#I couldn't get there btw
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incredubious · 7 months ago
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MODERN AU ACESAN !!!! first impressions with a guy who barely passes the No Shoes No Shirt No Service rule
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fake-guns-blazing · 1 month ago
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we don't talk about this one enough
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milfbro · 1 year ago
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this isn't burnout tho!!!!! burnout is something internal and a lack of drive and a feeling of being emotionally drained. It can be triggered by external events sure but it's not what I'm going through!!!!!
what I'm feeling is desolation and impotence facing off against billions of dollars I have no power in this and I can't do shit!!!!!!!!!!!!!!!!! I'm angry!!!!!!!!!!!!!!!!! I'm pissed off!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
And I'm not emotionally numb it's the opposite I am in overdrive!!!!!!! for the last four months I've been going through life repressing my emotions because I have too much!!!!!!!!!!!!!!! And it has nowhere to goooooo
I've tried doing what I did during the last election which was listen to MCR very loudly for two months straight but this is not the kind of release that I need!!! I have to stab a prime minister!!!!!!!
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lazylittledragon · 3 months ago
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y'know every time i feel guilty about bothering someone by singing along when i'm listening to music, i just remember that i have to tolerate my dirtbag brother screaming at his ps5 for hours every day so listening to muffled off-key fall out boy is probably preferable
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idliketobeatree · 10 months ago
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i'll give you a boop, anywhere you wanna go.
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goat-paradox · 15 days ago
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@dj2slugs @silverlizard012
I'm inspired by balding Max today, folks... [1 PART]
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nekrosmos · 3 months ago
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May I offer you some NikPrice doodles in these trying times
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somewhereincairparavel · 11 months ago
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okay but imagine. Thalia Grace, after Jason's death, in a fit of desperation, comes racing to Nico di Angelo, wanting him to summon his ghost, because she just wants to talk to her brother one last time. Before it's too late. Before he reaches Elysium, since the closest she could get to talking to her brother after he goes to the hero's paradise is through dreams, and that wasn't enough for her. Seeing his fragmented soul through dreams is not nearly good enough. She wants the message to reach him. The real him. Not a loomy remnant. She wants to apologise, as she feels her soul being hollowed out with guilt.
She should've looked for Jason, even after their mother told her that he's dead.
She shouldn't have been so busy with the hunters that she would have to cut their brother-sister conversation short.
She should've realised how much her brother craved her attention.
She should've come to the chb meeting that she'd promised jason she'd come to, she shouldn't have made her brother wait like a lost puppy.
The look in jason's eyes when she told him she'd have to leave was etched on to her face. Permanently scarring her soul.
She should've been a better sister. She failed him. She failed to make him feel wanted. She hoped Jason didn't face his death thinking that she didn't need him. Because Gods of Olympus, that would break her.
And she poured all of these gut wrenching thoughts to Nico, who suprisingly listened. Yes. Nico did resent Thalia for being in the hunters of Artemis, the same group that got his sister killed. But listening to Thalia pour her heart out to him, really hit a little too close to home. The daughter of Zeus seemed to echo a young nico, trying aimlessly to summon his sister's ghost to talk to her. They both had the same hollow red eyes, burning with hot tears streaming down, the same crease in the eyebrows, the same flicker of rage over their siblings's murder. At that moment, Thalia Grace looked as unthreatening as the king of all god's daughter could possibly look like.
But Nico was glad, that Thalia, atleast cared about her little brother to this extent. Up until this point, Nico had these lingering doubts if Bianca had really cared about him like this, she had dropped everything to join the hunters after all. Hearing Thalia talk about jason had healed his inner child. Maybe big sisters do think about their younger brothers, no matter how busy they appear to be... So he complied to her wishes. She deserved closure from her brother's death. It would do Jason some good too.
He poured all of his concentration into summoning the son of Jupiter, as Thalia anxiously chewed on her nails, pacing around the murky woods in anticipation. Until a wispy figure with rimmed glasses and neatly cropped hair, appeared in front of them.
"Hello, sis."
Nico di Angelo and Thalia Grace were more or less the same, when it came to wanting to make amends with their deceased sibling.
Except Thalia was the older sister who wanted her younger brother back, And Nico was the younger brother who wanted his older sister back.
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recny · 7 months ago
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I'll be happy. For you, for her
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redinthesea · 8 months ago
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"The Unlucky Groom" or "Have You Fulfilled Your Dream Yet?" or "Back Where You Started" or "Why Is He Cinderella Though" or "I Still Think He Needs to Be Put Down" or "Smoking is Bad"
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whereismywarden · 5 months ago
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The more things change, etc, etc...
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starry-bi-sky · 11 months ago
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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rebouks · 2 months ago
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Previous // Next
Levi: God, these fucking things… … Robin: You okay? Levi: [sniffs] I’m fine. Robin: Let me in. Levi: What, no! … Robin: Okay, I’m coming in. Levi: [hisses] What’re you doing?! Robin: [grunts] Coming in. Levi: Oh my god, what if someone shows up-.. I could’ve been taking a shit too! Robin: Well, no one else is here and I hope you’re not taking a shit with your pants on. Levi: Obviously not. Robin: You might not be toilet trained for all I know… Robin: You should come round later, get to know Alex-.. I think you’d like her. Levi: You just miss me doing your homework. Robin: Hmm, maybe. Levi: Really though? Robin: Uh-huh.. bring your glasses too, I wanna see what they look like. Levi: How did you-… Robin: You left your contacts in the sink. Levi: Oh-.. maybe. Robin: Make it after four, I got detention again.
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senipsenipsenip · 3 months ago
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The Pines family sat at the table, quietly eating their breakfast, when Mabel slammed her hands on the table and shouted “KERMIT THE FROG”.
Dipper leapt forward to right his orange juice glass, gathering nearby napkins to sop up the puddle. “What?”
“Kermit the frog! He plays the banjo!”
“Yyyyes?”
Ford raised his hand. “Who’s Kermit the Frog?”
Stan snapped his head up from his plate. “Who’s Kermit the Frog? The Muppets, Pointdexter, you were around for The Muppet Show. They had a movie and everything.”
Ford frowned. “Muppets.”
“Yeah, they’re a riot! There’s this bear whose got some great puns and this pig who really know how to throw a punch. You’d love it, they’ve even got a scientist!”
Ford raised an eyebrow. “I didn’t realize you were such a fan of children’s television.”
“Children?!”
Dipper stirred his cereal. “I’m just impressed you remember all that. Yesterday you forgot you were married.”
“That’s because The Muppets are forever!” Mabel exclaimed.
“Wait, Stanley you were married?”
“Yep. Twice. Actually, unless I’m forgetting a divorce, I might still be married.”
“You didn’t,” Mabel chirped. “I’d have it on my Romance Chart if you did. You’ve missed a lot of anniversaries.”
“So has he!” Stan argued. “I’m not the only bad husband here!”
Ford spluttered. “Husband?”
Dipper frowned. “I think we’re getting a little too far away from why Mabel screamed Kermit the Frog and knocked my orange juice over.”
Mabel nodded. “Right, so, I was thinking of Mr. McGucket -
“Stanley you have a husband?“
“I was thinking of Mr. McGucket,” Mabel interrupted. “And how he could maybe help around the Shack. And he plays banjo! He could play banjo and people could put money in his lil banjo case like a real musician.”
At the mention of money, Stan leaned forward.
“But like, no one knows banjo music,” Mabel continued. “So I was like, maybe pop hits banjo? But then BOOM! Kermit the Frog! People love that frog. He could play the rainbow song. He’d be a hit!”
“Interesting,” Stan muttered. “Preying on people’s nostalgia to milk them for cash. I love it!”
Ford hummed. “Actually, that’s not a bad idea, Mabel. Activities like playing musical instruments have been proven to help patients with Alzheimers and dementia. Not that Fiddleford’s condition has the same root cause, but it may prove beneficial to memory recovery.”
“Eugh, don’t ruin this for me.”
“If playing an instrument helps with memory loss, maybe Grunkle Stan should learn an instrument,” Dipper suggested.
“Ooo!” Mabel squealed. “What about guitar? Or the piano? OH!” She clutched Stan’s arm with a fervor. “The triangle!”
Ford grimaced. “Maybe not that one.”
“Sorry, kid. I’m not exactly a music guy,” Stan shrugged out of Mabel’s grasp. “Let’s leave that to the professionals.”
Mabel frowned, but let the topic go.
Ford stood from the table. “Well, I happen to be visiting Fiddleford this afternoon. I can broach the topic and see what he thinks.”
Fiddleford, as it turns out, loved the idea. To the surprise of everyone, Fiddleford admitted that he had always wanted to play in a jugband when he was younger, but could never get over his stage fright enough to audition for the local band. Then he went off to college and then…everything else.
“Maybe I zapped away that scared bit enough to play!” he had cackled, knocking at the side of his head with his knuckles.
It was settled. “Fiddlin’ Fridays at the Mystery Shack with Fiddleford McGucket”. Dipper tried to point out the title didn’t make sense since it was a banjo, not a fiddle. Stan argued that “customers are suckers for alliteration”. The set up was just Fiddleford dragging an old rocking chair onto the porch and opening up his banjo case. Mabel had made a large glittery banner, but it was quickly absconded by Fiddleford’s raccoon.
“Tell your wife to give me back my banner!” Mabel had yelled, chasing the raccoon into the bushes.
“Ex-wife,” Fiddleford sighed sadly. “Apparently I was too emotionally available.”
Ford pulled at his hair. “Did everyone get married without telling me?”
“Excuse me?” A voice piped up. Fiddleford and Ford turned to see a little boy standing at the bottom of the porch. He was dressed in hiking clothes that were obviously new. In the distance, a young woman was unstrapping a baby from its seat in an SUV. Obviously city folk coming to the “wilderness” for the first time.
“Are you a real hillbilly?” The boy asked. Suddenly the door slammed open, Mr. Mystery striding through, eyepatch in place.
“Sure is!” Stan grinned. “Our very own genuine hillbilly just waiting to play you a tune! All you gotta do is put some of your mom’s money in his case there.”
The little boy’s eyes widened, turning around to race towards his mother.
“Stanley,” Ford admonished. “Fiddleford isn’t some show monkey to throw money at.”
“During work hours he is.” Stan turned to Fiddleford. “So, did Mabel teach you that song she was so excited about?”
Fiddleford sat frozen, watching the little boy yank at his mothers pants to try and get her attention, the baby beginning to fuss.
“Well…” Fiddleford cleared his throat. “Some good news and bad news fellas.”
Ford furrowed his brows. “What is it?”
“Good news is, my mind ain’t all broken.” Fiddleford hugged his banjo and turned to look up at Ford. “Bad news is I knows it ‘cause I still got stage fright.”
Stan scoffed. “Stage fright? C’mon it’s one kid and a couple o’ city slickers who would probably think you playing three wrong notes and spitting is ‘authentic’.”
“Stanley, be supportive.”
“I am! Look I’ve been at this job forever. All you gotta do is smile and if something goes wrong, you blame a ghost or something. They eat that up.”
Fiddleford shook his head. “But this is music. If’n I mess up music, ‘specially somethin’ they know. Music is real special to people, I can’t spoil it.”
Ford knelt down next to Fiddleford’s chair. “You don’t have to play that song Fiddleford. You don’t have to play at all.”
Fiddleford looked anxiously between Ford and the family. It seemed the little boy had finally gotten his mother’s attention and was excitedly pointing toward the porch.
“I…” Fiddleford shook his head. “I can’t let the little ‘uns down. ‘Specially not those ones.” As he said this, he gestured with his chin towards the other end of the porch where Dipper and Mabel sat bickering in lawn chairs. Mabel had returned from her raccoon chase covered in twigs and holding a surprisingly docile raccoon. Dipper was leaning away from the pair while trying to convince Mabel to stop feeding it gummy worms before it developed a taste for human food and tried breaking into the Shack.
Ford's gaze drifted to the twins. "Alright," he relented. "But you still don't have to play Mabel's song."
Fiddleford bowed his head.
"Yet!" Ford offered. "Not yet. She'll understand I'm sure."
Fiddleford frowned, looking unconvinced.
"Of course not yet!" Stan interjected. "You can't go playing the grand finale right out of the gate! You gotta warm 'em up first, keep 'em wanting more." Stan slapped his hand on Fiddleford's back. "If you give 'em what they want right away, they won't come back! Hold that one off until tomorrow or...uh...next week. Tease it or something."
Stan had started rubbing the back of his neck with his other hand as he spoke, a tell Ford was quick to recognize. It was the same one he did when he would "begrudgingly" let Mabel choose the movie for movie night or let Dipper rope him into another game of Dungeons, Dungeons, and More Dungeons. Covering the most vulnerable part of his body while he let his emotions go soft.
Fiddleford seemed to perk up at Stan's words.
"Well," Fiddleford offered. "I do know some proper jugband music. Only, it don't have the same ring to it without a jug."
"We've got a jug!" Mabel cheered from the other side of the porch. It seemed the raccoon argument had reached enough of a truce that the twins were once again paying attention to the concert. "I used to keep pond water in it, it's in the kitchen!" She hopped off of her chair, lugging the racoon along with her like it was a rather expensive lap cat.
Dipper followed her. "Why did you have a jug of pond water?"
"Because, dummy, if I met a frog prince he would need something in the shack to remind him of home."
"Aren't you supposed to turn him into a person though?"
Whatever Mabel's retort was to be was cut off by the door swinging shut.
"There ya go," Stan grumbled. "You're getting your jug. Just in time too." He gestured toward the SUV. The mother was walking toward the Shack, one hand holding the baby, the other gripping tightly to the little boy's hand. The little boy gripped a few dollars in his fist, eyes alight with excitement.
Fiddleford looked frantic. "I can't sing and play the jug at the same time!" He gripped at his hat, pulling it down over his ears.
Ford sighed. "Then don't play the jug."
"It won't be the same!" Fiddleford shook his head. "A jugband without a jug that's...that's like a body with no heartbeat!"
The door swung open and Mabel emerged with an old ceramic jug.
"Here it is!" she exclaimed. "And it only sort of smells like pond scum."
"I don't think that will be necessary," Ford smiled gently. "It seems Fiddleford can't play both simultaneously."
Mabel frowned. "But it's a jugband. It's in the name!"
"How about we wait another day," Ford offered, patting Fiddleford awkwardly on the back. "Maybe someone in town will join you."
"Oh for Pete's sake, give it to me." Stan snatched the jug out Mabel's hand, sniffing at the top and giving a grimace.
Fiddleford stopped pulling at his hat, peeking out from under the brim. "You'll play?"
Stan grunted. "I'm not missing out on good money just because you have a case of the heebie jeebies. Besides, how hard can it be? It's like blowing on the top of a beer...er...I mean soda bottle."
Dipper crossed his arms. "Grunkle Stan, we know what beer is."
"Not from me you don't."
Mabel squealed. "It's happening! Grunkle Stan is learning an instrument!"
"It's not an instrument, Pumpkin. It's dishware."
"It's a scrapbookortunity!"
Mabel dashed into the house once more, leaving Dipper to grin at their Grunkle Stan.
The family was only a few yards away now. Fiddleford looked between Stan, Ford, and Dipper, and straightened up in his seat.
"Alright. Alright!" He clapped his hands together. "Stanley, you get down here with me, otherwise your feet are gonna get mighty sore from standing." He yanked at Stanley's hand until he sat beside the rocking chair with a grumble.
"Now when I tap my foot," Fiddleford instructed. "You blow on the jug. One short note at a time." Fiddleford tapped his foot in demonstration. "You got that?"
Stanley rolled his eyes. "Gee, I don't know. Seems pretty complicated for the guy without a PhD."
Mabel burst through the door, camera clutched in her hands. "Got it!"
"Excuse me?"
The little boy stood on the porch, approaching the banjo case with far more trepidation than before. Eyes darting between the assembly, he dropped a few dollars in the case.
"Is this enough to play a song?"
Fiddleford didn't bother looking at the money. He turned his gaze to Stanley, who shrugged and raised the jug to his lips.
Fiddleford grinned. "You know ‘Boodle Am Shake’?"
The little boy shook his head.
"Well you're about to!" And with that he was off.
By Fiddleford's standards, it wasn't a horribly complicated tune. Ford had heard him pluck out more complex riffs while waiting for the coffee pot in their dorm room to brew. But Fiddleford was smiling. His shoulders had dropped from around his ears, and he was nodding at the little boy to tap his feet along with him. Ford hid his smile behind his hands as he watched Stanley, eyes focused on Fiddleford's bare foot with as much attention as one would give to diffusing a bomb. Next to him, Mabel was snapping pictures of the pair. Dipper stood on his other side, wearing the small smile he tended to get when feeling introspective. Ford laid his hand on Dipper's shoulder, and Dipper leaned into the touch.
The mother was smiling at her little boy, her baby having finally stopped fussing. Maybe it wasn't the grand attraction Mabel had planned, but Ford thought it was worth far more than those few dollars anyway. Nothing could be worth more than his family standing around him, his closest friend singing again.
I know this song, it don't mean a doggone thing. Just do that good old Charleston swing. When you sing...
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octobertomarch · 8 months ago
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When words aren't needed
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Inspired by this song again
link to ko-fi
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collophora · 9 months ago
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TBB cadets ideas
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