#I don't know how to make ink

[maria-of-the-waves]

Painter!Cale AU

Ok, we all know this panel where Violan's story is explained, right? (・・ ) ?

Well, this gave me an idea. ☆ ～('▽^人)

If Cale is the one who imagines this, it doesn't mean that he has a lot of imagination and that he should be able to paint at least with spots, right? ヽ(*⌒▽⌒*)ﾉ

That idea made me think about watercolors, and later about alcohol inks, which work in a similar way, look like this:

These are generated images of paintings created with alcohol ink and you can't tell me this isn't something you imagine Cale doing right? (⌒ω⌒)

Well these are my headcanon (＠＾－＾):

Cale started painting because Record would record the landscapes he liked in his head and play them like a catchy song until he found a way to get them out.

This was the painting, it started when he accidentally spilled some wine on a piece of parchment creating a stain that reminded him of a landscape he saw, Record wasn't going to leave him alone anytime soon so he started stretching the stain forming the image and then he realized realized that Record was no longer playing that recording. That's how it all started.

Cale mixed the lower quality alcohol with different inks and began painting to get rid of the "catchy landscapes" and over time he began to enjoy the process of creating the ink and painting.

Violan discovered his hobby by accident after finding him painting at Henituse Castle.

She was amazed by his paintings and insisted on having an exhibition for them. Cale, unable to deny anything to his family, accepts, thinking that they were no big deal and planning to ignore it.

Unknowingly, he ended up becoming an art genius because alcohol ink had not been invented in Nameless 1.

[3d-made-by-paws]

Hello hello dear friends! Time has come!

It's been little more than a year since I started this project and today I can happily announce: I MADE IT. IT'S DONE. YAY. \o/

My computer died a few times on the way but he's okay mostly. And school/work almost drew me insane but I survived! I want to say "thank you" to my mutuals and all people who wanted to see this as much as me.

Here is THE video:

@somerandomdudelmao @tapakah0 Tumblr ate quality so here is google disk with all files Enjoy!

Video from the future

Some previous footage

Funny earliest model

The headless model

The first sketch model

little meme

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[violetscanfly]

No nameee

[krys-does-art-stuff]

Former Belle declares her love for her king in front of the neighboring nobility. It's super effective!

I speeded through Nokto's sequel a few days ago and I had fun time with it! Nokto has a way of surprising you with how much depth he has and his sequel definitely delivered on that.

March 2025

[uncanny-tranny]

The thing that gets me about history and humanity is that you never know what is immortalized, and the things that will be immortalized are things you would never think.

I saw a person sharing a new tattoo, and it was one of Onfim's drawings. A boy who lived so long ago he is barely a blip now, but his drawings meant so much to people that somebody is now permanently marked in their skin with one of those drawings. Do you ever look at the things you make and just sit there and wonder if this is the thing that future people look at? Do you ever look at your art, your writing, your schoolwork, or anything that is yours and just wonder who will find it, who will fall in love with a piece of your humanity and become overwhelmed with emotion over? It's not unlikely. It's not totally unlikely that somebody will find a piece of you in the distant future and devoid of any other context of who you were will still love you because you were here. You were here, and you are still here, even hundreds or thousands of years later. Treat yourself with the same love that so many have for dear Onfim.

[bluespiritshonour]

here's 18-19 year old aang sketches. been hearing aang is ugly discourse—no he ain't. he was just 12.

[thatonecrookedsmile]

"Now I’m not lookin' for trouble. It’s just the nature of us projectionists to seek out the dark places."

-----

Back once again for a session of showing off my (updated) fan designs of Bendy characters, and we're with Norman this time!

I've had his sketch kind of ready for a while now, the only reason I hadn't made any progress was because I needed to go back and fix his cravat that I had drawn wrong (and which I admit, is still far from being the best cravat anyone will see today).

Speaking of which,I would say that his clothes would be the main difference from the old one. In the old design I had drawn him with an orange bowtie,red suit and green shirt. I decided to give him the cravat mentioned in DCTL. Give him back his style,yk.

I changed the colors of the clothes too, especially the suit, which was originally red, but I thought it was too similar to the colors of the clothes in my Joey design, so I changed it to yellow to make it stand out better. Alternatively, a dark green would look good too.

Other than that, I think the overall idea of ​​his design doesn't differ that much from the old design. I just took the ideas from the old one and did them the way I would do them today. That's why, with the exception of a few characters, I wouldn't say I'm redoing my old designs from scratch, but more updating them. Modernizing, maybe? Again,just taking the old ideas and doing them again the way I would do them today.

Anyway, it's good to have old Norman updated now. I've been wanting to update his design for a while now! (Also, he has a hat, but I was too lazy to draw hats that day. One day, though…)

On another note, I decided to play around with the background a bit this time. Usually I just put a basic color on the BG and that's it, but I thought I could do better than that. I like what I ended up with this time,even it's still very simple. I'll try to do more of that with more elaborate traditional sketches in the future.

[thenamesapollo]

i remember that one time I made a post saying maybe we should start treating ink like a person and stop defining his entire character by his disability (something people commonly do with disabled characters) and someone told me I was praising his disability and that I was telling people it was something good to have.

[greypetrel]

We who were born of water, in the warm slow ancient years, Love it to-day for all we pay Of terror and loss and tears. The child laughs loud at the fountain, laughs low in the April rain, And the sea's bright brim is a lure to him Where a lost life lives again. - Water-lure, Charlotte Perkins-Gilman

(maybe I have a title. Anyway, some original story shenanigans feat. the girls and me gently kissing my ecoline bottles for being so docile, also here's an article on the specific earring Aisling's wearing, su coccu from Sardinia. The coral branch is also typical of the city her mother comes from.)

[somegrumpynerd]

What kinda style do you think Nightmare would paint in? Like do you think he'd have something more classical? Maybe realism? old timey stuff? Or impressionism maybe, I feel like he'd enjoy painting outside

I wanna hear your thoughts on this!

Hm yes yes, I definitely have thoughts about this (<- failed their art exam and very quickly googled painting styles lol)

If I'm understanding what I've read right, I think he'd be into realism or impressionism, I can see him spending ages on lots of little details in a picture. I could definitely see him painting outside though! It's easier to just set up in a secluded area than get anyone to look normal while the king of negativity stares at them for a few hours lol

It kind of goes hand in hand with the idea that he documents aus as a hobby as well I guess, like maybe he tries to paint little scenes of certain aus that stick out to him or just to keep as reference in case anything happens to them. Maybe Horror has a little painting in his room of his snowdin to help when he gets homesick?

He definitely doesn't have several paintings hidden in a closet somewhere of his own au before the incident, with a big tall apple-filled tree and a little yellow flag around the trunk and two yellow and purple dots nearby that are probably just a mistake didn't mean to add those don't read into that

Also not that I read your tags on that post but imagine him trying to do a family portrait. First problem is none of them will sit still. Okay that's a lie Cross probably would stand completely still for hours he has royal guard training, but the others are definitely not. I give it 10 minutes at most before Killer's annoying Dust into trying to kill him, Horror probably forgets what they're doing after an hour and starts walking off and has to be called back. At the end of it all he miraculously has a painting but immediately gets hit with "hey wait this is just us!! why aren't you in it? D:" as if he was supposed to go stand behind them and paint himself somehow??

About a week after he hangs it up, he finds somebody has drawn a little cartoonish version of him and taped it onto the painting like he was in it too and he pretends it doesn't make him as happy as it does.

[sysig]

Cards 👏 cards 👏 cards 👏 (Patreon)

[waxwater]

A Cursed Clock is Right Thrice a Day

I wanted to expand that time trouble comic a bit! Some people just shouldn't have guns. Or time travel.

[angrybatart]

I've never watched Venom, but...

VENOM HORSE VENOM HORSE VENOM HORSE VENOM HORSE VENOM HORSE VENOM HORSE VENOM HORSE VENOM

[uncanny-tranny]

It's actually kind of heartbreaking how many people feel their life has ended right after high school or college, and honestly, the heavy romanticization of that period of time is so overwhelmingly predominant that it can be hard to avoid. It's insidious to constantly be told that ages 10-24 are the only worthwhile parts of life, that everything after is essentially meaningless and dull.

It's hard not to look around you and think that your life still is open and full of potential when you're told over and over again that the rose-tinted childhood is the last time you were alive. It's hard to realize that your life isn't over when you walk off the stage of your graduation.

We must realize that we will always be full of potentials. Your life won't be over until you take your final breath, and then? That's simply another chapter in your story, one of many. Let yourself realize that you're alive in the here and now. There will be good and bad, but never a complete loss of potential or hope.