#I didn't add piss

[roses-and-revolutions]

DC x DP Idea

After several years, Danny and Damian meet each other again at a gala. But there was no heartfelt reunion since the moment they led eyes on each other it was all-out war. Damian takes out a sword from somewhere and Danny just starts throwing hands.

The fighting is intense, and blood is being spilled (what are those glowing green specks?). They are screaming at each other in Arabic as it's easier to slip back to your mother tongue when in rage right? This makes the fight more personal.

Most people don't understand what they're saying but those who do look at the boys then Bruce. Bruce then back to the boys again. Like B, we know you're stupid but you fucked this person twice.... did you NOT see the red flags the SECOND TIME!?!?

The fight ends with Damian on the ground with the sword grazing his neck. He looks up to Danyal with the fear of god in his eyes, knowing that with one swift movement, he'll be dead on the dance floor. But Danny's eyes were cold and tired, they were dead. No spark, no sense of life in those chilling blue depths.

Calmly, Danny spoke to Damian. His voice was crystal clear, cool like a mountain stream.

"Just because you jumped into the fire behind me doesn't mean you felt the pain I did.  Your hand was held above the flames while I was being burnt in the fucking fire."

Damian begins to cry because he knows that Danny is right. No matter what he went through, it would never compare to what happened to his big brother. Even more so, when he feels long lanky arms wrap around him, a cool hand rubbing his back soothingly, and whispers of sweet nothingness entering his ears.

He cries because no matter what he does he will never be like his big brother.

[khaopybara]

❝My brother has a boyfriend!❞

JOONG ARCHEN as FADEL and KHAOTUNG THANAWAT as BISON episode 3 & 4 of THE HEART KILLERS

for: @diasdelasombra

[lucawrites11]

Arsenal Players captaining England

this is arsenal's official list:

obviously there are some notable exceptions so here's who they missed:

(bold indicates they were permanent captain)

Leah Williamson: 22 games as Captain, 43 caps - 2021 - present [Captained England to their Euros win]

Jordan Nobbs: 2 games as Captain, 71 caps - 2015

Alex Scott: 1 game as Captain, 140 caps - 2013

Rachel Yankey: 2 games as Captain, 129 caps - 2010

Kelly Smith: 4 games as Captain, 117 caps - 2008

Mary Phillip: 17+ games as Captain, 65 caps - 2003-? [The first Black player to Captain the Lionesses]

Faye White: 48 games as Captain, 90 caps - 2002-2012 [Captained England at 4 international tournaments and to their first medal 🥈 at the 2009 Euros]

Debbie Bampton: 26+ games as Captain, 95 caps - permanent captain between 1985-1997 [oversaw the integration of the Lionesses into the FA in 1993, Captained England at their first World Cup in 1995]

Players who have played for Arsenal but we're England Captain while playing for another team:

Laura Bassett - 2 games as Captain

Ellen White - 3 games as Captain

Steph Houghton - 72 games as Captain

Casey Stoney - 19 games as Captain

Fara Williams - 11 games as Captain

not once does the article on Arsenal.com specify that it is referring to the men's team

[thatdawgx]

Based on my last post I mentioned how often this fandom sees giyuu as more feminine than sanemi which is pretty weird due to fact he is barely feminine? Like what is feminine abt him? His long hair which he literally cuts short in the end?? Maybe due to fact he is more "elegant" than sanemi might seem that he is more feminine but from what stuff I found abt sanemi's character is the fact he has a lot of feminine characteristics from his name to his backstory and even stuff he eats

sanemi's name might be considered feminine due to fact most japanese names that end with -suffix mi are often female names or the fact you can take out this kanji meaning increasingly, all the more 弥 (he shares this kanji with genya but they are read differently) out of sanemi's name 実弥 and put this kanji 美 (this kanji is also used in sanemis younger sister's name sumi) meaning beauty, beautiful, pretty and is spelled the same way the mi part in sanemi's name

I mentioned his favorite food being feminine why? It's due to fact liking sweets in japan as a man is considered to be childish and a feminine thing

His backstory in general is in many people's words oldest daughter coded due to fact sanemi help his mother with raising his little siblings and had to cook and clean for them or even having to get a job at an young age. Due to fact his mother was often pregnant he probably had to be the one who did the most housework

When it comes to his appearance sanemi is often said to have his mother's kind smile that all of his siblings really liked. He obviously has long eyelashes and he in general has chuubier cheeks. It was also mentioned in the story how he smells like ohagi and matcha. He most likely takes after his mother's height and I can already hear people going "But he is only one cm shorter than his brother" first of, men stop growing at 21, the fact genya is already taller than sanemi while being 16 means he still has room for more, secondly we already know how in most anime and manga heights are not done well, like there is a panel where genya looks taller than sanemi atleast for 5-6 cm so either sanemi or genya are lying about their height. Last thing which ufotable has stolen from us is sanemi's pinkish hair in manga, like yeah pink wasn't considered a feminine colour in that time period but now it is so I had to mention it

Also sanemi is often described as an kind and bashful person in the manga by multiple people in the story like c'mon people, why is he often written as an aggressive macho dude in most fics I'm tiredd

[covertblizzard]

jaykyle au where they're theatre kids in the same school but they're not the actors jason's the scriptwriter/director and kyle is the prop manager (i don't know the official terms sorry) and they'd probably do an amazing job on the backstage setting if they could stop arguing for 5 whole seconds about their artistic visions and ideas and how "this would obviously work better this way"

[garden-bug]

Why Wilbur’s apology was actually so bad, because it’s a lot simpler than people realise:

People seem to have the general consensus that he 'focused on himself' and 'didn’t properly apologise or take responsibility', but this understanding inadvertently and accidentally implies that he could have 'properly' apologised, or apologised 'better.' Which is... confusing. Because it's wrong.

No apology would have cut it, and that's why what he said was so bad.

What he did to Shelby was awful and you don’t treat another human being that way unless you are inherently cruel. Despite that, Wilbur still had the audacity to write a response intended to sweep it under the rug, claiming he worked on himself and that he didn’t see it the way she did. In a situation where even an apology wouldn’t have cut it he tried to deflect.

For lack of a better metaphor, it’s like you intentionally hit someone with your car and drive away and then when confronted about it you say: “Sorry, but I’ve been working on my driving since then, also I didn’t even hit them that hard.”

Not to psychoanalyse (I say as I psychoanalyse), but the implications of that behaviour are pretty severe: he abused someone and doesn’t see the problem with it.

That’s scarily messed up. So yeah, if anyone was still wondering why his apology was actually so bad, that’s the crux of it. And I think it makes the real issue a lot clearer.

[aliusfrater]

re nick's post + his tags + my tags. i feel like although the parentification was definitely on dean especially re taking care of sam but there's a level of... mental abuse in the dynamics of his arguments with sam as well as how he treated leaving sam alone while he and dean hunted regarding the fact that sam and dean are his sons/children until john's actions become abuse. and dean definitely adopted/emulated/acted on behalf of it; suddenly sam was the one responsible for tacking the family back together despite john kicking him out or to dean, sam and john's arguing was also suddenly sam's responsibility to stop or end or upkeep a level of respect within despite the parent-child dynamic. this also feeds over into sam's guilt and forgiveness and faith complexes and it's also how the dynamic of sam choosing the winchester familial dynamic over anything else works. basic john-sam enjoyer lore, sure, but what's particularly interesting to me is that it's kind of similar to the way the sam vs sammy dichotomy works. sam is john's son that's infantilised and needs to be protected Until someone raises their voice vs sammy is dean's little brother that's infantalised and needs to be protected Until sam encroaches upon him

[cringefaecompilation]

this episode is the first time i have actually kind of hated the god debate. however, given the nature of the campaign and the themes it's exploring i see it as less like them "going in circles" or "trying to force drama" and more like a leftist infighting simulator. which is bolstered by the ruby vanguard showing what happens during alt-right infighting, which usually involves either spiraling into batshit conspiracy theory or a murder-suicide

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[melancholic-pigeon]

Okay this is the *actual* last comment, for real, but I just found out Spider is now smearing me as a convert and accusing me of being involved with drama I was not involved with because he mistakenly attributed my apologies for his public temper tantrum as being about something unrelated.

THIS IS A FALSE ACCUSATION and I do not appreciate having yet another bit of fake malicious intent falsely ascribed to my actions and* attributing a completely unrelated attack to me.

Also, it's very sad and disappointing whenever a Jew gets mad at a convert because something else is going on in the Jew's life and the convert happens to be in the splash zone and the Jew falls over backwards to smear the convert and invalidate her faith.

Just....the childish aggression is making me so, so sad and disappointed, from someone I used to think very highly of, who is now lying about me and publicly smearing me with false accusations based on a conflict he started because he misinterpreted something I said and I went out of my way to give him the benefit of the doubt when trying to clear up the mistake HE MADE that led him to decide bullying and attacking me for three fucking days was appropriate and okay and that I'm the bad guy for saying it's wildly unprofessional to behave like this in public to a former customer face.

Sorry, but facts, reality, linear time and the truth of what I actually said and did are on my side here, and I will not stand for being smeared and attacked and shat all over because I had the gall to try to kindly resolve his uncalled for, unjustified temper tantrum.

I am also not sorry that I left a side note in the tags that it was also unacceptable for HIM to drag his daughter into a stupid internet slapfight based on his own reading comprehension failure. Because it was and is unacceptable, and she needs to hear that message from someone.

End of story. Keep digging that hole as long as you like, Spider. It's not helping your case and is continuing to make you look progressively worse and more unreasonable, and the only person you have to blame is yourself.

*revised for clarity

[mysteriouslybluepirate]

Thank you for offering your askbox. I've been thinking that Izzy being just a side character whose story wasn't main plot thread makes even better proof that not everything was well planned? If I was a writer and this would be easily the most discussed topic about the finale, I'd reflect on storytelling decisions I made. There's a good reason why Izzy's fate overshadows everything despite that he wasn't the point of the show.

(Post posted 10/31/23) Feel free to comment below if you agree or disagree, we're all here for discussions.

Thank you so much for this amazing question!! [If you're seeing this and want to discuss some aspect of S2, or my thoughts on OFMD overall, SEND ME AN ASK! I love doing this]

TLDR: Vague characterization from historical records means Jenkins is free to bend history without a lot of guilt. During early days of casting and during scene changes Jenkins got inspired by Con's audition tape. Con was told to play this shit as a Jesus/Judas relationship. An amazing performance in S1 keeps the character relevant in fandom spaces in the hiatus, and in Jenkin's mind for S2. The S1 season finale accidentally reveals a really interesting dynamic in Ed/Izzy's relationship. [Speculation from this point on] Jenkins feels like he needs to explore, with little plans to fully explore it. Fleshing out both Ed/Izzy abuse and love.

Jenkins realizes 'Oh shit, Izzy wasn't supposed to be this' midway through S2. But he still follows his original plan in killing him off, because he's not needed for the story in his outline, leading to him accidentally killing off a character as they're growing and healing. Leading to what some consider a move SO off-brand for the show, they are leaving the fandom.

[*Tin Foil Hat On*] I expect the original cut of S2 to include more scenes of the crew. I bet for every other Izzy scene, we got a crew scene. So when 'extra' not plot-relevant scenes had to get cut, they kept the Izzy scenes due to Izzy's stable arc, the fact that he'd die at the end either way and Con's amazing performance.

EXPLINATION AND DEPTH BELOW! It's a long one. A lot of this post will be speculation, interviews from Jenkins, and highly dependent on if you were in fandom between seasons 1 and 2. If you need me to hunt for sources, I can do that for you.

I'll separate everything into a chronological timeline as much as possible.

Before we touch on why Jenkins wrote Izzy to stick out in the story, we need to assume how he outlined this entire show.

Pre Con O'Neill:

I am of the personal belief that Jenkins likely wrote out an imagined arc for Ed and Stede. Including a lot of cool set pieces, fights, etc. for the three seasons he wanted vaguely based on the real lives of Stede Bonnet and Edward Teach(watch a YouTube vid documenting their history, it's a wild ride) turning it into something explicitly romantic. This is easy enough to do, as most of what we know about them was written YEARS after their deaths.

Next was filling in the cast. This is where we get our crew, mostly characters Jenkins made up, as very little is known of the men either sailed with.

Izzy Hands being a pirate under the age of 18 whose notable actions with Blackbeard include- Captaining his own vessel, running a ship aground, being Blackbeard's first mate, and getting shot by Blackbeard maybe on accident.

[THEORY] So. If you're any writer you see that and think 'cool a side character we know almost nothing about'. You slot him in as being Edward's one thing keeping him to the pirate lifestyle. Not necessarily romantic, but a serious Boss/underling relationship. This is a bit of how Izzy was written in S1 UNTIL-

Con O'Neill is cast as Izzy.

In interview, Jenkins has admitted that Con's audition tapes influenced how he wrote Izzy. As a writer, this shouldn't necessarily be ringing red flags. But he has gone on record as admitting to changing the script before shooting to suit Con. IN SEASON 1. My guess is Izzy at the end of episode 10 was meant to be more of a side character. Another Frenchie, or Wee John, who serves their purpose and then gets pushed to the side by the plot.

But at some point, Jenkins wrote how important the dynamic was between Ed and Izzy. Describing Izzy/Ed to Con before filming S1 of a 'Jesus and Judas' relationship like in Jesus Christ Superstar.

If you tell a (then closeted) queer actor who has been playing queer roles since the 1990s that his leather daddy character was having a Jesus&Judas JSC dynamic in a TV show that respects and celebrates queerness? 🤩 MY GOD.

[Speculation] That's how we get an Izzy Hands who is watching the man in front of him slip away, trying to dig his heels in. Hell, if I were Jenkins, I'd be adding a few more lines for Izzy to be pissed just to see Con have fun in the role. Let him be mad. Let him be in the background of scenes just glaring. Let us see a man slowly lose something he's built up his whole life.

[As mentioned from Comic Con- From Con O'Neill] This was important for me to bring up as Jenkins could have said 'henchman' but he didn't. Hell, when Taika and Con did hair and makeup they'd listen to the JCS cast album. It was a choice on both their parts.

[ovservation from here on out] Con plays it up, and a lot of queer fans saw this and grabbed hold of a man so desperate to keep the man he loved close that he sacrifices almost everything for it (Izzy also signs the Act of Grace to get Ed out of there).

Izzy, in a show full of openly queer people, is still on the fringe of society. SO MANY queers saw this and said 'OMG me'. ME INCLUDED. With a super supportive actor who genuinely is respectful of the fandom? Of art, and fic and meta? The Izzy 'Canyon' became so loyal because Con is a Queer Elder we didn't know we all needed in our lives!

Jenkins accidentally wrote into what could be an amazing story of a queer character living in a homophobic society where he learns to open himself up. All without ever writing a 'coming out' scene for Izzy. Jenkins knows this. Hell, since S1 Izzy fans have been telling him how cool that type of arc would be.

Now here comes the issue of where to take a side character, when you have loose plans for them.

S1 IS TIGHTLY WRITTEN ONTO ITSELF... S2?

Something we might forget now is HOW tightly written Izzy's falling out with Ed is tied into Stede and Ed falling in love. Beat per beat, Izzy is shoved away as Stede takes his place. That's really fucking smart. So smart, it was planned in the writer's room. The fact that some took it as romantic, that Ed could ever really love him back? Well...this is where Jenkins had a decision to make.

So he dips his toe. Let's make Ed even more violent than at the end of S1ep10. Let's include the bit where Blackbeard shoots Izzy Hands. Let's have Izzy confess his love for Ed and have it not be enough for Ed to change his mind. Let's show Izzy rising like a phoenix reborn after a failed suicide attempt where Izzy chooses to mutiny on Ed to protect the crew. Let's see Izzy growing. Because Jenkins loves Con's performance. Everyone in the cast enjoys him as a person. Let's give Izzy one last hurrah.

Jenkins knows this character meant a lot to Con. It's obvious in the way Jenkins recently confessed he told Con about Izzy's death midway through shooting. Sadly we likely will never be told when Con was told. But imagining Con filming the AMAZING character change of S2eps 1-2, then AFTER being told Izzy would die anyway? Oh. I wouldn't be alright. Not after all his fans had spent the last year telling him how much seeing a character like Izzy 'being accepted because they are worthy of love'.

This is the 1 thing that fucks me up. Not telling Con until midway through shooting, Versus his belief that writing Izzy's death was a fitting way to end his story. BOTH CAN'T BE TRUE. Right? If Jenkins felt the need to take con aside and go grab a meal to announce Izzy was dying but then market the ending as a 'Good Idea'. Then...What? If Con felt it fit the character, then he would have likely guessed Izzy would die. But that wasn't the vibe in the fandom at the time. It feels like a decision Jenkins made this season.

Because yes, some general audiences predicted that Izzy would die. But when your core fanbase for a character don't expect it, you didn't plan the death correctly. Fuck, I thought Izzy was trying to RECOVER this whole season. Not that Izzy was hiding how hard he was struggling. That's not a good sign when I've ALWAYS called Izzy as some brand of suicidal/depressed.

[Quote from Jenkins Entertainment Article: Oct 26 2023] 'What's the best journey we can give him(Izzy)? And what's the most interesting thing we can do with Con, who can do just about anything?'

That is not the quote of an author who has planned everything out. That's a writer who knows points A and E and is fighting to find everything in between.

The Fly in My Ointment

There's a point most writers know when a character or story slips out from under you. You didn't mean for this to happen. Hell, I write Scene by Scene outlines. My stories change. When Izzy Hands' growth arc became the most interesting part of S2, Jenkins had a choice.

How far was he willing to bend his idea to keep a character that wasn't 'essential'? Not that fucking far apparently. Because for some reason, Jenkin's labeled Izzy in his mind as 'Blackbeard' and tied Ed and Izzy's fates together. Ignoring how this season Izzy died to separate his old life with Ed from his new life with this crew.

Your question poses it perfectly- If I was a writer and this would be easily the most discussed topic about the finale, I'd reflect on storytelling decisions I made. There's a good reason why Izzy's fate overshadows everything despite that he wasn't the point of the show.

That's a trick they teach you in some writing podcasts. That in the end, you are telling one story. You can have twenty side characters and a romance arc, but in the end, you are telling one story. Each side character is going to show what happens when you fail or succeed at the central thesis.

What do we have in S1? What does Frenchie sing to set up where our story STARTS-

"A pirate’s life, [it’s] short but nice,” -“we won’t live long,”  AND “to death we go, a certain death we go.”

Our characters expect a short simple life of what most pirates EXPECT. In my mind, this story has ALWAYS been about survival. From the extravagance of Stede's ship, and a crew ready to throw him overboard, to the barebones Shark eats Shark type of survival described in Ed's own fleet. OFMD is about living in a world that doesn't want you there. About surviving and thriving. About these two men from different worlds coming together and forging a life of kindness for them and for their family.

Saying fuck you, I'm here, I'm still alive, and I'm going to THRIVE. I deserve kindness, happiness, love, and a fully lived life. I deserve to spend my short time on this Earth happy.

IN S2? The ONLY character that matches this thesis is Izzy. After scenes of Izzy struggling. Of finding himself. Of crawling up from his own personal hell, Izzy dies. He dies from a random bullet wound in the same spots that didn't kill Stede or Ed in the previous season. Breaking the one established rule for wounds in this universe that the left side is the safe side so that Izzy can die.

Even if Izzy spent this entire season wanting to die, he tried to live. For a few days after a breakup of over 20+ years of casual intimacy. Of a bond where Izzy was the murderer, the brawn. The dangerous right hand. Where Izzy dying meant not just his death, but likely that of Ed. Given the man's constant depressive moods, crews that didn't like him, and reoccurring suicidal tendencies. Ed didn't need Izzy Hands anymore. Ed had Stede now. He was ready to finally leave Izzy for good. What will Izzy Hands do now?

He gave up. He tried to move on. He listened after being told he was too rough, too loud, too mean. He tried. He tried to survive this new way of life surrounded by people who supported him. But he was tired. After so many years of putting up a mask, tearing it down was too much work. So he wanted to die. In the end. Izzy died in the arms of Edward surrounded by his family.

Buried on a plot of land Jenkins has already told us Stede and Ed will leave when things get boring. Left behind like the corpse of a pet the family has forgotten. Buried without his ring and cravat, items Izzy is only seen without when he's naked. Without the prosthetic gifted to him by a family that cared about him.

Izzy wasn't mourned for more than five seconds, before Stede and Ed were making jokes on his fresh grave, and then the episode moves on to a wedding.

RIP Izzy Hands- a man who loved more than he was ever loved in return.

Was this the right message? FUCK No. But for those of us who believed that theme of queer survival and community- We saw framing Izzy's death like this as a fucking betrayl.

Izzy Hands isn't buried with his most prized possessions- they're left out to be stolen or rot in the front yard. With only one man crying over his death and a silent funeral. He leaves this world without more than a 'he was intense'. Which...isn't great coming from the man Izzy loved for most of his life.

The reason why we're mad about Izzy isn't that it's Izzy. It's that when we boarded this flight we were given a set of rules to follow. It's a comedy about men falling in love on a boat that sometimes gets serious. That's it. To watch a character start to grow only to die for NO PLOT SPECIFIC REASON. Is insulting. If your death has no tie to the narrative (sacrifice or it comes with a revelation) it's a death just set up for shock. Izzy and Ed could have had that deathbed confession talk at the start of episode 7.

A REASON WHY I'M MAD BEYOND THAT SPECIFICALLY. [Very Personal Gripe]

A SALUTE TO CON O'NEILL -AGAIN!

I had the privilege of hyper-fixating on this show from the entirety of S1 ending to S2 beginning. During this time I explored the catalog of Con O'Neill's work on Tumblr under the tag 'Conography'. I watched this man play queer roles since the 1990s. Genderqueer/somewhere on the Trans spectrum, Gay, Bi. This man loves to play a queer story, even if it's sad. If it's tragic. He will breathe new life into their lungs and express their moments of Joy. Of love. Of community.

After the filming of S2 at a con, Con he felt comfortable publicly coming out due to the love and support he felt from our fandom. Do you know JUST how crazy that is? That Con KNEW Izzy was dead, yet he loved our fandom so much he let himself be vulnerable, and come out as queer? It's fucking INSANE to me, and shows just how much this show means to him.

He's not just Queer. He's a Queer fucking elder whose been protective of this entire community since S1. This 57-year-old man has proudly stood up in the name of Trans rights this entire time. Treating everyone, but especially Trans Izzy fans with so much fucking respect. Trans Izzy is a common headcanon partially because of how comfortable people feel knowing they won't get harassed because they interpret Izzy a certain way. That trans people feel at home seeing themselves as a misunderstood character with a chip on their shoulder.

I'm pissed for every in universe thing listed above AND NOW THIS. Because our Queer Elders are dead. There is a generation of Queer people we can never get back. They died from a mix of society pressuring these people into the closet or an early grave. Of disease running wild in communities unchecked. Of media ruining the careers of anyone who dared to come out. To see Con O'Neill So Fucking Happy and having it cut short because Jenkins thought Izzy was better dead than being an actual background character makes me see fucking red.

No. Jenkins probably didn't know Con was Queer when writing S2. But I'm assuming he still saw how happy Con was at Izzy fans before S2 was written which still makes it feel shitty.

Sure. Give Izzy all the amazing speeches about family and belonging and rip that right from his hands as soon as Izzy realizes it's something he might want for himself. Let's have Con O'Neill say all the prominent lines that are a blatant metaphor for why the Queer community needs to stick together.

Izzy's arc isn't just overshadowing the conversation because it was mismanaged and feels unplanned, it also just feels cruel to the central arc of this series. Add that to an actor who was so vocal about loving this community, it feels pointed to give him a tragic ending.

Jenkins doesn't need to consider why people hated this finale. Because there are SO MANY Ed/Stede fans who just don't care. They put Izzy in the box with every other side character and decided to put their effort into the protagonists and point and laugh when we suffer. Jenkins won't rethink anything because he can just say the 'Izzy community was passionate and are sad their favorite died'. Ignoring how this season made Stede into a shittier, less sympathetic captain and gave Ed an interesting arc only to give up before the finish line.

[bisexualnamjoonie]

so why is nobody talking about the fact that the song is not only sexist but also racist? like WHAT the fuck who at hybe was stupid enough to let white men write a song and put a racist and sexist Asian stereotype in it and went "oh yeah checks out"??? it's not even a matter of saying the song is bad at this point! it's fucking awful! who the fuck thought it was a good idea genuinely i have questions. who the FUCK.

[msommers]

some romance charts that i found abandoned in my files and decided to finish up (hardest part was choosing a single song my playlists are too long send help)

[base template]

[captainjonnitkessler]

I know everyone thinks that they're the only competent person at their job . . . but genuinely am I the ONLY person at this jobsite with functioning brain cells

[teenagefeeling]

i fully don't understand people who are like "i never willingly initiate conversations, i just add people on apps and wait for them to reach out" like hello??? why go through all the motions of telling someone u wanna be friends and taking steps to make it seem like u wanna get to know them only to be like "oh you actually wanted to talk to me? ughhhh social interaction is soooo exhausting but i gueeeeess i can take 3 seconds to send you 4 words. i don't know why you're hurt by this"

[cassioppenny]

WHAT DO YOU FUCKING MEAN ERI'S HAIR IS A FUCKING WIG AND HER EYE COLOR WAS FUCKING CONTACTS