#I don’t want to delete it

[orcinus-veterinarius]

Turned off my askbox until I can get caught up.

[the-goose-caboose]

I think a lot of what makes the tma/tme and transandrophobia discussion so volatile is people forgetting systemic vs personal opression

Like I think a lot of tumblr leftists learned “bigotry isn’t just personal! It’s also systemic opression of marginalized groups.” But forgot the “just” and instead started thinking bigotry only exists on the major scale.

Yeah, misandry isn’t a real systematic problem, but you are still capable of personally being bigoted against masculinity.

This is what leads to people telling transfems who disagree with them to kill themselves but still believing themselves to be good transfeminists. They think that acknowledging and fighting against systemic oppression is the only measure of activism

[remyderatz]

Really didn’t wanna post this 😭

[ellenhuttereborn]

kind of tragic how dean puts all this responsibility onto himself to be sam’s protector, when the truth is sam has never once been safe. the biggest violation in his life happened when he was six months old, and nobody was there to protect him. and nothing anyone did afterwards could ever make up for that fact.

[stars-obsession-pit]

I found this in my drafts and i’ve forgotten what it was leading to so i’m just gonna post it as-is

Tucker was hanging out at Danny’s apartment when a ringtone he didn’t recognize suddenly sounded from the closet. Danny visibly startled and scrambled to dig out… an ancient looking flip-phone.

He raised an eyebrow. “Seriously, Danny? I know I’m not one to talk what with my PDA, but why do you have a piece of junk like that? I know you have a better phone.”

“I’ll explain later.” Danny then answered the phone. “John? What’s going on? I honestly thought you’d forgotten this number.”

[bixels]

Hey, I need some advice. For anyone experienced with kids, how do you deal with young children with hyperactive ADHD. I’m doing well babysitting but I’m afraid of being a pushover and letting these two kids get away with too much, especially when they’re rough-housing.

[borealwrites]

I see your (general) “Kakashi expects children to be half as smart as he was at that age” AU and raise you a “Kakashi thinks children are way dumber than they actually are” AU. His only in-person experiences with pre genin are himself, a year at the academy, and Naruto.

So he’s convinced that Iruka is some kind of god for wrangling 17 half-feral children (and Naruto) into real human beings who can read and write and use chopsticks and deadly weapons. Yes, clan children probably learn a bit before, but still.

Kakashi: can’t believe you taught them almost everything they know

Iruka: I didn’t??

Kakashi: I watched you turn 18 hellions into mostly functional members of society

Iruka: most of my kids were well behaved

Kakashi: they absolutely were not, I once saw baby Shino bite Chouji and Hinata took out Gai’s kneecaps because he stood still long enough for her to catch him

[canine-economy]

On Swansea’s (often understated) role in Mouthwashing

I say this as a big swansea fan but I don’t rlly understand why ppl are acting like he’s not also complicit in what happened to Anya? AUs where “Anya tells Swansea” and he jumps to violently defend her don’t make sense to me because canonically she does tell him, as he admits to Jimmy. But swansea represents another way of interacting with the capitalist heteropatriarchy that ALSO harms victims: holistic jadedness and resignation.

Swansea is across the board unkind to the Tulpar crew. We can’t forget that he calls anya a “so-called nurse”

and says this to Jimmy, which (if unintentionally) reiterates Jimmy’s own warped perception of Anya’s usefulness and competence. This allows Jimmy to feel justified in his imagination of the nurse’s inferiority. Swansea’s clear lack of respect for Jimmy does less to hurt Jimmy than his lack of respect for Anya harms Anya, because at the end of the day, Swansea’s attitude is contextualized by the violent culture it exists in and he does nothing to reconcile with that when Jimmy becomes the captain. His resignation can thus be weaponized even by Jimmy, a man who Swansea disrespects but whose power he doesn’t try to meaningfully jeopardize, because his across-the-board disdain punches people already marginalized by the environment twice as hard as it does those with power.

Swansea doesn’t position himself as an ally, he positions himself as willfully uninvolved in everything, an observer to the shitshow ride to hell. Just because he dislikes Jimmy doesn’t mean he aligns with Anya. He makes it clear that he’s not on her side, either. After a life of doing what he felt was expected of him, Swansea on the Tulpar looks out for Swansea and Swansea’s comfort. In trying to situate himself outside of the politics of it all as an older white man, he simply allows them to play out. The toxic culture keeps existing, playing out in the microcosm that is this freighter, and Swansea in all his experience recognizes that shit has hit the fan and elects to coast through it, even explicitly numbing himself to it by breaking his sobriety. It is, of course, hard to force yourself to be sober—to see clearly. But had Swansea forced himself to get involved sooner, he might have set a precedent for Daisuke to recognize Jimmy’s abuse, which could have saved Daisuke’s life as well as created a safe space for Anya. But Swansea’s inaction forces both victims to confront an abuser on their own, unable to reap benefits from his privilege and experience.

Jimmy is clearly intimidated by swansea in a way he is not by Anya, Daisuke, or a post-crash Curly (Swansea, for example, physically manifests as an aggressor in Jimmy’s “responsibility sequences”, and Jimmy ties Swansea up to avoid what he sees as the real possibility of pushback that he doesn’t conceive of Anya being able to do). Swansea has a power he does not act on or with until it is far, far too late. In fact, he acknowledges in his final monologue that he was dissatisfied with the discomfort with opening his eyes and living an exemplary “good man”s life. The best days of his life are ones in which he’s belligerently drunk—days in which he didn’t have to hold himself accountable. He regrets the life he spent performing for higher-ups and we watch him reject it by scorning Captain Jimmy, but he also doesn’t want to be held responsible for helping other people when it’s their turn to endure the expectations and violence from similar (if not the same) higher powers. Tragically, he possesses the hindsight to recognize that how he acted on the Tulpar consequently wasn’t what Daisuke needed out of a role model, leading to Daisuke becoming a victim. His hands-off approach to emotional engagement with his young male intern (another symptom of patriarchal gender norms) may have been to avoid Daisuke turning out miserable and jaded like himself, but it doesn’t actually indicate to an already-confused Daisuke what the dangers of that attitude are. Swansea never admits his own shortcomings in a tangible way which, had they come from a man with experience and prestige like himself, may have shifted that culture that failed Anya. She comes to him with the story not because he has situated himself as any earnest friend, but likely out of desperation on a ship Jimmy now controls.

When we allow “the machine” (Swansea’s own words) to beat us down to the point that we don’t find it productive to challenge unjust power dynamics, we become complicit. I think too many people get hung up on his disdain for Jimmy and Jimmy’s fear of Swansea as a marker of allyship with Anya, but the truth is that Swansea. Is a bad ally. He’s hardly one at all. His long stint in the demanding capitalist environment molded a perfectly complicit result out of him, as it aspires to do, even if Swansea bitterly recognizes that. Jimmy’s overt violence from a position of power is a different and much more brutal approach to abuse enabled by people who have been left too tired and bitter to care that he does it. A man who could’ve intimidated and even threatened Jimmy is too resigned to try until there is literally nobody but himself left to fight for, which is an attitude carefully cultivated among the lower rungs of hierarchies to keep the top safe. Swansea in particular seems very unhappy with the capitalistic, patriarchal expectations laid out for him as a father, husband, and laborer. This becomes particularly resonant when you realize the symbolism of his role as mechanic: a job that can be deeply unpersonal, tasked with keeping the ship (the machine, if you will) itself going while other roles are more focused on managing the humans inside of it (e.g. nurse, captain). His decision to just stop trying and spare himself the grief instead of questioning why those expectations exist and how they would hurt the others onboard only delays him being directly targeted by Jimmy and doesn’t interrupt the latter’s violence.

Not a single man in mouthwashing is innocent in Anya’s victimhood. This is a statement tentatively uninclusive of Daisuke, because I think the game very deliberately positions him outside of manhood through his youth and thus struggling with the concept of “fitting in” to the patriarchy. Curly, Jimmy, and Swansea all represent different failures that ultimately perpetuate Anya’s suffering and force her to defend herself and finally take her life into her own hands. A holistic analysis of rape culture in MW necessarily engages with all three of them. Only not being a friend and ally to rapists and other male abusers isn’t enough, and Swansea proves it.

[dollopole]

I should find another hobby

Anyway, if Merlin was set in modern times, Arthur would have called Merlin his “gay awakening”.

[mango-dot-yum]

I don’t want to be a hater because I genuinely do like parts of the London revival, but I don’t like the components at all. They’re just copy pastes of each other, I follow most of the cast on TikTok and no matter how many videos I see I can’t tell them apart

downgrade of the century

[lesbianherald]

I’m going to phrase this delicately because I’m so deeply grateful and awed by the support I’ve received.

But I will say it is a little anxiety inducing how many people feel they can talk about coming home whatever way they want openly and publicly because it has “numbers” or whatever (referring to my own work like this makes me want to claw my eyes out because they baffle me and I don’t necessarily feel I deserve them but it’s important for context).

This is Especially true for the way people speak under things I very much see. Art of the fic. My Twitter mutuals posts. Things I will very obviously interact with. It feels like someone is walking into my back yard and talking shit as if I'm literally not standing in said yard like this 🧍

You make something for a community for free as an act of passion and then the community in turn becomes something that isn’t quite accessible to you anymore. I’ve seen this happen to a lot of fic writers in my previous fandoms and idk man it’s just kind of a bummer.

Like. Fanfic and fanart is made by people in the fandom for the fandom. It’s not work being produced by some distant people in Hollywood who shouldn’t be in the fandom space in the first place.

Idk, it’s actually pretty rare that this happens to me but I wanted to mention I am a human who can very much read the things you say guys 😭 like if you reblog art related to my work and call it a bunch of petty names and say you had to dnf I can see that. It’s totally ok to feel whatever way you want. But maybe don't feel that way in my back yard.

Again. I’m so grateful for everything I really am. You absolutely do not have to fuck with my work. Fuck I don't fuck with my work sometimes DKLFJSDHF. This is probably the last time I’ll talk about this because the last thing I want to do is come off like I can’t take criticism and I’m ungrateful. But sometimes I really am chewing at my enclosure like IM RIGHT HERE MAN IM LITERALLY BEHIND YOU HOW DO YOU NOT UNDERSTAND THAT.

[rouge-fauna]

Normally, I wouldn't really say anything about the drama and stuff, because that's not what I'm here for and honestly I feel like a lot of it is just none of my business. But, it just feels so close to home for me that I can't help but say something. Because here's the thing people aren't going to talk about and probably don't even realize, but I think so much of this drama actually has to do with Dream being autistic.

Just notice the themes of what Tubbo said about Dream being weird, inappropriate, not considering the social boundaries, not communicating, coming across wrong… etc these are all things that can be attributed to Dream literally not knowing better because of neurodivergence. That’s not an excuse but an explanation to know the difference between Dream texting Tommy’s mom out of being manipulative versus not understanding how that breaks a social boundary. That’s not to say Dream should get a free pass to do whatever but I think in the same way we take into consideration other people’s ages and their naivety and obliviousness and inexperience into consideration, Dream’s neurodivergence should be considered too. It is valid. It makes a difference between manipulative and malicious intent versus simply not seeing it the same way.

And really the sad thing is, that I think people will always dislike Dream. At the end of the day, I think that will never change, because even if he was the most perfect person people would still dislike him because of an underlying subconscious response to him not being like the rest. I don’t think it’s a coincidence that he is made the villain in real life and in the dsmp, because it is simply a psychological fact that people inherently dislike autistic people. It’s not because they are ableist it’s just we don’t act like they do so that makes us weird and therefore unlikeable. And it’s hard to understand us because our brains our literally different and as has been said throughout history what we don’t understand we hate, we fear, we see as evil, we attack. Why does Dream get canceled and attacked over and over again? Not because they are true and it proves a pattern that he’s shitty, but because society is so desperate to find a more tangible reason to hate him other than the fact that they just do. Because his behavior breaks social rules he didn’t realize existed. Because he’s easy pickings. Because in my opinion it all comes down to autism and honestly until that piece is actually taken into consideration nothing will probably resolve.

[troubldteenz]

collection of wreck it ralph drawings

ew this guy

[aspenaspenaspenaspenaspen]

“Pretty, just like your mother.”

[artsymeeshee]

one of those nights

[zirafail]

every day i shed a tear as i am reminded that we could’ve had faun/satyr micky in head and we didn’t. where is he.