#I don’t know what happens in other generations

[bc-jpeg]

about the mumbo’s “I’m all the friend that you need”.

I remembered something from the start of hc s10.

mumbo: — tell me, why are you here? are you gonna k- are you working on behalf of someone? are you gonna kill me? is that-

iskall: — no! you said this yesterday as well- mumbo! you are like my best friend! and I don’t have many friends. and I would not kill my one friend that I have!

mumbo: — say that to grian! cause grian came over yesterday, he’s not even the red name and he tried to kill me.

iskall: — but he’s got lots of friends!

oh something happened. something happened there this season. something spiralling into mumbo’s brain there from the start.

mumbo rarely interacted even with his minimum of friends in the early seasons, preferring solitude and redstone. and grian completely changed that. he appeared at mumbo’s bases at any given time without a warning, gradually leaving more and more pleasant words about what mumbo creates and that he is generally missed when he disappears. mumbo has never encountered anything like this,

but you get used to good things quickly, right?

and then he disappears for so long that upon his return grian realizing that it was hard to live with a focus on only one particular person who was not around all the time. and naturally decides to devote more time to other people in order to drown out this sadness for the person. maybe he was too intrusive for mumbo? now he's going to awkwardly avoid him because he thinks that mumbo doesn't really need him that much because he leaves him so often?

meanwhile, mumbo thinks that he is letting grian down, or has already let him down completely, since grian decides to be with his other friends more than with him.

and mumbo does not yet know that the doc’s perimeter war in s9 began simply because doc dared to tell grian that he would never be mumbo's best friend. because grian keeps it close to his heart and hasn't told anyone. especially mumbo. the buttercups started because of «there can only be ONE (best friend) …and it is not YOU!”

[osarina]

ᡣ𐭩 BLIND TO THE PURPOSE OF THE BRUTE DIVINE

FEATURING: dazai osamu

SUMMARY: you're finally in a position to make your first, and hopefully final, move, but the guild isn't your only enemy that's actively working against you. you were foolish to think things would be so easy.

AUTHOR'S NOTES: happy friday lil guys, i struggled with this chapter unfortunately and i'm not sure if i'm happy with the results </3 hopefully you guys will enjoy it more than i did hahah. comments & reblogs appreciated

GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).

CHAPTER SPECIFIC WARNINGS: hardly edited. suggestive language. reader is a bit of a cunt to fitzgerald & takes advantage of his love for zelda. she also takes advantage of zelda's fragile state to manipulate her. repin's ability (memory manipulation) is now going to be heavily in play for the rest of the series so keep that in mind. mentions of gore (blame klaus).

SEE: WASTELAND, BABY! SERIES MASTERLIST

The human mind is terribly fragile, but some are more so than others.

You don’t even need to use your ability on Zelda Fitzgerald to make her crack.

One conversation to plant the seeds of trust.

Three conversations to make her believe you’re a friend of her husband.

Five conversations to convince her that Fyodor Dostoevsky was the one who had her kidnapped from her home in Manhattan, and that you, as a favor to Fitzgerald, were the one who had her rescued. 

In the seventh conversation, you hinted at knowing something about her daughter before you left for a meeting with the other executives. You let her stew on it for a few hours before returning. By the time you came back, she’d worked herself up into a mess. 

In that eighth conversation, you acted apologetic, pretended that you’d misspoke, you backpedaled and bit your tongue. You made it seem like you were reluctant to speak, like you didn’t want to betray Fitzgerald’s trust. She begged you for hours to just tell her what you meant; you refused and left.

You came back three hours after that, and you put up a nice facade of guilt when you did. You told Zelda that you didn’t like lying to her, that her husband is a dear business partner of yours and you’ve come to think of his family like your own just from how much you hear about them through him. You told her that this wasn’t your secret to share, but she begged and pleaded, and you still made sure you came across as reluctant, but this time you gave in and told her.

In that ninth conversation, you told Zelda Fitzgerald that her daughter was still alive and her husband was keeping her away, because the last time Zelda spoke to her daughter, they’d gotten into an argument that drove Frances away. Her husband thought it would be easier for Zelda to think she was dead, because for all intents and purposes, Zelda was dead to Frances. You told her that you got your information through Nabokov, because Frances was living in Russia now under a new name with Dostoevsky’s help.

She believed you.

It took four days.

You don’t really have anything against Dostoevsky. You’ve met him a handful of times during events and he was pleasant enough, but his rats have been seen a bit too frequently in Port Mafia territory and since he and Tolstoy are both Russian, it’s easier for you to help Zelda confuse them. You figure this will be enough of a warning for him to leave Yokohama. If not, it’s just another issue for you to tackle later.

Nabokov, on the other hand—he pissed you off you. You’ve never thought highly of the man, even when you visited him in Saint Petersburg, you thought he was quite despicable, and the more you heard from Klaus about the things that happened in the fighting rings, the more your distaste grew.

Now, he backed out of a critical transaction with the Port Mafia which fucked over one of Piano Man’s deals with the Family in Rome and one of Ace’s casinos, so he’s turned just about the whole round table of executives against him and you think this is a quick way of getting even with him. He would be quite unhappy once Francis Fitzgerald turned all of the resources of the Guild onto him in retaliation for spreading lies about his daughter. The man's one weakness has always been his family, he wouldn't think twice once given a name and reason.

All of this is the reason why you prefer to work from behind the scenes. There are many pros, of course, to being in an organization like the Guild where each executive member is an influential, internationally known public figure, but there’s one big con that you just can’t get over: the lack of privacy. 

The Fitzgerald family has been headline bait for all of the world’s most popular tabloids for years, and when his daughter passed away five years ago, you made sure to follow each and every story. You figured one day that the Port Mafia would end up in conflict with the Guild—Fitzgerald’s reach has always been endless, Yokohama was one of the few places out of it, and you knew one day he would move to gain a foothold here and you didn’t want to be scrambling for information about the man once it happened.

Chuuya always rolled his eyes at you when he found you surfing the tabloids, but look how handy it is now. There’d been several popular theories circulating when Frances Fitzgerald was killed in a car accident. Some people thought it was an assassination—the tabloids speculated that Fitzgerald was the intended target but his daughter got caught in the crossfires; the people that knew of the Guild’s ties with the underworld tended to think that his daughter was the intended target as a means to try to break Fitzgerald.

You didn’t buy either of those theories.

You’ve witnessed many assassinations—assassinations gone wrong, assassinations gone right; assassination attempts on you and assassination attempts on enemies. You are very well versed in the art of assassination. You’ve plotted many of them yourself with Albatross and Iceman, and the ones you didn’t, you still oversaw.

You don’t think Frances Fitzgerald was assassinated, by accident or otherwise. 

No one bought into your theory when you tried to place bets on it with the Flags—not until one of the American tabloids released an insider scoop from a relative of Zelda Fitzgerald who claimed that the mother and daughter had gotten into a blow out fight the night she died in the car accident. 

You think that was the last bit of information you needed to confirm your theory: Frances Fitzgerald was not assassinated, she was a stupid and reckless teenager who was upset after a fight with her mother and drove too fast down a road that was too windy and ended up driving herself right off a cliff. It was a gamble to bring it up now to Zelda, because you couldn’t be entirely certain, of course, but it paid off. 

You’d been right—some type of argument had broken out between them the night of her daughter’s death, and Zelda has blamed herself for her death ever since. The woman, who’d been the face of American socialites for almost a decade, had all but retreated from the public’s eye after it happened. People whispered that her daughter’s death broke her mind, and you think that they were right—this woman is hardly a shell. You almost feel bad for what you’re doing to her.

Almost.

Unfortunately for Zelda, she’s a fair trade in Fitzgerald’s eyes, and until Dazai is back to you, she will be treated in the same way you assume Fitzgerald is treating his guest. He’s lucky that you have a high enough opinion of him to believe that he wouldn’t stoop to physical torture; he’s likely just trying to turn Dazai against you in the same way you have with Zelda, but Dazai will see through his manipulations.

He will.

He will.

He has to.

Your eyes slide shut as you fist one of Dazai’s sweaters—a cashmere one you’d bought for him to wear when you take him to nice restaurants, he prefers them to button ups. It still smells like him. He wore it when you took him to a hibachi restaurant in Nishi-ku a few days before the argument the two of you had that led to all of this and you haven’t had the chance to do laundry with everything going on.

You know that you don’t have time for this—there are more things you have to do to prepare Tolstoy’s subordinate, Ilya Repin, for what you’ll need him to do. You haven’t even met the man yet; Tolstoy is embarrassed over it, he keeps apologizing and saying that Repin is fickle when he’s in the middle of projects, but you’re not exactly in a position to make demands when they’re doing you a favor. 

“Should you be laying around right now?” a familiar voice hums from the entrance to your bedroom. Your gaze flickers up to see Chuuya's concerned face staring down at you, head tilted to the side. “You look like shit, y’know?” 

Your lashes lower as you look away. “I didn’t even hear you come up,” you say quietly. “Shouldn’t you be going to the meeting with the Family envoys with Piano Man?”

You’re the one that usually handles negotiations with the Family, but Piano Man brushed you off when you said you would go. Told you to focus on getting things settled here with the Guild. Told you to get Dazai back. You almost wish he would’ve let you go so you could busy yourself with something other than torturing yourself with reminders of Dazai.

Chuuya exhales as he tosses his hat onto your dresser before sitting down on the bed next to you. You almost want to turn away from him, but he doesn’t let you. He wraps an arm around your shoulder and drags you a little closer to him, and your eyes slide shut as you sink into him, hiding the way your vision blurs against his shoulder. Your breath shudders when you feel his hand running up and down your back, slow and soothing—Chuuya is always warm, but somehow, even with his arm wrapped around you and your body curled up against his, you still feel cold.

“Piano Man’s fine,” Chuuya murmurs. “He and Albatross are handling it. Wanted to come check on you.”

Ordinarily, you would make a snippy comment about him being sappy and he would get mad, smacking you over the head with a pillow. This time, you only let out a shaky breath and a noise of acknowledgement that’s far too weak, and evidently, concerning considering how Chuuya’s hand tenses on your back.

“Why are you here, Chuuya?” you ask tiredly, voice a bit raspy, before he can say anything. “I thought you were mad at me.”

“Never that mad at you,” he says quietly. “Not enough to leave you alone. Especially right now.”

The next breath you take in is wet and ragged, the tears that mist your eyes threaten to spill over. You’ve been on the edge of collapse for over a week now and every time you find yourself alone, you think it’s finally going to happen, but for better or for worse, someone shows up and you have to pull yourself together. But now… Chuuya’s arms are so familiar, too comforting—living in a world like you are, casual comfort is a rare delicacy, one that you can rarely allow yourself to indulge in.

“I’ve got you,” Chuuya whispers. His arms tighten around you and he pulls you more firmly onto his chest, shifting so you could wrap your arms around his waist, your fingers digging into his gray waistcoat. Oh, you realize, desperately trying to bite back a sob bubbling in the back of your throat, it’s happening. “We’ll get him back.”

“I’m tired, Chuuya,” you say, the words wobbly as you fight off tears. Your breath hitches when his hand slides against your shoulder blades gently. “I’m so tired. I don’t know how you did it.”

Your words don’t register until you feel Chuuya pause in the absent strokes of your back.You look up at him, about to speak again to change the subject because you hadn’t meant to bring up what happened two years ago, but he answers before you can.

“I didn’t,” he says with a wry smile. “I destroyed a ward and shut down. You handled it, remember?”

 And you failed, you finish, but Chuuya can certainly hear the thoughts running through your head from how his arm tightens around you. He pushes himself up into a sitting position and shifts you to sit upright in the bed. You sigh when he reaches out to grab your chin, forcing you to look at him.

“What happened back then, it wasn’t your fault. That shit was out of your control, you know that. Don’t let it start getting in your head now,” Chuuya tells you firmly. “You didn’t fail back then, you’re not going to fail now. Yeah?” 

You don’t even realize you’re crying until you feel Chuuya wiping the tears away. You avert your gaze and whisper, “I miss him, Chuuya. You were right. I never should have-”

You never should’ve let this happen. You knew from the beginning that you couldn’t let this go far, but you did. And even then, Chuuya warned you. He told you what would happen if you continued this, but you did.

Chuuya stares at you for a moment with an indecipherable expression before nodding to himself, pushing himself to his feet. 

“Come on,” he says. “Let’s go force that fuckin’ Russian to talk to us. I’m done waiting around for him to finish his shitty project.”

—

It is not Twain, James or Fitzgerald who walks through the door to Dazai’s prison cell of a room days after your alleged release from prison. It’s a girl who seems to be a little younger than him—she wears a maid’s dress and has long crimson hair tied into two thick braids.  

A girl who probably should not be there considering she looks shifty-eyed and nervous. Plus, Fitzgerald has not hid that he’s been making an effort to ensure that nobody else knows about Dazai’s presence here—he’s kept him isolated, and Dazai never hears anything going on outside of his room, so he assumes he’s purposely being secluded from the rest of the Guild for whatever reason. Probably has to do with the reason behind Fitzgerald keeping his knowledge of your ability on the low—he doesn’t trust that people aren’t listening and doesn’t want this information to get out to anyone.

So this girl is likely not supposed to be here, but Dazai can’t even bring himself to be curious as to why she is here, because he’s tired.

He is so tired. 

His gaze is listless as he tracks the girl. She acts like she’s the cornered animal as if she wasn’t the one who willingly came into his room. She paces to the corner of the room furthest from him and presses herself into it, eyes narrowed on him, studying him like he’s some sort of specimen. 

She’s his first visitor in eight hours. Dazai assumes that means it’s around morning. He doesn’t know exactly what time it is—there’s no windows in the room he’s been staying in, so he has no way to gauge the time of day, and everything has just been blending together. He tried to keep track of when they would bring him food to have some sense of the day and time, but he realized quickly that they were bringing it at uneven intervals so he couldn’t figure it out. 

He thinks it must be some kind of torture tactic—making the days seem impossibly long so that it feels like he’s been here even longer than he has. It’s working to some extent because it is hard for him to tell how long he’s actually been here. Realistically, he knows it can’t be longer than two weeks, but it feels like it’s been three or four. 

“You don’t look special,” the girl finally says, her tone slightly accusatory. Dazai’s eye twitches, he’s been reminded quite frequently by Twain that he’s nothing special and it’s exactly why you aren’t coming for him, and he doesn’t need to hear it from anyone else. “Francis has never taken a foreign prisoner and not consulted the rest of the Board. They’re not happy.”

“Does it look like I care?” Dazai asks irritably, rolling his eyes. He should probably try to get information out of this girl, but he has no patience for it.

The girl gives him a scowl in return, but her expression quickly returns to a more contemplative one. “I’m just curious. What organization are you affiliated with? Why didn’t he tell us what’s going on?”

Dazai can’t help the snide comment that spills from his lips. “Us?” he mocks, looking pointedly at the maid’s dress she wore. “I don’t think you’re a member of the Guild’s Board… Seems more like house-keeping.”

Her face flushes as red as her hair, eyes wild and angry, but more than that ashamed. Clearly, Dazai hit a sore spot and he can’t even bring himself to feel guilty for the way the girl gets embarrassed over it. Her lashes flutter as she looks away, not speaking for a moment.

“I was,” she finally says, voice strained, cracking over the word ‘was’. “I was, and I would’ve been consulted with the rest of them at the time, but I wasn’t. I want to know why, who are you?”

Dazai’s lips curl up into a taunting smile. “None of your business,” he sings, leaning back against the wall and raising his eyebrows at the girl when she nearly snarls at him in response. “Who are you?”

“Lucy,” she spits. “There. I told you who I am, tell me who you are.”

“Nope,” Dazai says with a grin. “Why would I tell you that? I didn’t promise to tell you who I was if you told me.��� 

“You-” Lucy raises her voice, furious, but then cuts herself off, looking nervously at the door. She gives him a sharp look and then continues just as angrily, but more quietly, “Tell me who you are. Why didn’t Francis tell us about you?”

Dazai doesn’t respond. He thinks Fitzgerald has the right idea. The less people who know about him, the better, because if it does get out who he is to you, it’ll just give more of your enemies ammunition against you. Dazai’s done enough damage by now, he may as well mitigate as much as he can.

“You’re with the Port Mafia, aren’t you?” Lucy suddenly demands, and Dazai looks at her quickly, wondering how she managed to figure that out. She looks entirely too smug as she lifts her chin. “It explains the sudden pressure they’ve been putting on us. They blew up the S.S. Zelda a couple days ago, intercepted some of the supplies that we were sending out to our people back home, and slaughtered a whole regiment of Margaret and Nathaniel’s men. From what I heard from Mark, they’ve been nonstop for almost two weeks.You must be the reason why. Am I right?” 

“None of your business,” Dazai replies again, but this time, his chest feels a bit lighter. 

He makes sure not to let the sudden relief cross over his face, but Twain, James and Fitzgerald have made sure to leave him with no information on what’s going on in the outside world. Especially any information regarding you. But now he knows. He knows that you’re out there still fighting for him, even if you haven’t been able to get him back yet, you’ve been fighting for him—you’ve been taking out the Guild’s bases, you’ve been isolating them from their allies, you’ve been backing them into a corner. 

Suddenly, the past two weeks had become entirely more bearable. The heaviness that had been weighing on him wasn’t as oppressive anymore and the nagging doubt that had been clouding his brain was all but gone.

He knew you hadn’t forgotten about him—in his heart, he knew it, but getting verbal confirmation of it was much needed. 

“Oh, come on,” Lucy snaps. “I just-just tell me something. Tell me something I can bring back to Francis, anything, I just-

Dazai’s gaze flickers up curiously, watching as Lucy straightens, inhaling sharply as she tries to hide the tears of frustration that suddenly clouded her eyes. Her hands are balled into fists at her side, she gnaws at her trembling bottom lip as she forces herself to settle down enough to speak without her voice wavering.

‘I was,’ he remembers her saying, and realizes instantly why she came down here.

“You want something to bring back to Fitzgerald so you can get yourself out of the doghouse,” he drawls, eyes flicking over her. Her face flushes red, lips parting to protest Dazai’s words but nothing escapes them. “You want to know my opinion?” 

“I want information,” Lucy says. “I don’t care about your opinion.”

“I think that’s pathetic,” he shrugs, ignoring her. Lucy’s lips part in disbelief, but Dazai continues before she can say anything. “It is. You’re sneaking down here to beg me for information that you can bring back up to your boss because he demoted you… for what, exactly? Didn’t bring him the right food?”

Lucy swallows thickly, unable to meet his eyes. “I lost a fight,” she whispers. “I lost a fight to one of your people, and I lost everything. I worked so hard to get where I was. So hard. Harder than you could ever understand and-”

“I don’t care,” Dazai says, turning away from her. “If you want my opinion, if you got demoted to being a housekeeper because you lost one fight, you have a shitty boss and should probably find somewhere else to work instead of begging for scraps just to be treated like shit.”

Dazai doesn’t say anything else after that, and makes a show of not looking at her to make sure she knows the conversation is over. Luckily, she gives him no grief over it—in an instant, he hears the door slamming as she storms out of his room and Dazai lets out a soft sigh as he rests his head against the wall. Tired, lonely, and missing you so badly that it almost makes him ache.

Don’t keep me waiting too much longer.

—

You are irritated.

You’ve been waiting in one of the larger rooms in the Mafia headquarters for twenty minutes now—the smell of paint is giving you a headache and the sheer insult happening before your eyes is nearly enough to send you over the edge. Ilya Repin has the audacity to keep his back turned to both you and Chuuya even when Tolstoy introduces you to him. He sits on his stool and continues to paint his canvas, ignoring the two of you quite blissfully: he doesn’t look at you, doesn’t greet you, doesn’t acknowledge you. 

Tolstoy is becoming increasingly more embarrassed if his red ears and apologetic looks have anything to say about it. Unfortunately, you’re not sure if any number of apologies will save him from Chuuya’s righteous wrath at this point, because if you are irritated then he is downright murderous. 

You watch your fellow executive from the corner of your eye as his eye twitches and his lip curls up. The thin thread of control he has snaps as his tongue kisses the back of his teeth and he starts to storm forward. You stop him quickly, grabbing his wrist and giving him a sharp look.

“He-” Chuuya begins to hiss at you, but you only raise your hand to quiet him down and move forward yourself.

You don’t know if you’re making a mistake by forcing Repin’s hand before he’s ready to help, but you do know that you’re tired and you need Dazai back desperately. It’s been over a week now and if Fitzgerald has been half as aggressive with him as you have been with Zelda, then you know that he’s been playing mind games with Dazai. And Dazai is smart, yes, but how long can someone hold out when given no hope or reason to?

It takes ten long strides for you to cross the room, placing yourself between Repin and the canvas he’s working on. The man pauses, paint brush inches from your cheek, and then looks down at you with narrowed eyes.

“You’re in my way,” he notes astutely.

“And you are in mine,” you counter with a thin smile. “It seems we’re at an impasse.”

Ilya Repin is not what you expected. From how Tolstoy described him, you expected an old stubborn coot who had one foot in the grave and acted like each day was his last on earth. Instead, you’re met with a man who can’t be much older than you—with tousled brown hair and light blue eyes, you’d think he was pretty if he wasn’t so irritating. 

He looks down at you with a pinched expression, like he’s considering painting right over your face, but after what feels like an eternity, he lets out a dramatic sigh and glares at Tolstoy over his shoulder.

“I told you not to let anyone bother me until I was done,” he complains, rolling his eyes. You watch as Chuuya’s eyes bulge at the way Repin dismisses you, a familiar red glow flickering around his fists, but Tolstoy responds to Repin before the artist can find himself splattered on his own painting.

“Ilya.” Tolstoy spits out something in such rapid-fire Russian that even you can’t catch what he said. Whatever it is, it makes Repin roll his eyes again before turning to you with a smile that’s too sweet for comfort.

“Her Highness finally decides to grace me with her presence. Honestly, I thought you’d be down here days ago—you’re awfully patient for someone whose lover’s life is on the line… Unless, you don’t actually love him? But then why go through all of this trouble?” Repin hums, leaning forward so close that it has you taking a step back, forgetting that his painting is behind you. His hand darts out to curl around the back of your neck, stopping you from hitting the wet paint while at the same time forcing you even closer to him. He looks down at you through his lashes, nose nearly brushing yours as he says, “Don’t mess up my painting.”

You click your tongue and step away from him, careful not to let it show just how disconcerted you are by his casual disrespect. Chuuya looks like he’s on the verge of bringing the whole building down, Tolstoy has left a wide berth between the two of them as the gravity manipulator becomes more and more vexed by his subordinate. You give him a look to tell him that it’s fine, but it doesn’t seem to ease him in the slightest.

“You’re lucky that you’re Leo’s cousin,” you finally say, giving Repin an equally saccharine smile as you stand a few feet away from him. He finally spins in his stool to turn his back to his painting and his attention onto you, a curious expression on his face as he looks down at you. “I’ve had people’s tongues taken for less.”

“What a waste that would be, my tongue could be used for things much more pleasurable than glossectomy,” Repin replies easily, tone laced with innuendo as his lips curl up into an amused smirk. 

Unbothered, you amend your statement. “Your hands, then—a fitting punishment for a painter, I think.”

Unfortunately, Repin is equally unphased, holding his hands out as his smile widens. “But then of what use would I be to you? I thought you needed my ability,” he says.

You raise your eyebrows, silently beckoning him to explain what exactly his ability is because Tolstoy thought it would be better coming from the ability user himself. The man sighs and hops off of his stool, speaking as he starts to put away his painting equipment.

“Essentially, I can take memories from people and store them in my paintings,” Repin explains, walking over to a covered painting and pulling the cloth off of it, revealing a scene of a midnight rendezvous between two lovers. “This is a favor I did for an acquaintance. He was cheating on his wife, his wife figured it out and was going to grill him, he asked me to remove his memories of his mistress so his wife didn’t realize he was lying. I don’t really like him, so I keep the painting on me and light the bottom on fire whenever he irritates me.”

“What does that do?” Chuuya asks, side-eyeing the painting before turning his attention to Repin distrustfully.

Repin gives him a once over before looking back at you pointedly. You don’t have to look at Chuuya to know that he must be livid, so you give Repin an equally pointed look and wait for him to answer Chuuya’s question.

Repin sighs. “Burning the painting returns the memories to whoever they’d been taken from, so whenever I light the bottom on fire. He starts to get that looming feeling that he’s forgotten something important. He’s tortured with that feeling of something being on the tip of your tongue but unable to fully remember it. He calls me all wound up about it whenever I do… I think I might be his only friend, which is kind of sad considering I can hardly stand the sight of him…”

He’s rambling more to himself now than to you, frowning as he taps the tip of one of his paint brushes to his chin. You press your lips together as you think—removal is good, you need to have Fitzgerald’s memories of Dazai gone, along with any other of his subordinates that might’ve seen or met him.

But you need more than removal.

“What about implanting memories?” you ask, interrupting his stream of babbles. He casts you a curious look. “You can remove, but can you implant new ones to take the place of old ones?”

He studied you now, an intrigued expression on his face as if he’s seeing you in a new light. “I’ve done it once,” he says after a few moments. “It’s a far more… demanding process.”

“How so?”

“I need to have a painting ready for it,” he says. “More than that, I need a scene. A story. Every painting has a story—that’s the theory my ability is built on. Memories are stories that can be captured in paintings. I need to have the same depth of detail that a memory would have to make a painting that can be implanted as one. It’s much harder than you’d think. One lack of detail, one inconsistency, it could throw everything off, and once someone becomes suspicious that an implanted memory is a false one, it unravels. I burn the paintings here to return stolen memories; they, figuratively, burn the implanted memories in their mind once they start getting suspicious.”

Not quite as reliable as you’d hope, but you can make it work. You have to make it work. You’re running out of time, each day that passes—each hour that passes… You need to make your move, and you need to do it as soon as possible.

“If I can give you a detailed story, how long would it take you to create a painting that can be implanted as a memory?” you question.

Repin smiles, tilting his head to the side. “With the right muse? A couple of hours,” he murmurs.

Finally, you think. The relief that hits you is almost debilitating; you let out a sigh as you nod, giving Chuuya a long look. For the first time since your arrest, you feel an inkling of hope; you see the first rays of the sun breaking over the horizon, shattering the long night that’s been hanging over you.

The end is in sight. You’ll have Dazai back before nightfall. 

“Good,” you say. “I’ll be back in fifteen minutes. Have everything ready to start.”

You don’t bother to listen to the response, turning on your heel to leave the room. You have one last thing to take care of with Zelda, and then, you can sit down with Repin to finish up the final preparations. It’s almost vindicating when you pull out your phone to send a location and time to Fitzgerald.

Just a little longer. I’m almost there. 

—

Dazai is lounging in bed when the door opens again. 

“I was sleeping,” Dazai says irritably. He wasn’t sleeping, but they don’t need to know that. Twain and James are the ones unfortunately gracing him with their presence, which is odd considering they’ve never shown up at the same before. “What?”

“Up,” Twain says, clapping his hands together twice as he ushers Dazai out of bed. “C’mon, kid. Francis is waiting. Let’s go.”

Dazai scowls when Twain grabs his bicep to pull him off the bed, slapping away the other man’s hand. His skin crawls where his fingers had once been—Dazai has never enjoyed physical touch, not until he met you, but even then it’s limited to you and you alone.

He misses you.

A heavy air settles around him as he drags himself out of bed. He doesn’t know why he’s started to descend into such a depressive spiral since Lucy’s departure from the room, he thought he would be happy knowing that you haven’t forgotten about him, but he’s only become increasingly more despondent. 

His fingers feel numb and clunky as he pulls on a pair of shoes—you bought him them. You bought him everything he’s wearing right now, actually. Despite the fact that Fitzgerald has brought Dazai several new pairs of clothes to wear, he hasn’t changed out of the outfit he’d arrived in. He’s sure it smells terribly and he must look like a mess, but Dazai’s mind has always been cruel and now more than ever, it enjoys playing tricks on him.

He’s never slept well before. Usually he doesn’t sleep at all, but when he does, he’s plagued with nightmares. The past few days, weeks, however long he’s been here, it’s been no different. When he sleeps—which is frustratingly often because of the head injury he received the day they kidnapped him—he wakes from long, vivid nightmares of lives where he never met you. He wakes entirely convinced that the entire past few months with you was just an elaborate dream that his mind made up to torture him, that you don’t exist, that you’re just a figment of his imagination created to show him a life that he could’ve had if he were more normal.

It’s only the physical evidence of you that drags him out of a dangerous spiral—the clothes you bought him, the lingering scent of you on him, and the few marks that remain on his body from the night spent with you in the cabin. But your scent is fading and the marks are disappearing, so all he has is the clothes on his back to remind him that you’re real, you’re alive, you’ll come for him.

You’ll come for him. 

“Where are we going?” Dazai finally asks, finishing getting on his shoes, but he doesn’t budge as he stares at the two of them, waiting for a response. They don’t give him one. He wonders if the Guild is done with him, if they’re skipping over torture and going right to execution. “Hello? I asked a question.”

“I told ya,” Twain tells him, stepping out of the room and raising his eyebrows, urging him to move along. “To Francis.”

“But why?” Dazai presses. “Why didn’t he come here? Where are we going?”

Twain and James share a long look, like they don’t want to explain to Dazai where they’re going. And-

And Dazai doesn’t dare get his hopes up—he knows better—but it’s impossible to stop the way his body physically reacts to the realization he just came to. His throat swells and he works on over time trying to stop the way his heart suddenly starts racing. He can’t.

Twain would’ve eagerly told him if they were marching him off to be executed; he’s been gloating over the fact that you ‘left him to rot’ since you were released from prison. If this were the Guild getting rid of him, Twain would be just as vocal about that, but it’s not, so could it be…? 

He stares at the two members of the Guild. He wants to ask, but he doesn’t want to be disappointed, so he waits to see what they say.

It’s an eternity before Twain rolls his eyes and says, “Seems your girl didn’t forget about you. She called for a parley. We’re going out to meet her.”

Dazai lets out a wavering puff of air, one that he can’t bite back. The tension in his shoulders instantly dissipates, after what seems like weeks of darkness and despair, Dazai finally sees the light at the end of the tunnel.

“I told you,” he tells them, voice a bit more breathless than he meant for it to be. “I told you she’d come. Maybe you should’ve listened to me.”

Twain clicks his tongue and rolls his eyes. “Get moving,” he snips, forcing Dazai out of the room and leading him down unfamiliar halls. Dazai is quick to map out the place, noting all of the twists and turns just in case he somehow ends back up here. He’ll get out on his own if he has to, he’s not spending another night in this place. “Don’t get your hopes up. I doubt she’ll be able to come to an agreement with Francis.”

Dazai is a bit too smug as he says, “If she reaches out to meet you, then it’s already over. She wouldn’t have reached out to meet you if she wasn’t sure things would land in her favor, otherwise she would’ve reached out days ago.”

It’s the truth—Dazai knows it. His faith in you wasn’t misplaced, never has been and never will be. You just needed time to make sure everything was in place because you didn’t want to find yourself on unequal grounds during the negotiation. He almost feels giddy as he follows Twain and James out of the building, walking in the direction of a long black car.

Their base is in one of the southern wards, he recognizes immediately. Sakae or Totsuka… maybe Kanazawa. It’s in a residential district, and there's a road sign to Kamakura, so he must be in Sakae or the southern part of Totsuka. His gaze flickers back over to the two escorting him, wondering why they wouldn’t have blindfolded him before leading him out of the building.

Maybe they think it doesn’t matter—they don’t intend on coming back to this base for whatever reason after their meeting with you, or maybe… Dazai’s gaze lingers on the side of Twain’s face, noting the way his jaw is tight and his eyes keep flickering around aimlessly. He looks over to James, seeing the larger man in a similar state.

“You’re nervous,” Dazai voices, still entirely too smug. When Twain doesn’t respond, only giving him a sharp side-eye, he realizes that his assumption was right, and it makes him even more amused. As he gets into the black car, he gives the man a simpering smile before saying, “Good, you should be.”

Fitzgerald is already in the car waiting for them. He’s so hyper-focused on his phone that he doesn’t even realize the three of them entered the car until Twain says something. Dazai should probably be paying attention to what they’re saying, but he finds himself dizzy over the thought of seeing you again. 

When the car starts moving, his heart starts racing. He doesn’t know where they’re meeting you, but it can’t possibly be more than a thirty minute drive and that means he’s thirty minutes from seeing you again after days—weeks, maybe—of isolation. He finds himself nervous, almost, because he doesn’t really know what to expect from you—are you mad at him for what happened? Do you still want to be with him? Dazai is unsure because he thinks that even if you did want nothing to do with him anymore, you’d still make sure to protect him if he got caught up in this.

He chews the inside of his cheek, doubt whittling away at his excitement; he’s only drawn back to the present when Fitzgerald responds to something that Twain says.

“I haven’t heard from Zelda today,” he murmurs, looking a bit unsure. “She usually calls when she wakes up in the morning.”

Zelda, Dazai notes the name down, recalling that Lucy had mentioned it too and thinking back to the comment Fitzgerald had made during the second conversation he had with him. I’ve only met one other… you remind me much of her. His gaze flickers down to the man’s left hand, seeing the gold wedding band sitting on his ring finger.

Fitzgerald notices Dazai’s lingering gaze and sighs before looking away, staring out the windshield as the driver continues down the road in the direction of Nishi-ku. After a few moments, he says quietly, “Zelda is my wife… All of this, it’s for her.”

His tone is solemn, eyes heavy as he stares ahead. Dazai tilts his head to the side as he studies the older man, curious. “All of this?” he asks dryly. “You kidnapped me because of your wife?”

Fitzgerald’s lips curve up into a resigned smile. “Yes,” he says. Dazai’s brows furrow, mind racing as he tries to put together the few puzzle pieces he’s been given. What does his endeavor in Yokohama and with the Port Mafia have anything to do with his wife? He’s missing something. “I’ve done terrible things in the name of love, I’ve gone well past the point of no return. I have to see things through now.”

“I would do terrible things for you, Dazai Osamu. I have done terrible things for you, and I would do them again and again and again.”

Dazai misses you. The reminder of your words from the beach house makes his body ache with longing. Yet, Fitzgerald’s words don’t settle well with Dazai. They make his skin crawl with nerves, itching uncomfortably beneath his bandages—he needs to replace them, he’s hadn’t had the chance to change them since the Guild kidnapped him. They’re all yellowed and grimy now, and they’re almost intolerable against his skin. He wants to go home. Wants to be with you. 

“What do you mean?” Dazai presses. “What does this have anything to do with your wife?”

Dazai figured that the Guild was just trying to expand into Japan and wanted their first foothold to be in Yokohama to unseat the Port Mafia as the reigning leaders of the Eastern Hemisphere’s underworld… but what would that have to do with his wife? It doesn’t make sense. There’s something he’s missing, something that runs deeper than just territorial conflicts. 

Before Fitzgerald can answer, Twain clears his throat, giving Dazai a suspicious look before speaking to his boss. “I’m sure Zelda is fine,” Twain says. “The nights have been getting longer and colder back home, she always gets more quiet when winter comes around.”

Any disposition Fitzgerald might’ve had to answer Dazai’s questions is gone as the man sighs and leans back in his chair. Dazai shoots Twain a dirty look, to which he receives an entirely too smug one. Bitter and irritated, he hopes that you humble the redhead severely in the meeting.

“You’re right,” Fitzgerald says more to himself than to anyone else. “I’ll see if J.D. can stop by the high-rise after this meeting, he offered to check in on her since he decided not to come along.”

Fitzgerald doesn’t seem inclined to continue any conversation at all. He looks out the window of the passenger seat and a tense silence falls over the car—Dazai is wildly uncomfortable between Twain and James. He can feel both of their thighs bumping against his with each turn the car takes and the forced physical contact makes all of this even more unbearable. 

The seconds feel like hours, the minutes feel like days. When the car finally pulls to a stop, Dazai is itching to claw past Twain so he can have fresh air and personal space. The other man takes far too long to open the door—Dazai thinks it’s on purpose from the way he gives him an entertained look. Dazai scowls at Twain and shoulders right past him, frustrated and antsy, and then-

And then he sees you.

Dazai’s breath catches when he steps out of the car, nearly tripping over his foot when he realizes that you’re standing outside of the teahouse. There are two people on either side of you, but he’s tunnel-visioned on you and you alone. The world could be burning around him and all he would be able to see was you.

You look beautiful. You always look beautiful, but you look especially beautiful now when he’s been deprived of the sight of you for so long. The sun is setting over the bay and Dazai thinks he could drown in the image of you, that he could die happy now that he’s seen you again. You’re dressed neatly in a suit and your expression is cold and closed off, but he can see the way your eyes soften as soon as he’s in sight and it makes his whole body warm with a comfort he’s been so awfully deprived of the past few weeks.

He loves you. He’s missed you. The apology that he’s been rehearsing every day since he was kidnapped threatens to burst from his lips along with everything he wished he said to you but thought he’d never have the chance to. He refrains, if only barely, because he knows now isn't the time for this, not in this setting, but he itches to be at your side, to feel your skin on his again. 

“Don’t try anything funny, yeah?” Twain says with an unkind smile as he nudges Dazai forward. He feels the muzzle of a gun pressed to his lower back, a silent threat for if he was thinking about running to your side.

Fitzgerald walks in front of the three of them, stopping at the bottom of the stairs you’re standing on—a power play, Dazai recognizes, you on a higher ground forcing them to crane their necks to look up at you. Now that Dazai is only partially dazzled by your appearance, he recognizes Nakahara Chuuya and Piano Man on either side of you. The three of you seem to be purposely blocking the entrance of the teahouse and don’t make any effort to move once Dazai and three members of the Guild start making their way to you.

“Do you intend for us to parley out in the open? I would’ve thought that the Port Mafia would appreciate discretion more than that,” Fitzgerald notes dryly.

“I’m afraid we will not be parleying under the current circumstances,” you sigh, and your voice. God, your voice is heavenly, he���s missed it desperately. “You send your… guest over to the car waiting right over there, and then we can talk.”

Hm? Dazai watches curiously, wondering what you’re playing at. There’s no way that the Guild will just hand over their leverage before going into a negotiation, even Dazai knows that much. He knows that you wouldn’t have called this meeting unless you got yourself on even footing with them, but even footing wouldn’t be enough to force Fitzgerald to hand his only advantage over to you. Unless… 

“Unfortunately, you’re in no position to be making demands,” Fitzgerald says with a thin smile. “Once we’ve come to an understanding, I’ll be happy to return your lover to you.”

Lover, Dazai thinks a bit dreamily as if he’s not currently a hostage.

You let out a soft laugh, but it’s not a kind one. Dazai snaps himself out of the borderline trance he was in because of how he was addressed when he hears it, gaze flickering back over to you. The smile on your face is small, but equally unkind, like you know something that Fitzgerald doesn’t. From the way Fitzgerald stiffens, he seems to realize that too.

“I fear that I’m the only one in any position to be making demands,” you say light-heartedly. Dazai watches as you slide something off of the ring finger of your left hand, brows furrowing as you hold up a ring between your thumb and pointer finger, showcasing it for Fitzgerald. “Beautiful ring, truly… You must really love her.”

You flick the ring toward them carelessly. Dazai watches as it bounces against the ground with a soft plink once, then twice, and then everything descends into chaos around him. 

His eyes widen as a gold glow emanates from around Fitzgerald—within a blink, he’s in front of you, Chuuya and Piano Man, fist raised as he threatens to land a devastating blow onto you. Dazai’s lips part in a cry that doesn’t even have the chance to escape his lips because Chuuya is instantly between the two of you, the Tainted Sorrow activated as he throws Fitzgerald back roughly into the road. 

The gun that had been pressed to Dazai’s back is now at his temple, and as Fitzgerald rises back to his feet, you raise your hands in mock surrender. 

“Careful now,” you say, an amused lilt to your tone. “We don’t want things to get violent before negotiations even start. Zelda is a lovely woman, I’d hate for something to happen to her.”

“Give me my wife back,” Fitzgerald says, voice strained, but he deactivates his ability, expression hard as he glares at you. “She has nothing to do with any of this. She-”

“Neither did he,” you interrupt, the easy tone replaced with a much colder one. “Let him go, and then you can come in and we can talk.”

The standstill that takes feels like an eternity. James and Twain stare at Fitzgerald, waiting for orders, and Fitzgerald stares at you, angry and frustrated. It’s almost odd seeing the suave and collected man that’s held him captive the past few days acting like a cornered animal. Dazai supposes he can’t blame him—if he’s done all of this for his wife only for you to now have her as a hostage… Dazai would pity him if he still wasn’t so bitter about the head wound and weeks of captivity. 

Finally, Fitzgerald nods. After a moment’s hesitation and with a conflicted expression, Twain drops the gun that’s pointed at his head. Fitzgerald is stiff as he makes his way forward, Twain and James a step behind him, leaving Dazai standing alone at the bottom of the steps of the teahouse.

You smile thinly as you step out of the way for them, letting them walk into the building. “Good choice,” you say quietly, mockingly because you know that he didn’t have another choice. 

Chuuya and Piano Man share a quick look with you before following the Guild members into the building, leaving you alone outside with him. Dazai stares up at you, all of his practiced words failing him, he wants to walk up the stairs to you but his legs are rooted to the ground. He doesn’t need to move though, because as soon as the doors shut behind them, you’re rushing down from your high ground to him.

Dazai nearly collapses into you as soon as he feels your arms around him. One arm curls around his shoulders, hand cradling the back of his head, and the other wraps around his waist to hold him steady when he leans his full body weight onto you. He has so much he wants to say to you, but he can’t even speak a single word—his breath is ragged and his nails bite into the back of your suit jacket, face pressed in the crook of your neck.

I’m sorry, he wants to say, I’m sorry for what I said, I’m sorry for running out on you, I’m sorry for putting you in this position, I’m-

“I’m sorry,” you say quietly. Your voice cracks over your words and Dazai’s throat spasms as he swallows back a lump. “I’m sorry it took me so long.”

“It’s okay,” he replies, voice muffled against your skin. His lashes flutter as his eyes slide shut, basking in the familiarity of your arms. For the first time in weeks, Dazai feels safe, he feels warm, he feels like he’s home. “I knew you would come.”

Your arms tighten around him and Dazai almost wants to ask you to skip the meeting with the Guild and come home with him. He doesn’t—mostly because he doesn’t think he has any grounds to ask you to do anything after everything that’s happened, but also because a part of him worries that you might agree to it and he knows this meeting is critical. 

When you pull away from him, Dazai barely bites back a protest but he can’t stop the way his face drops as soon as your arms drop from around him. You notice, a soft smile curling at your lips as you lift your hand to cup his cheek. Dazai leans into your touch, eyes lidded as he looks down at you.

“I shouldn’t have left,” Dazai whispers after a few moments. He’s always struggled with apologies, and even now, the words taste like ash in his mouth, but he forces them out. “I’ve caused you so much trouble, I-”

“No,” you say, shaking your head, not even letting him finish. “Don’t. I shouldn’t have let the argument escalate the way it did, I knew better. What happened isn’t your fault.”

Dazai begs to differ. Your words don’t ease his guilt, but he doesn’t want to argue with you about it, so he lets it drop. His eyes flutter shut again when you run your thumb along his cheekbone, fingers carding absently through the tips of his hair. He doesn’t want to leave you again, almost wants to ask if he could stay for the meeting, but again, he doesn’t.

“Atsushi and Kyouka are going to go back to the apartment with you,” you finally tell him what he’s been dreading, and he knows it’s only a matter of time before you send him off. “I won’t be long. I promise.”

Dazai lets out a heavy sigh, a bit more dramatic than he intended, and you give him a fond smile.

“I left some crab linguine in the microwave for you,” you add. Dazai lights up at the mention of his favorite food—he hasn't had crab since the night he was kidnapped by the Guild. “Go, the quicker I can get this over with, the quicker we can get home and curl up in bed together.”

Dazai makes a show of pouting and being unhappy, but he does step away from you in the direction of the car. He doesn’t get out of arm’s reach before he’s pausing and looking at you again, you raise your eyebrows, silently asking him what’s wrong.

“I love you,” he says very softly, almost like he’s hesitant. Not hesitant in his love for you, just hesitant voicing the words out loud when he knows how much the world likes to fuck with him. It’s not the first time he’s said it, but it’s the first time he said it first.

You give him a small, adoring smile. “I love you too, Osamu.”

Dazai lingers for a few seconds longer before making his way over to the car. As his fingers curl around the handle of the door, he pauses and looks back at you, remembering something crucial that he’d been meaning to tell you, calling your name.

“Yeah?” you ask with a frown, looking a bit concerned.

“The Guild isn’t working alone,” he says. “Fitzgerald… he mentioned that he had allies, referred to them as rats that he didn’t trust not to be spying on conversations. He also knows what your ability is, one of your executives is feeding information to him and the Ivory Eagle.”

Your expression shifts into a more unreadable one, gaze shifting from him to look out at the horizon. “Rats, hm?” you say quietly, more to yourself than him. “That explains a lot, actually.”

Dazai isn’t sure what you mean by that, but he figures he’ll bother you for more information when he gets the chance later. He gets into the car with another quiet goodbye, hardly paying attention as Atsushi and Kyouka greet him. His eyes stay on you even as the car pulls away, and you don’t budge from your spot at the bottom of the steps until the car is out of sight.

Somehow, Dazai still has a looming feeling that he’s not out of the woods yet.

—

You enter the teahouse a few moments after the car disappears around the bend leading to the main street of Nishi-ku. The air is brisk and familiar, you’ve spent many days and nights at this teahouse dealing with business for the Mafia. It's your favorite place to bring adversaries for negotiations—the owners are always quick to accommodate you even for last minute meetings, and they’re pleasant enough company when you’re there early waiting for the other party. 

Despite having seen and held Dazai, you still somehow feel discouraged. There’s an unexplainable heaviness in your chest as you make your way into the private room in the back of the teahouse, closing the door quietly behind you.

Chuuya and Piano Man sit on either side of the empty chair left for you; Fitzgerald opposite you with his two lackeys on either side of him. An executive of the Family sits at the head of the negotiation table—originally, you wanted Tolstoy to oversee the negotiation, but you figured that Fitzgerald would be at ease with a more neutral party as the host, and two executives of the Family were already in Yokohama to meet with Piano Man. While the Family is definitely more aligned with the Port Mafia, they also have significant business endeavors in Guild territory, whereas the whole world knows that the Three Deaths and the Port Mafia are pretty much extensions of each other because of your relationship with Tolstoy.

The Family executive is a young woman—you recognize her vaguely, most of your meetings have been with Goldoni himself, but she usually follows along like a silent shadow. You think Goldoni has her set to take over as the next ‘Father’ after him. Regardless, as soon as you take your seat at the negotiation table, she looks at you, waiting for you to begin the discussions. 

A tactical advantage, one that you appreciate. 

“Now that-”

“Where is she?” Fitzgerald interrupts, knuckles white around the edge of the table. “Where is my wife?” 

The executive of the Family turns an unimpressed look onto Fitzgerald. What a fumble, you think, amused. Negotiations aren’t just political devices to create a space for peaceful conferences between rival factions, they’re also used as avenues that can make or break alliances. Disrespect the mediator of the negotiation and you might just find yourself on the outs of the entire organization—the mediator chooses who gives the first dialogue of the negotiation, you don’t ignore that unless you want to piss people off.

You raise your eyebrows at Fitzgerald. “I didn’t say I would give her back to you if you let him go. I said we would talk.”

Fitzgerald slams his hands against the table and rises to his feet. His two subordinates share a look with one another, and you feel Chuuya’s hand rest on your knee, ready to activate his ability at a moment’s notice if Fitzgerald tries to attack you.

“Give me my wife back,” Fitzgerald says, jaw tight and voice rough, clearly trying to restrain himself. “I let him go, so give me her back.”

Your lips curve up into a small smile, and then you say, “No.”

Chuuya doesn’t sigh, he knows better than to not show a united front at the negotiation table, but you know that even though he knows this is necessary, he doesn’t like it. Still, you find yourself enjoying it—what Fitzgerald is feeling right now, you’ve felt for almost two weeks. You’ve never claimed to not be vindictive. 

Your smile widens a bit when Fitzgerald stares at you, expression entirely unreadable. You raise your hands up casually as you shrug, finding the whole situation entertaining. 

“Why would I do that?” you ask, amusement clear in your tone. “I never would’ve given Dazai up in your position. Much less without even getting a promise out of me to get your own hostage freed. That’s crazy.”

You almost expect Fitzgerald to launch himself right at you, no ability activated, just throwing hands, but after what feels like an eternity, he sits back down, back rigid and teeth grinding together. 

“What do you want then?” Fitzgerald asks, his voice is still strained but he’s calmer now.

“Why are you in Yokohama?” Instead of telling him what you want, you hit him with a question yourself, watching him carefully. Now that he’s calmer, your ability starts to go to work—not nearly enough to override how on edge he is because of the situation with his wife, but enough for you to work with. “We both know this isn’t about territory, Fitzgerald-san. Let’s start this off right; tell me what you’re really here for, and maybe we can come to an understanding.”

Fitzgerald’s subordinates share a look with one another, and Fitzgerald himself does not seem keen on answering your question. Interesting, you think, what’s so important that it makes him hesitate even under these circumstances? This is something big, it has to be, especially if Dazai heard correctly and Dostoevsky is involved—that man only ever gets involved with conflicts that have high stakes that he knows he can win, and that doesn’t bode well for you. 

“It is about territory to some extent,” Fitzgerald finally says, resigned. When you narrow your eyes, he shakes his head and continues. “We’re looking for something here in Yokohama. So yes, we were trying to get a foothold in the city so we would have an easier time looking.”

What?

You can feel both Piano Man and Chuuya give you a sharp look, but you keep your gaze trained on Fitzgerald. Your mind races trying to figure out what he means by this, but you just don’t have enough pieces to put the puzzle together. You need to press for more. 

“Looking for what?” you ask coolly.

Fitzgerald stares at you, lips pressed together, expression cold and conflicted. You stare right back, unrelenting. After a few moments, he shakes his head and says, “A book.”

“A book?” you echo. 

“A book,” Fitzgerald confirms. “A reality altering book.”

“What?” Piano Man asks sharply, unable to help himself. You give him a look from the corner of your eye—only the two people sitting in the central seats are supposed to speak during negotiations, but you honestly can’t blame him, because you don’t fully understand what Fitzgerald just said to you.

“What do you mean?” you ask slowly. “A reality altering book here in Yokohama? Where did you hear this from? How do you know it’s real?” 

“Fyodor Dostoevsky of the House of the Dead-” You almost roll your eyes. Of course, it’s him. You’re glad you decided to go with the route you did now. “-approached me about it. It’s something that I simply can’t let pass me by… my daughter…”

Fitzgerald’s face twists in pain; you almost feel bad for everything you’ve done with Zelda. Almost. His two subordinates—Twain and James—lower their gaze to the table, frowning. After a few moments of silence, and carefully constructing a question to figure out if this ‘reality altering book’ might be real’, you speak again.

“And how do you know this book is real? I know enough about you to know you wouldn’t start a full blown war over what could just be a wild goose hunt, what makes you think this thing actually exists?” 

“James was with me when I spoke to Dostoevsky, his ability allows him to decipher whether or not someone is lying. More than that, I’ve seen the Book at work,” Fitzgerald says. Your eyes widen a bit in surprise at his words, more so at the fact that he doesn’t seem to be lying. “Dostoevsky… he has one page of this Book. To prove its ability, and to secure an alliance with the Order of the Clocktower and the Guild, he used a section of it. The Book is real, I was promised a page of it to bring my daughter back if I helped Dostoevsky retrieve it.”

What the fuck. 

You stare at Fitzgerald, careful to keep any emotion off your face even though you’re full of turmoil on the inside. If there’s even a chance that Fitzgerald is telling the truth and there’s now a reality altering Book at play, and not only that, if Dostoevsky already has a page of it, that changes everything. There’s no telling what has or has not been altered, the entire truth of this reality is at question. How much damage could be done with a single page? How does it work? There’s too many variables. 

It might not even be real, you think, trying to calm your racing thoughts. Dostoevsky is notoriously manipulative, there’s always a chance that he manufactured the existence of this book to get Fitzgerald and Christie to do his dirty work. It wouldn’t be the first time he’s pulled something like that—he could’ve used someone else’s ability to make it seem like the page of the Book altered reality to ‘prove it’ to the two other leaders… but somehow you have a feeling that might not be the case. 

“What does the Book have to do with the weretiger you put the bounty on?” you ask. 

You’re starting to feel a bit anxious—this is way more than you anticipated, and there’s so many bad implications that you almost feel overwhelmed, but now’s not the time to let it get to you. You need to focus, you can’t afford to shut down. You need to understand what’s happening before finishing up this negotiation, especially now that Fyodor Dostoevsky and Agatha Christie are seemingly involved. 

“We were told that the weretiger is essential in finding the Book,” Fitzgerald says after a few moments. “I wasn’t told more than that. I intended on getting my hands on him to figure out why.”

Atsushi doesn’t know anything about this Book. The first thing you did when you got ahold of him was interrogate him for any reason the Guild might’ve put so high of a bounty on his head. Your mind drifts back to Dazai’s theory—that maybe the tiger is a separate consciousness, maybe the tiger knows something about the Book, but you’re not going to voice your theories now. You’ll talk about it with Chuuya and Piano Man later.

“I see,” you say with a thin smile. “How enlightening.”

“Where’s my wife?” Fitzgerald asks again. “I told you everything you want, I-”

“I didn’t promise to give you your wife back if you answered my questions,” you tell him dryly, tone a bit mocking. “That’s twice now. You’d think you would learn.”

You almost commend Fitzgerald for not instantly snapping at you. He stares at you, expression tight and voice strained as he speaks, “Tell me what you want for my wife. Enough of this.”

You watch him listlessly for a few moments, trying to decide if there’s any more pressing information that you should get for him. You’ll have a chance later, but you need to figure out if there’s anything more that might affect the plan you’ve concocted with Tolstoy and Repin. You don’t think there is, and you have to be careful with what you say anyway considering the human lie detector is sitting right next to Fitzgerald, so after a hesitation that lasts too long for Fitzgerald’s comfort, you finally give him your answer.

“How many of your subordinates are aware of Dazai’s existence?”

“Just the three of us,” Fitzgerald replies. Your eyes narrow, so he continues, “I didn’t want it to get out to Dostoevsky. I was worried he would capitalize on the situation before I could. These two were only made aware because they were the ones I had bring him in.”

“Is that so?” you ask coolly. “And which one was the one that left the massive bruise on the side of his face?” 

You don’t get a response, you don’t expect to, but you do catch the way that both glance at the man sitting on the left—Henry James. Your gaze slides from the man over to the far right corner where Akutagawa is standing; Klaus is in the far left one, but Akutagawa will be more brutal if you let him off his leash for this, and you want him to suffer. The boy catches your gaze and gives an imperceptible nod, acknowledging your silent request.

“It doesn’t matter,” you say even though you’ve gotten your answer. “I’ll release Zelda to you, but there’s one non-negotiable condition to it.”

“Tell me it,” Fitzgerald demands. “I’ll do it.”

You lean back in your seat, tilting your head to the side as you study him for a moment, and then you tell him, “You’ll meet with a friend of mine. He has an ability that allows him to alter memories. All memories of Dazai will be removed.”

The room goes silent at once. The redhead, Twain, stiffens in his seat and casts a justifiably wary look toward Fitzgerald who looks caught off guard by the request. You imagine that he probably assumed you would demand he stops working with Dostoevsky and leaves Yokohama. You don’t need to demand that, because that will come as soon as Repin does his job… but Fitzgerald doesn’t know that, of course. 

“How do I know you won’t mess with other things in my head? That you’ll only remove those memories?” Fitzgerald asks tightly.

Originally, you planned on lying and telling him that Repin’s ability didn’t have the power to do anything more than memory removal, but you can’t do that with Henry James sitting next to Fitzgerald, so you're forced to pivot.

You shrug and say, “You’ll have to trust me not to.”

Fitzgerald stares at you, and it feels like hours even though it’s only been a few passing seconds, but when he speaks, you feel as though you’ve won. 

“Fine,” Fitzgerald agrees, expression pinched and conflicted, swallowing thickly. “Fine.”

Your lips curve up into a small smile when you realize he’s decided to trust you—not that there was much of a choice for him if he ever wanted to see his wife again. 

“Good,” you say softly.

Still, a fatal mistake. 

—

“So… uh,” a white-haired boy says awkwardly as soon as Dazai settles in the car next to him. A girl with black hair dressed in a red kimono sits on the other side of him, back stiff and expression eerily blank as she watches Dazai—she doesn’t blink, hardly breathes, Dazai is almost unnerved. “Don’t mind Kyouka. She takes our missions… really seriously, and you’re our mission right now, so…”

“I’m your mission?” Dazai asks dryly, sighing as he rests his head against the head rest, careful to not touch either of the teens sitting next to him. God, he’s tired of being around people, he just wants to curl up in bed. Preferably with you. 

“Mhm.” He nods his head a bit too enthusiastically. “Boss told us to make sure you get to her apartment. We’re gonna stay with you until she gets there.”

Great, Dazai thinks, a little bitter over it.

Evidently, it shows on his face because the boy cringes in on himself and says, “We’ll leave you be, I’m sure you’ve had an, uh, exhausting past two weeks. You won’t even know we’re there. Promise.”

Dazai side eyes him, noticing the way the boy stares ahead embarrassed as if contemplating all of the words he just spoke. He looks… normal for the most part—not like the girl sitting on Dazai’s other side, definitely not like that emo Akutagawa that trails after you like a lost dog, and certainly not like that unhinged brat Klaus who follows you around.

“What’s your name?” Dazai asks for a few moments, sparing the kid from his own thoughts. The kid looks at him startled as if he didn’t expect Dazai to willingly speak to him. “Well?”

“Ah-” he splutters out and then smiles a bit. “I’m Nakajima Atsushi. Just Atsushi is fine though. It’s nice to finally meet you, y’know, without the others around.” 

He lets out an awkward laugh and Dazai recalls the last time he saw the boy—he was with the other two outside of your building when Dazai first got the blackmail on you. Of the three of them, he seemed the most nervous. He’s met both Klaus and Akutagawa since then, unfortunately, but never him.

“That’s Kyouka-chan, by the way. She’s not much for conversation, but she’s great. I would’ve introduced myself sooner, but the first time we met wasn’t exactly the best situation, and boss has me training all the time to try to learn better control over my ability, and Kyouka’s always on missions for Kouyou-san so you probably haven’t met her yet.”

Dazai nods, although he’s not fully paying attention. “What’s your ability?” he asks absently, wishing he was sitting at the window so he could at least distract himself with the passing buildings. 

“I can, uh, turn into a tiger. I can’t control when though,” Atsushi explains, tossing Dazai a sheepish smile. “That’s why I’m always training. I need to be able to control it without relying on boss or, uh, the collar.”

“You’re the weretiger,” Dazai realizes, glancing at Atsushi and then down to the collar around his neck. He can’t tell from first glance what exactly it does, but before he can figure it out, the boy is speaking again.

“She’s mentioned me?” Atsushi leans forward, eyes wide. “What did she say? Did she say anything about how my training is going? She’s been so busy, I haven’t really been able to get any feedback from her, but I’ve made some progress with controlling my transformations… Kind of.”

“Uh,” Dazai says smartly. Weak-hearted, too soft, not fit for the Mafia. Atsushi's smile starts to drop, so Dazai quickly adds, “Yeah, she has. She’s noticed all of the work you’ve been doing. She’s impressed.”

Atsushi frowns and side eyes Dazai. “She’s never impressed with anything. You don’t need to lie.”

Dazai grimaces and decides not to argue. Instead, he asks, “How did you end up with the Port Mafia?”

“Oh, ah… it’s a long story,” Atsushi says, laughing awkwardly as he rubs the back of his neck. “I lived at an orphanage, but I got kicked out because there wasn’t enough food. Or well, actually it was probably because I was attacking people when I turned into a tiger at night. But it was for the best anyway! And, well, I ended up here in Yokohama, and I guess at night when I transformed, I started attacking Port Mafia warehouses. So boss sent Klaus and Akutagawa to, uh, kill me, I guess. Or capture me, maybe, for the bounty. I’m not sure now that I think about it; it felt like they wanted to kill me, but they’re both also always trying to kill everything, it’s just their natural state. But I wasn’t tiger-me when they got there, I was me-me, so they brought me back to her… um, and then I talked to her for a bit and she told me about the bounty, and then she fought the other executives to not hand me over to the Guild, and now I’m here.”

Dazai stares at Atsushi. “Wow,” he replies blandly. “Quite the story.” 

Atsushi flushes. “You asked,” he accuses, scowling at Dazai and looking away.

“Yes, very narrative, ten out of ten story-telling skills,” Dazai says with a simpering smile. He notices the stone-faced Kyouka’s lips curl up as she looks out the window, as if trying to hide it, so he considers it a win, even if Atsushi gives him an outraged look. “What?”

“We can’t all be literature majors, some of us spent our entire lives in an orphanage only to be kidnapped by the Mafia as soon as we got out,” Atsushi hisses, face still pink as he pointedly looks away from Dazai. 

“Actually, I’m a creative writing and classics double major if we’re being specific,” Dazai corrects with a sweet smile. “... How did you even know that?” 

Atsushi clicks his tongue and side-eyes Dazai. “Aren’t you supposed to be smart?” Dazai squints at Atsushi, a bit insulted. “Where do you think I heard it from?”

You, Dazai realizes, lips curling up a little instinctively. He wonders how much you talk about him—Atsushi isn’t the first to throw in his face that he’s supposed to be smart. Klaus did when he first met Dazai outside your building, Chuuya has too. He imagines you must brag about him, and it makes Dazai’s chest feel warm and bubbly because he’s never had someone brag about him before. Never.

“You make her happy, y’know,” Atsushi says quietly. He’s not looking at Dazai, opting to stare out the window instead. “She’s… not as… Forget it. I don’t know what I’m saying.”

“You can’t just say that,” Dazai complains, interested in knowing what Atsushi was about to say about you, but the boy seals his lips shut and stares out the window. Dazai rolls his eyes.

“Hime is not as cruel as she pretends to be,” Dazai startles at the voice of a young girl, almost forgetting that Kyouka is on his opposite side. “She looks out for everyone, but doesn’t let anyone look out for her. Acts like she doesn’t care so no one cares about her, but she does. A lot. Ane-san worries about her, I can tell.”

Atsushi nods. “When she found out everything that… happened at the orphanage, she had the whole staff removed and replaced them. Made sure what happened to me didn’t happen to anyone else,” he says quietly, an indecipherable look in his eyes. Dazai isn’t sure what happened at the orphanage, but he doubts it was anything good. 

“Hime and Ane-san helped me figure out the truth of what happened to my parents,” Kyouka agrees softly. “Ane-san couldn’t have gotten the files without her help.”

“And she’s done stuff for Klaus and Akutagawa too,” Atsushi adds, “but she won’t let anyone else help her with anything. Not me, not Klaus or Akutagawa. Hardly even Executive Nakahara. She relies on you though, I think a lot more than she realizes… she’s not been good the past few weeks.”

Dazai’s expression drops, lashes lowering as he looks down at the floor of the car. He’s wondered while he’s been captured how you might be doing. When he got really in his head, he imagined that you were doing perfectly fine without him, didn’t even care that he was gone. He thinks maybe he would’ve preferred that than to know that you haven’t been doing well, he doesn’t like that. Doesn’t like that you were hurting because of him and his stupid decisions.

He’ll just have to make it up to you, he decides. He’ll make it up to you once everything has calmed down. But how? He can’t buy you nice things like you do for him because he’s broke. If he tries to take you out somewhere to eat (not that he can even afford it), you wouldn’t let him pay the bill. Maybe… maybe he could show you what he’s been working on for his poetry workshop.

His face flames up at the thought, pushing it away immediately.

No, he’ll think of something else.

“Why is your face all red?” Kyouka suddenly asks, eyes sharp as she stares at him. “Are you ill? Did they poison you before releasing you? Look at me, I can call Doc-”

“I’m fine,” Dazai bristles, flustered. “I’m fine, I’m not sick.”

Kyouka looks unconvinced, reaching forward to try to press her hand to Dazai’s forehead. Dazai leans back, almost into Atsushi, who yelps and worms away from him.

“Stop that,” he hisses, grateful when the car rolls to a stop in front of the familiar sight of your building. Dazai is climbing over a protesting Atsushi and pushing open the door before the car has even fully stopped. “Thank god.”

He almost trips and falls, foot catching on Atsushi’s leg as he stumbles out of the car. He ignores Atsushi and Kyouka rushing to scramble after him as he rushes into the building. He’s too eager to be back in your apartment, he has every intention of getting up there and locking himself in your bedroom until you get back. 

He’s home free now, nothing else matters.

He’s home.

Home.

It’s almost too surreal for him to believe. He’d just about come to terms with the fact that he was never going to see you again, that his fate was in that cold and ugly room the Guild had him trapped in, but now he’s moments away from being back in the familiarity of your apartment. 

Moments away from being home. 

In a few hours, when you’re back, he’ll be able to curl up in your arm, he’ll be able to hear your voice, he’ll be able to be with you. He just wants to be with you. And he will be. Soon, he-

Dazai freezes when he takes a few steps into the lobby of your building and feels the muzzle of a gun press to his lower back. His eyes widen and he hears Atsushi and Kyouka skid to a stop a few steps behind him. He swallows thickly, realizing while he’d been lost in thought, he’d also lost track of his surroundings. 

There’s a group of unfamiliar people in the lobby of your building, all armed and all wearing strange collars around their necks. Not like the one Atsushi wears, these ones are large metal ones with a gem implanted in the middle. Your doorman, an older man named Hinata who Dazai has become acquainted with over the past two months, lays dead on top of his desk, hand still reaching out for his phone. 

“Who-”

“Shhh,” an equally unfamiliar voice says dismissively. It’s nasally and grating to the ears, Dazai already knows this man is going to be a piece of work. “Don’t speak, I want to get this done and over with.”

“Ace,” Atsushi shouts angrily. “What the hell are you doing? Get away from him.”

“No can do, weretiger,” the same man, Ace, drawls. “On orders from the Boss. I suggest you step out of the way, I was told he needed to be alive… but anyone that tried… well, you see what happened to old man Hinata over here. Never liked him, thought because he answered directly to our precious hime that he was something special. He wasn’t. Neither are the two of you, so get out of the way so I can complete my mission, yeah? Yeah. Good.”

Atsushi and Kyouka don’t verbally respond, but they don’t need to. Kyouka seemingly responds well enough from the sound of her katana being drawn, Dazai wants to turn around to look, but the gun against his lower back stops him. He’s so frustrated that he almost wants to cry, of course things couldn’t be this easy. He should’ve known better.

Ace clicks his tongue and Dazai still can’t see him, but he can tell just from the mocking tone he uses that the man must have a really punchable face. “Careful, Kyouka-chan, you won’t be the only one getting in trouble for going against the boss’s direct orders. Little hime and Kouyou-san will face the consequences for your disobedience too. You don’t want that, do you?” 

“Kyouka-chan, it’s okay,” Dazai says, voice deceptively even. “It’s okay.”

It’s definitely not okay, but if they’re not going to kill Dazai on the spot, then he can safely assume that they want something from him. That means he’ll have time to stall. Enough time for you to finish up the negotiations and get here. 

“But-”

“You heard it from the man himself,” Ace sings, forcing Dazai to turn around to walk right back the way he came. “Swords down and claws away, kids, and step over to the side so my men can make sure you don’t go and let our shining star know what’s happening too early, alright? Let’s give her time to handle things with the Guild so we don’t have to worry about those irritating Americans anymore.”

Dazai was right. Ace’s face is extremely punchable, and his hands twitch at his side when the man has the nerve to give Dazai a very smug smirk. 

“I’ve been waiting for someone to knock that girl off her high horse for a long time. Longer than you can imagine,” he says wistfully. “I’m so glad I get to be the one to do it. Get moving.”

“She’s gonna kill you,” Dazai says quietly.

“And disobey a direct order from the Boss?” Ace mocks. “You must not know her as well as you thought you did. She’s like a loyal hound to that man. A real bitch if I do say so myself.”

Dazai’s body moves before he actually processes the words, arm shooting out and fist cracking against the man’s jaw hard. Dazai is almost proud of himself as he watches Ace crumple to the ground, groaning, realizing that even after all of this time, he can at least somewhat remember the self-defense lessons that Odasaku forced Dazai to take part in. Though he doesn’t have much time to bask in his pride, because for the second time in less than a month, his head is bashed in by a baton and he crumples to the ground hard.

Shit, he thinks, pain coursing through him as his vision starts to go black. This is bad. This is-

—

“Is it done?”

“Don’t talk to me,” Repin says, holding up his hand as he swiftly walks past you. “I have paintings to create. Too many memories are flooding my head right now, if I have to see that moron you call a boyfriend for longer than I have to, I will gouge my eyes out.”

You roll your eyes. “I’ll take that as a yes then.”

“Don’t forget our deal,” Repin shouts as he leaves the room. “I’ll be cashing in on it. Those additions you asked for were not easy work.”

“Yeah, yeah,” you say dismissively. “Go do what you need to do.”

Chuuya looks concerned. “Deal?” he demands. “What deal?”

“Don’t worry about it,” you sigh, shaking your head and turning your gaze back to the one-way glass showing the room that Twain and Fitzgerald are sitting in.

The two are chatting with one another, oblivious to what just happened to them. Repin told you to give it a few minutes before going in, let their brain adjust to the new memories he implanted, but you’re impatient. You want to finish things up here so you can get to Dazai. You miss him desperately already—the few seconds you were able to hold him in your arms were simply not enough. Each passing minute without him now is agonizing.

Before you can spiral deeper into your thoughts, the doors to the room behind you open. Akutagawa and Klaus step into the room—an impassive look on the former’s face, as if his coat isn’t dripping blood onto the ground beneath him, and the latter has a wild smile on his face and an even wilder look in his eyes. Akutagawa evidently allowed the other boy to partake in the bloodshed considering Klaus’s face is smeared with an equally disturbing amount of blood.

“It has been done,” Akutagawa announces, raising his chin. “Henry James was killed.”

“Really fucking brutally too,” Klaus interjects with a laugh that almost disconcerts you. “Wanna come see?”

“No,” you say flatly. “Call the clean up crews.”

Klaus visibly pouts at your words, but Akutagawa nods and pulls out his phone, taking a step away. You turn your attention back to the room, lips pressed together. It’s… odd almost—Fitzgerald and Twain talk casually, not knowing that the negotiation that took place between the two of you even happened, not knowing that 

Not odd—scary. 

You’ve encountered all types of abilities before. Chuuya and Akutagawa have two of the most lethal abilities you’ve ever come across. Klaus’s ability has always disconcerted you with the way it takes and takes and takes from the boy, knowing that someday it would consume him entirely. There was a child you once met with an ability kind of like yours—a type of mental manipulation triggered by physical harm to the user that ravaged the human psyche with hallucinations; they couldn’t control their ability, couldn’t even stop it at their own will, so you had to have them killed. Ayatsuji Yukito, the notorious Homicide Detective that the Special Division has recently leashed, concerns you because the man could kill just about everyone you care about with minimal effort if he’s ever brought into Yokohama to investigate the Port Mafia.

But this is different. Repin’s ability alters the mind so fundamentally that you don’t even know your mind has been altered. That scares you. It scares you almost as much as the prospect of that reality altering book Fitzgerald mentioned. The idea that one person could completely manufacture your perceived reality and you’d have no idea…

It scares you.

“What’s wrong?” Chuuya asks quietly as Akutagawa and Klaus leave the room to direct the cleaning crew to wherever they butchered Henry James. “Hey, you okay?”

“I’m fine,” you say, shaking your head. “Just want to be back at my apartment.”

“Soon,” Chuuya tells you, nudging your shoulder. “You wanna go in and talk to them now?”

“You think it’s been long enough?”

“Yeah,” Chuuya says. “Go for it. I’m gonna head up to the conference room. Mori wants to see us after you’re done here.”

You roll your eyes. “I’m going to see Osamu first,” you mutter. “I need to make sure he’s okay before…”

Before getting back into all of this bullshit. You just need to spend ten minutes with him before doing anything else. Ten minutes. Even though he’s back, and you know he’s safe, you watched him get into the car with Kyouka and Atsushi… you’re still on edge. You don’t know why, but you’re still on edge.

Chuuya nods. “I’ll cover for you,” he promises. “Now go finish things here.”

You don’t say anything else, sighing as you make your way over to the door. You wrap your fingers around the door handle, pausing for a second to collect your thoughts. You already know what you’re going to say—you’ve scripted it out, rehearsed it a hundred times. You’ve gone over information with Repin dozens of times to make sure everything is ironed out. 

You know what you’re going to say, you just have to say it, and then you can go see Dazai.

With that thought in mind, you push open the door to the room where the two Guild members are waiting for, making sure the smile on your face is warm and inviting while amping up your ability just enough for it to have a physical effect on them. The tenseness in their shoulders eases, and Fitzgerald rises to his feet with a small smile. 

“Ah, Miss Mori-” God, being called that makes your skin crawl. You can’t remember the last time someone actually referred to you that way—you even prefer hime to it. You have to make an effort to not let the irritation show on your face as Fitzgerald continues speaking, “It’s a pleasure to finally meet you. I’ve heard a lot about you.”

“Fitzgerald-san,” you greet lightly, holding your hand out to him. He shakes it firmly and you add, “I wish it didn’t have to be under the circumstances.”

Fitzgerald grimaces as he nods and takes a step back. “Yes,” he agrees, voice low. “My wife. You have her?” 

“I do,” you tell him, taking a seat next to him. “She’s… not doing well.” 

This is a more casual setting, a sitting room in one of the central building’s higher levels—a few couches set up in the center of the room around a coffee table, a window overlooking the city and a bar on the opposite side of the room. Twain lounges back in one of the armchairs in the corner of the room by the window while Fitzgerald sits closer to you. You chose this setting on purpose: it’s more intimate, less official than a negotiation room. 

More like a meeting between friends than enemies, which is exactly what this has become with Repin’s meddling. 

Fitzgerald sighs and looks away, lashes fluttering. “I feared that would be the case,” he murmurs. “How bad is it?”

You give him a small, sympathetic smile as an answer and Fitzgerald inhales sharply, rubbing his hand across his lower face, forehead creased in worry. 

“I should’ve known better than to deal with Dostoevsky,” he sighs, despondence lacing his tone. “I was warned, but…”

“Many have made the mistake of falling for his charms,” you say quietly. “You can’t blame yourself.”

Good, you start to become a bit more comfortable. Repin pulled through. If all went according to plan, Fitzgerald should believe that Dostoevsky was the one to have Zelda kidnapped, and the Port Mafia was able to intercept. You’ve spent the past few hours tying up all the loose ends—Tolstoy handled the security cameras in New York, you the ones here in Yokohama, there’s no physical evidence left of Tolstoy’s involvement in Zelda’s kidnapping and you’ve ensured rumors have already started spreading about Fitzgerald reneging on his alliance with Dostoevsky and Christie by withholding information. You don’t need to whisper anything else, the entire world knows that Fyodor Dostoevsky does not take treachery lightly, the assumptions will be made on their own. 

“I can when my wife is on the line because of it,” Fitzgerald snaps, and then lets out another heavy breath. “I’m sorry, I didn’t mean to snap at you. I’m just frustrated with myself.”

“It’s okay,” you tell him easily. “I understand.”

“Can I see her?” Fitzgerald finally asks hesitantly. “Or is she…”

You make sure the expression on your face is contemplative, a bit concerned and then say, “You can, but I don’t know if it will go well… Dostoevsky… he did a lot of damage to her psyche with the stories he was telling her. I’ve hardly been able to make any progress with her, I’ve only been able to convince her that I’m a friend.”

Fitzgerald grimaces and looks away. While he decides what to say, you contemplate your next move. You have Lippmann ready to bring Zelda into the room; you know that she won’t take the sight of Francis kindly, you’ve ensured that much. Zelda Fitzgerald’s mind has been all but shattered even without the use of your ability. But if Fitzgerald insists on taking her with him, which there’s a good chance he will, you’ll lose some very critical leverage over the Guild. If Fitzgerald ever manages to unravel the memories Repin has woven into his mind, it’ll leave the Port Mafia vulnerable to a full blown war with the Guild without a hostage in hand. 

You really don’t want to lose Zelda.

But… maybe you can still make this work. 

“I want to see her,” Fitzgerald says after a few moments. “Please.”

You nod and glance down at your phone to shoot a text to Lippmann. You’ll only have a few seconds before he walks through the door with Zelda, but you’ll have to figure out your exact approach once you see how visceral her reaction is to Fitzgerald. Though you know it'll be bad, if it’s not bad enough, you won’t be able to convince Fitzgerald that she needs your help. 

The door to the room cracks open and Fitzgerald is on his feet in a second, holding his breath as Lippmann steps in, holding the door open for the fragile woman. His blue eyes are glittering with amusement as he catches your gaze, and you find yourself relaxing, realizing he must’ve been able to get her worked up before leading her in here.

You lean back in your seat, folding your hands in your lap, settling in to watch the show about to unfold. 

It doesn’t take more than a few seconds for it to begin.

Zelda freezes in the door frame as soon as her eyes fall on Fitzgerald. You watch the way her breath catches, the way her eyes widen and the way her pupils dilate. She mouths the word ‘no’ before speaking it, shaking her head slowly.

“Honey,” Fitzgerald whispers, taking a step forward, but Zelda takes a step back as soon as he does. “Honey.”

“Stay away from me.” Zelda’s voice breaks over the words, lips visibly trembling as she presses her back against the door frame. She looks like she’s on the verge of fleeing, but Albatross’s sudden presence in the door stops her. “Stay away. You lied to me. You lied. Frances… our daughter, my daughter, you…”

“What?” Fitzgerald breathes out, brows furrowing in confusion. “Zelda, honey, what are you talking about? I don’t-”

“You lied,” Zelda cries, voice rising. “You lied to me. You took my daughter from me, get him away from me, get him away! I don’t want to see him, I don’t-”

Zelda is hyperventilating, hardly breathing properly, eyes wide, wet and watery. You nod at Lippmann, and the man leads her out of the room. It’s quiet once she’s gone—your gaze sweeps across the room, Twain looks sick from where he’s sitting stiffly in the chair he’d been lounging in and Fitzgerald, the powerful leader of the Guild, looks crushed, ashen as he takes a shaky step backward to sit back down.

To his credit, he still tries to keep himself put together. You can tell from the way his breaths are robotically even and his fingers are trembling in his lap. You watch him for a few seconds before reaching out to place your hand on his shoulder.

“I’ve been trying to help her,” you say, carefully choosing your words. “I’ve been told you know what my ability is, is that true?”

You know that it is, you were careful to make sure that Repin didn’t disturb any of those memories. You figured it could help you in convincing him to let you keep Zelda if he thought you could undo the damage ‘Dostoevsky’ had done. 

“I don’t want you messing with my wife’s head,” Fitzgerald spits out. “That Russian bastard has done enough damage.”

“Of course not,” you agree amiably. “That’s not what I mean. I can use my ability to keep people at ease. Every other hour she’s going into violent fits of hysteria… tries hurting herself, I-”

Fitzgerald lets out a sharp breath, looking away. “What did he tell her?” he asks, voice wavering. “She mentioned Frances. I-”

“From what I was able to gather, she seems to think your daughter is alive and you helped her… escape to a foreign country to live out her life away from Zelda,” you say, watching Fitzgerald’s face twist in distress and frustration as he buries his face in his hands. “I can release her to you, if that’s what you want, but-”

“You can help her?” Fitzgerald demands, looking at you. His eyes are red and glassy but his face is tight. He seems to be doing his best to not fall apart until you’re gone, but his self control is wavering the more he hears about Zelda. 

“... I can.”

“How?” he asks. “How will you do it?”

Here’s your chance. You can’t mess it up.

“When Zelda is having those… hysterical fits, she’s impossible to reason with and can’t settle down on her own. I’ve only been using my ability to calm her down so I can speak with her. It’s taking a lot of time, but since I’ve managed to convince her that I’m a friend, I think I’ll be able to make progress in convincing her that Dostoevsky's lies were just that—lies. It’ll be… tenuous, definitely won’t be a smooth path, but I think, with time, I’ll be able to do it.”

“Will there be any side effects to you using your ability to calm her down?” he questions, watching you carefully.

“Nothing major,” you say honestly. “In the future, she’ll probably feel instinctually more relaxed around me—her brain will just associate me with being at ease, so even if I’m not actively using my ability, it’ll still reflect that way, but no lasting effects.”

After an agonizing few seconds, Fitzgerald nods. 

“Help her. Please,” he says, voice raspy. “When Dostoevsky comes to Yokohama, you’ll have the Guild’s support in dealing with him. I swear it. Just help my wife.”

Wow, you think, almost unnerved by how well this worked out. You have Dazai back, you managed to keep Zelda, and you turned the Guild against Dostoevsky. You can’t help but feel like there’s going to be some sort of catch, or that it’s going to backfire. It would track considering how poor your luck has recently been. But for now, you roll with it and hope for the best. You'll start preparing for the worst after you’ve been able to spend a few days with Dazai. 

“I’ll do everything I can for her,” you say, rising to your feet and giving Fitzgerald a small smile. “You can stay here for as long as you need. I’ll have one of my men wait outside to escort you back to the lobby when you’re ready.”

Fitzgerald thanks you, and you finally turn to leave, ready to see Dazai. You just need fifteen minutes with him before you go off to your meeting with the other executives. You need to see him, hold him, talk to him. Need to make sure this isn’t all some cruel, elaborate trick your mind has played on you before heading into another exhausting meeting. 

Klaus, Akutagawa and Albatross are waiting outside for you. Albatross parts his lips to speak but you shake your head, not wanting to risk saying anything until you’re well out of ear shot of this room, just in case. They follow you to the elevator, and it’s only once the doors close that Albatross bursts into laughter.

“You’re one evil bitch,” Albatross snickers. “Fucking that woman’s head up just to play the hero? That’s messed up even for you, doll. I don’t know how you sleep at night.”

Your lips curl up into a smile as you toss a wink at Albatross. “I’ll sleep just fine tonight with Dazai in my bed.”

“Gross,” Albatross complains, rolling his eyes. “No, but really. This was one big play—less than two hours and we’ve managed to totally turn the tables. Crazy. What exactly did you have Repin do besides remove their memories of your boy?” 

“Before Dazai went back to my apartment, he told me that the Guild was working with Dostoevsky,” you explain as the elevator gets to the lobby. Albatross walks at your side, Klaus and Akutagawa trailing behind the two of you as you make your way out of the building to walk across the property to your building. “I already intended on using Dostoevsky and Nabokov as scapegoats, but this made it a lot easier. Fitzgerald was withholding information from him-”

“Everyone knows that bastard doesn’t let disloyalty slide,” Albatross grins sharply. “Of course he’d retaliate.”

“Exactly,” you agree. “I had Repin twist the situation. Made them believe that Dostoevsky was the one that had Zelda kidnapped, but we were able to intercept. Only Tolstoy’s executives, our executives, and my direct subordinates know the truth. Tolstoy handled CCTV in the States, we handled the ones here. If Dostoevsky tries to convince Fitzgerald that it’s not true, there’s no proof—only he said, she said—and even if he does…”

“We still have Zelda,” Albatross finishes with a sharp grin. “Evil. I can’t believe we managed to come out of that with your boy back, the Guild on our side, and the hostage still in our custody. God, I love you. You can be fucking terrifying sometimes, y’know that?” 

Your lips part to make a quip back at him as you push open the doors to your building, but the words die on your tongue as your gaze lands on what’s awaiting for you in the lobby. The first thing you see is your doorman slumped over the desk, blood dripping over the side and pooling on the ground in front of it. The next thing you see is Kyouka and Atsushi, both unconscious, needles discarded carelessly on the ground next to them.

You don’t see Dazai.

“What the fuck,” Albatross breathes out, pulling out his gun and shifting to stand in front of you. “Klaus, go check on Atsushi and Kyouka.”

Klaus and Akutagawa rush from behind you—Klaus to Kyouka and Atsushi, trying to wake the two of them up, and Akutagawa in front of you and Albatross, Rashumon at the ready. You can feel Albatross’s hand tight around your forearm, you can hear him talking but you can’t make out any word that he’s saying.

“This isn’t real,” you say flatly as you stare ahead. “This cannot be real.”

Something bubbles in your chest—you don’t know if it’s rage, distress or sheer hysteria, you think a combination of all three because although your blood is simmering, you feel your eyes misting over and a laugh about to burst from your lips because what the fuck? 

You press your hand to your mouth, hardly even registering what’s going on around you. Klaus is trying to shake Atsushi and Kyouka awake, Akutagawa is scouting out the rest of the lobby to make sure no assailants are still lingering, and Albatross is trying to get your attention but you don’t take notice of him, shaking your head, and trying to hide the way your lips are curling up into a disbelieving smile.

What a joke, you think, breath catching as you pace over to Klaus, Atsushi and Kyouka. Shit.

As soon as Atsushi’s eyes flutter open, you’re grabbing his chin and craning his neck to force him to look you in the eye. “Where is he?” you ask, voice surprisingly steady. “Where is he? What happened? Answer me, Atsushi.”

Albatross says your name and grabs your wrist to try to get you to back off, but you toss his hand right off of you. Atsushi is still out of it, not understanding what you’re asking him, but before your frustration can bubble over, you feel your phone vibrating in your pocket. 

Your hand drops from Atsushi’s face to reach into your pocket. Your fingers are stiff and clunky as you pull your phone out, and as soon as you see the name on your screen, you know. 

You don’t say anything as you answer the call and lift the phone to your ear, waiting for the person on the other line to speak first. 

“Hello, little hime,” Mori says, you can hear the smile on his lips. “Have you finished with the Guild?”

“Where is he?” you ask in response. “Where is he?”

“Safe for now,” Mori hums, sounding entirely too amused. “I’ve had quite an interesting conversation with him. I can see why you like him as much as you do.”

“Everything I do for you,” you hiss, the nails of your free hand digging into your palm. “Everything I do, and this is how you repay me. I’ve spent my whole life doing everything you want, and you can’t even spare me a shred of fucking loyalty. You-”

“Oh, don’t be so dramatic, dear,” Mori sighs and your blood pressure skyrockets. “I’m doing this to protect you, as has everything I’ve ever done. You truly have no faith in me.”

“To protect me?” you shout, your throat burns and it’s a struggle to force yourself to breathe properly. You feel dizzy, a panic attack coming on, but now is not the time, you need to calm down. “You did this to protect me?”

“I did,” Mori agrees. “This boy had been lying to you for months. I had a feeling, but I wanted to confirm it before bringing anything up to you. I know you care for him. I didn’t want to unnecessarily break your heart.”

“What are you talking about? You’re not making any sense, I don’t believe you.”

“I’ve never lied to you, little hime. I have to many people, but never you. He’s been lying to you about who he is… I suggest you get up here quickly.”

“What do you mean?” you ask. Your voice wavers this time, you can’t stop it. You can feel several sets of concerned eyes on you, but you can’t bring yourself to meet any of them. “Stop being cryptic, just spit it out.”

“The boy’s name is not Dazai Osamu, dear. It’s Tsushima Shuji.”

Your ears ring as his words slowly process through your head. Your silence is enough of an answer for Mori.

“I’ll be waiting in the conference room for you. Do get here soon.”

[sl-ut]

all is fair

pairing: pope heyward x fem!reader, unrequited!jj maybank x fem!reader, slightly homoerotic bff!sarah cameron x reader LOLLLL

description: jj is not jealous of pope. definitely not. okay, maybe just a little.

warnings: swearing, underage drinking/drug usage, jealousy, slight angst, jj being a little butthurt, pope and jj are beefing, weird au where the plot of the show never happens lol but sarah and jb are still dating, reader has a shitty past and a bit of lore but we’ll get into it but don’t worry it doesnt rlly affect what the reader looks like or ethnic/cultural background (but i wrote it with arabic-canadian!reader in mind but thats just self indulgent lol), once again was high when starting this and writing this rn so sorry if it makes like no sense whatsoever but i think the story will be good), the grandparents are the sweetest human beings ever sorry

words: 2.7K

date posted: 08/11/25

JJ swore he wasn’t jealous. No way.

JJ, despite his unfortunate past, he had grown to be pretty damn confident in himself over the years; He was one of the best surfers in Kildare, he had a great group of friends, and he was fairly popular among the ladies in the Outer Banks. Sure, there were parts of him that he wasn’t so proud of or tried to keep hidden as much as possible, but at a time like this, he shouldn’t be feeling anything but on top of the world, but he couldn’t quite fight off the gnawing feeling in the pit of his stomach as his eyes followed the movements of the two girls on the opposite side of the bonfire.

Sarah threw her head back, laughing joyfully as she and Y/n took turns twirling each other around to some song that was far too fast for their dancing, but neither seemed to care. They’d been at it for a few songs now, Sarah always waiting in the wings to snatch the newest member of the Pogues away to have all to herself, knowing fully well that there were at least two other members of the group who were eager to do the same. John B didn’t seem alarmed at his girlfriend’s obsession with their new friend, though it was probably too demanding to ask a teenage boy to be upset about his girlfriend rubbing up on another girl. 

To be totally fair, Sarah did technically have first dibs, having been the first to meet the girl after she’d moved in with her grandparents in Figure Eight while volunteering at the local animal shelter. Her grandparents were pretty well known in Kildare, two former snowbirds who finally decided to settle in North Carolina, both having recently retired, though her grandfather did own and partially run the shelter. They were a sweet old couple, the type that you might see on a Christmas card or a cookie box, and lived quite modestly despite the fact that they were living amongst the wealthier community on the island. With their granddaughter in town and staying with them indefinitely, they were eager to introduce her to Sarah in hopes of easily transitioning her into the social scene. It was Sarah who had invited her to the kegger the following weekend, so it made sense that they had quickly become two peas in a pod, so long as JJ was next in the pecking order.

Except, he couldn’t technically claim that spot on his own. He had actually met Y/n prior to the bonfire while delivering groceries with Pope, both of them spotting her at the exact same time as she answered the door, charming each of them with a sweet smile and a generous tip, completely unaware of the lingering gaze of each boy as she bid them each a polite goodbye before closing the door. Neither of them said anything the entire walk back to the truck, both sitting quietly in the front seat for a moment before JJ finally let his thoughts take over.

“She was like, crazy hot, right?”

Pope was silent for another beat before he sighed out his response, “Yeah she was.”

Neither of them brought her up again, figuring it wasn’t really worth their time to pursue anything with a girl who would only be there for a week. However, when she showed up with Sarah to the kegger that Friday, all bets were off.

JJ was the first to actually get to talk to her, stepping in with a greeting while Sarah became occupied with her boyfriend, nearly wasting away after being apart for two hours. He offered her a drink, chuckling to himself at the cringing expression on her face at the taste of the warm beer. She shook her head, handing the red cup back to him with a slightly embarrassed look on her face. This caught Sarah’s attention, winking at JJ as she encouraged him to show Y/n the cooler of quote-on-quote “girly drinks” in the back of the twinkie. 

He could read that she was nervous, especially now that she was alone with him. Normally, he would do his best to calm her nerves just enough that he could persuade her to climb into the back of the van with him, but something about this girl made him feel different, almost obliged to treat her with more respect than he did most girls. She wasn’t just another girl, he could tell simply by the way she carried herself, almost like she understood him on a deeper level before she even knew anything about him. He was drawn to her, and an unfamiliar feeling of nerves ate away at his tummy as he showed her the selection of Sarah’s cans and gave her a lopsided grin as she took the can from him. 

He lost sight of her for a while, returning to manning the keg while John B and Sarah rushed down the beach hand in hand, but his eyes were in a constant motion of scanning the crowd, eagerly searching for even a glimpse of the girl who’d had his head spinning for the last hour. 

Unbeknownst to him, she had found herself sitting next to Kie at the bonfire, falling easily into the conversation with her and the few others. She took note of the boy sitting across from her, making an effort to ask him questions or include him in the conversations. He seemed to be a bit socially awkward, but there was something about him that had caught her eye straight away, even from the first moment they locked eyes while he was delivering her grandparents’ groceries.  

He was dorky and awkward in the most endearing way possible, unlike guys she had historically been attracted to, but she was certain that that was exactly why she liked him so much; she was in the market for a fresh start, and that couldn’t happen if she put herself in the position to treated like shit all over again. 

Six weeks later and Y/n found herself becoming a regular at the Chateau, constantly being dragged there on her days off from the shelter by Sarah or being picked up by one of the others on their way home from whatever odd job they’d picked up on Figure Eight for the day. Every day out on the boat, every kegger, every bonfire on the beach, she was there. 

They had all even begun hanging out at her place, all quickly becoming acquainted with her grandparents, both of whom were more than happy to host the teens, keeping them comfortable and fed all day as they used their in-ground pool or lounged in the A/C. Her grandmother thought they were all the sweetest kids who’d ever lived, having a special place in her heart for the boys, while her grandfather was just glad to have a group to cook for, gladly donning his fancy apron and manning his grill for them all and enjoyed having extra help around the house. Her grandma especially loves when Sarah comes for sleepovers because she loves joining in on your gossip sessions and joining you both to go get mani-pedis in the morning. 

Their closeness to her family also meant that they were quickly discovering very personal things about Y/n’s life prior to moving to the Outer Banks. Y/n was very hyper aware of this for the first few weeks, almost vulnerable now that her past was now out in the open, but she quickly came to realise that her secrets were safe with the pogues, and that they only made them love her even more.

Initially, it hadn’t been the intent of either Y/n or Pope to begin hanging out on their own in secret. Well, they had both wanted to hang out on their own, but the secrecy stemmed from the fact that JJ had made his intentions and feelings for Y/n very clear, and that he was very hard-pressed about the “no pogue-on-pogue macking,” rule for everyone except for himself for some reason. They also liked the quietness of secrecy, neither of them worried about their friends trying to butt in on their movie nights or walks on the beach, even though they were most definitely not trying to get each other alone on purpose… Until after she kissed him for the first time, that is.

Pope had been shocked when it happened, his brain barely even registering the second-long peck after he’d walked her home from the Chateau one evening, but he was sure to put his all into the second and third ones that quickly followed. He had expected some time to figure things out before anything was made official, but he of course had chosen a girl who was prepared to take what she wanted without fear of repercussions, and so, shortly after she had been picked up at the end of her grandparent’s dock, she curled into his side and announced that they were now together. Pope was taken aback, but was somewhat relieved that he no longer had to go through with his long-winded but very sweet gesture that he had planned in order to make things official. That relief, however, disappeared very quickly as he met JJ’s heated gaze.

“What ever happened to bro code?” He’d whined once they had gotten back to the chateau after dropping her back off that evening. “I mean, seriously man, I called dibs and you just swoop in before I even get to make a move.”

“Woah, woah, woah,” Kie raised a hand to cut him off before he could spout any more nonsense, “You called dibs? Are you aware that we are talking about a real human girl here?”

“Not the point,” JJ ignored her, “You knew I liked her!”

“And you knew I did too!” Pope countered, “Look, I’m sorry I didn’t talk to you about this beforehand but I never expected her to drop that on you guys like that.”

JJ shook his head, finishing the last of his beer and tossing the can to the side as he stormed towards the front door of the Chateau, “You just couldn’t let me have one thing now, could you Pope?”

Pope jumped to his own feet, brows furrowing as a look of disbelief crossed his face, “One thing? Do you even hear yourself? JJ, you can and have screwed around with every girl on this island; you always get first pick, and even the ones you leave for me are usually waiting for their chance to talk to you! God forbid the one girl I really like actually likes me back and isn’t just using me to get to you, but I guess that would be too hard for you to believe, huh?”

JJ frowned, opening his mouth to counter that argument when Sarah finally stepped in.

“Why are you even fighting over this?” She scoffed, “JJ, you have been here the entire time. If you were going to make a move you could have, but I really don’t think it would have made much of a difference. Like I said, you were here, you were an option, and she still chose Pope. Don’t throw your friendship with both of them away over her feelings, which none of you could have controlled even if you tried.”

JJ felt his breathing grow heavier, his emotions mixing with Sarah’s words of reason and sending him into a frenzy. He needed to be alone before he had the chance to blow up again, he needed time to think, so he stormed out of the Chateau without another word.

Two more weeks had passed, and all of them had gone back to normal. JJ was still a bit butthurt over it all, but made an effort to be his usual self. There was still a bit of tension between him and Pope, and the Heyward boy had even made an effort to plan more time away from the group with his new girlfriend, both out of respect for JJ’s feelings and out of a slight tinge of greed knowing that other eyes were looking at her in the same way he did. He had made an effort to not divulge any of what had happened to her, but he was sure that Sarah would have let at least some of it slip at some point.

The bonfire had been planned in honour of Kie’s birthday, though she had fled the party rather early, hand-in-hand with some dark-haired touron while her friends whooped and cheered. Most of the others had left by that point, leaving JJ, John B, Sarah, Pope, and Y/n alone to enjoy the slowly dying fire, the quickly dwindling alcohol supply, and the free-flowing music that played through John B’s beat up bluetooth speaker.

JJ sat on his folding chair, nursing his fourth beer of the night as he watched the girl twirl around and around with Sarah until they both stopped, alcohol-inspired giggles leaving their lips as they leaned against each other to regain their balance. They grinned at each other for a moment before Sarah leaned forward, pressing a gleeful kiss to her friend’s lips before pulling herself away.

“Heyward,” She called in a demanding voice, catching the attention of Pope, who’d already been watching his girlfriend with a lovesick stare, “Come get your lady, I need a break.”

Y/n grinned at him, eyes filling with love hearts at the sight of her boyfriend as she held out her grabby hands to him, beckoning him to join her, “Dance with me, Popey.”

Pope visibly cringed at the nickname, something she had never even once called him while sober, but still pushed himself off of his log and moved to meet her on the other side of the fire. 

JJ reached a hand out, stopping him from moving any further as Pope stared down at him with a challenging look. They stared for a quick beat before JJ moved his hand up into an all-too-familiar position. A small smile appeared on Pope’s lips as he clapped his own hand into his best friend’s, dapping him up for the first time in weeks.

“I love you, man,” JJ slurred.

“Love you too, JJ.”

“Pope!” Y/n placed her hands on her hips, impatiently waiting for him as Sarah collapsed into John B’s lap.

“Go get her, tiger,” JJ let go of his hand, making sure to pat his ass sharply as he walked past with a laugh, watching as he took the girl into his arms and began to slowly sway her back and forth to the beat of the song. 

Y/n leaned her head against his shoulder, nuzzling into his neck as the drinks she’d had began to transcend from energetic to sleepy in just moments. JJ watched on, a small frown appearing on his lips before it quickly switched to a soft smile.

Alright, maybe he was jealous, but he’d never seen Pope look so happy, so maybe it was all worth it. 

okay why did i actually eat this up

fr tho i love this pairing and little plot i have going so im def down to make this a mini series or do like hcs for this if ppl are interested if not just go ahead and tell me to stfu already

[morrowlegacy]

Honestly, the drama weirdly gave me the courage to finally make a Hogwarts Legacy blog today (and just an account on Tumblr in general) after debating it for months.

(Now, I’m not educated on what the drama is, so I’m just spilling my thoughts out of context)

I’ve been a lurker since September, which is when my obsession with the game started. A lot of the fandoms I have been a part of in the past have always had some negativity around them for various reasons, but in a way it always makes me more passionate about the fandoms I love.

I’m not saying the drama, hate, and shaming is a good thing, (That’s not what I’m saying AT ALL) but what I will say is that when people come around and try to bully me for my interests, it always inspires me to keep doing what I’m doing. Because at the end of the day, they’re my characters from my favorite media. If they don’t like it, they can just move on. And if not? Well, that’s why we set boundaries with the block button.

Fandom is meant to be fun, but there will always be people who try to ruin it. Taking a break from a fandom if you need it is always a good option if it will help you (and it’s something I’ve done a few times over! And recently too with other fandoms). But for those who decide to stay, let me be the first to say there will always be people out there who appreciate what you’re doing, regardless of how many likes or followers you have. Even if haters try to bring you down. And if the only person who is loving your work is you? Well enjoy that! That’s why we create after all. To have fun with ourselves and escape from the world for a bit. Just like OP said, this fandom is for everyone to brain rot together and just enjoy a common interest as a community. That’s why I made my account in the first place. To meet people and share my art because I love being creative and seeing others be creative too!

Again, I don’t really know what happened to make the Hogwarts Legacy fandom so divided lately, (the context escapes me), so maybe what I said here isn’t relevant, but regardless, here’s the bottom line:

Don’t be a jerk to people simply because they have a different perspective on canon lore, characters, etc, or because you don’t think their art, writing, and edits are not as good as yours. It’s not cool. Just block if you see something you don’t like. No need to start unnecessary drama. And if someone is being a bully to you because of your interpretation, then do what you need to do in order to make the fandom fun for you again. Whether that means taking a break, blocking a bunch of people, or continuing to post. You will always have the good side of the community to come back to, even if it takes time.

All of you are so talented and amazing. We will get through this together 💜

WHAT IS UP WITH THE HOGWARTS LEGACY FANDOM?????????????

I am so fucking fed up with this fandom & honestly it makes me lose any desire to post anything here anymore.

So many people here look at EVERYTHING as a damn competition and it’s NOT. It should be a place for people to brainrot together, talk about theories, and enjoy seeing what other people draw and write etc. Have I sometimes felt insecure bc I don’t get as many notes as other people?! Yes of course…but I always focus on the connections and the lovely people I’ve met and like talking to bc that’s why I post in the first place. I didn’t spend 4 months posting my fic to 10 kudos and 1 comment with basically no feedback bc I care about popularity😆😆

I’ve never been part of a fandom before this one but honestly everything feels so immature here, especially lately. Is it NORMAL to send hate to people who interpret the characters differently than you?! Or send hate to people who ship something you don’t like???? Is it NORMAL to start a confessions blog that’s for people to vague post about others & give everyone reading it anxiety??? (And NO, it’s not “leveling the playing field” wtf). Is it NORMAL to be so close minded, that you’re always trying to start shit with other people?!!??

It is SO FUCKING EXHAUSTING & honestly I try my hardest to NOT feed into any negativity and I’ve never posted the hate I’ve gotten because quite frankly, it’s ridiculous.

I genuinely love seeing what all of you post and always try to comment when I have the mental energy, because I love having a sense of community and you’re all very talented.

[raven-at-the-writing-desk]

I have a question, so for most of the day to day things that the students do, they where some from of uniform for, wether it be their normal school one, the PE one or their dorm clothes they wear (that still are basically uniforms) or the ceremonial robes so my question is, are they allowed to at all wear what they want during any time at school? Because even in events such as the masquerade or the savanna one we had not long ago (bare with me I am bad at remembering names) that happen outside of school, they are commonly seeing wearing their uniform or at the very least their PE kits (that changes if the event gives them different clothing such as the outfits for the masquerade). The one time I can kind of remember the students being allowed to kind of wear what they want is during the event with stitch (again I can't remember the name). If their are times they wear non school can you perhaps give a list or something of what they wear? Or perhaps times they mention their style or what the normally wear?

Sorry if my English is terrible it is not my first language and spelling and grammar over all aren't my strong suit. And sorry for the ramble, feel free to ignore it as I know this is kind of stupid.

Have a good day/night and rest well

While the game doesn’t outright state when the students must wear their school uniforms, we can probably guess based on irl British boarding schools (for which NRC is modeled after). In the UK, the general policy is that students must wear their uniforms during ALL school hours and breaks. This typically ranges from ~8 or 8 am to 5 pm every week day. If students leave campus on a trip or in some capacity to represent the school (ie inter-school events, conferences, etc.), they are also expected to wear their uniforms. After school and on the weekends, students are allowed to dress casually or however they like.

As for why the students are almost always depicted in one kind of uniform, part of it is limited assets. It’s a lot of time and effort to give everyone different outfits all the time (most anime and manga, even the ones that don’t take place in a school setting, have one “standard” outfit for this reason). It’s easier to design the outfit(s) they’ll be seen in for most of the time and have that become the iconic look. This is, of course, excluding special occasions or promotions, limited time merch, etc.

The in-game reason often provided for why the boys largely wear a NRC uniform of some kind is because of association with the school. Night Raven College is extremely prestigious, so they must be mindful of how they present themselves, especially to the public and in the presence of other schools. Their uniforms are seen as cool, elite, and emblematic of NRC the institution, so this is why students wear them not only at special occasions (opening ceremonies, unbirthday parties, etc.) but also in front-facing events (sporting matches, cultural festivals, Halloween; the campus is open to the public). They wear their school uniforms to Noble Bell College as representatives for NRC. Kalim and Floyd wear their robes when entertaining guests from outside NRC in Kalim’s Ceremonial Robes vignettes. Vil also makes the VDC/SDC squad wear their school uniforms as their outfits for the performance, citing that it’s a symbol of their youth as well as them being the NRC team. Azul states that the ceremonial robes are “popular with the ladies” in Ruggie’s Ceremonial Robes vignettes. Even Fellow, who had ill intent toward the NRC students, was only able to pin them as NRC students in the first place because of their iconic uniform. The dorm leaders are allowed to alter their dorm uniforms as they like, allowing them to stand out as the “boss” of their respective dorms. There is a lot of perceived power and status that comes with wearing NRC clothing—and it’s also the responsibility of those wearing those clothes to make NRC look good. I think Deuce states it the best in a Ceremonial Robes voice line: “These robes are the face of Night Raven College. They're covered with intricate embroidery to make it clear that we stand above other schools.”

A minor thing I’d like to tack on is that the NRC uniforms, especially the dorm uniforms, are enchanted with magic that makes them more durable and combat-ready than your average clothes. This means there is actual practicality and utility behind always wearing the uniforms, especially if you’re like… taking a course that’s intense with its magical workload. I’d also like to think that after spending what is basically a third of your day in the same clothes (which are also functional), some students may be too tired to change into something else so they instead choose to stay in their current uniform. Students in clubs are already obligated to change into other uniforms (like sports team members do) so maybe they’d get too tired to swap out into casual wear.

A lot of the characters don’t talk about personal fashion at length. However, here is a compilation of my own impressions of the prominent NRC characters’ takes on fashion and personal grooming (based on canon information). Please note that this can change based on new content that comes out. For example, the new Relaxing in Room series of cards may contain more details about personal grooming and dress.

Riddle

Riddle thinks outfits that are casual or show too much skin are outrageous. (He dislikes his beachwear for these reasons.)

In book 1, he helps Yuu fix their tie. He also praises his own dorm members when they wear their uniforms correctly or are in formal attire. This implies he has an eye for detail and prefers for uniforms, especially when worn properly.

He states that he values what is inside more than looks.

Riddle describes his Suitor Suit as being similar to what he would wear for the parties he attended with his family. He is therefore no stranger to very formal looks.

His Dorm Uniform heels are high to emulate the Queen of Hearts; however, Riddle also implies he wishes to be taller, which is another reason he wears high heels.

My impression: Riddle honestly is probably used to wearing whatever his mom makes him wear. If he doesn’t have her guidance, then he’ll default to sets of clothes/uniforms or very formal attire. Likely also a stickler for stray hairs, dust, loose threads, etc. Very preppy. Would probably wear high heels to augment his height.

Trey

He has had bad eyesight since elementary school so he has worn glasses since. In fact, Trey collects frames (you can see them in his room) and has tried many styles, as well as considered contacts. However, he looks more intimidating without glasses and in half-rim glasses (according to his mom and younger sister), so he foregoes those options now.

Trey says he gets complimented the most when he wears rounded Wellington or oval frames. Quirkier cat-eye or rimless frames don’t go over as well.

He finds casual and "lived-in" looks like his Outdoor Wear comfortable. However, he also says he would prefer more muted colors.

He apologizes for not buttoning up his vest, but it seems he prefers it that way.

Trey doesn’t like being the center of attention. If in a group, he would rather not be wearing something that makes him stick out like a sore thumb.

He likes hats, so he has a few. The one he wears in his Dorm Uniform was custom made to match Heartslabyul.

Draws on his card suit with makeup.

My impression: Like Trey says, he likes casual fashion and muted colors. Whatever will not attract attention to him and allow him to keep his peace. He seems to be really into being experimental with his looks when it comes to glasses though. Likely would also wear a hat.

Cater

Cater seems to like wearing matching clothes. He has, for example, matching T-shirts with his Light/Pop Music Club bandmates.

He enjoys colorful and flashy fits like what he wears for his club.

Anything ‘cammable!! Cater gushes a lot about aesthetically pleasing clothes, including his costume for Halloween and other alternate looks like the Yasmina Silk and Beans Camo.

He has considered going for a different hair style but has trouble committing to one. Cater says if you change your hair, it also changes your image.

Keeps up with the latest trends.

Draws on his card suit with makeup.

My impression: Cater has an eye for what looks good and will grab attention on social media. He also goes for outfits that signify group unity (which might tie back to the “twinning” trend and/or his desire to belong somewhere). However, although Cater makes these claims it also seems he is interested in reinventing himself, as indicated in his discussion of changing his hair.

Ace

He likes luxury and name-brand fashions but can’t always afford it.

Ace likes to look at shoe magazines with Floyd.

He has been gifted fancy outfits and accessories before, such as luxury sunglasses for his birthday from Vil. Ace vows to take good care of these, but also tends to want to show them off to his friends.

Ace uses a little bit of wax to do his hair in the mornings.

He remarks that some outfits don’t have sleeves, which makes it hard to conceal things for magic tricks. Still, he is confident that he doesn’t always need sleeves to pull off his stunts successfully.

He doesn’t like outfits that are all one color, especially white. Those can be boring!

He likes to pick accessories or shoes of similar colors as his top. This gives his look the appearance of being well-coordinated.

He buys new clothes from the Foothill Town.

Ace is usually very skilled at imitation, but he notes that even he has a hard time figuring out how much makeup to use. He once tried to follow a tutorial video and overdrew his brows.

Draws on his card suit with makeup.

My impression: Bro has the fashion sense of the average teenage boy. He covets name-brand and high-end items that will make him seem cool to his peers and is confident that he can wear these well.

Deuce

Deuce normally tries to present as an honors student; this means wearing his clothes properly, wearing his hair neat and natural, etc.

Formal clothes like his Dorm Uniform make him nervous since he's not used to wearing such things.

He doesn’t seem to have a strong aesthetic sense and just goes with whatever he thinks is most cool. For example, he thinks flaming skulls would be a great magical wheel/blastcycle decal. He also thinks masks are cool because they remind him of superheroes.

He has issues with clothes that are too long, like his Starsending Robes. While Deuce doesn’t take issue with the look of tbe clothes, he does find it hard to move in them, as he is always stumbling over the fabrics.

Deuce is embarrassed by cute, fluffy, rabbit-themed clothes. This is because he used to dress this way as a kid and wants to be taken more seriously now that he’s older.

Draws on his card suit with makeup.

My impression: Boy is trying his best, but his best isn’t much in way of fashion. He tries to come off as cool, but his idea of what’s “cool” may not always be the most appealing to the eye. Not a fashion disaster or anytime though; I think he just… for as much as he tries to be preppy, his true style is more wild and tough. Doesn't feel entirely comfortable in formal wear.

Leona

He seems to like his clothes worn loosely and in his own way; for example, the buttons are undone in his School Uniform and his armband is worn like a belt.

Many of his looks involve low cut tops or unbuttoned tops to reveal… let’s say more than it probably should 😭

Leona says that people back home took issue with his sense of fashion.

Beaded bangles are a specialty of his home country; Leona himself wears quite a few bracelets.

Leona complains about clothes that take forever to put on and take off. He also hates outfits that are heavy and have too many decorations.

When his braids fall out of place or get loose, he’s too lazy to redo them and commands others to fix it for him.

He doesn’t care for compliments about his looks.

Leona claims be only buys what “catches his eye”; price is not an issue. He says that any clothes are fine as long as they look good on him and fit.

In the manga, Leona sleeps shirtless. We also see that he handles his clothes carelessly and slings them all over his room.

He recognizes the Fairy Gala Couture as being tasteful, but just not to his style.

He appreciates extravagant and traditional clothes from his home country. In fact, Leona cites his outfit as being the only good part of going home for Catch the Tail/Bead Brawl.

Leona sometimes has Ruggie shop for clothing for him. This is the case for his Outdoor Wear.

We have to account for his ears + tail in regards to fashion. He also has a sensitive nose, so that’s a consideration for perfumes.

My impression: Leona is able to tell what does and doesn’t look good, but he usually doesn’t like to make the effort to dress up himself. He has a very “wild” sense of style, meaning loose fits and showing off… assets… and doesn’t like overly complicated or impractical outfits. Leona appears to like luxurious looks, as he buys what “catches his eye” and praises his own King’s Garb.

Ruggie

Ruggie will generally go with anything he gets his hands on, even hand-me-downs that are too big for him. This is the case for his Dorm Uniform, which is one of Leona’s.

If he thinks he can sell it later for cash, he'll pick the most extravagant clothes and accessories he can. He doesn't like to wear fancy clothes himself though; he doesn't feel comfortable in them.

He prefers for his outfits to have fewer buttons, as they're a hassle to deal with.

Ruggie likes shorts, which are light and comfy. He values mobility in his outfits, which is why he also says he likes casual clothes.

Not a fan of pure white clothes, as they get dirty easily. Ruggie says he can't eat in them.

He praises his Dorm Uniform for being easy to move in and not too fancy. Ruggie calls it "right up [his] alley".

We have to account for his ears + tail in regards to fashion. He also has a sensitive nose, so that’s a consideration for perfumes.

My impression: Ruggie has very practical tastes, though he generally isn’t picky and will accept clothes as long as he’s getting them for free and they fit him. He prefers casual clothes that allow for mobility, aren't too fancy, and are easy to slip into, similar to his Dorm Uniform.

Jack

He says he's not into highly glamourous fashion.

When instructed to wear something "neat and tidy", Jack's immediate thought is his Lab Wear.

He uses wax instead of gel to style his hair, as he finds gel to leave his hair much too stiff.

Doesn't like heels that are too high. They make it difficult for him to balance!!

Jack reports he usually wears a shirt and cardigan or jacket back home. This combination makes it easier to regulate his body temperature.

He likes the Savanaclaw Dorm Uniform because it's easy to move in and durable; it doesn't flop around.

We have to account for his ears + tail in regards to fashion. He also has a sensitive nose, so that’s a consideration for perfumes.

Jack also shops in Foothill Town for clothes.

My impression: Jack has a more simplistic fashion sense; he isn’t into super flashy or impractical clothes, instead choosing to prefer function or how the clothes perform in a given situation. For example, he will choose to wear cardigans or jackets in his cold northern home and something “neat and tidy” when working at the Mostro Lounge.

Azul

He only has a single pair of glasses, the rectangular ones that he wears on his face. After speaking with Trey, Azul says he feels like trying new frames out. Azul worries that glasses that aren't his usual style (like the circular lenses in his Masquerade Dress) may not suit him.

Though he does need correction for his vision (he says his lab goggles have a prescription), he implies that he wears glasses because they make him appear smarter.

He wears a cologne because it helps to sell the image of him being well-composed and trustworthy, especially in business dealings. Azul is very particular about his cologne, as it is one of his favorite parts of living on land.

In fact, a lot of how Azul presents himself is to create this impression that he is cool and can be trusted. This extends to his clothes, hair, and makeup.

Having grown up in the frigid Coral Sea, he has a higher tolerance for cold than most others do.

My impression: Azul carefully considers his grooming and dress, taking care to not appear disheveled to others. It's all a part of his personal brand! He typically sticks to the same frames, but has indicated that he may branch out. It sounds like Azul isn't too confident about changing his style until he gets validation from his peers.

Jade

When camping, Jade wears a hat so as to prevent sunburn. He also dresses in layers so he can adjust his outfit depending on the changing weather conditions.

He is also very well-put-together like Azul; this helps with gaining others' trust as he goes about gathering information for Octavinelle.

Jade says he is fond of asymmetrical designs, such as what is featured in his Halloween Dress.

Not used to clothes with excess fabric; presumably, this is also true for Azul and Floyd, although not explicitly stated.

He recommends sling bags so as to free up the hands. This is especially useful for the mountains.

Fascinated by the concept of dressing up differently for different occasions. He didn’t know the difference between pjs and street clothes back then and once walked out in public in pajamas.

Jade seems to prefer a certain brand and tends to buy his clothes from that brand.

He wears shoes that Floyd calls "way too basic", even if they are high-quality.

Having grown up in the frigid Coral Sea, he has a higher tolerance for cold than most others do.

Jade tries to get people to wear things he think they would look funny in, though Jade claims he is simply “curious” about the fashion of other races.

He irons his clothes in the morning and makes sure they are free of wrinkles.

Jade describes simple black cloth as “gentlemanly and demure”.

Applying sunblock is important to him. All of his products, including makeup and lip care, include SPF.

Removes his earring when exercising.

My impression: Jade mostly dresses formally (“gentlemanly and demure”), but when he is engaging in his hobbies he plans for the scenario (layers, hats, bags, etc.). We do see bits of his disdain for boredom peeking through though, as he says he likes asymmetrical designs that will keep the eye amused. He’s creative with fashion mainly when he is dressing others for his own amusement. When it comes to himself, he tends to dress to disarm others.

Floyd

Floyd loves fashion and the freedom to pick what he wears for himself (though he handles his clothes carelessly). But! He takes good care of his shoes and shines them.

Floyd states he would rather be naked than wear “lame” clothes.

According to Jade, he tends to like flashy things.

Floyd can easily spot brand name clothing.

He chooses clothes that are easy to move in and durable for Vargas Camp.

He's especially interested in bespoke shoes, sometimes looking at shoe magazines with Ace. Floyd doesn't wear shoes in his true form, so he figures he should enjoy shoes while he's on land~

He's good at coming up with ways to experiment with his looks. For example, when considering sandals, he says you can jazz them up with nail polish, anklets, etc.

He likes goofy little accessories, like the little eel plushie charm on his Outdoor Wear.

Like Jade, he doesn't understand wearing specific clothes for certain occasions such as visiting the beach. Floyd does go out of his way to buy outfits for outings though.

Like Leona, Floyd seems to like more of a loose or less constrained style. He still fights and nail with Jade about wearing a bow tie to this day and is notably the only member of the Octatrio that doesn't care to maintain a pretense of polite or proper dress.

Having grown up in the Coral Sea, he has a higher tolerance for cold than most others do.

Removes his earring when exercising.

My impression: Floyd is much more openly adventurous and flashy with his outfits than Jade is. He doesn't like formal clothes or being told what to wear; the wants to be allowed to be experimental, especially with his accessories. Additionally, Floyd really likes luxury shoes--they're an item he pays a lot of attention to.

Kalim

Kalim often guns for the fanciest outfits without a second thought, sometimes calling for them to be made even fancier with jewels.

He tends to go for excessive jewelry too, whether for himself or for others. Kalim once almost bought everyone in Scarabia diamonds as souvenirs. Usually wears earrings himself.

Loves the color white; he says that he always picks this color when he is getting outfits tailored. Kalim is also a fan of loud and bright colors.

He reports having "lots of outfits [like the Fairy Gala Couture] at home".

Kalim usually has his head in a scarf. There are some voice lines in which he claims he cannot do his headdress by himself and other voice lines in which he offers to help you wrap your own.

He only wears clothes of the highest quality.

My impression: Kalim has a very extravagant and excessive fashion sense. He wears a lot of white and loves tons of detail and accessories in his outfits, including head scarves and jewelry. Really doesn't know when enough is enough.

Jamil

Jamil works hard at taking care of his appearance. This is partly because he, as a servant, could impact the reputation of his employers, the Asims, if he presents in a slovenly manner, especially when on the job or helping at an event.

He particularly likes to take care of his hair. Jamil likes it long, even if it takes more effort to maintain. He uses a variety of high quality and rare products on it, and his sister also gifts him hair products. Jamil has taught himself how to do his hair in the mornings with magic, though it took significant practice.

He has a keen eye for textiles and embroidery, often examining clothes and commenting on its quality when browsing.

Jamil tries on clothes before he buys them. He of course considers the design and material, but comfort is also an important factor for him.

Jamil states that he likes to wear oversized and comfortable clothes. The loose fit is nice and allows him to easily move, which probably helps with fulfilling his duties. This is perhaps why Jamil wears a hoodie in his School Uniform card.

He wears many hair ornaments. Jamil buys them himself and receives them as gifts. He claims he is not too particular about them.

Jamil feels a little uneasy about bugs, even if he knows they are fake. He's reluctant to touch the silver insects on his Fairy Gala Couture boots. Ironically, he does not express any anxiety about the scarabs on his Dorm Uniform shoes.

He likes the arm sleeve on his Basketball Club Uniform—both the design and its function, which keeps his shots steady.

Jamil doesn’t normally choose colors like silver. It’s hard for him to feel comfortable in it.

He does not like accessories that can throw off his balance.

Warns others to be careful with delicate items such as corsages.

Jamil says prefers to not be bothered and to not stand out.

My impression: Compared to Kalim, Jamil's fashion is much more demure and dialed back. He still dresses well and fine fabrics so as to not bring shame to the Asims. For more casual attire, he prioritizes quality and comfort, preferring oversized and comfortable clothes he can easily move in. Probably avoid bug designs. Jamil wears his hair in an elaborate style but claims he doesn't think much of it + the accessories... which I don't personally buy for one second. It's one of the few things he has control over in his life, and why would he keep buying accessories and being gifted them if he supposedly doesn't care??? I think bro's humble bragging www

Vil

He, as a model and influencer, is familiar with the top brands and even works closely with some of them. He's well aware of the value of his face and won't allow others to use it without proper compensation.

He sometimes has to wear disguises to avoid paparazzi.

Notices little details like slightly different stripe thicknesses.

Vil is comfortable parading around in a variety of styles; he doesn’t seem to have a particular preference for one over the other, as he tends to have praise for whatever he finds himself wearing, as well as the clothes of other cultures. If an outfit can be stylish as well as functional, he can commend that too.

Often agrees with Crewel. For example, they both think Vargas has very "strange" tastes in fashion.

He won’t compromise on his looks. For example, he’ll bring an entire skincare routine with him when camping.

Expresses a jealousy towards his celebrity rival Neige's popularity. This may be in part to Vil being aware that he can't pull off the same "cute and innocent" aesthetic that Neige does.

Vil creates his own perfumes, skincare, and other cosmetics. He gives these to his dorm members as well.

Has scathing words for those who put no effort into their appearance and/or those who look down on caring about one's looks.

Notably, Vil is the concept of gender itself/j very comfortable wearing even very feminine outfits, such as more makeup-heavy looks or skirts/dress-adjacent additions.

My impression: One of the most fashion forward in the NRC cast, as well as one of the most flexible with his dress. He doesn't have one particular style he favors, though he is often seen in classic and elegant clothes that the public seems to think best suit his image. Vil is also gender non-conforming in his fashion, sometimes wearing traditionally "feminine" looks and being conident in it. Able and willing to call out what he deems as unseemly.

Rook

He used to cut his bangs with a knife. Back then, Rook was only concerned about keeping his vision clear. Nowadays, he ties his hair back when he exercises or cooks.

His hair is easily damaged by UV, so he has to take extra good care of it. Without that extra care, Rook says his hair becomes wheat-like in texture. Vil describes his old hair as being "long and unkempt" "dry and shaggy", and lacking in volume.

He used to wear denim jeans with holes and tears in them (as the result of animals). He also wore sweatpants often.

Rook tans easily; before meeting Vil, Rook didn't really have a skincare routine. His cheeks were freckled and the tip of his nose was red.

Vil says that Rook's only criteria for casual clothing used to be that it should be easy to move in. Rook has no trouble still hunting in his Pomefiore uniform, but also remarks that it was much easier to move in his Savanaclaw one.

Rook consistently wears hats. In his Savanaclaw days, the hat was consistently dirty with sticks, leaves, and soil. He recommends it to others as well to keep the sun out of their eyes while hunting.

He is also usually wearing gloves. This is probably because, as an archer, he needs to protect his hands when he pulls on the strings. Additionally, it could be that the gloves help to further conceal his presence (fingerprints).

His concept of beauty is not grounded in looks alone; Rook is able to appreciate even things others would typically consider ugly or odd.

Rook adopted a more elegant “Pomefiore” sense of style after he transferred and was encouraged by Vil to make himself as beautiful as the subjects he observed. To be clear, Rook states he does enjoy the Pomefiore uniform. He now also encourages others, such as Epel, to embrace the Pomefiore ways.

He says, "I never forget my duty to live up to the clothes I wear."

He doesn’t wear scent unless commanded to by Vil. This is because smell can give away his presence to others.

Rook has a keen eye for detail and can hone in on slight physical changes in both himself and in others.

My impression: Though Rook prioritizes dress that is easy to move in, allows him to hunt, and still conceals him, he currently dresses very differently and follows a new style that’s more in line with Pomefiore traditions. It’s not certain whether Rook still prefers his old threads and self-care routine, but he definitely seems loyal to his new ones at the moment. I get the sense that he really wants to "live up" to the standards of whatever outfit he has on.

Epel

Epel agrees with Deuce that flaming skulls would be a cool motif. It seems they share a sense of style.

He admits to having never thought much about his own appearance. If given the choice, however, Epel would prefer to be called cool rather than cute.

Epel appreciates the light, warm nature of the Applepom outfits. He's proud of his hometown and how the community comes together to prepare clothes and such for visitors.

Though Epel often scoffs at the skincare items Vil forces upon him, he does extol sunblock, as the sunlight bouncing off the snow of his home village can be very harsh.

He's somewhat clumsy, so he cannot handle outfits with excessive fabric too well. Epel tends to trip over himself.

He likes apple patterns on clothes, particularly the poison apple. Epel just thinks it's so cool!

Doesn't like tight clothing or clothes with ribbons and frills on them.

My impression: Epel wants to be seen as "cool"!! ... Which, if we know anything about Epel, is probably something along the lines of "traditionally masculine", seeing as how he looks up to people like Leona. He can learn to appreciate non-masculine outfits like his Rabbit Costume and Applepom, given the right circumstances (the former is rabbit-themed, which he likes, the latter is practical and comes from his hometown). His clothes should fit him and not be oversized in case he trips over it. Epel also favors apple patterns when possible.

Idia

Idia despises the idea of dressing up. It's implied that his usual threads are pretty plain (which makes sense; he doesn't like being stared at).

He repurposes his lab coat and goggles over his pajamas, finding the combo comfortable yet functional. The large pockets allow him to stash his phone or anything else he wants in them. The coat can also catch any spills or crumbs that get on it while he is snacking. Idia has modified the lenses to filter out blue light to make the goggles optimal for gaming. The gloves keep his fingers from getting sweaty and playing poorly. He gets all the functionality while others can't tell he's actually being a slob; Idia calls this "stealth mode".

Idia praises the functionality of the Applepom outfit as well. (The pom-pom on the hat is protective.)

There are rare instances in which Idia will praise the aesthetic; for example, he claims the gloves in his Lab Coat are part of the "aesthetic", but then he immediately continues to comment on the practicality of them.

Idia expresses that he is unable to relax when his hair is pulled back. This is likely because it called more attention to his face.

Very hyped about getting merch of his favorite things, such as a very exclusive T-shirt of his favorite girl group.

He speaks more confidently when he is wearing a mask or helmet, as it conceals his face.

Idia notices the quality and skill it takes to make cosplay. He incorporates his own knowledge of technology and materials to (for example) make a functional Halloween costume with light armor and sound effects.

My impression: Overall, Idia values function over form/looks and prefers his face to be hidden as much as possible. He chooses to dress in a non-descript way and loathes getting dolled up. There are exceptions to this rule; Idia can appreciate a good aesthetic and be passionate about clothing items if they are related to his niche otaku hobbies and interests.

Ortho

Ortho doesn't wear clothes like the traditional human would; rather, his parts can be switched out as needed. Many of his Gears are designed and installed by Idia, whom Ortho praises. He even refers to himself as his older brother's "masterpiece".

Ortho has a large span of capabilities depending on which Gear he is currently wearing, as each is designated with specific functions in mind. He describes Gears as containers he can upload his data into.

His body is capable of having many external add-ons. For example, Idia has made an Oral-Energy-Intake Gear so Ortho can simulate eating food on his birthday.

He thinks that cleaning his individual parts must take forever compared to just doing a load of laundry.

Ortho must consistently update his data to stay up to trend. To do this, he goes out to look at what's currently avaliable.

Post book 6, Ortho becomes more independent of Idia and more willing to design his own Gears. For example, Ortho is responsible for his White Rabbit Gear and contributes his own idea of "evolution" to his Fairy Gear (designed by Crewel).

Sometimes Ortho will ask Idia to make his Gears more decorative. For example, he requests that stars be added to his Starsending Gear.

Other times, Ortho will want to try out new Gears simply to sate his own curiosity. One example is in his Athletic Gear; he was curious about what it feels like to have feet, so Ortho asked Idia for them.

My impression: Like his older brother, Ortho values functionality. Unlike Idia though, Ortho is more experimental and curious with his looks. He actively goes out to gather more data about fashion and seeks new experiences which will enhance his own understanding of what it means to be human.

Malleus

Black is the color of Briar Valley’s royal family. Therefore, Malleus often wears large swathes of black.

He is not comfortable in clothes he barely wears such as his Ceremonial Robes. In the case of the robes, they stir up memories of being left out or uninvited.

Malleus points out the gold rose embroidery on the black fabric of his Masquerade Dress. He then remarks that the maker must “shares [his] tastes.”

Malleus is interested in uniforms. He thinks it is fascinating how, simply by wearing clothes, people assume a new role (such as “student” or “teacher”). Notably, be says few people dress “like this” in Briar Valley, implying that the fashion norms there are very different.

He notices striking makeup and accessories, as well as good fabric quality. Malleus invites others to take note of these too.

Malleus needs specially tailored headwear to accommodate for his horns. For example, his ceremonial robes have holes in the hood.

He rarely shows his tail, so it normally doesn’t need to be accounted for in his outfits.

My impression: I get the feeling that Malleus's fashion sense is elegant yet VERY outdated due to a combination of being so long-lived and sheltered. He seems interested in learning more about fashion as it relates to social status and occupations, but doesn't make a strong effort to explore it. It seems he also longs to be invited to events so he has an excuse to wear clothes that suit them, such as NRC's ceremonies. He defaults to wearing a lot of black to show off his affinity to the Briar Valley royal family.

Lilia

The most experimental in Diasomnia. He loves to paint his fingernails different colors, as well as dye his hair different colors.

In his days as a war general, he wore a mask that most humans would call scary. Lilia however thinks that the mask is "pretty stylish."

He cuts his own hair, as well as Silver and Malleus's.

Lilia is quite confident in his looks, often playing up and praising his own cuteness and charm.

He loves seeing clothing from cultures outside of his own.

Lilia notes that he used to wear stuffy uniforms to formal events. It seems he doesn't quite care for those clothes.

He is weak to the sun, so he has various methods to minimize his exposure and/or to deal with the sunlight.

Lilia doesn't mind clothes that impede him, such as his lab coat which has long sleeves. He "just [deals] with it" because he prefers his clothes to stay cute.

Like Vil, Lilia is another member of the cast that is comfortable wearing traditionally more "feminine" clothes, such as ruffles and skirts.

My impression: Lilia definitely has the most unique sense of style in Diamonia. Despite his age, he is flexible and willing to change with the times and cultures he encounters. He loves trying new things and adopting clothes, hair, and makeup that, although burdensome, enhance his cuteness. He also doesn't mind more "sinister" or edgy styles, such as what he wears for his Club Wear card and in his General's Armor card. Probably no formal clothes in his free time unless there's some added spice to it.

Silver

Silver thinks black uniforms are cool because Briar Valley's royal guard wears black too.

He grooms himself to "meet basic standards" but doesn't know much about fashion. Silver says he is 'clueless" about these kinds of matters.

He has a limited understanding of beauty in general. When Vil asks him to think of something beautiful, Silver replies with "Vil-senpai", and when Ortho tells him he looks like a fairy tale prince, Silver wonders if he looks like Malleus.

His headwear may be crooked sometimes, as Silver is falling asleep while standing up so often. He may also rub at his eyes, which smudges his makeup.

He likes practical clothing, nothing how his Dorm Uniform is easy to move in and how his Fairy Gala Couture boots could make for useful weapons in a pinch.

Silver thinks of some articles of clothing and accessories as obstacles. He notes that he may have to remove necklaces and such, as they could catch on his sword and impede him.

Other times, he thinks that bothersome items could serve as good training opportunities for him. For example, in his Masquerade Dress, his hat limits his field of vision but Silver says it can help him learn to be a better knight.

Silver reports that even if he is dressed up fancily, he is always prepared for emergencies.

My impression: Silver is (in my eyes) the least fashion forward of the group just based on his dialogue. He has a very limited way of thinking about how he dresses and prioritizes optimization for combat or training, not even considering how outfits look for the most part. Silver strikes me as the kind of guy who wears whatever others tell him to (particularly his dad), otherwise he'll go with something sensible and simple.

Sebek

Sebek maintains a neat and tidy appearance so as to not dishonor his liege.

He uses a LOT of hair gel to slick his hair back every day.

Sebek is sensitive to the cold, so he has to bundle up in the winter or snowy areas. He considers wearing a hat that covers his ears all year-round due to how comfortable he finds it.

He says he is not sure what clothes suit him best; he usually wears whatever he is given.

Sebek seems to favor protective gear, describing his coat for Vargas Camp as “durable, waterproof, [and] breathable”. He has lovingly stuck on Diasomnia iconography onto that rainwear too, really letting his inner fanboy speak.

Enthusiastic about clothes endorsed by Malleus and/or Lilia.

My impression: Like Jamil, Sebek takes care of his appearance so he, a servant, doesn't make his master look bad by association. This includes styling his hair so not a single strand of it falls in his face. He also seems to favor protective clothing, sharp uniforms, and anything with approval from Malleus or Lilia.

Crowley

Crowley presents as quite the vain character; he takes quick 3 minutes showers in the morning but leaves ample time for massages and beauty treatments.

He loves shiny things like jewels and precious metals, stating that he could stare at them forever if allowed to.

Crowley calls the mirrors on his belt beautiful. Again, this is probably because he likes shiny things.

He takes care of his shoes. When he notices they are even a little scuffed, he says that he will polish them until they are sparkling later.

He is reportedly never seen without his mask.

Students say they think Crowley would enjoy vacation clothes.

My impression: Crowley is upset when others—staff or student—do not give him the respect he feels he deserves. He is also shown many times over to care about the prestigious reputation of his school. If we extrapolate these feelings, it may explain why Crowley dresses the way he does: to come across like a respectable man, one who represents the interests of NRC (symbolized by the raven). The raven look may also just be because that’s the kind of fae he is, though this has not been confirmed by canon. Of course, he has also managed to incorporate the shiny accessories that catch his eye. People seem to think he likes vacation wear (such as Hawaiian shirts) due to his penchant to slack off.

Crewel

Crewel enjoys both current trends as well as vintage fashion; on his days off, he says he visits some vintage shops, as he finds older clothes that have lasted a long time have a certain aura about them that is hard to replicate.

He loves that the world of fashion is always evolving. It reminds him of his own inadequacies, which he works tirelessly to improve upon.

Crewel designs clothes and has done so for various students and himself. He is also shown to be capable of magically reinforcing them to be studier for combat.

He has experience working in the fashion industry prior to teaching. It’s clear that fashion is very near and dear to his heart, even to this day, since he continues to keep up with and engage with it.

Crewel also concocts his own cologne. He wears one of his own creations.

His fur coat is custom-made. It seems that he finds value in the uniqueness of it.

Crewel may share similar tastes and design philosophy as Vil, as the two work together in Fairy Gala and Fairy Gala: If to design and train the NRC runway models.

My impression: Crewel’s style strikes me as very flexible, forward-thinking, and willing to change. He demonstrates respect for both classic and modern fashions and doesn’t allow himself to be bound by a specific era. The man is always inventing something or on the hunt for the next best thing.

Trein

Trein claims that he is not particular at all with his outfits.

When asked about the way he dresses, he says he just makes sure his outfit and personal grooming befit that of a professor. This includes carrying around a lint roller to clean himself and the area of Lucius’s fur.

My impression: Though Trein doesn’t really seem to care for fashion, I wouldn’t say he has no sense for it or that he’s a slob—he very clearly puts effort into his appearance, if only to look professional. It’s just not an area he has a particular investment in, but he what he does take seriously is his job. This is therefore reflected in how perfectly groomed his appearance is.

Vargas

He prefers clothing that is easy to move around in; in one of his Unified Exam lines, he expresses that he cannot understand why Crewel’s fur coat is so expensive yet is also so impractical to move around in.

Vargas seems to canonically have a poor eye for aesthetics. In Vargas Camp, he appears in a strange beast-like outfit that he designed himself. In the sequel event, he gives Crewel a similarly eccentric and over-the-top outfit which everyone hints it is odd-looking. Vargas however thinks his designs are cool and powerful.

He suggests a heavier material for the school's P.E. uniforms so as to help the students enhance their muscles while they work out.

My impression: Vargas is really into sportswear/garments that are easy to move in, as well as things that look cool or strong to him (but are weird-looking to everyone else). He may also like clothes that help him with his training in other ways.

Sam

Sam states that he has multiples of the same suit that he just swaps around.

He explains the charm of his outfit as “whimsy peeking out from the formal”, most likely referring to the unique skeletal pattern on his suit.

Crewel states that Sam is aware of how he presents himself. Crewel also commends Sam's style as "unique" and "splendid", even if his tastes differ from Sam's.

My impression: Bro’s a NPC— I think Sam has said it pretty plainly himself; he likes formal clothes that have some fun or whimsical element to it. It also sounds like he doesn’t change up his style very often, given that he has so many of the same thing in his closet.

Yuu and Grim as a bonus

Yuu and Grim often have matching outfits whenever they get new ones (especially during events).

Grim loves outfits that make him stand out and emphasize his coolness. He tends to show off when he’s in something new.

Yuu realistically may have a NRC school uniform provided for them by Crowley; this is noted in the light novel (as in, Crowley actually hands Yuu a uniform), but not in the game or manga.

The Ramshackle Ghosts have made Halloween costumes for them out of old curtains. It follows that perhaps this is something they do for other occasions.

My impression: Aw, twinsies 🥺 That aside, Yuu and Grim have to take what they can get cuz otherwise Yuu’s literally only got the clothes on their back when they first arrived in Twisted Wonderland and Grim is basically naked. They can’t afford to be picky, just take whatever is handed to them and walk off with it

[dimetrodone]

I know you're pretty familiar with a lot of guys on here, what Tumblr blogs would you recommend for reading alien worldbuilding? I'm looking for inspo for my own stories, thank you!

I’m very biased since they are my friends, but @jayrockin @iguanodont and @charseraph have some of my favourite alien stuff on this site.

I do strongly recommend not just looking at their work for ideas for how to write or come up with aliens tho. Nothing wrong with inspiration, but try to take inspiration from a wide amount of places. Look into scifi fiction books or games or movies with a wide range of takes on the topic, even sci fi with “boring” human-like aliens can still be full of interesting ideas it explores. Take inspiration from things that arnt just science fiction, a lot of great sci fi bleeds into other genres. Research the subjects you want to explore, whether that be biology, or history or engineering or chemistry or physics.

As someone with a biology bias myself, try to look into a wide variety of organisms to take ideas from rather than exclusively sticking to popular tetrapods or the occasional cephalopod and hymenopteran for ideas. Even something “boring” like red algae you will find exciting things like needing to go through 3 different cycling generations to reproduce. You don’t even need to make alien red algae, there is nothing to stop you from making a species of alien cat-lizards or something that just happens to have a 3 part alternation of generations.

The more you learn about nature the funkier you can mash bits and parts of it together.

[greeniegaes]

Thinking about Omega SQQ again sigh

Okay. So warning this is a male lactation AU so if you don’t like that don’t read, nothing explicit happens tho, just a guy and his pups

I imagine when he first goes into his body everything feels like he’s in haywire, constantly on edge and ready for a fight. Once he’s gotten the hang of things he uses his cultivation to try and simmer down his hormones.

Only to realize it was his cultivation preventing hormones that was making him feel like shit all the time.

So eventually he sighs and stops doing that. The first few days are bad, cramps and sickness and a general feeling of wanting to claw everyone’s eyes out. He gets through that though.

Then his breasts start to come in.

He knew PIDW has its weirder parts of omegaverse so he knew that this would happen. At first he starts binding his chest but that hurts SO SO SO much that he collapses on like the third day (he was also doing it improperly because it’s him, yk) and gets stuffed into Qian Cao

MQF: I was not aware shixiong was an omega

SQQ: I’ve only recently decided to stop holding myself back

MQF: it is recommended that you form a small pack of your disciples to help with your instincts and… that *waving at SQQs chest.*

SQQ: *screams internally.* Okay :)

At this point after like a week of just draining himself and going insane he finally gives up. LBH has already started living in the bamboo hut so he’s kinda the best option so he sits the boy down.

SQQ: Binghe, I hope you know this isn’t going to change anything but

LBH, thinking: oh my god no please don’t kick me out

SQQ: since this master has allowed his omega side back out he’s been struggling with his urges about thinking of his disciples like pups. If it’s not an offense to your character can I take some of it out on you

LBH, internally: YES YES YES PLEASE OH GOD YES I NEED IT

LBH, externally: If that would please shizun then sure :]

So they start a twice daily thing of in the morning and night LBH goes into SQQs room and his nest and gets feed. Apparently milk is hella good for the skin and shit because after a few weeks he starts to look flawless somehow.

And SQQ really wants to see his other kids- DISCIPLES flourish like that. He extends the offer to a close few and some look like they going to cry at the honor of their teacher wanting to take care of them.

LBH is still the main drinker and always wants to huff when he has to share, but he does it none the less. His Shizun gets really cute during feeding sessions, purring and chirping at them, fixing their hair and playing with it, scratching their scalp, the whole nine yards.

So LBH repays it by feeding SQQ more, which also makes him have more milk in turn. He huffs and complains at his body’s need to produce so much, his chest wayyy too heavy in the middle of the day to be comfortable, leaking and wasting everything.

He ignored that though, even if LBH and his other pups- disciples offer to help him.

Eventually after the Abyss his body is still making big amounts of milk because that’s what it was used to. Most of the time he just gets it out himself and pours it into the grass, often now also starting his other feedings.

Everything starts to get to him and he’s decided that staying on the mountain is no good. So he sneaks out, by himself, in search of something to heal his heart.

All the peak lords and disciples are going crazy, nobody can find him and nobody knows where he could’ve gone. Eventually while LQG is talking to a random villager out in a border town of their territory he sees SQQ again, arms filled with two pudgy babies and looking ever so pleased.

SQQ: Oh! Hi Shidi

SQQ internally: OH FUCK I FORGOT ABOUT THE SECT

LQG: where have you been???

SQQ: sorry sorry babies are hard work I didn’t want to travel alone with them

LQG, wanting to have an aneurysm but can’t: let me just help you home

On one hand the entire sect is so relieved that SQQ didn’t die of heartbreak over losing his favorite pup or get kidnapped. On the other hand SQQ??? Where’d you’d acquire those babies?? They aren’t yours, it’s only been 6 months!!

Anyways after SQQ is safely back in the sect he doesn’t see a point in leaving. I mean! Look! Look at his pups! So cute and round! One of them has little dimples!

The other peak lords carefully go to see what was going on, YQY opening the door to the bamboo house after being told to come in and all of them are just smacked with happy omega pheromones, SQQ gently cradling them both in his arms as he rocks in a chair.

At that point all of the peak lords decide that yk, maybe it doesn’t matter how the children were acquired. They were well feed and cared for and obviously SQQ was happy again.

(He got the children from a working in the WRP, she had wanted babies and all her sisters were supportive but then she realized she didn’t like being a parent but you also can’t morally just… dispose of a child. SQQ visited there once in his depression stoop and stayed for a few days after falling in love with the kiddos. Then he just went on an adventure with his babies and got distracted by the cool world building.)

[darkintrinsic]

Devil's Night | Bad Omens

adult content | minors do NOT interact.

One day I woke up and wanted to be chased to the sound of Milagre.

⋆ 𝐏𝐀𝐈𝐑𝐈𝐍𝐆. Bad Omens X Female!Reader.

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. It's devil's night and you've been invited to play. If you don't get caught by them, you win..

⋆ 𝐖𝐀𝐑𝐍𝐈𝐍𝐆(𝐒). Foul language, alcohol consumption, masked men, stalking, reverse harem, why choose, taking turns, explicit sex, fear games, submission.

It's okay to not agree with the characters' attitudes during the fic. It's good to remember that the story is fiction from the author's sick mind and of course they will make dubious decisions according to my fantasies. Nothing is done to be compared to reality.

Devil’s Night.

The first time she heard those words, thought it was just another excuse for parties and excess, but here, in Detroit, it’s different. People speak of this night as if it were a tradition, passed down from generation to generation, almost like a silent pact that no one dares to question.

Yes, it’s Halloween Eve, but it carries a taste of danger that goes beyond costumes and carved pumpkins. It’s not about trick-or-treating; it’s more like… a rite of passage, where each person lets their dark side surface, testing their own limits and those of others. And the entire city, somehow, agrees to turn a blind eye to what happens in the shadows.

In the alleys and empty hallways, you can feel something waiting, hidden between the walls and beneath the fog that stubbornly refuses to lift. The seniors, of course, love it. They create challenges, make absurd promises to the freshmen, as if they’re initiating them into some ancient secret. But it’s not a secret; it’s more like a warning.

I don’t know exactly who started it—maybe some group many years ago, looking for a way to release their frustrations, or perhaps the city already came with this curse built in. But, either way, everyone participates, whether in the role of the observers or those who get lost in the night.

You were about to leave home, dressed up for another Devil’s Night in Detroit. Your friends had invited you over to drink a little before heading to the Lions' party, the fraternity responsible for the highest concentration of players that night. At first, you were ready to turn down the invitation, wanting to go straight to the celebration and get it over with once and for all, but seeing the flyer advertising the Geordin’s pub attraction made you change your mind.

Bad Omens was the main act in an intimate show, and you felt a bit excited to know they were back in town. It had been a while since you last saw them—if you weren’t mistaken, on the last Devil’s Night.

"Don’t tell me you’re not even a little excited to see him again…" Ash nudged your ribs with a playful voice, snapping you out of your thoughts.

"They’ve grown so much since the last time I saw them, Ash. They definitely have no idea who I am."

"And what if I told you that’s not exactly true?" Ashley’s glittering eyes blinked behind her long lashes as if she had some valuable information. She rested her hands and phone under her chin while watching you finish getting ready in the mirror. "I messaged Steve; we chat sometimes, and when he told me he’d be in town, I didn’t fail to mention your name…"

"I can’t believe you did that!"

"I scored us four VIPs tonight thanks to my shamelessness. No need to thank me, babe!" Ash winked and blew a kiss at her own shoulder, ignoring when you rolled your eyes at her boldness.

You didn’t want to admit it, but a strange sensation was building up in your stomach, making you feel cold with every step you took out the door. According to your friends, you looked good enough to draw a crowd to your feet, and deep down, you hoped they were right.

Geordin’s was, as always, sweltering, packed, and filled with people dressed up in Halloween costumes. You were just in a short black dress and heavy makeup—this date was special, a night for vixens to leave their homes in their smallest outfits, best heels, and bold eyes to be, for one night, what they longed to be all year.

At the bar, you grabbed a drink and walked with your friends to the VIP area near the stage. With each minute closer to the performance, your stomach grew colder, while your friends chatted excitedly beside you, never quieting for a moment. It had been a long time since you last saw him, and you tried your best not to expect him to remember any fragment of the past Devil’s Night.

“Welcome to the show of bad omens, my friends,” said the recorded voice from the speakers, making the crowd go wild.

The lights went out, and your body froze in place as the intro to the first song began. His voice was still unmistakable and unique, pleasing to the ear, even live, weaving together with the guitar and drum solos as if they were one.

When you turned to the stage, Noah was gripping the microphone with his eyes closed, and you allowed yourself to take in the melody, singing along with all your heart as you remembered why this was your favorite band. At the end of the third song, he glanced over the crowd as if looking for something, seeming about to give up, until his eyes finally landed on you.

A jolt of electricity surged from your legs, coursing through your entire body. Noah gave a brief smile and bowed his head, waiting for the next song’s intro. You knew the setlist, and this wasn’t one of the songs played at previous shows. In fact, you recognized it instantly; it was your favorite track.

Careful What You Wish For hadn’t been played in recent shows, but he knew how much that song meant to you, and he’d included it in Detroit just to show that he did, indeed, remember you. Something damp threatened to pool in your tear ducts; this song reminded you of moments you’d rather forget, moments the band had made more bearable to face.

As the final song ended, the lights went out, and the guys left the stage to the applause of the crowd. Your heart was still racing from the mix of emotions caused not only by the show, but by the series of subtle glances he had thrown your way during the pauses between songs. You bit your lip gently, gripping your glass a bit tighter, wondering if it could be a sign.

But you quickly brushed off that foolish thought and shook your head, dismissing it.

You and your friends finally arrived at the fraternity party, and all of you, including yourself, were buzzing with excitement to start the real celebration. Everyone was in costume, music was blasting, the smell of marijuana filled the air, and alcohol was flowing freely.

It seemed like the perfect night.

“I wouldn’t recommend drinking too much,” Ash warned, pointing at your glass as you sipped the colorful drink through a straw. “The games start in a few minutes, and you won’t want to be throwing up during the hunt.”

You laughed, remembering what happened last year when you mixed a few drinks with cheesy snacks, resulting in a puddle of vomit that took you home before you even considered playing the traditional hunt.

Every year on Devil’s Night, the Lions held a hunt in the Shadow Woods. The game involved all the guests being released into the forest, blindly searching to capture as many targets as they could until they reached the other side. With no flashlights or any source of light, identifying anyone became nearly impossible as everyone wore masks to hide their faces.

A certain chill lingered in your stomach, and a tremor in your legs threatened to shake your confidence, but you preferred to think it was because of the drink, not the fear of who your potential hunter might be. Your mind raced through quick strategies to avoid being caught, though not knowing the Shadow Woods at night made it all the more difficult.

With your feet firm on the earthy ground, you were as ready as the other competitors. You looked around, feeling adrenaline pulse through your veins, filling your brain like a song made to build tension until reaching its peak. You felt ready for whatever the night had to offer.

The whistle blew.

Your legs pushed you forward, running as fast as you could, straining your vision to dodge trees and jump over branches. You listened closely to the sound of dry leaves and twigs that snapped underfoot as the predators ran. All of them were desperate, hungry in their hunt for prey. At the same time, it felt frightening; it was exhilarating enough to make you push for more speed.

Energized, you glanced over your shoulder now and then, trying to detect any approaching threat, but as you pressed on, you heard fewer footsteps. Breathless, you slowed down and marked the trees with your fingers as you continued to walk carefully.

Your steps froze in place when you suddenly heard heavy breathing. The footsteps behind you moved over the dry leaves, signaling that your hunter was approaching stealthily, like a snake. Slowly, you realized your feet didn’t obey the commands in your head—they wanted to keep running, but your body remained there, unmoving.

He knew there was no point in running. He knew you were lost. He knew you didn’t want to go anywhere.

“Good girl.” His voice whispered close to your ear, making you jump in shock. “You didn’t let anyone else catch you. You waited for us like a good girl.”

“She knew that no matter where she hid tonight, we’d find her.”

“We always find you…”

Through your peripheral vision, you counted all four of them, gathered in balaclavas, closing off any way out. Swallowing dryly, you felt your breathing falter as they each took a step closer, forming a claustrophobic barrier around you.

“Now you’re ours.” Noah’s voice echoed in your ear as you felt the fabric of his balaclava graze your cheek. “Once you lose the game, you become our prize.”

A brief jolt made you sit upright when you felt something wrapping around your wrists; he was tying your hands together with a rope. The remaining length of material was used to fasten another knot around your neck, this time slightly tighter.

In your mind, there was no room for doubt, because you remembered the main rule of Devil’s Night. You were free to make your desires real for one night.

Why not surrender to them?

Slowly, Noah pulled you along the length of the leash, and stumbling a little in your own steps, you followed him. He exuded a scent of sweat mixed with Savage cologne; his arms were exposed by the black tank top, and he wore cargo pants and boots. Each determined step he took made you tense up, fearing what was to come, and the walls in the form of men surrounding you added to your apprehension.

Your steps halted when the tall man pulling your collar from the front froze in place. The forest offered little light, and thanks to the moonlight filtering through the gaps in the trees, you could see the intricate tattoo designs on his back, partly covered by his tank top.

A breath, subtle but present, brushed your ears with warm breath from behind.

"How about a game?" Folio’s voice was so soft it seemed to dance at a unique frequency. "We’ll ask a question, and for each wrong answer, you lose a piece of clothing."

"A game is only interesting to me if both parties are involved. In that case, what do I get if I’m right?" You dared to respond, challenging him with a side glance.

"Don’t act as if you don’t like the idea of not being in control for a few hours…" Folio taunted, stepping closer with a deadly step. His body was too close this time. "All you desire is for the reins to be in someone else's hands, just for one night, someone who knows your dirty mind well enough so you don’t have to spell out what you need. Am I wrong?"

You weren’t afraid of anything and made a point to shake your head in defiance.

"Wrong answer."

"Not at all!" you contested without much conviction. Deep down, defying him and contradicting yourself with feigned reluctance was part of your game.

The cold wind touched your back just as one of their fingers slid the zipper of your dress down, exposing your bare skin. Slowly, you felt the fabric glide down your body, leaving a trail of goosebumps wherever it passed.

You shrank a little, feeling a hint of discomfort when you noticed several pairs of eyes observing your exposed form, but a tug on the leash immediately made you lift your chin.

"Don’t you dare lower your head, darling" another voice murmured as a finger traced along your chin, the wetness of a tongue brushing against the skin of your ear. "Not when you have a body like this. We can savor you without even touching. Consider yourself a goddess, displayed for adoration and worship."

Gently, he slid his hand from your chin to reach your cold-stiffened nipples, slow circular movements warming your thighs as Jolly’s voice stimulated you, his hands exploring your body without any rush.

They wanted you to surrender.

Indeed, you were already theirs.

For just one night, you belonged to them.

In front of you, Noah watched you with a tilted head, as if watching an intimate moment of pleasure was amusing to him. He wrapped the excess of the leash around his hands until it tightened, lifting your neck up toward him.

In one last visceral glance, Noah pressed his lips against yours.

A fierce kiss, charged with desire pent up since the last visit, filling every corner of your mouth, leaving you wanting for absolutely nothing. Between breaths, you let out a contained, low moan as those hands moved from your chest down to your hips.

His fingers, when they found your entrance, sent a current of electricity through the rest of your body. Jolly was warm and soft as a rose petal, he tortured you with the slowness of his synchronized movements on your clitoris and during the kiss you held Noah's lips between your teeth gasping a heavy moan.

Noah smiled, feeling how his body twitched in his friend's hands, he released his lips and dragged them down his face, allowing his moan to reverberate through his ears more clearly.

Just when you were about to give signs that you were going to collapse under Jolly's fingers they suddenly stopped. You panted and wanted to show that you were disappointed, but you didn't have time, Noah pulled you by the collar and turned you so that you were facing away from him. A quick scream escaped your lips at the surprise of the impact of your hips against his, you felt his bulge harden and let out some air through your nose.

A soft hand ran its thumb over her face, a caress similar to the one she felt on her ass as Noah explored her. At the same time they used their thumbs, Noah lifted your dress until you were completely exposed to prepare you, he dipped his fingers in your wetness and seemed to delight in it. Their eyes were fixed on the man before them, gently brushing strands of hair away from his face and lifting his chin.

“Good girl, good girl.” he whispered, sliding his thumb into your mouth, without breaking eye contact, you sucked his finger slowly until you reached the tip.

You watched as Folio grunted and finished sliding his cock into his free hand and bringing it closer to your face, passing it across your lips slowly. You moaned from containing the desire to take him in at once, and from having Noah playing with his head at your entrance in rotating movements. Little by little you relaxed and used your tongue to greet him and a smile formed on your lips when you saw him sigh once again.

Folio grabbed your hair with a little force and demonstrating that the provocation had made him lose his mind, he shoved his dick into your mouth at the same time as Noah entered you. Your screams were silenced by Folio's cock, you used your tongue to drool all over the compliment and without the help of your hands that were trapped you covered his head with the roof of your mouth. As you sucked him, you felt Noah bump his hips against yours in strong thrusts, pulling the collar from your neck each time he penetrated and stopped with his rigid member inside you.

Your legs shook from the force he used, you pressed him against the walls of your pussy and heard him mutter yet another curse due to the lack of space. Her head didn't stop for a single second, going down and up, sucking Folio's cock while he helped her with his hand in her hair.

With each of Noah's thrusts, you felt Folio's cock tear into your throat and you dedicated yourself to not leaving a single space without the contact of your tongue. He pressed your head down more and you enjoyed the taste of the skin trying to contain the entire volume. Noah grew harder and harder inside you and in an explosion of sensations for a few seconds your legs seemed to float.

This was the effect of the devil’s night.

It allowed you to fulfill even your darkest fantasy.

For one night.

[willows-writings]

‼️This post is part of a choose your own adventure series and is not meant to be read stand-alone. Click HERE to go to the masterlist and Chapter beginnings‼️

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Ask if he's ok

Chapter 2

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Your concern wins you over and you pull back from the kiss. As you pull away Josh lets out a small groan and reaches up to try and kiss you again. You laugh and gently place a hand on his mouth. “Josh, wait, are you doing ok?”

He groans “Y/n no offense but we are not a one night stand who just met each other, we don’t have to do the whole get to know you thing.” he mumbles from behind your hand.

You grin for a moment before your face goes back to serious. “No I mean, with all the guys being here, and I guess… just being here in general.” You remove your hand from his mouth.

His face falls and he moves to sit up, scooting back so his back rests against the headboard and pulling your body with him so you remain on his lap. “Look y/n, in all honesty it freaks me out a bit, I miss them but more than anything I’m happy they all came up here, happy you're here.” He trails a hand down your face and you lean into it. You know there’s more, but you also know these next few days aren’t the time to interrogate him about it. 

“Ok,” You whisper and move your face to press a kiss to his hand “Ok, anything you need I’m here” 

He smiles at you and hugs you close to him. 

Suddenly you hear a noise from outside the room. Josh groans “Someone definitely just broke something, fuck.” He moves you off his lap gently, stands and starts to walk to the door while you remain sitting on the bed.

“Hey,” he turns to your voice, “what if… we just stay here tonight? I mean tension in the group is still running high, there’s a good chance everyone else will stay split off or just go to sleep. We could make hot chocolate and popcorn? Watch a movie? I got a few of those horror films you like downloaded on my computer? It’ll be fun!” You know at this point you're rambling but you can see his face softening the more you talk. 

“That sounds like a wonderful idea.” He briskly walks over to you so he can plant a dramatic kiss on your forehead. When he looks at you again there’s a huge smile plastered across his face. “I’ll check on everyone else and get the food and you can stay here, pulling up that movie, and just stay looking pretty for me which shouldn’t be too hard cause you always are.” He winks and you roll your eyes. “I’ll be no more than an hour, maybe get some rest, it’ll be a long night.” He says the last part while walking out the door in a sing-songy voice. 

You smile before remembering something from earlier. “And you know Chris told me about that snow angels comment from earlier.” He leaned back in the room, his interest peaked. “That will not be happening.”

Josh lets out a laugh as he closes the door behind him.

The door closes behind him and you lay back onto the soft pillows, he’s right, a nap would be nice right about now. You close your eyes and let sleep overtake you.

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End of Chapter 2

You got: Ending #4

Chapter 3: Beginning #4 (coming soon!)

OBaC Masterlist

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I like to think if you were actually playing the game this would be the choice that would increase your relationship with Josh the most.

For anyone confused when this takes place it’s around the time Mike and Jess are walking to the cabin, and before Josh goes with Chris and Ashley. Sam failing to turn the heater on alone was the noise.

[tracybirds]

Started this a wee while ago because @astranite and I were excitedly discussing astronomy textbooks and in particular BOB which is a real astronomy textbook for the undergraduate level, written by Carroll and Ostie as mentioned in the fic. We started joking about Lucille being an academic and writing the second BOB and then well... this happened :P

Many thanks both to @astranite and @gumnut-logic who have both read bits of this at some point - I hope you enjoy the finished fic!

---

"Imagine a world with no stars."

John reached down, brushing his fingers across the familiar preface, the uncomfortable weight of his mother's textbook feeling like home.

"Hi Mom," he whispered, his heart aching as he turned the pages.

Her orange highlighter was everywhere, notes in her clear, rounded hand scattered across every paragraph as month by month, year by year, she read yet another paper that strengthened the collective understanding of the universe. He knew that some of these notes made it into the second, third, and even fourth editions of BOBv2, but others lay dormant, waiting for a fifth edition that would never come.

Until now.

John took a steadying breath. He hadn’t dared to touch his mom’s personal copy of the astrophysics textbook that had redefined a generation in years. The Tracy text, with its dry wit and clear conceptual language, voiced with an undeniable love for the heavens above, similarly ignited a passion in everyone who read it. John was too young to know exactly when BOBv2 – the Big Orange Book – had become the standard text, but in doing so, Lucille Tracy had cemented her name as one of the great educationalists of modern astronomy. A companion to the original Carroll & Ostie, a text that delved with enthusiasm into every branch of space science, his mom had inspired a generation of astronomers.

His mom had inspired him.

And, as it turned out, there were people who wanted to see that legacy continued.

John scanned the email that had arrived without fanfare in his inbox that morning, though he already knew every word.

“Dear Mr. Tracy…” it began, and John knew they hadn’t meant him. Scott had forwarded the email himself, not reading beyond the subject line that mentioned only the title of the astronomy textbook he held in his hands.

This was how John learnt that his mom’s old publishing company were seeking permission to engage a new author to perform the necessary revisions for a new edition. John had never thought of Scott as being the executor of their parents’ estate, had never given much thought to any of the legalities of what their parents had created.

He glanced up as TB5 rounded the dark side of the Earth, the familiar patch of ocean his family called home slowly moving towards sunset.

His brother had gotten home less than an hour ago and it was for this reason, John told himself, that he hadn’t drawn attention to Scott’s error.

In truth, he wasn’t sure what he wanted to say.

Well.

That wasn’t quite true.

John’s grip tightened around the book as he steadied himself once more.

This text had belonged to everyone, that’s how his mom had wanted it, and that’s what John would want too.

He connected to Scott’s line.

With each ring, his heart sank further and further.

“Hey John, wha–”

“Don’t do it,” blurted John.

Scott’s blue face scrunched up as he peered at him through the holo. “Don’t do what?” he asked.

“Mom’s book, let me instead,” said John, his words beginning to stumble across themselves in his hurry to make Scott understand. “I can do it, just don’t let someone else take it away from her.”

“Woah, woah,” said Scott, looking more alarmed with every second. “Nobody’s going to take Mom away from you, what are you talking about.”

“They want to revise BOB,” said John desperately.

Scott’s silence rang between them, a pause that filled the distance between them before John huffed and thrust the book into the holocam.

“BOB,” he said impatiently, “Mom’s textbook, the Big Orange Book the Second.”

“Can you.. can you start from the beginning, John,” said Scott weakly.

John’s fingers twitched, struggling to steady his shaky inhalations.

“Mom’s publishing company sent you an email. You sent it to me so I read it, but it was for you.”

With every word, John willed Scott to hear him, to understand what he was asking. It wasn’t the revision that was troubling him, John had worked alongside academics too long to question the need for an updated edition as new evidence emerged and new lines of reasoning developed into discoveries.

“It’s the only link to her that’s just mine,” he said quietly. “I have to share everything else, and maybe that’s selfish of me to ask, Scott, but I want this one. I don’t want someone to overwrite her words, her passion, her memory with a fake. Someone who’s just pretending they could ever know what she would have said.”

“I can say no,” suggested Scott, but every fibre of John’s being rebelled at the thought.

What was worse, he wondered, to remain true to her memory and thus condemn his mother’s greatest achievement to history? Or to give up his claim to her and allow her work to shine anew, albeit polished with a varnish he’d never known.

Obscurity or lies?

John knew which he’d choose.

It felt like burying her all over.

“John,” said Scott hesitantly. “Would you want to do it?”

John’s eyes widened. At once a thousand reasons to say no erupted, his mind running through emergency scenarios and the intensive workload that revising a beast like BOBv2 would take, not to mention remembering the half a dozen other projects he’d made promises to look at when he got a chance.

There was no chance he would ever be able to agree to what Scott was suggesting.

There was no chance he’d ever say no.

“How?” he asked breathlessly.

“We’d make it work for you, John, you know we would,” said Scott. “We’d do it for Mom, but we’d also do it for you.”

John’s smile was wobbly, and he rapidly blinked back the tears that welled in his eyes as warmth flooded and swelled in his chest.

“Then let’s do it,” he said hoarsely.

***

“John!” shouted Alan, racing up the stairs two at a time. “You’ve got a package, Grandma picked it up on the mainland, it’s here – it’s here!”

John leapt up from the sofa, his quiet conversation with Brains and Virgil forgotten in a heartbeat as he reached out with eager hands.

“Scott, Gordon!” bellowed Alan, running outside and leaning over the balcony’s edge. “Hurry up, John’s book is here.”

There was a mad scramble, water splashing all over, but John hardly heard it, his hands turning the brown paper over and over. He could feel the bio-bubble packing material, its gentle give beneath his fingers making him doubt the reality of what he was about to find.

Alan slammed into his side, legs bouncing with excitement. John could see the amused glances traded between Virgil and Gordon out of the corner of his eye, but he ignored them, suddenly terrified that he’d ruined his Mom’s book forever.

“We all know you gave it everything,” said Scott, dripping water all across the floor as he gripped John’s shoulder with firm encouragement. “She’d be proud too. Let’s see it.”

The spine was orange, the dusky colour of sunsets as the night gave way to twilight and the field of astronomy arose. Tracy & Tracy stood out, stark white and magical. Each leaf was glossy and vibrant, full of excitement and wonder.

He glanced down at Alan, whose eyes were wide in awe, and smiled, opening the book to the dedication page.

To Jeff, who travelled my stars and inspired my heart. – L.T. 1st edition To Scott, John, and Virgil, who helped me to dream. – L.T. 2nd edition To Gordon, who gave me new adventures. – L.T. 3rd edition To Alan, for all the skies we’ve seen together  – J.T. 5th edition

John wrapped an arm around Alan, who had gone still as he read.

“It was time you were added to the Tracy text,” he said quietly.

Alan only hugged him back.

“It looks incredible, John,” said Virgil. “It’s all paid off.”

One by one, everyone gave their congratulations and wandered off, the novelty soon wearing thin. Even Alan slipped away, his video games beginning to call, but not before making John promise to get him his own copy.

Eventually, only Scott remained and he fell down on the sofa next to John, watching him quietly as he flipped through the pages one by one.

Soon enough John paused, running his fingers over the familiar foreword, every letter of Lucille’s passion immortalised once again. His foreword came second in deference to the original and, sandwiched between his mother’s words and the contents page, John had allowed himself more sentiment than he usually considered wise in a public sphere, comfortable in the knowledge that only the few who were truly inspired by what he and his mom had made would ever read them.

“She would be proud,” he said with certainty. “Of this, of what we’ve done without her.”

“She would,” Scott agreed. “They both would.”

John nodded, and closed the text, laying it carefully on the coffee table.

His green eyes shimmered earnestly, a mirror of their mother.

“Thank you, Scott,” he said. “For giving me this.”

“It’s yours, John,” said Scott. “Always.”

[legally-allowed-to-slime]

Can’t even lie man I’ve been offline all day and i immediately went to your blog to read your takes on the session and Pearl n gem n co. after watching some wild life. Thanks for having the best takes lol

genuinely, it’s an honour. crazy to me that anyone would come to this blog for good takes, they never make any sense and i’m always suspiciously resentful towards c!scott. i’ll take this opportunity to lay out my gempearl thoughts as well

first of all, it drives me insane the way pearl usually goes along with whatever scott and cleo says, but the only thing she consistently, and has repeatedly, contradicted them on is that she’s been antagonising gem. in fact at the start of the session scott poked her about it again and she laid out a short monologue to assert that his claims were invalid. funnily enough she goes back on this a few seconds later saying that “i’ll make her have a reason to hold that grudge” which honestly is not helping her case. however if gem can make vague threats about impulse i don’t see why pearl can’t do the same. women’s wrongs and all that.

and then after that scott tells impulse and pearl to apologise to gem and joel. again, it’s a bit odd to me how they keep harping on this bit, but every time they do, all they do is scold impulse for rightfully constantly accusing gem over the cows, and then impulse apologises, yet pearl is still implicated (for NOTHING). pearl did protest this point earlier that she was “just existing”, scott counters that “i don’t know what you’ve done but you’ve annoyed her”, so “keep your distance”.

and to think that the argument only happened because scott made a throwaway comment about a “request” he had for pearl if she wanted a life from him. i feel like he meant it as a funny aside and expected pearl to just shut up and take it, but pearl never shuts up and takes it so that’s the problem there.

also, on secret life: pearl argues that she was right to ally with scar, which like, okay, fair enough, but scott says that “it takes time” and that “look we’re together” i’m not sure why he’s under the perception that GGG is in anyway functional or healthy considering he himself is trashtalking impulse and pearl with gem geminitay (ok sorry i’m just salty over him being buddy buddy with gem). at one point cleo goes “we have to be enablers” (lowkey incorrect because pearl hasn’t done anything, you can’t enable someone to just do nothing, but i appreciate the sentiment) and pearl just starts. throwing eggs at the ground. really funny out of context.

now for the actual gempearl interaction (we get like one and a half per episode i’m actually starving). they’re so obsessed with each other. trust me i said so. pearl beelining to gem to say “hi gem! :D” and gem beelining to pearl to punch her and say “go home pearl” oh they make me ill i feel like they’re just constantly on each other’s minds. the problem is that we haven’t gotten a good gempearl interaction because when they’re near each other their allies are also hanging around, so it always ends up with gem getting glazed by scott or pearl getting distracted by bigb or something like that. it’s such a pity because gem specifically went to find the 4Gs’ base but she went to the old one instead of the new one where pearl was hanging around so we could have potentially gotten a 1 on 1 shiny duo interaction this session (i’m not sure about the timeline there) but we DIDN’T because gem’s not talked to the 4Gs enough to know that they moved bases. grrr.

and then gem drops the anger for a bit to encourage pearl to kill grian. i have NO idea what that’s about, i feel like she’s just into bloodthirst in general but what it does remind me of is her trying to convince pearl to kill the ender dragon in SL, coincidentally, when pearl was impulse’s butler. and now she’s encouraging pearl to carry out what impulse wants. i don’t know. maybe her type is murderers and she’s trying to give pearl a chance. or something

anyway as for the other half an interaction where gem finds etho pearl and cleo at her base, gem reverts back to loudly disparaging pearl within earshot. i feel like she’s nailed “ex who really wants you to know that you’re exes”, and pearl getting so indignant about it she can’t even form a sentence for a few seconds is great actually. might be a reach but whether on hermitcraft or life series, pearl tends to stumble over her words a lot when directly challenged by gem, which is probably just because she’s thinking hard on what to say and is sleep deprived half the time. but i find it pretty telling that pearl doesn’t say anything back to gem and just. leaves. it’s very obvious she’s still down bad for gem in a way but gem is intentionally making it very hard for pearl to remain so.

last paragraph. when joel visits pearl at their new base, joel is happy that pearl called his build a car and said she liked it (pearl likes cars fork found in kitchen). so joel and pearl are on good terms, which i expect would lead to interesting dynamics but at the same time joel would definitely follow gem’s lead over maintain that friendship but still his perception of pearl now is positive. so that’s intriguing

song of the day is down bad by taylor swift. trust me guys they want each other so bad

[kinardsevan]

melbell's theory on "is it a swerve":

I have been saying for about two days that I would write out a whole through-line of my theory of what shenanigans might be happening in the writers room for 911. 

I should specify first that this theory goes based on the idea that what’s being served to us currently is an entire swerve, and that they’re following the formula they’ve done before (ala Madney, Tarlos, etc.). 

My theory ties into 807 as well. It has us not losing Tommy, but him actually being in the episode. Given that we know that it’s been said that recurring cast members will film in batches and not necessarily by week, that opens up the option for Lou to be in (at least) 807, if not more. 

I know some of what has come out in social media in the past few days references that there was a certain lineup for the way B/T was viewed through 8a, and how it would culminate in the discussion of moving in together, referencing lore to Tommy’s past, possibly his father, etc. 

My thing is that, at the end of the day as a creative, all I’m trying to do is follow the breadcrumbs we’ve been fed for the past 12 episodes of this show. Because of that, the points of note within those breadcrumbs are: 

7x09: “Tommy’s good people. He’s good for you.” 

7x10: “My dad and I don’t really talk…Having Gerrard was like having the father I already had.” 

8x05: “people are what make life worth living”; “my boyfriend”; “It’s a beautiful thing, isn’t it? having a crew like this behind you, even when things go wrong” "especially when things go wrong"

8x06: “Do you love him” (entire speech) 

Now obviously, coming out of season 7, this show knew they wanted Lou back, but they didn’t know what his schedule was going to look like or whether the character would pan out, how the general audience would continue to tune in, etc. However, they did lay down enough crumbs that they could pick up and continue to move forward with. They gave themselves the ability to tell a story with Tommy’s lore around his father, along with what they ultimately chose to do with Abby (which a lot of fans were talking about early on in the summer as it was). 

Now, we’ve learned things since I first formulated this theory. We know that there’s a discussion about Buck having a “pendulum” reaction to the breakup and how to deal with it. We know that he’s going to throw himself into other things to cope. We know that there’s mention of “cracks starting to show” in reference to how he deals with the breakup. we also have mention in one of the articles about the possibility of them working a scene (as in accident, fire, etc) and things being awkward. 

based on all of that prior information, (along with Josh’s speech in 806), when I saw the preview for 807, I was very quickly one of the people who was like “this is being done for angst. this is not the end of BuckTommy”. 

My theory actually ties into (if we loved each other once) could we love each other twice, my latest fic. We don’t have any close-up shots of the person on the crane in the episode. We have the PA (or whoever he is) telling Bobby “there was an incident during filming, he fell and passed out”. Within the confines of me feeling like what’s happening is all a swerve on us, that line might not be entirely complete.  I’ve theorized that the 217 is already on scene, and Tommy is the man hanging on the crane. 

Why, you ask? 

When is the last time we saw someone hanging from a crane? (Buck, lightning strike, if you’re playing the long game, kids). Why bring that back if it’s not intended to be paralleled in some way, the very way they have been doing with this couple from the jump? 

We also have the voiceover of who we (aka as me and the two people I’ve actually written this all out for) assume is Oliver/Buck yelling “no no no no no!” in a panicked tone. For me, when I follow that line of logic (through 806 forward), things feel really clear. 

Now I hadn’t considered the idea that they might actually kill Tommy off until today, but let’s go with the idea that they’re not. Everything that we’ve been given from 710 on starts fill in a really beautiful plot going into the midseason finale for these two. 

Tommy is hurt. If the lightning strike is mirrored as I assume it is, the scene in reference will happen right about the end of 807. 808 will likely be some kind of other story (on purpose). I don’t think at this rate, we’ll actually ever get a Tommy Begins, but the title of Sob Stories really feels compelling to me on how they could do a version of this. Or a version of Tommy seeing what Buck’s life would be like without him, or any other version you want to think up. 

You suddenly get all of these breadcrumbs lined up really nicely into these episode. 

-Tommy’s dad can be presented to us. This also presents an opportunity to explain why Tommy feels unworthy/scared/etc of moving forward with Buck. 

-“people make life worth living”; “especially when things go wrong”. This would be something going very wrong. this would present them with an opportunity to give the payoff that we’ve wanted to see Tommy receive since 710, being accepted into the family he has always felt outside of. 

-“do you love him”. I think part of the break-up storywise being important for Buck is that it requires him to really dignify how he feels about Tommy. Another thing that this theory does is put them in a positon to really face the issue of remembering that life is not permanent. They can very much so end up without one another. And yes, shit already sucks being apart because Tommy broke up with him. But this brings to light the idea that, not only could they just be broken up, but that one of them could die and not have had whatever time they have left (especially given their career of choice) with one another. I think if you really lean into the parallel of the coma dream for Buck, it gives Tommy prime opportunity to learn why he’s afraid. Whether this is done in the form of a coma dream like buck, or like TK’s was with his mom (that feels more accurate for me with Tommy, meeting his mom, etc). 

—I’ll also include the aside of Gerrard being around could also be an interesting addition to the story. 

I can even see this feeding into whatever issue Buck runs into with Eddie in the coming weeks, whether it’s him still being upset with Tommy over the break up and Eddie saying Buck doesn’t have the full story, or Eddie thinking that Buck is giving in too easily after seeing him hurt. (Or that could be none of all of this). 

As for the interviews that are concerning, I do have somewhat of an answer to that too. 

I feel like on some level, Lou had to know that the fangirlish one was with someone who is fully behind Buddie and knew about the crap he’d been through. That interview didn’t have clear cut answers quite yet, and that one has me with this answer: nothing of what he said would necessarily be a lie.

He’s working on SWAT right now. Actors always have opportunities in front of them. He may have things that could affect how 8b goes, regardless. I have questioned whether he went into that interview with the discussion with the powers that be basically being like “don’t lie. but you can have fun with it, too.” 

In terms of the others, I haven’t read every single article out there, but I know we hold a general lack of understanding about the fact that the “exit interviews” just feel weirdly un-exit like. I’ve read millions of them at this point due to Greys Anatomy. And as it’s been said, you never see people asked about coming back; in fact you usually get a lot of "what's next" instead. We don’t get a whole lot of clarity of what’s happening with Buck next, beyond “new hobbies” “family time” “dealing”. 

That all said… I don’t know. I know the theory has legs, even though it takes shots from the articles we’ve been given. I started out with a lot of hope weighing into this theory. Now I’m not as certain. But I am someone who holding out hope that some version of a swerve is happening and it was just written really fucking poorly (and at the worst possible time known to queer men and women).

You’re welcome to share with me your thoughts. I’m open to polite discourse. 

[latteenightss]

Hii! Just another rant about obx. I wanna share my predictions about season 5 and what I think they’re gonna do

Chase Stokes (John B) mentioned that season 5 will be their best one, which it could be but I think for a lot of viewers just the fact that JJ won’t be there at all might ruin the season if yk what I mean.

And now to my predictions

1. I think season 5 will be Kiara’s season, with the way season 4 ended it’s obvious she’s gonna lash out and go through a lot. She’s gonna need to deal with grief and her revenge era might be a bit brutal 😊

Also maybe she will be somehow related to the treasure? Or just connected slightly. Like season 1 we had John B, season 2 it was Pope. Season 3 now- idk I guess Sarah but Kie also had a bigger role, like when that dude kidnapped her and then she got sent off to that camp but that’s it, then her plot line was about Jiara, and season 4 was obv JJ.

And since we’re talking about JJ, y’all.. ik it’s hard but he’s not coming back 😭 obx is not supernatural, a wish won’t bring him back to life. Like I don’t think JJ will crawl out of sand.

I generally love the idea of Kie finally having her main character moments and just making her more important to the story.

2. We will get Riara. And I definitely don’t mean that in a romantic way because that’s not happening! Madison (the actress of Kie) hates Riara 😭 but I think we will see them as duo and just get more of those tension scenes that we got so far. I feel like that might be a way the writers will try to “replace” Jiara. Jiara was a huge ad for the show and lately so has been Riara.

I feel like almost eveyone loves the tension between those two and the writers know that. Also Rafe breaking up with Sofia- yea they’re definitely building up to some sort of storyline with Kiara and Rafe. The amount of people obsessed with Riara is insane and obv they have to give us something so..

Riara s5 is pretty much guaranteed.

3. I wanna talk about Sarah and John B- obviously a huge plot line will be their child. I don’t know if the child will be born at the end or during season 5. How I see it, I’m leaning more toward the end but we’ll see.

There’s not much else that can really happen with them. John b will also be in a revenge era since his best friend was killed and Sarah will definitely get closer with Rafe, that hug they shared was so cute and needed but otherwise I really don’t know! I doubt they’ll kill them off. I was thinking that the way John B narrates obx maybe that’s him in the future telling his child about their story? That would make sense honestly.

4. Pope and Cleo umm so. I honestly am not as interested in their story line and it’s interesting because I have no idea what they will do with them.

I think Pope might be kind of more cold in season 5- as we know he shot a person right in the head, and he was so scared about that. Also he lost JJ- his best friend and they want to send him to the military. Dude is not doing the best! 💀

Cleo.. I don’t know she’s such a complicated character, she went through a lot in her life but I doubt they’ll really expand her character in season 5.

5. Rafe!!!! His character development this season was insane. In my opinion he should stick with the pogues but I wouldn’t be surprised if he somehow betrayed them. That’s Rafe- he’s not a good person but I wouldn’t say he’s necessarily bad..

Like I already said in obx 5 there will be Rafe and Kie duo, and more of Sarah and Rafe for sure. But maybe he will connect with the other pogues too.

I just don’t want the development to be thrown away, I hope they make him stick with the pogues.

6. And now finally the ending/possible deaths.

The characters who in my opinions are most in danger are: Kiara and Rafe

Especially Kiara.. here’s the thing, since JJ is dead and she already went through the whole group 😭 what can her ending actually be? Like ok she could just end up alone with her friends, her family but in my opinion her death would make sense. She would be with JJ and I think in general it is a good end for her.

Rafe like i mentioned is a complicated character, it would be so easy for the writers to just kill him off at the end. But I would be honestly so mad!!! Like no JJ and no Rafe 😭. Yeah I don’t want them to do that but at the same time, I think there’s definitely a possibility.

Sarah and John B definitely safe in my opinion.

Cleo and Pope- now I don’t know, I think they’re safe. Maybe Cleo.. but still I don’t think so.

Groff- definitely done for! ❤️ I hope Kiara tortures him to death 🥰

[brucewaynehater101]

okay so in freaky Friday situations my brother and I always bring up the same four questions, so in the Bruce Tim swap

Do they know all the people in the others life?

what happens if someone tries to flirt with them well flipped

bathroom

why don’t they tell some people

do they learn anything really or did they just live in the others shoes

Hmm....

Do they know everybody in each other's lives??

Imma say no. Tim "what the fuck is adult supervision" Drake and Bruce "is at least two decades older" Wayne may both stalk the other, but they're also excellent at hiding shit from people. The best scenario for this is Bruce and Tim separately knowing the same person without knowing the other person knows them (and all the shenanigans that would cause).

Flirting while flipped

Hella uncomfortable for both of them due to the age gaps. However, you could have a hurt/comfort here where some creepy older person tries to flirt with Tim while Bruce is stuck in his body.

Bathroom

I'm not sure how uncomfortable this would be for the Bats in general. I presume they have seen each other in states of undress for injury purposes or just getting ready. It's not great, but probably less awkward than it would be for others? Highly debatable

Why would they not tell others?

Stubbornness, paranoia, pride, circumstances/inability [tons that can fall under this], or fear

Do they learn anything from switching bodies?

For sure. Someone can *describe* their experience, but it's never quite the same as *living* it. Keep in mind, however, that experiences shape perspective as much as actual perception. An interesting contrast would be then switching bodies and the other not being able to understand the other *even more.*

For example [not canon compliant]: Bruce, in Tim's body, feels the intense physical discomfort and anger whenever someone commands him to do something. Bruce doesn't understand why Tim wouldn't speak up about this or react as his body is telling him to. Tim, who's experienced his parents lecturing him many times for being angry, can not bring himself to express these emotions/feelings.

Intriguing questions ^^ Thank you ~

[lemonsrosesandlavender]

Honestly… I don’t think Rolan is interested in kids, or teaching to kids. He’s reading about the “alchemical qualities of blood” when you talk to him late game. He’s studying high-level magic.

He loves Cal and Lia because they’re his siblings, and they grew up together when he didn’t have a family of his own. I don’t think that means he is excited to hang out with kids at large, and he’s got a lot of traits that really aren’t conducive to it.

He doesn’t budge an inch for other people in conversations, tends to look down on others not in his immediate circle, uses long words constantly regardless of his audience (unless pissed off), and has an intensity about magic that means I don’t see him being interested in much else. He’s struggled so long to get to a place where his siblings are safe and he can simply sit and have all the time in the world to study magic.

He feels like an academic to me, the kind that wants to spend as much time as possible researching, and will explain a topic to you once without at all lowering the complexity of the explanation and then not understand why you didn't get it. And I don’t think he wants to talk about lower-level stuff, because it’s not interesting to him. He also learnt the basics of magic himself (being you know, a prodigy) and therefore can’t really get it when people don’t know the basics. That much is obvious; it’s all the higher-level stuff that comes after. We see him being super dismissive of others (“they don’t know any better”, "hogs waiting for the butcher's knife") and although I think he gets more decent about it, I suspect that streak remains; he’s a snob who likes the company of people who are capable of critical thinking and discussion.

He's also beyond shitty to the kids at Last Light. Yeah, he's grieving horribly but... ok, so what if something happens to Tav? Is he going to turn round and yell at their kids for it? (In character, honestly).

He also clearly sees the value of chosen family over biological. I can't see him prizing blood connections all of a sudden, when the only people he cares about in the world are his adopted siblings.

I like him as an uptight academic twat who stays rather sharp-edged even when he’s come to understand that helping and trusting others is important. And… you don’t need to love kids to do good in life (you do need to not being a dick to them though, Rolan, lmao). There’s so much you can do that doesn’t directly involve that - or indeed, large amounts of interaction with other people. He understands people are generally decent now… but my god if he has to spend a long time in conversation with most of them, he’ll be incredibly fed up. Appreciating the good from a distance is more his style.

[rita-repulsa-ke]

The many husbands of Agatha Harkness

The stranger cleared his throat, then said, “I have seen you around these parts for some time, yet never have I seen your husband.”

Rio snorted, murmured the word 'husband'.

“Oh,” Agatha said. "Ate him."

The normal fighting and flirting while they're still together dynamic. Agatha is tsundere, Rio would really like more romance. They're both very in love.

“Excuse me, good lady,” the man said, and that form of address was so inappropriate it took Agatha a moment to understand she was the one being spoken to. She stopped on the street, Rio, always a step behind, almost running into her.

“Yes?”

The stranger cleared his throat, then said, “I have seen you around these parts for some time, yet never have I seen your husband.”

Rio snorted, murmured the word 'husband'.

“Oh,” Agatha said. "Ate him.”

Rio burst into delighted giggles, while the stranger stared blankly at Agatha. “Excuse me?”

“The last one? I ate him. Baked him into a pie. Oh, don’t worry, I didn’t eat him all by myself. That would have been gluttonous. I split him with some friends.”

“The…last one?”

Agatha nodded, her tone still serious and sober, while peals of hysterics she was starting to suspect the stranger couldn’t hear at all happened directly next to her ear. He hadn’t looked at Rio once, she noted. “Time before that, I poisoned him, so he wasn’t fit for consumption. Shame, really. Had a lot of good meat on him. Learned my lesson from that one.”

The man had gone the color of bleached bone. “Oh. I—see. How many…?”

“Six. Is that all, good sir?” she smiled, a simpering, sickly-sweet smile. "Or were you perhaps wishing to spend some time with me, now that you know that I am naught but a poor widow, one who could use the company of a good, solidly built man?”

“N-no,” the man said. “Good day to you, madam.”

He sped past and Agatha watched him go, noting that it was probably best that Death didn’t need to breathe or she would have asphyxiated some time ago from laughter. “Lot of help you were,” she told Rio.

“I think you had it under control. Besides, how could I interrupt that?” the other woman said, then continued snickering, murmuring ‘six’ to herself.

Agatha couldn't stop the pleased smile that stretched across her face, listening to that. She reached out and took Rio’s hand in hers. ”Best to cut off that kind of thinking early. I wouldn’t want anyone imagining I am eligible.”

“You aren’t,” Rio agreed.

“Because I’m a busy witch who has no time for romance, of course,” she said, striding along until, predictably, her forward momentum was stopped by Rio suddenly anchoring her, refusing to go farther.

“…Ags,” she complained and now it was Agatha’s turn to snicker.

“Hmm?”

Arms wrapped around her from behind and she did hope Rio was still invisible or they would cause terrible scandal in this small town. Which was generally not a problem, but she had hoped to stay here for a few more days, until she finished what she was working on.

After that, they would likely be leaving quickly regardless.

"Stop that,” Death, the great equalizer, the final destination, whined in her ear. “It hurts my feelings.”

Agatha couldn’t stop her own laughter, tinged with cruelty. “So sensitive,” she mocked.

"Heeeey, Agatha,” Rio murmured. “Say something nice.”

“Something nice,” she said on autopilot, aware she was testing Death’s patience, not a good idea but always a thrill. She had to get her kicks somehow.

Rio groaned against her, nuzzled into her neck, which did make her lips part, her breathing get faster. "Beloved, sometimes…" she said, then trailed off.

"Hmm? Not going to finish that sentence?"

Rio's teeth pressed against her neck. "Do you really want me to? Reaaaaally?"

No, she really did not. Unfortunately, Agatha had a chronic inability to back down. She shrugged, pretending indifference. "Go ahead, then."

"Agatha Harkness, you are such a trial sometimes," Rio said, her tone flat. "You throw your contempt for our relationship in my face, and then when I dare to protest, you mock me for it."

Suddenly, this wasn’t even a little bit amusing. Agatha found she had gone cold, a spreading numbness starting at her fingertips and cascading up her arms. "…Rio," she protested. "You're taking this too seriously. You know what I'm like."

"Mmhmm. Cruel, callous, heartless, indifferent…"

"Yes, all right, that's enough," Agatha said quickly, not needing to find out how many adjectives Rio could list in that particular category. She suspected it was quite a lot. "You know I…"

"Hmm?"

"…am fond of you."

Rio laughed again, but this time it was less amused, a sound much closer to the shrieking of the damned. "Coward," Rio said, even as she nuzzled and mouthed Agatha's hair. "You love me. You adore me. I'm all you think about. That's what you meant to say?"

Sometimes Agatha would have liked to be able to stop and have a stern conversation with herself before she spoke. "I really don't think it is," she said.

Rio clicked her tongue in frustration. "Ags, come on. Why? Whyyyy?" Before Agatha could answer, she continued, "I know, I know, you've always got to be the one in charge. You've always got to win, you've got to be invulnerable, you can't admit you've got any weaknesses. You've got to push me away before I leave, so that you don't get hurt."

Agatha wished she were having this conversation somewhere other than the corner of a street in a dusty little village, looking like a madwoman talking to herself. Better yet, she wished she weren't having this conversation at all. "That's not…"

Rio squeezed her harder, pressing into the boning on her dress. "I'm not going, Ags. I'm never going. I'll never leave you."

"Once again pointing out that you say that like a threat."

Rio snickered against her ear. "Take it as you will, my love. I'll be with you until the end."

"And presumably beyond?"

"That, too," Rio agreed, her teeth scraping Agatha's earlobe.

Agatha sucked in a breath and continued to say all the wrong things. "What if I get bored of you?" She didn't look back as she said it, heart pounding in her chest.

Rio didn't answer that for long enough that the silence grated on her, so she kept talking, saying more things she suspected she would regret later. "I'm only saying, tastes change and life, especially my life, is long. I might want to try other flavors."

She couldn't actually imagine that would ever be the case. She had never thought herself the kind to fall in love at all. It was a terrible weakness, to love anyone that much, to trust that they wouldn't turn that love back on you, use it to bind you to a post and try to burn the life out of your body.

"Too bad," Rio said. "You're mine."

"Ah, so it has been a threat all along," Agatha said, but she couldn't keep the delighted smile off her face. She turned to face her lover, barely noticing that people were crossing the street to avoid her. None of those people mattered in the least.

"If you like," Rio agreed. "But you do love me, Agatha, even if you have to be a terrible chore about it."

"If you say things like that, my feelings will get hurt," Agatha simpered.

"What feelings," Rio said, looking at her with disdain, and Agatha burst into wild laughter, clapped her hands on either side of Death's face and met wide brown eyes, big enough to drown in.

"Rio, my heart," she purred, and delighted in how much wider those bottomless eyes could get. "I love you. I adore you. Stay with me all the way to the end and beyond."

"You're not getting out of it that easily," Rio said, but Agatha could tell from the way her lover's lips parted and her pupils dilated that she would win.

She always did, but it was a thrill every time.

"I really will look crazy if I kiss you here," she pointed out.

"Ags," Rio murmured from close enough to make Agatha ache with the desire to kiss her. "Do the thing."

"Which thin—oh. It's a waste of power—"

Rio's mouth firmed into a hard line and Agatha decided she might actually be risking Rio's patience running out. "Fine, fine, fine." She stirred her fingers through the air, a faint hint of purple energy spinning with them. "Sanctum mortem, venalis mortem, da locum."

"Such terrible Latin," Rio murmured, but she completed the ritual, green power intertwining with Agatha's, blending together to make something different than either of them. “Mortem das locum, mortem omnia."

"Not the point," Agatha said and let herself—

She'd invented this spell, but she still didn't understand it, not completely. She'd been experimenting with her power and Rio's one afternoon and stumbled on it. Teleportation was not an easy witch spell, so any kind of transportation was valuable. Unfortunately, this one did need both her and Rio's power, but she secretly found that just a touch romantic.

She fell through the earth. And they were out the other side, at the little garden Rio had planted outside their cottage and Rio tackled her, knocked her to the ground and kissed her, fierce and unrelenting as a tidal wave.

When they broke apart, Agatha gasping like a drowning woman coming up for air, Rio grabbed her by the shoulders. “Say it again.”

“I love you.”

“The other thing.”

Agatha swallowed. “…Stay with me.” Then, softer, uncomfortably honest, “Please stay with me.”

She flinched back from her own words, expecting mockery or triumph, Rio’s shrieking laugh filling the air.

Instead, Rio collapsed against her, deflating like a spent balloon. She nodded with her head buried against Agatha’s shoulder. “Forever.”

She swallowed, discomfited by where this conversation had gone. Emotional honesty was never her preferred arena. “Even though I’m a trial and a chore?“

“No matter what.”

“Why?” Agatha asked, then immediately regretted asking. Too vulnerable.

“Because, my sweet, of all the other things you are.”

Agatha felt her cheeks heat and didn’t press for clarification. “…Ah. Can we go inside now, instead of sitting in the dirt?”

“Yes.” Rio bounded to her feet, hauling Agatha up with her by the wrist, then stopped and studied her. “Promise not to bake me into a pie?”

“No promises,” Agatha said, bringing Rio’s hand to her lips, delighting in the unblinking way the other woman watched her do it.

“I’d let you, you know.”

“…Is that supposed to be romantic?” Agatha asked, letting Rio lead her inside.

“Isn’t it?”

”Every once in a while, darling, your facade of humanity slips completely.”

Rio glanced back, clearly pleased by the pet name. “Agatha, say it again. Tell me you love me.”

“Noooo. That’s enough of that for this epoch.”

Rio pivoted to stare at her with a hint of her previous exasperation. “Heartless,” she murmured with a shake of her head.

“That’s me,” Agatha agreed, then leaned up and brushed her lips softly across Death’s, enjoyed hearing her lover's breathing catch. “But you know you love it.”

Rio shook her head. “I tolerate it. I accept it. The price I pay to have the rest of you.”

“Yes, yes,” Agatha murmured, giving the other woman soft, sweet kisses that were slowly making Death, the final hour, the last goodbye, melt against her. She hooked her arm around Rio's waist and pressed a kiss to her jaw, which elicited a lovely whine. “But let me take you to bed and I promise by the end, you’ll be saying much nicer things about me.”

Rio nodded immediate agreement, which prompted Agatha to do what she always did, push her luck. “Say please,” she teased.

Rio’s fingers dug in with more force, almost painful. “I own a lot of knives,” she pointed out.

“You know what? That counts,” Agatha said hurriedly, nuzzling at the other woman's throat.

“Agatha. One more time. Say you love me.”

Agatha groaned. “Didn’t I just—“

Two fingers, surprisingly strong, guided her head up to meet Rio’s eyes. Death's mask had fallen away, and what stared back at Agatha was something utterly inhuman, a piece of the sacred balance given form.

“…Goddess, you’re beautiful,” Agatha said, cupping Death’s lifeless cheek, her thumb caressing bone. “I love you. You know that. Now please, please stop making me say it and come to bed, all right?”

Death broke into peals of hollow, bone-chilling laughter that slowly transitioned into Rio’s shrill giggles, and now it was Agatha’s turn to look exasperated. “Happy?” she asked.

“Yes. Will you ever get better at that, I wonder.”

“Think how concerned you would be if I did.”

“It’s true. I would worry about what magical entity had replaced the woman I love, to make her able to admit her feelings for me aloud more than once a millennia.”

Agatha disentangled from Rio's embrace and crossed her arms across her chest, trying to look intimidating. “I’m considering rescinding that offer to take you to bed.”

Rio only snorted, shaking her head. “You are not. How else would you flaunt your power over me?”

Agatha could never decide if it was terrifying or comforting, to be known like that, to have someone see her for who she truly was and choose not turn away.

“True enough,” she agreed. Her lips quirked in a crooked, twisting smile as she met Rio’s eyes and found that, for once, all she could see in them was her own reflection.

Good, she thought. Don't look away.

She turned and headed toward their bedroom, quirking her fingers to motion the other woman after her. “Come to bed, my heart. Let me make it all up to you.”

Rio sighed with something suspiciously like affection and followed Agatha. And, as always, Agatha did manage to more than make it up to her.

Want to read Rio running into Wanda? Try Death and the Scarlet Witch

Want to read a time Agatha tells Rio she loves her without even putting up a fight? Try the apple

Want to read about Agatha's feelings on Rio post-breakup, pre-show? Try rio stays