#I did not like either of them very much on the show at that point

[macabrebatz]

GIFT EXCHANGE (Art the Clown/Reader)

Pt. 2 of O, Christmas Tree

Summary: You celebrate Christmas with Art

Author’s Note: Meant to post this on Christmas Day but I felt like crap. Hope you all enjoy a little late Christmas fluff. Happy holidays to everyone! Also thank you @hauntedfoodie for the this cute idea of exchanging gifts with Art!

Warnings/tags: Fluff, Art being Art, reader is filled with anxiety mainly due to Art, Vicky is briefly mentioned, gender neutral reader, spot the Scream reference, can be read as platonic or romantic to be honest, once again…are they roommates or lovers? You decide.

It had been a few weeks since Art had surprised you by decorating for Christmas. The tree he had gotten sat as a constant reminder of his rare but much-needed kindness.

Christmas was only in a few days. You couldn’t help but stare at the gifts below the tree. Your curiosity was getting the better of you.

At first, you had been very concerned about the gifts under the tree. What Art did was a kind gesture. Sure. But you knew Art. You knew the kind of being he was. You weren’t oblivious.

You’ve received presents from Art in the past. Presents is a strong word actually. What you had received was more of what you would call “evidence from a crime scene that Art most definitely caused wrapped up in a little box with a bow”.

However, your concern slowly dissipated when you found yourself examining the gift boxes early one morning. Art had wandered off, nowhere to be found. You had figured he was out on one of his usual sprees. Since you were alone you took the opportunity to sit in front of the tree, picking up each box.

There weren’t many which you saw as a good thing. If there were any body parts in them at least it wouldn’t be a lot.

You looked for anything that could be a sign of something gross or disturbing. No boxes were leaking any blood so that was a good start. None of the boxes smelled bad which was another good sign.

You picked up one of the black boxes, examining it with your hands. No blood, no smell. Much like the others.

You gave it a gentle shake and sighed in relief. For a moment you were scared that you might hear something crawling around in one of the boxes. You wouldn’t have been shocked if Art had snuck one of Vicky’s rats in the box to scare you.

You sat the box down with the others and a small smile spread across your face. You were still mentally preparing yourself. Just because he had opted out of body parts doesn’t mean that Art’s presents were going to be a joy to open. But you were still pleasantly surprised that the presents under the tree seemed fairly normal.

A few days passed and Christmas Eve was in full swing. Art had showed up at your house, covered in blood. The white trim of the Santa costume was no longer white. It wasn’t surprising to you. It was a routine at this point.

Art would leave for a prolonged amount of time, sometimes even days. Then he’d come to your house and you’d help clean him up. Despite his teeth and occasionally his hands, Art surprisingly seemed to like being clean after a long day of causing absolute mayhem. You would never fuss when he got blood all over your floor. And he would never put up a fuss when you lead him to the bathroom and put him in the shower.

Art had finished his shower before either of his costumes had dried all the way. You couldn’t convince him to wear anything different so he opted to roam around the house nude.

“Are you not cold?” You questioned.

He simply shook his head with a smile. You couldn’t help but giggle as he sauntered off.

Eventually, the suit was dry and you took it to Art, who got dressed.

“Do you want to watch a movie?” You asked the clown, watching him as he pulled his gloves onto his hand.

Art perked up and put his finger to his lips, tapping as if he were thinking of an answer. He grinned, nodding his head.

You both made your way to the living room and got comfortable on the couch. You found yourself watching multiple movies. A couple of Christmas classics and a couple of horror movies. Eventually, you found yourself drifting off to sleep, your head falling onto Art.

The next morning you woke up from your curled position on the couch, jumping at the sight of Art right in your face. He was sitting on the floor in front of you, silently staring at you with a smile on his face. On his head, he donned a Santa hat. You couldn’t help but wonder how long he had sat there like that. You weren’t fully sure if he even needed to sleep.

“Merry Christmas, Art.”

He stood up and grabbed your arms, pulling you up to a sitting position. He then walked over to the Christmas tree and picked up one of the black boxes under it.

Your stomach did a flip as he placed the box in your hands. It was rather light and it was wrapped up nicely with a little red bow on top.

Art sat down on the floor, crossing his legs. He patted his knees as he smiled at you.

All you could do was hope that whatever was in the box was normal as you hesitantly began unwrapping the box. Art was grinning ear to ear and you weren’t sure if that was a good thing or a bad thing.

The wrapping paper dropped onto the floor as you began to open the box. Inside was crinkly, red paper that you pulled out of the box. Underneath was an oversized dark red sweater. You pulled it out slowly, holding it up to look at it. Your fingers ran over the material. It was a good-quality sweater. You weren’t sure how or where Art had gotten it. It wasn’t like he was the type to go shopping. But he was the type to take stuff. You shrugged off the mental image of Art taking it from one of his victims. It was best not to linger.

You held up the sweater and smiled. It didn’t really matter where he got it, you couldn’t believe that Art had gotten you something so nice.

“Thank you so much, Art,” you said.

You slid down off of the couch onto the floor in front of where he sat and leaned over to hug him. He excitedly embraced you back.

You pulled off of him and looked under the tree.

“Okay, you’re next,” you said.

Art made a shocked face as if he were going to say, “You got a present for me?”

You grabbed a red box you had put under the tree a few days ago and Art gleefully took it from your hands. He quickly ripped off the wrapping and opened the box revealing a Bowie knife with a shiny white handle.

Art flipped it around in his hand, testing the weight of it. He grinned as he slid his finger along the blade and poked the tip of his digit on the pointed end.

“I was watching this movie while you were gone and these killers had a knife like that. I thought you would like it. And then I may or may not have snuck into the workshop to see if you already had one. And you didn’t, which is surprising-”

Art caused you to stop rambling when he surprised you with a hug. He never stopped you from hugging him but it was rare that he initiated it. He wrapped his arms around you. It was his way of silently thanking you.

You pulled away from Art with a smile. You glanced at the presents under the tree.

“Ready for the next one?” you asked.

Art nodded, clapping his hands together excitedly.

From the outside, the situation you found yourself in was odd, to say the least. Maybe it was even a little concerning. Living with a murderous clown wasn’t really on your bucket list nor did you ever expect to be spending a holiday with one. But here you were, exchanging gifts with the Miles County Clown. But despite the absurdity of it all, maybe spending Christmas with him wasn’t so bad after all.

[biggest-geo-oogami-enjoyer]

IF your requests are open, could you please do Hyugo, Geo, and Crowe with a calm s/o that makes them feel safe? Like, for Hyugo, the s/o is probably the big spoon, (was thinking of slightly taller but I think slightly shorter is better..?), someone who just loves to hold him - and for that little time, Hyugo is in heaven. And so is s/o. (Just giving suggestions, you don't have to follow the script.) For Crowe, it's probably similar? But Crowe is the prince charming - meaning s/o would probably have to be hard to fluster (?). The s/o would probably kick some ass if anyone dared say anything about all those three in a ny situations - or if anyone talked shit about the s/o's close friends in general. Geo is probably a completely different story. He doesn't like to be touched - but little things, such as little gifts (or maybe flowers) and the s/o's presenece makes his feel strangely at ease.

I LOVE your work! I can't really figure out how to write my oneshots, especially hcs - but if I ever do, I'll make sure to tag you!

WITHIN YOUR ARMS

Thank you so much for the kind words! And, if you want some advice on writing oneshots or HCs, just press buttons on your keyboard that at least somewhat personify what you're trying to say; but either way make SURE you tag me, whatever it is you cook up I'll feast upon till the day I wither and die. 😔

-- Signed solemnly by @biggest-geo-oogami-enjoyer AKA Sky Fort(resse)s and Burning Citadels <3

In Geode's case, you serve as one of the few people - that he's already well acquainted with - whom he trusts. Fully trusts. He doesn't know whether to be irked or content with this innate feeling, so he does what he typically does with feelings - repression.

He's very rarely someone who cracks, or makes it aware how weak he truly feels, the only people who have are Hyugo and maybe his parents - adoptive parents, but parents nonetheless. The point is, that odd trust makes him feel that if he were to crack and have the dams break, you'd do something different. You wouldn't try to rebuild said dam or freeze the cascading waterfalls of tears with ice...you'd simply let the waterworks run, let these feelings run wild and about, until they find their due course down wherever it is that feelings go.

Not that he will, of course. That'll never happen, especially if sober. The only way tears'll ever happen is if Geo's tipsy or high. He's never been under the influence. Doesn't want to be either.

The only reason he starts somewhat talking to you is if you're close with Crowe or Brittney. Or if either of them - or even Deryl - ask him to be more open with you.

He appreciates your nonchalant nature, you've got a moral compass and plenty of passion - but you're logical, reasonable, tolerable. He finds himself approving of you eventually.

You both get closer typically through Deryl or Crowe being with you lot, the former tends to drag Geo along regardless, while the latter wants to simply relax with his friends - and you lmao.

Anyway he'll only start cracking when you show a more serious interest in being his friend, whether that be inviting him somewhere or getting him a small gift. "Did Deryl put you up to this? What even is it."

"It's from me! We're friends - at least I want us to be - so, yeah. Heard you like these. :))"

"Oh". *long pause* "Thank...s. It's appreciated. :]"

Soon enough he decides he likes you enough to hang out with you alone, and that's when the true bonding starts. You become good friends pretty quickly - especially comparing to Geo's friendship track records and in turn it takes him significantly longer to discover he likes you. Not simply platonically.

To put this simply, Geo's a little bitch who fears rejection and humiliation and thus, you will have to be the confessor in terms of these romantic feelings.

Insert long dramatic timeskip.

When together, Geo gently, gingerly, starts being less stoic around you, he still detests being touched, but he'll allow a handhold every now and then, he enjoys knowing you're comfortable and content with him. Only allows things like hugging when severely comfortable around you, and only when you're asleep. You'll probably be watching a movie together and you 'fall asleep' (or maybe you actually do, who knows) on his shoulder, and after about 20 minutes that man is grinning to himself. Not that you'll ever know, but the satisfaction he gets is insane.

This man will also serve as the perfect #malewife. Will cook, will clean, will drive, will be a jealous little shit. There's no way he isn't. He definitely spends hours in bed contemplating what to do about these nuisances. ALSO GETS RED AND FLUSHED EASILY!!!!!!!!!! He blushes so hard his skin looks red. That's probably why he looks up at the sky when around you lets be fr.

In terms of sleeping in the same bed, it'll probably never happen. Firstly, his touch aversion; secondly it's normal for couples to sleep separately in Japanese culture anyway, so for him that was always the norm growing up. It'd take a LOT to get you both together, but let's make some magic happen and you're in a one-bed scenario (check out that one HC I did of this trope btw).

Only touching that happens will probably be hand-holding, but while that may seem small for most, for Geo that's insane. For him to initiate touch is even crazier, so if he does, you better stay with him. If something happens that makes you either scared or otherwise require comfort, he might let you hold him - him being preferably in a couple of sweaters to ignore the feelings (also I HC he's cold all the time) - BUT he's big spooning. He is not risking his hair being touched, no sir no ma'am.

"Hm. >:)" *silently smiles in the dead of night in a Japanese manner*

For Hyugo, you're one of - if not the - only thing that's remained steady in his deranged, messy life. He's surrounded by falseties, by masks, by faces of people who either hide their truth from him, or - like his brother - made it apparent how willingly they would be to leave him alone within this web he's entangled himself into, been forced to be entangled into.

He's been raised in wealth and fame, so he's learnt about reputation - and the vitality of safety - from a young age, an age that should've been saved for childlike naiveties...but not Hyugo. Since his youth he's either guarded, watched or puppeteered - if not by his family then by his reputation, and if not for reputation then the endless scandalous things he's gotten up to.

He's learnt to rely on intuition, on logic, on maintaining unpredictability that can leave most confused or deterred from pursuing any suspicious things he might've revealed sometime ages ago. He's got a good memory to, how else is he meant to memorise every alibi and lie he's ever uttered?

Either way, he never was able to simply be. To exist in himself and feel serene, at ease. Until he met you, that is; and it wasn't a short process either! This man's got intense, well-rooted trust issues. He fears attachment, but alas his heart decided that this one - this beautiful stranger - was someone...stable. Someone trustworthy, someone safe.

He's by far not a saint, he knows it, some nights it even haunts him...on rarer times he wonders if he's even got any humanity left. If he has any empathy left. Love left. The thought scares him, oddly enough. Until you come along and remind him that clearly not, because he feels something akin to devotion in terms of you, especially after a long time of knowing you.

When he does grow close to you, in a sense that blends the lines of platonic and romantic, he sees you as his aegis. His sword and shield, his camouflage and beacon. Not that he'll admit the extent of thee feelings, of course not. He's got a facade to maintain, or 100.

When you two eventually try out a relationship and find it works well, find you guys have stuck it out together for a year or so and decide to live together, he serves as a domestic cook and tutor. He'll help you as much as he can, when not MIA or finding himself occupied by important-people-duties.

In terms of sleeping in the same bed, it'll take a LONG time to get to that, but say you two are watching a movie and he ends up resting his head on your shoulder, gingerly nuzzling into your neck and then, before either of you know it, he falls asleep.

According to himself, one of the best nights of sleep he's ever gotten. And that begs the thought, was it you specifically? yes it was

He thinks about it, and overtime notices he's less anxious around you, his inner turmoil finds pause in your arms, and soon enough he's wrapped around your abdomen as many nights as he can get - and if you're willing. You've a calm presence, a soothing soul and your touch is a balm to the many wounds he's earned and suffered, both physical and mental - murder takes its toll on everyone. He'll rarely say it, but your calm is one of the things that's kept him relatively normal.

100% snuggle switch, loves being the little spoon on darker nights, where the intrusive memories and haunting thoughts return to drive him insane; loves being the big spoon when he's in a protective or possessive mood. If he's feeling affectionate he'll be your personal koala. "Haah. You're many things, Y/N, but you're not false and I pray - for both our sakes - that we'll remain together, that I can stay together with you. For you...I'm willing to try." OR... "Hello. Goodnight." *snores in Japanese*

Hyugo will sometimes decide to flirt with you. If you're calm enough to not appear fazed, he's gonna be the biggest tease possible, kissing either your neck or cheek when he's off to do whatever. Enjoys seeing your reactions to things he does, it brings him immense joy to have you feeling - and expressing - your contentment.

May or may not mutter itadakimasu before annihilating your cunt. May or may not get extremely horny at the prospect of feeling so at ease in your arms, because while being inside your arms are nice, he can think of a few places that'd also be real nice to fit in.

I'd also like to say I'm betting my amygdala on the fact that Hyugo sounds really melodious when he whines. He loves being touched, also. If he feels safe with you, you holding him or touching him makes him feel heavenly. He loves it, and he definitely grows to loving you as well.

In Crowe's case, you've already been friends ages, but even from the second his gaze landed on you he knew he was gone. Despite your camaraderie starting during the pinnacle of a fight he'd thrown himself into to aid you, feeding his newly innate desire - need - to protect you...he knew he was gone.

He probably hadn't realized the extent of it, but even after that fight ended and especially when you finally accepted his hand in friendship, seeing that stoic and distrustful glare turn into a gaze of a simmering warmth, a soothing calm and acceptance. In short, he found you ethereal.

And it was over the course of this friendship that he recognised how truly trustworthy and reliable you are. You're non-judgmental, you voice your concerns, you remain a force of stability amongst the dramas and chaos that is university. You provide a calm to his boisterous and troubled life. You're got an authenticity about you, another trait that Crowe adores you for.

He's got baggage, he knows it, yet with you he feels unburdened. Free from all the shit that's piling up behind the scenes, the rumours and the scandals and the insanity. You offer him a respite from that. An escape, one he ironically enough wants to be trapped in forever, as long as you allow it.

Crowe enjoys making playful remarks, flirtatious compliments; especially when he's jealous or feeling particularly bold. Typically you either bite and flirt back, or coolly brush it off, giving a snarky "I know." or "I'm honoured you think of me so highly."

Anyway Crowe catches on to his own feelings rather quickly, and is the most logical about acting on them. He aids you with homework, studies alongside you, spends as much time with you as possible. But as the years of uni go by, you both grow more distant due to busy schedules and a general social growth and/or decline on your part.

Crowe became a council member, the class president, gaining leadership roles and popularity as time went on, but at the end of the day; nobody - not even his current friendgroup, as awesome as they are - can compare to how safe and genuinely at peace he was with you. By your side.

Now let me say, for the sake of the argument and these HCs, that one day you both lovedrunkenly confess under the stars and have primal carnal sex and in general are so intuned with one-another spiritually physically emotionally that you guys end up together, like how you were always destined to be.

In terms of dating, Crowe will amp up his flirting, especially if you react to it subtly, or indicate you like it. He respects your boundaries of course, that'll never change. He also gets the #malewife title btw.

When you both end up sleeping in the same bed, it doesn't take too long for that to happen, considering how long you've known each other, and while yes sometimes you two go at it and have more carnal loving heated passionate *coughs*...ah, sorry. Anyway! Despite how invested you both are in each other, on nights where it's quiet, where you're listening to each other's heartbeats and breaths (a DJ can make a backing track just from that tbh), Crowe holds you in his arms and resists the urge to weep. Because he has you, in his arms, in his bed, in his heart and soul; and you have him in your heart, your mind, sometimes even between your thighs.

He's so in love with you it's beyond words, touches or gifts. He feels so safe and loved with you, knowing you'll support and defend him as passionately as he does you...and his heart swells.

Will typically serve as the big spoon, loves holding you in his arms, pressing you to his chest and feeling you softly breathe on his skin. Can be a little spoon sometimes, and whenever you wrap yourself around him, he sleeps a tad more soundly than he would normally with you.

"I love you...God I love you so much it hurts..."

OR

"Darling, you're everything to me...and you always were and will be. Eternally."

[l-in-the-light]

I'm just gonna leave it here lol. Come on, Zoro can be pretty dumb, that's the point of it. Always has been. You think Zoro even noticed he chomped down some razorblades? Ofc he didn't! It was just some crunchy food for him. And he's too airheaded to realize only his lunchbox had anything crunchy in it lol. There's a reason why Luffy and Zoro are besties, and that reason is: they're both kinda dumb. Personally, it only makes me like them more.

But if anyone wants to go serious route here, I think we should instead ask this question: what made Zoro this way? Is he so used to eat trash to survive that a bit of poison and inedible things don't affect him all that much anymore? When we look at Zoro's backstory we can realize that he was pretty much always alone. No family, always training. Like sure, he had the dojo, but he didn't think they're his family or at least we never see anyone treat Zoro this way or him addressing them as family. He called Kouzaburo just "some old guy". No one told him they're all probably relatives either (we know thanks to SBS that they, in fact, are somewhat related). Zoro lost his parents and was on his own ever since (his father died fighting against pirates, his mom was a bandit and died of illness). How did he find the dojo, what did he do to survive before they took him in? Let's not forget Zoro was always full of pride and very stubborn. I doubt descendants of samurais would just tell him "we need to take you in, otherwise you will starve". Maybe they told him instead that they will take him in only if he promises to train (because he has potential), so in exchange he tried to be good with swords, so he can somewhat repay them for their kindness and care. Like to show their efforts to train him didn't go to waste.

Anyway, my point is, Zoro at some point in childhood might have also learned how it's like to be starving what a coincidence, it's like with Sanji huh. Luffy also knows that feeling, when Garp left him in the jungle alone and told him he needs to survive by himself. He had to try out things to eat if he didn't want to die of hunger. We can laugh that Luffy is so stupid that he's eating any mushrooms he finds, but that's probably something he learned as a kid to do to survive. So I bet Zoro, who can eat any trash you give him, is also showing us he didn't have an easy time as a child.

Disclaimer of sorts: And before anyone protests that only Sanji is allowed to have a starvation as a theme in his backstory, otherwise it won't be unique anymore, I dunno, what about Nami (who lived in poverty and at times had to survive on tangerines alone), Usopp (what did he eat after his mom passed away? who took care of him?), Chopper (yeah, he kinda ate a devil fruit because he was hungry and somehow assumed that looks edible huh), Robin (lately it's been revealed how she had to eat from trash to survive) and outside Strawhats, what about Law? After he got out of Flevance and before he joined Donquixotes, he had to survive somehow. The only possible way he could have done that is by living on the streets and by eating trash or stealing. There's a lot of starving kids in One Piece, that theme is not exclusive to Sanji, but it also doesn't make it any less special. Sanji himself is what made it actually special; by vowing he will feed all the starving ones, no matter what troubles it will bring him, no matter if someone he feeds has bad intentions or might be a bad person. He's not letting anyone starve and nothing is ever gonna make him regret feeding people, even if they try to harm him instead of showing gratitude. That's what's truly special about Sanji's backstory, the starvation bit is just allowing him to relate to starving people more. You can say all you want about Germa, but Judge didn't starve his son, and ever since he left his family Sanji worked on the cruise ship and didn't really experience hunger either.

The Razor Blade scene: Character assassination, a joke, or something else?

I've been seeing people discuss two small scenes connected to each other post Fishman Island and in Punk Hazard, the first where the two are bickering and they say this:

And a scene in Punk Hazard where Sanji packed lunches for Luffy, Zoro, Robin, and Usopp and Zoro is making "crunching" noises in the panel, and Oda reveals in an SBS that Sanji did actually put razor blades and poison in Zoro's food:

I have seen claims of character assassination in this scene for Sanji, considering his position on food being something everyone has a right to and his refusal in Whole Cake Island to put poison in the cake they plan to give to Big Mom:

I understand that comparing the two scenes, it does look like Sanji is abandoning his ideals just to get back at Zoro in their fight. But we need to look at both what Oda is saying in the SBS and also Zoro and Sanji's relationship to understand this scene, and why I don't believe this breaks Sanji's character or his ideals.

In the SBS, Oda ends the answer with "The serious nature of their fight is what makes it interesting." Going back one panel and seeing what triggered this fight:

It was Zoro being a lil shit and calling Sanji "Nosebleed-kun." That's to say, this fight is no more serious than their usual bickering, and Oda is making fun of that. Ultimately, this scene and the lunchboxes is a running joke, so that is one thing to keep in mind is that the scene, and Sanji by extension, is not serious about this fight. Of course, jokes are not immune to committing mischaracterization, so we have to look at their relationship too to make sense of it fully.

So why did Sanji actually put poison and razor blades in Zoro's food if he believes that poison shouldn't be used in food? I think at the end of the day, we have to remember that Sanji would never hurt anyone through food, especially the ones he cares about. And he does care about Zoro, it is shown time and time again that they watch out for and care for each other, from Long Ring Long Land, to Thriller Bark and Saoboady, and in Wano. My point is that Sanji knows that Zoro is a freak of nature and wouldn't actually be hurt by the razor blades or the poison, and that he would finish the food.

Zoro actually eats the damn food and literally says nothing about it, Oda didn't even think people would catch this it was such a small detail, but it's one I really like. One because, honestly, it is a funny joke to me, but also it shows a level of trust and understanding of each other? Sanji knows that Zoro is such a brute that he can just fucking. Chomp on metal (which. you know he does on the regular anyways LMAO) and have a little bit of poison go through him and he's literally fine. This is no worse to me than Sanji kicking him. And Zoro just accepting what he's been given, literally no complaints, and he finishes the food and doesn't waste it, because he DOES respect what Sanji does for him and the crew on a daily basis.

Ultimately, the difference in this scene and in Whole Cake Island is that Sanji KNOWS that he isn't actually gonna hurt Zoro by pulling this on him, hes looking to call Zoro on his taunt and be an annoying brat back to him. Bege is seriously asking him to kill Big Mom through the food that he makes, something that's on a completely different level then him pulling a prank on Zoro. The razor blade joke no different in this scene as well in Wano:

I don't think this is out of character for Sanji, it is their usual pettiness on full display, but also serves as a nice small detail into how they understand and trust each other.

[nicoleanell]

(actual link to gif set because tumblr's being weird)

Man it's the fact this statement is weirdly big and generous and brave in Armand's mind. I think it was Assad or someone else who said it was a moment of overconfidence or almost gloating, which is not the exact vibe I get, but I think there's something to that big-headedness of having survived and gotten through it and it's over now and just... He just wants to see. He just wants to skip that little stone down the cliff and see what happens. Maybe if nothing happens *then* he would actually be able to exhale. (He will not. He'd find something else. There's an itch in him that's never going to be secure enough in the bed he made.) Maybe it's just wanting to test something - Louis or himself or how many ways he can't die.

People tie it directly to Armand not being able to say the words in 2x05, which is probably intentional, but also it's not *exactly* the same because for one thing it's in the Past Tense now. It's very much meant as a moment of *closure* - he DID love you, past tense, we don't know where he is or how he feels now and that doesn't matter - while in San Francisco with Lestat right there on the mind telephone, it was the present tense terror that maybe that really was all Louis needed to hear to go running back to him.

But their relationship has also changed SO dramatically since San Francisco that it feels like even the past-tense version is a very, very precarious thing to admit. Because it's not about the material love triangle, it's not who-will-Bella-Swan-choose, it's about 70 years of mythmaking and storytelling.

SIDEBAR: The show left us IMO with a very frustrating ambiguity about the extent to which Armand has used his mind powers on Louis, like to the point where you have some fans believing that *every single fucking memory* we saw onscreen that they didn't like for the last two seasons is Fake News actually, and other fans believing it happened Just That One Time GOD. (I personally lean toward way *less* mind manipulation than other people assume, and if it was literally JUST the shit that happened in 1973 that's... enough to be messed up lol. I think the "love of my life" and finishing each other's sentences scenes have some unsettling implications. I *don't* think Louis having imperfect recall and limited perspective of stuff that happened a century ago is because of Armand all or even *most* of the time.)

But the fact no matter what is that Louis has a lot of cognitive dissonance around Lestat because he WANTS it acknowledged on some bone-deep level that Lestat loved him, because he loved/continues to love him too. And if we're gonna insist on throwing the word "gaslighting" around when we just mean "lying", then at the end of the day it's about Louis being told he's not crazy by someone who has at times made him feel that way.

Idk maybe this is me getting Too Deep about a finale I still think is kinda unsatisfying and already had way too much to do with Lestat and not enough with Claudia. But I do like that moment when I look past the toxic love triangle and more toward "hey buddy [my best friend Armand] why are you Like That" and Louis' little smile breaking my heart.

Something sad about that moment is Armand's right that saying those words *doesn't* end the world, and if nothing else had happened and Daniel and the Vampire CIA weren't on their divorce-attorney kick, that'd be the end of it. (Hot take I don't think saying the words or not in 1973 would've really made a difference either, and there's so much more nuanced and wild shit going on there than an undelivered message romcom beat.) And Louis would be *grateful* for that moment of understanding and closure between them.

[ultimate-marysue]

I’m hoping you can answer a question for me. I need a Jason Todd expert, and you seem like one.

I’ve seen two big posts recently. One argued that Jason and Tim can’t stand each other, don’t trust each other, and can barely work together (if at all). The other says that in the new canon, Jason and Tim are basically best friends, and Tim is Jason’s favourite sibling. Both posts cited a bunch of different runs and authors/artists, and called the other side misinformed.

So, I ask you: what is the actual relationship between Jason Todd and Tim Drake? Are they close friends and brothers, friendly/neutral acquaintances, or enemies?

I hope you can answer me, or if not point me in the direction of somebody who can. Thanks!

Hey! I wouldn't call myself the Jason expert (that's @glitter-stained ) but I'm currently writing a fic about the relationship between these two so I feel like I can explain the two conflicting versions.

The most important take away is: people are really unhappy with current canon for a variety of reasons, one of the most notable ones being Jason's writing in general (RHATO specifically). This means canon has lost a lot of power after New 52 because characters act, well, out of character and fans point out how it doesn't make sense.

As for canon: yes, they are good siblings that get along pretty well with varying degrees of sassiness depending on the run. This happens after Jason "makes amends" with the family at some undisclosed time in new 52. This new canon is way more wholesome and it shows the members of the family getting along way better than their pre-New 52 counterparts ever did. My favorite comic depicting this good relationship is Knight Terrors: Robin, but the most canon option is RHATO (which has plenty of moments between the two) as pictured below or even Chip Zdarsky's Batman run where everyone gets along pretty well.

So, it's canon right? Yes, but what is canon if fans don't accept it? The first thing I said is how people are dissatisfied with New 52 and RHATO specifically, which happen to be where the examples of these two getting along come from. I'm not going to get into why they think Jason or Tim are out of character cause that's its own post, but in the relationship between them it's pretty easy to point out: it's just not earned.

Tim and Jason have genuine gripes with one another and opposing morals most times. We don't get to see a moment where post Red Robin, Tim decides maybe sometimes killing is the answer, even if not for him. We don't get to see him learn that Jason wasn't an idiot disobeying Batman and that he was tricked by his mother. Jason doesn't know about Tim's 16th birthday and thus assumes that he just blindly idolizes Batman. He thinks his Robin run was just like his own and doesn't understand just how much shit Bruce put him through, thus assuming he's a bit spoiled.

Fans don't think either of these characters could just turn around and suddenly start liking each other the second Jason gets admitted into the family (something that also happens without much of an actual explanation?? At least not a satisfying one). It's not even that they necessarily have a personal vendetta (at least not Jason, and Tim is a very forgiving character), so it's not something out of the picture. A lot of their problems with each other stem from Bruce and his teachings and the language around Jason after his death.

In conclusion: it's not like the characters can't overcome their differences and come to find friendship or siblinghood in one another, it's more so that it requires more development. This has always been DC's weakest point, relationships and characters changing suddenly to suit a new direction disregarding their actual personality and values. So, it is canon, but a lot of people argue it shouldn't count if characters don't behave like themselves. There's a dissonance between the original characters and their current iterations that has not been bridged with character development.

But by all means, it is actually canon! People just have genuine gripes with how current canon disregards the previous canon. It's like getting attached to a character but suddenly it becomes this unrecognizable caricature that has barely anything to do with the OG but you're meant to acknowledge it as the same person. So, yeah, fans aren't happy, but I guess everyone gets along now.

Again, not a lore expert, but I hope I could explain why you could find two post with plenty of evidence arguing for opposing points.

[maddie-grove]

The funniest thing about the later seasons of GOT was that, IMO, Kit Harrington and Sophie Turner had some legit onscreen sexual chemistry, but the show clearly didn’t want to delve into that kind of weirdness for those particular characters, so there’s just a miasma of VC Andrews nonsense that’s clearly not meant to be there.

[perilegs]

my sweet little baby man is no longer with us

[waystarresourceco]

David Rasche and Peter Friedman on Karl and Frank's friendship. (x)

Also, because I find it funny, non-lore bonus audio below about whether Frank and Karl would live in a Living + house together in a Krank/Old Guard spin-off.

Podcast credit to ATG, full episode here.

[immortalsins]

if someone could hit me round the head and make me unconscious from maybe 23rd december until the 27th or something that would be a huge help

[dykesynthezoid]

Sometimes I’ll remember the history teacher I had in high school who used to call all the guys in class “sir” but called all the girls “sweetheart” and suddenly crave violence

[celery505]

My liking for older stuff really came out of nowhere I must admit. Like it has ALWAYS interested me. When I was little the only shows I’d really watch were shows my mum used to watch (70s/80s) and I’ve always wanted more, then peter davison hyperfixation hit and suddenly I know too much (even things my mum doesn’t know even though she was alive when they aired)

[neonacidtrip]

I see these types of posts every now and again, and it’s only just occurred to me to share some knowledge:

Lines

Lines are often the heart of drawings, and they tend to be the part artists will draw over and over and over again to get them juuuuussssssttttttttt right. Pointing out lines you think are well done will go a long way to compliment an artist.

Your lines are dynamic! (Good for action pictures, art of an intense scene, or art that conveys movement, like a character running)

Your lines are so clean! (Good for neat lines of various sizes. These lines will feel like a coloring book, where you could color inside them yourself if the art was black and white)

Your lines carry such depth! (When lines cross over each other, they make a flat picture look more real, almost like 3D)

You’re good at drawing intricate lines! (Curling lines? Curvy, wavy, bendy lines? Lines that weave around each other? Many, small lines detailing an item like filigree or a robot’s parts? Those are intricate lines, baby)

You make great use of line weight! (In general, the human eye will be drawn towards very thick lines. Artists will use this to make you focus on a certain point, like a character’s face, by using thick lines around the face and thinner lines everywhere else)

You do amazing lineless art! (Not all art has lines! If you see a picture without any lines, make sure to tell the artist you noticed their hard work!)

Your line colors are fantastic! (Not all lines are done in black or white. Some artists will spend a lot of time choosing what color to make their lines. Show them some love!)

Color

Your colors are so vibrant! (Bright colors! Colors that pop! Colors that instantly grab your attention!)

The saturation is great! (A very bright color is highly saturated, and a very dull color is low saturated. High saturation colors can hurt the eyes, so an artist with good saturation control knows how to use bright colors without hurting anyone’s eyes)

I love your color choices! (This can be used for all color schemes; it’s a more general compliment that praises the artists for their understanding of color theory)

Your colors feel like home! (Good for cozy colors. Warm colors that aren’t usually super bright. They make you feel all warm inside. If you picture a cozy cottage in the woods, you’d probably image these colors)

Your pastels are so pretty! (Muted colors usually fall into the category of “pastels”. These are soft colors that are meant to be calming and non-oppressive on your eyes. Think: The opposite of vibrant)

Your colors are so soft! (Similar to the above two, this is for a picture that makes you feel soft and warm and fuzzy inside. It’s more directed towards warm and pastel colors instead of vibrant colors)

Your ability to blend colors is fantastic! (Putting two different colors right next to each other can look jarring or choppy, so many artists will blend two or more colors together to make things look more natural and appealing. A good example is giving a character a subtle pink blush on their otherwise skin-colored cheeks)

You are super good at choosing color palettes! (Good for when the artists regularly chooses colors that just feel like they belong together. Best for when there are only a limited number of colors in the picture)

Your colors are so clean! (Layering color on top of color on top of color can make everything muddy and dull. Artists who blend things well will have “clean colors”. Likewise, some artists intentionally avoid blending to make simple, bold art, in which case their colors are very, very clean)

Light and Shadow

Conveying light and shadows can be really hard. It can take years to understand how lighting works, and it’s even harder to put your knowledge of it into practice. It can be done with colors, lines, textures, and many other ways.

Your lighting is so good! (A general compliment for any time you see good use of lighting. If you’re unsure, check the eyes and the face of the character, as they often have the most highlight to them)

You made great use of shadows here! (Good for when a dark area really captures your attention)

Your shadows feel so alive! (Artists can be really creative. They make dark areas that seem to move or curl or otherwise just be alive on the paper)

The lighting is so soft and gentle! (Like before, this is for art that just makes you feel soft inside! I think of a character maybe surrounded by light in a field of flowers when I imagine something like this)

You balance your shadows so well without making things too dark! (Using lots of dark colors to make shadows can make the picture hard to see, and details can get lost. If you see a picture with lots of shadows, but you can still easily see all the details, then the artists has really good balance and color control)

Your contrast of light and shadow is amazing! (Good for when the artists uses lots of both light and shadow! You often see pictures with a stark difference between the two, like a character standing in the light and the other falling into shadows, but you can also see good contrast in a more standard setting, like a city-scape set in the afternoon)

Details

Pointing out details is one of the fastest ways to make an artist feel seen. It’s harder to give examples for this because it will really, really boil down to the individual picture. The general rule is if you see something you like, say it! Try looking for things to point out, like:

A character’s expression (”She looks so angry!” or “His expression is so sad, I’m going to cry!” or “Wow! I can really tell what they’re thinking just from that expression alone!” or “You draw expressions so well!”)

Little things a character is doing/holding/etc. that may get overlooked (”I noticed you even clenched his fists! Good job!” or “I love her tiny hair clip!” or “You painted her nails to match his eye color! I love it!”)

Details in the background/landscape (”I love the little bird nest you included in the tree branches!” or “The way you draw water is so pretty! I wish I could swim in it!” or “Is that’s Character B’s hand in the background? So cool!” or “That is the softest cat; I want to pet it!” or “That food on the table is the tastiest thing I’ve ever seen!”)

Clothing! (”Her dress is so pretty!” or “Wow, you do such a good job drawing suits!” or “Her t-shirt is so funny!” or “That hat is so cute by the way!”)

The general idea here is just to say whatever comes to your mind, whether it be literally pointing out the obvious (example: “I love that you drew this character wearing a flower crown! Flowers are so pretty!”) or pointing out how the picture made you feel (example: “This picture makes me so happy, I wish I could eat it!”). Just say what you like about it. You don’t need to know fancy art terms. Saying “Your blues are so blue!” is a perfectly wonderful way to describe the three different shades of blue the artist used to draw an ocean. As long as you aren’t criticizing, you can’t really go wrong.

me, absolutely not an artist, desperately trying to articulate how much i like adore people's fanart: ouughgh the colors. there are so MANY of them!!!! and the lines,,,,,,,,,, they are made of lines.. impeccable

[red-dyed-sarumane]

having not played rhythm games for months and then picking up kamicity ensemble ive gotten SO bad at proseka. i was like its so over but im finally down to 5 greats it may possible to ap maximizer ex yet.

[waywardsalt]

:3

[talkorsomething]

Too [insert adjective here] for guard ...................

Well, it's only half related.

We "hit a pothole", "had a slipup", whatever you want to call it — sunday. Aka: for the sake of my sanity we are not labeling it a relapse but good god does it feel as though I have invited the demons back in.

I know why, but I don't really know why. Because, I mean... I never have, to begin with. So: when I decided i was doing it sunday, i accepted it. "Let it happen", as someone would probably say to me. It's not...

I've been thinking about it for a while now. It's like anything - it comes and goes, a few times a year, and no matter what, I always ignore it.

Except, maybe there's something I'm not paying attention to? Or, ignoring, is the better word for it?

Of course it would be the one thing I have happening in my life.

November, I was burnt out for unrelated reasons. It was a lot to take in. That made sense. Now? ... why now?

There's not really any pressure on me. Yes, I have to do things, yes, it will be noticed if they're bad, but ...... it's not important. We don't spend time on it. I'm coming back next year, but it might be at the cost of ... all of this. I think it's progress. I haven't touched my guitar in any serious capacity in over a year. I think it's progress.

I don't take compliments well. I can't tell if that's why I don't get them, but I'm not being corrected much either. Only when I drift too far from what the work is supposed to be, only after weeks of it going, I can only assume, unnoticed. I keep getting stuck.

...push it back down.

Telling me I'm doing good isn't telling me what I know I have to be getting wrong. I could take it, at the cost of... all of this. I'm anticipating, and I know it can come. This is not where I was when I started.

It's been said, I haven't been told, that not starting it means you're more of a burden, by making the other person have to do it first. I know that. I do. And still it doesn't help. I'm not drowning. It wasn't an accident, but it wasn't planned, either. I don't know you.

I don't know you.

I'm not a good person. I'm not a nice person. Every week I tell myself this is really it, and every week I come back, and ... what? Forget I ever said anything? Forget we're not friends?

Well, we're not, huh? Nobody is, with me. What you see I swear you misunderstand. You don't ask. If you do, well, I can't answer. We're at an impasse.

It's not even my fault we didn't make it. I shouldn't feel like this over nothing. I don't do anything. You will, correctly, not let me do anything, because potential doesn't matter if you can't back it up. If you won't back it up. I let things happen to me.

I don't even feel better. And, actually, ironically, i think i know what would let me feel better. If I can't be upset with anyone else, at least I can be with myself.

... but, well, not even that. Your heart in my hands, but I mean it diegetically. And metaphorically. I hate putting myself out there, I hate having to actually perform, and yet every time, no matter what, I do it. I'm fine. I only cared at the start, and even then not very.

I don't feel anything. Not a lot, anyways. I don't let it happen. I can't. I don't know what it'll mean if I start being honest with myself.

...

I've pulled myself out of this before. A few times, now. Different circumstances, but I've done it all the same. Seasonal depression notwithstanding.

I'm only here because I did things I was scared to. And still, I'm the same. No progress made. The only way out is to do it again but I feel like I can't. I can't.

Will someone just let me say that?

Will someone just fucking help for once?

[nezuscribe]

there’s been a couple nights where you and arranged!gojo have had to host little dinners at the estate to show face and let people know you two are still alive.

it’s before the big confession, when the two of you were becoming closer, so it was just pretend niceness hiding the tension for a couple hours.

you tried to talk to the people around the large dining room table, sitting near gojo as you listened in on the conversation, but it was better to just be a part of it rather than the center of the spotlight. gojo had become increasingly aware of the long looks people gave your way, the hushed talks behind the women’s hands. you didn’t notice, maybe you’d been jaded to it, but he did, and he was becoming more tense under their stares.

he noticed how you’d try to jump in and say something, but was instantly cut off by somebody else. gojo had told you before the dinner started that the two of you should hold hands, but you hadn’t let go of his, and he wasn’t sure he wanted to let go of you either. he’d give you an encouraging squeeze, one which you gave him a little smile to, but still clammed up, sitting back in your seat.

"want me to tell them to shut up?" he whispered to you, dropping his head near your ear so that nobody else could hear.

"no it's okay," you say with a laugh, waving it off, "i was just going to ask what cashmere is," you say, in relation to a previous story one of the girls was telling about cashmere moth, and how her entire closet was chewed to bits because of the creatures.

"it's a type of fabric," he explains gently, his eyes searching yours, "very soft," he adds with a little smile and yours grows wider.

"i'd like to see it," you comment, leaning a little bit closer to him.

"i'll have your closets full of cashemere by the morning if you'd like," he says, but you know deep down it could be a promise if you simply said yes.

but you giggle, shaking your head.

"no," you're looking up at him in that way that makes his tongue feel heavy, "the moths, they must be huge," you murmur and he snorts, squeezing your hand a little bit tighter in retaliation.

to be honest, gojo hated these dinners. these people he grew up with were dull and annoying, their conversations full of lame gossip and cheap jokes, and he’d much prefer your lively stories with just you, but they were a necessary evil.

when the servants had cleared the meal away and had begun setting up for dessert, he could feel the stare of one of the girls, anya, and the way her eyes squinted when he caught her looking. he saw the way she sneakily tipped her head back, chin pointing to the opening near some of the stone columns, and excused herself a couple seconds later, looking over her shoulder at him before she disappeared.

gojo knew anya. he’d fooled around with her a couple of times long before the two of you got married, but he found her a bit shallow and dim, nothing he found interesting. he looked over at you to see if you had seen her, but you were looking at your plate, moving some grains of uneaten rice around with your fork.

curiosity got the better of him, wondering what it was she wanted, and so he stood up, his chair scraping behind him as you let go of his hand, you, along with everybody else, looking at him as he excused himself to the washroom.

he walked briskly past the table, leaving through one of the openings of the stone columns, looking around until he say anya at the end of the hall, waiting for him.

“what?” he bit out, hushed, looking behind him to make sure that nobody had followed him out.

anya smiled, her teeth glimmering as he neared her, standing a safe distance away as she pouted slightly.

gojo winced. he forgot how her smile up close was unnerving, the way it wasn’t as soft or full of emotion like yours. her eyes, a deep hazel, glimmered as she took a step closer, her fingers reaching for his collar.

“i missed you,” she whispered, lips glossy as she peered up at him, her lashes batting against her cheeks as he felt his mother dry up, feeling a sudden air of nausea overtake him as he swatted her hand away.

he pinched the bridge of his nose.

“is that all you wanted to tell me?” he hissed out, knowing how stupid he sounded seeing how he had followed her out, surely expecting this.

“what?” anya tilts her head, “thought you’d like to hear it.”

gojo rolls his eyes, crossing his arms across his chest.

“i thought you had something important to say,” he shrugs, looking away, focusing on a crack, getting ready to leave until she laughs, shaking her head.

nobody said he was the brightest soldier in all the land. he’s not above some actually good gossip, but he had a feeling this ain’t about to be that.

“you’ve always loved gossip,” her eyes glimmer as she takes another tentative step closer, “is that why you married the center of it?”

his eyes narrow slightly, but she just sees him listening to her.

“come on,” anya snorts, her hand coming up to his face until she stops at his cold gaze, pulling her hand away, “we all know it’s not rank or looks that made you marry her.”

gojo feels his arms tighten, a vein bulging in his neck as he swallows thickly. he doesn’t say anything, wants to see how she continues, wants to see what everybody else thinks without saying it.

"i mean, your mother keeps saying it was reciprocal," she rolls her eyes, laughing mirthlessly, "but i know that's a lie. you look miserable whenever you're around her."

gojo feels his eyes twitch, his ring shining in the slivers of moonlight through the large, overarching windows.

"did you call me here to talk ill of my wife?" gojo bites out, but she can't sense his tone, giggling as she shoves him, his body not moving.

"drop the theatrics 'toru," he feels bile in his mouth at her sweetened words, "it's just me," she says, biting her lips as indiscreetly as she can, eyes raking over his toned body as she looks back up to his face, "but regardless, no, i had something else i wanted to tell you."

she sighs, her voice a little higher as if he wouldn't notice.

"i'm staying at the hostelry in the town near here for a couple of nights," she bats her eyes again, and suddenly gojo wonders if he had been insanely ill when he had slept with her those months ago because now he feels sick just looking at her, "if you wanted...i'm there for you."

he raises his white brow slightly.

"gods anya," he breaths deeply through his nose, his eyes darkened, "you have audacity if nothing else."

she smiles brightly, taking it as a compliment.

"i know," she winks, "i looked around the area, and nobody of import comes near there. i know you need it as bad as i do," her voice drops a little, eyes falling slightly to the ground, "people are talking. i know how lonely you must feel."

his nose wrinkles slightly in confusion.

"what are you talking about?"

anya looks at him briefly before looking away, shrugging.

"everybody knows you two don't share a room," she explains, "and how she's not even showing signs of pregnancy. is she frigid in bed? you know, some people are saying she's infertile."

gojo straightens up, a new look taking over his face that makes her voice die down.

"what? who's saying that? who's talking?" he presses, and she feels her mouth dry up, suddenly picking up on the fact that he doesn't seem to be at all interested in the deal she's trying to make.

he feels a sudden wave of mixed emotions washing over him.

are the maids taking? gods, that makes him feel even worse. it surely couldn't be yours, they care for you too much. but it must've been somebody who knows your situation, somebody who sees the way you live on different sides of the estate. gojo feels a sinking pit in his stomach. these rumors that are growing because of his own selfish actions, rumors at your own expense, ones you have no control over, by people you've been trying to befriend for ages.

he knows people look at you whenever you enter a room, hears their awfully concealed whispers. and despite the fact that you try to hide the hurt on your face, he sees the way you avade their glances, hide into yourself to act like it doesn't bother you.

are these whispers now because of him?

"i don't know," she mutters, annoyed, "everyone. you barely look at her. did your parents pay you to marry her? she must've been-"

"stop it." gojo warns, and she shuts her mouth, eyes shimmering with shock.

she looks like she's about to say something but stops, looking over his looming body at something.

"gojo? is that you?" another voice calls out, and he turns around, all the anger melting off of his face when he sees it's you, standing near the pillars as you try to find him.

you smile when you see him, still not seeing anya who's hidden behind him, and wave for him to come back.

"they're about to serve dessert," you say, trying to be as quiet as you can, "oh, are you with someone? sorry, i didn't mean to interrupt..." you trail off, your smile falling when anya shuffles around, making sure you see her behind him, your eyes widening.

gojo feels his world slipping beneath him as your shoulder drops, looking at him and then at anya, a somber look taking over your features. you look for another second, not knowing what to do. gojo feels like a fish, gaping silently at you, never looking back at anya, but you excuse yourself, going back to the dining hall without saying another word.

gojo stares aimlessly at the wall in front of him, not sparing his energy to look at the girl peering up at his face.

"get out," he murmurs, his voice low with timber.

"w-what?" she stammers, brows furrowing in confusion.

"get out before i call the guards," he snaps, looking at her from the side of his eyes, "fucking now anya, leave."

she looks up at him, swallowing thickly, but gets the memo that he's being serious. she scammers away, sniffling dramatically as she disappears through another hallway.

he drops his head into his hands, massaging his temples.

his eyes fall to his ring, the one that seems to be growing cold on his finger.

he feels his heart burn in his chest, every step feeling like he had stones tied to his feet as he makes his way back to the hall, hearing the edited clammer of the people welcoming him back, but there was only one person he cared about.

and you weren't looking at him.

in fact, you didn't speak to him that entire night. nor that following week.

gojo has almost bled to death before and has had arrows pierce his back and exit through his chest, but he'd rather experience that ten times again than feel the agonizing silence of the woman he's starting to love.

(second part)