#I do actually need to rewatch

[shiniestcrow]

I need to rewatch Leverage

<- has not finished watching Leverage

[nerdyfangirlingbooks]

"I can't stand by and watch him die" "Then don't look" is too raw a line to come from bbc merlin

[spacedlexi]

wanted to draw something new today :)

[altruistic-meme]

im sitting here wondering how the ADA would react to skks dynamic in canon. cus like..... I don't think ANYONE from the ADA has ever actually seen Dazai and Chuuya in the same room. and the way Dazai talks to and teases Chuuya is SO DIFFERENT than how he behaves with the people at the ADA that I feel like they'd get fucking whiplash from it.

[maalidoesart]

me and the devil

[dandelion-roots]

[ID: a digital drawing of Sandra Lynn and Fig from Fantasy High. They're sitting on the roof of the hangvan at night and sharing cloves and a flask of whiskey. They're leaning on Baxter. The sky is clear and the stars visible. End ID]

[forged-in-kaoss]

Episode 110 vs episode 1100

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[bunnieswithknives]

AGHHhhh I swore off Inanimate Insanity after the Cabby disrespect but then I heard they were KILLING PEOPLE IN THE FINALLE???? I want to rewatch the season before I draw anything serious but Oh my god the plot twist makes me feral

[moongothic]

Madoka is the promise you won't turn from a child, full of hopes and dreams and the wish to save the world, into a bitter adult who just wants to hurt others and ruin people's lives

Madoka promised to be there for you to remind you of the person you wanted to be and to stop you from becoming what you sought to destroy

Madoka made that promise and became the very embodiment of it

[swordsofsaturn]

early seasons spn homophobia is actually so crazy because they literally do not look gay. hamfisted gay jokes when the characters look straight as hell. "you look the type" they literally don't. is the thing

[devils-yui]

Rewatching TFA, for the hundredth time in a row, and I've got to say. I used to think Sari was, kind of annoying, during my first initial watch and sometimes. The things she does makes me go wide-eyed and gripping at the screen going, "WHAT ARE YOU DOING!?"

But then now, as I'm rewatching it hundreds of times over. I have to physically remind myself that she is a child.

And not only that, but she was a child that was BARELY raised properly. She didn't have other children to socialize around, she had a robot teacher, a robot dog companion, and her occasionally in her life father who was busy manufacturing robots, entertaining the ideas of tours and etcetera.

So maybe, yes. I can definitely understand why she does rash things, and act the way she does. I understand why she's seen as a social outcast amongst other groups of kids (like in the show, ON HER BIRTHDAY).

And I'm not as mad as her, as anybody should be for a child who was raised/taught the wrong things or having not been taught at all.

However...

THIS GUY.

IS A WHOLE 'NOTHER CASE.

I JUST WANNA-

[cherie-luvv]

Thomas finds Newt’s letter, but it’s different from the movie…

Dear Thomas,

If you ever receive this letter, I want you to know that I’ll miss you. So much.

I’ll miss those eyes who look at me like I’m everything, even if I feel like I’m not worth anything.

Oh Tommy, I was just starting to feel like everything was going to be okay, and I guess that is just impossible for me, but dreaming of a future with you was what kept me going all this time. We wouldn’t have a normal life, no, but it would be okay as long as you were in it. When I’m with you, the world makes sense, but i don’t have a place in this one. Maybe in another I’ll see you again.

Please don’t cry for me. I’m not scared, I’m as peaceful as I will ever be.

Take care of everyone for me, and take care of yourself Tommy, you deserve to be happy.

Thank you for being my friend, and my reason to live.

Goodbye mate,

Newt

[sarumint]

show me rock..

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[pynkhues]

I will die on the hill actually that Grace was a good sister, and it's Louis, not her, who killed that relationship.