#I didn’t include personality disorders or anything this time

[lokittystuckinatree]

I made flag badges for my 3 Whoniverse blorbos

The Doctor: genderfluid (canon), either pan or bi but falls for women more often (implied/headcanon), gray asexual or demisexual (implied), Autistic (implied), ADHD (headcanon)

The Master / Mistress: genderfluid (canon), pansexual (implied), AuDHD (mere headcanon but cmon), possibly aroace spec

River Song / Melody Pond: pansexual (canon), demigender or nonbinary femme (headcanon), ADHD (headcanon)

Disclaimer: take with heavy grain of salt. Two out of three characters are not human, so labels don’t apply to them the way they might to humans, I might have excluded or included different ones than you’d like, and all three are fictional (presumably) so different headcanons that don’t erase canon diversity are equally valid.

[berrygoodjob]

Hiii do you have any bf headcanons for Sho, Ren, Haku, Rui, and Jiro?

Tokyo Debunkers as boyfriends hcs pt 2

including: Ren, Rui, Jiro, Lucas, Haku

Part one part three

Ren Shiranami

—he just wants to cuddle up and watch horror movies with you

—he’s gonna make a blanket nest for the two of you with all sorts of snacks and things so you don’t have to get up during the movie

—he’ll definitely hold onto you and keep you comforted during the scary scenes 🩷

— very much a tsundere at first. He’ll be like “ugh, it’s not like i like you,,,,” but then he’ll just think about you 24/7, he always wants you around, and even Haru noticed how much better his mood always becomes when you’re around.

—he likes when you hold him. He’ll definitely complain, but he’ll get so butthurt if you stop. Like “ugh, why do you keep holding onto me…… Wait I didn’t say to let go,,, I guess you can keep it up,,,,” but on the inside his heart is racing and he’s so happy to have you there (and it shows on his blushing face)

— can and will complain about the jabberwok house anytime something weird happens.

—haru has come through his window before in the middle of one of your horror movie dates. You all screamed, Ren nearly attacked Haru.

Rui Mizuki

—he wants to hold you. He wants to kiss you all over. He wants it so bad, but he won’t come near you.

—he’s so scared of his curse hurting you. He gets so sad to think about what could happen even if he accidentally gets too close

—he always makes sure to wear a protective layer when you’re around.

—since he can’t touch you, he shows his love in other ways. He flirts a lot but only with you. He dropped the flirting with others the second you came into the picture

—he plans all sorts of cute dates with you, from picnics to fancy dinners.

—he gives you so much praise and reassurance, and he’s always ready to lend an ear if you’re having any sort of issue no matter how small or insignificant it may be

—he does all the stereotypical gentleman things like holding doors open for you, buying you flowers, he’s paying for all your dates, etc.

—if you come visit him while he’s working his heart may just explode from joy. He’s just so happy to see you. He’ll make a drink that you’ll love solely based on your personality.

Jiro Kirisaki

— He never really understood the appeal of a relationship until you came along.

—he was very confused by his own emotions at first.

—he went to Yuri to ask if it was some kind of mental disorder because he couldn’t stop thinking of you. Yuri informed him that it was likely just a crush, then told him to get back to work.

—Jiro now as your boyfriend, really tries his best to understand every little thing that goes on in your head

—he’s made a mental list of all the tiniest reactions you have to everything in your daily life. Every. Single. Thing.

—he’ll confide in you about how rough his job can be and how exhausted he is.

—sometimes in the middle of cuddling with him, he’ll start giving you a health evaluation. He says it saves time and is more efficient if he just does it then and there.

—he’s like a puppy and will do anything you tell him to, from tying your shoes to even making sure to get more rest.

—will give a lot of random fact on a very wide variety of topics. Sometimes you’ll just be chillin and he’ll turn and say the most out of pocket thing then go back to being silent like it was nothing.

Lucas Errant

—he’s so protective of you.

—he wants to be your best friend and boyfriend all in one.

—he really will do anything for you too.

—he likes to stand right beside you, he’s not huge on pda, but he thinks just standing by your side and being in your presence is the best

—he’ll really open up to you and be much more vulnerable about his life before darkwick along with his twin and his home life

—behind closed doors he’ll cuddle up against you and really relax, he gets SO SO nervous that you’ll slip away from him. So he always makes sure to tell you how much he loves and cares for you.

—Man will write down a physical list of date ideas and ask you to rank your top three. And he’ll take you on those dates and make them as special as he can.

—also does all the stereotypical gentleman things, you will never touch any door ever again.

—he likes to follow you around and help you with whatever it is you’re doing. Also likes to have study dates with you!!

Haku Kusanagi

—honestly he works so hard to keep everything sailing smoothly, he’d do the same in a relationship.

—he always does his best to keep you happy and comfortable at darkwick academy. He checks up on you a lot, but also leaves you space to figure things out. He knows darkwick can be a little overwhelming

—he likes to take walks with you around Hotarubis grounds, even if it’s a little gloomy.

—he feels so content just existing beside you. Hell make you tea and just sit in the gardens and admire you.

—he tells you a lot about his family and the shrine, he gets very vulnerable. So please reassure him that he’s doing great and remind him to take breaks.

—if you praise him at anything he’ll make sure to do that thing around you more. You like the way he makes tea? He brews you some every time you’re over. You like the smell of his new shampoo? He’ll use it every time before he sees you.

—You compliment his looks and he’ll turn into a flustered mess. It’s funny to see someone so easygoing get so red and start stuttering.

—gives forehead kisses or presses his forehead to yours sometimes to just destress from all the damage control he has to do for his fellow students.

[lightsoutletsgo]

anxiety gremlin — op.81

pairing: oscar piastri x anxious!reader

word count: 3.5k

warnings: mentions of anxiety and generalised anxiety disorder, description of physical symptoms including; nausea, headaches, sweaty hands, stomach pains, brain fog, mental struggles, mentions of panic attacks but reader doesn’t experience one, mentions of food and making food related decisions. PLEASE READ AT YOUR OWN RISK!!  hello loves! this one is very personal to me and it was a pretty selfish write tbh... I wasn't sure if I should post it but I decided to do it in the hopes that it brings people some comfort. Oscar's dialogue at the end is a message that I, as the author, want to remind you all. you've got this, even if it doesn't feel like it! happy reading love mimi

Sometimes, it felt as though the world was out to get you. You faced the world and your flight, fight or freeze instincts kicked in. When you woke up, it seemed like it was going to be one of those days. That unexplainable feeling of nausea turning your stomach and an unexplainable headache pulled at the back of your head. Your jaw tensed as the nausea hit you in another wave and you forced yourself to roll over and close your eyes. Maybe if you could get back to sleep you’d wake up feeling better. Your mind however, had other ideas. Instead, deciding to send you down the spiral of impending doom - a lovely gift first thing in the morning. Thoughts whizzed through your head; Why did you feel so nauseous? Why did your head hurt? Had you forgotten something? What were your plans for the day and was that why this horrible feeling was creeping up? You sat up, accepting that you wouldn’t be falling back asleep and decided to get ready for the day. Perhaps a shower would help? The warm water was soothing as it rushed over you and whether it was the heat or the steam or the fact you were doing something to distract yourself, for a moment you felt a little better. Exiting the shower you decided that while the nausea had subsided, it would be a good time to start hydrating and maybe think about eating something. Your phone rang and dragged you from your internal rambling, “Hi baby!” You smiled, despite the fact that your boyfriend couldn’t see you, “Good morning angel,” You could hear Oscar’s dopey lovesick grin through the phone, “how did you sleep?” You set him down on loudspeaker as you got dressed, “I slept okay! How about you?” “I would have slept better if you didn’t keep stealing the blankets…” You gasped, “I do not!” Oscar laughed, “You absolutely do! One night I’m going to record you for evidence.” You giggled, “You do that baby.” Oscar nodded then realised you couldn’t see him, “I’m just calling to find out what you want for breakfast? I figured I’d stop off at that little cafe that you like on my way home.” You gulped, you had no clue what you wanted or how to decide, “I’d love that, thank you handsome!” You thought frantically for a solution, “Uhh you can choose for me! I trust you!” There was a pause on the other end of the line, “Are you sure angel?” “Yup, mhm, so sure!” “O-okay…” After making Oscar promise to drive safely, you hung up. 

You realised that for a moment while talking to Oscar, you hadn’t even thought about feeling anxious but it was as if that realisation had summoned the feeling back. All of a sudden your hands felt shaky and it was hard to focus on anything but the disconcerting feeling in your chest. Sitting down on the couch you did your best to control your breathing. Sometimes you wished that it would just turn into a panic attack and be done with. Anything would be better than this on-off-on-off situation. It was like feeling a sneeze that wouldn’t leave your body. Unsatisfying and unsettling. 

The front door opening made you snap your head up and you realised that subconsciously you had been rubbing your hands on your sweatpants to try and get rid of the clammy feeling. You shook your head and smiled as Oscar walked through the door, you were just a little bit anxious, it was no big deal. 

Oscar beamed at you as he entered the living room. He noticed that you seemed distracted and almost a little shifty. Your eyes kept darting around the room and your hands were absentmindedly picking at a loose thread on the hem of your t-shirt - a habit you usually despised because it had the potential to ruin your clothes. He said nothing, just walked through the room to the kitchen and placed down the paper bags filled with breakfast. “You okay there angel?” You nodded at him but it wasn’t enough to reassure him, “Are you sure?” You nodded once more, why now of all times were you feeling sick again? You sat there grinding your teeth together and clenched your jaw, feeling too sick to open your mouth and reply. You wanted to reply, you really did! But your brain had decided that words were a step too far. “Did you do something while I was out, hmm?” Oscar joked but all it did was make you more anxious, ‘was he angry?’, ‘was he going to shout at you?’, ‘breakup with you?’, “Come on troublemaker, you can tell me!-” “Nothing! Nothing happened! Now will you please stop asking.” You snapped, immediately clapping a hand across your mouth in shock before the tears were welling up in your eyes. “Oscar I’m so sorry… I’m so sorry baby I shouldn’t have snapped… Please don’t be angry!” You rambled a million miles an hour as your hands began rubbing and grabbing the material of your sweatpants again, not even realising your breathing had turned heavy and you were sweating. Oscar stood there in shock, he had never seen you like this before, was this because of him? He slowly approached you, not sure of the issue and not sure how to resolve it. “It’s okay angel, it’s okay” He held his hand out to you but you shook your head, talking through a clenched jaw in the hopes it would help the queasy feeling in your stomach, “Hands sweaty.” Oscar nodded, “Okay then, can I sit next to you?” You nodded, he gently took a seat next to you, careful not to jostle or jolt you, “Is this a medical emergency?” You shook your head, “do I need to call an ambulance?” You shook your head once more, feeling like you wanted to cry.

How embarrassing that you were having an episode like this in front of your boyfriend after hiding it so well for so long. And even more embarrassing that you couldn’t tell him what was going on let alone why you felt the way you did, “Is this a panic attack?” You shook your head no. Oscar made a little ‘oh’ and sat quietly next to you, unsure of what to say or do. You took a deep breath and forced yourself to open your mouth, despite how heavy your tongue felt. “I’m just a bit anxious.” “What about?” You shrugged, “Nothing. Everything. Hard to explain.” Oscar smiled at you through your one word answers and short sentences, “Well I can wait, it’s okay.” You nodded, hands starting to tingle with how long you’d been rubbing them against fabric and you winced as a sudden cramping feeling started in your stomach. Oscar seemed to notice your discomfort, “Please let me hold your hand angel, I promise I don’t care if it’s sweaty and you think it’s gross, I just want to help okay?” You nodded, breathing deeply and letting him take your hand in his. 

As soon as your hand was in his, his thumb was rubbing gentle circles over the back of your hand. A soothing motion that you let your eyes focus on. Watching his hands and how they moved, anything to keep your attention off of the anxious feeling. 

As he sat next to you Oscar wondered how he should approach you to talk about this. Clearly there was something you weren’t telling him. He thought he knew what it was and he understood why you hadn’t told him. He knew that people got anxious, hell he was always anxious before a race, but he also knew that for some people it went beyond unsettling feelings. He guessed that that’s what you were dealing with too. He’d seen Logan feeling like this a few times and so he wracked his brain to try and remember what the American had told him was useful. How about distraction? It was worth a shot! “Want to watch a film?” You nodded, eyes still laser focused on Oscar’s hands. “I knew you had a thing for my hands but you are allowed to blink you know.” He joked, cracking the smallest sound of an exhale of laughter from you, that was a start. “What film should we watch, hmm?” He grabbed the remote to start flicking through options, his hand never leaving yours, but aware that there was enough space between you so you didn’t feel smothered. “I think something cute and funny? Yes that’s a goooood plan Oscar.” You gave a weak smile once more as he talked to himself and he smiled at you, “how about Tangled?” You nodded and he selected the film, settling back into the couch, head looking at you once more, “Do you want to cuddle?” You shook your head and he just shrugged, wanting to keep you as comfortable as possible,  “That’s okay, you just let me know when you do, okay?” You nodded and he squeezed your hand to comfort you, “Do you want to sit back on the couch?” Your body was still tightly wound and feeling like a live wire so you shook your head, physically unable to relax. And still all Oscar did was smile at you.

As the film started, you did your best to focus on it, finding yourself unable to stop smiling and releasing some of the tension in your shoulders at various points when your boyfriend spoke the lines along with the characters, with facial expressions. You watched on screen as Rapunzel and Flynn entered the Ugly Duckling Pub and you realised your body finally felt relaxed enough to sit back against the couch. Oscar silently breathed a sigh of relief, all he wanted to do was fix it for you but he knew that he could only do so much. 

By the time the next song had finished, your body was subconsciously leaning against him. Your head rested on his shoulder and he gently tilted his head to rest on top of yours. You gave a little contented sigh. As you sat there, a wave of tiredness hit you, the physical symptoms and mental strain you’d been feeling since you woke up taking its toll. With Oscar’s warm body next to you and the comforting sounds of one of your favourite movies on screen, it wasn’t long before you felt your eyes beginning to slowly close. Oscar looked down at you and saw that your lashes had fluttered shut. He pressed a gentle kiss to the top of your head and let his own eyes slip shut. 

When you woke up a couple of hours later, the TV was off and you were laying on the couch with a soft blanket covering you. You sat up and sleepily rubbed your eyes, “Osc?” You heard low music drifting through the door to the kitchen and you could hear Oscar mumbling to himself and humming along, cursing occasionally when pots and pans clanged together. He poked his head out from the kitchen door, “There’s my pretty girl. Good morning angel.” He cooed at you and the way you blinked back at him sleepily. “What time is it?” “It’s lunchtime! I was just reheating breakfast.” You nodded, sitting up and pulling your knees up to your chest as he padded across the room to take a seat at the end of the couch by your feet, “I’m sorry.” Oscar’s eyes searched your face as you looked down at your hands in your lap. Oscar’s hand rested on your knee, “Angel, you never have to apologise for something like that…” He trailed off, hesitant to ask you his next question, “do you want to talk about it?” You inhaled slowly, nodding, “Yeah I think I would.” He gently nudged you with his elbow and you shifted back to let him sit in front of you, both of you sitting cross legged. He held his hands out to you and you took them with a shaky exhale.  

“Umm… I’m not exactly sure how to explain it?” You admitted, your fingers playing with his own in an effort to keep yourself grounded as that familiar feeling of your shoulders tightening and nausea creeping up began to settle in. He followed your gaze, “That’s okay, we have all the time in the world. Explain it however you feel is easiest.” You nodded once more, “So obviously you noticed that I was feeling anxious,” He tilted his head to one side to show you he was listening as you continued, “That’s because I have generalised anxiety disorder. And the thing is… I feel like that most of the time.” You admitted shakily, desperately willing yourself not to cry. If Oscar was surprised or taken aback he didn’t show it, instead just linking your hand with his and squeezing, encouraged you continued, 

“There are good days and there are bad days but I’m always anxious… There’s this constant feeling of underlying panic or anxiety or this sense of impending doom.” You looked up and noticed how Oscar’s eyes searched yours, willing you to understand that he wasn’t going anywhere, “I feel nauseous, I feel shaky, my hands get clammy, sometimes it’s like I forget how to breathe, my head and stomach hurt for no reason, my head goes fuzzy and it’s hard to focus on anything but the feeling of how anxious I am…” “Baby…” Oscar breathed, you gave him a watery smile, tears filling your lash line, 

“It makes me irritable, it makes me bitchy, it makes me snap at people I love, it makes me sensitive and emotional, I cry a lot, I cancel plans at the last second, I keep to myself and I build my walls up…” You trailed off, meeting his gaze and noticing that his eyes were filling with tears too, “Sometimes it feels like I’m two people. Me and my anxiety.” You couldn’t help the way the tears fell with a choked sob, “Angel, can I please please give you a hug?” Oscar pleaded, itching to pull you into his arms and comfort you. 

You nodded through your sobs, finally feeling the huge emotional release that had been building since you’d woken up. He reached for you, gently grabbing your arms and pulling you forward onto him. Falling back against the arm of the couch with you against his chest as you both stretched your legs out. He held you for what felt like forever, tightly wrapping his arms around you and stroking your hair, gently murmuring to you and kissing your forehead. When your sobs had subsided a little, he wiped your cheeks, “My sweet girl…” He gently pressed kisses across your face, relishing in the way your crying eased and you let out a little sigh after each one, “Thank you so much for telling me angel.” He paused, “Can I ask why you didn’t tell me before?” He asked gently. You sighed, fisting his t-shirt in your hand as you fought the nervous feeling that made your stomach flip. His hand rubbed up and down your back in a soothing motion as he felt you tense up in his arms, “I’m not mad at you baby, I just want to know what I can do differently in the future. I’d hate it if you didn’t feel safe enough to come to me for help.” You nodded, nuzzling into his chest, attempting to block out the world and focus on Oscar. Just Oscar. 

“Everyone I’ve told has left…” You mumbled sadly, “Hmmm?” His voice was soft, like he didn’t want to scare you out of answering, “I told a few people growing up, uni friends and stuff, and they would always answer with the usual ‘oh yeah I feel anxious too’... Until I explained I had diagnosed anxiety disorder and then,” you sighed, “then they would tell me it was too much for them to deal with, or they would get mad at me for ruining plans, or tell me to just get over it when I tried to talk to them about it.” Oscar’s hold on you tightened a little as he felt a spark of anger burn inside him. How dare they? Anyone could see that you were trying your best, he gave you his full attention as you continued, “I guess all of those things mean that I have a hard time opening up and trusting people with the knowledge of my diagnosis because it’s always backfired… Please don’t be mad at me… I do trust you, I just…” “Hey,” Oscar’s voice was low to ensure he didn’t trigger you, “I’m not mad or disappointed at you baby, I’m frustrated with myself for not noticing sooner.” “I’m pretty good at hiding it,” you admitted, the two of you led there in silence for a moment before Oscar spoke again, “Well I’m beyond proud of you. For dealing with it everyday and for opening up to me.” You tilted your head up to look at him and pressed a soft kiss to his jawline, “Thank you for listening.” He smiled back down at you, “Of course.” 

You summoned up the courage to ask him the question that had been on your mind for a little while, “H-how did you know how to help?” Oscar breathed deeply for a second, “There’s someone on the grid who uhhh, struggles with the same thing. They’ve opened up to me and explained what helps them so I figured I’d try?” You pushed yourself up to look at him in surprise, “Someone on the grid?” Oscar nodded, “I won’t say who, because it’s their thing to disclose and explain,” You nodded, “Of course!” “But they’re doing their best to work on things and ask for help and they’ve been doing really well.” Oscar made a mental note to ask Logan if he would consider talking to you. “Well, Tangled was a great choice!” You giggled as Oscar nuzzled his nose into your neck, “Yeah? I wanted to pick something that wouldn’t make you feel worse.” You couldn’t help the way you threw your arms around him and cuddled into him, so thankful for him and the thought and care he gave to you. “I love you.” It was muffled against his chest but he knew what you wanted to say and so with a chuckle he kissed the top of your head, “I love you too, angel.”

You stayed there for a moment before he was gently pushing you to sit up so he could look into your eyes, “I want to say something.” He hesitated and you nodded at him to continue. He gently held your chin with one hand, keeping you looking at him as his other hand found yours in your lap, linking his fingers with yours and squeezing, despite the way your hands were starting to get a little clammy again, “You may have anxiety disorder but it’s not who you are, baby.” Your eyes widened, he continued, “You are not your diagnosis. There is so much more to you than that. You are kind and caring, you’re smart, you’re beautiful, you’re creative.” Your heart melted at how passionately he was speaking. “You’re loved and valued by me and so many others, angel… I love you, the anxiety gremlin that comes with you and all.” You giggled at how he referred to it, “Anxiety gremlin… I like it!” He smiled, kissing your nose, you scrunched it up and he kept talking, “I know I can’t fix it and make it go away, believe me baby I wish that I could. But I promise that I’ll be here through all the bad days and the good days. I’ll do everything I can to make it easier and more bearable for you.”

You couldn’t help the way you started crying again, happy tears this time, Oscar’s thumb gently wiping them away, “So when you’re feeling up to it, we’re gonna sit down and talk about how I can help. What I can do when you’re having a bad day, the things we can do together, how you like to be distracted, how I can help when we’re out in public, maybe a codeword?-” You giggled as he started speaking faster and faster, you stopped his rambling with a soft kiss, pressing your lips to his, your hand cupping his face, thumb rubbing over his cheek, “That sounds perfect baby, thank you.” Oscar kissed you once more, pulling you into him, “You just let me know when you’re ready.” You nodded, “I will, I promise.” “Good! But for now, we still need to eat our breakfast!”

[sosomonimagines]

House's girl, part one — House x Daughter! Reader

Summary: House learns to love his daughter.

Warnings: diet talk and harassment, but nothing too in-depth

Author's note: English is not my native language. I have an idea for a saga about this, but I want to see if anyone likes it first 😭😭

Part two:

SUNDAY

You rarely saw your father. 

By the time you were born, your parents had already divorced, and he chose to remain largely uninvolved in your life. You knew your grandparents and received some Christmas and birthday presents, but nothing that made a lasting impact. Most of the time, he lived as though he weren’t a father at all.

Yet here you were, standing in front of his apartment, holding a suitcase with a few changes of clothes. Your mother had become involved with a man of questionable character — a manipulator with a minor criminal record that included harassment. You had reported him for making comments that made you uncomfortable, but your mother, who was deeply entangled with him, dismissed your concerns as lies. Consequently, the women's police station decided to send you to live with your father, as you had no other close relatives.

You knocked on door 221B and waited for about five minutes. “He must be trying to escape through the window, but luckily he’s limping,” you thought with a hint of irony.

“You actually came,” your father said as he opened the door.

“Sorry I didn’t choose to become a homeless person,” you replied.

He stepped aside to let you in. The apartment was surprisingly tidy, which took you aback; your mother had often complained about his disorganization. You couldn’t help but wonder if he had made an effort to clean up for your arrival.

“You’ll stay in the guest room; it’s the second door on the right.”

“Why do you have a guest room if you never have guests?”

“Sometimes, the prostitutes prefer not to sleep in the same room as me, especially when I hire many.”

“Did you know I’m only fourteen and that sexual jokes and exposure to excessive affection can damage my mind, like abuse?”

“Good thing it wasn’t a joke.”

You sighed deeply and walked to the guest room. It was a sparse space with just a bed and a dresser. As you quickly unpacked your clothes, you realized there was no suitable place to study— something you would need to address soon, especially with a math exam approaching.

“Where am I going to study?” you asked your father, who was sitting on the couch with a glass of whiskey. “You’re drinking at eight-thirty in the morning?” you added, somewhat perplexed.

“Are you studying at eight-thirty in the morning?” he retorted with irony. “Study in the kitchen; there’s a table there.”

“But there’s no door between the living room and the kitchen.”

“That’s really a shame.”

“If you watch TV, the noise will distract me. I have Sensory Processing Disorder and need a quiet environment.”

“I’ll buy a desk for your room tomorrow,” he said.

“But I need to study today.”

“One day won’t make a difference.”

“It does when you want to get into Harvard.”

“You’re in middle school; nobody studies in middle school.”

“Actually, I’m in high school. I’m three years ahead.”

“Oh my God, you’re so annoying,” he exclaimed, getting up and heading to his room. “Study in the kitchen in peace. I’ll stay in my room.”

“Don’t you have to go to the hospital?” you asked.

“Unfortunately, no,” he replied, slamming the door behind him. You didn’t mind the harsh tone; you had come for a place to stay, not for a father.

•••

MONDAY

You woke up at six-thirty, the same time as your father. With two bathrooms in the house, you both managed to get ready without crossing paths.

When you met in the kitchen for breakfast, a heavy silence lingered. He served himself without offering you anything, but you had learned the previous day that if you didn’t help yourself, you’d end up going hungry.

You helped yourself to Pop Tarts and a cup of black coffee.

“Aren’t you a bit young for coffee?” your father asked.

“It’s a legal drug, and there are no age restrictions,” you replied.

He didn’t respond, and silence settled between you again. The next sound was the doorbell, followed by the creak of the door opening.

“Hey, House,” a man said as he entered. Seeing you, he paused, visibly shocked. “Is this your daughter?”

“Touché,” your father replied, his tone a blend of sarcasm and resignation.

James Wilson knew that House had a daughter and understood that, despite his reluctance, he cared about her. However, seeing you there was still a surprise.

“My name is James Wilson. I’m a friend of your father’s,” James said, extending his hand for a handshake.

“My dad has friends?” you asked, surprised, making James laugh.

“Alright, alright, that was a really funny joke,” House interrupted. “Let’s head to the hospital; I don’t want to be late.”

“You’re always late, House,” James retorted. “We’ll drop your daughter off at school first.”

“Seriously? Thank you so much!” you said, thrilled, and dashed to grab your backpack.

As you left, James turned to House. “Don’t look at me like that. I know you care about her.”

•

You arrived home at four in the afternoon, utterly exhausted. After studying late into the night and barely catching glimpses of your father throughout the day, you felt the weight of the long hours. Whenever he did venture into the kitchen, it was in silence, leaving you to wonder whether he was avoiding conversation or simply giving you space.

Heading straight to the kitchen, you rummaged through the sparse offerings. With little more than cereal and Pop Tarts available, you poured yourself some cereal — without milk, as there was none. As you were eating, the doorbell rang.

“Yes?” you called out, opening the door to find a tall, burly man holding a clipboard.

“Gregory House?” he asked.

“This is his house. I’m his daughter.”

“He requested that a study desk be delivered here.”

You smiled to yourself as you let the man in. He proceeded to set up the desk in your room, a small but meaningful gesture from your father.

•••

TUESDAY

You hadn’t seen your father the day before. When he came home, you were already asleep. Besides setting up the study desk, he called later to let you order some food, a small sign that he was making an effort, however minimal.

The next morning, as you both sat down for breakfast, you decided to strike up a conversation, unsure of how receptive he would be.

“How was the hospital yesterday?” you asked.

“Hmm?” he responded, looking up, surprised by the question.

“Any interesting cases?” you pressed.

“A girl with cancer having hallucinations.”

“Was the tumor pressing on the brain?” you inquired.

“No, the tumor was in the heart.”

“…A clot?” you guessed.

“Exactly.” House paused, impressed by your accuracy. He knew you were intelligent, having skipped grades and attended a prestigious school on a scholarship. However, he hadn’t realized your aptitude for medicine. “Do you like medicine?”

“A lot,” you replied. “My dream has been to become a doctor since I was nine. I attend pre-med camps, study whenever I can, read extensively about it, and watch medical shows to guess the diagnoses.”

“I enjoy doing that too,” he said, taking a sip of coffee.

“I was wondering if I could read your medical books.”

“If you can.”

“My reading level is quite advanced. I might not understand everything right away, but I’ll research what I don’t get. And my dad’s a doctor, so I can ask him about it,” you said with a sideways smile, almost catching a glimpse of a smile on his lips.

Moments later, Wilson arrived to take them out. As he dropped you off at school, House mentioned to him that you were aspiring to a medical career and were very intelligent. It was the first time Wilson saw House display genuine pride.

•

When you arrived home that day, it was the first time in days you could truly relax, free from looming exams or relentless homework. You took a shower and settled into the living room, turning on a cartoon — your favorite way to unwind.

As you were engrossed in an episode of The Flintstones, your father came in.

“Aren’t you studying?” he asked, surprised. It was the first time he’d seen you doing anything other than studying since you arrived. To him, it seemed you were engaged in it constantly.

“My exams are over for now. When I finish a round of exams, I take a day off. And you, why are you home early?”

“There was nothing to do.”

“Did the patient die?”

“No, he recovered.”

“Congratulations.”

“Why?”

“For not having killed him.” House wasn’t sure if you were being serious or sarcastic, but he didn’t care.

He limped over to the refrigerator, grabbed a beer, and sat down next to you. This surprised you; you had expected him to retreat to his room.

“That cartoon isn’t from your era,” he remarked.

“Yes, but I prefer the old ones. Do you want to change the channel?”

“Don’t be overly nice; it’s annoying. You want to watch the cartoon and you got here first, so go ahead.”

You nodded and the room fell into a comfortable silence. Occasionally, you glanced at your father, noticing him getting caught up in the cartoon, even suppressing laughter at some scenes.

After a while, he asked, “Want to order a pizza?”

“I ate out yesterday.”

“So what?”

“My mom only lets me eat out once a week at most. She says it’s unhealthy and makes you fat.”

“Good to know your mother’s paranoias haven’t changed. I’m a doctor, and you know what’s worse than eating out? Not eating at all. Do you want pizza?”

“I guess so.”

“Then call and order it.”

You followed his instructions, ordering your favorite pizza. When it arrived, you ate it in the living room—another thing your mother would never allow. After the cartoon ended, your father switched to a medical drama. You watched in silence until, midway through an episode, he paused and looked at you.

“So, what do you think?” he asked.

“Pardon?” you replied, confused.

“Sudden and inexplicable nail disintegration, colorful and shiny mucous lesions in the mouth, temporary and recurrent inability to recognize faces, rapid and unpredictable changes in blood pressure, and intense heat sensation without fever. What is it?”

“Are you serious?"

“You said you’re good at this, right?”

You paused, considering.

“Stiff-Person Syndrome?”

“I need you to be sure.”

“Stiff-Person Syndrome. It’s a rare autoimmune condition that can lead to progressive muscle rigidity and pain, along with various neurological symptoms like motor difficulties and changes in sensory perception.”

“Great. You’re better than my team,” he said.

You watched two more episodes before falling asleep. In the middle of the night, you woke to find yourself covered and with your foot adjusted for comfort. You smiled, knowing that your father had made sure you were tucked in for a good night’s rest.

[darkficsyouneveraskedfor]

Don't Speak 47

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon, obsession, stalking, manipulation, reclusive behaviour, disordered eating, dissociation, and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Reader is a reclusive loner who ventures down to the library on a simple mission. Her task is complicated by the man she meets there. (f!short!reader)

Character: librarian!Andy Barber, Steve Kemp

Note: look, i'm trying to focus.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me 

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!)

Love you all. Take care. 💖

You run your thumbs over the suede cover, “for me?” 

“A new journal, sweetie,” Steve smiles. It’s the first time you’ve been to his office since... well, since Andy. It’s been almost a week since you left. “A fresh start.” 

“Oh, uh... it’s so cute,” you admire the embossed dove in the corner. 

“Just like you,” he purrs. “It’ll help in the next phase of your treatment.”  

You look at him and wince. There’s a shift in his posture, a certain click. He’s Dr. Kemp again, not Steve. Not, as he says when he has his arms around you, your husband. You bite your cheeks and rest the journal on your lap. 

“Next phase?” 

“Yes, well, you just start using that and we’ll get there. For now, let’s check in. How are you doing? How are you feeling?” He asks in the gentle cadence that soothes you. It’s almost as if he’s a totally different person there. 

“I think... I think I’m okay. I...” 

“Sweetie, come on, this isn’t home. We have to do real work. So, let’s talk about Andy.” 

You grip the edges of the journal and shrink down, “do we have to?” 

“Now, you know we have to. You can’t keep running away. That was very intense, wasn’t it? Leaving.” 

You put your head down and nod, “yeah...” 

Silence. He waits and sniffs. He shifts and sighs. That noise, that release of breath, makes you shudder. It reminds you of Andy. 

“Are you still afraid of him?” 

You nod again. 

“But you’re safe. With me. So why are you afraid?” He prompts. 

You let go of the journal and wring your hands atop it, “I don’t... I dream of him. He’s angry and... he’s chasing me or... I’m locked up and he won’t let me go--” you cover your face and shake your head, “no, I don’t want to think about it.” 

“Now, Dove, we are making progress. You can’t just do that every time you get scared, right? You go so far and then you immediately pull back,” he tisks. “So let go into that more. You’re afraid of him. Why?” 

You flinch and look at him. You pout, “he hurt me. You know--” 

“Right now, I don’t know anything. I need you to tell me.” 

You stare, open-mouth, horrified. You couldn’t even write those things down. You swallow dryly. He nods and leans forward.  

“Take your time.” 

You look down. You can’t look at him. You wallow in the tension and suck in air through your nose, letting it over from your mouth. 

“He... he... he kissed me when I didn’t want to. I never asked... never said... and he touched me,” you eke out. “And... it hurt when we were in bed together--” 

“Sweetie, you don’t need to be shy. Sex is natural, we both know that. If you aren’t completely honest with yourself, let alone me, you can’t work through this,” he coaxes. 

You sniffle and scratch your nose. “He held me down...” 

You close your eyes as it trickles out. Little by little. It builds to a stream with your tears as you recite all the things Andy made you do. The things he said to you. How he said without saying it that he would hurt your sister. 

“Good job, sweetie,” Steve praises. “Why don’t you take a break, come here?” 

You jolt up straight and blink at the room. You nearly forgot he was there. You catch the journal before it can slip off your lap and hug it. It’s your shield. 

Steve rubs his thigh and you stand up. You cross to him with tiny steps and he reaches for you. He directs you around to sit on his lap. He rubs your shoulder as he lean into him. He tickles along your neck. 

“Alright, so, let’s work on your journal, sweetie,” he slips the pen from his chest pocket, “here.” 

You take it from him. He curls his arm around you and opens the journal, holding it over your legs. You click the nib of the pen out and peer down at the blank page. 

“Well...” he shifts beneath you, spreading his knees wider. As he does, you feel something. Him! He’s hard. You put your head down and shakily hover the pen over the page. 

“What do I write?” 

“Hmm, well, I can get you start,” he wiggles under you so his dick presses against your ass. “’Today, Dr. Kemp helped me. We talked about my trauma and now I won’t be afraid of Andy because I know the doctor will protect me.’” 

You write without thinking then pull the pen back and reread the words. You gasp. “Trauma?” 

“Why, yes, sweetie, you understand now what he was doing, right?” 

Your eyes burn again and your wipe your tears away with your sleeve. Steve’s hand flutters up your naked thigh and he plays with the hem of the skirt he picked out for you that day. You nod and gulp, biting your cuff. 

“I understand,” you murmur around the fabric. 

“And that’s the first step to sorting out all your feelings. You did a very good job today,” he pets your thigh, higher and higher, “you trust me, right? You know I mean it, I’ll protect you.” 

“Yes, yes,” you squeak. “Of course.” 

“Mmm,” he purrs and puts his lips against the shoulder of your sweater, “we’re all done, sweetie. You did so good.” 

“I did?” You bat your webbed lashes and drop your hand. 

“Oh, yes, you did,” his other hand comes up to nudge your chin as he feels along the front of your panties, “gimme a kiss, sweetie.” 

Your stomach does that thing. It flips but this time, it hurts. You turn in his lap and press your lips to his and daintily touch his cheek. You like touching him, just like that, small little curious brushes. He smiles against your mouth and pokes his tongue inside. 

He groans and rubs your pussy through the cotton. You clench your legs around him as his other hand cradles your head. The journal falls to the floor forgotten as he grunts and twitches. He prods you through his pants once more. 

“Sweetie, you’re hurting me,” he utters against your cheek. 

“Oh, no,” you try to push off of him, “I’m sorry--” 

“No, no, I just need... need you to help me,” he purrs as he leans back and looks you in the face. “Sweetie, did I ever tell you how pretty your mouth is.” 

“What?” You can’t help but smile and his eyes cling to your lips. 

“Yeah, yeah, when... when we are you know... together, I always watch it. The way you curl your lip when you cum...” he drags his thumb along your lower lip. “Do you wanna use your mouth on me? Like I do you?” 

Your chest pounds and your ears singe. You only ever did that with Andy and you didn’t like it but you like Steve and things are nice with him. You bite down on your lip and his eyes fixate on the movement. You squeeze his hand between your thighs. 

“Yes,” you answer as you trace along his cheekbone. He is so handsome and his eyes are so brilliant and bright and he’s taken care of you. And you want to enjoy the time when it’s the two of you. 

You squirm and he lets you go. You get off his lap and he groans again. He drapes his arms over the chair and leans into the puckered leather. He sets his feet wider and watches you. You stand before him, buzzing with nerves. 

“Go on, sweetie, you’re in control.” 

You hesitate. Huh? You only ever do what others wanted. But he’s handing you the reins and now you feel you might get tangled in them. 

You come close again and look down at the bulge in his pants. Your eyes round and you look at him. He urges you on with a nod. You grab his pants and flick open the fly. You’re trembling. You finally get his zipper down and fall to your knees. 

He groans and wriggles in the seat. You reach into his boxers and pull him out. You hold him lightly and he drones, “tighter.” You squeeze and drag your hand up to his swollen head. He shudders and grips the armrests until the creak. 

“Oh, sweetie.” 

“Does it hurt?” You ask. 

“No, it’s good,” he growls, “oh, baby, please, put it in your mouth.” 

You stare at his dick. You can’t look him in the face. You lean in and breathe warmly over him. He twitches again. You press your lips around him and he voice rumbles from his chest. He grunts as you spread your mouth over his tip and slide him inside. 

You push your tongue to him as you move your hand down to his base and he whimpers. 

“Dove,” he reaches to cradle the back of your head, shoving you down, “like that.” 

You take him until you nearly gag. He lets you up but not off, pushing you deep again. He rocks his hips in time with his guiding hand. 

“Touch yourself, too,” he orders, his timbre turning gruff. 

You hum around him and keep your head bobbing. Your spit plasters over the side of your hand and around your lips. The sucking noise fills your ears and curdles deep in your stomach. You’re both intoxicated and disgusted by the sloppy act. 

He says it’s up to you. You can’t stop if you want to, right? But you don’t want to stop. 

You snake your hand down under your skirt. You touch where he had. The cotton is wet. You slip your fingers around the edge of your pants and flick over your clit. You whine around him and he moves you faster, up and down his length. A saltiness mingles with your saliva. 

“Ooh, sweetie, oh, you’re so good. So good. You treat me so good, don’t you?” He snarls as he clutches your hair in his fist. “Mmm, do you feel good too? Are you wet? Mm, I know you are. Just thinking about the way you take me, I’m almost... I’m about too...” 

You try to pull off as you feel his pulsing in your mouth. He doesn’t let you. He holds you in place and pumps his dick into you from below. 

“No, please, I want you to taste me, baby. Don’t you want to taste me? Mm, I know you do. Fuck, I’m gonna blow. Are you ready, baby? Swee-ee—etie.” 

He spasms and cums, filling your mouth and throat. You choke and it shoots up your nose so you can smell it. You cough around him and your spit and his semen dribble out around him and leak onto your hand. He lets you go and you pop your mouth off of him and spit into your hand. 

“Mm, I’m sorry, sweetie, I couldn’t hold it,” he cups his sac as his dick flops against his pants. “You’re too good.” 

“It’s... okay,” you rasp and swallow what you can. “I just...” 

You pull your other hand free from your panties and search around for a tissue. You get to your feet and wobble around to the box on his desk. You stop at he red streaked down to your knuckles. Shoot. 

“Oh...” you stare at the mess, “I think...” 

“Mm,” he groans as the chair echoes him, “ah, that’s okay, sweetie, I don’t mind a bit of blood.” 

“I’m sorry,” you quickly wipe you fingers clean. 

“It’s natural, sweetie. It means you’re healthy,” he purrs. “You know, you should put that in your journal too. Track your cycle, make sure you’re regular. Stress can really affect your flow.” 

“Oh, I guess... sure...” you turn back to him as he plays with his softening cock. 

“Mm,” he strokes slowly. “I still wanna feel you on me, sweetie.” 

“But--” 

“I told ya, I don’t care,” he sits up and sighs. “How about you bend over the desk? I like your bum.” 

“Oh,” you nod and face the desk. You can say no, you just have to say it. Say it. “Okay.” 

He stops behind you and pushes his pants so they heap at his feet. He grabs your hips and wrenches your skirt up. He scratches you as he pulls down your panties and you squirm in embarrassment. You don’t want him to get all bloody but he says it’s not a big deal. You don’t want to disappoint him. 

“I’m a doctor, sweetie. You know, it’s good to do this while you’re menstruating,” he bends his knees and pokes along your cunt. “It helps with cramps.” 

He thrusts into you, forcing you to your toes and you brace the desk to keep from falling forward. He grips the back of your neck, his other hand tight on your hip, and he ruts into you. There’s no patience left in him and you really just want it to be over. 

[knifedog-machina]

Daemons To Systems, And The Ways They Intertwine

Hey, I’m Max, he/they - I’m the host of our system, the guy who lives in the front and has only ever lived here, the one who identifies our body as my body specifically. A few nights ago, we realized something about our system origins while talking to some other systems, and I’ve honestly never heard of it happening before, so I thought I’d talk about it.

I used to think that I was a singlet before Jude and Gavin walked in. Now I’m pretty sure I wasn’t. See, before I was the host of a system, I was a daemian. I had three daemons, over the course of my time practicing daemonism, interacting with the community. And they were all a little weird.

The first one was Charlie, affectionately longformed as Charlemagne. Xe appeared in January 2018 as a red fox, said that was xir settled form, and never changed from that. That’s an option for daemons - I know other daemons who chose their forms, independent of how well that form represented their daemian, and stayed that way - but it was in contrast to how most people seemed to do it. I never really felt the need to find a form that fit my personality, not when xe was so confident that this was what xe was.

I didn’t try to make xir do anything, I didn’t decide to give xir faux autonomy - xe just did things xirself, with or without my prompting. Xe was playful, optimistic, a cheerful presence always willing to race around and perk me back up. I really needed xir, back then - I was going through a lot of stress in high school, and I needed someone around to remind me of the whimsical little joys in life. Xe fronted sometimes, and I loved when xe did, conjured phantom tail and paws and big fox ears and an unstoppable zest for life.

My next daemon, Martin, appeared in May 2019 after a fever dream. Really. I was sick and tired and miserable, and I didn’t want to do anything, including things that would make me feel better, and a new internal voice appeared in my head. She told me to drink some water and get to sleep. The next morning, she was still there, lounging around as a large black dog, and she stayed.

This became her role, her purpose in our mind, being a shepherd for my needs. She ran our faulty executive functioning, told me to take care of myself when I forgot important things, encouraged me when I failed to meet expectations. She raised her hackles when anyone tried to overstep our boundaries, and advocated for doing what we needed to protect ourselves, regardless of whether it was nice or polite.

Charlie and Martin overlapped in existence for a while. Charlie loved having a big sibling to play with, and Martin was fond of xir. So I had two daemons for a while, and the arrangement was nice. As I transitioned out of high school into college, my circumstances and environment drastically changed. Charlie was sweet, but xe stopped having a function in my life, so over the months, xe popped up less and less, until xe faded away entirely. Xe wasn’t upset to go, and xir memory is a comfort to me - xe served xir purpose, brought me joy, and had a life well lived.

In October 2021, I created a new daemon, compartmentalizing my emotional dysregulation and disordered anxiety into something that was Not Myself, so I could talk to it and understand its needs without being overwhelmed with distress. This became the feral shadow of a dog that we named Cortisol, nicknamed Court - and if Martin was our Freudian superego, who provided guidance for my decisions and stability when I got stressed, Court was our id, feeling all the explosive emotions that I couldn’t externally express and curling up for scritches like a beloved pet when it got what it needed.

We stayed like that for almost a year, getting familiar with the rhythm of life together. Then, in August 2022, my current headmates walked into my brain. My daemons vanished for the duration of their stay.

They only stayed around a few days, that first time - I was moving to a new place and having new people in my brain simultaneously was overloading our mental RAM, so I was forgetting a lot, and I decided that I’d rather live with them some other time. They understood, we said our goodbyes, and they walked out the next morning. (Recounting this to my friend Tanix was hilarious, by the way. “what the fuck (positive)” he said, his own headmates unable to do this. The joys of being a gateway system.) Once the headmates were gone, my daemons returned into my life.

They came back in March 2023, after I settled down into college for a while, and the memory didn’t jam up like it did previously, so we didn’t part ways this time. Martin and Court vanished overnight, again, and looking back on it, I’m noticing some patterns.

Gavin is basically performing the same role that Martin did - he’s the guy reminding us about our responsibilities, talking through the emotions when we feel like garbage, telling me to eat when I forget, or encouraging me to eat when I have enough sensory issues that I can't stomach anything. He consistently fronts when talking to people we don’t especially like, because he feels protective of us and tends to be the most patient with annoyances.

He’s also literally just some guy, just a decent human person who wound up in here because his partner arrived in my brain five minutes before him and understandably got really upset about it, so he followed them in. Somehow. We don't know how it works, but I also don't know exactly where the first two of my daemons came from, so I’m fine leaving it as a mystery.

(He has a lot of complicated feelings about the position he's in, playing a daemon’s role as a completely different person from me, and will probably write his own post about it some time.)

Jude is, unfortunately, kinda in the same role as Court. And since Court held the emotional dysregulation in my brain, Jude also holds the grand majority of the distress and anxiety that we feel on a regular basis. We all really wish it was split more evenly, because Jude tends to not only lose the ability to talk when they panic, they also get stuck in the front, completely unable to talk to me or Gavin.

(It’s not even that they feel the stress that directly affects them, it’s that on top of the stress that we get in our daily life. They regularly had panic attacks over my grades and exams last semester, and they weren’t even the one studying for it at all! It’s fucked up and I don’t love it for us.)

And there are other interesting little coincidences. You know how Court was a sketched-in sort of black dog? Jude only really realized they related to dogs upon arriving in the system with me, and the archetypal form they identify with is, again, a stylized black dog.

It’s really interesting, the ways my brain decided to be plural, because I didn’t think I was a system back then. I had a daemon, then two daemons, and they were daemons because I considered them parts of myself - no matter how autonomous they were, we were bound together in the same identity, as parts of the same person. They were reflections of me, and I loved them like I loved myself, and they loved me with the same ferocity.

With this realization, that my daemons effectively merged into my system, I did have to ask - are my headmates also parts of me, since they’re falling into the same functional compartments in my brain? We don’t think so, or at least, we don’t think it’s that simple. 

They’re completely different people from me, people who arrived here with their own lives and memories and identities. They aren’t autonomous reflections of my psyche like my daemons were. They’re my weird roommates who moved in with me, and my boyfriends, and I guess you could say we’re life partners - because hey, what’s a partner if not someone you share a life with? What’s more intimate than sharing the same body, hearing each other's thoughts and feelings? They aren't parts of me, but we live the same life together, and I think that counts as something just as significant.

[klausysworld]

Heyy I love your work I was wondering if you could do a klaus one we’re the reader is a bit chubby and all of a sudden she started wearing long sleeve and oversized stuff and nobody rlly noticed until they had a party or smth and she wears a dress and when they see here there all rlly shocked cause they didn’t notice how she a lot or weight in like a span of 2-4 weeks and she hasn’t eaten for like 2 days before the party

This one-shot will contain triggering content around eating disorders including both anorexia and bulimia. Please don’t read this is you feel it may upset you or harm you mental health. I’ve had personal issues around this area and know it can be hard. Don’t hesitate to reach out 🤍

Too much or Not enough?

Y/n had struggled with weight as a child, and as a teenager. As a result she had a difficult relationship with food and clothes.

She was naturally a little curvier, but what some people saw as gorgeous another saw as an opportunity to poke fun. And so she grew up hating herself and those around her who would highlight her insecurities.

As she grew out of adolescence and into adulthood she lost a little weight. She went to the gym excessively and ate barely anything. It was unhealthy but in her eyes it was her best option.

She still had her curves but they were complimented more than they were judged but even when people said ‘good’ things about her body, she just saw it at mocking. She would have kept losing the weight but she ended up passing out at the gym and having the paramedics called. They told her she needed to keep a balanced diet and take care of herself and as much as she didn’t want to, the fear of being that embarrassed again haunted her.

So she ate some what regularly for a while but ended up with two fingers down her throat to get it all back out.

She would have carried on that way if it weren’t for the Mikaelsons.

She had ended up being wrapped into the supernatural world and suddenly there were so many other problems in her life that food was almost forgotten.

Between a temperamental pregnant Hayley, overly dramatic Rebekah, pissed off Elijah, furious Marcel, war raging Klaus, power-hungry witches, territorial werewolves and bloodthirsty vampires, Y/n didn’t have much time to focus on herself. Especially not after Hope was born.

The stress seemed to make her hungrier, she would go days without any food and then eating as much as she could to ‘keep herself going’.

She didn’t really realise she had put her weight back on, she assumed running around after everyone would have been enough exercise.

And when Klaus had shown interest in her, when he had kissed her and laid her heart out on his sleeve well she assumed she must have looked good. Someone like him wouldn’t go for who she used to be, right?

And so she gained a small amount of confidence until the supernatural communities began to calm down and it seemed people were more attentive.

Y/n was able to go out more, whether it was with Hayley, Rebekah, Davina or just by herself. And that’s how it circled back.

One or two comments on her figure from men made her wear baggier clothes. An awkward moment with Hayley and Rebekah when the girls went shopping and Rebekah unintentionally made a quip on y/n’s size. Apparently a dress that looked good on Hayley wouldn’t be nice on ‘someone like Y/n’. She had brushed it off and told Rebekah it was fine when the blonde began apologising but inside it was anything but fine.

Even if she hadn’t had any malicious intent or meant it in any offence, it tore up old wounds and brought back something much deeper rooted.

And then when things started to kick off again and Klaus payed y/n less and less attention or affection, she assumed it was because she was no longer attractive to him. Had she gained that much?

So she did what she knew would work.

She forced herself to the gym as often as she could for as long as she could. Drank as much water that was available to her and ate the bare minimum to keep her conscious. Throw up anyway meal that she did happen to consume and have a packet of gum handy incase she got too hungry.

It was even easier to do once Hope was around more, Y/n was often asked to look after the baby while the rest of them took on the new foes and unexpected family members.

When Klaus, Elijah and Marcel had announced there would be a party to celebrate the defeat of a common enemy, Y/n began to worry. The last time she had to dress of for one of those things she was much bigger than she had thought. Looking back on pictures of that evening persuaded her to gag and cough up to the point where she was only throwing up water and blood form how she had torn her throat inside.

Even Hope could sense the change in Y/n’s behaviour when she looked after her. But nobody else did, everyone was too busy to realise.

Klaus had barely looked at her let alone touched her to realise that she had done down 2 clothing sizes and yet was wearing t-shirts triple the size they would need to be. None of the girls payed enough attention to see the bags under Y/n’s eyes or to notice her absence each morning when she would struggle on a treadmill for hours on end. Only Hope, someone who wasn’t even a year old, would give Y/n the hug she so desperately needed.

———————————————————————

It was the day do the party, Y/n stared aimlessly at the dress she had chosen the week before. If she were honest she planned on not going at all, nobody would notice anyway. But then Rebekah came in all bubbly demanding that she know what colours people were wearing she they didn’t clash in photos.

Photos.

Y/n learned to despise them. “The camera adds 10 pounds” she was told by her mother when she was young and it was something she reminded herself every time a flash went off.

So she needed to make sure she looked okay.

She scrubbed her skin raw in the shower, shaved every last hair from her legs before moisturising them and the rest of her body. She avoided any full body length mirrors and focused on her face, covering every flaw possible. Her hair was pulled to be half up half down, leaving pieces to frame her face and still give her enough volume.

She managed to get the dress on that was now a little loose on her, which she should have been worried about but she couldn’t help but feel relieved. The zip went up effortlessly but even so, she didn’t want to step outside of that door. So she stayed on the edge of her bed, her nails licking at the material of her dress as she hoped the night would pass by without her.

She had no such luck when Hayley came knocking on the door

“Y/n? Are you okay? The party started a while ago” she called through the wall and Y/n pinched her own skin desperately

“I don’t think I’m gonna come down…I’ll just keep an eye on Hope” she replied

“Hope’s dressed up and downstairs with Klaus at the moment, you don’t need to watch her, come have fun!” She told her brightly and Y/n could feel herself getting hotter as the nerves poured in

“Parties aren’t really my scene” she responded softly “maybe next time okay?” She tried again but Hayley was getting persistent

“Oh come on, there’s music, drinks, food. Have you eaten yet? Come on we’ll go get something” she encouraged but that only made it worse. Y/n had made sure not to eat anything the last 2 days so that there was zero chance of any bloating and she wasn’t about to ruin that.

“I ate earlier” she lied and Hayley sighed

“Try make an appearance? If not for me then for Rebekah or Klaus” she asked and Y/n could have scoffed. As if either of them had cared less that she was there.

Well so she assumed.

Unfortunately for her she was proven wrong again when the door hand was twisted and pulled, a frustrated groan coming from the other side of the door when they realised it was locked

“Y/n?” Klaus questioned “come out” he ordered and she had the sudden urged to suffocate herself with a pillow.

“I’m going to sleep” she mumbled, though she was still dolled up and sat against the headboard but it wasn’t like he could see her.

“We can fix that, open the door and I’ll grab you a dress” he told her and she pinched the bridge of her nose

“I already have a dress” she muttered in defeat, Klaus wouldn’t walk away as easily as Hayley.

“Perfect. Put it on.” He grumbled “Rebekah needs you in the photo” he added and she nodded, of course they needed to keep their image up.

“I don’t want to be in the photo anyway” she murmured and he groaned

“Just do it” he complained and she reluctantly stood up.

She plodded her way to look in the mirror and yet despite the makeup on her face, she just looked tired. It didn’t matter anymore though, she looked bad in pictures either way, may as-well know it this time.

Just as Klaus was reader to break the handle off the door, it was clicked open and Y/n was looking up at him through glassy eyes.

Klaus’s expression dropped almost instantly when he looked at her. The dress was loose around her body in all areas, her arms thinner than usual making him frown and reach a hand out to grab ahold of her wrist. His eyes locked on hers and his lips parted in shock.

She assumed he was thinking she looked awful, was the dress too small again? Was she too big? She could feel her face heating and her eyes filling with tears. Her breathing grew more laboured and her hands began to ping at the fabric around her to make it seem baggier.

Klaus quickly pulled her into his room so nobody could look up the stairs and see them. He stroked her hair gently as he wrapped his arms around her in an attempt to stop any tears from falling.

“Sweetheart” he whispered quietly, guilt beginning to rise in him. People didn’t loose this much weight this fast. He knew he had been distant the last month but that was to keep her safe not to make her sick, was she I’ll and not told anybody? Or was this something much more?

He feared for the last one as he rubbed her back soothingly while small sniffs lift her and panicked apologies flooded form her lips.

“Why are you sorry my love?” He murmured gently.

“I just wanted to be pretty” she uttered and his heart ached for her. “I tried really hard” she whispered “it wasn’t enough”

“Y/n…” he murmured as his arms held her a little tighter “you’re always pretty, you’re beautiful and bright” he told her “don’t change anything about yourself for anyone else ever”

“I did it for me too” she mumbled and he nodded hesitantly

“Yeah but…this isn’t the way” he whispered and she sniffed

“It’s the only way that works” she argued

“Love, what have you been eating?” He asks and she frowns

“Why does that matter?”

“Because there’s a difference between eating healthily and not eating enough” he told her and she began to grow more upset at his tone

“I eat too much” she utters and he sighs, he placed both hands on her shoulders and looks down at her

“Nobody thinks that” he whispered, his eyes locked on hers as though it would make her listen better. “Not eating at all is as bad as eating too much, we can find a good balance” he persuaded

“I’ve tried balanced diets, it doesn’t work” she shakes her head frustrated

“I’ll find you a better one” he decided and she lets out a laugh

“Why because I suddenly matter enough? If you only just realised that I’ve lost the weight when we live in the same home then Im clearly not worth-“

“Stop” he whispered, a crack in his tone “do not do this to me and do not do this to yourself” he let out a breath “I wouldn’t ever want this to happen to you, I care about you. I was just leaving you out of all the darkness and the pain, you weren’t supposed to bring it to yourself” he snapped. His eyes were hard though he didn’t mean to appear so angry as tears freely flowed down Y/n’s face and a sob let her lips.

At the sound of her cries, Klaus’s bedroom door was opened rather suddenly. A concerned Elijah stepped inside, his eyes falling to Y/n and his brows furrowing as he noticed his brother trying to apologise. Then he noticed the differences from the last few times he had seen her and he picked up on what was happening pretty quickly.

He closed the door behind him and came forward, coaxing Y/n out of Klaus’s arms and into his own.

“Would you like a smoothie my dear? We’ve stocked the kitchen with fruits recently” Elijah murmured softly, his chin on top her head as he glanced to an upset Niklaus. Y/n frowned in confusion at the offer and at the calming affect Elijah seemed to have over everyone. He wasn’t really the hugging type but it was nice to experience one. She didn’t reply but he kept talking “how about I go and get you a smoothie while Niklaus helps you out of this dress? I’m sure you can wear one of his shirts for bed hm?” He lifted her chin up to look down at her. She blinked at him unsure as he tried to convince her further “I’ll bring Hope up as well?” He offered and she nodded slowly.

Elijah gave a look to Klaus and both brothers began to move. Elijah rushed off downstairs and Klaus grabbed one of his henleys. Y/n kept her eyes on the ground as Klaus’s fingers gently undid the dress

“I’m sorry my love” he whispered as he let the material drop down to the floor making goosebumps arise across her skin. His lips pressed to her shoulder softly before the warmth of his top was pulled over her head and her arms were pulled into the sleeves. His arms slid round her waist gently and his nose buried into her hair.

She kept quiet, eyes down as he unclipped her curls and let it all fall loosely around her face. Soft kisses planted their way up her face as Elijah returned with a smoothie and a straw.

Both brothers guided her to sit up on Klaus’s bed before sitting either side of her. Gently she was pulled into Klaus’s lap and the straw was brought to her lips

“The cup is only half full, the rest of it is in the fridge for tomorrow if you should want more” Elijah tells her with a reassuring smile

Klaus brushed his hands along her sides gently as she reluctantly drank what she was given. Both brothers continued to speak of random topics to keep the attention off of her as she took small sips as slowly leant back against Klaus’s chest.

15 minutes later Hayley came by and dropped Hope off, both she and Elijah left, leaving Klaus, Y/n and Hope to snuggle up together with the silent promise that at least Klaus and Elijah and most likely the rest of the Mikaelsons would be helping Y/n find a happier,healthier state of mind and body.

(I hope this was what was wanted, I didn’t go too deep into the topic and still wanted it to have a relatively happier/promising ending. If a darker message or ending was wanted then I would be okay with trying to write something similar for anyone out there. I understand the struggles with eating disorders and also with self harm and just mental health in general so feel free to message or request, anything at all :))

[howlsofbloodhounds]

Yo man, I like reading your posts and your thoughts. It inspires me.

There were a few questions that I asked anonymously, but reading everything you wrote, and thanks to you, I changed my attitude towards Killer as a character (to be honest, I hated him before, as well as his duo with Color). And also, like one anon person, I love Delta.

How do you do it, inspire and change opinions about characters?

I become obsessed about them and learn everything I can and then yap about it on the internet. /hj

Also a lot of killers story requires even a base level understanding in psychology and abuse and trauma, I feel. Especially things like prolonged intense coercion, and dissociative disorders, paired with severe CPTSD. And I love psychology so he quickly became a favorite of mine.

A lot of my fixation towards killer actually came from the fact that—no one could seem to understand or agree on things about killer’s canon story (which in large part is because a lot of killer’s canon was unfortunately deleted, including an entire ask blog.)

So i went looking myself, found what i could, shared it around everywhere i could reach—and then started doing research and analysis, and sharing those too.

But also from what I can see, the UTMV fandom back then was all really young—focusing more on black and white, “good” and “bad” morality. Creepypasta-esque. Instead of acknowledging Something New for the tragedy and psychological horror it is.

It was never as simple as “sans goes crazy and kills everyone” or “evil Chara possesses sans to kill everyone” or “sans gets bored and kills for fun.” It was all deliberate, pointed towards a goal—and sans completely lost himself until he became something so completely foreign and unrecognizable. which was all intentional.

and another thing I love about killer is that he’s definitely not a “perfect victim.” He was a victim sure, and he was made and taught to be this way, but it doesn’t change the fact that this victim has victims and he’s still an awful, shitty person. there are completely valid reasons to despise that bitch, and everyone is well within their rights to do so (Delta and Delta lovers deserve to punch killer and humble him ong) even as he attempts to work on himself and actually process his trauma that had been going for an unknown amount of time.

(which still fascinates me. there is a period of time in Chara and killer’s partnership that we are unlikely to ever see. we have no clue just how long they were together. killer himself probably isn’t sure—maybe they were always together.)

and color is an interesting piece of psychology too. I completely understand why he inspires hope in killer—hope that change is possible, that safety is possible, that something better out there can exist. that not everyone with power seeks to harm and control, that not everything is control or be controlled or kill or be killed, that some things do matter. that what he wants matters. that someone out there still cares about him, and unlike papyrus or the rest of the underground—is willing to fight for him, too.

(of course, papyrus was willing to die if it made sans happy. but he was never willing to fight to make sans happy, as far as killer can see.)

color has really lost everything and everyone in his attempts to save them. he fought and fought and fought—until as a last ditch effort, he makes a desperate choice. and it works, but it dooms him. only, it didn’t actually work, because the feeling of the Genocide route is coming back—and it’s happening again.

We can see this same exact thing with killer, too. Nightmare replaces Killers when they are killed or no longer useful. Color can see right through Killer—he knows he doesn’t actually want this life. He just doesn’t know anything different anymore.

And so Color spends so long trying to get Killer to admit to what he actually wants—and when he does, when Killer finally just admits he wants his old life back—his brother, his family, he wants to be Sans again. Color doesn’t tell him it’s likely impossible—instead he offers to help.

And when Killer asks Color to save him, Color takes to it loyally. It’s not hard to imagine that Color tried and failed to help save and protect many, many, many Killers.

And yet with each devastating failure, he keeps getting up and going and persevering. Because he has to, because it’s the right thing to do, because Killer asked him to, because Killer needs help, because he cares so much about Killer, because Color can’t leave him alone or forget about him the way he was forgotten. No one else is going to care enough to reach out and try with Killer—and Killer isn’t likely to trust anyone else who tries.

Even Color has to work hard to earn and maintain Killer’s trust. A single slip up could send Killer recoiling and snapping at any hand that attempts to touch him. So despite how desperately Color wants to save him, keep him safe, take care of him—he knows he needs to go at Killer’s pace.

He needs to be patient, and he needs to be consistent, and he needs to be open and as honest as possible—even if it’s hard, and he needs to be careful around Killer, too.

He can’t allow his emotions to drive him completely, to make him blind to Killer’s violence and apathy and manipulation and controlling behaviors—not only because for his own well being, but because Killer would definitely lose any respect he has for him if he thinks Color can’t see him for what he is. He can’t allow Killer to think that he is weak—someone easily trusting, or naive, or easily led and used and taken advantage of.

He has to maintain a balance between that, and just being himself—practicing what he preaches, because killer will notice; he is watching. Color’s goal isn’t to fix him, that’s something killer has to want for himself, he’s just here because he wants to help and Killer asked for the help he needs—even if Killer’s SOUL Stages make him have conflicting viewpoints and desires, if any at all. He has to show up for Killer consistently, show he isn’t trying to use or control him, and be true to himself.

Of course, the journey to actually getting there would likely be a struggle for them both, but they’re both determined enough to try, I think.

Anyway rant over. So that’s basically what I do; get curious, go digging and researching and get obsessed and then make my thoughts and interpretations everyone else’s problem.

{ @ferociousperson }

[voltstone]

ERICSON'S WALLFLOWER

or bpd as a twdg fandom essay, & violet's analysis

[Mar.26-29.2024 | 27,991]

Throughout my time spent within the TWDG fandom—since late 2019, early 2020—, Violet as not merely a love interest but a character exists as the fandom’s staunch polarization. And the funny thing?

I get it. A lot.

Much of what I’ve read into this character has been extrapolated from my own experiences, and those experiences speak to an inherent, polarizing chaos. It’s something that’s quite honestly a purgatory to try and articulate—I have tried—, and another bane to hope that people will get it. At least, enough to not just sweep my words under the rug. This essay is ultimately a trial to see if I’ve done enough work with myself, both emotionally and in writing, to be able to explain this to those none the wiser, or to the some who feel the same things, but have yet to hear it spoken with absolute clarity.

Through a fandom essay, no less. Specifically about a video game character who grows on people—Louis promises so.

Borderline Personality Disorder.

Nobody really likes to talk about it. Too many times in my life, I’ve had people sweep it under the rug because it is not a pretty thing, in times where I was pleading for help; often, in presence of the wrong crowd, it feels like a target nailed to my back.

It’s intrenched within stigma. And what’s difficult about that is…, yeah. I get why. There’s no mystery to it.

…yet there is so much people do not understand because not talking about it is so much easier, and the joke is, talk therapy is quite literally BPD’s primary treatment.

And so let’s talk about it. Allow me to pull away the confusion this disorder brings, and lay it out—as best I can—in a more digestible manner, through a deconstruction of Violet. I’ll have a little fun with it. However, if this essay reads in a more…straightforward tone compared to the couple others I’ve written now, it should. I’ve attempted to write this in a more lighthearted language before, but it didn’t really get the message across well, I would slip to this anyway, so. Yeah. I will still be conversational, just less so.

With that, however, this is another long essay. I hope you enjoy. :)

[Given the subject matter & the inclusion of my own experiences, take heed. This discussion is sensitive. W/ my experiences, I assure you I'm fine. I speak from a place where I’ve worked through my experiences.]

[Also, to stop-breaking-my-heart-telltale: I reference Louis and one of your essays about him, hence the @. But this thing's real long and about Violet, and stuff. Lol.]

[Briefly, but Exhaustively, to Clarify]

Before any discussion of BPD, then Violet’s deconstruction, a few things.

One. No, I’m not outright diagnosing Violet with BPD. She isn’t diagnosed in the game. I’ve not heard anything by Telltale or anyone associated remark BPD either. None of the schoolkids, for the matter, are diagnosed because it’s not that kind of story. The most we’re given is a narrative that explores their patterns in behavior, and then one…“diagnosis” with Willy. That being the, uh, chronic masturbation. (No, I did not think masturbation would be included in this discussion, but here we are. Thanks, you bug-eyed child.) Even then, however, that was likely a symptom of a larger issue with Willy.

Instead, I like this character. I see a lot of myself in this character, recognize the patterns she exhibits, and I’m hardly the first to associate Violet with BPD—since though she’s not diagnosed…, she is a little bit textbook. I’ve also seen a lot of the fandom misinterpret, preemptively judge, Violet for the things she does.

And I don’t mean the confusion and betrayal players feel should they save Louis over Violet. That reaction is normal. Yes, feel confused and betrayed. Because that’s the intention. What I take issue with, and part of why I’ve wanted to write this for a long while, is the…undertones beneath what is generally said. The opinions, too, that go along with it. All of which, ultimately, feed into the stigma that BPD is so intrenched within. The ignorance, and the refusal to understand both why and how.

So I do this through Violet because I adore TWDG, I’m in a TWDG mood, and, she is actually a phenomenal example to use for discussions around BPD. No, she’s not canonically diagnosed, but, it is better to explain a character by using a researched concept, just as much as it’s easier to explain said concept through a fictional example.

…and myself.

This essay will have a lot of commentary based around my experiences. A lot of this disorder’s stigmatization makes it difficult to find good information to understand what it does—specifically from the perspective of the borderline personality, not observers—, because…it’s just not the same as ADHD or depression, which have been big talking points within the recent years. I also have ADHD—runs in the family. That said, conversations in mental health has its fair share of stigma regardless, it’s just that BPD…does not help itself, largely due to the concepts I’ll be going over.

Also, I am very similar to Violet, down to how we dress, but also in personality. We’re not the same, but there’s enough where I feel like I can explain a lot of this character in relation to BPD. Because it’s a personality disorder. In similar personalities, the disorder will—more often than not—present itself the same way.

This does lead me to a third: as much as I’d like to say that this discussion will be the absolute, universal truth, the reality is no, this discussion will likely have blind-spots. It won’t be universal. For a myriad of reasons.

BPD is, again, a personality disorder. Its expression is entirely dependent on the personality, and the experiences established. So anyone who is not an indifferent/apathetic person, who is more extroverted and not the marginal recluse that I am, there will be aspects of this that won’t align. The rudimentary concepts may apply, but the expressions and emotional processings behind these concepts may not.

This also bleeds into the fact that BPD overlaps with many conditions, and traits of the disorder can be found elsewhere. Which, quite frankly, is fairly standard for most disorders, because it’s about the expression and amalgamation of the traits, not the traits themselves. So, as I discuss BPD, you’ll likely find yourself relating to certain points.

Do not take this to mean that you yourself have borderline.

Well, okay. You might. There’s nothing wrong with doing research, and to evaluate all of your resources. Keep in mind, however, there is a difference between one condition relating to another, and one BPD relating to a likewise diagnosis.

BPD overlaps with many conditions (like ADHD); it shares many traits in others.

The reasons for it includes how BPD is developed, where the development will be alongside other conditions—like, say, PTSD—, or other conditions may predispose the condition—ADHD—, or, or, both.

And then, some of this relatability is due to language. There are limitations in the words I choose, especially when this essay is intended for a wider audience. When I say, I go from 0 to 100, you may know precisely what I’m putting down, or, your 0 to 100 is my 0 to 10. And there will be that barrier in understanding because…we’re different people, with different experiences, living alongside different conditions.

Some of you reading will just never understand what it means to get whiplashed by your emotions at the drop of a dime, where you’re perfectly fine one minute, and then you feel like you’re about to have a heart attack the next because someone said something, and you don’t understand why it hurt you the way it did, but it did, and you’ve already lost your shit, but you don’t want to do anything, but you can’t trust that you won’t… All…with the guilt that it is happening again, and you should have known better, and it’s all your fault…

Yeah. It’s okay if you don’t understand what that’s like. And to be quite blunt, if you don’t, be grateful. BPD isn’t fun for anyone. There are slight blessings, but those are gravely overshadowed.

Given that I do expect a lot of people reading this won’t understand, this essay will be exhaustive. I don’t really want to cut corners, even though certain aspects of my experiences will be kept to myself, and not everything about this disorder can be related to a video game character.

I do want to give it its due. The drafts before fell into the trap of not articulating precisely what I wanted, with the transparency I needed.

…hence why it’s long, but with that, let’s start with understanding BPD at its core.

[BPD, in Experience, as an Introduction]

So. Borderline Personality Disorder.

Boiled down, it is purely the complete lack of, or, the severe impairment of emotional regulation.

That’s it.

That is literally all it is. And in understanding that, it explains (in part) how and why many of you may relate to certain aspects throughout this essay—emotions, and the (dys)regulation thereof, are integral to each and every one of us.

However, BPD is distinct, and I will comb through the how and why in this section. It is quite simplistic when boiled down, but this synopsis implicates everything about a person.

It is also. Not. Bipolar Disorder.

(Yeah, let me just kick this out of the way.) 

Bipolar Disorder is about the brain chemistry, and is defined by manic and depressive swings.

Borderline Personality Disorder is a disorder of the personality. It’s systemic to the person. Could someone with BPD also have bipolar? Well, yes, which doesn’t help in the confusion, but to be the least bit informative, those instances often imply a specific BPD type (comorbid).

[Further resources will be linked at the end, for the BPD types, relationship with bipolar, and additional elements to come. For the sake of the essay, I won’t delve into this in-depth.]

This nuance—comorbid-BPD and bipolar—illustrates how complicated of a conversation BPD is. Again, it’s why this essay will be exhaustive, but also selective in what it covers.

Including, but not limited to, this kind of nuance.

To embark what a severe impairment/lack of emotional regulation means, it’s important first to establish the working definition of what emotions are—the definition, at least, which this essay utilizes.

Emotions are the reactionary senses of the body. Where sight, smell, touch, taste and hearing are the immediate feedback from the environment to the body, the emotions are the immediate responses to the stimuli, to prompt our actions thereafter.

Our relationship to our emotions is a very complicated one, because…we physically feel our emotions, which can be conflated with the feedback from our environment. Comprehension is also required to understand what, exactly, these emotions are signaling to us, because an environment isn’t just physical. Social, cultural, and psychological environments are included. 

If you ever wonder what, exactly, a dog with the intelligence of a 3-year-old actually means, it’s their comprehension level of their emotions. These dogs are feeling the same emotions as a 3-year-old, and a 30-year-old. But there’s a catch: dogs don’t do the whole language acquisition thing like we do. Language acquisition being the learning process we undergo in our youth, because we are wired to speak and derive meaning through vocal, then visual, patterns.

I say this because a lot of emotions are, physically, perceived the same way, but we use language to distinguish one from another because contexts do matter. And they matter a lot.

Like, what’s the difference between lust and common excitement? They both feel similar, don’t they? But, lust is specific to a defined context.

And in this way, language absolutely contributes to the complexity of emotions.

But ultimately, emotions are just there to tell you what comforts you, and what doesn’t. It establishes what kind of environment you feel safe within, or at risk; the gradient within that establishes what you prefer, what you can tolerate. So the places you go to. The people you surround yourself with. Your interests. Activities. How you want to present yourself. Your morals, and ambitions. Identity and sense of self.

All of it is prompted by emotion, and your comprehension of that—ultimately through language—establishes how you respond.

How we actually navigate this is through regulation. Or rather, the process of self-comprehension, where an individual has to evaluate a situation, their internal reaction to such stimuli (both in thought and feelings), and the appropriate behavioral response. Dysregulation, then, is where that process is faulty.

So as we mature into adulthood, and our learned behaviors are set in stone (more or less; old dog, new trick or something), we’ve ideally learned how to comprehend these emotions, how to use language to articulate them and relay them to others, and find what is comfortable and what isn’t.

People get in the way of themselves, however.

For some fucking reason, we think we’re so fucking smart because we can talk, and we got thumbs, and we, like, stand on two feet. Or if we don’t got two fucking feet, we can build a wheely chair to sit our asses down.

And? We like to convince ourselves that we know better than our emotions, to the point where they’re disregarded. Of course, social contexts, understanding how your actions may impact others—those are all nuances which, yes, our emotions may not respect, but we do.

In regards to when people refuse to acknowledge emotions for what they are…

Piece of advice, from someone with BPD, emotions run like rivers. You do not decide what that river’s water is, how much there will be, and when it will flood. What you can decide is what canals to dig to retroactively contain that river, when to do that, and to establish how to treat the different flooding waters. You will drown if you think you can just ignore them.

Because the funny thing about water? If you fall high enough, land the wrong way, you might as well have hit stone.

In this way, emotions are devastating, and the mind and body has many mechanisms to deploy should an individual be constantly bombarded, and there is a need to prioritize our primary senses—touch, smell, sight… To prioritize a survival.

Take DID, for instance, where often it’s the mind “divorcing” itself into several identities in order to protect and shield the host from further trauma. There are many, many disorders like this where the brain deploys its failsafe, but that failsafe comes at a price.

BPD is, effectively, what happens when one of these mechanisms deploy, but the cost cripples an integral function to the human experience. It cripples the capability to dig those canals, redirect those rivers, and it can even imply a blindness to what kind of water is flooding.

…in many respects, this implies that BPD is, inherently, a disorder rooted in other conditions, just set to the absolute extreme. But when I say “absolute extreme” to someone who has never experienced emotional turmoil, the wrong impression may be impressed. Again, much of what I say may relate to your own experiences, and it’s why I have to take great care in articulating precisely what I mean because…it can be easily misinterpreted. Everybody has had moments where they are not in control of what they feel, and they do things. However, while the instances may look the same, the mechanisms, patterns and history behind them…are not.

Hence why BPD and bipolar are so often confused, because at the height of those disorders, it can very well look the same. I have had manic episodes that look identical to someone in a bipolar episode within one moment. But the differences are the mechanisms, patterns, and history. For these two disorders, it’s what’s actually going on in the brain, what stimuli we’re actually reacting to, and then timeframe. Mania in bipolar can last months; in me, I plummet into mania for minutes, or hours, or days—a week at most. And I can rocket right back out of it, back to an indifference, or into some other extreme.

And those mechanisms, and patterns, and histories are what make BPD, well, BPD. 

We now get to how BPD happens. And though there is some debate, BPD is a developmental disorder. It’s created.

Through a number of factors. Genetics (like a family history), accompanying conditions (such as ADHD, autism, due to the predisposition to emotional dysregulation), past experiences of trauma, and, the environment.

And that’s the footnote version. Because this disorder, while there are strong patterns observed across diagnosed individuals, again has its nuances. Going into what causes BPD will lead you down a steep rabbit hole—in part because it’s dependent on the person, history, and environment, and in part because…, well, there is stigma, and there’s a lot of unknowns. Borderline, as a name, is not telling of what the disorder is. There’s a long misogynistic history to the disorder’s criteria, despite the fact that there’s a lot of men out there that have stunted their emotions, will fly off the handle when their egos are slightly bruised, call themselves alphas, are vehemently loyal to that alpha identity…

Hm.

That’s a discussion for another day. Point being, I cannot indulge this essay into every kind of way a person can land themselves with the disorder. It’s never ending. I have other priorities to indulge. Such as:

What kind of abuse is commonly attributed to BPD?

The answer? For such a volatile personality?

Neglect.

Funny, isn’t it? How neglect—the absence of—is what often causes BPD, of all things. Most would likely scoff, because our world has groomed the idea that the other kinds are worse, and are what creates monsters. Because it doesn’t make good tv, does it? Like the times where I was sat in time-out for…some reason or another, on a bench beside a chalkboard. Upwards to 10 hours of the day—which is a long time at three years old. That doesn’t make for interesting scenes, does it?

No. And because it doesn’t, and stories like their spectacle, media relies on the other kinds. To the point now where it’s necessary for our idled attention spans.

To be clear, this isn’t to demote abuse types outside of neglect, nor is it to insinuate that they cannot coexist within one circumstance. The fact of the matter is, different traumas with different people in different environments will lead to different conditions. There is no worth in proving to each other which trauma is worse or better, because it’s entirely dependent on the people and environment(s) involved.

What I will demote is the common, ignorant insinuation that neglect doesn’t destroy a person.

It’s why it is ironic, how BPD—an explosive thing—is often born from neglect.

How it does such a thing is…complicated. Lucky for this essay, I’ve lived it.

Within the first handful of years in my life, there were many things like sitting on that stupid bench in my room, for hours upon hours. My parents, at the time, were young themselves and fresh from college. My dad was in the military, so he had been deployed, leaving my mom alone with me, and…her BPD. I suspect postpartum made things worse.

Before you assume, it isn’t that she didn’t love me. Quite the opposite, but it was only through the divorce a few years later was she diagnosed. So, she didn’t have the resources for such a disorder at the time. Which made things worse, because part of treating BPD is being aware you have it.

The thing about these kinds of abuse is that…they come from the people you least want to admit, and for me, it had been my own mother.

And, the thing about neglect, especially mine, is that it’s hard to explain how no…, she was home. It wasn’t like she’d leave me like that. But, even so, I couldn’t tell you what the fuck she was doing when she wasn’t in the same room.

I was left to my own devices. I told myself stories with my stuffed animals to pass the time. I was often hungry too, and there are two accounts from family where, upon visiting, they saw this little toddler know how to work the baby-gate to the kitchen, and start to prepare food—sandwiches for me, and I’d pour food for the dog.

I seldom spoke, was borderline mute. Didn’t really converse until four. But I knew what people were saying before that. I did also pick-up behaviors from my dog as well; I would pant whenever I was happy, and whimper instead of cry.

By the tail-end, as I was getting into kindergarten, my brother was born, the divorce was in motion, and my dad would thankfully win full custody, and my mom, visitation.

You see, through those initial years, those mechanisms deployed.

I had to swallow down the instinct that the parent would be the one to nurture, and I had to find ways to feed myself, then my best friend and true guardian—the dog. Had to learn how to work things like a baby-gate. I also had to be vigilant of her, and know what mood she was in.

It’s these two things, working together, which utterly fractured me emotionally. The feeling of being hungry, truly hungry, is not something I wish for anyone. The realization that it’s not because you’re out of food—not until the separation began, and the weekends with my mom were marked by this hunger—, but because you don’t know how to get that food, and the bigger person is not getting the food, so you try to learn but you are still a small child… It’s even worse. It does something to you. Then, having to sacrifice your own emotional nourishment in order to keep an eye on an adult’s volatility is that final nail.

That was the first stage of my neglect. And it was bad. It was a really, really bad situation. My brother only lived with my mom for a couple years before Dad’s full custody. In that time, from when our mother was the only one to take care of us with my dad helpless in a different country, then to switching every week, he developed OCD tendencies, which are still present.

Twenty years later now, it’s been remarked that I was…kinda the best candidate to survive this out of not just my brother and I, but our cousins as well. And I agree. I’m naturally reserved, and even as a kid, I would push back against my mom. It would ignite her, but the fact that I was confrontation said enough. Meanwhile…, I do not know how the fuck my brother would be mentally if he’d been the one stuck alone with her for those three, four years. I don’t know what my dad would’ve come back to whenever he was allowed to be with his family.

And I would not trade places if given the chance. Because even if I’m a black sheep, my mechanisms allowed me to get away as well-adjusted as I could be.

But… Still. Beneath those remarks…, there is a misunderstanding. When my family says I was the best candidate, it’s because they look at me and see a person who isn’t sick. When I say I was, I mean…my brother would have been worse off.

Granted, now that I’m out of school, it’s slowly dawned on them that…yeah no. There is something wrong.

…as I aged through childhood, I didn’t quite understand what the costs of the mechanisms deployed were, but I knew there was something very, very wrong even back then. And I would tell my family. Every now and again, throughout years, I’d raise alarm because I realized I reminded myself of my mom.

Only to be told that I wasn’t my mother, and that I was overreacting. Told me that, “People like her don’t know there’s something wrong—that’s the disorder.”

Come a mere few years ago, and I am told about times where my mother, as an adult not long before having me, would break down because she didn’t want to be like my grandmother.

There was a family history. My mother knew it. However, she was also diagnosed through the divorce, because she couldn’t take care of my brother and I. Highly doubt admitting her BPD was the reason was because “she didn’t know there was something wrong.”

I was told there was nothing wrong. Meanwhile, I would do things I didn’t understand, and experience the world in a way people around me didn’t, …as it turns out.

For one, which is still true now, I cannot cook for myself, in a kitchen, when it’s dark out. I also cannot cook when someone else is nearby, or already in the kitchen itself. I will wait, because should I cook in those times, there’s a feeling. And I can’t stand it. The feeling of—

Oh. No, the feeling isn’t being watched. 

It’s the feeling where someone may be lurking, and I’m about to get caught. This is likely a remnant of times when I was very, very young, and I tried to feed myself, and I…was caught. And she blew up.

There are other behaviors like that, specific to me. Because the body remembers before you yourself.

In the years after my mom, I found myself in the second phase of neglect—the one, I argue, is what actually creates BPD.

And again. For another time. It came from the people I least want to admit.

The neglect, the denial, in every alarm I raised did something to me. Another thing, though given my experiences, it also did feel similar to the first phase. My family loves me, I understand, and I get why they denied. Because they knew about what was happening to me, then my brother, but circumstances had them trapped in watching from afar. A sort of…they didn’t get to me in time. 

My mom was also a nightmare for my dad. So…, to see that resemblance is not something anybody wants to admit.

But still. I was in therapy (to socialize me), but that didn’t last forever, and people kinda just shrugged and thought it was good. The therapy did its job. Without noticing what was happening.

The mechanism that deployed was still there, never to be acknowledged. So it festered. It scarred my trauma over, and now, there’s a great blemish on my mental health. 

And that blemish has a name, and it’s BPD—the disorder cultivated by the neglect of an aftermath. Where trauma struck, and there was no chance given to process it effectively, and to heal.

All of the nuances I’ve discussed before remain to be true. From what I understand, however, is that the primary reason why Borderline Personality Disorder can look so differently on so, so many people, through a range of traumas is…it’s consequence. BPD has its characteristics, the ones that distinguish, because ignoring the recovery after significant trauma presents itself the same.

Now, I’ll indulge in one of these characteristics.

It wasn’t until recent, as I embarked my adulthood, where I realized the core mechanism I had inadvertently deployed, the one that came with a price:

Alexithymia.

Or, emotional blindness.

This in itself is not considered a disorder, largely because (and for the sake of this essay) it is an associated symptom, a mechanism, of many, many conditions. Depression, PTSD, eating disorders, ADHD and autism (again), schizophrenia, and I can go on, and on, and on.

BPD is included, of course.

There are many ways to be blind. Take visual blindness, where it can be an absolute void, a severe impairment, some colors recognized but not all, or, there’s too much feedback at once, and the light becomes illegible. Being devoid of emotions, or apathetic, is the standard; some people may feel a perpetual onslaught that cannot be deciphered, and others could find themselves in between.

Whatever it may be, alexithymia is characterized as the impaired awareness, explicit identification, and/or articulation of one’s feelings. So, as long as the shoe fits, and the person can’t decipher, convey/express their emotions… That shoe’s not on the wrong foot.

In my case, I fall into the standard.

When I was young, I likely stifled my own emotions in exchange for vigilance. It never left, however. If anything, it got worse the more I neglected recovery. Now, I don’t feel much, day to day. I know I experience emotion, and react to my environment, and have thoughts… Yet, the environment is almost dreamlike. It doesn’t quite register, and the people in my life feel like figments unless I’m right there with them, in the same room. I’m indifferent to most. Memories are a lot like this too—not like I don’t remember anything at all, but in the moment, I kinda just exist. I can think and plan about the future too, but it’s that I’ve realized I have to, not that I feel any kind of urgency.

Because I don’t care. At all.

Or, I do, but there’s nothing in here to tell me that. Because my body, also, is quite null. It doesn’t tell me what I feel. I couldn’t tell you in the moment, so I’ll usually resort to, “I’m fine.” And inside this head of mine? Not much. Kinda like static—the tv is on, there’s a lot of channels going, but it’s just…not there. Beyond static.

So as I write this, and write any of my works, it's less of spilling all the crazy thoughts inside my head, organizing them, and more of me spilling an open wound I don't know how to close, figured I don't really want to close it, because I kinda just like watching it spill across the page and see what I'm thinking, and what I can create.

To be quite honest, being a writer in this way does legitimately feel like I'm a blind sculptor.

If all this sounds like a depressing experience, I'm fine. Genuinely. I am. This is actually quite comfortable for me, and it's also me at my most rational. Plus, it helps that I've developed a fairly strong coping means—this writing thing—that serves to be a therapy in emotional comprehension. Another mechanism, really, that is derivative of what I did as a toddler.

I'm also a hermit. I'm content with being reclusive, and to myself.

And again, I’ve already processed all of this. I wouldn’t be writing this essay otherwise.

So how does alexithymia relate to BPD? In what way is being apathetic mean I can fly off the handle?

What does alexithymia mean for an episode?

BPD episodes vary. Depends on the person, and a trigger, and the environment.

In the traditional a switch is flipped, and the person just loses it, it’s via said trigger. A legitimate trigger, not whatever TikTok is blabbering. Trigger as in to a gun, and it just takes one pull, and you’ve been set off.

When this happens—BPD or not—, it effectively shuts down the reasoning part of the individual’s brain, and sends them straight into fight-or-flight. They are in a very primal state, and will react on emotion alone.

In BPD, our brains are wired to do that in (potentially) a very, very short period of time. Can be literally a blink and you miss it. There’s a look in the eye. If you know, you know. It happens enough times to establish a history of this within the person. Forces people to walk on egg shells to avoid this. Because it’s scary. It can get scary.

Here’s the thing:

It’s scary for us too.

Not too long ago, a lot of changes happened in my life, and on my birthday, I was driving, and I wanted, so badly, to just swerve off the road and down into the woodland—the ditches would’ve been steep enough. Woke up that day wanting to. Didn’t understand why, but I also wasn’t asking because that reasoning part of my brain was switched off. That day, the episode wasn’t explosive, but had I brushed upon a trigger, or someone accidentally said/did something, it would likely have been the case.

I was in an agitated state—straying down the line between stability, and not, where at first glance I’m fine, but…the more you look, there’s something quite wrong.

I was also craving McDonald’s. So I went. I sat myself down on my own, and ate my food.

And suddenly… Literally nothing was wrong. Well, no. I was still mildly stressed from moving from college, but, nothing was wrong that day. I was just hungry, not suicidal. Yet…it felt like I was. Had me believe it for a hot minute.

Had I not had the burger, fries, and McFlurry… I don’t know. Had I had access to something swifter than a car. I really don’t know.

This is what the disorder does. This is why it’s scary for the people around, and terrifying for us.

And in those like me, where everything is null, until it isn’t, it’s terrifying in a specific way. Goes from 0 to 100. Can get to the point where I have pain shooting down my arms, like I’m about to have a heart attack, because everything comes down upon me at once. Or, in episodes like the one I just mentioned, it creeps up on you—that agitated state. To the point where I don’t realize I’m in it, just that I’m suddenly hyperaware of everything, and there is something wrong, but I am not asking why because I can’t. So I just do. Quite blindly. And eat because driving off a road is too much effort.

So it gets scary. In those like me, where emotions just aren’t registering, I can’t tell you what I’m feeling until after the fact, or after considerable thought. Which is also fucking difficult because I don’t rightly know what I’m thinking. But given the situation, that could be too fucking late. And if the situation has me alone, to myself?

With BPD, there are triggers we know to avoid because they are related to traumas. There are things that wouldn’t normally trigger, but somehow did because they were the straw that broke the camel’s back, and we didn’t even know we had a fucking camel. And then. Sometimes. We don’t even know what the fuck the trigger was, and will never know.

The last is very common when we’re unaware of our BPD, but…it also just happens sometimes as well. The world’s big. The shit life yeets is limitless. I dunno.

There’s also a humiliation to an episode. I don't know what's going on. I can't reason like I should, and I don't want you to look at me. I want you gone, especially if I have deemed you the trigger. I want to be left alone. Things will escalate, and escalate, and escalate until that is achieved.

And, there’s a guilt as well. Especially when you know you have BPD, because by then, you should know better, but apparently, you don’t.

This all sounds quite helpless, I realize. However, there’s a reason why talk therapy is the central form of treatment for BPD. Knowing how to communicate does wonders. For those with borderline, learning how to comprehend and articulate emotions, and knowing what triggers to avoid, is a long, arduous process, but it helps. In regulating emotions as best we can, and in explaining to people beforehand what to do—or after the fact, where it’s to explain it wasn’t their fault.

And for those without BPD? Being able to recognize the warning signs on a person is detrimental. Because, believe it or not, there are warning signs. Sometimes they could be the split-second before, however, if there is someone in an agitated state, knowing what that looks like means you know how to avoid an episode, and it gives room to be able to console the person beforehand.

As said. There’s a look in the eyes. I know, because that’s what I spent my first few years of life figuring out.

The arduous process also unveils the…ambiguous sides to BPD. The stuff that people don’t really talk as much, whenever BPD is brought to the table at all. 

For this essay, I will spare a glance at identity. No, identity doesn’t have much to do with Violet. However, acknowledging this ambiguous side to BPD establishes just how far this disorder goes, and it tends to crop up when least expected. (It will do so in this essay.)

A disorder of emotional regulation implicates everything, and sense of self is guided by emotion.

So what happens to one’s identity if there’s no guide to that sense of self?

It’s bleak. Or there’s a turbulence. Either way, it’s hard to decipher what exactly you want out of life, and for yourself, because there’s just no good way to tell what makes you comfortable, and what doesn’t. But you still strive to find stability. So you mirror those around you. To blend in and be accepted. By chance, it can extend beyond humans; me mimicking my dog—panting when I’m happy, whimpering when I’m sad—, it was probably so that my dog would console me when my mom wasn’t around. Because my dog (a lovely boxer) was very attuned to me.

The conversation with identity is…just another complicated thing. And this one is harder to articulate, in part because it’s not really discussed by people who don’t have the disorder. As opposed to the mood swings.

All that to say, when it comes to this analysis, the truth is, there’s not a feasible way to explore the nuances such as Violet’s relationship with identity, or alexithymia, because they aren’t spoken aloud to give us enough insight, and by proxy, these aspects of BPD are not what Violet represents. But acknowledging such nuances provides a better understanding in what this disorder means.

Regardless, Violet is a representation BPD in relationships, and the dysfunction of those bonds. How it’s exacerbated within an apocalypse, and then the self-treatment of.

Or, or, Violet has…a tendency to be a wallflower. More or less.

[Ericson's Resident Wallflower]

The Final Season (TFS) is particular when it comes to Violet. It will be evident throughout this essay, the care that the game and the team behind it devoted for her. From the dialogue to her actions, Telltale did well in illustrating this character. I will argue, however, that the quiet intensity in nuance laid throughout is what evoked the need to write this essay.

Because Violet represents something quite thoughtful in regards to mental health—the reality of what a disorder is, and what it can do.

So TFS is particular, and it begins with her introduction, where there’s this need to recontextualize her. Not once, but twice.

Clementine is first introduced to her silently. She follows Marlon out into the courtyard, and Tenn whistles at the wall.

Because on the school’s wall is a girl, and she rises from her lounging at its height. There’s a glance shared between Clementine and Violet, before Clementine speaks more with Marlon. After that, another glance, where Violet turns away—not before the player can spy a bit of intrigue in her face.

Clementine reunites with A.J, meets Louis, before a recontextualization, where Violet (she does talk) snarks about the crashed car, and the walkers that the accident brought to their door.

And it takes Louis to pry a proper greeting from her:

“Ahem. ‘Hello, Clementine. I’m Violet. Nice to meet you.’” “What he said.” [. . .] “Don’t mind Violet. She, uh…, grows on you. I promise.” [Ep.1 | Done Running | School Gate]

Good job, Violet. Way to be sociable.

Sarcasm aside, yeah, it’s a little rough. Violet is overall dismissive of Clementine, save for the comments. To the point where she has Louis introduce her ass.

Now Louis…is a quiet presence throughout this essay, though he is all the more integral to her character. There will be fewer words compared to other relationships, but those words signify a unique dichotomy between him and Violet, one that the other schoolkids—Minnie and Brody included—do not have with her.

And it starts immediately. That dichotomy. Louis is the one who tells Clementine Violet’s name. He is the one who formally introduces the two. Because he knows how Violet is. Ensures to lingers so that he tell Clementine—promise her—how Violet is worth sticking around for.

It’s just that the girl is troubled. So.

Thereafter, his banter is teasing, and Violet is still sardonic. But, she ultimately does play along. In her own way. When in the woods, and the schoolkids are focused on clearing walkers to have Aasim, Brody and Mitch make a safe return, Louis strikes the conversation, Violet scoffs, but can relent depending on the player’s dialogue choice(s). It is important to note that Violet scoffing doesn’t necessarily equate to her being mean; it’s clear through the card game later that…this is her way of banter, with Louis especially. She takes jabs at him. He retorts. Does the same. It’s on equal footing.

The next true recontextualization presents a taste of what Louis means. After clearing the walkers, and A.J socks Marlon, Clementine is left to acquaint herself with the other schoolkids. Mitch and Willy, Omar and Louis, Aasim, Ruby (where A.J apologizes for biting), and Tenn, right alongside Violet.

And those two are tending to the school’s makeshift cemetery. It brief, but Violet explains they lost the twins, and for the hour, they’re paying their respects.

From the wall, then the gate, then here, at their burial ground, it’s as though TFS wanted to scatter Violet’s introduction across her nuances. First it’s a silent couple glances, with her overlooking the courtyard at a perch, then it’s her being a little prick at the gate, a lightheartedness when mowing down walkers, and then it’s…this, a staunch vulnerability to and for her people. In context to the graves, her people being the twins.

All the moments that night thereafter feed into this. The card game goes back to an apathetic, yet also teasing, demeanor. Her shared conversation with Clementine, as A.J becomes an artist draws, it’s again a vulnerability, this time rattled by the fact that the dorm was once the twins’.

Throughout this first episode, Violet’s standing with the rest is shown to be quite reflective of this almost inconsistent preamble.

Marlon is the most succinct when he remarks, in the rain, after Clementine chooses to ask for Violet’s support:

“Violet being difficult. Why am I not surprised?” [Ep.1 | Done Running | Courtyard]

It’s such a blunt statement, intended to dig at her.

Though, there is truth to it. Violet’s introduction overall says as much. She admits it herself when in the dorm, and she finds that Clementine is housed where the twins were.

“Honestly, I just miss having someone around to talk to. [. . .] And I’m not, exactly, like…a people person. You know? I know I sometimes have a habit… Have a habit of being a little bit too harsh.” [Ep.1 | Done Running | Dorm]

Violet is not sociable, so naturally, she struggles to find someone to talk to. But, she is also sardonic—that much we got from the gate, even if it was followed by Louis’ banter which she reciprocates. 

But ultimately, it’s Brody who gives the best context to Violet, and really voices what Louis is getting at.

When Clementine goes fishing, Brody begins a conversation, and within that, she can reveal based off the prompts:

[She’s…intense.] “She’s always been a little bit like that. But after the twins died, she really closed up.” [It wasn’t your fault.] “Still, I was the one that had to break the news to her. And ever since I did, she’s become distant.” [Ep.1 | Done Running | Fishing Cabin]

There’s two key things here, starting with the unsociability that Violet’s demeanor and Marlon’s slight reference.

Then, the revelation that Violet has closed herself off. She’s become distant within the past year.

…it implies that the Violet first introduced to us is not truly Violet, in a sense. It presents to the player thatmuch of her arc with Clementine will be about uncovering her, and really bringing Violet from this depressive spiral. Romantically or platonically so. And these lines are intended to both explain the character, and to incite enough intrigue for the player to follow Violet down her route. 

But it’s rather unfortunate that so much of this character is hidden away from the start, because there's the chance that people glance over her, take this initial Violet as Violet, and decide to spend more time with Louis and follow down his route. Because, for the sake of this essay, it's damn near impossible to really appreciate this character when you don't go with her route.

Same can be said for Louis, of course. But, respectfully...

It ain't about him. So. Moving on.

Playing leader.

When Marlon is shot, Violet immediately jumps into action to protect Clementine and A.J from getting jumped by the rest, and she assumes the leadership role. Regardless of player choice. There is an curious point with her being a leader, though that will be set aside to explore later.

Instead, I’ll side-step, and bring about a piece of conversation upon Clementine and A.J’s return. In this, we gather a very telling side of Violet, one that speaks volumes to her character.

[Clementine] “You’re sitting in Marlon’s chair, aren’t you? You’re their leader now. They’ll listen to you.” [Violet] “They don’t, though. They only listen when they want to.” [Ep.2 | Suffer the Children | Office]

Again, we’re side-stepping from the playing leader thing. Violet says that they don’t listen to her—says it like it wasn’t a really a surprise, just a point of frustration. Because, of course, Violet’s difficult. The last leader said so. But also, none of them have stepped up to fill that role. They take issue with her, but none of the schoolkids have really challenged her to take the mantel for themselves.

The silent nuance here is…why is it that she’s the leader? Violet made it seem like she really didn’t want to be at the boarding school—what with the contention between most, then the fact that she’s still in mourning. Tenn appeared like he was the only one keeping her there, but by stepping up in this way, not necessarily.

His presence and her need to protect him is a huge factor. Absolutely. Just not the only one.

We return again to Louis, the one schoolkid with the shared dichotomy. He is the other love interest. Him and Violet are often on opposite sides—especially in regards to everything Marlon.

And yet…, the way they speak about each other when one is taken away says everything about such a dichotomy.

To start, we’ll look at Louis:

“I know I’m always teasing her. Trying to get her to do that one eye roll she does—you know the one. Where it’s like, ‘you’re such a dumbass,’ she has to do a full-body eye roll. I do it because, when I actually do manage to make her laugh, it’s worth it. If I needed her, she’d be there. Meat cleaver in hand, ready to chop someone in half if it meant protecting me.” [Ep.3 | Broken Toys | Dorm]

He brings context as to why their banter is so dogged to tease. Louis does it because it’s reciprocated once he gets under his skin, and she retorts back with the signature full-body eye roll, but also, because he’s striving to reach another side of her, one where she laughs.

Because Louis is a big entertainer. He craves to draw that out from people, so when he has someone like Violet where it’s not easy to do that, it means that much more when she does, because it tells Louis how despite everything, she is there, listening.

Then there’s Violet, and her words for him:

“You know, when I first got here, I hated him. He was so…much. You know? He walks into a room, and it’s like, ‘Look at me! Watch me perform!’ It’s so stupid. But then I realized, under all that, he… He really cares about people, and he doesn’t just feel it, he says it. He’ll tell you every goddamn day how much you mean to him. Shit, he’ll probably sing about it. [. . .] We’ve got to get him back.” [Ep.3 | Broken Toys | Dorm]

She nods to Louis being this big entertainer. Says that she hated it, and that it’s stupid. And yet, Violet thinks fondly of how genuine of a guy he is.

And between these two quotes, there’s a mastery in storytelling, because there’s an active dialogue between Louis and Violet. Doesn’t matter if one is on the boat, and they’re not. Their words parallel. Had they been in the room together, this would’ve been a back-and-forth.

Louis says that he teases her. Tries to get underneath her skin. Violet says that hated it, and hated him, for his antics. Yet, she then admits that…there’s a genuine nature there, because Louis does care, and he will say and sing it so. That genuine nature is the fact that he just really wants Violet to laugh, and to find that side of her.

Because Violet’s his friend. He values Violet as his protector, because Louis knows that she will be there whenever he desperately needed her.

And Louis is Violet’s friend. Which is why, without a word from Clementine, she states, firmly, that they need to get Louis back. Because in that hour, he was in peril, and he desperately needed Violet’s cleaver at hand.

It’s a tragedy, really, for both. When the other is taken, the one thing that each praise of the other is what’s stolen. For Louis, his knight is blinded; he has to be the one to protect her. For Violet, a comfort goes mute; she can sing in his place.

After spending a few moments with Clementine in the dorm, there’s Ruby’s hootenanny, and through that hootenanny, Violet can tell Clementine what brought her to Ericson’s:

“I spent a lot of time at my grandma’s house growing up, what with my dad being a drunk and my mom working three jobs. But after my grandpa died, Grandma just kinda…shut down. Spent all day and night rocking in her little chair in the den. I’d sit there at her feet as we both watched tv, mostly cartoons, since she never seemed to care. Sometimes I could hear her crying, but I didn’t look back. I’d just feel really weird and turn up the volume, you know? “Anyway, one day she left the den and came back with another chair, and a .22 rifle. Set the rifle butt on top of that chair, holding the barrel back to her chest. So, you know…, she had trouble reaching the trigger this way, but she must have known it would happen… Because she took out this really tacky wooden backscratcher—the real long kind with the one end shaped like a hand—and used that to push the trigger in. So…yeah. Bang, right? Her body folded up and just…kept rocking. “My mom came to get me five hours later. I hadn’t moved. She asked why I didn’t call the police or an ambulance or anything. I just shrugged and told her it wasn’t like Grandma was going anywhere…, and besides, I just wanted to finish my cartoons. She shipped me off to Ericson the next day. I was eleven.” [Ep.3 | Broken Toys | Piano Room]

Through all of what Violet tells Clementine, there is still that flare to make the story more interesting for, you know, a video game. It’s a violent kind of neglect she shares.

But it is neglect all the same.

Violet was born to an alcoholic and a mom who stretched herself thin to compensate, yet even so, she later can admit that their home was a trailer—so the income of three jobs, all her time spent away from her mom, wasn’t enough. Perhaps there were financial troubles. The money might’ve been all drained away by cans of beer, or bottles. Violet did have an escape through her grandparents, though that didn’t last, and she was trapped to the same neglect. This time, with a better house. Probably.

Until her grandmother went and shot herself.

…with Violet in the room. Right behind the child.

And? There was no consolation; she was sent straight to Ericson’s, where the apocalypse then struck, the adults left, and Violet…was the difficult one, designated as this wallflower, or buzzkill. There were the twins, Minnie especially. Yet, even then… That relationship likely wasn’t reciprocated.

The flare that TFS adds to why Violet found her place in troubled youth—the violence, which could’ve dashed the screen she watched for those five hours—, it hides much of what went wrong with her, but simultaneously, it defines the gravity of her childhood.

It describes a mechanism of hers. One undoubtedly developed from her times alone with a drunk, whenever her grandparents and mother weren’t there. A sense of apathy, and with it, a broken moral compass. To not mind yourself, and not get in the way. To let it happen, and just get it over with, in whatever way that could imply.

And, with the sheer gravity, it begs the question…, how far did that neglect go? All of the abuse, if it wasn’t the only kind. Children aren’t born to sit in one place for hours, with fresh gore rocking in a chair behind.

The question wasn’t answered, of course. She was sent away instead. Then there were the adults. And then, other schoolkids. Violet isn’t…a people person, you know, so it’s only natural for her to be the difficult one as Marlon says.

Still, however, with Clementine as they watch the stars together, Violet denotes for the bird constellation,

“A bird is free. It could go anywhere it wanted to. Up and up and up, and never come back. Go south, east, west, doesn’t matter. You could fly straight into a sunset. And see where it ends.” [Ep.2 | Suffer the Children | Belltower]

And to that,

[Clementine] “You wish it was you, don’t you?” [Violet] “Sometimes, when it all feels so heavy down here, I can’t help but wonder what it would be like to be weightless.” [Ep.2 | Suffer the Children | Belltower]

Violet has struggled to belong, and yet, she remains. Yes, there’s the apocalypse. However, in all the years at the school, she could have left just as well. There’s a version of her, lost in development, where Violet does leave had she not been saved.

So why didn’t she?

The answer to that, quite simply, is one Louis may admit to Clementine, should that version keep his tongue, and the silent nuance behind her playing leader:

Violet is too loyal to her people to leave.

It’s why Louis teases her, to try and find that laugh, and why he knows that if he needs her, she will be there to protect him. Violently, with a meat cleaver.

It’s why she takes charge, because Violet knows none of the others wanted to, but they needed someone to lead. Whether or not they appreciated that it was her.

And, it’s why she acts without thought to stand her ground against Marlon. If she’s asked, the camera doesn’t leave her because it is no surprise that she will stand beside Clementine, as opposed to Louis, where he decides with uncertainty, and the camera has him shuffle to frame; for Violet, the change in her face is immediate. The camera doesn’t have the time to idle in tension. What Louis says is dead-on:

“If I needed her, she’d be there. Meat cleaver in hand, ready to chop someone in half if it meant protecting me.” [Ep.3 | Broken Toys | Dorm]

Even if she isn’t asked, Violet will then stand her ground once Marlon is shot. She vouches for the outsiders, in the name of reason, and for the twins and Brody.

She doesn’t think when Clementine is in danger—didn’t matter that her and A.J are just exiled. Violet will do as told, trust Clementine—to shoot, or to run.

Takes the helm after Marlon. Backs Clementine every step of the way.

Cannot let Minnie go until she has to, and Violet has seen that the person she clung after is gone.

Violet is too loyal to her people to leave, for her loyalty unbridled.

It’s her strongest quality. It is, also, what marks Violet with borderline.

[Emotional Anchorage]

We slip back to describe BPD at large, beyond this essay and character. However, everything of this section has its place with Violet.

And it begins with emotional anchorage.

Emotional anchors are not inherent to BPD. It’s not unique to the disorder because, instead, I’d argue it is a universal experience. These anchors are anything which triggers an emotional response. These can be specific objects—like an old stuffed bear, a photograph, a house—, or stimuli—like a scent, a song. Tangible things like these are indicative of our nature. Humans like things. We like to collect, and tinker, and destroy. It helps if it’s shiny. It really helps when there’s fire or light involved.

Here's another thing about anchors:

They can be people.

They commonly are. It’s how we distinguish strangers from significant relationships—friends, family, partners. Anchorage is present despite the nuances between friends (just a friend vs BFF), and family (siblings vs parents vs offspring). And, partners—emotional anchorage explains how queerplatonic relationships come to be, because the fundamental element of a partner (being an emotional anchor) is present, it’s just the romantic and/or sexual implications are ambiguous.

Emotional anchoring is the process in establishing the anchor, leaving anchorage as this essay’s way to articulate the concept itself.

Borderline Personality Disorder will naturally encourage these attachments.

Within the community, BPD has a term: favorite person (or FP). It is as it reads. There is a designated favorite for us, and this favorite person can be a friend, a family member, or a partner—anybody, really. With FP, we begin to fall down the well in emotional anchoring as it pertains to the disorder.

Because, ultimately, a FP is either the strongest, or the only, emotional anchor an individual with BPD has. (For the sake of this essay, I will replace FP with primary/prime emotional anchor going forth, to be more consistent in word choice.) And the anchoring of this person is generally not intended. It just happens, where there’s a strike of intrigue, and everything follows thereafter.

The moment I anchor a person, it is a stark change from the indifference/apathy I display to I want to spend all my time with you, and I will literally die for you without a second thought. I will remember everything you value better than I remember my own, and I will present those nice things to you, at every opportunity. Tell me your favorite color once, and I will remember it for decades to come. Tell me to break my nose, and I may very well do it on the spot.

Which. Yes. Is intense.

Understanding the disorder behind it, however, allows me to take the precautions to…warn people beforehand. And to tell them upfront, if ever I am encroaching on boundaries, just say knock it the fuck off, Volt. In exchange…, I don’t take it personally. Because, uh, yeah. I can get intense. I understand. I may feel a type of way in the moment where boundaries are made, but that’s the BPD talking in my ear.

But also, I know I value someone being upfront with me more than a passive rejection. Frustration is what sets me off—the not knowing why—, not the rejection in itself. Because if I don’t know why, that’s how I interpret things as abandonment.

I have been rejected many times in life by people I’ve deemed emotional anchors. And it stung. A lot. Far beyond what I could ever articulate, but if I had to try, they are wounds carved to the bone, or with one, where my heart was quite utterly eviscerated.

There’s a deeper conversation there, with an anchor changing before my eyes. And, yes, it’s ultimately this which the essay will discuss in great detail. Through Violet.

Yet, before that, emotional anchorage is one of the few things that borderline has the chance to gift a person, because it’s not all bad. If you’re like me—where everything is null, and blurry, and static—, having a person suddenly there to awaken my body to speak, sharpen the world, and bring chaos inside my head… It’s a lot. It’s demonstrably a devastating thing, but in a very raw and beautiful way.

Demiromanticism, no doubt, is a reflection of how I express BPD. So to realize my demi ass has feelings, whenever it happens, is nice. …it also means I then have to determine whether it’s that, or a crush. And there is a difference between genuine feelings and a crush, and yeah, I prefer one over the other.

But. (And this can be platonic or romantic.) Having someone be that anchor grounds me, and while the relationship will have turbulence—because the boat I sail is on a river I can’t build canals for—, there brings such a confusing clarity to the world. I have a purpose where I didn’t think I did before.

It’s a high. A borderline addiction.

To not a thing, not a habit, but a person.

When it’s healthy, it’s everything, and I can brave all storms. When it’s not, it’s obsession and mania, it’s my boat trapped in a whirlpool with the anchor at the center of it all; I may break away, violently, or I will sink, and it will be the death of me.

…and when there’s no anchor there at all, I and my boat are to the whim of the river—because there are no canals, I have to rely on my boat to guide me and find an anchor. This can be where people turn to destructive behaviors. Substance abuse. Eating disorders. Everything alike.

Why though?

Why is it this way? Why do people like me sink their teeth and set anchorage like this?

This is where identity creeps its way back.

Because though anybody can develop emotional attachments, to the point of anchorage, BPD again does this to an absolute extreme. My personal anecdote may speak to it without debate. Understanding how identity gets itself involved further speaks to that extreme. BPD isn’t necessarily about the traits themselves, right? So rather, it’s how they manifest, and fester, and the mechanisms behind it all.

With identity, it hinges on what you find comfortable, and what you don’t. It’s guided by your feelings on things, and your comprehensive response thereafter. Passions turn into aspirations. Self-perception feeds into expression. And on and on.

So, if someone does not have a stable sense of self, there is a disturbance in identity. There’s no coherence to the person. Few consistencies, if any at all.

The identity is as stable as your regulation of emotions allow, and if it’s dysregulated, so will your identity.

A broken sense of self fractures a person. So we scour for stability. We do so in people. But with that broken sense, it’s easier to just swap out characteristics and emulate the environment, should there be a promise of stability. When this happens, it can be recognized as masking—because, debatably, it is—, but it can also go so far that people confuse this borderline trait with something like DID.

To those none the wiser, yeah, it might as well be DID. Because, like…, they just change so quickly. And if it’s a matter of mirroring different people, it can also imply that the BPD encourages the person to alter their personality depending on who they’re with at the time. Which. Yes. Has the capacity to resemble switching between split personalities from an observer’s perspective.

However. I have outlined (in quite the broad stroke) what DID is: a split in identities, in order to protect and shield the individual from further trauma. It’s dissociative in nature, where the distinct, established personalities will operate the individual at different times—given the nuances which come with DID.

BPD does come with dissociation as well—my personal experience with how I live day to day is indicative of, for simplicity, derealization and depersonalization. However, it’s not a split. What’s happening is this one identity does not have a stable, set personality. With the incapability to regulate emotions, it indicates a level of alexithymia. So how are we supposed to understand what we want, and don’t want, in everything from interests to moral standing? Things that a personality is grown from?

This copycat behavior is in itself a mechanism that BPD deploys. It’s kinda masking, not to purely to hide from and integrate into social norms, but also to find a sense of self through a very, very desperate act of scavenging.

In BPD, the best candidates to copy are the people who make us feel good—get a high from—, and that we want to be around, and whom we fixate upon—to a manic point: 

Those emotional anchors.

As we go back to Violet, keep this in mind. Again, no, there’s no feasible way to remark for certain what her relationship with identity is like, so the implications that emotional anchoring has on identity can’t really be applied. But the intensity—the level of fixation—can.

Because Violet struggles in her bonds with other people. There’s an idealization present to those bonds, and a devaluation. Both this good and bad, the highs and lows, are via anchorages.

So we’ll start with Minnie.

[Emotional Anchorage: An Obsessive Good Memory]

“Sophie was a good friend. And Minnie… Uh… We were close, me and her.” [Ep.1 | Done Running | Dorm]

When we meet Violet, amongst her introductions, Clementine learns about the twins from the two who still tend to their graves—Violet, and Tennessee. Not long after, there’s a card game, and not long after that, Violet finds Clementine and A.J in their dorm.

The one which was home to the twins.

“Huh. I see you’re, um…, settling in.” “Yeah. Is that okay?” “Sure. I guess. I always liked this room. Sophie had, like, paintings and shit on the walls. Lots of color. And Minerva…, she was really musical. [. . .] She had the most amazing voice. Real bluesy. [. . .] That was a long time ago. After they… Afterwards, Brody and Tenn took down all the paintings. And that was the end of it. I shouldn’t have even brought it up. It’s not a good memory. Guess I just lost my train of thought.” [Ep.1 | Done Running | Dorm]

The way she speaks of Minnie, there’s an adoration, and a nostalgia made bitter by the perceived tragedy.

Of course, those twins (…okay, well—) aren’t dead, they were traded. So even though Violet has yet to see Minnie, she is now a presence to her mind that isn’t nearly as bitter. She focuses on getting the school prepared for a fight, alongside Clementine, but through it all, yeah, Minnie is still there.

And when looking at the stars with Clementine, if Clementine remains quiet for the fish constellation, Violet comments,

“Bright, pretty, good with other people. Always moving, tons of energy. Sounds like anyone we know? The energy one is easy. Good with people, not so much. [. . .] Y’know, it… Well, maybe this is weird to bring up, but it reminds me of Minnie.” [Ep.2 | Suffer the Children | Belltower]

Minnie is a big part of her, despite their time and distance from each other. They grew up together. They got closer.

Another thing:

Violet never says girlfriend.

The only time where it’s “proclaimed” by the season that Minnie and Violet were girlfriends is through Clementine, where whenever A.J sees the carving in the fishing cabin’s wall, she can say,

“It means they were a couple. [. . .] Violet was Minnie’s girlfriend.” [Ep.1 | Done Running | Fishing Cabin]

Is it fair to assume that? Yeah. That’s…what carving a heart or potato with initials is supposed to symbolize.

But like.

Let’s be for real. What the ✨fuck✨ does Clementine know? Sure, she’s somehow not concussed after hauling ass in the sky, with a car. But she doesn’t know these people. Point blank.

We don’t know when this heart was carved. Just that it’s V + M (suggesting Violet did it, given the order), it’s out of the way from the school and in the fishing cabin, and it’s just shy from a bed (and alcohol).

Again, Violet herself never says girlfriend.

The heart could’ve been carved with Minnie there with her. Or, Violet was deep in mourning, and decided to brand the cabin—likely because it holds a significant memory.

…and Imma be honest, the cabin has a bed, and it is covered in bottles. Everywhere on the table. Some scattered around. So I will give the benefit of the doubt. Considering the…subtext around the fishing cabin, doing some quick math with my gamer instincts, yeah, if you leave youth (troubled or otherwise) alone, you might get Lord of the Flies, or…exploration. I guess.

It is clear that there was something. There is validity to “[w]e were close, me and her.”

The question then becomes why the ambiguity? Had TFS been made in a different time, and James didn’t have a boyfriend, and Violet and Clementine couldn’t be a couple, yes, it would’ve been Telltale beating around the bush.

Except even in this moment, Clementine outright says girlfriend in reference to a sapphic dynamic.

Because TFS was not made in a different time, James did have a boyfriend, and Violet and Clementine can kiss and hold hands.

The ambiguity indicates something else. That ambiguity is heightened the more Violet talks about Minnie pre-Broken Toys (saved Violet route). Because she speaks so fondly of her, with almost this conviction.

Yet…she still does not say girlfriend.

This is textbook. Given the essay, and what I’ve already exhausted over, it shouldn’t come as a surprise, but it is quite plain:

What Clementine stumbles upon isn’t a mourning over a lover; it’s instead, at its core, a lasting idealization.

With BPD, idealization is as follows:

“[A] way of coping with anxiety in which an object or person of ambivalence is viewed as perfect, or as having exaggerated positive qualities.” [Verywell Mind | Idealization and Devaluation in BPD]

This tracks.

Violet speaks so fondly of Minerva, with almost this conviction, yet she does not say girlfriend. Ever. Because the conviction is the intimacy, but Violet is a pragmatic individual. Though there’s idealization present, referring to Minnie as her girlfriend (for whatever reason) is too far for even her mental state.

Like she mourned Minnie for a year. She gushed about her to Clementine every chance she got. So…why not say it?

With this all established, TFS then allows us to witness how idealization in borderline often corrodes into devaluation—the inverse of idealization, its absolute antithesis.

“Used when a person characterizes themselves, an object, or another person as completely flawed, worthless, or as having exaggerated negative qualities [. . .] because there is often no middle ground for a person with BPD. Feeling challenged, threatened, or disappointed can quickly cause them to devalue the people they formally idealized. Rather than cope with the stress of ambivalence, devaluing functions to minimize the anxiety caused by ambiguity.” [Verywell Mind | Idealization and Devaluation in BPD]

This corrosion has a name. It is splitting.

Like with the previous definitions, I will allow my resource to explain this concept, because of everything this essay has to offer, it is this that the everything hinges on.

“Splitting involves an inability to hold two opposing thoughts, beliefs, or feelings. People who have BPD tend to view others in all-or-nothing [. . .] terms. “This self-protective defense mechanism aims to help people with BPD protect themselves from getting hurt in relationships. By labeling people as ‘good,’ they are able to engage in relationships despite the emotional risks. If they feel threatened, they can then quickly discard the individual or the relationship by labeling them as ‘bad.’ “Like most defense mechanisms, someone with BPD may not be aware that they are engaging devaluation and idealization. Splitting is a subconscious way to protect themselves from perceived stress[, and] reflects the challenges associated with maintain an integrated view of the good and bad in a person under stress. Some researchers suggest that some of the difficulty is rooted in the way the brain, particularly the amygdala and prefrontal lobe, activates in these experiences for people with BPD.” [Verywell Mind | Idealization and Devaluation in BPD]

…again, this essay has to break away from Violet and TFS to provide an insight, a discussion, of what this means for BPD.

I will start by clarifying that splitting from one end to the other is a bitch to deal with. The catch is not every person with BPD is incapable of reading the world beyond black-and-white. I’m one who can, …when I’m not in the midst of an episode. Day to day, I’m apathetic/indifferent—take your pick—, and because of that, I don’t give enough of a shit to really fixate on what is “good” and what is “bad” to me. I take everything as they go.

Because I really, really do not give a flying fuck.

The moment there is any seed of emotional attachment, or anchorage, it changes things. For me, it’s generally that I really adore this person, but they did something that hurt, and it confused me, so I shut down and close myself off. Namely so that I can have the time and space to breathe and process. Because I feel a lot for these people. I’ve gone over how intense that feeling is. And the last thing I want to do is hurt them.

So the moment I get confused, it boils into frustration, but frustration means ire with me. And that’s terrifying, because I don’t know what I can and will do if I’m backed into a corner. Because I know my brain shuts itself off.

The other thing to this as well is…it’s not always such a violent shift between idealization and devaluation. It really depends on how confused I am, the person, and then the time and distance laid between me and them. If there’s minimal distance between me and them, and minimal time between then and now, then yes, it will be explosive. If, say, a year has passed, and I have not seen this person within that time, then the splitting will look very different—largely because I don’t perceive it as an immediate danger, so my brain never shuts off, and I can process in the moment with reason. There’s still significant emotions there, of course, and given it’s still splitting, I do have that shift between the extremes. Difference is,I am able to regulate myself better.

Take note of this nuance, because it is absolutely present in Violet.

And we resume her relationship with Minnie, where we witness the corrosion from idealization, inching towards its antithesis. The process is best explored if Violet is saved, where it doesn’t taken an age, nor a day. It takes mere morning hours.

When spying upon the boat to get their bearings, and formulate a plan, they find Minnie chopping wood. Or, Clementine does, pulls a knife on her, before Violet intervenes. They embrace. Clementine has opinions off to the side. 

Then.

They talk. And Minnie… Um. Well. If Delta was inspired by the New Frontier, Minnie would’ve had a fat branding right on her forehead.

Immediately, it becomes evident that Minerva has no interest in going back to the school. Her loyalty lies with the Delta. And given the prompt, she will have this to say:

[Violet’s in charge.] “Really? The Violet I knew could barely stand to talk to people, let alone play class president. You’re the one who convinced the school to fight back. From where I’m standing, that puts you in charge. Your ‘leadership’ is going to get my little brother killed.” [Ep.3 | Broken Toys | Forest]

Huh.

Not only does what she say about Violet directly contradict what Clementine sees from her, Minnie is also blatant in steamrolling right through the testament, and tells Clementine that no, you’re the leader, and you’re bad at it because you are a threat to my brother.

It’s a little jarring. Because, one, ouch. That’s mean. Mitch died because he ran into a knife, and it was not Clementine’s.

But two, what?! Violet, whose first line to Clementine is snark about her driving, could barely stand to talk to people? Violet. Who stood up to Marlon, cleaver at hand? The one who Louis says (given the other route) will do just that to any threat?

Our Violet, who Clementine gets to know. The one who immediately took the role after Marlon because nobody else did? Despite the fact that, yes, she realizes there’s no promise that the schoolkids will actually listen?

Violet…is openly sardonic, is she not? Does she not confront people with a weapon?

It’s a little jarring, then it’s…dissonant the more you pick it apart. Because what is Minnie talking about? 

I will say, for sure, Violet changed within that year apart. But not to the degree that Minnie implies to us. We have Louis’ words for Violet, and then Violet herself—constantly brings up protecting the twins. And she’s shown she will. Violet will shoot Lilly if told. And Violet, after Marlon’s death, brandishes her cleaver to shield Clementine and A.J from the other schoolkids.

Maybe part of the change was that she vowed to herself that she’d do better after losing the twins. Wouldn’t be surprised.

…but Minnie didn’t like killing walkers, though. Which implies that, yes, Violet probably filled a protector role for her, in regards to the dead.

It’s baffling. I can go on and on and on.

Just as Violet did, between seeing Minnie after so long, and finding Clementine in her dorm.

“The thing is, seeing Minnie… I feel like it should’ve scared me. But it didn’t. The person we ran into in the woods, that wasn’t Minnie. Not really. The way she sounded, and acted… The way she talked about Sophie, and Lilly… I’m…confused, I guess.” [Ep.3 | Broken Toys | Dorm]

She voices the same sentiment.

But upon various dialogue prompts, the corrosion inches its way to Violet:

[She’s one of them now.] “It sucks, but…I don’t know what else I expected.” [It’s not Minnie’s fault.] “I never said it was. But it doesn’t change anything.” [We can save Minnie.] “You saw how she reacted when Lilly showed up. Those are her people now. And we are not.” [Ep.3 | Broken Toys | Dorm]

I do think it’s interesting that, even if Clementine says to Violet that Minnie could be saved, she says otherwise. Because Violet is pragmatic. Minerva coming back from the Delta is just not realistic.

So through time and distance, and the wake-up call in the woods, Violet expresses an acceptance of this. The fact that Minnie won’t come back. It’s not quite splitting, because…this isn’t a true devaluation here; it’s the idealization ebbing away.

“Minnie…, the real Minnie…, she’s gone. She’s been gone this whole time, and I…have to stop mourning her. I won’t let her take you or A.J. Or anyone else I care about.” [Ep.3 | Broken Toys | Dorm]

And she admits it to Clementine aloud. Promises her that she, and A.J, along with everyone else, will be protected from the Delta—from Minnie, if need be.

Not only that, if Violet is romanced, she makes a request:

“There’s something I’ve always wanted to try with someone I cared about. And I never have. [. . .] Have you ever danced with anyone before?” [Ep.3 | Broken Toys | Dorm]

I’ve always taken this line to signal how nervous, and how new Violet is to this kind of relationship. Because it is new to her. This is the first time where her feelings were reciprocated. She always wanted to try dancing with someone, but for whatever reason, never had with Minnie. And she’s nervous because…she wants it to be reciprocated, and Violet here is gaging a reaction, testing the waters.

In writing this essay, another thought occurred:

This is Violet moving on.

She’s nervous because there is a lot of weight to this request. She’s gaging what Clementine says, because Violet is invested now. All-in. 100%.

It’s not about Minerva—doesn’t even outright say that she never had a dance with Minnie.

Because by this point, through this dance, Violet’s realized just how unreciprocated her feelings were, because now, she has the chance to dance with someone who does reciprocate. And not just in the dance. Clementine’s loyalty extends further than that.

Another detail that I noticed is perpetuated throughout every interaction with Minnie is who she always prioritizes, and how it contrasts Clementine. With Clementine, of course A.J is first priority, and Violet understands that. And she goes out of her way to help with him. Conversely, Clementine helps with Tenn, and the school, and the other Ericson kids. All of which are who Violet also prioritizes.

Meanwhile, the same can’t be said for the other side of that contrast. Because it’s always what about Sophie and Minnie? from Violet, and never what about Tenn and Violet? from Minerva. It’s only ever Tennessee for her.

With the initial encounter, yes. She wouldn’t be asking about Violet because… Violet’s right there. She’s talking to her. However, we overhear Minnie talking to Dorian, asking to have Tenn join her. Not Violet. Then, further into the night, where suddenly she’s singing her own boss music and a red bar just takes up the whole screen, Minnie goes out of her way to claim Tenn.

And then, for good measure, axe Clementine.

But not because of Violet. Clementine gets axed regardless of who she saves, because Minnie…is far, far more pissed that Clementine put Tennessee in danger than anyone else. Including Violet.

The Delta changed Minerva. Yes.

Yet, Lilly never was able to remove her loyalty to her people. Her people being Tenn.

It’s telling, how (in)significant Violet was to her because all I read is…, it is nowhere close to the significance Minnie had on Violet. Because Minnie had other priorities.

She just happened to be Violet’s primary emotional anchor. And with that comes everything Violet could feasibly offer a person.

Here’s the thing to understand with this essay, and what I’m getting at with Minnie and Violet’s past relationship:

Violet anchoring Minnie is not Minnie’s fault. It’s not Violet’s either; a kid isn’t going to understand why they’re feeling a certain type of way, but when it feels nice, they will follow. Especially when the adults responsible for troubled youth are just…gone.

But what this does bring to light is a nesting place for borderline’s stigma.

Emotional anchors, splitting between idealization and devaluation—these concepts are the source for much of the fear against people with BPD. When gathering articles to reference at the end, some articles I pull from r/BPD on Reddit because having resources that are from people with experience asking and answering questions is incredibly valuable. Many discussions in r/BPD related to this (exchange primary emotional anchor with FP) are frustrating. For myself to read, because several are people not with BPD venting, but, I imagine it was frustrating to type out because…they’re venting for a reason.

Depending on the discussion, however, what is said is ignorant to all of what I know of my disorder. I know where it comes from. I know that the emotions behind all of what I do with anchorage are genuine. But then there’s people who vent, or there’s others who prompt a question because they are nervous that their friend (with BPD) is not genuine.

Of course, I can’t promise how other people with BPD are like. BPD is dependent on the personality, and if you have a shit personality. Um. Yeah. You’re not a fun person to be around. Sorry?

Not really, but, you know.

Stigma aside, it is true. I understand the insecurities, and the need to vent. Being someone’s anchor because of borderline is a lot of fucking pressure, and truth be told, it’s like that because…what if you just can’t reciprocate the intensity? After that honeymoon phase, people without the underlying disorder tend to get exhausted emotionally, meanwhile…, there is no cease from the other.

So people tend to draw away. They either do so quietly, in attempt to not hurt feelings, or, they’ll be direct and antagonize because of they stress they’re under. Either way, if the condition has gone untreated, the confusion this brings will then ignite the individual’s borderline. This is where you get insecurities born within the relationship, which the person can then go further and self-sabotage because there is no regulating themselves. You get constant bombardment whenever they feel neglected. They’re overbearing. You feel that their claws are dug deep, and it’s far deeper than you could’ve ever imagined.

Because there’s an anchorage.

If this is what happened, and Minnie entertained Violet, but never reciprocated the magnitude of devotion Violet brings with her… I can’t blame the girl. And given that Minnie was a troubled youth just as much as Violet was, she had her fair share of issues.

Because frankly, I don’t care if she was brainwashed or what, Minnie still killed her twin sister. You know, the one that has been in the same situations, the same environments, throughout Minnie’s life, yet when she saw the Delta, Sophie did not fold. Sophie actively fought against the Delta, whereas Minnie…complied.

Even before they were caught on the raft that Sophie planned to steal.

“One of the girls saw that this was a place worth fighting for, and her tears dried. But the other twin, she could never forget her old home. She rejected every gift, every opportunity. Stirred up trouble every chance she got. She convinced her sister to help her steal a raft and leave on the river. Of course, they didn't get far. What happened then, Minerva?” [Ep.3 | Broken Toys | Brig]

This Parable of Twins is, of course, by Lilly’s word, and yes, she did brainwash Minnie. So naturally, there will be an element here where the details are lost. I buy that Minnie did accept her place in the Delta where Sophie never did, but I don’t really believe that it was just because she saw it was a place worth fighting for.

The reality of Minerva is she’s a very conflicted person, and she’s passive by nature. She’s a good head taller than Violet, yet, when Violet talks about her (and Sophie), it’s always about protecting her. Because Minnie didn’t like killing walkers.

I also wonder if the reason why she’s so passive is because Sophie…might’ve been the one that got her and Tenn into trouble right with her, if she was more combative. As for the confliction, Minerva may have been caught in between—because there’s a combative twin, and then there’s a younger brother to protect, one who’s passive to a fault.

It’s this confliction and passiveness that has Minnie primed for manipulation. She will seek stability through, well, passive means. With the Delta, do as they say.

…and with Violet, it’s let the girl have her infatuation, maybe entertain it, but don’t cross too far into romantic territory because the girl’s a little too intense.

(Of course, Minnie is also the one who was practically dead herself while leading a herd by voice alone, to kill her brother and maybe do a little slashing. So like, she is just as intense, just…in less of a loyal kind of way, and more in fucking unhinged way. Because she also might’ve been the one to instill Tenn’s beliefs.)

Once it’s revealed what happened to Sophie, Violet snaps. She yells at Minerva.

But even still, there’s a slip of that anchorage:

“Who are you?! Fuck survival! Look at what you’re doing! Minnie, please, I just want to talk to you for a second! I’m sorry we never searched for you, for Sophie… I’m sorry we trusted that fucker, Marlon. If I ever thought there was a chance—” [Ep.3 | Broken Toys | Dorm]

Following this, time ticks away with a bomb in a boiler, so Clementine lunges for an escape—to get A.J back to her side. And Minnie tries to stop her.

With a knife near-identical to Jane’s in S2. And it manages to gouge a near-identical scar in Clementine’s sternum. A stark parallel to S2’s ending. Except, Violet doesn’t hesitate. The moment she is out of the cell, she disappears into the backdrop, then an arrow finds its place in Minerva’s shoulder not long thereafter.

She does stay at her side, for when the schoolkids leave. Perhaps for closure, if the previous dialogue gives any indication.

Because even though Violet shot Minnie, moved on from her with a dance, and realized that she wasn’t going to return, that anchor is still there. Minnie was, after all, still a significant part of her, and that…doesn’t really ever just go away. The idealization may have drained, but the feelings themselves do remain.

We then look to another Violet, who was taken rather than saved.

“At least here I have Minnie… [. . .] Don’t act like you know her. She tried to escape. Her and Sophie. They said if I fight back, they’d kill Minnie. Or one of you. All you’ve done is get us hurt or killed. If you fuck this up worse, I’ll stop you myself. And don’t think I won’t. I’m not losing her again, or anyone else.” [Ep.3 | Broken Toys | Brig]

And another aspect of BPD, and anchorage, becomes clear:

Borderline primes people for manipulation, much in the same way that a passive and conflicted nature primed Minnie.

There’s a flipside to emotional anchoring in BPD, and it has everything to do with how the disorder forces people to become reliant on their anchors. People who cannot discern nor regulate their own emotions, and people with a bleak, instable sense of identity.

Which is a problem because there are people who’re able to take a person’s emotions, and weaponize them as a puppeteer. They manipulate through any means necessary.

Most, in an effort to avoid being manipulated themselves, try to hide their emotions and keep them out of reach. They suppress them, because suppressing your emotions is how you get the most control, and nobody else.

Right?

Coming from experience, do not do this. Suppressing your emotions is the last thing you want to do.

Especially if you want to avoid getting yourself manipulated.

I felt that I had to suppress not just as a child, but before that, because I was in a fucked situation. And it did this to me.I have no control. Life is a writhing storm at sea, and I just fucking hope I can find an anchor within the storm’s eye—but I know there’ll never be a calm to this storm.

And the wrong people know this. The ones who prey and manipulate to abuse the loyalty I am so desperate to offer, and can pull it from me with ease, should idealization blind me from the warning signs.

When Violet is saved, she sees through Minnie quickly. Because it’s in how Minnie talks. And it’s weird, because Violet also includes how she talked about Sophie, when the most Minnie said was “she died protecting the Delta. A hero” once prompted by Violet’s concern. That shouldn’t have raised alarm, yet…something about it did. To Violet.

So she’s able to let go. Violet still holds the memory of Minnie quite dear to her heart—the one in her head—, but after this, it was more about closure, not bringing her back. And all it took was that one interaction.

But here, back to a Violet taken away, it takes longer. She’s not told what actually happened to Sophie; instead, both Minerva and Lilly feed into a broken trust with Clementine, and condemns Violet back to the girl who sat with Grandma’s body rocking behind her.

Her loyalty blinds her to what Minnie has devolved into, so she goes and tries to stop the bomb, save the boat, and secure a future with her because Minnie is all she knows and trusts.

Yet.

It’s broken when Violet does. Because Violet has her face marred by the bomb. She’s left to defend herself—blindly—as she clambers out of the water with a walker snagged at the leg. She asks for Minnie at first, is led by Louis, and then…it becomes clear what happened when they hear gunshots, clearing away the walkers.

Minnie. Is left. Unscathed.

Well, okay. She does, like, panic and stuff, and then gets bit. So, that explosion had been her death sentence.

But Minnie is not burned. Not like Violet.

Which…implies something. However it happened, Violet was the one closest to the bomb, and Violet was further down the beach, towards the boat, whereas when Clementine, A.J and Louis reach her, Minnie is away, towards the woodland. Getting her ass bit. A bunch.

She either got off the boat at a different (earlier) time, or, she just…abandoned Violet. To defend the last of the boat and her crew. And, probably, to look for Tenn.

Leaving Violet to realize something, and as she struggles to see the world, she begins to try and apologize. To Clementine. Who didn’t lie to her about the fucking bomb on the boat, and given that, it also kinda explains why Clementine didn’t take her sweet time consoling Violet from her episode because. Um. The bomb. 

Whatever it was that happened, it’s enough to rattle Violet to reason. And to snap her out of it.

Within one interaction. (…explosion.)

It’s…the little things like this—the ones that go unsaid—, which indicate Minnie’s sense of priorities, and how even when Violet actively worked to help save the boat, those priorities never were Violet. Before this, she manipulated and lied to her, and (via the alternative path) she never…danced with Violet, despite Minnie being the musical twin. Instead, Violet never danced, but she does sing now. 

Which again has me wonder, was it Minnie entertaining Violet, and/or, if the subtext found in the fishing cabin does indicate this, was it never romantic like how Violet wanted? Just physical?

I’m kinda losing my mind over here?!

There was always an imbalance. Violet always prioritized Minnie, and her sister, and her brother. She prioritized the latter two because of Minnie, and then prioritized Tenn after the sisters were traded off. Prioritized Minnie’s interests—singing, and took it on herself—, and left her own—like the dancing—to…wane in self-doubt. 

And then…, we have Minnie who killed her twin, and then went after Tenn to also kill him. The killing part is, well, the brainwashing and trauma, and stuff, but point being… Violet is still not in the equation. She’s an afterthought to Minnie.

This isn’t to say that Violet and Minnie’s relationship was downright toxic, or abusive, or anything along those lines. All we have is Violet’s word. But given Violet clearly glorified Minnie to herself, her word is unreliable.

What this is all to say is…, it was no mistake on Telltale’s part to have Violet physically blind, or then speak about how she had been blinded figuratively—before reality set in. Down one route, this was done by having the wool pulled from her eyes; down the other, it was the blinding in itself that brought her clarity.

It’s what I mean when I say that Violet’s unbridled loyalty is also her bane. She establishes strong and intense emotional anchors, to the point where should that anchor be lost, she will refuse to let go. And not because she wants to trap herself to that anchor, but because that’s…how BPD is. Attachments like this are really hard to shake off. But also, Violet didn’t know who else to turn to. 

There’s Tenn, sure, but she’s his protector, not the other way around. There’s some of the others—Mitch, Willy, Ruby, Aasim—who we don’t get enough time to really see how Violet is with them. Marlon she tolerates, but there’s a clear strain between them.

Louis— God, there’s Louis, and he’s the one that she is vehement about getting back—indicating that he is yet another anchor for her. Thing is, he was also Marlon’s best friend, and they are…opposites. A lot of conflict comes from that.

…this essay really doesn’t have much to say with Louis and Violet. In part because, frankly, I didn’t really know where I could put him with the points I strive to make. There is absolutely space for him, yet, another thing:

Their words for each other, when the other is taken, are enough. Louis and Violet say everything themselves.

I did give commentary to the dialogue quotes, but it was sparse for this precise reason. I don’t need to get into how quietly powerful their friendship is. Louis is the one who introduces Violet by name. He’s the one that promises Clementine that it’s just her way, because he knows her. If blinded, he’s also the one that she relies on to guide her. And despite Marlon, and perhaps despite even Clementine given the different routes, there is never a malice between them.

Which I adore TFS for doing, because it would’ve been easy to have them be rivals and fight over each other. Especially for Clementine.

But that’s also juvenile, and while those storylines have their place, it is not here.

Never has. Never will.

So there’s Louis. He’s an anchor. Yet, because he is the one grounded anchor Violet has of the schoolkids, not fazed by idealization nor devaluation… That is their dichotomy. It is unique of all other relationships Violet has before Clementine—after Clementine as well, should he be the one saved.

We have Brody. Who does represent a point of devaluation for Violet. The lowest to a volatile relationship.

[Emotional Anchorage: Walking Triggers]

Truth be told, in this most recent endeavor to write Violet’s deconstruction, Brody was who reignited the compulsion. Because there is a deep-seated complexity to what happened between her and Violet, and why it happened. …only for me to find yet another post somewhere that was made by a glanced judgement.

Its criticism wasn’t in any way toxic, which was nice because this fandom…has a mean streak. But it did harken back to borderline’s stigma regardless.

Devaluation is a very ugly mark on someone with BPD. Worse than idealization, in the eyes of many. It in itself is toxic,and this coping mechanism is one of the reasons why BPD a disorder with the stigma it portrays. There’s a dysfunction in the order within our behavior.

That dysfunction, and the subsequent behavior, provokes a defensive ignorance.

Violet is wrong to do this. This is an antagonistic trait of hers, and Brody gets the brunt of it. She had to live with this for a year.

However, making blanket assumptions is reductive, especially in a discussion where it’s about understanding the how and why. There’s a reason why Violet devalues Brody. The path to how it happened in the first place is actually quite apparent. If you know how to read the signs, you can see this happen a mile away. So through understanding the how and why, it’s easier to 1) avoid it entirely, and 2) navigate devaluation if/when it does transpire.

Both Brody and Violet together make one mistake, and the fix is straightforward. Not easy, but straightforward.

Before that, though, we first shall establish a few things.

For one, Violet is…a lot. Don’t let her apathetic demeanor fool you. Just look to the previous section—that alone is enough to prove otherwise.

Along with the apathy, Violet is sardonic. She’s aloof to people when she doesn’t have strong attachments, but, she likewise shows to be pragmatic and reasonable. Which like, same. I wear belts and layer my jackets with vests too.

…and I also know what this kind of character implies: Violet is a little bully. She absolutely has the capacity to be cruel.This is also confirmed later, where at Ruby’s hootenanny, there’s mention of an Erin with braces that Violet would make fun of. (Probably because braces are hard to take off; they are a little goofy in an apocalypse, but also…really unfortunate the more it puts stress on the mouth and dental structure.) Violet then comments that she didn’t know why she did.

I wear belts and layer my jackets too; upon reflection, I did the same thing as a kid. So I have some insight to this which may explain the why here. Given how Violet speaks of this schoolkid, I’m willing to bet that Erin wasn’t someone who Violet had strong emotions for, one way or the other. She likely was pretty indifferent to Erin.

So, if that is true, Violet being a bully here comes from a place of 1) being apathetic, and not reading social cues like she should’ve, and/or 2) Erin was an outlet, but not a personal one. 

Snide comments, and other slighted behaviors like this, they do not register. 

Nothing clicks up here, behind my eyes. The comments are too brief to. So where this lashing out is coming from, it happens so swiftly that, by the time it leaves the mouth, I don’t know where it came from. There’s not much feeling to it. It was an impulse. So I just continue on my way, and never consider why.

In this way, there’s no malicious intent, it’s just cold. But outwardly, cruel.

A lot of times, to me, it was just play. 

This is how a play with you. I make fun of you; you make fun of me. If you get hurt by it? Well. That sucks. Anyway—

Which, yes, is toxic, and I’ve realized, and I’m an adult now and I…don’t do that. Kind of. Social cues are a thing now, and I’ve gotten myself more aware of people. But I still do like poking fun, with the full expectation that it’s dished back.

Granted, I don’t know just how much of this applies to Violet. She has her insecurities, and is nervous when bringing herself to the table. And I am definitely not that—it’s not a confidence; I don’t care enough to be confident, I just do my thing.

But. This does establish a pattern with Violet, and with BPD, the disorder reflects the personality. There are common traits to BPD, but the expression of those traits varies depending on the person. For someone like Violet, who is already rather cold, this means any trait of BPD which stems from a cold demeanor will be present, and elevated. To borderline’s extreme.

Or, because Violet already can be cold to people, where devaluation is concerned, her personality makes it ten times worse. It doesn’t end. She makes comments—except, now, because there is significant emotion behind the comments (to Brody), it is to sting. It is cruel.

But…, it’s also complicated.

The bond between Brody and Violet is first made to be antagonistic, and Violet’s the one who perpetuates. Unlike the night before, where she with Clementine had a nice banter going in the dorm (if a tad guarded), Violet on the way to the cabin is hostile. Her words aren’t aggressive, but they’re instead dismissive at best, scathing at worst.

Brody does push back a little, and tries to brush it off, but it’s quite plain on her face that this does get to her.

In the cabin and away from Violet, Brody gives the context. It’s not just the words themselves hurt, it’s the fact that there’s a history there.

“Hey…, about Vi… I’m sorry she’s being a little mean. It’s my fault. [. . .] I was there when those walkers killed Sophie and Minnie. They were really close with Vi, and…I think she blames me for what happened to them. I mean, how do you even apologize for something that fucked up? I don’t know. Maybe I deserve it.” [Ep.1 | Done Running | Fishing Cabin]

Violet is hurt. Brody’s guilty.

Then, there’s a second, damning piece of history that explains why Brody, of all the schoolkids, gives the most insight to Violet’s mental health, and why this is happening.

“We all used to be friends. Guess I kinda just missed that.” [Ep.1 | Done Running | Fishing Cabin]

In the same way where it was textbook idealization for Minnie, this is textbook devaluation.

It’s made complicated because they were friends—good ones, considering they’ve been stuck in the same place since the outbreak—, but now there’s a negative connotation. That being the twins.

And remember, devaluation is an avoidant mechanism. Ambivalence is confusing, and that agitates a borderline personality.

Brody can then explain more, depending on the prompted dialogue:

[She’s…intense.] “She’s always been a little bit like that. But after the twins died, she really closed up.” [It wasn’t your fault.] “Still, I was the one that had to break the news to her. And ever since I did, she’s become distant.” [You should talk to her.] “Yeah, right. I tried, I have. It just never seems like the right time.” [Ep.1 | Done Running | Fishing Cabin]

Once again, Violet is distant where she wasn’t before.

But we also get a further confirmation that Brody is the one with the negative connotation, and it’s because she was the one who had to tell her. …which in itself is an interesting choice of words, but we can assume Marlon pressured her once the conspiracy is revealed.

Then another confirmation, to the fact that opening a conversation has not been feasible.

Turn to Violet, and she first says this:

“God. Sometimes she just gets on my last nerve, you know? [. . .] I mean, it’s— It’s not like I hate her… I just… ‘I wish we could all go on a road trip together.’ God, she’s so…ugh. You know? [. . .] I don’t know what the problem is between us. With Brody…, I don’t know why it’s like this. Why is it so weird? I can never relax around her. It just keeps getting worse.” [Ep.1 | Done Running | Fishing Cabin]

All of this is telling. Violet is very animated here, both in how she says it, her shifting tone, and what she’s saying. First it’s a comment. Second it’s admission. Then there’s that sardonic tongue, an ask to gage whether or not Clementine understands, before it all breaks and she goes back to admission.

The last couple lines say something crucial to know when understanding the dynamic here. And if a player is impatient with dialogue, they will miss these.

I can never relax around her. It just keeps getting worse.

So Brody is a walking trigger.

Within the bounds of splitting to devaluation, this happens when an emotional anchor develops a level of ambivalence, but because anchors do not just go, the anchorage is instead insecure, rather than the source of stability once relied upon.

Yes. Brody is another of Violet’s anchors—just not the primary one.

And what it means to be a walking trigger is…devastating. Not just for Brody, but for Violet as well. She doesn’t have the support Brody gives her anymore. Can’t trust it. Because every time Brody walks in the same room, Violet cannot relax. She is agitated.

Don’t take this to mean in a figurative way.

It is literal.

Triggers rise from people an emotional response. In BPD, this often means that the brain will shut its reasoning off, and prioritize this “survival” instinct. Fight-or-flight.

So when Violet says, I can never relax around her, this isn’t a oh I’m nervous, I don’t know what to do. This is I cannot function when she’s in the same room as me. Maybe she’s hypervigilant around Brody. To the point where Violet cannot stand Brody anywhere near her…

So she sabotages. She’s cruel to Brody in the comments she makes. She does not allow Brody to get close, because it is too much. Rather than a calm, reasonable state of mind, Violet feels things. A cold pit in her stomach. A dwelling ache in her chest, or a knot in her throat. Can’t focus on what she’s doing—Brody’s there.

And the easiest way to stop it is to push Brody away.

And, and, initially, blame the girl.

[Because you blame her.] “Well, that’s what I used to think. I just keep thinking that things might have ended differently if I was there. Maybe I could’ve protected Soph. And Minnie…” [Ep.1 | Done Running | Fishing Cabin]

There’s a confliction here. Violet did blame Brody, until she realized it wasn’t that. Instead, she blamed herself.

It’s the following prompt, however, that gives the best clarity to Brody and Violet. The prompt,

[Because she never said sorry.] 

where Violet tells Clementine exactly what the trigger is—because by this point, a year later, she’s figured out how to articulate what it is:

[Violet] “She tell you that?” [Clementine] “More or less. She wants to talk about it, you know.” [Violet] “I just… I feel guilty about the whole thing.” [Clementine] “Why?” [Violet] “I was supposed to be out with the twins that day. I wanted to work in the greenhouse, so I asked Brody to cover for me. But then… I didn’t even get to say goodbye. I… I wanted to talk to Brody, to tell her I didn’t blame her for what happened. But every time I tried, I was reminded of who we lost. It was easier to just not talk about it.” [Ep.1 | Done Running | Fishing Cabin]

If BPD isn’t a lonely experience, or a humiliating one, it can be a guilty life to live.

Violet expresses why losing the twins hurt as much as it did: there was never closure, and she blamed herself. Hence why, earlier, I suspected that seeking closure was what kept Violet at Minnie’s side after shooting her.

She was finally saying that goodbye, regardless of how the interaction itself went.

But it’s what she says about Brody.

Violet wants to talk. She has wanted to. But Brody’s a walking trigger. Every. Single. Time that Violet tried to talk, the same turbulence arose. In BPD, without that regulation, it is unbelievably difficult to talk when…your body’s actively flipping the fuck out.

A cold pit in her stomach. A dwelling ache in her chest, or a knot in her throat. Can’t focus on what she’s doing.

Of course she found it easier to just not talk about it. That is an instinct ingrained by borderline.

BPD is a lonely experience every time you lose an anchor this way. The disorder is humiliating because you do not want people to see you like this, when you’re in the midst of an episode, and you have no fucking control over your body, so you yourself are flipping the fuck out.

And it’s guilty. Because when you’re in Violet’s position, where you know the reason why, you know what you want to do, but your body works against you at every turn…

It devastates a person.

Because it is your fault. You did this yourself. Reap what you sow. You’ve done it again, it’s humiliating, and you are very, very alone because you just cannot stop burning bridges.

…in the apocalypse, being chained to a boarding school does not help. There is no way to give the time and space someone like Violet needs to think, and to process, and to let those emotions relax. Brody kicks up those emotions whenever she’s around, and the dust just never settles.

Violet trapped herself in a cycle. By the hour, or by the day, for a year, it would’ve been a ceaseless agony.

One that did scar over. Violet probably got used to it, and found a routine to the snide comments. It wasn’t like Brody was leaving anytime soon.

Until she does, and she suffers a disorientating last few moments.

I’d like to think they made amends and had a full conversation. I don’t know, however. But, at least Violet does take the first step when walking from the cabin, and she entertains Brody’s fantasies about a road trip, and that she would’ve had her sights on the Grand Canyon.

Because the one mistake they made was they never talked. It wasn’t going to be an easy thing, but it is that straightforward. So when they did, or began to, the devaluation began to ebb away.

Then, a tragic irony.

Brody’s guilt was never just I’m not Minnie, so she hates me, and it’s my fault. Rather, Brody’s guilt was warranted, and quite honestly, yeah. She should’ve be guilty, because it’s I watched as my leader gave this girl’s world away, and did nothing, lied to her, to her face, for a year.

Violet didn’t know this at the time. So for her, Brody was a point of devaluation because it’s her mental health actively jeopardizing things, not the truth and circumstance. The deception, in the conversation of that mental health, instead plays itself like salt to a wound, and then a tragic irony once Brody was murdered for it.

Because Brody knew they had to tell people. If the path to mending their relationship was encouraged, then it could be read that it gave her the inch to confront Marlon. If otherwise, Brody wanted to tell everyone because she needed to, despite what turmoil the truth would’ve caused Violet.

By the time Violet does know, and there’s a funeral, she says this about Brody:

“Brody, she was… She was real sweet. She had big dreams. And we all knew they wouldn’t come true, but we didn’t care. And we didn’t care because when she was talking, whatever she said seemed possible. [. . .] I don’t know if she found the place she dreamed about, but I’m gonna miss her.” [Ep.2 | Suffer the Children | Courtyard]

There’s forgiveness. With Brody died that devaluation.

Not a moment thereafter, however,

“Marlon was… I can’t. Not for Marlon. After what he did to the twins and Brody, I—”  [Ep.2 | Suffer the Children | Courtyard]

The cycle continues.

Now with Marlon.

If Violet devalued Brody, she absolutely vilified Marlon. Because not only was it about the twins, there’s also Brody.

So of course she didn’t give him any peace after the fact. Why would she? Marlon had his own complexities, yes, but those complexities hurt. They brought another ambivalence.

As the essay rattles from the schoolkids, we’ll discuss another relationship now. A new, fresh one. Clementine, through who we see all of it—the emotional anchorage, the idealization, and devaluation. The splitting between. How intense Violet can be, and how volatile.

We have Clementine, who is given the chance to witness what Louis means for this wallflower, and that she grows on you (he promises so).

[VIOLENTINE: The Ship, and its Anchorage]

Platonic or romanced—the difference doesn’t matter in this essay. The shift of context between friend and more than that is just that: a shift in context. Distinguishing the two will have its moment, but it is hardly integral to the fact of the matter:

Violet anchored Clementine, and she did it swiftly. (In record time, dare I say.)

In regards to the arguments against romancing Violet, there’s a lot of people who look to Minnie, then back to Violet, and point to Clementine’s “girlfriend” dialogue. “Violet’s not over Minnie,” is a common one, right alongside, “Clementine’s just a rebound.”

Now. I’ve spent 5.5k words tearing those arguments to shreds in one section, and I still have with me another few things to say about Minnie and Violet’s relationship up my sleeve. In light of Clementine and Violet’s relationship.

Because even though I do buy that they were closer than friends arguably would be, they weren’t girlfriends. It’s why Violet was insecure within their relationship, and why that insecurity devolved into a strong case of idealization. Violet genuinely did love Minnie. Her bond with the twin will honestly forever be there, but that bond wasn’t unconditional. The conditions were at the cost of Violet’s mental health.

Then there’s the rebounding, and I will use this as a jumping off point regardless of relational status.

Rebound relationships are defined by a partner still with a previous relationship’s baggage. They’re not done healing. They haven’t quite let go. It gets in the way for committed relationships where the expectation is that both are in it 100%, and that person just…can’t. Because they’re still fixated on the last partner.

…which yes, does sound like Violet. Cuz it kinda, sorta, frankly is.

However. For one thing, this dynamic doesn’t just apply to a Violet route opted for romance. The rebound applies to a platonic dynamic, in part because I don’t frankly believe Minnie was a true girlfriend, and in part because idealization is not specific to partners. Especially in what we see in TFS, Violet needed to let go of Minnie regardless.

Then there’s the fact that being a rebound isn’t always bad. To rebound, which is where the term “rebound relationship” derives from, means for something/someone to bounce back. Or, it can mean a kind of backfire. Both uses of the word can be applied to relationships like this, which, yes, is why they’re fickle, and why people do their best to avoid.

Here’s the thing: Violet needed a new relationship to pull her out of the old one. Because Clementine is a catalyst for Violet, and she was anchored so quickly because whether Violet herself realized, she did want to move on. She couldn’t, but through Clementine, she got the chance.

And I do confidently say that she did want to, because by one interaction in the woods, Violet is disillusioned from Minerva immediately. She’s snapped out of what image she had of her, and is the one that remains realistic where Clementine can offer supporting words—along the lines of we can get her back.

It’s why Brody, through the cabin’s conversation, observes the same.

“We all used to be friends. Guess I kinda just missed that. But when you showed up… I don’t know, I just haven’t seen her warm up to someone in a long time.” [Ep.1 | Done Running | Fishing Cabin]

I find it interesting that Brody picks up on Violet taking to Clementine so quickly, and is able to read enough into this to try and see if it’s enough of a push for Violet to start healing. She’s right, it is enough, and Violet does take a first step in mending their relationship, and breaking away from the devaluation that was arguably heightened by her idealization of Minnie.

…granted, it’s dependent on player choice. There are Violets running around out there having fished with Clementine, but never did reconcile with Brody.

In any case, I am going to argue against Minnie being Violet’s ex because 1) who the fuck cares, I’m not concerned over purity over here, and 2) it’s likely they weren’t exes at all.

However, I won’t fight against this being a rebound. It is. But, Violet’s arc is about learning how to let the fuck go, she has a problem with letting go, so of course the relationship would be a rebound by proxy. A healthy rebound, at that.

By the time she is forced to let go of Clementine, after two newcomers are voted out, her attachment is made quite plain the moment Clementine is in danger within— What, five minutes, and Clementine is at gunpoint?

Regardless, Violet is there, bow at hand, with Louis behind her. She is ready to shoot, and it is no bluff. Violet will if prompted. Or, she will run should Clementine prioritize getting the two out of it.

Because Clementine’s already anchored. Violet trusts her to make the call, and she will follow without hesitation. Later on, after a weary night with A.J shot, then a morning of crawling back for medicine, Violet calls for Clementine to talk in the office. And in there, the anchorage is confirmed further:

“What happened out in the woods… I saw they had you pinned, and I… Shit, I got so crazy. “I know you think I didn’t do enough for you and A.J, but when I saw you were in danger, I had to do something.” / “When I heard you call for help, I didn’t even think.” [Ep.2 | Suffer the Children | Office]

The second line is dependent on whether or not Clementine blamed Violet before, as her and Louis walked the exiled to…exile. And stuff.

But, her account as to why she ran right for Clementine, and pulled an arrow on Lilly says everything I got so crazy, I didn’t even think, I had to do something. Clementine roused a trigger.

This time, in a very good way. Well, as good as the circumstances. In any case, this does count as a trigger because it’s inciting an emotional response, and given Violet’s wording, a fight-or-flight. (I realize triggers are specific for negatives; for the sake of brevity, I don’t care. I still say it counts.) It’s the reason why, before, when I detailed how I personally get with my anchors, I do similar things. No, not literally pull an arrow on someone, but I act on impulse without care, because I just want to satisfy their needs to the absolute fullest. It’s genuine, but it’s also triggering—under a positive connotation.

After this, of course, we push into Violet leading the school as they prep for an attack, with Clementine right alongside her. Whatever happens during this time is unknown, just that the school built-up the walls, laid their defenses, and focused on instruments to help, such as traps and explosives. Shortly after the time-skip, of course, we get the belltower sequence.

Starting with an inquiry:

“I know you came back for medicine, for A.J, but after that, you could’ve just left. Avoided all the bullshit with the raiders. Why didn’t you? Sorry, I know that puts you on the spot. You don’t have to answer. We’ve all got our reasons.” [Ep.2 | Suffer the Children | Belltower]

Violet asks something that has likely been on her mind for a while, but then… Not backtracks, but she does relinquish the pressure for that answer.

As their time at the belltower continues, it’s clear where the question came from.

“Sorry, I didn’t mean to just…talk so much. It’s just, I’ve watched people leave before. Family, friends. They never come back. But you did. And now I can’t imagine what it would be like if you weren’t here. Um. Shit, that sounds so much dumber when I say it out loud. You know what I mean.” [Ep.2 | Suffer the Children | Belltower]

Violet’s hesitancy to speak her mind, be vulnerable, is interesting, particularly because it’s about doing so too much. It’s a very specific one, with ambiguous implications. This could be an anxiety she put on herself, or, this was something that she took after a mention that she was talking too much, getting too personal, one way or another. Then there’s also another thing, where it sounds dumber than she intended. As though when speaking her mind, Violet has an idea of what to say, but she doesn’t know quite how to articulate it.

This is a really good line of dialogue, so that latter insecurity is just that: an insecurity.

Nevertheless, this speaks volumes because it’s the first verbal admittance to an issue with abandonment. All the adults left her life, and never returned. Those include her parents, who never tried to get back to the school. Her grandfather died, so not his fault, but her grandmother shot herself right behind Violet. Which is abandonment, and really fucked to do. The teachers of Ericson’s…

Then fellow students. Most probably died, including Brody. And the twins were taken away.

Abandonment is a huge thing.

So we turn to the route where Violet is taken. And it’s not good. Violet reacts as predictably as this essay has outlined.

[Clementine] “Vi? What happened? Are you okay? Violet, talk to me… We’re here to take you home.” [Violet] “I looked for you. When they grabbed me, I saw…you let them take me. I’m just supposed to forget that because you’re here now?” [Violet, if platonic] “Some fucking friend you are.” [Violet, if romanced] “Some fucking feelings you had for me.” [Ep.3 | Broken Toys | Brig]

Here we have now a fresh faultline within her and Clementine’s relationship. It brings ambivalence. Upon seeing Clementine, she’s plunged into an episode.

And Violet splits. Her image of Clementine is distorted, so she falls back to the same pattern she did with Brody, and she is hostile.

[Clementine] “What’s wrong with you, Vi? Come on, let’s get the hell out of here.” [Violet] “No, Clem. I’m done. This whole situation is so fucked! At least here I have Minnie…” [Clementine] “You mean the Minnie that betrayed us?” [Violet] “Don’t act like you know her. She tried to escape. Her and Sophie. They said if I fight back, they’d kill Minnie. Or one of you. All you’ve done is get us hurt or killed. If you fuck this up worse, I’ll stop you myself. And don’t think I won’t. I’m not losing her again, or anyone else.” [Ep.3 | Broken Toys | Brig]

We also have Violet manipulated on top of that, led instead by Lilly and Minnie’s word, not Clementine. Because BPD primes people to manipulation, especially in times when they’re at their most vulnerable. But, throughout these interactions, we do see Clementine attempt to console her, and talk.

Violet, however, is not open to. She is not in the right state of mind. This is a BPD episode, so Clementine is not able to get through to her here. Violet does not trust her—too much ambivalence. Mitch’s death is fresh on her mind, she’s been lied to by Minnie about what happened to Sophie, and with that lie, she was told that more people would die if they did not listen.

And of course, the more time is spent, Clementine starts to get frantic as everything escalates because there’s a fucking bomb ticking away in the deck down below. So there comes about an urgency, and she can’t spend that valuable time consoling Violet.

So she starts chipping away at the door. 

“What the fuck are you doing?! You’re gonna get us all killed!” [Ep.3 | Broken Toys | Brig]

And Violet does precisely what she said she would do, and she attempts to stop Clementine herself. Because there’s Minnie again, but she also doesn’t want anyone else to die either.

Lucky for Clementine, she is stronger, and she is able to overpower Violet within a minute. However, in trying to get the cells unlatched, then to find her way to A.J, she herself is overpowered by Minerva. The urgency and stress associated backs Clementine to a corner. She still doesn’t want to see Violet hurt, so, she explains,

[Clementine] “We planted a bomb on the boat!” [Violet] “Fuck you, there’s a bomb! Mitch is dead! You just… Fucking go!” [Ep.3 | Broken Toys | Brig]

…and again, Violet does not trust her. Mitch’s death is still fresh on her mind. Everything that Lilly and Minnie fed to her is still present.

Then, the bomb goes, and it takes Violet’s sight with it. Even on the beach, she asks for Minnie, amidst confusion because, somewhere down the line, they got separated. Louis has to be the one to support her. By this point, and some beats after, it feels like this is another Brody. Like there’s no turning back, not until a long, long year where Clementine would be in the same shoes.

Minnie makes herself known, though. She’s off in the woodland, with her people. 

And that is when this Violet has the wool pulled from her blinded eyes, because she realizes what happened.

The moment is brief. It’s very easy to miss. Yet, the attempts Clementine gave on that boat to console her, before the urgency really began to set in, was not fruitless.

Violet tries to apologize:

“Clementine? The stuff I said on the boat, in the cell, I, uh…” [Ep.4 | Take Us Back | Beach] 

It’s not the right time for it. The schoolkids need to get off that beach, but this brief moment is huge.

The thing about episodes is, yes, in the moment, the individual is not consolable. There’s no reasoning with someone who is shut down. However, the attempts to try and console, and/or any verbal promises to leave the door open for when they’ve calmed down, the effort can be recognized and appreciated.

Once Violet snaps out of it, that’s precisely what it was. She understands that Clementine was never trying to hurt her, nor did she come to her disingenuous. Clementine was there to bring her back, because the situation was exactly as Violet herself said—fucked.

But still… Clementine was there to bring her back. 

Either way, Clementine proved herself to Violet, because down this route, she left twice, and came back both times.

Of course, the night does not end there. Clementine loses a leg. Another schoolkid is gone.

So through the weeks thereafter, Violet gave herself the time, and then, she tries again with the apology:

[Violet] “I wanted to wait ‘til you were up and about, but how I behaved on the boat… It was really unfair. My head was so messed up—by Lilly, and… And Minnie. I was so wrapped up in my own shit…” [Clementine] “It’s okay. You went through hell in that boat, and I let that happen.” [Clementine, if platonic] “I’m just glad we got you out of there.” [Clementine, if romanced] “I’m just glad I got you back. I was so worried I’d lost you.” [Ep.4 | Take Us Back | School]

In this apology, Violet articulates the position she was in, and admits the kind of influence Minnie was to her—not a good one. And in turn, Clementine acknowledges her. She doesn’t demean Violet for what she did. On top of that, she expresses how she’s just happy that Violet is there in the moment.

This route is bittersweet. We have the beginning, where Violet is guarded, then she warms up to Clementine, finds an anchoring point, and acts upon a fierce loyalty. Which then is hurt when Clementine chooses to save Louis instead. The time on the boat is very bitter because…the truth about borderline is, yeah no, it does not care who the person is to the mentally ill. The disorder is a disorder for a reason. It will hurt, and it will put a strain and test a relationship.

Then you just have the big fuck you axe where Minnie…effectively was the one who managed to wound Clementine, have her get bit, and then lose the leg. Which isn’t really how an eye for an eye goes, but that’s what this route goes with.

But then…, it’s sweet. Because Clementine did the right things, with what stress she was under.

She tried to talk to Violet, and in doing so, she left a door open for Violet to crawl back through when the time was ready. It was sooner rather than later for her, since Minnie… Whatever. However, it’s an apocalypse; a boat was just blown the fuck up. So while it was the time for Violet, it was not the time for literally anyone else. Ergo, a second attempt, to which there was resolve.

Clementine and Violet did not make the same mistake that Brody and Violet did.

And that’s what saves the relationship.

Now, let’s waltz all the way back and save Violet, just to show what Clementine and her do right to build a healthy connection, whereas her and Minnie went wrong. To do this, taking a brief visit to the romantic will help in dissecting an evolution found as the episodes progress.

After the bits of dialogue in the beginning of this section, Clementine can choose to confess her feelings for Violet. It can be solidified by a kiss, or a question for a relationship, or…a meek silence, to which Violet is able to read and feel the same. Clementine can also express confusion, in that she needs the time, but express the interest all the same.

There’s a sweet moment here, and with the kiss, it can also be a touch awkward because…

Okay, they kind of flounder. Violet more so. Which is interesting to note, because Violet “supposedly” was in a relationship before. Sure, the moment on its own doesn’t mean an experienced person wouldn’t be any less awkward, but with the following steps in their relationship, it does support the suspicion this essay has in that she never had a reciprocated, romantic relationship with Minnie.

The moment where Violet asks Clementine to dance, and is nervous to do so, is one of those steps in the relationship:

“When you told me you have feelings for me, I was shocked. Then I started thinking. There’s something I’ve always wanted to try with someone I cared about. And I never have. [. . .] Have you ever danced with anyone before? [. . .] Do you…wanna? Just us. No one else around. I mean, I know it’s kind of weird, but it’s something I’ve always wanted to try.” [Ep.3 | Broken Toys | Dorm]

It’s a step in way of romance (Clementine even remarks after how they’re getting better), but it’s also a step in Violet’s confidence in being vulnerable with someone. She’s still clearly anxious here. Violet still has some of that self-deprecation, and it comes back if Clementine rejects the offer because the idea was stupid, or something along those lines.

But she still does ask. And it’s a big ask, because this is important to Violet. So if Clementine reciprocates the dance, it’s yet another sweet moment, and it builds the confidence within for this relationship further.

Before the night, Violet can tell Clementine how she got to Ericson’s. Then, through the night itself, she backs Clementine every step of the way. Shoots Minnie. Escapes with the schoolkids, only to come back and find her with Tenn and A.J, safe and sound.

During their walk, Violet opens up again. This time, there is none of that self-deprecation, and Violet even gets choked up—but she’s not really ashamed for it, she just continues and says her piece.

“While we were looking for you guys, and I… I thought you might be…gone for good…, um, shit. I was trying to figure out what I’d do if you were gone, and I realized how goddamn stupid I was. About Minnie. For a whole fucking year. I was so wrapped up in losing her and Sophie, I pushed away everyone who tried to care about me. Marlon, Brody, Louis. Even you and A.J. I tried my damnedest not to care about either of you. And I still couldn’t tell you why.” [Ep.4 | Take Us Back | Forest]

She admits everything. Is so very open to Clementine, and tells her what is on her mind. There’s Minnie. There’s what she regrets.

[You were afraid] “I was a goddamn coward. I’m not a coward anymore.” [I’ve done the same thing.] “And then you wonder why you fight so hard to stay alive. I don’t wonder anymore.” [You cared about me.] (Platonic) “I didn’t expect to find a friend like you, not ever again. But I’m really glad I did.” / (Romantic) “Yeah, I did. Way more than I meant to. I’m still kind of amazed we found each other, you know?” [Ep.4 | Take Us Back | Forest]

By this point in the story, Violet has undergone her arc.

She is a changed person because of Clementine’s influence, and she sees what she either didn’t see before, or did but had forgotten. Through a rebound, because Violet just needed a second chance to redeem herself.

Now…, she didn’t expect to find a friend like Clementine ever again? It’s interesting that Violet indicates Clementine was a second chance with the platonic route, not the romantic. Is this her quietly admitting that Minnie was never beyond a friend, actually? Or is this in reference to Brody and Sophie instead?

I dunno. Just found that interesting, since she could have said an equivalent for the romantic dialogue. In any case…

There is something so profound with how this relationship contrasts the ones which came before. As a friend or partner, Clementine never gets to the point of Minnie’s idealization, nor Brody’s devaluation. Both are antithetical to each other because they balance on the same scale—that being insecurity. Violet cared for Minnie and Brody deeply, and those emotions are genuine.

However. 

Minnie was put on a pedestal because there were faultlines to that relationship which Violet did not want to face. Brody, instead, was degraded because rather than faults, it was easier to ignore the good sides to Brody. And the good sides were a really, really sweet girl who dreamed of a better life—something that Violet could never see for herself after the twins.

Then there’s Clementine.

Even at their worst moment, where Violet’s trust in Clementine waned, she still did trust her. Clementine told her there was a bomb. Violet snapped because Mitch was the one who knew explosives, and he was dead. And yet, she got herself blinded because she knew Clementine wasn’t lying to her. She trusted her enough to know…

Well yeah. There’s a bomb.

Beyond that, however, Violet decides to do some arts and crafts, even though she says they’re stupid. Or Violet’ll ask for a dance that she’s desperately yearned for. She’ll talk to Clementine, a lot, even if she didn’t mean to do it “so much.”

Clementine as an anchor never truly corrodes. It’s tested down one of the routes, yet by the end of it, the relationship is maintained.

…there’s a final note which taps into this.

We come back again to identity one last time. For a brief anecdote—nestled within the shadows of what exhaustion this essay has gone over with Minnie and Brody, and now Clementine—, but an important one. Violet’s sense of identity will remain to be untold because we don’t have that perspective. She never talks about herself like that, so there’s no true insight for Clementine to gather.

Yet there are scant traces of identity diffusion, or an incoherent identity, ceaselessly disturbed by external influences.

This calls back to a copycat nature where borderline personalities will imitate in order to find stability. Ambitions, beliefs, interests—these all go right along with it, because they very well can change, and do so radically. Impulsions in way of severe life choices are made on the foundation this nature provides.

And that foundation is not strong.

There is no way to truly understand and deconstruct Violet’s sense of identity, yet, her behavior and choices made throughout the season can give us something to chew on.

Between the two routes, Violet is…a hair shy from being an entirely different person. The Violet Clementine brings onto the boat is not the same as the Violet she meets there. By contrast, Louis remains consistent; bring him on the boat, and he acts as expected—same with when we find him…without a tongue.

One is Clementine’s Violet. The other is Minerva’s Violet.

In both routes, Violet’s impulsion changes her life’s trajectory. She either shoots Minnie, or, she goes after the bomb and blinds herself. In one route, she’s outspoken, combative to the Delta, and fiercely loyal to the school; in the other, she does behave like how Minnie described her—never could talk to people, never to be class president. The Violet in that second route is withdrawn and quiet…

But she does confront Clementine.

She mimics Minerva’s newfound bellicosity that she dawned from the Delta, and it’s pitted against Clementine by following both her and Lilly’s word.

Going back to the first episode, where Brody tells Clementine that Violet withdrew herself from everyone, a lot of that was depression. Violet also actively told herself to push everyone away (…except Tenn, a remnant of the twins). However, there is a read here that she withdrew herself because there was no one left for Violet to mirror. She reverted herself back to the girl who sat in front of the television, with her grandmother’s fresh corpse just behind her.

Not to say that Violet doesn’t have a personality on her own. No, she still does. Having a weak sense of identity doesn’t automatically mean that there’s no identity at all. It can just mean the self-perception of identity is weak, but given that it is a self-perception, what is Violet going to draw from if she doesn’t…know how to read herself?

So Clementine meets Violet in the midst of this. She’s sarcastic and grates for a minute about the car. She keeps up a wall between her and Clementine. But by the end of the episode, and the start of the second, here Violet is cleaver at hand, about to lead the school.

Marlon scathes when she stands toe-to-toe. Talks about her being difficult again—but that in itself is ambiguous, because does this mean she’s gone toe-to-toe before, or does this mean Violet has a tendency to be inconsistent? And was that night another inconsistency?

But then… Louis. He admires the fact that Violet is like his white knight. He relies on her to protect him, because he knows that there is no doubt—she will.

Then being a leader. That comes as a surprise to presumably everyone. There’s a few points of dialogue that suggest it, others that blatantly say it, and then more few beats where we see the contention between Violet’s leadership and the schoolkids.

There’s conflict here. Violet is inconsistent in who she wants to be.

And it’s just that, isn’t it?

The TWDG community has long since decided that Violet’s arc is about letting go of Minnie (for those who see past the “rebound” thing), and self-discovery. Which is still true, but through the lens of BPD, there’s another layer to this. It’s about learning to let go despite disorder. And then, it’s learning what she wants from people, and who she wants to emulate, again, despite disorder.

What kind of person does Violet want to be?

And this is distinct from Louis, because with Louis, it is also a self-discovery. He is care-free, live in the moment, to a detriment. To be quite frank, the only reason why he got that far into the apocalypse was because he relied on his community. Not because he couldn’t contribute, but because he has his fair share of self-depreciation.

But there is no question. He knows who he is, and he knows the kind of man he wants to be. It’s why Louis does talk about his sense of self as much as he does.

Whereas Violet really doesn’t, perhaps because she can’t. All of what she confines in Clementine is the fact that things get overwhelming, and she gets confused. Quite frequently. But also, her relationships. Everything external for her, because… Again, she struggles to articulate what’s going on internally, because of that confusion. It takes time for that articulation to be feasible.

Violet has a patchwork identity. She’s kept traits of others—such as the singing. Granted, everybody does this. However, there’s her own within patchwork, but those have gone largely unexplored in the past.

Then here’s Clementine, the catalyst to this arc.

Which begs the question, why? What about Clementine has this impact on Violet?

Something about her draws Violet in. 

At first, yeah. Clementine’s new. There’s an air of mystery around a girl who totals a car at Ericson’s front lawn, with a kid in tow. But that mystery alone doesn’t equate to a cleaver pulled, guarding the new people from the rest—her own people.

The answer is rather simple: Violet is mirroring Clementine, so all there is to do is look at that reflection. And we find a leader. We find someone who is compassionate, and does everything to fight for their own. Actually fight. Tooth-and-nail. Someone who does whatever it takes to survive, even if that means rubbing the good ol’ walker jelly, or, taking risks to secure a bag of food.

Clementine’s compassion for people is evident once she wakes up, and she has A.J by her side. Her skills in leadership, her drive to fight, to survive—those are all made very clear at the train station, with both Louis and Violet following her lead.

So Violet mimicked. She found the same traits within herself, then elevated them. Brought them to the surface.

As the relationship continues to build—platonic or romantic—, Violet finds reciprocation. She’s not just emulating what Clementine would like to see. After all, she was sat in the headmaster’s chair while Clementine and A.J were still exiled. That indicates how Violet found, if not a comfort, a consolation in that part of herself.

The reciprocation continues whenever Clementine responds to her, and she validates Violet, she shows interest in what Violet says, and what Violet wants to do. Violet can ramble on and on as long as she wants, and Clementine would still listen. Violet (if romanced) can ask for a dance, and Clementine would oblige. Either way, Violet gives Clementine a pin. Clementine puts it on.

It's that compassion, and it cascades authenticity off Clementine to the people she surrounds herself with. She’s also someone who feels strongly. This character is a very empathetic person. Throughout S1, Clementine was perceptive of the people around her, and she cared. Deeply so. S2, the same thing, even if her morality began to grey. The start to closing herself off to protect herself was present. S3 as well, especially in her drive to find A.J once she learned he was still alive, out there somewhere.

Throughout the seasons, there are also plenty of moments where her empathy shows. Clementine does genuinely feel what the people around her express. Like with Louis, when his tongue is cut. You can hear in her voice how pained she is, regardless of the relationship itself. She’s pained because Louis is.

And given what she’s lived through on top of that? Clementine would absolutely put 100% in a relationship, enough to match someone like Violet.

There is another reason to this why, and the thought struck me when I was reminded of an easter egg during Violet and Clementine’s scene up on the belltower. A constellation, which Clementine can draw for herself, and he’ll wink right back at her:

Kenny.

This connection is an interesting one to make for a scene with Violet. It’s cheeky first and foremost. 

Regardless, there’s a parallel drawn here. Violet and Kenny are very similar, in that…Kenny likely had BPD. TWDGhas two seasons, then a couple flashbacks, where we can read it so. That man was volatile himself. Fiercely loyal, but could absolutely flip on a dime if his perception of the people around did not align with what he desired—it’s why he’s so fickle with Lee, to the point the gameplay reflects it, and then Clementine as well, because this behavior was the ultimate antagonist. His spiral down mental health escalated, and escalated, and escalated.

And he’s guilty. Tells Clementine that to leave him, or to shoot him, is the right choice to make.

But should the two survive together, with dreams of driving down to Florida, we find that he…is okay. He’s stable. His anchorage with Clementine and A.J is strong, without ambivalence. In this storyline, she sees that with people like him, sticking around through the bullshit can be worth the trouble.

Of course, it’s also a testament whether or not it is worth it. Some people, including myself, left Kenny in S2. Because the turmoil through the season was just that significant.

He genuinely cares, but like my mom, Kenny still hurts. Especially in S2. Because despite himself, he just could never seem to get past what he felt, and his impulses.

Clementine’s relationship with Kenny varies across different choices made, and the interpretations thereof. My personal interpretation of Kenny will contrast wildly to another. And that’s okay.

But whatever the interpretation is, and the choices made, Clementine has experience with people like Violet. She’s lived through the type of behavior conditions BPD and alike bring. She knows how to navigate them, and find healthy grounds.

Clementine keeps an open line of communication with Violet. Expresses interest, and accepts what Violet herself has to offer. But she also has her boundaries. For one, A.J. He is her priority. Two, when Violet fights her, Clementine fights back because it’s not okay—do not lay a hand on me. Now, whether or not she would’ve fought like she did if there was no bomb, and A.J was still in the cell…

I don’t know. I assume it would’ve been one of those major choices of the game. Either talk her down, or fight.

…similar to what Lee has with Kenny, up in the attic after the house in Savannah is swarmed, or on the train before that.

Bringing Kenny into the conversation is…funny, in a way. At least to me. I write all this, because TWDG secured its place in my heart by being the very thing I needed through a really, really bad year where my mental health (BPD) reared its ugly head. TWDG as a whole, but S2 especially. I realize why so many people have issues with the season, and I get it. It’s only natural for that to happen when every season has its distinctive personality—not everyone will gel with its voice. That, and it does have its fair share of flaws.

But if it was not for S2, I would not be in the fandom. Because that season was 2019 boiled down to the pure chaos I inadvertently put myself through, and it did so by having me play a character who when she was taken seriously, she just could not do it right, then…, when she wasn’t, it was out of neglect, where the adults put themselves first. Every. Time. And…one of those adults was a blunt reflection of it all.

Up until the final moment. The breaking point.

It’s how I felt inside my head. And still do, sometimes. When I’m stuck inside a season rooted in instability—a winter—, things just keep happening, and there is no end, even though I try to maintain the fantasy of peace in those slow moments. But…there’s just no end. There’s only escalation.

It was something I needed to experience in isolation, where I understood that it’s just a game, and it’s within the scope of 7.5 hours.

Swiftly thereafter, I started writing. Because again, it’s what I’ve always done. So AYDF came to be, where Clementine’s an alcoholic, but not because she’s legitimately an alcoholic in the gameplay. I get she’s not; my Clementine is an alcoholic because…it’s an obscure remark of borderline, and an exploration wherein I thought to use an entirely different disorder to express such a thing. In part because I’d yet to really (re)consider BPD (it wasn’t until some time later that I understood), but also…I’m a storyteller. Having alcoholism represent BPD is interesting.

It’s all why I adore TWDG, and my Clementine, and ADYF. Together, they’re an anchor of mine.

Clementine and Violet’s relationship included, because I did not expect to find Violet. I knew about their relationship before playing—heard it whilst I did light research on which games to buy. But I didn’t expect to find a character who…also emulates what S2 did for me. Just, in a more matured light than who I was in 2019. Also didn’t expect the relationship to provide growth for my Clementine in regards to these personalities, because mine did absolutely struggle the first time—with Kenny, and the devastating choice she made.

Cuz like.

Oops. A.J’s still alive. Um. Whelp.

(…for context—because I know the assumption—, no, Jane was not there. I left S2 with both her and Kenny dead. Clementine just shot the last adult who could’ve helped A.J.)

To see the chances where Clementine is the person Violet needed—to treat her well—, and take those chances, I didn’t expect to find Violentine as this embodiment of a healthy relationship despite borderline. It’s not perfect—obviously it’s not—, but all things considered, it is healthy by the end, no matter the route.

It’s regardless of whether or not Violet actually has BPD. She’s not diagnosed, and I don’t intend to have her be diagnosed. But at the same time…, this essay kinda makes it clear that Violet is a textbook example anyway. A good one to me.

And a good one to A.J.

[A.J, & Serving an Example]

Throughout this essay, the priority has been clarifying BPD, and unveiling what it feels like. A mechanism that may lead to the disorder, then the mechanisms that the disorder itself deploys. How it effects the person, in their identity or, most notably with Violet, relationships.

And the way Violet articulates herself, through the several dialogue lines within this post, it is evident that she’s aware. There’s a self-deprecation to it, but, Violet knows her issues and what it does, whether or not she knows its name—BPD, or something else entirely. Given the ambiguity that the game allows, it is still left unsaid.

But that’s the first thing: she does talk about it. Violet knows herself well enough to.

Not only that, she demonstrates a responsibility in her disorder.

With this essay, there hasn’t been much in the way of responsibility. Because it isn’t until A.J enters the discussion do we truly see this come to light.

I will be the first to say that, while I can sympathize with other people of the diagnosis—even empathize—, I am rather critical when it comes to being responsible of our actions. From knowing a trigger but being around it anyway, to refusing to communicate when a hand reaches out—there’s issues I take. Because there are things that needs to be done with BPD, and those are not it.

The fact of the matter is, sorry, it fucking sucks. But also, it is your disorder, as it is mine. It isn’t your fault that it happened, but it did, and you’re kinda just stuck living with it. It’s not the responsibility of anyone else to fix and manage every aspect of BPD.

Finding people like Clementine, or a support system like the schoolkids, will do wonders because, yes, they can help. But Clementine, and the schoolkids, also have their fair share of shit. To expect them to drop everything is unfair, the same way that being expected to just drop your BPD for someone else’s sake is unfair. 

It’s a give and take. There will be a ceaseless line of dialogue in the name of boundaries, and clarification, and everything in between.

So we return to Violet’s apology to Clementine.

“I wanted to wait ‘til you were up and about, but how I behaved on the boat… It was really unfair. My head was so messed up—by Lilly, and… And Minnie. I was so wrapped up in my own shit…” [Ep.4 | Take Us Back | School]

She doesn’t excuse it. Violet gives reason—and that reason is, more or less, she was not in a right mind—, and she articulates what position she was in, but there is no excuse.

Because the difference between an excuse, and an apology, is that one is done with the intention to be forgiven, the other is done with the intention to resolve—the forgiveness is a hope, not the reward.

Being able to do such a thing, unprompted, speaks volumes to Violet’s maturity, and her understanding of her own mental health. For people with BPD, more often than not, it’s easier to blame someone else because…looking inward, and realizing you royally fucked up again is not easy. Or, it’s easier to use apologies to seek a reward—like forgiveness—, and to indulge in a brief gratification that may ensure a person stays.

Well, okay. The same can really be said for everyone. BPD, however, does has its way in amplification.

Nevertheless, A.J is able to witness this moment, take it in. It’s a lesson in itself.

But given Violet is saved, and Louis is mute, there is another moment which not only speaks volumes, but it serves to A.J clarity.

After the last meal shared in the game series, and Violet with Clementine deliberates over a caravan, A.J can ask Violet one thing:

“Aren’t you still mad I killed Tenn?” [Ep.4 | Take Us Back | School]

It’s a fresh wound for her. The pain of it is laid clear across Violet’s face. However, in response,

“The thing you said on the bridge…, that he was messing up all the time. It wasn’t something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just…isn’t there, you know? And that’s why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see…he just wasn’t there anymore.” [Ep.4 | Take Us Back | School]

Or, it’s complicated, but she understands why. Violet is able to acknowledge where A.J comes from. She does, and she sets aside her emotions. There is no corrosion here. Violet doesn’t devalue A.J for this, even though the gravity of his choice would’ve provided a validity. A warped and intense validity, but one all the same.

They trade more words, and amongst them, Violet asks a damning question, and A.J accepts:

[A.J] “So you’re mad, but sad.” [Violet] “Can I be that for a while?” [A.J] “Yeah, it’s okay.” [Ep.4 | Take Us Back | School]

A.J acknowledges her. She asks for further acknowledgement—the time to heal.

And he understands, and he allows her the room.

…the thing about Violet and A.J, in contrast to Louis and A.J, is that A.J looks up to these characters for very different reasons. Louis is a great guy. I want A.J to be like him, or better yet, a matured version of Louis. He’s charming, charismatic, good-natured, and through the game, we do see that he begins to donate an effort to do better.

Really, it’s not a mystery as to why A.J grew attached so quickly.

Violet, meanwhile, is confusing. She’s not that great with people, is instead a bit of a pill to swallow, and with her trauma comes a volatility.

Sure, she was the one who stood-up for Clementine and A.J when Louis didn’t, but in playing this season, I’ve always gotten the implication that A.J—at least initially—does have a preference for Louis. And I say implication because it’s never said outright, but there are some dialogues and reactions of his that had me wonder. I also don’t mean he doesn’t like Violet, no, but more that he doesn’t necessarily understand what Clementine sees in her.

At least, that isn’t until time passes, and more is spent with Violet, does she start to grow on him as well.

Louis models a more…digestible person. He has his problems, but they are easy to explain and understand. He was a spoiled brat. He sabotaged a marriage over something so very petty. And now, where his upbringing still rears its head through his immature work ethic, he struggles with deep insecurities.

There is a complexity here. One that does deserve its own essay, though I’m not really the right person for that. (Here’s an essay, by @stop-breaking-my-heart-telltale. Pretty good. And they gots a lot of essays like it. …but also, again, sorry for tagging; I know this is absurdly long. Lol.)

Violet, meanwhile, comes with a confusion because her issues are so steeped in stigma. Which is to be expected in conditions like BPD, where…yeah, there’s the chance she will lash out, do things she doesn’t mean, because a switch was flipped.

Where Louis is someone that A.J would like to aspire to, Violet seem to stand as a figure A.J can grow to appreciate. Having her as a model gives A.J the chance to understand that with people like Violet, you give them space and time. Work with them, and if they are genuine people, they will prove themselves worth the effort.

It does take effort, however, and the time spent with them.

And if there is no effort given, and no time spent…

Yeah. Violet will be that wallflower.

[Conclusion]

There’s nothing else this essay really has to say at its core. BPD is a very, very confusing disorder. Both internally, and externally. Stigma doesn’t help. It is, after all, a huge reason why I wrote this.

Because the stigma is quite honestly the worst thing about BPD. In many resources—whether they’re linked below, or you find them on your own—, you’ll find that a BPD diagnosis often comes with others right along with it. Addictions, eating disorders, depression…

To those who don’t know better (or maybe they do), that’s just…natural. It’s how it is.

But I remember going to my family, telling them that there is something wrong, only…to be assured otherwise. Not for my sake, but for theirs. Because BPD isn’t greatly understood, and when it is, realizing that none of them got to save me from my mother in time has its way in denial. What my mother did wasn’t right, however, I could’ve ended up like her. 

Just not through those initial traumas.

Rather, I could’ve, had I made the same mistakes she did with the silent traumas thereafter—decades, now, where the people around me refuse to acknowledge my words, and listen to me, because I know the look in the eye, and I sometimes find it in the mirror. Those initial traumas may have been the first lashing, but it’s the time after which seals BPD within a person. Because the condition goes unchecked. It ferments. People tell you one thing, but you feel another, and as a child, you decide to trust their word, not your own body. Which breaks you. Gets to a point where there’s no real return, because people like me weren’t allowed to learn otherwise.

Understanding what happened to me was a very lonely experience, despite the sheer amount of people I had around me.

…and it hurts, somewhere deep in the recesses of my alexithymia, that my abuse never came from people who hated me. My mother didn’t, not in those initial years. None of my family did, in the decades into adulthood. But still, they hurt. The abuse came from the people I least want to admit, in ways that media would deem too boring for our idled attention spans.

I proclaimed that BPD is when a mechanism deploys, and the cost means a sacrifice of one integral function. It is still true—the mechanism, alongside the personality, and that specific initial trauma will influence how that BPD is expressed.

Yet, Borderline Personality Disorder happens when a mechanism deploys at a great cost, and that sacrifice is never restored. It is the neglect of the individual’s emotional turmoil after catastrophe that does it, where the same mechanism festers until it is there to stay as an ugly, depraved scar.

It is the disorder where a person was never allowed to heal, despite the mind and body screaming that they need to.

So when I hear BPD and the diagnoses alongside, I hear yet another time where someone likely knew there was something wrong, but they chose to find stability by other means, because it wasn’t found in the people around. Addictions bring those dopamine hits that BPD elevates. Eating disorders, where maybe…they can find something about themselves to control. Because there is none day to day, nor in relationships. And depression? Honestly, it speaks for itself; if a person manages to find themselves with a tumultuous anchor, or no anchor at all, it’s easy to slip into.

Or, if the diagnoses are born conditions, like ADHD or autism, or others, like schizophrenia, those speak to a concern where those conditions were left unchecked, and they festered as BPD, they were what predisposed it…

Yet, when I hear a story like Violet’s, it is a true reassurance.

Sure she’s not diagnosed. But still. The game doesn’t hide anything. It doesn’t “assure” the player that Violet isn’t this type of person, that she isn’t literally sick in the head.

TFS shows her issues quite plainly. And it’s because it does, and refuses to lie to make anyone feel better, does the game promise something that is so, so desperately yearned for in those with borderline.

It’s acknowledgement.

To tell someone that, yes, you’re not confused that you feel confused amid a chaos. You are. But there are ways to work with it, and around it. You can, actually, have strong relationships with people, and in those like Clementine, even if/when you fail, they will stay, because they understand.

To tell someone all of that is a first step towards understanding BPD, a disorder so shrouded because of stigma, and little else.

And so you have a character who still has her struggles with it, but she has a support system, and she’s taught herself enough to manage—did it well, considering the circumstances. She was left to her own devices. Sure, she had her grandparents to escape from home, but…, well. Yeah. After her grandma, Violet was then sent straight to the boarding school. The apocalypse struck. The adults left. And though her community still cherishes her, Violet…was designated as their wallflower.

So it’s funny, to have found this character this way, because Louis was right.

Violet does grow on you. If you let her, anyway. She can be suffocating.

Anyway. Hope you enjoyed.

Volt out.

Volt's Library (my writing) Clem Comic Essay #1 (canon stuff) Clem Comic Essay #2 (language)

Links: to start your own research

BPD (General) | 1 ; 2 ; 3 (4 types); 4 (quiet BPD)

BPD (Stigma) | 1 ; 2 ; 3 ; 4 ; 5 (r/BPD)

BPD (Anchors/FP) | 1 ; 2 ; 3 ; 4 (r/BPD)

BPD vs Bipolar | 1 ; 2 ; 3 (comorbid BPD & Bipolar)

BPD (Identity Disturbance) | 1 ; 2 ; 3 ; 4 (r/BPD)

BPD (in Relationships) | 1 ; 2 ; 3

[superawesome40]

Wayne Children Timeline Update

Okay, so I’ve hit a standstill on the timeline. I’ve got (most) significant not-hero-related details worked out (I think???) and I’m working on education/jobs right now, but there is SO MUCH from canon that I could pick from, and I’m honestly a bit overwhelmed. Anyone want to help me out?

Enjoy me spiraling into madness as I attempt to introduce the events that I’m probably going to include:

Dick

The Slade/Deathstroke story line, probably heavily warped to fit the storyline.

Talon/The Court of Owls. I love those funky dudes, but I admit I only really know them ‘cause of the rhyme.

Spyral? Maybe? Honestly I have NO IDEA what Spyral is at all, and I’ll need to investigate more.

I’m on the fence about including the whole Catalina Flores storyline. I’ve heard about it in passing, but I haven’t actually done any research into it yet. It’s a VERY sensitive topic, and I don’t want to mishandle anything, especially if I ever get around to writing stories set within this universe.

I think Dick being a cop at some point is really, really funny, so I might have him join the Bludhaven (Blüdhaven?) PD for a bit? So he can take them down from the inside or something. He quits after like. Two years.

Jason

The Catherine Todd/Sheila Haywood/Willis Todd… situation.

Whacking the scary man with a tire iron (was that one ever even a question? Of course I’m including it)

League bodyguard for baby Damian (I’m pretty sure this one is fanon, but it’s my AU, I do what I want!!!)

Heads in a duffle bag

Titans Tower attack.

I’ve heard something about magic fire swords maybe, but I’m not sure.

This is making me realize I know… very little about what Jason got up to after his revival.

Cass

Huh. I don’t really have anything to put here? I know next to nothing about Cass outside of her involvement in the Batfam. Send help.

No like actually. What does she do? I love her character, but this post is making me realize that I don’t actually KNOW them.

Tim

Stalker baby stalker baby stalker baby stalker baby

Joker Jr.! I dunno, I really like the idea of JJ being like a completely different entity who lies dormant in Tim’s head and pops up from time to time? It inspired a story where Tim has several versions of himself living up in his head. I invented an entire disorder for it: Fragmented Personality Disorder. Probably won’t be a thing in this AU, but either way. JJ is DEFINITELY happening.

Young Justice is morally gray at best and they try very hard to pretend like they aren’t. (Young Justice is actually the only comics I’ve read, and I’ve only read up to like. Issue # 6 so far. I love my little dudes so much.)

Off topic, but will someone explain coffee Tim vs. energy drink Tim? Can’t he just combine the two with an ass load of sugar and call it a day?

Spleen.

Highest kill count. Don’t care if it’s canon. He has the highest kill count, he’s not sorry, and he WILL do it again.

I don’t know why the idea of Conner, Cassie, Tim, and Bart running around space completely unsupervised is so funny to me, but it is. Is it canon? Don’t ask me, I have no idea. Is it in this AU? Absolutely.

Again. What does he get up to? Robin era, Red Robin era, anywhere? Anything significant happen? At all???

Duke

Uhhhhhhhh.

I know about his parents. That’s definitely happening.

We Are Robin? What is We Are Robin? Is it pre-Batfam? Post-Batfam?

Wait was he Signal before or after he was a Bat?

Is he a Bat?

I COULD do my research. Or I could do the lazy thing and make you all do it for me :)

Damian

This is the little bastard that dragged me kicking and screaming into the DCU. This is all his fault.

Fun fact! I hated anything and everything to do with DC purely because I was introduced to Marvel first. I thought it was dumb, and poorly written, and a cheap knock off of Marvel. This was back when I only knew about like, Batman, Superman, and Wonder Woman. I didn’t even know that the Flash was DC at this point. Then I found out about Damian and… well, it all spiraled from there.

So anyways, let’s see.

Killed by the Heretic? Yup.

Metal spine? Absolutely.

Dick Grayson’s Robin? Without a doubt.

Hmmm what else…

What happened in Super Sons?

Uh

What did he get up to with the Titans (?) That was a thing, right?

Wasn’t there a murder island story arc? Maybe? And he died for like, a minute but then he came back?

Also Damian and Tim attempt to murder each other as a ✨bonding activity✨

Bruce

Don’t even get me started on freaking Bruce. I dread the day I finally get up the courage to start looking into Bruce.

So yeah. Send help? Suggest your favorite fight/monster/comic for me to research? Please, I’m begging you. Doesn’t matter the universe, or the era, or whether it’s pre-Crisis or Earth 1 or whatever other million ways there are to break them down (I still have to look into those, too.), anything you think should be on the timeline, let me know and I’ll look into it.

[justalittlesolarpunk]

Hey, so, if you didn’t know, there are legit racist pogroms happening in the UK, primarily targeting Muslim and South Asian communities especially refugees and immigrants. So for those of you who, like me, have the misfortune to live on rainy fascist island, and might want to help, here’s my list of advice. If any of this is unhelpful, POC please feel free to correct me as I want to be as accurate and useful as possible.

Disclaimer: this is written from my perspective as a white person with full citizenship. Asylum seekers and communities of colour don’t need my advice, and know best what they need and how to practice their own care and mutual aid. This is for people not directly targeted by the riots who want to show solidarity. So,

1) listen to those most impacted and be led by their needs and wants.

2) if there’s disorder going on in your local area, mobilise with other anti-fascists to outnumber and counterprotest the rioters so they can’t attack individuals or institutions trying to help migrants or local minority communities

3) similarly, volunteer on local cleanup and donations if places like Mosques, libraries, advice bureaus or refugee housing is targeted where you live

4) join a local mutual aid network to build cohesion and solidarity in your community and be able to respond rapidly to evolving emergency situations

5) donate money to charities or organisations that work to protect and care for immigrants, refugees, religious minorities and people of colour in the UK

6) learn street first aid, including how to help someone after an acid attack

7) write to your MP, mayor and councillors and ask them to stand up vocally against racism and to take action to stamp out fascism in your community. Arrange a meeting to discuss your concerns if possible

8) donate blood in anticipation of further violence

9) don’t be a bystander if you see individual hate incidents, there have been repeated cases of lone POC being cornered by racist mobs. Be ready to step in or seek help but don’t make stupid decisions that will just put the person (or you!) in further danger

10) make an effort to educate yourself more on other cultures and spend time with neighbours who come from a different background than you

11) learn about systemic racism and the legacy of fascism and colonialism that has made the UK the kind of place where this happens

12) this is also about your own safety, but put together a go bag and have an evacuation plan for you and your family/friends/neighbours in case of local violence

13) organise a solidarity rally in your town

14) argue with your racist relatives, have difficult conversations, hold them to account and make it crystal clear that these attitudes and behaviours are absolutely unacceptable

15) send complaints in to media outlets when they refer inaccurately to ‘protests’, ‘anti-immigration rallies’, ‘pro-British groups’ and ‘legitimate concerns’, when discussing fascist pogroms, or when they imply communities of colour organising in self-defence is equally dangerous and violent

16) check in with your friends who are more likely to be targeted and offer to help in any way that’s useful, but understand they might just want time and space to process and for you to leave them alone

17) donate money to the effort to rebuild Spellow library

18) carry a spare scarf or jumper to offer to any hijabis who might have their hijab torn off

That’s everything I can think of. Let me know if you can think of anything else or if any of these suggestions aren’t useful. Stay safe out there folks, solidarity with POC and as ever, fuck the fash.

[bbcphile]

In Memory of Kiah

cw/tw: death, medical assistance in dying

If you’re wondering why I kind of disappeared from the Mysterious Lotus Casebook tag and stopped posted WIP Wednesday things, here’s the explanation: One of my closest friends, who has been dying progressively and increasingly painfully over the last two years, told me about 3 weeks ago that they were going to pursue medical assistance in dying because it is legal where they live. It was originally scheduled for the end of July, then moved up to the end of June, and then on Monday, they moved it to Wednesday (yesterday), because their life was agony and they couldn’t wait any longer.

I’m lucky that I had enough advanced notice that I was able to say goodbye–both by sending them a message telling them in detail how much they’ve meant to me and thanking them for everything, and then in one last phone call the night before–so I’m glad they knew how much I loved them and that I could be there for them emotionally, even though I couldn’t physically be there for the end itself, because they live too far away. We met on Tumblr through the chronic illness community because we share the same genetic connective tissue disorder and many of its comorbidities, and I will always be so, so grateful to Tumblr for bringing us together.

I wanted to post about them here because it just felt wrong to keep going like nothing had happened, and because I wanted to do something to pay tribute to how good a person they were and how much I miss them. So, some words about Kiah: 

Kiah was one of the kindest, funniest, intellectually curious, loving, and fiercely protective people I have ever met. I loved that we could talk about anything, including the terror of living in a failing body or how to come to terms with being disabled when you were always an overcommitted overachiever who defined yourself on external metrics of success, analyze media together during watch parties, and laugh together about literally anything (including during our last conversation, where we were both bawling our eyes out, but also somehow laughing about how absurd it is that you can’t really cry hard and talk at the same time and how that seems like a real design flaw). We didn’t share any fandoms, but we still had fun sharing details about our blorbos and fandom activities: I loved hearing about their cosplay adventures, and they always wanted to keep up to date on the metas I was writing. Even once they went blind and couldn’t read my metas on tumblr anymore because it wouldn’t work with their screenreader, they had me send them Google doc versions so their computer could read my posts to them because they didn’t want to miss any of my analyses. And when they were too sick to listen to the full posts, they asked for summaries because they still wanted to keep up as much as they could. 

They were always so caring and compassionate: when they first called to tell me in January that they were going to do medical assistance in dying, and after I had told them I understood and supported them and we’d talked about how they felt about it, they asked me how I was. I had told them that while I was heartbroken, I would handle it, because I didn’t want to make them feel responsible for comforting me when they had their hands full with processing everything and feeling their own grief. They said that while they appreciated my not wanting to make it harder on them, they didn’t want me to feel like I had to be ok in front of them, because they wanted to comfort me and support me even in this if they could, since they didn’t have that much time left to be there for me and they wanted to make it count. (yeah, I’m sobbing right now.)

None of those descriptions could even begin to do justice to how much they meant to me, but I hope this anecdote will:

I couldn’t be with them at the end because I’m a country and an opposite coast away, but I hated the idea of not being able to say goodbye in person or hold their hand if they were scared during the injection. So I played piano and imagined they could hear it.

Most of you probably won’t know what that means or why it would be a big deal. Here’s why:

I used to be a musician. Music was my life and my most important means of self-expression, and was absolutely going to be my career. But in high school and college, an extensive series of very traumatic things happened that made me essentially have to give up performing. For the better part of the last 18 years, literally up until I sat down to play for Kiah, even just the idea of performing for someone or a neighbor overhearing me play was triggering enough that I would have a full-blown panic attack and dissociate so badly I would literally go from concert pianist level ability to mostly forgetting how to read music and having to count ledger lines. But my desire to do something so that maybe, just maybe, I could make Kiah’s final moments better apparently trumped my trauma, because I was able to do it. I had wanted to play some Rachmaninoff, Brahms, or Chopin, but apparently those are still too closely tied to Events and I started to have skill loss issues again (fucking dissociative amnesia), so I switched to a piece I had played long ago enough that it was reliably in my mind and fingers (and that I could sight-read if I forgot it partway through). 

And I played it.

I hope, somehow, they were able to hear it.

I also recorded it.

And I’m going to share it here.

It kind of feels like serving my heart up on a platter, but that feels kind of appropriate for this tribute to them. 

I think they’d be happy, knowing that I’m “doing it scared,” as Tumblr recommends, and that my attempt to give them the biggest gift of love and support I could think of, somehow, even if just temporarily, gave music back to me.

Also, I think they’d get a kick out of the fact that you can hear me giggle a little at one point in the recording when the sheet music falls on my hands, both because it’s a great middle finger to perfectionism, but also because laughing through the tears (and yeah, I was crying while playing this) is very much a chronic illness and disability thing, and feels like a good metaphor for much of the last few months.

So. All that to say:

Kiah, I love you. I miss you so much already.

Here’s Robert D. Vandall’s “Lakeside Retreat.”

[writermask-0807]

bakugo katsuki x reader

A/N: omg this took way too long 😭😭 but-

for my loyal follower, nunezs-stuff!! sorry for the delay, and I hope that I've done your request justice. Also, once again, I might not have all of your oc's personality quirks, but i did try. Thank you for requesting, Hope you enjoy!

Warnings:

wayyy too long for some hcs, ooc bakugo, lowkey aggressive bakugo (he should be a warning himself lol), swearing (cus it's bakugo, duh), I wrote kianna using ‘you’ since it wasn’t specified. kianna's eating disorder is also included, and im not sure if i depicted it correctly, but i tried my best!! hope not to offend anyone, haha uhh that's pretty much it, ig. Oh, and this one is for bakugo only, sorry, but I'm currently working on the others- they'll be out in a while. Lmk if I missed anything else!!

bakugo katsuki, who meets you at the entrance exams, and, initially, regards your existence with indifference, since he’s already fuming, hands sparking with flames - all he’s thinking about is the sheer audacity of that bastard deku to even think about coming here, and how he’s gonna pummel him into the ground!!

*ehem*

so he’s honestly taken aback by your display of strength in the exams; he hadn’t paid much attention to you, yeah, but you sure didn’t look strong from how much he knew

either way, he’s intrigued - and almost immediately regards you as a new rival, and he expresses it in the only way he knows how to

“oi ya damn nerd! you must think highly of yourself, flexing your quirk like that!”

cue you turning to him with blank eyes

you shake his hand off your shoulder, looking unimpressed, even - bored

and almost immediately you piss him off with that - that expression of yours

there’s just something about it - something about that eerie emptiness in your eyes that sets him off, but bakugo’s determined and he isn’t going to let you off the hook so easily

so the both of you form a weird kind of rivalry/friendship into the first year of u.a that he definitely won’t admit is kind of nice

because with you, even with your blunt words and sharp eyes, you stick around when so many others have left him behind

and he can’t entirely blame them, selfish as he is

and it’s hard at first, because he’s more prone to blasting you with his quirk than ever having a *cough* normal *cough* conversation with you, but you’re just as stubborn as him, if not more

and you don’t take his shit either - returning his sneers and snide remarks with leers and barbs of your own

and you’re annoying, sure, always so goddamn blunt and straightforward, constantly on his heels like some kind of damn insect he can’t get rid of, but your company is nice from time to time (though he’ll never tell that straight to your face in a thousand years)

and bakugo just doesn’t get it at first

he knows he’s not the ideal friend (are you even… ‘friends’?); he’ll say shit that hits right where it hurts, does stupid shit that he doesn’t actually really mean

but you stick around and he learns to tolerate you and despite your arguments that are really just banter at this point, you look out for him and so does he, and… that’s kind of it, he supposes

and he doesn’t know how it has evolved to this - but he quickly learns to read between your insults and find the grudging compliment, he learns to see the embarrassed red in the tips of your ears when your face remains blank

he begrudgingly learns your likes and dislikes (though not on his own will), and so whenever he visits a store, he finds his eyes catching over the things you’d like, and for some godforsaken reason, ends up buying them for you

shoves it in your arms with a furious flush on his face and some lame excuse that you probably don’t believe but have the good graces not to point out

he learns that you can cook, and that it’s surprisingly good (again, he’ll never, ever admit it)

which is in anomaly in itself, and when he finds out, demands that you cook for him, claiming that he needs to taste how ‘bad’ his rival’s cooking is

you respond to this with a fond eye roll, and inform him that it’s definitely better than his, which riles him up, but then you end up cooking for him anyway

and, on a more intimate occasion, he learns that you can’t quite stomach the food you so meticulously make, and it pisses him off

of course, he knows it’s a disorder and that it can’t tackled by his sheer brashness alone

so he takes a more ‘subtler’ approach, if you can even call it that lol

ends up doing a ton of research; he starts with the little things, a slice of fruit here, a piece of fruit there- bakugo makes sure to periodically feed you small amounts of food because he takes notice that you can never really finish big meals

piles more food on your plate when he thinks you’re not looking

threatens you with smoking hands and an angry scowl (but he’s not angry, not really) to “eat more, damnit!” claiming that “you’ll be a scrawny little bastard forever so eat before i make you!”

(but thankfully, you don’t mind half as much as you’re amused)

comes ‘round to your room with tubs of your favorite foods that he claims he ‘accidentally’ made too much of (it’s a literal feast, btw)

watches you intently to make sure you’re actually eating, and when you tell him, quite bluntly, that he looks like a creep with a weird fetish of watching ppl eat, he tells you to “fuck off!” in no less indignant terms

continues to watch you like a hawk anyway lmao

(he catches you smiling, makes a whole fuss about it, and the both of you end up brawling it out, food promptly forgotten)

and so in the midst of this grudging rivalry-that’s-actually-really-friendship, it takes bakugo a painfully, painfully long time to realize

he likes you

no, no, no- he actually, really really really likes you

and it hits him like a ton of bricks after kamino

he’d came back as haunted and withdrawn as a ghost, and he’d pushed everyone away, all angry sneers and bared teeth and growling voice

but you’d stayed

you didn’t flinch away from his fury and his hurt and his screaming anguish - you’d welcomed it with open arms, quite literally

you’d forced his thrashing body into a tight hug, clamped your arms around until he’d stopped protesting and just collapsed onto you, sobbing his heart out, a crying, shaking mess

you were uncharacteristically gentle, soothing his cries with a hand carding through his damp hair and lips pressed his temple, his forehead, his cheeks, his fluttering eyelids

and it’s there, slumped boneless in your arms, voice hoarse from screaming himself raw and eyes red and puffy, too tired for his pride to protest, that bakugo - finally, after a stupidly long time - realizes

oh shit. i’m in love.

and he’s pretty sure you know, too

and so there’s no confessions, no fireworks or the sudden coming of spring to mark the start of something wonderful (but it is wonderful); it just sort of… happens

and so nothing changes- not really

you still argue over every little thing, and he still brings food ‘round to your room and you still spend time together doing study sessions;

except nowadays whenever you reach out to tug

at his hair out of eventual annoyance whenever you fight, a stupid lovesick blush rushes to his cheeks, no matter how hard he tries to snuff it out

and you accept his dishes with a faint smile that definitely doesn’t make him swoon

and the study sessions have turned to study dates that he really just spends admiring every flutter of your lashes and the light to your eyes whenever you get an equation right; wondering at the soft round of your cheeks that crinkle with your smiling dimples (that rarely stay long enough for him to catch), and the sweet curve of your mouth that lifts, just barely, into a gentle smile

and so with you and bakugo, it’s a learning kind of love; the kind that teaches you the ups and downs of life, the kind that hurts in the best sort of way

because it’s with you that bakugo learns how to trust and be trusted

(because what else was it when he showed him all your scars and your bruises, what else was it when you bared yourself inside out for him, the good and the bad, the flaws and perfection, and he for you?)

and it’s with you that bakugo learns to love and be loved, the soft gentle kind he’d thought to be so weak before, but - well

it’s not so bad after all. is it now?

[aylacavebear]

Retribution Chapter 4

Summary: You had DID for most of your life, over forty years, since you were two. It wasn't until after you were forty-three that you were finally able to heal it and become a singular. You're a hunter and have been with Dean for a very long time. Once you become singular, you have to face the horrors that your mental illness subjected on those you cared about, loved. Can you get past seeing yourself as worse than any monster you've ever hunted down?

Pairing is Dean Winchester x Reader/You

Warnings: Sexual Abuse (memories), Physical Abuse (memories), DID - Dissociation Identity Disorder (AKA MPD), Mental Health Issues, Alcoholism, Self-Deprecation, Thoughts of deserving to have it all done to "you".

Please, if you suffer from any mental illness, seek help. There are people out there who can help you get through it, no matter how alone you feel now or how hard it may seem.

A/N: This is going to be very dark, darker than anything I've written thus far. It will include many triggers - abuse both sexual and physical - in memories and what happens to the reader. I'm hoping it will have a happy ending but right now, I am not sure where this will go. This is your main warning before you begin reading. A/N: Dreams and Memories are indented in italics. Thoughts are in italics only.

Word Count: 3865

----------------------------------------- Chapter 4 - Rock Bottom

The nightmares were the same, your personalities molesting him nearly every night from the time you had moved in with him. It wasn’t bad on the nights when you had to sleep in the car with him and Sam, mostly since Sam was there. They didn’t want witnesses. Even on the nights when the three of you shared a motel room, it wasn’t bad, as Sam was always in the other bed in the same room.

It wasn’t until they found the bunker that things got really bad. You and Dean opted to share a room from the start, finally having some privacy. At first, things seemed normal. He’d brought up you getting handsy in your sleep before, even seductively moving against him to the point where he’d wake up rock hard from your movements. The first week was great. The second week, though, that’s when it started getting bad.

“What do you mean you woke up inside her?” Sam asked, almost feeling dirty having this bizarre conversation with his brother. “I don’t know. It was weird. I woke up and was halfway inside her, spooning her. Then, when I grabbed her hip to keep going, she elbowed me. I barely had time to block it,” Dean explained, completely confused. “Well, have you talked to her about it?” Sam asked as his mind raced with thoughts. “Not yet, no. I wasn’t sure what to say. She hasn’t done that before,” Dean sighed. “I can look more into that thing she said she had. What was it…” Sam trailed off, trying to remember. “The DID?” Dean asked, raising an eyebrow. “Yeah. I can do some research on it. See what I can find out,” Sam offered. “That might help,” Dean replied, giving his brother a thankful smile. You’d been listening from the hallway where the rooms were. Neither of them knew you were there. Your mind raced, having no clue what to think about what you’d just heard. As far as you knew, you’d never physically hurt anyone before, let alone Dean, especially in your sleep. Then there was what he said about how it happened. You knew you were different in a lot of ways, having gaps in your memories, waking up in places you had no clue as to how you got there, and then there were other things like hangovers when you didn’t remember drinking the night before. Then, there were the “people” in your head that you talked to. They helped you do things, taking care of things you didn’t know how and you’d watch from within the mind.  Now you were standing near the kitchen hallway, listening to another conversation the brothers were having in the kitchen.  “You’re not gonna like this,” Sam sighed. “What?” Dean asked. “Well, DID is caused by severe trauma in childhood, before the kid turns eight. It’s usually sexual abuse by someone close to them. However, if the child has other issues like autism, ADHD, or something like that, even something as simple as harsh discipline can cause it,” Sam explained. Slowly, you brought your hand up, covering your gaping mouth at what Sam had said. That scared you, and your mind raced with questions. And then you saw it, the switch. The entire demeanor of your body changed, now standing straight, expressionless. You continued to listen, though, wanting to know what their next move was. “How can I help her, Sam?” Dean asked, and you could hear the sadness in his tone. “She needs professional help. This isn’t something you can help her get through. Plus, all her personalities have to want it, or it won’t work,” Sam continued explaining. “She’d never go for that. She hates doctors,” Dean sighed, “There has to be something online. Resources for someone who has DID and can’t see a doctor about it.” Sam sighed, “I’ll keep looking. Let’s just hope that she wants to get better. I just don’t know how long I can sit back and stay quiet, knowing what her personalities are doing to you at night. Then there’s how they are argumentative, deliberately making problems not only between you and her, but me and you and me and her.” “I just don’t want to lose her,” Dean said sadly. “Why would you lose her?” Sam asked, sounding puzzled. “The one I fell in love with, Sam. She’s in there. Sometimes, she comes out. I always know when it’s her, too. The others, they don’t let her out very often. So, I relish the time I do get to spend with her,” Dean explained, almost sounding as if he was lost in a memory. “One personality isn’t worth you getting abused like you are. No matter how much she means to you,” Sam tried to explain.

You woke up to the train horn, startled slightly since the train wasn’t moving very fast anymore. Peaking through a slit in the boxcar, you realized you were now at a train station, and it was nearly dawn.

Time to get a move on.

At the moment, you weren’t entirely sure what town you’d ended up in. Stuffing the mostly empty bottle of whiskey back in your bag, you jumped off the boxcar, not wanting to get caught having hitched a ride illegally. Ending up in a police station would have made it far to easy for the brothers to locate you, again.

Using the last bits of shadows of the fading darkness, you carefully made your way toward businesses and civilization. Chicago, Illinois. 

Damn, need to get out of this city.

This wasn’t a safe city, and you knew it. Mostly because your personalities had been here before, when you had DID, and you didn’t need to have anyone recognize you. You couldn’t risk stealing a car either, knowing the brothers would be watching for that. 

Guess that means I’m hitchhiking.

That wasn’t the safest either, but you didn’t have many options at the moment. You decided to head toward the lake and make your way further east. It seemed simpler than going along the main roads of the town.

As cars passed, you stuck out your thumb, but none of them stopped. You figured they were probably going to work and had no time for you, which only made your self-deprecating thoughts worse—that you really were worthless. 

Your mind wandered as you continued walking. Any normal person would have gone to their family, their friends, and asked for help. You couldn’t, though. Right now, you felt like a monster. Thoughts of calling Cas or Crowley, both for different reasons, but you couldn’t bring yourself to do either at the moment.

When someone did stop, it was almost noon. At least it was a woman.

“Where you headed?” she asked you as you peeked your head in her passenger window.

“East. Doesn’t matter where. Just as far as you’re willing to take me,” you replied, giving her a friendly smile.

“Hop in. I’m heading a few hours down the road,” she replied with a soft smile.

“Thanks. I really appreciate this,” you replied, sliding into the passenger seat and keeping your bag in your lap.

You knew how you looked and were thankful the woman didn’t push you to talk about anything. The only other sound in the car was the music from her radio. You kept your view out the window for the duration of the drive. Then, you thanked her when she dropped you off at a gas station somewhere on the outskirts of a town.

Knowing you needed to eat something, you went and bought some jerky and a couple of those ready-made sandwiches most gas stations carried, along with a couple of bottles of water and another bottle of whiskey. Unfortunately you had to use one of your fake credit cards, as you’d run out of cash and hadn’t wanted to hustle pool to make more. Bars were the last thing you wanted to go into.

You nibbled on the jerky as you continued down the road, thumb out every time a vehicle passed by, even if it was few and far between. The day wore on, and soon, the sun began to set. You would have found the display of colors beautiful were you not in the mental state you were in. Just after dark, a pickup truck pulled over.

“Where you headed, little lady?” the man asked you.

If you’d been in your right frame of mind, you would have just kept walking. “East, as far as you’ll take me,” you replied, looking in through the passenger window.

“Hop in,” he said, giving you a smile.

“Thanks,” you told him, sliding into the passenger seat.

The inside of the truck was fairly clean, much to your surprise. The man looked to be in his late thirties or early forties, slightly scruffy, and with shoulder-length dark brown hair. You had no idea what you’d gotten yourself into by getting into his truck.

“What are you running from?” the man asked you as he began driving again.

“My past,” you answered, looking out the window.

“I could help you with that,” he said calmly, half watching you and half watching the road.

“I don’t need help. I just need to stay away from people,” you told him plainly.

“Why do you say that?” he asked, now curious.

You sighed. This wasn’t what you wanted to talk about, but since you hadn’t had anyone to talk about it, it all came flooding out. Tears streamed down your cheeks as you told this stranger every detail of your past that you had remembered thus far, although you left out the brothers' names.

“I’m a monster. I don’t deserve to live,” you sobbed out at the end, now mostly curled into a ball.

“You want to die?” he asked you, prying for more information.

After getting your tears to stop and taking several slow, deep breaths, “Yes and no. I mostly want to give him retribution for what happened. I just don’t know how to go about subjecting myself to that kind of abuse for the same length of time,” you answered, fairly quietly.

The man smirked, and you only caught it out of the corner of your eye as he turned to look at you, “I might know someone who could help you with that,” he replied, his eyes going black.

Your heart began pounding in your chest as the air caught in your lungs, barely able to breathe. He was a demon, and you had nothing on you to defend against him. All that stuff was back in the trunk of your car. 

He laughed, “I’m not gonna hurt you. My boss, he’s been looking for you for a few days now,” he began explaining as his gaze went back to the road. “He sent over a dozen of us out looking for you.”

Terror gripped you, and all you could do was stare at him. You had no idea how you were going to get yourself out of this little mess, even with the memories of being a hunter from the personalities who had done that. Demons only had one boss, and you knew that, Crowley. Then, curiosity got the better of you.

“Why is Crowley looking for me?” you asked, your voice shaking.

The demon grinned, sending a chill down your body, “The Winchesters are looking for you. So, Crowley wants you.”

He’d said it so plainly as if it was a common occurrence. You took several slow, deep breaths and turned back to look out the window, slowly getting comfortable again. There was no point in attempting to run, not now.

Perhaps this is for the best. I can get my questions answered now.

Your phone vibrated again in your pocket. With a silent sigh, you pulled it out. It was Sam, again. The demon glanced at you as you turned off your phone and slid it back into your pocket, which made him smile.

Nearly twelve hours later, the demon was pulling up to an old, abandoned asylum. You stared at it as the demon got out, and to your surprise, he opened the passenger door for you.

“Uh, thanks?” you told him, fairly confused. Demons normally didn’t have manners, nor were they nice.

“This way,” he said, so you followed.

As the demon guided you toward Needham Asylum, Crowley’s base of operations on Earth, an ominous feeling washed over you. It was a three-story building made of stone and brick, tattered due to weathering and abandoned prior to Crowley making it his. Broken stones littered the sides of the long set of stairs leading to the porch, where a heavy door stood.

The demon opened the door, letting you enter ahead of him. He then guided you down a hallway to your right. The demons the two of you passed only stared, staying quiet. You’d fought lots of demons when you had DID, even exorcised them out of their host body and back to hell. This though, being at Crowley’s base of operations, demons all around the place, was fairly intimidating, especially with nothing to defend yourself.

This place reminded you more of an old castle and dungeon than an asylum. He stopped in front of hardwood-arched double doors that came together at a point where the two met at the top. A demon guard was on either side of the doorway, both staring at you and the demon who pushed the doors open.

Inside, it opened up into a large throne room, more medieval-style torches adorned the columns that went from the floor to the ceiling, leading into more archways, casting dim light around the rather large room. There were several demons around the room, doing various tasks, but they all stopped to stare at the two of you as you followed the demon, who approached the throne. 

There he sat, Crowley, the King of Hell himself, upon a dark wooden throne on a platform that took two steps to reach. He seemed bored until his gaze found you behind the demon. He was dressed in his typical black suit. Always the businessman.

Before the demon could speak, though, Crowley spoke, “Wel, well, well. What do we have here?” His voice echoed through the chamber, sending a chill down your spine. He seemed amused at your presence. “I must say, I didn’t expect to see you gracing my humble abode so willingly.” His Scottish accent always made your skin crawl.

You swallowed hard, trying not to lose your nerve now. The demon that had led you there bowed his head before stepping to the side, leaving you alone in the center of the room. Everything you’d thought about, contemplated and debated left your mind.

“Something's different about you,” Crowley speculated before he stood and moved closer to you. When you took a couple of small steps back and away from him, he chuckled. “Now, love, aren’t getting cold feet, are you?”

Crowley walked around you, almost like he was studying you. It took everything in you to keep your eyes on him, “The demon said… you were looking for me. Why?” you asked, but your voice was far more timid than you wanted it to be.

“Well, isn’t this an interesting development?” he mused, raising an eyebrow as he moved to stand in front of you. “They’re all gone now, aren’t they? And you’re what’s left.”

You flinched at his words, “You knew?” there was far more confidence in your tone than you felt at the moment.

“I make it my business to know things. You still didn’t answer me, earlier,” he pushed.

Your heart was pounding, and it was hard to breathe, let alone look at Crowley for very long. “I’m a monster,” you mumbled, now looking at the floor, “I-I can’t face them. I can’t face…” You tried to say his name, but your voice broke as you felt the tears burn your eyes.

If you’d been looking at Crowley, you would have seen his amusement but also caution. He knew just how persistent the Winchesters could be when they wanted something.

“They- he deserves retribution for what I’ve done to him. The same should be done to me… for the same amount of time…” you mumbled out, slowly looking up at Crowley.

You couldn’t read him. All you could tell was that he was thinking. Then, he spoke, “For now, you’ll stay in a cell.”

With those words, one demon took your bag, then your phone from your pocket, while two others escorted you out of the throne room, down a few different hallways, and pushed you into an empty cell. You didn’t fight them, and you didn’t turn around when you heard the cell door lock.

This was a brilliant idea. Now I don’t even have my whiskey.

You sighed and sat down on the very uncomfortable surface meant to be a bed, taking in your surroundings. The place stank of blood, death, and bodily excrements. Not to mention the sulfur due to all the demons around.

The cell also wasn’t very well lit, as the torches were in the hallway, casting more shadow than anything inside. Lying down on the makeshift bed, you stared at the ceiling, what of it you could see anyway. 

I’ve hurt him so much, even if I’m not them. It’s still the same face, the same body. All he’ll ever see is them. I’d never do those things to him, but that doesn’t matter. 

Your mind wandered, which wasn’t a good thing, especially sober.

You were in your shared room again, and you could tell that it was the personality that loved him who was in control of the body. You watched as she roused from sleep, far earlier than normal. She looked over at his sleeping form, giving him a soft smile as you felt the tears begin to slide down your cheeks. She moved closer, gently dancing her fingertips along his chest as she leaned on her elbow, lying next to his naked body, only love in her eyes. It was when she reached for his face that he flinched away from her, quickly covering his face with his arms. She shied away from him, curling up in a ball with her knees tucked close to her chest, and sobbed silently. This had happened numerous times since the three of you had moved into the bunker. He’d also jumped in his sleep when she’d gone to wake him up before, attempting to get away from her before she could physically assault him. It always happened with her, the personality that loved him, and it broke her heart, and now yours as you watched silently.

Something pulled you from your thought or nightmare, you weren’t quite sure which. It was possible you had dozed off, but still, you weren’t sure. You turned your head a bit to look out through the bars of the front of the cell. 

Wonder what that sound was…

When no one came by, you just sighed and returned your gaze to the ceiling. Since you were still on Earth and not in Hell, time passed normally. You thought back, to when Dean had gone to Hell. One month was equivalent to ten years. Your mind then wandered to the work you’d done on yourself and the DID.

It had been hard and tedious, but you could only work on it when other personalities wouldn’t interfere, and you could be alone, away from the brothers. The beginning timeframe felt like you’d done nothing more than gone in circles.

“How come you’re up so late?” Sam asked you a year after you’d begun research and attempting to heal your illness, causing you to jump and slam the laptop shut. “Couldn’t sleep,” you mumbled, not looking up at him. You watched from across the room, and it was clear to you that Sam didn’t believe the excuse you’d given him at the time. “Want some company?” he asked, although you could tell he didn’t really mean it. “No. I think I’m gonna try to go get some sleep,” you mumbled again, grabbing the laptop before getting up. As you watched the interaction in the memory, it was clear that Sam wanted to say so much more to you, but he was holding his tongue. You sighed, knowing it was because of his brother that he was staying quiet and keeping his thoughts to himself. You followed yourself in the memory, to an empty room. The door closed, and you were sitting on the bed, laptop open, reading whatever was on the screen about healing your illness. You could also see tears in your eyes from the glow of the screen. The memory changed, and you were now in one of the archive rooms that the brothers never went into. You saw yourself sitting in a corner with the laptop again. Squinting your eyes, you realize this memory was from only a year ago when the mergers began happening. This time though, it was Dean who walked in on you. “Hey, why are you hiding in here?” he asked you softly, taking care not to approach you too quickly, having no clue which personality was present at the moment. You closed the laptop but didn’t look up at him, “I just wanted quiet.”  You almost didn’t notice how your tone had no feeling in it as you watched things play out before you. Their memories were always in third person. “You’ve been hiding a lot these days. Wanna talk about it?” he asked you, still a good five feet away from you. “Not really. I wouldn’t know what to even say,” you answered, now looking up at him. Watching, you saw it, the change in you. It was in your eyes, and at least to you, it was apparent that things were different with you. “I’ve been with you through so much. I know I’m not the best when it comes to emotions, but I’m here to lean on. I wish you’d let me help you,” he sighed. “You can’t help me with this,” you sighed, looking away from him. He said nothing and just left you alone. Tears flowed down your cheeks as you opened the laptop again, going back to what you’d been working on. Watching everything made you shed silent tears. You remembered this moment, and on that laptop was the document where you’d been communicating with your other personalities, attempting to get them all on the same page. 

“Hey, Crowley wants to see you,” a male demon said from the other side of the bars, pulling you from the memory, or nightmare, you weren’t sure.

“Fine,” you mumbled, slowly standing up and approaching the cell door, but the demon didn’t open it, he just smirked.

“Oh, you’re not getting out. He’s coming down here to see you,” the demon said in a low, pleased tone.

You just rolled your eyes and sat back down on the makeshift bed, keeping your mouth shut. That was when the angel appeared in your cell, grabbed your shoulder, and the two of you disappeared.

----------------------------------------- Chapter 5 - Guardian Angel

Retribution Master List

Tag List: @jc-winchester @nancymcl

[mrs-sharp]

I did a bit of research and scraped together memories from a few semesters of psychology, hoping I haven’t fundamentally gotten anything wrong. I attempted a small (clinical) psychological analysis of Sharp in which, of course, some things had to be shortened, trying to determine how the events in Scarborough might have affected him.

TW: Mention of PTSD, trauma, personality disorders

Does Sharp suffer from PTSD?

What is PTSD?

• Trigger: uncontrollable, unpredictable event

• Stress reaction where people suffer from the persistent re-experiencing of the traumatic event (flashbacks, nightmares)

-> Guilt for surviving

-> In addition to chronic stressors, everyday stressors also influence the course of the illness and mental state (noise, stressful events (I’m looking at you, Garreth), job stress)

• There are several stages to diagnose PTSD:

1. Trauma

In psychiatric classification systems, trauma (in relation to PTSD) is defined as follows: (only) exceptional, (potentially) life-threatening events or events associated with severe injuries; applies to Scarborough, but:

-> not every trauma leads to PTSD; while an estimated 60% have had a traumatic experience, only about 8% of the male population develop PTSD (for women, it's 20%); the likelihood increases if the trauma was inflicted intentionally, which applies to Scarborough.

2. Flashbacks, nightmares (explanations follow below)

3. Avoidance behavior

-> Avoidance of stimuli related to the trauma:

So, we have this: Sharp claims that fear played no role in his decision to leave the Ministry:

-> there is a study (Lanius et al. 2003) that compared traumatized individuals with and without PTSD: those with PTSD showed lower brain activity when experiencing emotional memories (people with PTSD thus suffer from a disorder in emotion processing)

-> What does this mean? Either the emotion is present, but Sharp's brain can not process it, or maybe he simply doesn’t want to discuss his emotions with a student

-> Repression might also play a role in this statement, as well as the fear of making himself vulnerable (if someone uses my fears against me, I have to relive them)

4. Overstimulation

-> constant state of alertness

-> sleep disturbances, irritability

5. Duration > 1 month

6. Psychosocial impairments

Problem: We don’t see much: Does he have nightmares, flashbacks, concentration issues? Does he relive the trauma? Does the experience restrict him?

Between the lines, it can be seen that he feels guilt, but there is hardly any indication of the extent of it (if he didn’t feel guilt, to be honest, that would worry me too).

Counterarguments / Ambivalences:

• He speaks relatively openly about what he experienced

• He admits his mistake: this could be a sign that he has come to terms with it or that he blames himself for it

• He actively seeks a cure and even takes a new job for it, which argues against avoidance behaviour.

7. Differential diagnosis

-> Reactions to trauma can cause disorders of varying severity

-> Trauma can also bring other psychological disorders, including adjustment disorders, or:

• a persistent personality change after extreme stress:

Aesop mentions that success can make one complacent. From this, it can be concluded that the trauma has profoundly changed his personality:

• in the above-mentioned disorder, the personality change includes:

-> among other things, a hostile and distrustful attitude (thinking of the first encounter with MC, see this post),

-> social withdrawal (new job)

-> as well as constant internal tension and restlessness out of fear of being threatened (his extreme perceptiveness could be a sign of this; when MC talks to Garreth, Sharp knows exactly what they discussed afterward)

-> all this therefore applies to Sharp

However, this disorder tends to occur with persistent stress that can begin in childhood, which either indicates that Scarborough, though a one-time event, still burdens him, or that his personality changes cannot be classified as a disorder.

Conclusion: Sharp probably does not have PTSD, but Scarborough caused severe trauma. We can assume that the event has profoundly shaped his personality. Whether it can be called a personality disorder, I can not judge. However, I do wonder what the "old" Sharp was like. But that’s a question for another post.

[morbidology]

James Byrd Jr., a divorced father of three and former salesman, was renowned for his infectious positivity and sociable nature. Whether it was a lively gathering or a mundane day, James infused life into every moment. Often, he could be spotted singing and dancing while tending to his lawn. “He was the funniest person you’d ever want to mee,” recollected Flora Bartee, a neighbour of James’ parents. “Everyone around here knew him. There was no ingrained hatred or anything like that,” recollected his sister, Clara Taylor.

Despite a turbulent past that included a six-year prison stint for theft and parole violation, James was determined to redeem himself upon his release in 1996. Settling into an apartment at the Pineview public housing project in Jasper, Texas, he seemed to be on an upward trajectory. However, an arm injury sustained years prior and a seizure disorder rendered him unable to work, relying solely on disability benefits. To supplement his income, he took up lawn-mowing gigs around town.

On the 7th of June, he attended his niece’s bridal shower at his parents’ home in Jasper. Before leaving, he gave his older sister, Stella Brumley, a big hug and she reminded him to get ready for Father’s Day. It was family tradition that all eight of the siblings would gather for the Sunday service at their parents’ church. “I got my suit in the cleaners. I’m going to be ready,” he reassured his sister and headed down the driveway, ready to walk home.

As he walked down the dirt road, three men pulled up alongside him in their truck. They were: 31-year-old Lawrence Russel Brewer of Sulphur Springs, 23-year-old Shawn Allen Berry of Jasper and 23-year-old John William King, also of Jasper. All three men had served time in prison and had ties to the Ku Klux Klan or the Aryan Brotherhood.

The Aryan Brotherhood got its start on the West Coast in the 1960s. It boasts of members throughout prisons in the United States and exhibits an intense hatred of African Americans and Jews. They considered prison ripe recruiting grounds for the organization. The Aryan Brotherhood has ties to the Aryan Nation, an Idaho-based paramilitary organization that advocates racial violence and white supremacy.

James jumped into the truck bed and the men first of all drove to a convenience store east of Jasper. There are a number of different versions of events as to what happened next in regards to who was driving the vehicle and who decided James’ fate. What is known, however, is that the men drove James up to a small clearing in the woods on Huff Creek Road. Here, James was dragged from the truck and severely beaten, urinated on and defecated on.

During the beating, John reportedly said: “We’re starting The turner Diaries early.” The Turner Diaries was written in 1978 by William Pierce, the head of the National Alliance, one of the largest and most organized neo-Nazi groups within the United States. It is kind of like a bible for right-wing extremists and calls for the violent overthrow of the Federal government as well as the systematic killing of Jews and people of colour.

Following the brutal beating, James was spray painted on the face and then chained by his ankles to the pickup truck, a symbolic remnant of slavery. The men then drove the truck, dragging James behind it. The three men didn’t stop driving as James’s flesh ripped from his body as they weaved from one side of the road to the other side.

They didn’t stop after they came around a sharp turn and James’s body bounced into a ditch at the side of the road, hitting the ragged end of a concrete culvert just below his arm. They didn’t stop when the impact ripped James’s arm, shoulder, neck and head from the rest of his body. They continued to drive for a further mile with just half of James’s body. They finally stopped the truck after three miles, when they ran out of paved road.

After investigators arrived at the church where James’s mutilated body was found, they set up the task of identifying him and retrieving the rest of his body. It wouldn’t be long until his other remains were discovered. His head, neck, and right arm were recovered along the road leading up to the church. There were smears of blood running along the road as well as James’ dentures and pieces of flesh that had ripped from his body here and there. Along the bloody trail, investigators found James’ tennis shoes, shirt, wallet and keys.

The trail of James’ life coming to a cruel end was clear. His blood was smeared along more than two miles of country road.

The three killers were quickly identified and apprehended. They all stood separately and were convicted. Brewer was executed in 2011, following by King in 2019. Berry was sentenced to life in prison and will be eligible for parole in 2038.