#I don't know why I'm even posting this

[skyfallscotland]

The constant "maybe you should have re-read Fourth Wing and Iron Flame before jumping into Onyx Storm, don't blame the author for you being confused" posts are getting on my last nerve.

Stop being a pick me. Do you think we're all over here saying there were "so many people" because we're referring to Lynx & Baylor?

Sorry, I'm upsetti spaghetti. I was fighting for my life with my brain trying to remember all this in the first ten chapters, sorry I thought it was going to be important 🙃

Duke of Calldyr - short blond beard, four different consorts in four years

Duchess of Elsum - dark brows

Duchess of Morraine - high pitched voice, golden-brown skin, ruby earrings and necklace

Duke of Luceras

Queen Maraya - light brown skin, dark eyes, curly hair

Captain Anna Winshire - talkative, strawberry-blond, brown eyes

Captain Henson - female, tightly woven black braids, air wielder

Lieutenant Pugh - male, blue eyes, farsight

Lieutenant Foley - male, agrarian (plant-wielding)

General Tinery - in command of the Southern Wing

Ewan Faber - stocky, sour-faced, Navarrian Fourth Wing wingleader

Iris Drue - wingleader of Navarrian First Wing

Theophanie - long silver hair, high cheekbones and full mouth, pale skin, tattoo on forehead, beautiful, venin sage or maven

They were all introduced in the first ten chapters. Of a 60+ chapter book. This doesn't include description only characters, dragons, or places.

She did a really good job in the last book of introducing the Assembly as "silver beard" or "battle-axe", getting their descriptions stuck in our heads before we moved onto actual names and that, in my opinion, worked really well. That kind of technique can sometimes be greater than throwing a whole bunch of names in off the bat like she did with all these captains and lieutenants, especially if they're not going to be important.

Sometimes giving them a name is giving them significance—to me, it signifies to the reader hey, these people are going to be around a lot, you should know them!

I've also seen people saying "well there's a map and an index" ...these people aren't on there. The Isles aren't on the map. I have no visual for where we're going. If you're worried about spoilers, you can always put the "new" map at the end of the book for those who want to see.

I'm not 'blaming' Rebecca Yarros. She's allowed to make whatever choices she wants, it's her book, but these are choices she's made that she could have made differently, and I don't think it's kind to be calling other people idiots because you think we're all out here forgetting who Tecarus is because you only took in the surface level.

How are we supposed to know who is going to be important? We don't know where the story is going and all of this is getting shoved at us one by one in the opening chapters.

Also, as a generally nice human being, if I were on the other side of this discourse, I would have said "I'm not sure how people are so confused, what are you missing?" Not, "sorry you're too stupid to understand, maybe you should not be reading fantasy" 😃

The internet has made it far too acceptable for people to be rude to others. We're allowed to all have our own experiences and disagree. You can do that without denigrating other people's opinions and gatekeeping fantasy? Ew.

I don't dislike Rebecca or the series in general, I think she did a fantastic job with introductory world-building and introducing characters in the first two books, it's why I like it so much. The techniques she used worked. I just don't think she used them as effectively this time 🤷‍♀️

As I constantly say, if you only read it on surface level, if you're just here casually for the vibes, I love that for you! I wish I was you! But the toxic positivity can fucking go.

[originalartblog]

Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.

If you are an art reposter, you are a thief and I have no respect for you.

[tempo-takoyaki]

Memories of the past.

[lightgamble]

DAREDEVIL: BORN AGAIN | 1.01, 1.02 & 1.03

I'm not him anymore. And, I won't let myself be.

[keii]

late morning

[dewwshi]

The people demand more Minlach. ( please more we are desperate and your art of them is so good 🥺🥺🥺)

🫡

my beautiful yuri... sooo critical to me that minthara 1. fell first 2. fell harder. something abt the idea of this self-avowed villain being utterly and inexplicably smitten with the sweetest nicest golden retriever girl in the world

[burningcheese-merchant]

I think more ppl need to see this

Yeah for real lol. That's exactly what it is with him. Not to toot my own horn too much but I believe this post I made ages ago hits the nail on the head haha

"I'm bored" is... technically true. In a sense. Personally, I think it's a very simple and vague allusion to the real problem. That thin sheet of snow coating a massive, freezing cold iceberg. Just barely obscuring it from proper view.

imo it's been a bit disappointing seeing people take to extremes with Burning Spice's character. I've seen people either woobify him, downplay or excuse his actions by saying "he's not evil! He's hurting! He's depressed! He doesn't hate people, he's lashing out because he can't internalize his pain anymore!", or just demand he be put to death immediately on sight without trial. You can like a morally repulsive character and sympathize with their issues while also acknowledging that they're repulsive and need to face justice for their crimes. Burning Spice is one of my favorite characters, I love everything about him, he's sexy as fuck, I understand why he's the way he is, I'm still happy to see his ass beat because he's a piece of shit and he deserves it lol.

Not to throw shade at "simpler" villains ofc. I love me some assholes that are assholes just because they can be. Like Jack Horner in Puss in Boots 2. But Burning Spice isn't Jack Horner and he honestly shouldn't be. The deeper, sadder, more complex reasons governing his actions suit him better than just "I'm bored fuck this shit" and nothing else ykwim

and of course, he's still wrong. Burning Spice's view of the world is wrong. Does a book begin just to end? Does a song play just to finish in a few minutes' time? No. They begin so that we may read, listen, and enjoy. So that they may make us laugh, or have us shake our heads in disappointment, or tell us some hidden truth. Make our days and lives a little more interesting than they were before. Life is beautiful BECAUSE it is fleeting. Born, grow, wither, born, grow, wither. Yes, that's how it goes. But there's so much more to those things than just what we can gather from those three words. Every day is different. Though the sun rises every morning without fail, it's never quite the same color, is it? Always a bit of a different shade of yellow, orange, red, bleeding into the sky a little differently each time. There are so many things to see and do, games to play, people to meet and love and cherish. Maybe some of those things and those people won't be here someday but that doesn't mean their existence never meant anything. We are not born to die, we are born to live. We must die for those who are to live, and live for those who have died. Regardless, we must never lose sight of the intrinsic value of all that surrounds us. Burning Spice very much did. Underneath his bitterness and anger and (not unfounded, to be fair) lamentation for the unstoppable cycle of life and death is a deep-rooted selfishness and fundamental lack of understanding and appreciation for life and other people. In the face of despair, he gave in and chose evil. He was and is wrong for doing so, regardless of why he did it. He could've stepped down. He could've just admitted he didn't have what it took to be the Herald of Change. Hell, if he really hates being alive so much, he would've committed suicide a LONG time ago. But he never did any of that; instead he chose to inflict an equal or greater suffering on everything and everyone else, even the undeserving. And for that he MUST pay. And Golden Cheese, with her personality and her experiences and the wisdom she came to attain when faced with the exact same despair as Burning Spice, is exactly the right person to make him do that

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[egophiliac]

couple more quickies, because I gotta work through my Shroud-family feelings before I can even begin to process the Diasomnias, please bear with me 🙇

anyway, I couldn't decide which composition I liked better, so I did both!

[pleaseinsertwittyurl]

There are always 2 sides.

The discourse around Louis and Lestat being a victim and abuser and nothing more drives me insane.

Something i don't think enough people remember is that the very same reason the fight began in 1×05 (lestat grabbing claudia by the throat when she tries to "take louis away") we see Louis himself do to her in 1×07 when she tries to get Louis to burn Lestat.

They BOTH would harm her rather than live in a world without the other. They are both guilty of abusing her and each other.

There is an implication that a good deal of time passed between Louis and Lestat meeting and the church. Louis expresses that he shares himself with Lestat in a way he only had with Paul. I would assume that goes both ways, to a degree. We know Louis knows at least enough about Nicki to discourage Claudia poking that wound. He also clearly knows that the threat of leaving is his most powerful weapon against Lestat.

Mental abuse is abuse. And Louis abused Lestat mentally for years. Shaming him, ridiculing him, shutting him out, manipulating him into making Claudia (a traumatic moment for him, whether Louis understands the depths of it or not) by promising to give him what he's being denying him, promising to never put him through what he fears the most.

Louis admits to purposely making Lestat suffer. He admits he was warned that Claudia would suffer and he wanted her anyway because he needed to feel redeemed. He is not innocent. He is not a trapped, weak victim. He made choices to hurt both Lestat and Claudia time and time again.

Does this justify Lestat's actions in 1×05? Obviously not. But we now know Louis was not willing to stop the fight. He taunted Lestat the same way he taunted the Alderman. He was unleashing years of frustrations just as Lestat was. His priority was not to protect Claudia, it was to hurt Lestat, consequences be damned.

I hate the drop scene as much as the next person and Lestat has admitted he will never earn forgiveness for what he did. But if you view Louis as some squeaky clean victim who was manipulated, trapped, and abused by Lestat you are missing so much of what this show is conveying.

We will always tend to paint ourselves as the hero of our own story. It is hard to accept your faults or that you hurt people you love. It is much easier to shift that blame on to someone else, to frame them as the villian. But life is not usually that black and white. Claudia had harsh words for them both in her diary, even before they got to Europe, for a reason. They both made hurtful mistakes with her, both treated her like a pawn in their relationship instead of a person, both harmed her, took away her choice, never prioritized her.

That is the great tragedy. That she never had a choice and was not allowed to be her own person. And in the end, they both are responsible for her misery and her death. That's what makes the reunion scene so important. They have been grieving her and carrying that guilt alone, all the while longing for the comfort of the other for 70+ years. Louis has found clarity in his memories, he has accepted his role in their suffering, he has seen Lestat's perspective more fully. Lestat is broken, totally consumed with that guilt and grief. Both know that although they cannot change what they've done, they can forgive the other, even if they can't forgive themselves. They can love each other despite everything they've done to one another because they cannot stop loving each other. But now they can try to rebuild that love from the rubble.

[atalienart]

✧*:･ﾟArt summary 2024

2014-2017 | 2018 | 2019 | 2020 | 2021

[gideonisms]

I do get it if I had a beautiful butch I would start fighting off all other girls who liked her and then lobotomize myself so she could live in my brain too. harrow's motivations are so sympathetic even though her methods are. Well.

[ninja-knox-ur-sox-off]

Take me to da BEACH (imagine dragons)

this is literally 27 seconds and i don't have any explanation for it except that one transition is so fire and i do what i want

[shiori8]

Power-Couple Uravity & Midoriya-Sensei

I know I'm incredibly late to the party but guess who's finally finished MHA and is all sorts of emo about all of these losers... 🥹

(In my head I imagine them posing like this for a magazine cover, but it's been a while since I did much drawing in general, so here's just a sloppy little piece to try and get somewhat back into the groove of things lol maybe I will come back to this idea one day ¯\_(ツ)_/¯)

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

[merlins-strawberriesandroses]

The thing no one ever considers while writing up character analyses about Merlin is that. he must have been sooooooo sleepy.