#I do hope I don't other anyone with this

[giantkillerjack]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

[plain-text version of this post can be found under the cut]

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

Plain-text version:

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

P.S. Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[ionomycin]

2023 favorites

[darkdragon768]

Various doodles of the Dorito Twins.

I just like to play with them like dolls and put them into situations.

[puppetmaster13u]

Prompt in Memes 6

Let's make it some in-world memes this time :)

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[sunnemona]

☆2024 has been so difficult for me, and i want to end the year off on a high note by thanking everyone who’s been there for me through it.

☆thank you for talking to me. thank you for listening to me talk to you in return. thank you for staying on vc with me to play games or talk or draw or cry together. thank you for keeping my secrets. thank you for telling me yours. thank you for the gifts you’ve given me. thank you for the advice you’ve offered when i needed help. thank you for the silly messages you've sent me unprompted—it is so joyous to be remembered when i’m not around. thank you for making me feel safe. thank you for letting me stay by your side. thank you for staying by mine.

☆the passage of time is so scary to me, i think. once things are over you can never get them back—all you can do is move forward and hold the memories close to your heart. thank you for the memories you’ve given me, i will treasure them eternally. i am so happy that we get to keep moving forward together, from one year into the next.

☆to kia, diggs, casey, and everyone in sweaties gang; to wewa and rei; to lorel; to eliza and mitsu; to wiz and corbell; to alex, nash, geddon, and paperd; to worm and goldie; to candy and ashe; to haze, mono, benji, and chasm; to my partners (sasha, robin, and keith); to steel; to michael, and to collie;

i am so grateful i know you. i am so grateful we exist here, at the same time, together. thank you for everything. i love you, i love you, i love you.

@dreemurr-skelememer @digglesgiggles @megaloserrr @lollipopz-shop @popiplant @aoartmthebitxh @s3-izures @otterbup @kuvlarstuff @heartstitched @thiccsys @b0tanicalb00ba @popiplant @rushroulett3 @wewawoomp @dagwmeno @onlyplatonicirl @elizakai @swiftmitsu @wizb1z @calciumdreams @psycho-chair @nashdoesstuff @unknownarmageddon @canine-teethed-sheets @fishfrypi @candy-cryptid @narrators1and2 @hazerun3 @monolite001 @bonejello @chasmbreach @xyriscomplanata @livinganime14 @paddinglily @corvidmellow @lambradire-art @hackrusty

♡

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 13 Dissection

Jesus CHRIST, the hits keep on coming (/pos). I don't think anyone could have predicted everything that came to light in this episode. But, hey, at least we're finally cooking on the murder method a bit more...?

SPOILERS for Danganronpa: Despair Time though Chapter 2 Episode 13! Also, CW: discussions of suicide.

Similarly to last time, I tried not to look at too many other people's major reactions/theories as to not influence my opinions as they were when I watched the episode. (Although I think I failed to do that more than last week...) Here's what this episode got me thinking about!

Genocide Jack, Junko, Mukuro, Peko, and Korekiyo:

On that note, though, this is... debatably relevant lore about Hope's Peak as it exists in DRDT? We know from Chapter 2 Episode 2 that Veronika (and likely all of the non-Terukos as well) don't remember Trigger Happy Havoc, and, based on this, it's likely that they don't remember much of the history of the old HPA either. Ace being so adamant that HPA wouldn't scout a murderer implies that the new HPA has fully regained its spotless reputation, potentially even more than the Tokyo school ever had.

I want you all to know that I tried to write out a little theory about whether or not Levi could have killed any plot-relevant characters here, but I came to a dead end at every venture. Levi killed Mai? No, he has no motive, and the murder happened before everyone attended Hope's Peak. Levi killed Elliot? No, Ellie was probably killed by dogs, and the timing is all wrong. Levi killed someone at the North C and Chariton incident? That didn't even happen. I was just getting that confused with my theories about what Xander might have done at that incident in FF's DRDT Milgram AU. Not even what actually happened in the AU. Just my theories on what might happen.

The only option I couldn't fully rule out was the idea that Levi killed some of the ~5 missing members of the altDRDT cast, but, holy shit, can you imagine how funny that would be? Teacher and the gang get to the sixth Class Trial and ask all dramatically, "so, what happened to the rest of our class that didn't make it to the killing game...?" and Monowhatever is just like "actually, Levi Fontana just straight up merced those dudes years ago." Hilarious.

Anyways. That goes to show that I do think these were just random guys, and the only specific relevance they would have is in the realm of Levi's backstory specifically.

RIP to the "Levi used to be an assassin" theory. I actually kinda liked that one myself.

(Also, hijacking this image to point out the background music here. You hear the ticking clock motif? Very suspicious indeed...)

Yup, even more confirmation that HPA highly valued having an incredibly pure and righteous image. Of course this HPA was also corrupt. Is it even possible to make an HPA without some level of corruption?

(Levi. My guy. I need you to use a different sprite; the quadruple image combo is starting to look ridiculous.)

What I find really interesting here is that, even in the realm of forgetting about murders, Levi remembers the three random guys before his father. Like, I know that Levi says that he kinda equally doesn't care about everyone (and I believe him to be telling the truth on that), but you would think that, just by virtue of having spent more time with his dad or the people around him's reactions, Levi would have remembered killing his father before offing three random thugs.

I don't know if this is meant to A) really drive the point home that Levi sees no difference between those he "knows" and those he doesn't; B) imply that Levi might have sustained some greater amount of trauma from killing his father that caused him to block that memory out more; C) suggest that killing the guys was more recent than killing his dad, which might lead him to remember it with more clarity; or D) some combination of the former three. However, I think it's an interesting detail to note.

The foils are foiling........

This was hilarious. And lowkey evidence that Nico was the one who tried to kill Ace.

You know, I actually almost made a theory once that the clauses "you're a murderer" and "you have no remorse" could be read as two separate secret statements! Not to say that Levi didn't have no remorse for the killing part, but that having no remorse was a state of being not solely tied to the murdering.

Alsoooo... just gonna say, Levi on Drawing Pins is looking better and better all the time...

Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

WE ARE BACK AT IT AGAIN!!! "GOOD PERSON" SPECIFICALLY IN THE LEVI/EDEN CONTEXT AAAAAAAAA

Beyond the further "good person" jumpscare, I found this line interesting due to how Eden describes Ace. Someone who "always pushed [Levi] away." Sounds a lot like Arei, huh? In fact, a lot of it sounds like Eden is applying it to herself.

"But I'm a good person. Why am I thinking these things when it's clearly not true? I'm so kind to everyone. I'm always helping others out, even when it'd be easier not to. Like that time Arei yelled at me. I kept trying to help her, even if she always pushed me away. Isn't that what "a good person" does?"

Obviously, I'm reading into this in the "Eden is the blackened" context, but I think that it's still an interesting read of Eden's mental state even if she isn't the blackened. We know that, to some extent, Eden blames herself for both Min and Arei's deaths. Therefore, despite likely feeling like she's fucked up, she wants to cling onto the idea that she's a good person so she doesn't lose faith in herself.

That leads into some super interesting parallels when it comes to this speech versus what Arei said, but I'll talk about that more once we get to the Arei monologue.

This week, acevi shippers take the L. Really, Levi x anyone shippers, but I think acevi shippers got the worst of it.

Except, they also took the W. "Ace lowkey confirms he once had feelings for Levi" was NOT on my bingo card. Or Star's.

(Also I LOVE this new sprite)

I saw some people talking about Ace's friend (Taylor?) but I do not remember and cannot find any information about this character (so I can't even tell if they're just fanmade :( ). If anyone knows what I'm talking about and has a link, please send it to me. Anyways, "insult to his memory" definitely makes it sound like Ace's friend is dead. I wonder if the way in which he died has anything to do with Ace's fear of horses/cowardice in general.

I want to see more Levi and Veronika interactions so bad. It's no surprise that Veronika was the first to pick up what Levi was putting down. Both of them don't have the "normal" way of processing their feelings and interacting with others, but while Levi has decided to try to be what society deems as "good" anyways, Veronika has decided to fully live by her own creed. I wonder if Levi could be at all convinced by Veronika to go back to his old ways.

Veronika: You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want.

I'm excited to see Levi and Nico interact too, obviously. I suppose Nico is kinda like the midpoint of Veronika and Levi-- doesn't understand people and wants the world to work the way they perceive it, but also has been bullied enough to feel forced to play along with how others want them to be. Characters like these have become some of my favorite archetypes to discuss. I'm so glad that DRDT has so many of them!!!

The foils are foiling AGAIN...

Why the fuck are you so pressed about the secrets now??? I thought you were all about privacy?????

Well, thank you for "confirming" that swap, ladies! This talk of a pact is very interesting, though. I guess Hu must have gone to Veronika pretty early to ensure that her secret wouldn't get out-- makes sense, as without that there's a good chance Hu could believe that Veronika would reveal her secret at the most unflattering time to create drama.

It does slightly recontextualize Veronika's "A little mystery makes this Trial more exciting, don't you think?", though. I wonder if that was just straight up a lie, or if that was the rationale Hu used to appeal to Veronika. I doubt we'll get a flashback of this scene now that this moment's passed, but I'd love to see it. FTEs...? 👀

David you have to stop this right now or you're going to become my new favorite character. Dude's been dying to don the mantle of the comic relief character, apparently.

Is The Motive Scoreboard Accurate?

I'm including this because I've seen some other people say that it is, specifically on Teruko's front. I strongly believe that this motive board is incorrect, and Teruko and Xander's secrets are swapped.

The blaming yourself secret mentions parentS and siblingS. Back in Chapter 1 Episode 4, Teruko says that she never knew her parents (and therefore may even just be assuming that she has two), and she only had one biological brother. Furthermore, she has no idea if they're dead or not. On the parents front, she could assume that being sent to an orphanage is confirmation enough that her parents are dead instead of just not wanting her. Being sent there with her older biological brother is a further implication of that.

However, Teruko specifically says that her brother "left with some other family." She makes no mention of believing he's dead at all. Therefore, for Teruko to have the secret she claims to have, Teruko would have to be constantly mourning parents and an additional sibling that she never knew, and to believe that all of them are dead despite having no reason to believe that her known brother died.

Obviously, all of these things were said aloud to Charles and Whit, so there is a possibility that Teruko lied about or concealed parts of her past to keep her walls up around those two. However, what does this face from David mean if not "I've caught you in my trap?"

(DRDT sprites are SO GOOD--)

To me, this sprite clearly indicates that David knows that Teruko is lying about something, but has chosen not to bring it up to save it for later purposes. I don't know if he has something specific in mind or just wants to hold the potential blackmail over her head, but I strongly suspect that we'll come back to this someday-- either in later daily life or a post-Trial scene in this chapter.

It's also interesting to note that, while David knows that this is Teruko's for sure, Charles and Whit also have the opportunity to recognize the discrepancy. I definitely wouldn't be surprised if Charles kept notes about what he knows about everyone somewhere. We'll have to see if either of them ask her about it down the road as well.

Eden: I know that she's dead!! I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again. But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends. If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope. Please! Tell me what happened last night between you and Arei!

Oh boy.

Can Eden Still Be the Culprit?

Look. I understand if you look at this and believe that Eden couldn't possibly be the culprit-- or at least, not without being a completely different character than we know her to be. Because I almost did. Zel's performance did a really good job of selling Eden's heartbreak in a way that makes it feel like she couldn't have possibly been the one to end Arei's life. However, upon further review, I do think that Eden's words could be that of the killer, with minimal levels of intentional manipulation thrown in.

If it would cause you emotional distress to listen to me continue to accuse Eden, I'll write the rest of this section in purple so that you can skip it if you'd like. I don't want to make anyone sad, so I fully understand if you want to avoid these bad vibes. However, for those of you who are still on the fence, and those who have stuck with Eden!culprit all along, here's my justification. I think it'll be easiest to break it down block by block.

Eden: I know that she's dead!!

Okay, well, maybe skipping this section a bit. More points for Arei truly being the one who's dead, I guess?

Eden: I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again.

Alright, so, this can fairly easily be read as the same thing as what Eden was doing back when she was talking to Levi: reassuring herself.

Well, maybe "reassuring" is the wrong word. Basically, she's repeating the same mantra that she told herself when she was trying to justify her decision to kill Arei. When making the decision to kill anyone, the killer (if they care) has to process that they will have to kill every other person in the game if they want to escape for themselves. Therefore, if Eden is the killer, she already had to grapple with the fact that she can't turn back time. ("You can't go back, no matter how hard you try.")

I think that Eden might have it in her head that, even if it wouldn't fully erase her wrongdoings, as long as she doesn't just forgive and forget the whole affair, it makes things slightly better. That's why she was yelling things like "You forgot about all the things you did just because you didn't face any consequences for them? That's incredibly selfish!" at Levi.

Feeling bad about things is her punishment to make sure that Arei is never fully forgotten. She knows that, if she goes through with killing, she'll never be able to talk with any of these people again. However, if there's something more important to her than these 13 lives that she has to escape the killing game to reach, it's a consequence she'll have to accept. She knows it's selfish-- but she at least won't be so selfish as to also forget everyone else's sacrifice.

Eden: But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends.

This is probably the part that feels the most damning. Why would Eden care about whether or not Arei was trying to become a good person if Eden is the one who killed her? Wouldn't it be better for Eden if she wasn't?

Well, that's what Eden is trying to figure out, too. In Venus' Narrative Defense of Eden Culprit Theory, Venus says that Eden didn't believe that Arei actually changed and wanted to be her friend. And, it really makes complete sense if she didn't-- Eden had no idea that David and Teruko continued to talk so seriously with Arei after her departure, and Arei saving Eden from Arturo literally happened the same day that Arei had her breakdown. It had probably been, like, 4 hours since Arei chewed her out for her worldview being stupid, and then Arei's suddenly turning around and declaring that she wants to protect Eden at all costs. Of course Eden might just believe that Arei was setting her up for a fall! (Murder pun not intended.)

Venus also adds that, at this point in the Trial, David knew something that Eden didn't: namely, that Arei actually wanted to change, and saw Eden as her inspiration for doing so. Under the assumption that that revelation has been bothering Eden the whole time, it makes perfect sense that Eden would want to know more about what David knew about Arei. She needs to know exactly how terrible she needs to feel for doing this terrible thing.

I think the quote becomes a lot less defendable if you just swap out the "that" for an "if."

"But even then... I have to know if when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends."

Now, obviously, you could say that this is an unfair point-- Eden didn't say "if," she said, "that"! How can you excuse Eden based off of evidence that isn't actually real?

My point is that, even if DRDTdev didn't have Eden phrase it that way, it would be an incredibly easy swap to make. Thus, the only way in which Eden would have to be lying is to swap out one word. With that one word, "if," we see how she's still doubting whether Arei really was trying to be a good person, and can read into why she's bringing that up at this time. To disguise it, all Eden has to do is trade "if" for "that"-- she doesn't have to be some masterful lying manipulator to pull off a quick exchange that makes her look more innocent.

Eden: If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope.

Eden needs the truth so that she can know how despicable she actually is (in her opinion). She needs to know how bad she needs to feel for taking Arei's life, so that she won't wind up as "inhuman" as Levi.

I also think that "tell me that you didn't make Arei lose hope" could be interpreted in a killer-ish way. There is a rhetorical device in English that sorta turns words like that on their head. Like, if I said, "don't tell me you spoiled DRDT for all of your followers!," it's often interpreted as "I know that you did spoil DRDT for all of your followers, but I don't want to hear it." In this case, Eden might not want David to tell her that he made Arei lose hope because she doesn't want to believe that Arei had any hope in the first place. It's better than if Eden was the one to directly crush those hopes, sure, but if Arei approached David talking about wanting to be a better person mere hours before her death, that still means that Eden was killing a hopeful Arei. She doesn't want David to confirm her worst fears.

I don't know if I phrased that section exactly how I imagined it in my mind, but hopefully you understand what I'm getting at.

Eden: Please! Tell me what happened last night between you and Arei!

In the end, though, Eden knows that she has to face the music to figure out how she wants to proceed with this trial, whether that's sinking the cost of her fallacy or owning up to her crime. And that's how I think you can justify this outburst of Eden's within the context of her being the blackened, without having to fully corrupt her character.

What Arei Meant

This part isn't a theory, exactly; it's more of an analysis of the point I think Arei was trying to convey in this section. I've seen some people be sad about the new note that Arei's character is "going out" on, but I actually think that this is a pretty realistic, thematic ending for where Arei's story and the themes of the chapter are headed. Time to praise DRDTdev's writing for a bit!

Arei: I'm a manipulative, two-faced bitch. I pretend to be cute so that I can treat others like trash. I only care about myself, and I always hurt others for selfish and stupid reasons. Of course I wanted to change myself. [...] Still, for the longest time, I thought it was stupid to even try. I'm rotten to the core, and I might as well be a different species from saints like you and Eden. [...] No matter what, I'll never be a good person. And yet, despite all that... David, you... It turns out that you might be a total piece of shit after all. If even a perfect inspirational speaker like you turns out to be an asshole, then there's no such thing as "a good person." [...] And that makes me relieved, because it means I'm not too far gone. It's okay that I'll never be a good person, because no one else can be either.

I don't think that Arei is saying that the world is a lost cause.

Instead, she's saying that no one is a lost cause. She's applying that Syndrome logic: "if everyone is a bad person, no one will be." Arei thought that, because of her upbringing, there was no possibility that she could ever Be Good, because she'd already done too much wrong. Good People are perfect, unerring gods who do nothing but help others and reach out to wayward souls. However, David's manipulations proved that that wasn't true.

Good People fuck up. Good People do good things for bad reasons, and bad things for good reasons, and, hell, if David is a Good Person, then Good People do bad things for bad reasons sometimes, too! Arei confessed to us that she felt like her life was over because she was given an unfair start. However, now she knows that the bar has been lowered, and that being a good person can be done by anyone, anywhere, at any time. Perfection doesn't exist. Now that she knows that there was never any need to be perfect, the chance she sought for so long has finally been granted.

(Dipping back into purple for a sec to talk about Eden culprit stuff)

After this, I feel like the theme of this chapter has to be about deconstructing the myth of "The Good Person." You think that Nico is just a soft and shy bullying victim? No, they're just as willing to kill as anyone else. You think that Hu is a gracious motherly figure? No, she has an angry streak and talks over other people. You think that Levi is a softhearted giant who just struggles with what to say sometimes? His kill count is higher than everyone who's died to the killing game so far, and he doesn't really care that that's the case. You think that Whit is just a silly guy who cares about others? Fuck, even he's willing to stall out the trial in an attempt to fulfill his own agenda.

The main person who hasn't yet been proven so be not as good as they seem so far is Eden, who in this episode has been clinging to the idea of being a good person harder than ever. I know that some people believe that Eden needs to survive to fulfill the role of the optimist, but I feel like this episode proves that that isn't true. We don't need A Hopeful Person because anyone can step up to the plate and believe in hope if they want to do so. Eden isn't A Good Person, but a real person, who's just as capable of laughing and crying and living and dying as anyone else.

A good person is not gold. That's why everyone who tried to cling to the idea that they were being A Good Person-- Xander, David, Levi-- has always wound up hurting others in the end. Xander believed his actions were morally justified, and thus decided to kill Teruko, causing Min's death and lots of anguish for Teruko. David wanted to follow in his footsteps, and beyond his inspirational speaker persona causing damage to himself, he was also about to kill everyone else to do "what's right." Levi (Arei pending) hasn't killed anyone since trying to become A Good Person, but pretending to follow those guidelines without actually wanting to change anything about himself emotionally hurt Ace, who was set up with false expectations.

If Eden is so convinced that she's a good person, she's only blinding herself to the ways that she's inevitably not.

Back to Arei, while it is sad that her development was cut off just as she made this revelation, I believe that clarifying this additional bit of content is a way to allow her to rest in peace. Even if she didn't get to transform as much as she wanted to, she at least got to die knowing that she wasn't as wretched as she convinced herself that she was all these years, and having done at least one good thing-- saving Eden from Arturo-- before she passed. It's an amazing character arc to squeeze in for your second victim.

Phew, finally, a chance to talk about objective lore instead of heavy and divisive character themes! Except, uh...

WHAT THE FUCK???

Remember when, at the beginning, I said that no one could have predicted everything that came to light in this episode? This was the main point I was talking about. I don't think anyone saw this reveal coming, especially in this moment.

For starters, even though this CG does appear in David's memories, I don't think that he or Arei actually remembers whatever this was taking place. Beyond me attempting to debunk the idea that David had additional memories of Hope's Peak last week, Arei or David specifically referring to this moment means that they had to... be there? When whatever this was happened?

I say "whatever this was" to briefly create suspense before connecting the dots everyone's already talked about: that Eden was probably the one to scratch out Xander's eye. This would make Eden the "she" that Xander (er, I mean, "the guy with the bloody hands") talks about in the intro scene.

It also gives some more context to the clock with the fork stabbed into it depicted in LGI.

I don't know if "non-functional" and "I didn't expect her to" mean that Eden could have been brainwashed or otherwise broken down into not acting like herself when this happened, but it certainly seems out of character for what we know of Eden. Even her facial expression seems to suggest that she might not have wanted or intended to attack anyone with that fork.

Anyways, for Arei or David to know about the contents of that CG, they would've had to both be there when Eden attacked Xander and then also have regained/had their memories of it, which seems unlikely given how both of them treat Eden. Like, even if Arei is sure that Eden "did something to hurt someone in the past," this seems a bit extreme, and David probably wouldn't be so neutral on her if he knew that she attacked his man.

Another really clever point that I saw someone make (AND THEN COULDN'T TRACK DOWN WHO OR IN WHICH POST IT WAS--) was that Eden is wearing her current outfit in this CG. Interestingly, I looked back at A History of Hope's Peak and Visiting Graves to see what Min and Xander were wearing, and while Min was wearing her typical killing game uniform, Xander was wearing something different. Given that Min's scene takes place in HPA and Xander's doesn't, this could imply that Min was wearing the HPA uniform? That's fitting, for her.

We also know that the DRDT cast were all wearing these outfits believing that they were headed for the HPA entrance ceremony. Therefore, we know that Eden would wear this getup to school, but we don't know if she'd wear it elsewhere. Once again, assuming it was Xander who got forked, we can place this CG some time between Visiting Graves and the start of the killing game. I have a hunch that Visiting Graves might have taken place during HPA's spring break-- in A History, Min and Mai (er, I mean, "Unnamed Student") are at school studying for a test with "Spring Break next week" on the chalkboard, while in Visiting Graves, Mai and Xander have traveled elsewhere-- but that's not confirmed, so we can't lock it down.

Maybe we can get more information about this in Eden's bonus episode! Because, well, I at least do think that most of the mysteries of this CG could be solved within a bonus episode and/or other characters talking about her posthumously in later chapters. Again, I understand if you want to use this CG as evidence that Eden is important enough to need to stick around, though.

AREI I MISS YOUUUUUUUUUU

Also, I didn't catch this at all, but credit to everyone who noticed how similar this scene is to the "Diana Chiem" scene in LGI! Fascinating implications that I have no additional thoughts on at the moment. Mostly because we don't know shit about Diana, if that even is her who's portrayed in that CG. I'm sure I'll come back to this someday, just not right now.

Oh, and I don't think you can really argue that Ace made up this conversation anymore. Idk how much of it he stuck around to listen to, though.

See like why is she so pressed about it???

I'd like to say that this is a win for Whit not being the mastermind (because he doesn't seem to know what MonoTV is talking about), but he could probably just be going "why are you saying that at this time?" or something like that. Sigh (/j)

Why Does Whit Know So Much About Hanging?

Alright, so, obviously, this could be a super-suspect hint that Whit knows all of this stuff about hanging and therefore decided to use that knowledge to kill Arei. But, I don't care about that! What I don't understand is how Whit came to know all of this in the first place!

Well, after a quick review, there's one option that stands out more than all the others: Whit's mom was killed by hanging, likely self-inflicted. The only thing we "know" about Whit's mom dying (assuming that secret really is his) is that she is dead, and Whit omits it. It's phrased pretty vaguely. We also know that Whit thinks his mom is awesome, but that doesn't tell us anything about how she saw herself. Sadly, I think this lines up all too well.

Whit's main character flaw, as we've seen throughout the story so far, is ignoring things that stress him out or make him sad. He represses, and chooses not to get involved in others' fights because it's "not his business." It would make sense if the same extended to what he was like before the killing game. If Whit always chooses to ignore things that worry him, there's a possibility he blames himself for his mom's death via not paying enough attention to any warning signs that her mental state might have gotten so dire. Of course, if repression runs in the family, she might have been doing her best to not make it obvious as well.

So, even though he hates himself for not giving his mom enough support in her darkest hour, he still can't (yet) make any changes in his life because ignorance is the only way he knows how to cope. Yet, he still won't let himself pass up on helping another soul in clear need of support, like Charles panicking over the blood, or Eden suffering over seeing Arei's body. He can push himself to help others that are sad, as long as he never focuses on himself.

Or, he's the time loop mastermind who's heard Class Trials discuss hanging a billion times before. You never know with this guy.

CONGRATS TO FF AND BADJOE FOR BEING THE SMARTEST PEOPLE IN THE WORLD!!! 🎉🎉🎉🎉 Man, even seeing Teruko explain this mechanism as the truth, I still don't know if I would've been able to come up with it myself. This fandom is so smart :D

(Also, why was Whit a dog? Goddammit, is this more MonoTV coding?! /lh)

FUCK YES, WE'RE ACTUALLY GOING TO GET ANSWERS ABOUT THE GYM MURDER IN THIS TRIAL? HALLELUJAH! IT'S ABOUT TO BE T A P E T I M E, MOTHERFUCKERS! (/j)

Phew, barely squeaked it within 30 images! I'm impressed and amazed that DRDTdev keeps managing to make such gripping episodes week after week.

Get it? Gripping? Like grippy tape?

I'd apologize, but you're almost certainly going to hear more of that from me next week. Until then!

[necrotic-nephilim]

for the ask game (1)

au where bruce is attracted to his robins and batgirls. he tries not to think about it or act on it, but it's getting more difficult with every new member of his team he acquires. does anyone know? do the robins and batgirls notice his weird behavior? what do they do about it? do they ever find out the truth? who would think it's terrible and who would find it strangely hot/comforting/nice? does bruce ever act on his feelings?

for the ask game!

oh my GOD do i have thoughts for AUs like this, i love this shit so dearly, dirtybadwrong Bruce who's trying to keep a lid on it my beloved.

i think the fun of this AU is if characters would notice Bruce lusting for themselves vs would they notice Bruce lusting for a different Robin/Batgirl. like does Dick pick up on it when it's just him and Bruce? no, because it's just. him and Bruce. he and Bruce are weird and complicated and hold endless bounds of nuance. that's just How Bruce Is, and Dick is the "test run", in a sense. he knows Bruce is new to this whole sidekick/family thing and is giving Bruce grace for being rough around the edges. but when Bruce starts looking at Jason or Tim or Cass that way, that's when Dick starts to notice. it's never enough of a suspicion he feels justified to bring it up, but the thought lingers. he's hyperaware and grows less and less comfortable with leaving them alone with Bruce. it's a weird game of chicken, Dick and Bruce staring each other down when Bruce's touch lingers too long. each waiting for the other to say something first. if Bruce ever broke and actually acted on his feelings, Dick would be eaten alive by the guilt of knowing something was up, but never saying something until it was too late.

obviously, Cass would know. there's no world where Cass *doesn't* know, the nature of who and what she is would immediately clock it. but the issue is, Cass doesn't have a good framework of what family looks like. she doesn't really understand familial vs romantic love bc she has no firsthand experience of what a parent's love should even look like. so she never calls it out. she just watches. i'm a fan of Cass believing this is normal and believing she too can express and act on attraction that's vaguely incestuous. maybe it's with Babs, maybe it's with Dick or Tim or Bruce himself. but she recognizes this as Normal and Accepted within the Batfamily, so it severely fucks up her understanding of familial love and i just. man it's my favorite thing about Cass in Batcest honestly, is how you can play with her lack of experience with love, boundaries, and sexuality.

Tim is the fun one for me. because my favorite flavor of BruTim is when Tim knows, as he agrees to be Robin, that there's a non-zero chance that Bruce is going to be Weird and agrees anyway because he's decided it's an acceptable risk. so Tim knows from the get-go because he's expecting it. if Bruce acts on his attraction, i think it's either with Tim or Cass first, because they're the most likely to confront him about it in a way that isn't entirely negative. Tim has accepted it's a possibility and Cass just seeks being loved and touched so. it leads to the first time someone's ever confronted Bruce about it. and the thing is, Bruce really doesn't like confrontation about his flaws. the first time Tim tries to imply he's okay with it, Bruce would lash out at the idea, tell Tim how inappropriate that is and benches Tim for a week. it'd probably take a united front from Cass and Tim to get Bruce to even *admit* to the attraction. still Bruce wouldn't allow it to happen and he brushes them off until finally, the dam breaks. it's fun if there's a cause like sex pollen, but i think it's *more* fun if it's just. a random fucking Tuesday and finally Bruce is at his limit. he has no real reason, there's nothing particularly different about that day's routine. he just sees Tim or Cass striping armor and sighs and gives in.

i don't think Steph, Jason, or Babs would notice until anything substantial happened. not because they're not wicked smart, but just because none of them were looking for it. Jason put Bruce on a pedestal when he was alive, and when he came back from the dead he wasn't close enough to be noticing Bruce's interpersonal dynamics outside of his narrow scope. Steph has no real framework for what healthy fatherhood looks like, so if Bruce's touches linger, if he stares too long, she just shrugs and assumes it's how it is. and Babs was just never quite close enough to Bruce to notice. if and when she notices, is when actual sexual things start to happen between Cass and Bruce. because Cass would see no reason to hide it. Babs would be pissed, but it'd be tricky to navigate. Cass would be an adult, even if she's only 18/19, so technically, she's old enough to be consenting. if nothing else, Bruce is a careful man. even when he breaks and gives in to his desires, he covers his tracks well. he makes sure he has enthusiastic consent and there's no legal recourse that could be taken. age of consent and all that. there's not much Babs can *do* other than try to tell Cass (and/or Tim) that this isn't normal or okay. not that it gets her anywhere, but god would she try.

by the time Duke comes along (if we venture out of the pre-Flashpoint era) i think it's a sort of. open secret, in the Batfamily. talked about in nothing but hushed whispers and knowing glances. at some point, they've all had sex with Bruce, caving all for different reasons. some more than others. Tim sees it as a duty, Cass sees it as a way of seeking comfort, Steph sees it as getting Bruce's approval for once, etc. it's never forced on them, but eventually, they all come to Bruce sooner or later. and that's the fun irony of it, i think. they try to convince the others not to, but would go to Bruce on their own well. because complicated reasons they can't put into words. sometimes, Bruce is just a messy man who doesn't realize how prized his Attention to for the rest of the Batfamily. that weird duality of not liking him, but also wanting desperately for him to like you. all of them have dealt with it, at some point. so for Duke, it takes a while for him to understand this... whole dynamic. it's Cass who tries to explain it to him, and he's a little horrified, a lot confused. especially when Bruce starts staring at him a little too long as well. i think he'd only want to watch first but well. they all cave eventually.

also fun bonus if we venture into the Dark Knight Returns universe for my bestest girl Carrie Kelley: there's such a like, "i'm fucking around and i'm finding out" vibe to Carrie. like Tim, she's very proactive in just. deciding she's going to be Robin and she's ready for whatever that entails. (IMO canon Carrie is closer to fanon Tim than canon Tim is but *that* deserves its own post-) like she takes one look at the old man that is Batman and goes yup. he's never fucking getting rid of me now. if Bruce started having weird feelings about her, i think she'd have *fun* with it. she's decided she's in it for the long haul and for whatever being Robin means so. she's almost teasing about it, seeing how hard she can push before Bruce snaps. since it's an older, gruffer Bruce, i think he'd express open annoyance at it first, almost a sort of banter about how Carrie behave. but of course he caves and Carrie leans into it, because there's a fun in having all of Bruce's attention to herself. in the main timeline, Bruce is pretty split with so many Robins and Batgirls, but during their era, it's *just* her and him and she's very proud she's got him all to herself.

[kaontic]

“I'm headin' in for repairs!”

“I'll shadow you back!”

One of my fav G1 moments, even if I read too much into it.

[whenyoulosesmallmind]

Nicklas Bäckström & the Washington Capitals (+ nickeovi) ― Immortality, Clare Harner | insp.

credits: x. x. x. x. x. x. x. x. x. x.

[ilovedthestars]

joy is good actually! hope is good actually! even when (ESPECIALLY when) horrible things are happening in the world! because we need hope and joy to give us energy to keep going, and keep working towards a better world!

please try with me to be joyful and hopeful. i know it's hard right now, but it is worth the effort. you taking on the guilt of all the world's ills does absolutely nothing to make them go away. and even if you can't do anything to tangibly improve anyone else's life right now, if you don't have the means or the power or the spoons, the world will be better if you are happy than if you are miserable.

in the words of Ursula Vernon, your misery does not improve the world a single iota. in the words of Mary Oliver, you do not have to walk on your knees for a hundred miles through the desert repenting. in the words of Wislawa Szymborska, forgive me, distant wars, for bringing flowers home.

so please, bring flowers home. please, let the soft animal of your body love what it loves. please, stop doomscrolling because anxiety is not activism and if you don't have the spoons for activism right now then you might as well do something that doesn't make you miserable. find something joyful and try to share it with the people around you. hold on to hope. repeat after me: we're gonna get through this.

[amelia-yap]

Hi, how is college fairing?

it's been a little frustrating but otherwise mostly alright, thanks for asking! hope you're having a nice dayyy

[mashed-potato101]

Praying to Twst gods to make Yuu in Book 4 and other books in manga to be POC/Middle Eastern and Book 5 manga to be a drag queen or a male yuu who does Vogue

[burningcheese-merchant]

Honestly I don’t understand the hate behind “toxic” ships in fiction, I personally couldn’t care less what people ship as long as it’s entirely fictional and they aren’t condoning the actions of the characters. Sure I’ll still block someone if their ships make me uncomfortable, but I have a “ship and let ship” type of view on these things.

Exactly. I'm just SO tired and so done with this shit. The Cookie Run fandom has always been shit to some degree, since CROB first came out, but CRK brought in whole legions of people who haven't seen grass in years and it's just sad at this point lol. So long as they're both adults (ZERO tolerance for adult/minor ships at all times, fuck that shit), why does it matter? It's fiction. No one is being harmed. Explore whatever concept or dynamic you wish. Wholesome, toxic, everything in between. Just remember to maintain a healthy level of detachment from it all; don't get mad if people don't ship the same ships you do, don't get wrapped up in discourse or arguing or anything. Doesn't do anyone any good, including you and me.

There are plenty of ships I don't like (in general, even outside of Cookie Run). I am anti-FireWind and always will be. ShadowSpice makes less than zero sense to me, like wtf are you people on about lol. Hollytaya gives me rabies and I hate remembering it exists (God I hate Hollytaya so fucking much it is absolutely unreal lmao). Guess what? I block the ship tags and go about my business. I don't go out of my way to look for ship art or fics, nor do I bother people who ship any of those (or any other ships I don't like). I have friends and acquaintances that ship these three that I've listed, and I don't think any less of them for it. It's all good in the neighborhood. All shipping is at the end of the day is playing dollhouse. Getting mad at people for playing with the dolls in the "wrong" way is dumb and pathetic lol. Live and let live. Hate the ship, not the shipper.

Just don't call me names. Don't accuse me of terrible things because I like hero/villain ships, the enemies to lovers trope, and/or exploring darker topics or relationships in writing. It's FICTION. No fucking shit that stuff is wrong and I don't condone it irl, the fuck is wrong with you? What kind of person do you take me (or anyone else like me) for? I get so goddamn irritated with the shit I see getting hurled at Beast x Ancient shippers regularly, especially on Twitter. People get harassed, people get outright doxed and threatened. All that over fictional talking cookies? You're the ones who need help, not us lol. You don't have to like BurningCheese, you don't have to like Beasts x Ancients, you don't have to like Heroes x Villains at all. That is perfectly understandable, that trope is not for everyone. But don't do that shit. Don't call us misogynists, or abusers, or anything else like that. Those are serious and damning accusations. You've got a lot of nerve saying that to people you don't even fucking know, especially from behind the comfort and safety of a computer screen. Frankly, you cheapen what those horrible things really mean by hurling them at random strangers so carelessly. You think words in a document or lines on a screen compares to real-world violence against innocent people? You think because I toy with the concept of some little buff spicy cookie dude having an evil crush on a little winged cookie lady, I want real people to be harmed? Fuck you for that. I am VERY familiar with the horrors of violent crime, BELIEVE ME WHEN I FUCKING SAY THAT. I hate bad people as much as the next guy, probably more so, because again, I AND MANY I KNOW PERSONALLY HAVE SEEN SHIT IRL, SO DON'T FUCKING COME AND TELL ME I ENDORSE REAL CRIMES WHEN I AM THE LAST PERSON ON EARTH WHO WOULD. Fiction allows us to bask in the light or be engulfed by shadows as much as we wish, while being able to safely disengage and return to real life without any pain or discomfort being inflicted on ourselves or others afterwards. All of this morality and media-enjoyment policing is just the newest incarnation of the fundies that tried to paint Pokemon as satanic, or those pearl-clutching dipshits on the news and in government that insisted that people would become carjacking homicidal maniacs because they play Grand Theft Auto. It's fucking stupid and a waste of time.

I'll say it one more time: YOU. DO. NOT. HAVE. TO. SHIP. BURNINGCHEESE. OR. ANY. OTHER. BEAST X ANCIENT PAIRS. You are entitled to your thoughts and feelings and ships. Block the tags and move along. Block users if you have to. Better yet, turn off your computer and go spend time with real people. There's more to life than Twitter or Tumblr or these wack ass games about cookies, I promise. None of this matters, man. I have a Bill Cipher plushie as my avatar. I post silly dumb memes half the time, and then just ramble nonsensically about Evil Spice Man x Pretty Cheese Lady the other half. This shit is stupid. We're all stupid for liking these games in the first place. They suck. We all suck. Write what you want, draw what you want, mind your own damn business and I'll mind mine

[fireheartedpup]

I'm just gonna say it. Almost every time someone posts a pic, all excited because they got to meet their favorite actor, I feel more and more isolated from Baldur's Gate 3 community.

I've tried my best to share factual information about covid. I don't really understand how people are missing it, because it wasn't that hard for me to find. I just follow people who are sharing relevant information, and they're paying attention to the data.

They're still actively tracking what they can, in spite of the fact that major governments have simply stopped supporting research on a virus that is still just as disabling as it was from the start.

And 99% of this community can't even wear a mask.

It wouldn't be that hard to incorporate it. Just add a bandana that's an appropriate color and call it an accessory. It's not the best protection ever, but it's better than nothing.

Dave got covid and no one cares. Oh, people said they hope he'll get well soon, but with covid there's no guarantee that he'll ever get it out of his system at all. It's a latent virus, like mono.

We know that chicken pox eventually morphs into shingles. We have no idea what covid is going to do in the long term. It's surprised the experts from the very beginning, because they haven't encountered anything like it.

Dave was face to face with so many people at that con. He probably passed on the virus to pretty much everyone who met him that day.

Yet there's no talk about safety precautions. There's no talk about providing air purifiers foe meet and greet tables or masking up so that we can prevent this from happening again. He had to miss the awards ceremony, something that's only going to happen once, because he didn't take precautions. And he's damn fortunate if that's the only thing it knocks him out of.

Covid is a direct threat to their careers. It affects the lungs, and can make it hard to breathe. Permanently. This would make voice acting harder. It can give you a persistent cough. This also makes voice acting harder. It can make you so tired on a daily basis that you can't think or even sit up, which means that they won't be able to work at all.

And yet they don't care. There's absolutely no sign of any precautions whatsoever. And fans keep saying, look! I met them!

I share the posts because I'm happy for everyone, but I see people who are passing around a virus like a game of hot potato when i look at those photos.

It's extremely demoralizing. I can't even enjoy the things I love without getting reminded that most of the fandom doesn't care about the health or safety of other fans.

This isn't just fear mongering, this is epidemiology. This is how viruses work. This is how covid works. Ignoring it and pretending everything is fine doesn't make it go away.