need to spend some time with our child* they go and behave like jerks to Wanda and Cosmo to the point Wanda was starting to look up Da Rules if it was ok to kill your godchild’s parents))
I’m soo surprised no one’s done horror versions of Timmy’s birth parents yet because they fit the bill
Anyway sorry for ranting about this just I feel like many seem to forget these things about Timmy’s life because the show was done in a sitcom comedy fashion so people miss the horror parts about it
#fairly oddparents#the fairly oddparents#fairly odd parents timmy turner#fairly odd parents timmy#fairly odd parents peri#fairly odd parents fanart#fairly odd parents#fairly odd parents Wanda#fairly odd parents Cosmo#my drawings#my artwork#my art#my sketches#chibi cartoon#Youtube
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I am going over a book of analysis of Shakespeare plays (readers who underline in books and return them in such a state are not the bane of my existence, but certinly they are a source of my frustration) and naturally when I come to the Macbeth section (Fun fact: this is from the era when it was customary to phonetically transcribe all names, even those with whose languages of origin we share the alphabet, so here the olay is called Makbeth.) I start thinking of Downey.
Somehow this thought produced “A snobbish ball has a raffle the earnings of which go to charity. It is a good custom for the Guilds to donate ‘The services of our guild up to 10000 AM$ perfomed bz the Head of the Guild’. Most people, of course, hope to get the Seamstresses’ gift card. Some people are subject to the horror when Downey is the first to come to congratulate them when they get him.”
I do love that Macbeth thoughts now trigger Downey thoughts in a (very) small portion of the population. My work on this earth is done.
Rosie would be the most popular, that is very true.
I feel like some of the smarter citizens of the City would know that Downey has multiple skills, given his education, and therefore is like "if you can do it, then it counts as a service offered by the Guild. Therefore, I have this particular issue with an invasive weed in my garden that won't quit." Or something like that.
Because Inhumation services up to 10K is a lot of work that they could make use of (or one really big/difficult target). I do wonder what the terms and conditions would be. Like, no one on the "no inhumation" list or anyone that might cause Unnecessary Headaches for Certain Fine Gentlemen of the City (i.e., Vetinari). Therefore, inhumations that might cause international incidents are off the table.
Because this is Downey, he would have the world's most annoying terms and conditions that are very thorough. But also because this is Downey he would forget something glaringly obvious and also would allow himself to be rules-lawyered into doing something absolutely fucking bonkers.
He gets chuffed whenever someone comes to him excited that they won the AG's gift certificate in the raffle and has an opening line of, "Technically this is impossible, but hear me out --"
(Vetinari in the background to Sybil: Please do me a favour and interrupt that conversation before Downey agrees to Inhume Death or something irreparably stupid.)
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Hello hello! I had the pleasure of remixing things we never said by @jennagrinsoverml for the @mlsquaredance event!! The original is such delicious PRPR and if you haven't already, you should all check it out immediately!!
You can read the remix on Ao3 or under the cut. It's Ladynoir flavoured oh-shit-we-lost-our-single-shared-brain-cell-what-do-we-do-now?!
...
All About You
Summary:
Chat Noir was enjoying a perfectly pleasant rooftop picnic/movie night/oh-so-platonic date with Ladybug—until she decided to question his feelings out of nowhere. (What does she mean, when he used to be in love with her?!) It turns out they have some things to talk about.
...
“Remember when you used to think you were in love with me?”
The question barely registers at first—and it’s not because the movie projecting from Ladybug’s yo-yo onto a nearby chimney is that good. In fact, Chat Noir doesn’t even know the protagonist’s name.
All of his attention is taken up by Ladybug. By the way she sits in his lap and giggles at the film.
(Well, she was giggling. Now he realizes she’s been silent for a suspiciously long time, and he’s a little worried it’s because she noticed him sniffing her hair.
In retrospect, he’s probably had enough wine.)
He carefully sets aside the plastic cup they’ve been sharing—they’ve learned the hard way that thin-stemmed wine glasses and rooftops don’t mix—and forces his mind to properly compile the beautiful sounds that spilled from her mouth.
Somehow they make even less sense once he’s managed to decipher them.
“When I used to what?”
She scoffs. “So you’re going to pretend you didn’t used to profess your love for me three times a week?”
An icy feeling trickles through him—one he can’t quite name, but definitely doesn’t want to contemplate. He wants her to go back to watching the movie. Maybe he’ll even pay attention this time.
But when he glances back at the chimney, the credits are already flickering.
“I never said that,” he mumbles uselessly.
Ladybug gives an indignant Hmph! and starts struggling to escape from his lap. He helps her stand—hands easily steadying her thighs when she wobbles.
(She always forgets that the wine goes right to her head.
But he always remembers. He’s always there to catch her.)
After years of loving Ladybug loudly, Chat has learned the hard way—a few too many times—that he’d only lose her if he kept on like that. He’s learned to love her quietly—to be the one she depends on, to accept whatever she gives.
It’s worth it, so long as he gets to keep her in his life.
But pretend is a rather cruel word to explain the way he’s forced to constantly to shove his feelings aside every time they’re together. The way he has to ignore how his heart speeds up every time their eyes lock or their hands brush or he just remembers she exists.
“You’re not being fair,” he says. “Just because the way I feel is…inconvenient to you doesn’t make it any less real.”
Her back is turned as she kneels down to clean up their snacks—rather forcefully slapping the lid back on the spinach dip she brought—but he can hear her breath hitch. “I know that! Don’t you think I know that?!”
“Well, then—” He breaks off, wondering why he’s yelling. “Good,” he finishes lamely. “I guess we’re on the same page.”
“I guess we are,” she huffs, which only confuses him more.
(Never mind pages. He’s not even sure they’re in the same book.)
Chat climbs to his feet, dragging the blanket they’d been sitting on with him. He whips the quilt angrily in the wind, like maybe while he’s shaking off the crumbs he can also shake off how much this hurts.
It doesn’t help. If anything, the lump in his throat only grows larger as he watches Ladybug shove containers haphazardly into the picnic basket that had been so carefully arranged when she’d shown up. The fabric inside is dotted with pink hearts—which are now getting slammed around nearly as much as his heart—and it’s that tiny detail that reminds him of everything he has to lose.
(It took years to get to know Ladybug half as well as he wants to. No matter how in sync they are in battle or how well they complete each other’s jokes, Chat’s always been all too aware of the things she can’t—no, that she won’t—tell him. Surely in a city of two million, he won’t figure out who she is by learning what she studies in school.
But the hearts that line her picnic basket? Those are a memory of something she has shared with him—after laughing herself silly over his story of a recent wardrobe malfunction.
“You don’t know how to sew on a button?” she’d asked after finally catching her breath. He’d shaken his head, and she’d gone back to laughing some more.
The next time they met for patrol, she taught him how to thread a needle. He learned to stitch buttons onto scraps of fabric, poking his needle through tiny pink hearts.)
Chat takes a deep breath. No matter what she thinks, Ladybug means the world to him—and he’s fairly sure she always will. So he ignores the suffocating anger that bubbles in his chest, and he fights back the tears as he carefully aligns two corners of the blanket.
Two more folds and he’s calm enough to speak. “Ladybug…”
She ignores him, squeezing a bag of chips so hard that the bottom pops open. Its contents spill onto the roof, ready to be crushed like Chat’s spirits.
“Ladybug,” he tries again. “Please. At least tell me what I did wrong.”
That makes her feeze, fingers grazing the edge of the plastic cup he’d set aside before. It tumbles over, wine spilling across the rooftop. Her hand curls angrily around a stack of napkins. “Nothing,” she snaps. “You haven’t done a thing.”
“Well, then—”
“At all! Even after months of all this.” She waves an arm around wildly—at the disaster of wine-soaked chips and the overflowing picnic basket. “I don’t know how more obvious I could have been, and nothing.”
“And you’re…mad at me for that?”
Ladybug responds with a growl—or maybe a screech—of frustration. “No. No, I’m not mad.”
Chat knows better than to point out that her tone belies her words.
He still has no idea what she’s talking about, though he’s starting to get the sense that maybe it has something to do with how frequently they’ve been hanging out these past few months—usually at her suggestion. Perhaps she’s frustrated he hasn’t taken more initiative in helping to organize their hangouts? He’d assumed she enjoyed taking the lead—she always seemed excited to hear his opinion on all of her ideas—but it must be lots of work.
“Do you want me to bring the food next time?” he asks, kneeling down behind her. He contemplates setting a hand on her shoulder, but decides on clutching the blanket to his chest instead. “Is that it?”
Ladybug whirls around, her eyes narrowed in a way that makes him shrink back. But when they lock eyes, her entire face wilts. “You really don’t know, do you?” Her lower lip trembles. “You just don’t think of me that way at all anymore, so…it never occurred to you, what I was trying to do.”
“I guess…not? But I’d really like to understand.” He sends a hesitant smile her way. It doesn’t seem to land.
She sits back on her heels, staring at her fingers as she tugs on them. “God, I’m so stupid.”
Chat feels a twinge in his chest. “Hey, no. Don’t say that.”
“But it’s true!”
“No.” He barely notices when the blanket slips from his arms; he’s already moving to sit beside her. “Never.”
She shakes her head adamantly, hiding her face in her hands. When Chat sneaks an arm around her shoulder and pulls her closer, she resists at first. But he gives another gentle tug and she all but melts into his side. He rubs her back slowly as she lets out a sob.
Her cries tug on his heartstrings, but some part of him can only feel relief—that she doesn’t hate him, and that she’s back in his arms. He leans his cheek atop her head, relishing the way her arms tighten around his waist.
“I’m sorry I snapped at you,” she sniffles eventually.
He bites his tongue before a reflexive “it’s okay” can slip out. Instead, he keeps on rubbing her back, stomach swooping when she relaxes further against him.
“I wasn’t even mad at you, I was just—I’m so mad at myself. Because it took me too long to realize what I wanted. How I felt. So, of course you’d moved on by then. And—”
Moved on?!
“—it’s really not your fault! You never did anything to lead me on or anything.”
Chat is starting to feel a little led on. There’s no way her words mean what he wants them to.
“I mean, you don’t even call me your lady anymore!”
He…doesn’t? He knows he cut back at some point—he’s never wanted her to feel uncomfortable—but he never intended to stop.
“I’ve been so completely delusional.”
“Ladybu—I mean, my lady, I think there may have been a misunder—”
“And now you’re going to hate me, and I’ll never get you to fall back in love with me, and Shadow Moth will win, and I’ll die alone, and…”
She keeps rambling on, but Chat’s lost the ability to follow. Maybe because his heart skipped a few beats too many.
He notices when she stops talking though—mostly because she pulls away and fixes him with her wide, worried, beautiful eyes.
“Chaton? Please say something.”
His mouth flops open and closed a few times—not unlike a fish—until he finally remembers how to make sounds. “I…can’t fall back in love with you.”
“O-oh.” She turns away, wiping her eyes. “I understand.”
“Hold on. I didn’t mean it like that. It’s just that—”
“No, no, no. It’s fine, really.”
She tries to stand, and Chat’s heart plummets. How can he have screwed things up again?
But this time, it seems like the universe is on his side.
(She always forgets that the wine goes right to her head.
He’s always there to catch her.)
This time, instead of steadying her, he pulls her back into his lap. Her head falls back against his shoulder with a dejected squeak.
“I’m sorry,” she whimpers.
Heart racing, he trails his hands down her arms. “I’m not.” A giddy smile sneaks onto his face. “You want me to be in love with you.”
She groans. “Look, you don’t have to make fun of me.”
A short laugh slips from his lips. He can’t help it. “That’s the last thing I’d want to do right now.”
“Uh-huh.”
“Seriously! My lady, I…” He takes a deep breath, resisting the urge to run his fingers through her hair. But he can’t think of a good reason as to why he should hold back, so he catches the ribbon on her ponytail and carefully picks at the knot. “The only reason I can’t fall back in love with you is that I never stopped loving you to begin with.”
She whips around to stare at him, hair falling loose around her shoulders. “B-but you changed! You stopped flirting when we started having date—I mean, completely platonic hangouts."
“Well, I didn’t want you to think our friendship wasn’t enough for me. Just spending more time with you meant so much, and…I was afraid I’d mess that up. In the past, I was always too much for you, so…”
Chat’s not sure which of them moves first, but suddenly their fingers lace together.
“You were never too much,” she says. “I just… I wasn’t ready.”
“And now…you are?”
“Now…” She hums softly and leans closer; her breath lands hot on his chin.
It would be so easy—just a slight tilt of his head—to have everything he’s ever wanted. She’s already closing her eyes, ready to answer his question with her lips instead of her words. Except…
“Wasn’t there some other guy?”
Chat wants to pinch himself as soon as the words slip out. Why would he bring that up now? Why tempt fate when he might finally have a chance?
But if this is finally happening, he needs to know it’s real.
Ladybug leans away. “I did. And maybe, in some ways, I still do. I mean, he’s still my friend and all, so—wait! No, this isn’t how I practiced this at all. This has nothing to do with Ad—him. It’s about you.” She pokes him in the chest, a shy smile creeping across her cheeks as her eyes drifted up to meet his. “It’s all about you.”
The breathy way those words tumble out do something to his insides. He’s tempted to ask her to repeat them, but he still has enough functioning brain cells to bite his tongue. Barely.
“What’s all about me?” he asks instead—which really isn’t much better.
Her head dips down, and he thinks he’s ruined the moment until her hand starts sliding slowly up his chest. “Everything. All the time.” She shakes her head. “I don’t know! One day…I just realized you’re the first person I think about when I wake up. And you’re the person I wish I could have beside me when I fall asleep. And—”
He cuts her off with a kiss. It’s on her temple, the only spot he can reach from this angle, but it’s enough to render her speechless. Her head snaps up. Their eyes meet. And Chat has only a split second to appreciate the freckles dotting her cheeks before he’s wondering how her lip gloss can taste like chocolate. And then he’s not wondering anything at all.
There’s no room for questions when she’s the answer to everything.
“Wow,” she whispers when they finally pull apart. Then she claps a hand over her mouth like she’s horrified she said that out loud.
Chat feels giddy. He feels stupid.
Later, he’ll blame the lack of oxygen for his next words.
“Hey,” he whispers. “Remember when you used to think I wasn’t in love with you?”
Ladybug smacks him on the shoulder. Then she kisses him again.
...
Thanks for reading!! 💜
#miraculous square dance 2023#coffeebanana fics#miraculous ladybug#ladynoir#miscommunication trope#mutual pining#long post
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Metroid Other M Part 6: Samus' weakness
Ok so this part is in Japanese, mainly because I had to record it again after the original video proved faulty (it had only audio but no video) so I thought to give it a change of pace of sorts, don’t look at me I had to technically replay this game twice for this
So we start off with might just be the single dumbest case of backtracking in the entire series: you make your way up a snowy hill and through a series of morph ball tunnels only to reach a room with a switch that you can’t hit due to an unbreakable window. The Wave Beam would be able to hit it, but apparently Lord Adam is asleep again so we gotta make our way back only to get ambushed by Zebesians trapping us in a glass cage. NOW Adam wakes up and allows use of the Wave Beam, meaning that NOW you get to go back the way you came from to hit that switch from before
This is the very definition of arbitrary, it’s so lazy and thrown together like they felt the need to check a box off a list. Oh Metroid games have backtracking? Well here’s some backtracking I guess! It’s so monotonous, you’re just retracing your steps with nothing to make the trip back shorter or more different, aside from there being a couple of electrified floors in the morph ball tunnel now. This is an actual waste of time
Wanna know what’s also a waste of time in this game?
Samus’ character
Yeah it’s time for the Ridley scene everybody, you all knew this was coming, we could only avoid it for so long
To put it simply there are essentially two main interpretations for this scene:
The most popular one is that Samus is suffering from a PTSD attack upon discovering that Ridley, murderer of her parents, is alive again
So many criticisms have been leavied against this idea over the years, but also some counter points
Some people say that she’s justified in having this panic attack because she was absolutely sure to have killed Ridley this time after Zebes exploded so this caught her completely by surprise. I don’t agree with this interpretation because she was also 100% sure of having killed Ridley after Metroid 1 yet upon meeting him again in Prime 1 (or, excluding Prime, Samus Returns/Super) she doesn’t react in any particular way other than trying to attack him with no hesitation
Some say that her not suffering from any episodes in the past doesn’t necessarily mean she wouldn’t now, especially by virtue of her more fragile mental state in this game, as PTSD attacks aren’t always consistent. I say that a story that features a seeming PTSD attack once and then never tackles the issue or even references it ever again probably isn’t very interested in giving a good portrayal of PTSD so I don’t feel like giving it the benefit of the doubt in the matter
And speaking of Samus’ mental state in this game
The other, somewhat more recent, interpretation for this scene is that it’s not supposed to be a PTSD attack at all, but rather Samus being violently reminded of her weakness as a person upon seeing that Ridley is still alive yet again despite her best efforts. This interpretation is supposedly present in the Japanese script. I say supposedly because I have not noticed any part of the script hinting at this, in fact I’d say that the scene does a pretty bad job at NOT looking like it’s featuring a PTSD attack given that Samus is quite literally hyper ventilating and losing control of her armor. But whatever, let’s go with this direction
Herein lies the fundemental issue of this scene, which is also the fundemental issue of this game’s story: the game is so laser focused on portraying Samus’ vulnerabilities as a person that it forgets to shows us her strenghts. It puts so much effort in breaking her down yet forgets to build her back up
See I don’t care about whether the Ridley scene is supposed to represent a PTSD attack or not. I don’t even particularily care about whether it makes logical sense to have it or not. My big problem is what this scene represents and how it’s basically a symptom of the big underlying problem
This game wants to humanize Samus. If you read just about any interview by Sakamoto about this game chances are he mentions something about this.
And that’s fine
Wanting to showcase the hidden vulnerabilities of a character that’s usually portrayed as being strong and stoic is not a bad idea, it can make the character feel like well...a character, a person.
The issue is that when you put so, SO much focus on the negative aspects of a character you kinda run the risk of forgetting what it was that made that character compelling in the first place
See, more often than not, people don’t wanna see characters who are complete, ineffectual fuck ups 100% of the time. The point of wanting to deconstruct a character and showcase their weaknesses is that you should then proceed to rebuild them, to have them crawl back from the pit, the harder the fall the more satisfying it will be when said character pulls themselves together
Ever read the manga Berserk?
In it we find a character called Farnese
When she’s introduced she’s presented as the leader of a religious company of knights and the daughter of the richest noble family in the land. She has a large group of men under her command and generally looks like she means business
...except we then find out that, deep down, Farnese is not all she’s cracked up to be: she can’t actually fight, having been chosen as leader of the group purely out of tradition. Most of her men don’t respect her, her religious faith is actually a lot flimsier than even she dared to realize and, above all...she literally had no real skills whatsoever, being a noble lady who had been pampered all her life. All of this wrapped up in a nice little package of childhood trauma and insecurities
Farnese’s entire character is brought down, deconstructed down to her barest elements, to the point that even she openly realizes just how worthless she is
But after this is when Farnese’s character starts to rise, as she makes a great effort at improving herself as a person, at finding a never before seen sense of courage and at finally becoming truly strong in her own way
Samus’ character arc in Other M feels like it’s focusing on the first steps...only for it to then call it a day before undergoing those last few, yet still acting like it did, though I’ll get more into detail next time as I feel it’s more appropriate
What makes it even worse is the fact that, frankly, she has little reason to act the way that she does here
Some like to say that it’s not a contradiction, as Samus never spoke in other games, so she had no discernable personality. After all Other M presents itself as showing us the “true” Samus, even down to the Japanese cover having this little gimmick with basically having an over-cover with Samus’ helmet, while the real cover underneath has her actual face, thus meaning that you have to “unmask” Samus to play the game. Get it?
Except people seem rather quick to forget Fusion, y’know that game that served as 90% of the basis for Other M, including by having Samus in a speaking role. And while there are certainly some similarities in both portrayals, Fusion Samus is nowhere close to being this insecure, passive and ineffective as she is here
But even ignoring that it’s pretty clear that the in-universe reason for Samus’ emotional state in this game is due to the Baby’s death.
And really?
Really?
Look, I’m not one of those fans who say that she’s never had any sort of attachment to the Baby because she gave it to scientists. That was at the start of Super, by the end she was clearly furious with Mother Brain for killing it, so she had definitely started to develop some degree of affection for the thing
...but to the point of its death breaking her? And I do mean “break���, later on upon seeing another Baby Metroid she fucking starts hyper ventilating
She knew the Baby for what? A couple of days at most? Yeah having it die on top of you after it protected and saved you is horrible, no doubt about that, but it’s hard to believe that Samus would be so broken up about it after so long: remember that during the intro Samus states that quite a bit of time had passed after the events of Super, evidently enough for the GF to start a whole illegal program on board of a space station, so we’re talking months at least, yet I’m supposed to believe that she’s still THIS torn up about it?
Samus watched her parents die, she had her foster parents driven away from their planet, has had to personally kill 3 bounty hunters who were possessed...yet this is what breaks her?
I guess I could believe it...had there been enough narrative build up in the games, which there simply wasn’t. After Super the only other game to make mention of the Baby was Fusion, where Samus only mentions it in passing and that’s it. Other M suddenly presenting its death as such a profoundly traumatic thing for her out of the blue is just so sudden that it becomes hard to swallow especially when accompanied to its consequences to Samus’ character
The funny thing is that if they truly wanted Samus to feel sad about losing something they had a much better alternative in the form of planet Zebes, her former home for over a decade, literally blowing up after Super! That’s her SECOND home being destroyed! Yet she only mentions it once like it was NOTHING!
I know that people like to say that Samus should be more than a silent stoic monolith, it’s why some hated the way she was portrayed in Dread...but guys?
Samus being a super badass has been a key feature of her character literally since day 1!
If you read Metroid 1′s manual it says that Samus’ perfect record is THE reason why she was sent to Zebes in the first place! It’s the reason why she’s always sent on these kinds of missions! And while it’s absolutely true that the character should not be limited to JUST this, it’s doubly true that it’s still a key aspect that NEEDS to be kept otherwise the series itself stops making sense on the whole!
If Other M is trying to tell me that this is what Samus really is like...then this just isn’t the same character that has quite literally been sold to me in every prior game, and not in a clever “subversive” way. She’s especially almost opposite from her Fusion portrayal, though again that one for another time
Hell she doesn’t even look like she could be a bounty hunter. Sure she can take care of random monsters and bosses, but given how little she truly accomplishes in the game, how insecure she is and everything else I find it very hard to believe that she could make it to the top of a line of work that requires you to have nerves of steel. I’m pretty sure that, in most professions that have you dealing with firearms and dangerous situations, people are psychally evaluated to make sure they won’t be a liability. Samus here is exactly that: a liability more than an asset, especially with the Ridley scene.
And all of this? Is without taking into account her relationship with dear ol’ Adam
Oh no no no, THAT is for next time...
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