#I feel like there are examples of this in just about every single show

[christinebloodwrittings]

Die in your arms #4

Alastor x Fem!reader

Taglist: @littlebluefishtail @maxlynn17 @vxllys @modifiedmonster @sirens-and-moonflowers @qardasngan

Warnings: Implied SA, imprisonment, trauma, mentions of blood.

Masterlist

Proofing made by: @littlebluefishtail

March 1914. New Orleans, Louisiana.

Seven am to seven in the evening, Mondays and Thursdays. Tuesday and Wednesday he gets up at six anyways, but prepares breakfast for both before he leaves. He calls around eight A.M everyday, to check in before the show starts, then he comes back at ten pm, sometimes eleven. You had his steps studied. Well, almost. 

After three months, you discovered that Alastor is very unpredictable. His mouth says words but his eyes show the opposite. He keeps his body language at bay as much as he can, but there are times when he betrays himself. When he’s in pain for example, he’s bad at hiding stress and headaches.

In the dead of night, he returns from ‘work’ reeking of watered down blood. He does that every single Thursday, but the frequency has increased every week since Christmas.  

What kind of trouble can a scrawny radio host like him get into? 

One Saturday morning, a day in which he only writes the scripts for his upcoming week, he was more tired than usual. “Morning” he saluted you without taking his eyes off the semi-blank pages, taking occasional looks at the newspaper. 

He also had your steps memorized. Decisive but soft steps, he also noticed how you walked on your toes instead of putting the weight mainly on your heels, and you don’t like using shoes. 

He only had seen your routine when he’s - obviously - inside the house. It goes without saying that you act way more ‘at home’ or ‘comfortable’ when he’s not around. He was more than aware of that fact.  

He detested your ‘tiptoeing’ or ‘walking on eggshells’ attitude around him. Not in a controlling way, but in a ‘could you please acknowledge that I'm not a threat?’ way, otherwise he felt like his bastard step-father who caused his mother to behave in much the same way. 

Within the first three months he realized he hated your careful demeanor, in an absolutely selfish way, because he wasn’t doing much to atone it, other than avoiding being too ‘present’ or ‘involved’. But then he realized that was exactly what he needed to do in order to create the home atmosphere he started craving.

So, that Saturday morning, after breakfast, he sat nearby as you added a compost of your own making to the soil. Although he thought he was making a good move towards you, he was so difficult to read that you felt as if he was going to pounce on you at any given moment.  

How fucking invasive! You thought, adding more and more strength into the hole making for the tulip bulbs. Why was he staring at you like that? A normal wife would be more than flattered to have her husband’s attention like you do, but you have seen the passive yet menacing stare of a tiger at some point. The feeling is exactly the same as how you felt under his watch, like a prey preparing itself to run for their life.

That, until you decided it was enough…ten minutes after he sat down that is. 

“What’s going on?” he opened his eyes to your strong tone of voice. Which, by the way, has improved quite a bit compared to the dry, hoarse voice you had in November. “I can’t have some coffee in the yard of our house?” He avoided saying ‘my house’ on purpose, - avoiding being an asshole -.

You stabbed the small shovel hard into the dirt and turned to look at him. “The fact that you’re there doesn’t bother me, the staring is the fucking problem” alright, point strongly taken, but the “What about it exactly?” question was bugging him, and unconsciously slipped past his lips. 

You closed your eyes, swallowing a lot of words to just say, “I feel your stare burning the back of my head”, then another deep breath for the following, “If I have to be honest, it does make me angry”, among other feelings. It did feel strangely formal to talk like that, but Rosemary did scold you for the excessive use of foul language, and you really wanted to avoid that from happening again.

“I just…I like watching you work the dirt” he was tongue tied, he had literal goosebumps of excitement. “Do…You want to help?” he nodded, like a kid being offered to lick the frosting off a spoon. It felt off, wrong, but you weren’t going to get more information off the distance. 

If you were going to live in the lion’s den, you might as well get some ways to crush him. 

“Then come here and make yourself useful” you hand-motioned him to get closer. 

It came out harsher than he intended, but he felt like he'd taken a good step. He made you say ‘I feel’, which in the few psychology books he had read, was a way of communicating what your body couldn't. 

You took a quick glance back at him, that turned into a solid minute, just to watch him rolling up his sleeves, realizing that he was not as scrawny as you thought. But of course the suit hid all of that. 

“So, what can I do, boss?” He chuckled as you shook your head. “Your fingers are larger so make a hole deep until the brim reaches your second finger joint, not your knuckle” Your hands were considerably smaller than his, he found that adorable. 

Bossy, he thought. 

On the other hand, you weren’t going to lie, Alastor is a very good looking man. The mustache was a bit much, but the smart look his glasses gave him, his chocolate skin color, light brown eyes. And his hair! He had a haircut where the left side was kept gel smooth towards his nape, while the right side had a fringe of curls hanging down over his glasses. The side without gel looked fluffy and soft.

Damn you, good looking monster. You bite back. 

“Is there a way to predict what color they will turn out?” you heard him, far away, echoing in the distance. Which was odd considering he was just a few feet from you. “No, you just plant them, with the green tip up, and just wait” the sunlight flickered above you, but you figured it was just a passing bird.

“What color are you hoping for?” his voice was suddenly close, his side of the dirt already done with what you had asked. “White or maybe pink tulips” you answered softly. 

He didn’t want to push his luck, given that you eyed him up and down, “You also gave me roses and mint, I planted the seeds separated because they do not like each other, they compete for nutrients like leeches” you made worm fingers near your face, just to show him how nasty they were. 

He seemed to listen intently to what you were saying, not in a ‘I’m forced to do so’ way, but really interested, he saw you turn your eyes away from him, light shining and fading just as quickly. “How do you know so much?” he copied the way you tucked in the bulbs with dirt, as he wondered. 

“My mind is a little foggy, but I just know” you lied, it was from the first book your father gave you, an herbology book to put some color to the garden. Oh how you missed the vines with tiny pink flowers growing outside your window.  

“Where I grew up there was a big cinnamon tree. I never developed a taste for tea, but my mother loved her black tea with a stick of cinnamon.” He once called it sock water in front of his mother, when he was a very young boy, she tickled those words away. The memory brought him a tender smile.

“How wholesome” memories slipped off your mind, especially your mother’s face and voice. “You don’t remember anything from your childhood?” you suddenly heard him from in between the void, “Not much, but I do remember smells, lights, and the taste of apple pie…” crunchy crust, soft inside, the lovely taste of cinnamon. But then, there was just darkness, where could everything else be? “Other than that, it’s…pretty blank”.

“I’m not a fan of sweets, but my mother had a recipe for apple pie, I can try and take a crack at it, if you wish” In contrast with his brown skin, he had lighter coloured marks going upwards into his forearms. “Your mom liked sweets?” you wondered, feeling his eyes following your stare up his arms. “Baking made her happy” Him eating them was the thing that made her happy, you thought, and you weren’t wrong.

“I think it wouldn’t hurt to try”, success! He had made a good step forward. 

Soft jazz played from the gramophone near the stairs, a cheerful tune with no lyrics, just the drums, bass, and the occasional trumpet solo. When the high notes were struck but the pace never fastened, he heard you humming in repeat, softly, just for yourself. Truth be told, he noticed that any tune that carried enough feeling through the bridge brought a smile to your face.

When the needle moved to another song, he started humming as he kneaded the dough. The piano was his favorite, you could tell by the way he made the movements of the keys against the marble of the counter, and his feet moved to press an invisible pedal. 

“Cinnamon and a splash of lemon” he added to the filling, your hand flinching away a little when he tapped the bowl, prompting you to move it more to the space between you.

He was so close.

He gave off a smell of tree bark, freshly cut grass and rainwater. Very pleasant, charming, and dangerous. But you remembered every poisonous stench of the men that attended the brothel, he not only was a threat, he was a true rose. Beautiful and inviting, until you get too close and get caught by its thorns. But, somehow he didn’t smell of sweat off alcohol, like other men. 

You gave off a smell he couldn’t adequately describe. He couldn’t get close enough to try, either. Though, he was quickly distracted by the sight of your bare hands, a knot tying a noose in the inside of his throat.  

He remembered having your hands in his, but he had never seen them without gloves or bandages. Your right ring finger was crooked, a cut where it was obvious it had been sliced ​​like a ham and glued back onto your right middle finger. Both of your hands had healed scars on their knuckles, and what looked to be cuff scars on your wrists.

Despite the time, there were parts of your skin that would not return to their original color, nor any amount of cream and ‘regenerative’ treatments would help either. Your knuckles were forever disfigured, no wonder you were still using bandages despite them being already healed. It did caught his attention.

He wondered, what the hell happened that forced you to fight to that extent?

He swallowed a lump of saliva, then pointed to your right hand, “Does it hurt?” then moved down to also ask for your wrist. You looked up at him wondering what was the purpose of the question, if it was pity or just curiosity, but you couldn’t tell by the look on his face only. 

Shrugging your shoulders you turned back to the bowl, mixing the filling, “Not anymore” you limited your answer to a half told truth. “You don’t have to answer, but, is there a reason for the bandages?” You thought about his question for a minute, not paying attention to how his eyes scanned your up and down.

“Comfort, that way I avoid unwanted friction and looks” the way you shot him an accusatory sideway eye, made him choke down a scoff. “May I?” he took a deep breath trying not to laugh, to ask for your hand. He had his over yours, with the intention to simply touch, but you ended up putting your hand over his knuckles.

‘So, not touch but look, I can do that’ he thought as he pulled a little to get your hand closer as he adjusted his glasses. He hummed, inspecting the variety of reliefs and depths. Definitely the result of a crude fighting style, yet strong.

The wrist lines though, those weren’t made by the police handcuffs. He mentally noted that it had to be a bigger and thicker kind of cuff to make such a damage, and also a lot of resistance. 

Thinking about that just made his knot worsen.

He gently motioned his hand down, your hand shakily coming back to the side of the bowl. “I noticed you were looking at mine earlier” from the corner of your eye you saw him roll his sleeve higher, “If you wish, you can do the same”. You put the spoon and bowl aside, with one hand you grabbed hold of his index and middle finger, pulling down gently yet no less tensely. With your other hand you touched the pale streaks of skin upwards. Causing all sorts of chills up Alastor’s spine. 

Alastor didn't know if he regretted his offer or if it was a good idea to begin with. You looked like a blind person reading braille as you touched him. There was the amusing way you made sure he couldn't grab you if that was his intention, that took his mind aside from his nerves. In the position he was in, Alastor recognized that you could easily twist his fingers if he did something wrong. 

'So cautious, I like it' he thought now seeing how you simply observed the skin he was so mocked for.

He heard you humm and set his arm to his side, then your attention went back to the mixing bowl. Just like that. So it was okay for you to invade his personal space, but not the other way around?! Perhaps he could see how far he could push that boundary.

“Did it hurt?” you spoke softly, but he couldn’t tell if it was out of concern or curiosity. “Yes, but I don’t regret it” another humm, this time in understanding.

A deafening silence was created. To alastor the music of the gramophone seemed so far away, echoing in between thoughts and questions. 

“Can I try something?” He bit his tongue as soon as he spoke, but he couldn’t take his words back when they already had caught your attention. “Another recipe?” you could hardly believe you sassed him, how did he get you so comfortable?

“No” he laughed, “I’ve never been fond of physical contact, but-” the feeling of his skin that had lingered on your hands began to burn, had you done something wrong, will he do something to punish you for taking such liberties? He offered, how could he be mad?! doesn't matter you were going to make sure to block anything he was thinking of doing. 

“Oh, then I overstepped, I’m sorry” Alastor felt as if you had shut a door straight against his face, “No, it feels odd but, unlike others you don’t do it…with bad intentions”. He saw you eye him up and down sideways, would that mean you opened the door again, just a smidge? “I just want you to know, that you can touch me whenever you feel like it” he was probably shooting himself with that invitation, but he wanted to know if you’d take his hand or grab him by the arm - so to speak.

One motion, you made one downwards with your finger for him to move a bit to your level, given that he’s taller than you. But he had to be ridiculous, instead of bowing down, Alastor knelt down in front of you again. Just like the night after the wedding. And with a fucking shit-eating grin, definitely enjoying your confusion/flustered mix of emotions. 

Before your peripheral blind spot, you spotted a knife, if you were quick enough you could grab it and slit his throat. End this whole farce once and for all. It had become oh so annoying, his smile, his confidence, and his false sense of chivalry.

He was mocking you, with every smile and soft, considerate touch. He's a fucking monster, just another pervert of the bunch, he'll be quick to take advantage of the slightest spark of trust you give him.

'But still...' you brought your hand to his face, running down his jaw to the Adam's apple on his neck. 'What a nice sternocleidomastoid, how would it look skinned and open?' under your hand you felt him swallow. Was he nervous? How shameless.

'You're studying me and you're not ashamed to show it’ Alastor mocked mentally, his eyes locked on yours. His mind was alert and yet his body surrendered to your warmth. While having your hand on his neck, it was like looking at himself in a mirror. What a depraved look you had, he felt as if you were visually making your way between every strand of his muscles, perhaps seeing how many ways to make him scream in agony.

"Soft," you whispered unconsciously. As soon as he appeared, your predatory gaze disappeared, your hands moving up to his hair, enjoying his well-defined curls between your fingers.

Where did your blood-hungry look go? It was a drastic change, almost as much as going from one song to another. From a dull and sadistic one to an innocent and happy one, how interesting.

Both of your hands were in his hair now, drawing his face to your collarbone. Now that he was close enough, he tried to decipher, what was your smell? Dirt, dried blood, burnt skin, alcohol and bandages, what a sad aroma. He was suddenly so depressed, he couldn’t enjoy being so close to you. 

“May I?” he put his hands up, aiming for your arms. "No…unless. If I put your hands on a specific spot, do you promise not to move them from there?" how about giving him the chance to slip and give you a reason to harm him? A fake image of trust to feed his ego.

Your heart started pumping loudly inside your ears, as you put his hands up the sides of the unmarked sides of your waist. Unmarked, but not untouched. He felt how a shiver went up your skin, even through the thick layers of fabric. 

An image of brown and red leaves flooded your mind, warm sunlight and a swing, your legs swinging back and forth, the momentum making the wind lift your hair. Oh how you missed not having to feel invisible hands touching your skin, eyes on the walls, mirrors and dark corners. Just living under the warmth of the sun and the spring breeze, sweetly and innocently.

The sound of the needle hitting the end of the record pulled you back to reality. You took a deep breath, and notice just how close you were, your unmarked cheek pressed against the crown of his head, arms around his neck.

As soon as Alastor felt you move back, he immediately removed his hands from your waist. Reluctantly closing his eyes as he was kicked down by the cold again. Couldn't you stay for five more minutes? But he just silently turned to watch you walk around the kitchen island and change vinyl records, with an inevitable longing stare you never caught sight of.

“What language is this?” you muttered to yourself, attempting to read the burgundy cover. “It’s French” his face was so close, you could smell his shampoo again. “Mon coeur s'est envolé, it means ‘My heart flew away’” Since you’ve never heard French before, you couldn’t tell if he was being truthful, he might as well be just speaking gibberish to impress you. 

“You speak french?” you looked up at him. “A variety. I speak Cajun, after all I’m creole” You hummed again, this time an ‘oh’ he couldn’t decipher. “It’s a waltz version of the original, would you like to play it?” he moved the needle up for you to put the A side up. 

He had you almost caged inside his arms. His right one down the level of your eyes, the other out of sight. But how come you didn’t feel so threatened? Still possibly in danger, but…how come?

To Alastor you seemed so tense, hesitant. He really wanted to hold a steady pace with you, but somehow he kept going backwards. What drove you to be so extreme with your emotions? 

Most of the time you look at him like a pest, others you don’t even look at him at all. That bloodlusted stare was the most sincere sight he had of you since he met you, and he couldn’t settle with just those crumbs, he wanted more. 

“Could you say something else in French?” oh wait, were you actually interested? Alastor smiled and got his face as close to your ear as he could without pressing himself at all to your back. “What would you like me to say?” his breath and velvet voice tickled your ear, “Anything”.

He took your hand, raising it so he could softly kiss your scarred wrist, “J'aimerais t'embrasser” he whispered against your ear, as if he was telling you a secret, something for your ears only. “What does that mean?” he softly lifted your hand, turning you around on your heels. “It means, you owe me a dance” his hand pulled your back from the same height you allowed him to touch, just so your chest could be closer to his, “Would you do me the honor?”.

‘What the hell is wrong with me?’ Alastor slapped himself internally. In his way of thinking, there were two possible options that could explain what was going on with him. 

The hug you gave him made him go too far out of his comfort zone where he felt in control and he tried to counteract it by making you feel uncomfortable. Or he was actually enjoying your company.  

Utterly preposterous.

He put the pie to bake, then started the song again.

[wilsonsmcgillsweatshirt]

The number of people that completely villianize female characters is just another example of fandoms infantilizing male main characters. I understand protecting your favourites, but when you get to the point that you genuinely think they've never done anything wrong, you've put blinders on. It's almost always done towards female characters that the fandom feels have wronged male characters specifically. I get making jokes like, "Oh actually, my fav has never done anything wrong ever." I do it too. It can be funny. Nobody is saying you have to like a female character or you're a misogynist, but there is just such a clear, obvious pattern happening, and I don't think people even realize it. Male main characters will make the most toxic, horrible, stupid decisions, and the fandom with worship them, but the second a female character does something even remotely questionable, everybody goes off. It doesn't matter how kind or likable the woman is, the minute she does something the fandom sees as a slight against the male main character, she is shunned or ridiculed. I understand defending your favourite character because you love them, I really do, but the level that people infantilize them is just wild. A female character will have a perfectly understandable reaction to something the male main character did, and the fandom will still turn it around on her by saying things like, "Well he didn't know any better." Or, "Well, he was sad." Alright? Most humans, when they are hurt, do not turn around and kiss that person and coddle them. Getting upset, while it may not be the ideal reaction, is the most realistic one. And it's always grown ass men people are saying didn't know better than to do something obviously destructive. So they don't know better, and that's okay, but the female character struggles, and that's not? Obviously, I'm just talking about fiction, and doing this doesn't make you a bad person, and it doesn't mean you hate women. But it's just a clear pattern of misogyny in media that I think is important to recognize

[twig-gy]

okay but whenever proshippers say [thing i have literally never heard anyone say or consider saying] that’s really gross which is why i hate them

[leatherbookmark]

i quite wish slash hope jgy (i’m talking about him because he’s my #1 boy but this also goes for jc and xy and probably every character that inspires such takes) didn’t have the fandom just... regurgitating the most random takes and/or treating them as gospel and Such Good, Insightful Meta because it agrees with their Vibe Read of jgy, when said Vibe Read is 99% rooted in fandom and maybe 1% in zanzan’s evil smiles, and Very Little, If At All, rooted in the things that happen in canon.

[theultracharmingladynoire]

Added a 'not ml' tag for posts about shows other than ml!

[secondpersonpoetry]

hi! heard the released “Merry Christmas, Please Don’t Call” (which i’ve seen you’ve heard live, if i’m not mistaken!!) this morning and i don’t know if there’s really a particular vibe/dynamic/ship hrpf-wise (personally haven’t yet been able to put my finger on it) that quite relates but the lyrics have been rotating in my head all day and i was wondering if you had any thoughts? hope you have a good one! <3

OH ANON HAVE I EVER SEEN IT LIVE!!! and the second that song came out i zoomed it straight into my fic playlist and unfortunately there are so many guys this could be. right now the one that's resonating is, of course, the golden boy and his haunted ghost themselves: mcstrome.

i am thinking about connor, specifically, after the stanley cup final. that game seven. how angry he was, how loud the silence when they told him he won the conn smythe. how close he's come before and again and again lost. there's nobody else to blame but himself. he's in the empty room and he knows why (1)

at!! your best!!! you were magic!!! oh, golden boy. connor the anointed, of course. at the very beginning of his career we always knew he was something special and who wouldn't have fallen in love with him? weren't all of us a little bit dylan strome in awe of the generational talent? we were all bathed in radiant light just by being in the vicinity (2)

don't even tell 'em that you know me breaks my heart (3). in terms of building a narrative i think i've said before there is a universe where connor/dylan were together before the draft and to protect both of them, dylan breaks up with him. connor says i love you and dylan says i don't. because he doesn't, you know? he loved connor. he loved davo. he can't be in love with connor mcdavid, first overall pick of the edmonton oilers. i'd rather be hurt forever than have to watch us try to make this work and destroy us.

and after connor mcdavid left the otters, dylan strome captained them to a memorial cup win. what a haunted home, eh? to be captain of the team you and your best friend were on, only now he's left you? don't call me to tell me about your rookie season with the oilers--we both know about your broken collarbone. don't call me to tell about becoming the youngest captain in franchise history when i stepped into the shoes of your captaincy here. don't call me. (4)

narratively: dylan's the one who broke connor's heart and his own but by god it wasn't easy. we both know what happened, you went first overall. please don't make this harder on me. please don't call.

this verse can be about the weight of dylan having to live up to connor's standards and always being measured by him. i would just like to bring up the connor stepping stone chart for absolutely no reason as well (5)

we are, at long last, at the potential future of now: dylan strome, happy, smiling, thriving on the washington capitals. connor, on the oilers. i'm not yours, dylan can say. haven't been for a long time. it took some time but i made this. please don't call and ruin this for me, stay out of my life. i don't want you or need you (6)

[p.s. this took a while because when i received this ask i was a) immediately possessed to write this verse by verse breakdown i had never thought of before and then b) immediately plagued by the idea of making you a little graphic (above the read more) and finally got to do it after banging out all the actual lyric thoughts two (?) weeks ago. emerging two and a half hours later from the fugue state of GIMP with 37 layers in this bad boy hope you enjoy!!!]

[honey-tongued-devil]

▶[Arcane preference] reacting to you wearing their clothes [Jayce, Viktor, Ekko, Vander, Silco, Jinx, Vi, Caitlyn, Mel, Sevika, ]

If you know me, hello little deers, I'm back! If you don’t know me, welcome! Just a heads-up that I don’t use "Y/N," but rather the impersonal "you," and even though I talk about clothes, no sizes or weight are involved. Enjoy the read!

Jayce:

  - It’s not that rare when you’re together; he’s a real gentleman through and through. If it’s cold, he’ll give you his jacket, his scarf, anything to keep you warm  

  - But when you’re the one taking his clothes, it’s different  

  - When he sees you walking around the room in his shirt, just after waking up, something in his brain malfunctions  

  - It’s how it fits you, no matter how big or long it is, it seems like it was made just for you, to give you that look  

  - And to him, it feels like some kind of subliminal ad, as if the universe is making you so attractive in the simplicity of that gesture just to tell him he needs to hurry up and put a ring on your finger so he can enjoy that sight every day  

  - It’s hard for you to get anything done in the morning when he wakes up with those thoughts  

  - Those are the days when you stay in bed, cuddling under the covers, with him looking at you, hand on his cheek, getting more lost in you by the second  

Viktor:

  - For Viktor, the idea of a “little thief stealing his clothes” is an interesting one  

  - He’s never been a fan of tight-fitting clothes, plus, with his physique, it’s rare for anything to fit snugly anyway  

  - That’s why, except for his Academy uniform, the rest of his clothes are comfortable and at least two sizes too big for him, without mentioning Jayce's oversize ones in his closet  

  - What Viktor didn’t expect was that, once you started liking them, you’d just take them straight out of his drawer  

  - The first time he knocked on your door to ask if you’d seen his shirt —the very one you were wearing— he first stopped, confused, wondering how it had ended up on you  

  - And then, though he didn’t show it, he paused to notice with satisfaction how well it wrapped around your body  

  - Sometimes he pretends to forget his clothes at your place, just to see them on you, and to get them back with your scent on them  

  - For the nights when he feels lonelier  

Ekko: 

  - Communism  

  - There’s not really a strong sense of what belongs to whom at the Tree, although some clothes (jackets in particular) eventually get so personalized that no one dares to take them anymore  

  - The first time you grabbed Ekko’s jacket, it was simply because you were freezing, it was really cold, and he was resting, so he didn’t need it  

  - But when he saw you wearing it, his pupils dilated so much you could notice it despite his very dark eyes  

  - Ever since then, it’s him who gives it to you and insists that you wear it, because he likes it: there’s something extremely intimate and deeply personal about walking around with you in his jacket  

  - It’s like marking you as his, but really, also reminding himself of it  

  - And Ekko may be proud, but one thing you quickly and painfully learn in the alleys is to say ‘I love you’ before it’s too late, and that small possessive gesture makes him feel fulfilled because it’s like he’s telling everyone that he couldn’t live without you 

 

Vander:

  - Vander’s clothes have this super-secret ability to change depending on who’s wearing them. For example, what are shirts on him turn into dresses on you  

  - When you put them on, even just for the sake of convenience, you find yourself laughing in front of every mirror you pass by  

  - And if he notices, he can’t help but hug you from behind, leaning down to rub his nose against your neck, smiling against your skin  

  - “You know,” he says every single time, “it looks better on you than it does on me,” and no matter how false it might be, in his eyes, it’s truer than almost anything else  

  - After seeing you a few times in his grown-up man's clothes, he decided to dig through an old box to find the clothes from when he was younger and mend them before leaving them folded on your side of the bed, like a little gift  

Silco:

  - Silco’s strangest habit was the connection he had with his clothes: they looked like Piltover garments, except for the boots and the shirt under the velvet vest, yet they were torn, poorly mended, and worn out in several places  

  - Despite being the richest man in the undercity, he never changed them  

  - The only newer piece in his wardrobe that he used to wear was his coat, which was in perfect condition, scented with cologne, and lined with soft velvet that followed the direction of your fingers when you touched it  

  - Sure, there were ceremonial outfits, pajamas, and something comfortable yet always elegant, but he had worn them so little that they almost didn’t seem like his  

  - That’s why one day you simply decided you were bored, and while he was in a meeting, you could take the opportunity to try on the ones that fit you  

  - But that little fashion show from his wardrobe to the mirror probably took longer than expected, and definitely you were too focused, because you didn’t notice the tall figure watching you, leaning against the doorframe  

  - “Don’t take that off, I’ve got an idea or two,” his voice broke the silence, making you jump  

Jinx:

  - Her clothes are more like a flea market than a wardrobe: there are men’s clothes, women’s clothes, from Piltover and Zaun, intact, held together by metal staples, clean, splattered with paint, torn from explosions, some so small you wonder who they could even fit, and some so large that you and at least four of her father’s henchmen could comfortably fit in them with room to spare  

  - She’s the one who tells you to grab something from the pile the first time you ask to help her with her calculations and experiments, and in the end, you choose something comfortable rather than something intact or clean  

  - It took her a good half hour to notice, and then another hour to stop talking about it  

  - It was something she hadn’t done since she had a family, sharing clothes with someone else, and suddenly she realized just how much she missed it  

  - Every now and then, she’d give you oversized shirts on purpose, just to disappear under the fabric and snuggle up to you, where she felt sheltered enough to feel less vulnerable  

Vi:

  - Vi’s mentality was interesting because, by accident, if she noticed you were eyeing someone’s clothes with interest, somehow the next day those clothes would end up on your bed  

  - Vi would do anything for you; if it were up to her, you’d be dressed in pearls and gold, but neither the place nor her situation allowed it  

  - That’s why she never offered you her clothes: the older ones were tattered, barely definable as rags, which she stubbornly patched up every month  

  - The new ones were stolen, spoils from street fights, but they always came in looking battered and worn, or worse, stained with blood or strange substances, so they weren’t good for you  

  - When she saw you wearing a sweater from her wardrobe, stained and burned in spots, the first thing she felt was guilt  

  - She hated not being able to treat you the way she wanted to  

  - But from that day on, she made sure to at least wash her clothes before putting them away, and slowly she learned to love the clothes you stole a little more than the others  

  - That sweater, for example, she would defend it with her life  

Caitlyn:

  - Whenever you stayed over at her place, she always made sure to provide everything for you: slippers, socks, pajamas, anything you might need  

  - And it was always the highest quality you had ever seen  

  - So seeing you in her clothes wasn’t new, although she sometimes liked to have you try on things she didn’t wear anymore, partly because she couldn’t due to her important name, and partly because she spent half her time in uniform  

  - Those little fashion shows almost always ended with her on top of you, while you are very busy figuring out how to stay quiet so none of the servants, or worse, her parents, would catch you  

  - It didn’t matter if the clothes didn’t suit you, being able to see you in so many different lights made her fall even more in love with everything about you  

  - The final blow? One day she decided to look through the enforcers’ uniforms to find one that would fit you, and for the first time, she saw you in clothes that matched hers  

  - There was something about it that made her hope that uniform would change the chemistry of your brain too and make you join the force, just so she could spend more time with you, just so she could see you like that more often  

Mel:

  - For Mel, it wasn’t an event: she was used to everything, mastering her emotions, and seeing you wearing something of hers had only left her confused for a second, from which she quickly recovered, smiling at you  

  - “It looks really good on you, you know?” she had asked  

  - It didn’t bother her. Objectively, you seemed stupid borrowing those elegant clothes tailored exactly to her body  

  - It almost felt like heresy to wear the clothes of a goddess-like figure. But the goddess had sensed something, and she began buying and commissioning outfits for both you and her, matching, so you wouldn’t feel like you were missing something  

  - But there was one moment, a specific one, where seeing you in one of her dresses had left her speechless  

  - When you told her that the sweater was so beautiful it was almost a shame knowing she couldn’t wear it on the day you’d marry her  

  - And Mel Medarda came from a land of war, where it was hard to get attached to people, let alone objects  

  - Yet from that day, that piece of clothing became a constant for her, even if it meant layering or pulling it down to keep her shoulders bare  

  - Because it no longer just warmed her skin; it began to warm something deeper, something she hadn’t even realized she had  

Sevika:

  - Her clothes reflected her line of work: dirty, unpleasant, dangerous  

  - But despite that, she would drape them over you herself, no matter how worn they were: if she thought you might be cold, without a word, you’d find a sweater or hoodie on your shoulders  

  - And even though she’d glance at you from the corner of her eye, she wouldn’t stop watching you for a single moment when you wore something of hers  

  - It was a matter of homeland—there was no ownership in Zaun, not even last names, as even the family you belonged to was irrelevant compared to what you could do  

  - And the gangs, thugs, and troublemakers wouldn’t hesitate to steal what was yours  

  - But you were hers, and you couldn’t be stolen. And that shirt was hers, but she didn’t feel mutilated, like she normally would, when you wore it  

  - In fact, she loved it, opening her arms to invite you to snuggle up, holding you carefully so the prosthetic wouldn’t bother you, adjusting the clothing on you ten, a hundred times, almost unconsciously  

  - And when you wore her clothes, it felt like for a little while, you could wear her skin too, to understand her better, and she suddenly seemed more vulnerable  

[ponett]

Any opinion on the Pokemon Gigaleak or nah?

I think seeing some of the WIP assets from when gen 3 was in development is kinda neat, because Game Freak is normally so secretive about that kind of thing. But beyond that I mostly just find this whole situation tiring.

Fans have a tendency to almost treat scrapped material as "more canon" than whatever actually made it into the finished product, in a way. It's treated as this pure, unfiltered insight into the creators' true vision. In reality, most of the time this stuff gets cut for a reason. Sometimes they very quickly realize it was a bad idea that was never gonna work, and they don't go very far with it. Sometimes it's a pitch from just one guy on the team that was never gonna get accepted. Sometimes they're just spitballing. Experimentation and iteration and knowing when to cut things are integral parts of the artistic process.

And hell, a lot of the time creators will just mess around with an idea purely as a creative exercise, or to get an idea out of their system, or to explore a crazy what-if scenario, or even just as a joke, with no intention of ever actually using those ideas. We recently saw this same thing happened with those leaked Rebecca Sugar sketches, where people were like "OMG Rebecca ships this, this is what they REALLY wanted to do with the show, this is canon, this was happening off-screen!!" And it's like, y'all have no idea how much crazy shit your favorite artists draw with their characters just to amuse themselves. The crew on Clarence had a not-so-secret Tumblr where they redrew scenes from Evangelion with Clarence characters. That doesn't mean they wanted to turn Clarence into Eva. They were just screwing around. This happens all the time, and with way more extreme examples than these. Lord knows how many Disney animators have drawn Mickey Mouse with his dick out over the years. That doesn't mean they ever actually wanted to make an official Mickey Mouse porno.

And, of course, there's the response to those myths that were never supposed to see the light of day. Anyone who's even passingly familiar with mythology from just about any part of the world shouldn't be surprised to hear fables about humans and animals having babies or whatever. But now people are responding to those unused stories and going "OMG Game Freak is a bunch of gooners who want humans and Pokemon to have sex!! This is canon!!!" It's so fucking tiring. So much of the modern internet, particularly Twitter, is driven by people who just want an excuse to whip out their favorite shocked/disgusted reaction image and ham up their reaction to something that isn't actually all that shocking. Everyone just wants to get their funny dunks in and feign moral superiority. It's childish. And it's because of reactions like this that this stuff was never supposed to see the light of day in the first place. But fans feel like they're owed every single shred of info from the development of their favorite franchises, so these leaks happen and people run wild with them.

(It also doesn't help that this is all just sourced back to a 4chan thread, so people were posting fake shit between the real leaks and muddying the waters. And also most of it is in Japanese, so people are just sticking documents through Google Translate and going "whooooaaaa this is canon")

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[saetoru]

AGE IS NOTHING BUT A NUMBER — GETO SUGURU.

kinktober day two — overstimulation ; find masterlist here

synopsis. befriending nanako and mimiko has its perks—like fucking their father, for example. suguru might have aged over the years, but that doesn't mean he's lost his touch. don't believe him? that's okay—he can always just show you instead

length. 5.3k words (bro this fic was agonizing)

contents. minors do not interact, fem! reader, dilf! suguru, college au (reader is a student), age gaps (20+ difference), jealous suguru, teasing, cunnilingus, fingering, edging, nipple play, unprotected sex, multiple orgasms, overstimulation, creampie, pet names (baby, sweetheart, princess, angel)

notes. this took me so long bc i hate it so im posting it and running away to play genshin to slave away for primos

most people can tell their best friends everything. not you, though—you have a secret. a dirty, shameful, horrible little secret, in fact.

no one knows that every chance you get, every small little moment you can possibly squeeze in, you fuck your two best friends’ father—and it’s going to stay that way, unknown and forever hidden. suguru is young as far as parents go, just barely in his twenties when he’s found himself a single father of two, but that doesn’t mean he’s not too old for you. and it especially doesn’t mean that it’s not inappropriate to fuck the man that raised your two closest friends.

you meet nanako and mimiko during your freshman year of college—the rest is history. the first time you spend the night at their place, suguru (he insists you call him that on your first meeting) is overjoyed that his girls have someone as lovely as you.

who wouldn’t be? you’re smart, well-mannered, respectable, and incredibly studious. what a perfect role model for his girls—after all, every father’s worst nightmare is his sweet, precious daughters venturing off to the real world. men are dogs—suguru should know. they’re sleazy and prey on young women who are naive and unsuspecting, taking advantage of their hopefulness before completely destroying their innocence. suguru can’t bear the idea of his perfect little girls becoming victims of such sinister behavior—but that’s all quelled when he meets you.

but he never thought, not even for one second, that he’d become one of those men.

those older men who fuck girls half their age—the girls that are barely in their twenties and still don’t even really understand how taxes work. the girls that have just started to learn how to hold their alcohol and can only recently buy it legally. the girls who don’t realize how complicated adulthood can be, just barely spreading their wings and learning what it’s like to be free.

suguru has always found those men deplorable. they’re the awful, disgusting, untamed vermin of society—women must be protected from them at all costs.

but now? well….now he’s one of them—and he finds, even as disgusted with himself as he is from time to time, he has little regrets.

not when you’re sprawled under him, hands tracing over his bare chest, feeling the soft skin under your palms in wonder. suguru, though he’s not let himself go by any means, is past his prime—he still frequents the gym, and he has more time to go now that the girls are gone most of the day, but he’s not immune to the effects of aging.

his hair has more than a few strands of white sprinkled in now; nanako makes sure to remind him not to pull them out unless he wants more. he’s still managed to keep the abs he was once so proud of in his youth, but they’re still not as hard—layered over a slight belly that he can’t seem to get rid of no matter what he tries. his skin is a bit looser, and his eyes have slight wrinkles in the corners of them, but despite it all, suguru still looks as handsome as ever.

he’s aged well, still looks remarkably young for men his age, and still looks like that dashing young man he once was who stole hearts. in fact, he still hears about his looks, especially from nanako and mimiko’s friends—he’s always chuckled to himself and shook his head in amusement.

that’s your dad? god, he’s so hot.

what? he’s single? oh my gosh, do you need a mom?

i can’t believe he’s never been married—women in his generation don’t deserve him. i’ll take him off their hands.

wait, do you have pictures of him when he was younger?

oh my god, he’s so fine. are you sure he’s in his forties?

nanako and mimiko, bless their hearts, have always crinkled their noses at the…less than proper comments they’ve had to witness about their father. in fact, they’ve watched teachers practically throw themselves onto suguru at parent-teacher conferences. it’s bothersome—a little disturbing to hear their friends talk about all the things they’d let their dad, of all people, do to them.

but you? you don’t make unhinged comments. they appreciate that.

but if only they knew…

if only they knew that sometimes, like right now, when you’re spending the night, you don’t actually sleep—instead, you sneak off to their father’s room, lay on his mattress under his body, and feel his touch. you can feel him, hard and throbbing in his sweats as his clothed cock presses against your thigh—but he takes his time with you, and doesn’t do anything about the clear arousal pooling between your legs just yet. 

instead, he focuses on remembering your body—it’s been a while, after all. he hasn’t felt your hips, hasn’t tasted your skin, hasn’t heard your voice. 

“missed you,” suguru breathes, hovering over you as you hum, nipping at your skin as his nose brushes along your neck. your hand is playing with his hair, twisting long, black and white strands along your fingers. “haven’t seen you in a bit, angel.”

“i’ve had midterms,” you murmur.

suguru knows—nanako and mimiko have been studying for them themselves. he’s more than a little disappointed that you haven’t come over to study with them yet. but then, just the other night, mimiko mentions you’ve been spending your time with a boy at the library, sharing a table as you lean over his shoulder to look at his laptop. nanako giggles that you might have finally gotten yourself a boyfriend. mimiko hums and nods as she murmurs it’s about time.

suguru swallows down every bite of dinner with an aftertaste of bile that night.

a boy—a boy? you’ve been skipping coming over to study with the girls (and, by default, seeing him) just to study with some boy? what’s got your attention on the guy so badly? why would you break the routine you’ve had for the last few semesters for someone you just recently met? have you finally started to realize that this is a mistake? is suguru a mistake?

he thinks maybe not, now that you’re back in his bed—but he still has too many unanswered questions. 

“so i’ve heard,” he says lowly, “i’ve also heard there’s a certain boy on your radar.” he smiles bitterly, pulling away from your neck to stare at you with those dark, sharp eyes of his. “a much younger, and fitting match for you, i suppose.”

you roll your eyes, snorting.

“is that what nanako and mimiko have told you? honestly, those two,” you huff fondly, “i told them already. he’s just my partner for a presentation. we’re practicing.”

“oh?” suguru raises a brow—and then he shivers lightly when you lean up and kiss his jaw, eyes fluttering shut at your touch.

“yes,” you giggle, “no need to be jealous of someone half your age, you know.”

“that’s exactly why i’m jealous,” he breathes, leaning in to kiss you softly.

your lips taste like honey—probably sweeter, in fact. they drip with that decadent, saccharine taste of youth. he feels twenty again every time he kisses you, feels not a day older than his glory days.

“oh, you poor thing,” you grin, cupping his face as you scatter kisses along his cheeks and nose, thumb tracing the skin. fuck, is this what it feels like to be in love? it makes him feel so young, so free, and hopeful for the future. when was the last time he felt this way? “have you been losing sleep over my nonexistent college boyfriend?”

“well, kids your age fool around quite a bit,” he says in that father tone that he uses on nanako and mimiko, “what was i supposed to think?”

you’ve heard that tone so many times before; the one where he talks like he knows better, like he’s wiser, like he’s aware of something you’re not. 

girls, make sure you share your location with me—i need to find you in case anything happens. it’s for your own safety, end of discussion.

make sure you watch over your drinks, okay? men these days take every chance they get to spike them when you’re not looking. mimiko, i was your age once, too. i’ve seen this happen plenty.

don’t walk alone in the streets at night. call me. i’ll pick you up—no, nanako, it’s not lame. the streets are dangerous at night. there are creeps, you know.

don’t get into any boy’s cars, girls. you never know what’ll happen; one mistake is all it takes to ruin your life—hey, don’t roll your eyes at me. one day, you’ll understand i’m right.

“i’m not a kid,” you pout, and then, smugly this time, you wiggle your brows. “did’ya lose sleep over my imaginary boyfriend? you need plenty of sleep at your age, y’know.”

“no, you’re not a kid,” suguru agrees, “you’re a brat.” and then he’s back to pressing those hot, open-mouthed, hungry kisses along your jaw, humming in delight when you angle your head to give him better access. 

sometimes, it’s fun to get under suguru’s skin—it’s fun to break that carefully built, mature patience of his, pulling a twitch of his eye and a furrow of his brow from him. so, you grin widely as you murmur, “who knows? maybe he’d fuck better—more stamina, y’know?”

it’s supposed to just tease him, to make him glare at you unimpressed so you can giggle and kiss between his brows—but suguru stills at that, painfully stiff for a moment before he bites at your skin. hard. 

“oh yeah?” he hisses, his voice low and dangerous as he pulls away to glare down at you, “you think so? what, you think an old man like me can’t fuck you long enough?”

you don’t get a chance to reply—not before he pulls your pants down your waist to reveal your soaked panties, pulling a hum from him as he grins at the damp patch of fabric. his fingers circle over your clit for a moment, right over the cloth, making your breath hitch as you buck into his touch. 

“suguru—”

“look at that,” he chuckles, “wearing my favorite one, huh? can’t fuck you that bad if you try your best to impress me. isn’t that what you wanted? is that what you were thinking when you put these on before coming over? how precious,” he murmurs—he speaks so condescending, so knowingly, as if he’s read your mind just by looking at the red lace covering your dripping cunt. you cover your face in humiliation, but he grabs your wrists and pins them over your head, clicking his teeth in disapproval. 

part of you knows you should quit while you can—the other part? well…it wants to test the limits a bit longer. suguru has never been so easy to rile up, you want to indulge in it for just a bit longer if you can help it. 

“well,” you huff, “what’re you waiting for, then? don’t tell me the age has slowed you down—”

“you really don’t know when to quit, do you?” he says in a low snarl, “fine, you want me to hurry up? you got it, princess.”

it all happens before you can even register—one moment, you’re grinning at him with mischief in your eyes; the next second, he has you in nothing but your bra, bare in his bed as he pulls your legs apart and leans close to your pussy.

“you know the thing about guys your age,” he hums, toying with your clit lazily as you gasp with a twitch, “is that they really don’t know how to take care of anyone but themselves. guess they just don’t have enough experience to really figure it out.”

his lips latch onto your clit, sucking before he rolls his tongue over the sensitive bud as his fingers sink into your core, pushing past your folds and stretching you open. it’s slow—deliberately so, in fact. it makes your head spin, and your fingers curl into the bed sheets as you pant. 

“suguru, m-more—”

“don’t worry,” he coos, pulling away from you to grin up at your glossy eyes, “you’ll get plenty, baby. we’ll see if you’ve got the stamina. y’know, since you’re so young.”

his lips are back to wrap around your clit, fingers sinking and curling exactly where you’re most sensitive—suguru finds your sweet spots instantly the first time he has you sprawled under him. didn’t even take a moment of trial, just knew where to touch and kiss to have you unravel in his hold. that much still hasn’t changed—his fingertips press against the sensitive spot in the back of your walls, pulling pretty little whines from you as his tongue flicks over your clit. 

it’s always been a blessing that nanako and mimiko’s room is across the house—had they been closer, they might hear the mewl you let out as his fingers bully into you faster, unforgiving as they brush against your walls and build the ache up between your legs until it’s about to burst. 

“s-suguru, ‘m close, so, so close—”

“already?” he gasps, chuckling as he presses a kiss to your clit with a sly grin, “thought you had more in you than that, baby. so youthful—figured you’d last a bit longer.”

he’s mean about it—rubs it in your face some more that you’re so close so fast before he pulls his fingers away and doesn’t even give you the satisfaction of falling apart on his digits. it makes you sob, hips bucking up to chase the friction of his fingers, but he’s already gone, leaving your walls empty and fluttering around nothing.

“no,” your voice breaks, “n-no, so close, please. i want—”

“that’s what he would’ve done,” suguru hums, “pulled out before you even finished. that’s what guys your age always do—they don’t know how to make girls finish. you ever had that problem with me?”

“no,” you say quickly, shaking your head. you’re a pretty little thing, he thinks—pouty, wobbly lips and those glossy eyes as you sniffle. “no, you always make me cum—please, i wanna cum, sugu.”

“yeah?” he pouts with faux sympathy, “didn’t feel good, huh? feels better when i take care of you, doesn’t it?”

“uh huh,” you nod—you’re still panting through the aftershocks of having your orgasm ripped from you, chest rising and falling harsh enough that it fills him with pride he can pull such drastic reactions from you. no one knows your body like suguru—he’s too good at giving it what it wants for anyone else to compare. 

“think that boy—” he spits the last word like it’s poison on his tongue, “—can take care of you?”

“no,” you whimper, “no, he can’t. not like you, never like you.”

“that’s a good girl,” he nods approvingly, rubbing his slick-coated finger over your clit, toying with it teasingly as you writhe, whining for more. “you know something else about men your age? they don’t care to please a woman—don’t bother to appreciate them enough to make them feel good. you think that boy would be here—” he pauses to motion between your legs, where he’s currently situated, “—willingly? taste you willingly? let you cum on his tongue willingly?”

“i-i don’t…i never asked someone to—”

“did you ever ask me?” he interrupts, raising a brow at you, “you ever have to ask me? i just do it. wanna know why? because i know what i’m doing—know how to treat you right, how to give you what you need. isn’t that right?” 

“yes, yes—you always give me what i want—”

“what you need,” he corrects, “and you know what i think you need right now? this.”

his tongue licks a stripe along your entrances before you can say anything else, pulling a gasp out of you as your hands find his hair and tug—suguru groans at that, feels his pants get impossibly tighter as the aching erection he sports throbs between his legs at the way you pull at the strands so desperately, so needy. for him. only ever him. 

his tongue fucks into you, messy with the way he devours you, the slick arousal pooling from your cunt coating his lips, his cheeks, his chin. you moan—and really, it’s almost a squeal—when his fingers are sinking back into you, tongue flicking away at your clit mercilessly as he thrusts his digits in and out of your pussy. you’re close, painfully so, the pressure steadily building and building until you just can’t hold it back anymore. 

“sugu—’m c-cumming. god ‘s so good—feels good,” you babble, thighs closing around his head as his fingers curl into your sweet spot over and over again, not stopping for even a second as he helps you ride out your high. your walls spasm around his fingers, tight as they flutter around him and make him groan at the thought of being inside you. 

he watches, hungry and in awe, as your back arches off the mattress and your mouth parts, broken little wails of his name rolling off your tongue in a sweet melody. 

“i bet he’s never seen someone look like this,” suguru murmurs, watching the way the ecstasy takes over your features as your face falls slack from pleasure, “so pretty when falling apart. bet he’d never even get close to making you look so fucked from just his tongue.”

your orgasm ripples through you—it’s not new, the way he makes you feel so good, but it’s definitely nothing to get used to either. your body slumps back onto the mattress as you finish, panting harshly while he climbs up to hover over you once again. 

“that felt good?” he asks, nosing at your cheek as you nod breathlessly.

“yeah,” you breathe, wrapping your arms around his neck. 

“hope you’re not tired out just yet,” he says smugly, eyeing the way sweat clings to your forehead and huffs of air exhale from your lungs with each labored breath, “because we’re nowhere near done, baby. not even close.”

just like that, your bra is unclasped and pulled off, freeing your tits for his mouth to latch onto a nipple, sucking and lightly grazing his teeth along the bud while his fingers tease at the other, pinching and rubbing over it with his thumb. you whine, eyes squeezing shut as your hand cups the back of his head and keeps him in place. 

“bet i could make you cum just from this,” he says with a laugh, “i don’t even need to fuck you.”

“please,” you dig your nails into his shoulder, moaning as he switches to wrap his lips around the other nipple, “please, sugu—n-need more.”

“be more specific,” he says lowly, looking up at you in amusement, “gonna need more than that, princess. you gotta help me out here—i’m afraid i don’t know what i’m doing.”

suguru is doing everything he can to drag this out—if you’d known one small comment would have him riled up like this…well, truthfully, you can’t say you wouldn’t have made it anyway. it’s exciting in its own right when he’s so determined to show you why you need him, why no one else but him is meant to see you like this, make you fall apart like this, have you sprawled under them like this. 

no one can know about you and suguru—not nanako and mimiko, not your other friends, not your family. you know what they’d say, how they’d feel. 

disgust—shame, even. he’s far too old for you, you know they’d say; he’s a red flag for getting with someone so young. no one can know that you come here, dead in the middle of the night when your friends are asleep, and fuck their father. not only that—lay with their father, talk about your hopes and dreams for the future with their father, giggle as you gossip with their father, fall in love with their father. 

something tells you the feeling is not unreciprocated—that suguru feels the same, that he loves holding you in his arms just as much as you love laying in them. maybe it wasn’t a joke, what you’d said. not to him, at least—maybe deep down, it stung; maybe he had something to prove. that boy might be closer to you in age, but he’ll never, ever treat you the way suguru does—no one will, for that matter. perhaps he has to show it so you really know. 

so you look him in the eye, pull him closer until his forehead is pressed against yours and you can press a delicate kiss to his lips before you murmur against them, “fuck me, suguru. please—need you.”

he groans at that, closes his eyes before his hips move to press the thick tip of his cock against your folds, dragging it along your entrance as he coats his head with your slick. it’s flushed a deep pink—it’s been neglected for so long that he shudders at the way it aches, at the way even the slightest friction along the sensitive tip pulls a soft gasp from him. 

for a moment, he wonders if he really will last long enough to fuck you properly—he might not, with the way your walls always squeeze around him, always have him ready to fuck his load into you just as soon as he’s inside you. the thought alone almost makes his cock twitch—but suguru is a man of patience, so he slowly pushes into you, inch by inch, looking down and watching as his girth disappears inside you. 

“look at that,” he coos, grinning wide as he looks back up at you, “took me so easily. ‘s cause when you do it right, it doesn’t take much, does it?”

“f-fuck—” your head presses back against the pillow, mouth hung open as you breathe heavily, trying to squirm and get even the slightest bit of friction from him as he stays painfully still. “move, suguru—please, c-can’t wait anymore. jus’ wanna feel you.”

“i know,” he chuckles, “patience is a virtue, sweetheart.”

despite it all, suguru is not feeling very patient anymore—it’s been long enough. his hips roll slowly at first, a shallow thrust of his hips that makes you both moan lowly before he all but pulls out and slams back in, hard. you can feel the burning stretch of his girth practically splitting you open, every thick vein dragging along your cunt and every brush of his tip against the back of your walls. it’s loud—the sound of skin slapping against skin, the sound of his deep groans and your breathless whines, the sound of the headboard hitting the wall as he fucks you into his mattress. 

“god—fuck, suguru—th-there,” you mewl as he slams into you right where you need him. 

you’ve lost count of how many times suguru has fucked you like you’re his. in his bed at night, in his shower in the mornings, on the couch when you drop by when the girls aren’t home, in his car that one time he drove you home when it rained, in your apartment that one time he dropped off your laptop because you forgot it. there’s one common denominator—the way he makes you feel, not just from the way his cock ruts into you, but from the way his fingers tangle with yours, from the way his mouth finds your jaw to kiss, from the way his forehead presses into your shoulder with warmth. 

it’s exciting, maybe. at first, it’s scandalous and a little thrilling in its own right. by now, it’s something much more than that—you don’t think anyone could make you feel the way he does, fuck you like he does, even if they tried. even if they knew where to touch and where to kiss. even if they knew what you liked and what you didn’t. 

they couldn’t be suguru—would never be suguru. 

“there, huh?” he pants, moaning softly as he feels your walls flutter around him tightly, “i know. i know how to fuck this pussy—my pussy. you think some boy you hardly know would know? think he’d care to learn? think he’d even try?”

“no,” you gasp, shaking your head as your hips buck up to meet his sharp thrusts, “no. no one would make me feel this good. make me feel so good, sugu.”

“ngh—sh-shit,” he hisses at your words, cock almost swelling harder at the way you praise him, at the way your words are almost slurred with no real thought behind him. it’s a little pride-inducing, the way you’re still able to sing his praises without having to really think about it first. he can hear it, the way you’re lost in the drag of his cock, drunk in the haze of pleasure, unfocused on everything else besides the way he bullies his thick girth into your abused cunt.

it’s a mess, it’s filthy the way there’s a mix of pre cum and your slick at the base of his cock, along your inner thighs, coating your skin as the squelching sound of him nudging past your folds fills the room.

it’s good, the way he makes you feel—he can hear it in your voice as you wail his name.

“s-suguru—oh.”

“what, you gettin’ all fucked out on me? ‘m not even close yet, princess,” he hums, leaning down to kiss your neck as he sucks softly into your sweet spot. you throw your head back, rasping out a cry of his name again as his balls slap against your ass with a harsh roll of his hips. 

and then his hand makes its way between your bodies, thumb attaching itself to your clit before rubbing punishing circles into the bundle of nerves—you sob at that, back arching up as your chest presses against his, nipples hard as they brush along his skin.

“s-sugu—close, ‘m gonna cum a-again—so close,” you pant brokenly, every sentence cut off with a sharp gasp as he thrusts into you. 

you’re close—you can’t fight back the way the coil in your belly snaps as he teases your clit. it’s still sensitive from the last orgasm, every nerve still burning up from before as he gives you more, gives you too much, almost. you cum harder this time—your second high creeping up on you when you least expect it. 

it makes your eyes roll back, makes your thighs quiver, and tears stream down your cheeks as you chant his name over and over. suguru, ‘s so good. suguru, ‘m cumming. suguru, ‘s all for you.

every sentence makes his cock drill into you faster, sloppier in rhythm, maybe, but faster. needier. bordering on desperate. 

“f-fuck, baby,” he grunts, “squeezin’ me so tight—such a tight fuckin’ cunt. you think just anyone deserves this? think you can just walk around and let anyone fuck this? ‘s bullshit—ngh.”

you don’t answer—can’t answer, in fact. it’s all teary eyes and soft sniffles as you mewl with every thrust, voice breaking between every pretty little sound you make. he’s still fucking into you, still dragging his cock against those sensitive walls, still bumping against your clit with his navel, still nudging against your sweet spot with his thick, swollen tip. it’s almost too much—it is too much, making you writhe under his body as you try to form the words. 

“‘s t-too much, sugu—c-can’t anymore,” you try, “can’t.”

“what?” he gasps, furrowing his brows in mock confusion, “you’re tappin’ out on me already? but ‘m not even done yet, sweetheart. haven’t even finished yet—don’t tell me you’re already spent. how will you keep up with your little boyfriend’s stamina if you can’t even take an old man like me?”

“c-can’t take anyone but you,” you sob, “jus’ you—only you. promise.”

“yeah? you swear?”

“uh huh. jus’ you, sugu—don’ want anyone else. won’t fuck me the same.”

“atta girl,” he coos, chuckling as he leans down to kiss your jaw, trailing soft pecks until he meets your lips, “that’s what i thought. make sure you don’t forget, okay?”

“fuck, suguru—’m…g-gonna…”

“gonna what? cum? you’re cumming again?” you nod at that—he grins wide, pride settling into the crinkles of his eyes before his thumb rubs harsh circles into your swollen clit once more. he looks pretty like that—hair framing his face, the mix of black and white strands sticking to the damp skin of his forehead. his skin is flushed, abs flexing as he pants over you. sometimes you feel guilty that half of why you come over to visit nanako and mimiko is to fuck suguru—the guilt is quickly extinguished when you see him like this, bottom lip caught between his teeth as his arms barely hold him over you, eyes shut tight as he groans. 

“i-i’m—fuck, fuck, fuck,” you can’t form sentences anymore as you cum—again. not that you really could before that, but now all you can offer is croaked half-syllables and shaky sobs. your walls squeeze around him, tight as they hug around his throbbing cock. 

it takes one, two, three more sloppy rolls of his hips before he lets out at a low, “baby, fuck—’m gonna fill you up. want that? want me to cum in you? make you mine? always been mine, haven’t you?”

“yes, yes—yours, sugu. yours, yours, yours,” you babble, words slurred between breathy moans and broken sobs. “wanna be yours.”

you can feel him—feel the way his cock twitches in you, the way he grinds into you to ride out his high, the way sticky, hot ropes of cum fill your walls, the way he fucks his load deeper into you with every sloppy thrust of his hips. his arms quiver as he holds himself over you—just barely, though. you can hear the way his voice cracks as he gasps your name over and over, as he mutters lowly about how you’re his, how you’ll always only be his. 

“mine,” he grits, “you’re fuckin’ mine—see how you’re suckin’ me in? see how i fit in this pussy like it was made for me? ‘s cause you’re mine.”

his body slumps onto yours as he finishes, head pressed into the crook of your neck as he kisses the skin while you both catch your breaths. you whimper, still sensitive, as he pulls out of you, a soft chuckle falling past his lips as he pulls his head up to look at you and press a kiss to your cheek. 

“so,” he starts, eyes laced with amusement as he takes in the fucked out look on your face, the tears still drying your cheeks, the swollen flush of your bottom lip, “still think you need someone with more stamina? someone who’ll fuck you better—”

“god,” you groan, slapping his shoulder, “will you drop it already? you got what you wanted, didn’t you?”

“no,” he murmurs, pecking your lips, “still wanna hear it some more.”

“your ego needs a reality check,” you huff as you brush a strand of hair from his forehead, “think i’ve fed it plenty all night.”

“actually, i think you crushed it,” he pouts theatrically, “talking about some asshole who doesn’t care about you right in front of me. after i take such good care of you, too. the girls already think you should date him,” he adds the last part with a slightly bitter roll of his eyes, pulling a giggle out of you.

“they think i don’t know how to talk to men,” you snort, “imagine they knew i was talking to men old enough to be my father.”

“hey,” he clicks his teeth, falling onto the mattress beside you—he pulls you into his chest, letting your cheek rest on his bare skin. it’s so wrong—lying in bed with the father of your best friends. but somehow, suguru feels like the only thing you’ve ever done right. “age is nothing but a number, sweetheart.”

if i have to see the word cock one more time im going to eradicate all humans that have them

do not comment about a part 2 !!!!!!!!!!

[scentedpeachlandcreator]

How to manifest your desired face:

*This is the most popular topic, so i made this to clear up some questions you might have or struggle with.*

Manifesting your ideal face Can be frustrating sometimes, why? Well you Always encounter the mirror, and it Can get you very demotivated and you might think that there's no movement or doubt the Law.

But let's simplify LOA Real quick-

1. Decide: decide what kind of face you want, it Can be mixed or just the ideal face you want.

2. affirm: making an affirmation that you feel comfortable to repeat for example "i already have my desired face" "i look exactly like xyz!"

3. persist: being stubborn and faithful to your assumption, you Always return to your assumption/imagination regardless of what the 3d shows you. For example: you still see the same old face in the mirror, before reacting, you affirm that you have your desired face.

That all you gotta do.

But here's the Real question →

Why the 3d is still showing me my old face?

Duh 😒 didn't we ALWAYS Say that you shouldn't take the validation from the 3d? The 3d won't EVER give you your desired face if you focus on it.

The 3d will Always shows you your current assumptions, if you keep saying that you don't have your desired face, well Guess what? Yeah duh you will still see your old face.

But we need to fix that, we need to stop this repeating cycle.

YOU ALREADY HAVE YOUR DESIRED FACE! IT IS DONE!

The second you decided that you have your desired face, you have it in 4D.

Done deal.

There's nothing for you to do now, just to persist in the assumption that the fact you already have that desired face of yours.

And the 3D will catch up on and will reflect your 4D, IF you keep fulfilling yourself and accepting the imagination as the true reality.

I cannot stress this enough when i say that the 3D is just a mirror, a dead reality, without imagination, it nothing but a dead reality, what you're experiencing right now is because you imagined it first then it was being reflected into the physical reality.

"B-but Eli i can't ignore the 3d when it is in front of my face😞"

Yeah i know it is difficult but let me tell you.

YOU DON'T NEED TO IGNORE THE 3D!

Just know it will change cause you literally decided that you already have your desired face, you know it is done, creation is finished, you already have your desired face in your 4D and the 3D have no choice but to reflect it!

"but Eli i'm done seeing my ugly face!"

I know it is hard when you are Always in front of that mirror, but beer with it for a while, keep saying positive affirmations, keep affirming that you look exactly like your desired face! I know it will feel Weird and uncomfortable at first but you will get used to it with Times.

"but Eli when i see those pretty girls on tiktok i feel so insecure and i wish to be them😢"

Girl, instead of saying that, when you see a pretty girl on tiktok just Say "oh my god! She's so pretty! But i'm prettier than her, that obviously🙄💅🏻" or "this girl is so pretty like me!".

Affirm against any opposite thought, you're clearly telling your subconscious every single day and reminding it that you DO have your desired face and you're already pretty.

How to know that i'm living in the state of the wish fulfilled?

You won't give a single Fuck to the 3d, you know you already have your desired face so you won't give a single Fuck to what the 3d throw at you.

You'll feel an immense calmness and you'll feel like you already own/ have that desire, it will start feeling natural.

You know it is a done deal, you already have your desires so you'll be unconcerned about what happening in the physical reality, no matter what the 3d throw at you, you KNOW that you do have your desires in the 4d.

People saying your ugly? The Fuck girl? Can't you see my beauty? I'm literally the prettiest.

Seeing pretty girls and feeling insecure? Gurll i'm literally prettier than them, they wish to have my face.

Still seeing your old face in the mirror? Gurl i literally have my desired face, i looks exactly like xyz.

See how it is easy? You just need to be disciplined.

If you really want your desired face, then be that stubborn mf and manifest that perfect face of yours.

Now go and make that change, you'll thank me later😌.

Xoxo, Eli

© Scentedpeachlandcreator

[pomegranatesarchive]

Oscar piastri x reader smau, but she’s completely anonymous and people are trying to find her after Oscar revealed he was married to someone?

nobody ever asked me | oscar piastri

pairing: oscar piastri x reader

summary: oscar piastri shocks the world by letting it be known that he is married, and has been for the past two years

liked by landonorris, maxverstappen1, logansargent, and 1,017,827 others!

oscarpiastri: vacation with the wifey! 🧡

view comments below!

user1: oh that’s not

user2: excuse me the what?

user3: this is interesting!

landonorris: wait what

oscarpiastri; what?

landonorris: wait what are you being serious?

oscarpiastri: about what?

landonorris: oh i don’t know maybe you having a WIFE???

oscarpiastri; yes i do have a wife!

landonorris: WHAT THE FUCK

user4: oh so oscar not joking?...

user5: feeling like lando rn because what the fuck???

user6; this just ruined my day

maxverstappen1: i knew you were lying about SOMETHING

oscarpiastri: ive never lied to anyone, nobody ever asked me if i had a wife

maxverstappen1; that’s….fair

user7: THATS NOT FAIR??? OSCAR WTF?? YOU CANT JUST SPRING THIS ON PEOPLE???

charles_leclerc: nice pictures oscar!!!!

charles_lelcerc: wait a minute...

charles_leclerc: wife????

charles_leclerc: what?? what? what??

charles_leclerc: i am so bamboozled right now!

charles_leclerc: am i walking the prank? i feel like i am walking the prank

oscarpiastri: no you aren't walking the prank? whatever that means? ive been married for a little over two years now!

user8: TWO YEASR??? LIKE 730 DAYS??????

user9: no you guys actually dont understand, this is driving me crazy?

user10: this is SUCH an oscar thing to do tho.. like randomly announcing thats hes been married for 2 years??

user11: he took oscar core to a whole new level

user12: my heart just broke

user13: you should've announced that you had a gf first, my heart cant take this

danielricciardo: i'm a little late, don't know whats going on..so? congratulations? my condolences?

oscarpiastri: thank you daniel!!

liked by landonorris, maxverstappen1, charles_leclerc, and 691,616 others!

oscarpiastri: some more pictures of the wife since you all seem so curious! here’s my wife, yn, and her book store 🧡

view comments below!

user14: YN!!!! WE GOT HER NAME

user15: HALLELUJAH

user15: yn is a beautiful name

user16: HER bookstore?? she owns a bookstore??

user17: the way she probably has so much lore and we will never learn about it is so??

user18: we're only going to learn about when oscar randomly decides to drop some info: key example: THIS POST 😭

maxverstappen1: I KNEW HER NAME FIRST!!!

oscarpiastri: only because she's your biggest fan and she begged to meet you

maxverstappen1: stay mad

oscarpiastri: she's married to me??

maxverstappen1: and yet she's MY biggest fan

user19: DAMN MAX

user20: oscar was SILENCED

user21: i need to know when he them, how they got together, and what theyre wedding was like

user22: it kills me to know we will never get this information

user22: its actually so crazy how oscar said yn has been to all of the races so far?? like how didnt we notice her 😭

user23: what if shes been in front of us the whole time and we just mistook her for like a mclaren team member or something

user24: well now I have to go look at every single oscar picture out there and try to find something

user25: or you could, idk? respect that she doesnt want to show her face online?

user26: but thats no fun

charles_leclerc: it was great meeting her!! ❤️

user27: they met her? 💔💔💔

oscarpiastri: she says thanks for the lec ice cream!

user27: he gave her lec icecream?? 💔💔💔💔💔💔💔💔💔

user28: ive only known about yns existence for a month and a half, but if anything happened to her, i would kill everyone on earth and then myself.

liked by oscarpiastri

. . .

note: thanks for requesting!! hope you enjoyed(*≧▽≦)

[ccsainzleclerc5516]

Testing His Patience

Pairing: Lando Norris x reader

Warnings: smut, jealous girlfriend, a bit toxic btw idk if Max even has a sister, I completely made Carla up

Now you have to admit that you were a jealous type of a girlfriend, but like really jealous, the possessive type of a girlfriend. It was something that you couldn't help and you weren't proud of it, but it was either that or you weren't interested at all. It's not your best feature, and you know it very well, but when you love, you love with all your heart, strongly and completely and that's exactly why you don't let anyone mess with or touch something that's yours.

You weren't really insanely jealous and acted like a crazy person about it, but Lando knew from the very beginning that you had a little jealousy problem, although you didn't always and constantly show it. For example, you were never jealous of his fans, but you would be jealous if Lando paid more attention than you would like to one of his girl friends or, for example, Max's sister Carla.

Oh, you didn't like her at all. She was a thorn in your side and you couldn't really do anything about it because she was Max's younger sister.

Carla was only 20 years old, but she sure didn't look 20. Lando's known her ever since he's known Max and Max is like a family to him. Their friendship is on another level, it's very special and they both mean a lot to each other. However, Lando always looked at Carla as Max's younger sister and she looked at Lando as Max's best friend.

And that was the case until half a year ago, when you noticed that Carla had turned into a "pick me" girl and that she was trying to flirt with Lando on several occasions in front of your own eyes.

At first you ignored it because you knew Lando would never even look at her that way, but when it started happening more and more often it started to bother you a lot. You told Lando about it, but he didn't take it seriously and just brushed it off.

Now Lando hated your jealous scenes. He loved you more than anything and showed it to you all the time, but he hated it when you used to give him a jealous outburst from time to time. It bothered him because he saw it as you not trusting him, and he never gave you a reason to not trust him, but sometimes you just couldn't bite your tongue even if you wanted to.

It was the same this time. An article online titled "Lando Norris and Max Fewtrell's Sister?" which talked about Lando possibly dating his sister and also had a picture of Carla hugging Lando after taking the pole position, was the final straw.

People didn't know about you and Lando. They didn't know that you have been together for two years because you agreed that you wanted to keep your relationship private and away from the media because Lando wanted to protect you and your relationship at any cost.

But lately, this idea of ​​keeping a relationship private has started to do more harm than good precisely because they always linked up Lando with some girls and talked about how he was with them, when in fact he wasn't at all. All of that started to affect your self-confidence and it definitely increased your feeling of jealousy.

That led to arguing with Lando about Carla all over again and Lando was not having it.

"Y/n, please don't do this again. I had a busy weekend and I just want to lie down together and relax in front of the TV. Please stop."

"No, I'm not gonna stop! I'm sick of it! I'm sick of her making me feel like a fool!" You yelled clenching your fists.

Lando sighed trying to keep his cool, running his hands over his face and then through his curls.

"She does it all the time and even in front of me! I see the way she looks at you, the way she always finds an excuse to touch you, the way she always tries to prolong the hug with you, the way she's at every single race." Exasperated, you continued to speak in a raised tone, barely catching your breath.

"And you keep letting it happen! You never said anything to her nor have you ever done anything about it even though you know how it's making me feel, Lando!"

You continued to complain for probably another 3 minutes without stopping until you completely pushed his buttons. He abruptly got up from the couch where he was sitting at and walked towards you grabbing your waist and harshly pushing you against the wall. You winced in pain as your back hit the wall behind you.

"What? What do you want me to do? Do you want me to fuck you in front of her? Is that what you want?" His eyes darkened as he yelled tightly gripping your hips. "I absolutely don't give a shit about her. I don't even notice all those things that you keep talking about because you are the only one on my mind." He continued talking, looking deep into your eyes, his gaze penetrating your soul.

"But do you realize that she is Max's sister and that I can not do anything about it because Max is like a brother to me. I love you, y/n, I love you more than anything in this world, but I don't ever want to put myself in a situation where I have to choose between you and him."

"No one even knows about us, Lando. Do you know how much it hurts me to see them trying to link you up with other girls that aren't me?" Your eyes slowly began to fill with tears, but you were still angry and wanted to prove your point so you didn't let them rush down your cheeks.

"But I kept us a secret because I wanted to protect you, y/n! I would love nothing more than to show you off every fucking day, but at what cost? So that they can completely invade our privacy? Send you death threats? Mess with your mental health? I'd fucking lose it if anything happened to you, y/n! Fuck!!" He yelled letting go of your waist and turning away from you trying to calm down.

You were angry, but he was angrier. His patience was wearing thin and you could sense it.

When you stayed silent for a moment, Lando thought that you had tried to give yourself a chance to understand this situation.

"Maybe you won't have to choose between me and him, but you will have to choose between me and her."

But when these words came out of your mouth, you completely drove him crazy with your stubbornness. He pulled your arm and threw you onto the couch hovering over you.

"Don't test my patience, y/n" He said through gritted teeth pinning your hands above your head. "I'm telling you, I'm getting sick and tired of this shit. How many times do I have to remind you that I only want you?" He asks grinding himself against you.

His mouth moved down to the level of your neck, pressing his lips to your thin skin. "Why do you always have to make things so difficult when you know that I'm only yours? What part of that don't you understand, huh?"

It was his time to talk now. His hand found its way down your stomach and into your panties making you moan at the unexpected contact.

Your back arched off the couch as two of his fingers slipped inside you while his thumb continued to rub your clit. You tried to close your legs around his hand, but that only resulted in him spreading them even more and watching you whimper open-mouthed beneath him.

"From now on," He kissed you hard and passionately before he started. "Every time you try to act like a brat, i will treat you like one. I'm going to fuck you so hard you won't be able to walk for days." His fingers quickened their pace as he held you firmly down on the couch with his other hand.

You were so wet, so close. "Oh, fuck, Lan.." You whimpered trying to grab his wrist.

"But you'll never get to cum, if you don't stop acting like that." And just when you were about to, he stopped pulling out his fingers that were glistening with your wetness. You whined almost crying out when he decided to deprive you from the release you needed so bad.

He pulled off your leggings and unclapsed your bra, leaving you in only black panties and a tight crop top that showed your hard nipples. He leaned down to kiss you, his tongue fighting against yours, before he pulled down his grey sweats and shirt tossing them somewhere to the side.

He grabbed his hard prominent member through his boxers grunting as he pumped himself through the fabric. You tried to move to a sitting position to be closer to him and kiss his stomach all the way to where he needed you the most, but as soon as you tried to get up, he pushed you back down on the couch. He pulled down his boxers freeing his cock and taking it in his hand. He hovered over you again and pressed his red leaking tip against your clothed folds rubbing himself up and down.

"Do you want to cum, baby?" He asked leaning down closer to you and pressing a soft kiss on the side of your neck.

"Yeah, I do."

"Yeah? Does that mean you're going to be a good girl for me then?" He asked squeezing your boob then lifting up your crop top just above your nipples. Your response came out as a whimper as he stuck his lips around your nipple and began sucking on it.

"I can't hear you, baby" He let go of his cock and let it rest against your stomach as both of his hands played with your breasts.

"Yes,-ah- yes"

Holding your breasts, his teeth bit your nipples so hard that you cried out in pain.

"Ah, Lando, it hurts, fuck" You whined. The pain was so stinging it made one tear roll down your cheek.

"Shh, it's okay, baby, it's okay" He cooed you kissing your cheek and now gently caressing your nipples with his thumbs while grinding his cock against your stomach. "You like it when it hurts, don't you baby?"

He moved your panties to the side and positioned his tip at your entrance. "So wet for me" He commented spreading it with his tip all over your slits. Your fingers went down to your clit as he pushed in. The face he made when it first went in, head thrown back, eyes closed, lips slightly open letting out a long moan in relief, it almost made you cum right away.

He stayed still for a moment, not wanting to move because he was so painfully hard that he knew he would come in a matter of seconds and he wanted to at least wait for you.

He pulled you by your thighs even further down on him and then hovered over you again. You wrapped your arms around his neck and he pressed his forehead against yours.

He started thrusting in slow, but deep and hard knocking the air out of your lungs. "C'mon, baby, take it, take it like a big girl" He said holding your face between his hands.

You were so turned on by his words. You loved it so much when he'd be angry like this and then ruthlessly took all of his anger out on you. You could feel yourself dripping down as he kept ravaging you with his cock.

"I-I'm so close, Lan" You whispered.

"Yeah, baby?" He took your leg and lifted it up to wrap them around him. That way he got to thrust even deeper into you, knocking your mind out of your body. "You gonna cum around my cock?" He asked against your skin.

Before you could even answer, you threw your head back against the couch, you gripped his shoulders tightly trying to resist him and get away because the pleasure was so intense you couldn't take it. But he didn't let you escape from under him, he continued to fuck you through your orgasm as you screaming out his name filled his ears.

"That's it. That's a good girl." He praised you kissing your chest to calm you down as you were barely being able to catch your breath.

"You can take it a little longer, love yeah? I'm almost there." The weight of his body was completely pressed against yours, you could feel his heartbeat, see beads of sweat forming on his forehead as he kept pounding into you like his life depended on it, like you were the only thing keeping him alive.

Once you pressed your lips against the sensitive spot on his neck and ran your tongue over it, he lost it. His breath hitched, head tilted back, grip tightened around your waist and soon he was cumming inside you, filling you up to the brim.

His head fell on your shoulder and you wrapped your arms around him, wanting to hold him even closer to you if that was even possible.

When both of your breathing calmed down and your pulses returned to normal, Lando pulled out of you. He watched as his cum rushed out of your pussy at the loss of him and hissed at the sight. "Fuck, baby" He leaned down and kissed your thighs making you blush.

...

The next race weekend, Lando took P1 and you were there to support him. You blended into the group with Max and the rest of his friends including Carla.

You were annoyed that she was here for yet another race and once again doing everything to draw his attention to herself. But you weren't going to let her get the best of you this time.

Although when Lando came closer to all of you to celebrate his victory, she was the first one to go and hug him. At that moment your heart ached and Lando saw the sadness in your eyes as you stood on the side watching him from afar. At that moment, he finally understood what you've been talking about all this time. He felt your hurt through your teary eyes and therefore without a second thought he made his way through the crowd to you, pulling you to himself and trapping you into a tight hug and a passionate kiss in front of thousands of people and cameras before whispering

"It's always you."

[hareofhrair]

I wanted to put this one the previous post but it was long and this is a tangent but- In regards to the hypothetical "If House was my doctor I'd just tell him everything. Rip to all his other patients but I'm different."

The whole point of the show is that you wouldn't. Like a major theme of the show is about how the various shames and stigmas and habitual dishonesties that plague our societies both metaphorically and literally kill us. "Everybody lies" isn't just a cynical catchphrase, it's the shows thesis. Because of how we operate as a society, everyone feels compelled to suppress and hide things and that inevitably leads to suffering.

And there are plenty of episodes where this is obvious, ie "I cheated on my partner and gave them an STD." But there's also much more of "This little girl went through early puberty and because of the way our society stigmatizes women's bodies her single father never discussed puberty with her and she was so afraid and ashamed of her new pubic hair that she tried to shave it without telling anyone and mutilated herself, leading everyone to think she'd been abused and throwing off the whole case until House figured out her hormones were going crazy because she'd been exposed to her father's low T medicine, which he hid because of how our society regards masculinity, which he started taking because he began dating a younger woman (because of shame stemming from our society's unrealistic expectations wrt sex in relationships) which he was hiding from his kids, because of shame regarding our societies toxic views on monogamy."

A particular episode stands out as a really good example. S06E15 "Private Lives," which aired in 2010 but was fairly prescient about where social media was heading. The patient was a blogger who documented literally every moment of every day for her followers. She made it very clear she left *nothing* out, from her and her boyfriend's sex life to, eventually, asking for feedback from her followers on whether to get her heart valve replaced with one from a pig or a "vegan" plastic one. She handed the whole blog over to House as soon as he took the case and the team poured through the whole thing. Surely this is proof you're wrong about everybody lying, the team says to House. She's give us her whole life and you still can't find out what's wrong! Spoiler, it turned out the crucial symptom that allowed House to put it all together? Was the one thing she *didn't* include in the blog- Her bowel movements. Shame and stigma around talking about *poop* nearly killed this woman. It was also a detail that should have been picked up immediately by a normal doctor, who would have asked about her bowel movements as part of the standard checklist of diagnostic questions. But this woman was so confident that she'd laid out every relevant detail of her life in her blog, she wouldn't answer those questions, obfuscating what she was actually ashamed of underneath a pile of curated, rationalized, narritivized junk she could pretend was proof of a lack of shame and not simply a skill at creative writing.

When I say "I'd just tell House everything" is ridiculous, I don't just mean "well, because of the way the show works, you HAVE to be hiding SOMETHING." I mean literally, you- because you are a human being- are ashamed of *something.* And because you are a human being, the more info you try to give House the more deeply you will bury whatever it is you're actually ashamed of. And, because of the way the show works, that *will* end up being the key to what's making you sick.

[thewriteadviceforwriters]

The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[lamiadrowned]

jinx as a gf headcanons!!!! :D

*:･ﾟ✧ dating jinx

jinx x fem!reader | sfw

i have so many thoughts. maybe too many thoughts

it would be an understatement to say that you see a side of her that no one else has.

in all actuality, you bring out a side of jinx that she didn’t even know was there.

when she’s around you, she feels stable. the voices are quiet and her heart beats noticeably slower. it seems you have this physical effect on her– an ability to erase the despair of everything that has ever gone wrong and all of the worries she has about things that could go wrong in the future.

so, naturally, she’s possessive over you.

it has a lot less to do with you than it has to do with others, though.

for example, if she takes you out and you decide to wear an outfit that shows off some skin? she’s all for it! in fact, she prefers it that way for her own… personal reasons.

and that guy, the one who spent a little too long raking his prying eyes over your figure? she’ll teach him a lesson about window-shopping for something that isn’t available.

not only does she get to try out some new explosives she’d made, but she also gets to feel fulfilled by protecting you! it’s a win-win.

you’d definitely be her first kiss.

with everything she’s been through, jinx hadn’t ever seen romance as anything more than a disaster waiting to happen until she met you. she truly believed she was unlovable until she met you, and now, she’s a total sap.

her biggest love languages are quality time and physical touch.

if she could spend every second of the day with you, she could. even when she’s on a mission, or spending some time with silco, instead– the thought of you never leaves her mind.

on the occasions that she does get you all to herself, she doesn’t let a single second go to waste.

the trophy goes to jinx for ‘clingiest girlfriend in the world’. her hands are constantly on you in one way or another. whether she’s smothering you in cuddles, playing with your hair or tracing patterns on your skin, or even jumping up onto your back with no warning just for the sake of feeling close to you, she’s a fiend for you in every sense of the word.

at first, she was afraid she’d drive you away once she discovered just how attached she is to you.

until she realized that you reciprocate every gesture with the same amount of enthusiasm.

most of the time, she prefers being at your home as opposed to her own. her room isn’t exactly a room, and it definitely isn’t as comfortable as yours. you’ve even given her a key so that she can pop in even while you aren’t home, because you know how much she likes being there.

and, as much as you enjoy when she spends the night, sleeping with her can be an absolute nightmare.

you’d fall asleep in each other’s arms with both of your heads on the same pillow, and wake up in the morning to the feeling of her cold foot jammed into your cheek, her head hanging off the side of the bed as she snores, cocooned in the deepest state of sleep possible.

speaking of which, she sleeps like a rock and wouldn’t even stir at the sound of an explosion.

it’s rare that she actually gets a full night of rest, so it makes sense that her body would take advantage of when she does, but it’s slightly concerning. if it weren’t for the fact that she snores, you’d probably think she died in her sleep.

you don’t discover this trait of hers until she’s fully comfortable with you, but she loves to dance (if it can even be considered that) and not stop until you join her.

it really depends on the music, whether she’s butchering the bachata, full-on headbanging, or inviting you to slow dance.

she loves to do your hair, whether it’s curly or straight. sometimes she’ll do braids, sometimes she’ll put a bunch of hair clips and accessories into it, sometimes she’ll totally knot your hair while trying something new.

lastly, jinx will know that you’re the one when silco approves of you. he sees how unconditional your love is, and the difference you’ve made in her is astounding.

he won’t tell her he approves until he talks to you, though. he’d sent one of his men to politely request that you meet him in his office while jinx is working.

as expected, he fully embodies the shotgun dad stereotype– “if i find out you’ve hurt my daughter, there will be serious consequences,” all that fun stuff, simply to gauge your reaction.

he was relieved to find that you weren’t intimidated, because you didn’t intend on hurting her.

despite the unconventional dynamic, he wants what any father wants; to see his daughter happy. as long as you’ve succeeded at that, you’ve earned his protection and respect.

and, most of all, his approval.