#I change the characters and what their actual backstory is around a lot

[theshadowrealmitself]

Thinking about: two characters getting sent to an alternate dimension right after their selves in that dimension (who are much older than they are) are killed, so everyone thinks that instead of dying, the event somehow regressed them into their younger selves

Due to how terrifying everyone comes across to them in the new universe, they just go along with it, hoping no one knew their other selves well enough to know that these new people are actually new people and not just younger versions of the people they know

Turns out, in this universe, they’re mortal enemies

In the middle of a space war

This is nowhere close to how their original universe was.

[byanyan]

me two years ago: byan has always been a little bastard. awful nasty child who intentionally used their big doe eyes to manipulate people

me now: byan used to be a soft baby who just wanted love and acceptance, who slowly became hardened and selfish in order to survive when they realized they'd never get what they needed

[otaku553]

Straw hat women redesigns :) I was trying to doodle some of the crew and came to the realization that I just Could Not with Nami so I wanted to play around with it a little bit

Some more design notes below:

Nami’s design actually went a lot smoother for me than Robin’s! I think canon post timeskip Nami is a very low bar. While you can argue that to some extent Nami being vain and seductive is part of her character, I do feel that there are many more integral parts of her character that can be highlighted in her design, namely map making and her combat. Though not one of the stronger straw hats, Nami does seem to be well practiced with her staff outside of its use for weather manipulation, and I think her being a physical combatant, even slightly, can be better reflected with more loose clothing for better mobility.

For her mapmaking, I wanted her to have constant easy access to her tools and to information about the locale, so around her waist she has one large pouch at the back for books and scrolls and maps in progress and one small pouch to the side for writing utensils and measurement tools. As backup she also has 2 pens in her bun, which also act as pins for keeping her hair up if she ever needs to move a lot.

I’m not sure how clearly it shows up in the notes, but Nami’s shoe soles are also made from whatever artificial cloud material makes up the weather island she stayed on during the timeskip, so that it both pads her steps to make them soundless and bounces for better mobility. The shoes are naturally shaped like heels but without the actual heel, since she tends to move around on tiptoes anyways- a nod to her epithet as cat burglar and her past as a thief.

I made her shoulders a bit broader because I think they probably get a lot of exercise with her staff, and changed out the bikini top for a more supportive chest wrap, with a loose tank over it for breathability. The compression socks and sleeve are more stylistic than anything, since I like layers, but they might come in handy for her if she spends extended amounts of time sitting down making maps for the crew.

Robin’s was a bit more difficult for me to figure out, and I might go back and revisit it at some point. For Nami, it was a bit easier to imagine what would pair well with her combat methods and her needs as a mapmaker, but with Robin, she’s an academic who fights almost completely hands off, without a specific weapon to her name. Because her strength lies mostly in her devil fruit, she has a bit more room for style over functionality, but I also still wanted her to have something that made sense with what she was. I don’t really think I succeeded in that regard, but it’s also hard to convey what she does visually— she’s more of like a professor than a field archaeologist I think.

I really really enjoy her cowboy hat but I didn’t think it would match with the rest of the outfit so I switched it out for a wider brimmed hat and kept the orange sunglasses on it, as a nod to the revolutionaries with the combination of headwear and eyewear. She deserves a trench coat. I don’t make the rules. And the rest of the fit mostly came down to things I think I would enjoy wearing, haha

The trench coat is partially a nod to the scholars of ohara, who seem to wear white coats like lab coats in some screenshots of robin’s backstory. I think also the reading glasses help to make her seem a bit more academic, but aren’t prominent enough to leave a strong impression. All in all I do wish robin’s design had more functionality in it but I also think that robin is a character who probably enjoys dressing up nicely like this, especially in the comfort and stability of the straw hats.

[andhumanslovedstories]

chapter eleven of what feels like the most soap opera ass fic I've ever written and then just a bunch of thoughts about writing it, which contains vague spoilers for my plans:

The inception of the fic basically went like this:

haha lol i'd be fun if sqq got real mad at the state of education

what would need to happen in this fic that doesn't happen in canon to motivate him to do something about it

oh shit he didn't unlock OOC so he has to figure out how to be his coddling indulgent self (which he's in denial about) while also being shen jiu

But the thing that really made the story get so much bigger in scope was when I was reading a fic with yqy coming clean to sj, and sj being like, "GASP. I forgive you." And I was "I simply do not believe that this is how it would happen." And I would have moved on with my life, but then I thought, "but like how would it happen." And more importantly, how could this conversation happen within the canon timeline but still involve Shen Jiu, the person this information affects.

The OOC idea and the need for Shen Jiu to be present in this fight scene came together to be like "what if sqq got sj's memories so he could rules-lawyer his characterization more accurately, and ends up being furious on sj's behalf?"

(This, btw, is why I knew I had to get much fonder of YQY and get a much better understanding of his character. When a pillar of your fic idea is a character getting ripped into for his choices, it is sooooooo easy to for it to come off as the author yelling their personal opinions or for it to be completely flat character bashing. Neither are interesting to read or write! Hence the crash-course in YQY appreciation, so now he gets his own emotional arc too. Everyone gets a goddamn plotline.)

Meanwhile I was also thinking about the implications of downloading another person's life into your head. If you have their memories and their body, are you them? What makes you not them? I didn't know! I sort of just kept writing and posting with the assumption that I'd figure something out, which I've finally nailed down btw. That's a relief! Also kinda the fun of WIPs where you're building the railroad track as you're on the train. I end up fanficing my own fanfic. Once stuff is posted, that's the canon, and I look at it and think, "if this was a book I was reading, what is the way I would extrapolate what's there to make a new but coherent story?"

That's why my outline becomes pretty useless after a while. The big picture doesn't change too much--I know roughly where all the major characters are going to be emotionally by the end of the story--but I discover the path I'm going to take there. Which usually means adding stuff. Liu Qingge wasn't going to get a POV, and now every chapter I'm like "fuck am I building a throuple". Ming Fan will have waaaay more a story line than I originally conceived. Early on, I was like "eh I'm not going to go too far into the brothel stuff," and can you guess what is going to be coming up prominently in the next few chapters? God help me.

Actually, there's only one major part of the outline that I cut: Shang Qinghua. He was originally very prominent early on, but turns out having the literal Word of God in a story about slowly discovering backstory is difficult to reconcile. So sadly, he doesn't get a real role. If you're curious, the original plan for him was that SQQ would realize he's a transmigrator much earlier in the canon, but the System would be like [shen jiu would not tell shang qinghua he is a transmigrator. ooc] which would lead to this series of SQQ trying to figure out how he can communicate around this. SQQ at a peak meeting being like, "do you think these DEMONS are PROUD of having made their WAY to us IMMORTALS?" while SQH is like, "AM I HAVING A STROKE?"

What's some other stuff about this fic? I've got a lot of thoughts bottled up, in part because I'm kinda snobby tbh in how I post. I'm like "*pushes glasses up my nose* the author's takes on the story should not be unavoidably present when reading the text" so I don't like to use ao3's author's notes. It's ridiculous and not a standard I hold anyone else too, but whenever I find myself wanting to address something in the notes, I know I must feel insecure about that part of the story. So either fix it or don't draw attention to it. But this is fine, you have to come here for this. This is DVD commentary.

My favorite part of writing this fic has been balancing Shen Jiu's character. As I'm fleshing out his sad backstory, I've been wary of essentially woobifying him. Reducing him to just someone who greatly suffered is so boring and flat. He NEEDS to suck. Or more accurately, he needs to be a very imperfect victim. Exasperating at his mildest, despicable at his worst. (Truthfully, I do think I can and should make him worse. Luckily this story is nothing but flashbacks to him at his worst so there's plenty of opportunities.)

This whole mental breakdown section has been an interesting balancing act because it's explicitly about how bad Shen Jiu's life was and now how bad Shen Qingqiu's is. It's the point at which I had to decide how torturous his time at the Qiu manor had been (me and Shen Qingqiu really discovered that together). On a scale of 1 to 10 with 10 being the absolute worst saddest brutalist ideas I had for this era in his life, I'd say I settled on about a 7. Most of it is backstage in my head, but once I locked that down, I could start figuring out how much was bleeding through.

Anyway, it's been fun writing the angstfest of the last few chapters, but oh my god am I ready for a tone shift. There's usually jokes in my works, even the saddest bits, but jokes relieve tension which is the opposite of what I was going for. I didn't want any humor in the YQY conversation, then you have to keep not joking for a while to get the point across. There's still a lot of planned emotional shit, but I'm happy to not be wallowing for a while.

AND GOD AS MY WITNESS THIS STORY WILL NOT BE LONGER THAN 20 CHAPTERS. MAYBE IT'LL EVEN BE LESS!! IT IS DEFINITELY NOT GOING TO BE A WHOLE CANON REWRITE. PROBABLY!! IF TIANLANG JUN HAS ANY SIGNIFICANT SCREEN TIME, PLEASE KNOW THAT I HAVE FAILED.

[wishful-thinking64]

Hazbin Hotel & Helluva Boss Rewrite Ideas #01

I truly believe that both shows have a lot of untapped potential that we'll unfortunately never get to see thanks to Viv refusing to take criticism and the fact that her writers are all yes men. However, that doesn't mean I can't give out rewrite ideas like they're candy to those who wish to tap into either show's said potential. With that being said, here are some rewrite ideas that you could use for Hazbin Hotel and Helluva Boss! ______ #01.) Have Mrs. Mayberry become one of the residents of the Hazbin Hotel. I promise you, this one writes itself. #02.) Have Glitz & Glam be Fizz's rival co-workers to parallel his time in the circus when he worked with the Buckzo twins who acted more like a family to him. #03.) Write some new workers for the Hazbin Hotel since they're still severely understaffed. You could make these new employees a Hellborn, a Sinner, an Overlord, or Goetia royalty if you wanted too. The possibilities for this one are endless! #04.) Let Heaven contrast with Hell based on how they operate. For example, in my rewrite for the Hellaverse, Heaven doesn't use currency at all. It quite literally doesn't exist up there. Instead, they use the Bartering System as they view it to be the most fair exchange of goods and services. #05.) Have there be a character who doesn't belong in Hell but got sent there anyway for whatever reason. I'd recommend using Valoris (my take on renaming Vaggie) if you don't mind keeping her as a fallen angel or using her original Sinner backstory however I feel like Amélie (I renamed Emily solely because her name is so common. It's not bad but you can tell that there was barely any thought put into it either.) could work just as well since she'd be a fallen Seraph. #06.) Make Lucifer and Stolas evil as they were originally intended to be before Viv scrapped the idea in favor of something worse. Stolitz is a toxic ship no matter how much damage control and retconning Helluva Boss tries to do and when initially asked about how Lucifer would act later in the series on an old livestream, Viv originally wanted to have his character be on par with that of Willy Wonka so do with that information what you will. #07.) Allow for Charlie's, "Anyone can be redeemed," mentality to constantly be challenged by those around her. Don't be afraid to have her be in the wrong because we all know that not everyone can be redeemed. Some people (Valentino) truly aren't deserving of it and others won't be accepting to change. You can lead a horse to water all you want but the horse has to decide to drink it. #08.) Create a proper foil ship for Fallen Star (I hate using the ship name Chaggie) cause if even Stolitz can have one in the form of Fizzmodeus then Fallen Star should have one too. Most people opt to use Emilute but I'm a damn GuitarSpear shipper so I opted for a crossover ship that has Emily and another character from Helluva Boss instead. Listen, if a rare pair and joke ship like CherriSnake can become canon over a ship like Sir Pentious x Rosie that actually makes sense when you consider they're from similar time periods, then a crossover ship being in my AU rewrite is the least of my problems.

For context, here's a screenshot for one of the HH mockup episodes before Viv and her team decided to scrap it. Like the majority of the HH mockup episodes. ______ Well, that's all I've got for now so happy writing and good luck!

[thewertsearch]

TC: all my life i believed at a fuckin paradise to come what held the most baller, darkest of carnivals to join. TC: AND A PROPHECY TC: to tell all about a band of rowdy and capricious minstrels steeped in the good harshwhimsy. TC: THE MIRTHFUL MESSIAHS WERE FORETOLD TO BE CRASHING THAT FUCKING PIE STAND AND BRING THE HOLY RUCKUS. […] TC: I'M TALKING ABOUT THE VAST HONK, YOU BLASPHEMOUS MOTHERFUCKER.

I suppose I have to take Gamzee's cult a lot more seriously now - which means I should probably at least try to figure out what it is they actually believe.

It appears as if their doctrine is centered around some sort of prophecy, concerning a group of legendary figures known as 'mirthful messiahs'. They're fated to release the Vast Honk - and, in doing so, create some sort of Juggalo paradise.

We don't know any lore about the Vast Honk, but its name sets up intentional parallels with Gl'bgolyb's apocalyptic Vast Glub, as well as the Vast Croak, a holy sound emitted by newborn Genesis Frogs. Both of these sounds accompany enormous, galaxy-shaking cosmic events, so the Honk is presumably no different.

Alternia's First Guardian was 'corrupted' by a genome of the same name, presumably changing him from a standard Sburb NPC into the English cultist we all know and tolerate.

Could the Vast Honk be released by someone corrupted in a similar manner? We already know that Jade's Genesis Frog was spliced with some unknown DNA; it's terrifyingly plausible that said DNA was planted by Scratch, Gamzee, or English himself. There's a very real possibility that the Vast Honk will come from the mouth of Jade's frog.

TC: BUT NOW. TC: because of you. TC: BECAUSE OF ALL YOU AND YOUR FUCKING OUTRAGEOUSNESS. TC: you stole up all my miracles away by revealing at me how the wicked shit was really kicked. TC: LIKE SOME FILTHY FUCKING SCIENSTIFF WHO AT OLD TIMES WOULD BE RULED UNFUNNY WITHOUT EVEN GETTING HIS FUCKING TRIAL ON. TC: and now i don't know what to think about the spiritual fantasies i had.

Anyway, Gamzee can’t seem to reconcile his worldview with this pair of alien rappers who seem to cruelly parody his beliefs.

He’s always been dimly aware of his fictional nature, and as his mind begins to clear, it is forced to confront the possibility that this is all his religion ever was. A viral video and a meme.

For once, he doesn't think it's a very funny joke.

TC: I HAVE THE IDEA THAT YOU PUT IN MY PAN TO SIT THERE. TC: that the paradise planet TC: IS A FUCKING JOKE. TC: and the miracles TC: ARE FAKE. TC: pure fiction. TC: FALSE FAKEY FRAUDY CON JOBS FROM A BUNCH OF UNFUNNY NINJA HARLEQUIN BULLSHIT ARTISTS.

It would be remiss of me not to bring up the possibility that ICP are non-trivially involved with Homestuck's plot. I mean, Betty Crocker is now a key figure in multiple characters’ backstories, so fucking anything is possible at this point.

Joseph Bruce and Joseph Utsler could literally be the mirthful messiahs, and I have no idea what that could mean. I might actually have to listen to their albums to understand the comic.

[descendant-of-truth]

That said, I do think that Shadow Generations being such a more carefully cultivated exploration of Shadow's past compared to what the original Generations was for Sonic is... not doing Sonic himself any favors

General audiences are already kind of under the impression that Sonic as a character is fundamentally not that deep or interesting, and Generations was written during a time that really, really wanted to prove that notion right. Sonic "being deep" was what, seemingly, caused so much critical backlash, so to counteract that, they gave us the blandest cutscenes Sonic has ever had the displeasure of being in.

But that's not really what Sega is trying to push for, now. Frontiers wanted to be more serious, with a mature, down-to-earth Sonic. The movies gave him an origin story that inherently makes him a lot more complicated than usual. Prime put the focus on his emotions and gave him a character arc that lasted the whole show. The IDW comics can get extremely serious, and we're treated to Sonic's inner monologue as he wrestles with difficult choices. They clearly want Sonic as a character to be interesting to people, not just a vehicle for action and quips.

But putting the old Sonic Generations in the same package as the new Shadow Generations is inherently portraying them as equivalent experiences. When Sonic explores his past, it's no big deal - just another day on the hero job! Absolutely nothing worth exploring on his end when it comes to meeting his past self and revisiting his memories! Nope! No need to use time travel as a way to explore his core values as a person who prefers to live in the moment and not be bound by his past, no siree!

Oh, but Shadow? Now that's the actually interesting character! Revisiting Shadow's past is such an exciting event that it requires the whole year to hype up, and Sonic's just so boring in comparison, isn't he? Who really cares about Sonic beyond his surface-level characteristics anyway, right? The Sonic Generations remaster is more of an accessory to what's essentially Shadow the Hedgehog 2 at this point, and that bothers me.

Sure, Sonic doesn't have "a backstory" like Shadow does. But the past that we explore in Sonic Generations isn't his literal origins, but all the adventures we went on with him. Imagine how much depth you could wring out of him if you just took those events as being legitimate parts of his life that he has feelings on! Feelings we could explore!

But because it's a remaster instead of a full-blown remake, all of this effort they're putting into Shadow's campaign is nowhere to be seen in Sonic's. Can you imagine how good of a package deal this would be if Sonic's character was given this much care and respect, too? Like, we have two Sonics, but Shadow is getting more than double the favoritism.

And the fact that this is only going to continue to push the idea that Sonic is just. incapable of being interesting, or even really affected by what happens around him is really frustrating. We already have the movies and Prime drastically changing his demeanor and core traits for the sake of making him "able" to have character development, and as much as I love those versions as characters, it's really doing a disservice to who Sonic is supposed to be.

The last thing we need is for Generations to come out again and make the Sonic from the games seem like the least interesting version of him. Bringing Shadow up should not involve dragging Sonic down - they're supposed to be equals. But this game doesn't seem to be showcasing that very well, on account of essentially being two games written by different people haphazardly mashed together.

People being introduced to the series through this game are going to have such a skewed perception of what Sonic is like as a person, as well as what he's like compared to Shadow, and that just. makes me kinda upset not gonna lie

[dr-spectre]

Guess who turned 7 years old?

SPLATOON 2!!!!! Everyone's favourite Splatoon game!!!! Right? Right guys....? We love Splatoon 2 yeah....? It's the best one right.....? Totally not gonna become the middle child of the series that gets overshadowed by the new fresh Splatoon 3 and the nostalgia of the first game right.....?

Okay, jokes aside about if Splatoon 2 is actually good or not. This was the game that actually got me into Splatoon, I knew about the series since it's announcement but I couldn't play the first game because like the rest of general public, I didn't own a wii u. Still don't but I would love to have one to mod. (And play Splatoon 1 online with fan servers...)

I think Splatoon 2 really did bring a lot of cool stuff to the table and it had a lot of quality of life features and interesting weapon, sub and special concepts.

It gave us the dualies!! THE DUALIES! I LOVE THE DUALIES!

It gave us the brellas! Which.... were kinda bad at launch and still are bad till this day....

BUT! I dont wanna talk about weapons because thats BORING! I wanna talk about one of the best things Splatoon 2 gave us...

OFF THE HOOK! PEARL AND MARINA! These girls are some of the most popular characters in the series and for good reason. They are both funny, likeable, charming, witty and have developed backstories by the time Octo Expansion comes around. Plus their chemistry is top-notch and so damn CUTE! It's almost has if they are somehow more than friends and that kind of connection is canon and people who try to deny it are fucking idiots and will never be in a relationship of their own.....

Also Splatoon 2 gave us a pretty solid hero mode at launch, sure it was basically more Splatoon 1 hero mode but hey, the first hero mode was fun so more of the same is fine by me. Plus you get Marie's classic snark too while you go through levels, she's nice company surprisingly. Way better than some old ass crusty dude...

It also gave us....

totally didn't fuck up my mental health this year and last year and caused me chest pain and discomfort until I had to dig and dig AND DIG for knowledge just to salvage it and make sure my favourite character in the fucking series was given the respect she deserves....

....hypno/octo Callie.... totally didn't fuck up this villain arc for her huh Nintendo? Totally didn't throw away the depth you built up (and was shown in concept art) only to try and hastily fix it 2 years later with an obscure relationship chart no one fucking talks about, not even the timeline explainers...

totally didn't use the wrong terminology to describe her situation and made everything so much worse because you wanted a simple black and white story for the kiddies yeah Nintendo? Despite you making stuff grey in the dlc expansion so the both story modes now clash like oil and water theme wise.

And yet you still treat her like dirt. Still using the wrong poorly localised words. If I still gotta repeat to the sky one more time that callie was under hypnosis and not forceful brainwashing I might have a stroke. You can't even fucking brainwash someone with hypnosis because the limitation of hypnosis is that the person under it must be fully comfortable with the suggestion and the suggestion cannot go agaisnt their morals and ideology. AND GUESS WHAT BRAINWASHING IS! FORCING DIFFERENT IDEOLOGIES INTO SOMEONE'S HEAD! DO YOU GET WHY I HAVE AN ISSUE NOW?!?!?! JUST USE THE WORD HYPNOTISED NINTENDO! THATS ALL YOU GOTTA DO!! ILL BE SOOO HAPPY!!!

YOU TOO INKIPEDIA! I CAUGHT YOU USING THE WORD TOO MULTIPLE TIMES! you better change it... just change brainwashed to hypnotised and I would literally kiss you on the lips or something idk... I love you inkipedia but that's all you gotta change okay? Pretty please? With a cherry on top?

ENOUGH OF THAT! I WANNA TALK ABOUT SOMETHING ELSE!!!

Do you know what else Splatoon 2 gave us?

OCTO EXPANSION BABY! I know people love to call this overrated now but I really don't care. It's not overrated, it's perfectly rated. It also gave us PLAYABLE OCTOLINGS! Which was a highly requested thing people really really wanted and they gave us what we asked for! Even though they lacked a lot of customisation options.... still do till this day... (Nintendo is it really that hard to come up with new hair? The community has been doing that for years for you man.)

And of course... the last thing I want to talk about...

This is probably my favourite Splatfest to date. It brought in a lot of actual genuine philosophical discussion on what kind of world is best, a world of chaos? Or a world of order? I chose team chaos because when the youtuber/streamer Etika was still around he chose team chaos and I chose that team because of him... rest in peace...

The shifty station too was phenomenonal as you got to hear Fly Octo Fly and Pearl would come in AND YOU GOT TO USE HER PRINCESS CANON!!!! IT WAS SO FUCKING COOL AHHHH!!!

God Pearl is so cool... i can't believe I actually used to dislike her. I wanna beat up teen me so badly for having such bad takes. Marina is hot sure, but, Pearl is just so fucking funny. Man what was wrong with 13 to 17 year old me....

Anyways, I wanted to ramble about Splatoon 2. It's pretty special to me as it was the reason I am here today, so I can't really criticise it as much as others do. Well... aside from one obvious thing but, I've done that many times.

Also, before I go... NINTENDO!!! BRING BACK SHIFTY STATIONS FOR SPLATOON 4!!! DO IT!!! STOP BEING COWARDS!!!!

[bones-of-a-rabbit]

the babbit masterpost

HELLO welcome to the Babbit's Blog masterpost!!! On this post you'll find some fun facts about yours allegedly (me <33), some ref's for my different 'sona's, and a couple links to my fics and whatnot! Are you ready? No?? Excellent neither am i let's do this

Meet the Babbits!: the self-inserts/personas

the first ref is for my general/most commonly used persona, Babbit! They aren't really an anthro/furry as much as they are a humanoid with the head of a rabbit. I like to think of this one as the 'me' that's in my head- the purest form of my thoughts and feelings, but not the solid real-life me. The second ref is my self-insert persona, Rabbit, the one i picture using most often when i'm reading a fic or imagining a self-insert scenario lol. This one is like the me that people see and meet and speak to in real actual life, if that makes sense. It's the way I come across to people and all of the things I wish I could iron out of my crumpled up real-self <3 The third is a much more specific 'sona, Hazel, who started off as a FNaF:SB animatronic self-insert. She does have a backstory and lore now, which i think makes her more of an OC than a self-insert, but a lot of her is still me and a lot of what she experiences in her backstory is from my life/instills the same feelings that were taken away from things that happened to me, so I think she kinda counts enough to put a ref for her here sdkjfsdhfj (Why the different names?: makes things a little easier, and they hold meaning to me symbolically, I guess!)

Content!: Here's a short list of my various fics that will get updated as I create more! (it was, in reality, not fine.): FNaF Sun/Moon x Reader fanfic, gender neutral, for general audiences, fluff-fest, idiots to lovers "You're the new tech/repairman at the Fazbear Mega Pizzaplex, unfortunately. Your first task? To make the Daycare Attendant into two separate animatronics. It's an amazing opportunity, really, and there is nothing you love more than getting a chance to really work with such tech! The only bad part is that you don't know how to tell anyone that you just might be in over your head. (You are extremely in over your head.)" After Everything Was Fixed (but you were still broken): AU FNaF Sun/Moon x (Animatronic) Reader, gender neutral, read with caution, angst, harm to sentient robots, traumatized main character, hurt/comfort slow burn, romance slow burn "The virus was gone. Everyone was fixed. You had been put back together. It's a time for a new beginning, to do things right this time, to wash away the past and paint a better future. Their memories of the infection had- mercifully- been taken away from them. Yours had not. He doesn't understand why you try to avoid him. Even if you could tell him, you're not sure you would. You want to be his friend, but it's difficult; every time you see him, you remember the hundreds of times he killed you." A fic where you are a repairman-themed STAFFbot, taking place post-virus. In the past, Moon, infected by the virus, took delight in attacking and dismantling the reader during the night. Now, in the present, you find yourself burdened by the memories of the past while everyone around you has no recollection of the events. It gets more complicated as Sun and Moon, both now cleared of the virus, grow curious of you. This fic will follow a series of arcs, presently on arc one. For anyone curious, feel free to send an ask about the arcs in 'After Everything Was Fixed'! The Sun, the Moon, and the Blazing Comet (title subject to change): AU FNaF Sun/Moon/Eclipse x Reader, gender neutral, teen and up audiences, travel/journey, betrayal, hurt/comfort slowburn, reconciling, themes of breaking the mold, found family (TBA) Hold My Broken Hands (title subject to change): AU FNaF Sun/Moon x Reader, gender neutral, mature audiences, dark romance, dark comedy, severe bodily harm, mutilation, murder, obsessive behavior, possessive behavior, lovesick (TBA)

My AU's!: i'm going to make a Babbit-AUs-Masterpost and then put the link here i swear, i just have so many im sorry jdfhsjdfhs (like more than twenty)

Fandoms!: I enjoy, have been in, made or make content for: Pokemon Undertale FNaF Creepypasta (YEAH I KNOW LET ME LIVE OKAY) My Little Pony (I KNOW OKAY LEAVE ME ALONE) Steven Universe Star Trek Warrior Cats i'm sure theres more but i just forgot everything i have ever liked wheeeeeze

Whomst the hell?: HI I'm Rabbit! Or Bones! Or Babbit! Or Avarice/Ava, if you want to go for a more legitimate-sounding name. I'm 24 years old, prefer to use they/them pronouns, and so, so incredibly ace. I've been drawing as long as I've had the ability to hold a pen, writing since I was in grade school, and being a plague to the ones around me since the beginning of time! If you've seen my art, its probably from the absolute mountain of fluffy-wuffy love-dovey (y/n) x Sundrop/Moondrop/Eclipse doodles I've been sharing for several years now sdfjhsdj. If you've heard of my fics, it was probably the one I made just for fun that's now turned into an actual fanfiction that I enjoy writing, the silly-lovey-fluff incarnate (it was, in reality, not fine.) !

Likes n Dislikes!: I'm a sucker for sap, fluff, and lots and lots of love-dovey bullshit! I also like stories about finding oneself and monsters being befriended or loved. I like space, aliens, robots, the odd and strange, injecting humanity into things not human, monsters, creatures, animals, the fae, concepts of spirits and karma and the afterlife, and more! I dislike 'fanservice', most anime tbh LOL it's not personal I just don't enjoy it im srry, FLY BABIES i know they have an actual name but i hate that word too pls just dont i will scream, sexually aggressive/forceful content/characters, being made to feel small, dumb, or trapped,

Other!: I have a pretty high gross-out tolerance! I also have a pretty high 'wow that's messed up huh' tolerance, in that sometimes I will just say stuff that's super grim or dark or messed up and not realize it lmao. I am full of random facts and anecdotes, especially weird or gross ones! sometimes i get on tangents that can go for actual hours so pls forgive that lol

WARNINGS: THIS BLOG MAY FEATURE CONTENT BASED ON/RELATED TO THEMES OF GUILT, CHILDHOOD LOSS, GRIEF, SELF HATRED, DISCONNECTION FROM REALITY/SELF, TRAUMA, AND SEVERE DEPRESSION/ANXIETY. YES I AM GETTING HELP. YES I AM OKAY. THANK YOU FOR YOUR PATIENCE AND UNDERSTANDING.

bonus persona: crybaby

[am-i-the-asshole-official]

This is a fandom related thing. I will say that right off the bat, but I needed a few extra opinions on this since it feels like I am alone on this.

AITA for killing off my OC in a group rp?

For some context, I (using the name Snow for myself) joined a group rp with some other people where we would come up with a plot together. Everyone would be using original characters (OCs) It was agreed that the things that happened would be voted on, but people were not allowed to control what other people did with their OCs. It is the whole "my oc, my rules" thing. For those who don't get it, it basically means that since the oc is yours, only you get to decide what happens to them.

To the story. I had plans I wanted to do with my OC. I wrote her to be someone who was secretly working for the villains and was only tricking the others into thinking she was their friend. The only other people who were aware of this were the moderators, and they had approved of it.

What was the problem then you may be wondering? Well the problem was that another member, I'll just call them Star, had said that they had gotten an emotional attachment to my OC. Which I personally found weird, so I typically tried not to be stuck alone with them.

When it came to reveal the plot twist with my oc, Star had a freak out upon finding out. They started crying and complaining that it wasn't right to do that and they could not picture "their" emotional support character doing that. The other members decided to comfort Star. They always sided with Star and acted like they were oh so special. The others were saying that this was all just a joke and that it wasn't actually going to happen. "It is just a joke right, Snow?" they had said.

And I replied with. "No. It's not a joke. My oc has been working with the villains the whole time."

Star's response was to have a meltdown over it, saying that I was out to hurt them and ruin their day. So I ended up getting a message from the moderators asking me to change my OC's backstory as to not upset Star further. They ended up telling Star that it would be changed to just having my OC be mind controlled the whole time.

This was not something I agreed with, but I pretended to play along begrudgingly. I hated that the group decided to treat my OC like she belonged to Star. But I played along and came up with my own idea. There was a plot point that came up in the rp that would have someone die off, so I took it as my opportunity to kill off my own OC. If I wasn't allowed to do what I had planned for her initially, then she wasn't going to stick around anymore.

After I killed her off, Star logged off and vanished for an entire 3 days. All the other members constantly messaged them to try and get a response from her, but they did not answer until they returned. When they logged on, they said that they had to a panic attack over what had happened and felt hurt that I would do that.

I just responded with "my oc, my rules. I quit this group." Then I quickly went through and deleted every little bit of information I had shared about my OC with that group before leaving their discord. After, I got a lot of messages from all the members, about sending the information so that Star could continue playing with my OC since she was their comfort character and it wasn't fair I was doing this to them especially after their panic attack. I said no and blocked everyone who had asked me that.

Sure I feel bad that they had a panic attack, but I felt betrayed that everyone else was willing to bend the rules for them and allow them to control my OC. Even if I no longer use said OC, I still wouldn't let them have her. This is still my property and I stand by the "my oc, my rules" thing.

So AITA for killing off my OC?

What are these acronyms?

[raven-at-the-writing-desk]

im so excited for the new yuu... waiting for them to join the manga yuu family...... is there any traits you'd like them to have? maybe to parallel or completely contrast jamil, since he's the OB boy this time around?

tbh I hope they keep it up w the different body types rep 🙂‍↕️🙂‍↕️ it's nice to see that even if they keep the "pretty average boy/girl" motif (?), they are trying different stuff w them. I hope we have more varied yuus in the future (goes for the anime too !!! I'm curious to see what that yuu is going to be like as well- or if they're just gonna adapt the manga and nor change the yuus, I wouldn't mind that either tbh)

[Referencing this news! More about the mangaka here.]

I don't really have a preference for what traits the new Yuu for the Episode of Scarabia has. I can't really find myself getting invested in the manga Yuus because I know that they won't stick around for very long (and definitely not long enough to have any sort of meaningful character arc). I also think it's disappointing that we get these characters that seem to be intentionally designed to be foils to the OB boys, but we never really get additional interactions between the Yuu and the OB boy that would add more meaning to their relationship or flesh out how that Yuu helps the OB boy change over time. Real missed opportunity there.

Some common ideas I've seen floating around for the Scarabia arc Yuu are:

Princess Jasmine coded (and/or at least femme) Yuu

someone in a servant position but, unlike Jamil, they are not resentful of their role and instead is optimistic about the future

"rags to riches" Yuu

I also know that some people are hoping for a dark-skinned or a Middle Eastern Yuu, but this in of itself is not a character trait so I'm not counting this in the list. Ideally I would like more variety in our Yuus (not just in race or gender, but in other factors like age or occupation) but I don't know how likely it will be that Twst actually commits to it (especially since the latter may change the interactions by a lot). I'm not even sure if they'd step outside of the box for designs/backstories if it doesn't contribute anything to the narrative foils they're trying to set up. Like, I'm pretty sure the manga team didn't decide to make Yuuta (the Yuu for Octavinelle) a large boy for the sake of diversity but rather to show Azul you can still love yourself and be content even if your body is a certain way. (I discuss the manga Yuus and how they contrast with their respective OB boys more here!) I don't see what making the Scarabia Yuu dark-skinned, Middle Eastern, or a different body type does to add to or enhance Jamil's character. It's not like Yuuka (for Savanaclaw) had to be dark-skinned or African to be Leona's foil, or Yuuken (for Heartslabyul) had to be small and British to be Riddle's foil, right? But both Yuuka and Yuuken were physically fit; we had a strong woman (with a scar in her design to match Leona) that played righteously to contrast Leona's underhandedness and a disciplined but kind man to show Riddle you can maintain a level of sternness without being overbearing on your peers. They were given character traits, rather than solely physical traits, which reflect their OB boy. It would be great to have the diversity, yes! Again though, I don't think the mangaka are designing Yuus with diversity in mind, but rather what the design does for the characters of the OB boys.

Finally, in regards to the anime, it has been announced to be an adaptation of the manga. That, presumably, means we will see the manga Yuus of each book's arc animated. Until we get news that states otherwise, I'm assuming this to be the case.

[cupcakesmoothie]

I did all three backstories for Touchstarved (I have 12 hours on this thing and it's only the demo)

Kuras and Vere don't seem to have red options, but Vere does have a secret ending and Kuras... I don't know, holds you for a bit longer?

For Mhin, it really is just picking The Alchemist backstory. You can call them short or whatever and you'll still get it.

For Leander, you have to take the flowers and keep touching him. It's okay if you hold back the first time even.

For Ais, you gotta tell him fuck you and pet the soulless, and after that red option pretty much all yours.

Differences I found between the three backstories:

It is pretty much like how they tell you, Oracle gets premonitions, Hound has experience with people and survival, and Alchemist has knowledge about magic and science, so there's different things you find out with each one.

The Alchemist:

I may be a little bit biased, but think The Alchemist is the most informative (It's also the first one I picked). There's the expected info of noticing that Vere's collar is enchanted, or knowing about how strong Leander really is when it comes to magic, but it's got the added bonus of MC's mentor having been in the Senobium in the past.

Compared to the others, The Alchemist is more familiar with Senobium, albeit through word of mouth. It's interesting how many times the MC says something similar to "I didn't know the Senobium did that." It calls into question whether MC's teacher was lying, or more interestingly (and what I think might be the case), the Senobium has changed a lot recently. It's talked about, even without the Alchemist backstory, that the Senobium used to be somewhere you could go to for help, but now most of the characters you meet do not like the Senobium, so what changed?

The Hound:

The Hound (the least popular option, apparently) was pretty fun. The Hound notices more about Ais, specifically that he's very suited to be a leader, and that the number of scars he has (one) seems suspicious for his temperament (or "how seasoned he acts", as the MC puts it).

One thing that I found very fun was doing Mhin's route as the Hound. They're somewhat able to keep up! They can (or tried to) recognize tells, and noted that Mhin was one of the few people who was able to sneak up on them. They also weren't sure how Vere managed to get their key. They were also prepared to steal to survive.

The Oracle:

While The Hound notices physical things, the Oracle notices... how do you say, otherworldly things. The Seaspring seems to be hiding a lot (of course it is), but the MC notices a heartbeat. A presence. They feel something from Ais. The name Ocudeus means something, they can feel it. They feel like they can see Ais' tattoo move.

Also, the MC feels something from Mhin and Kuras (in his clinic at least), which is interesting!

If I had to decide which love interest was better with which backstory...

Vere: The fact that the Alchemist thought that they could tell what enchantments were on his collar if only they could touch it feels promising! And both their connections (though I mean connection in the loosest term for MC here) to the Senobium makes it feel like you might very well find something.

The Hound might be one of the few who can actually survive this guy if I'm gonna be honest. (I mean you can still get killed by him but. You know.)

Ais: The Oracle's sixth sense makes going to the Seaspring a lot more interesting compared to the others, and the way they can feel something from Ais is very cool.

The Hound can tell his character better than the others, and I wonder how that will come into play later on.

Kuras: The Alchemist knows their way around spell-crafting and alchemy (When I picked this I wondered if they would be able to help Kuras around the clinic, which doesn't happen, but hey it might).

The Oracle seems to also feel something from him.

Mhin: First things first, their red option literally requires you to have the Alchemist backstory. Mhin's precision is noticed by the other MCs sure, but not to that detail.

Watching the Hound observe where they could be was so fun to watch. It feels like this MC will be able to keep up.

The Oracle feels something from Mhin, something inhuman.

Leander: The Alchemist was able to tell that the flash of magic was a barrier spell, and that most magic (or at least the ones they're familiar with) uses an incantation or spell circle. His didn't.

But either way, there will be things to find no matter the backstory you choose, and all of the character's stories are intertwined, so don't let this dissuade you from a specific backstory! There will always be things to find, you just need to look.

Extra: I found it pretty cool how each MC has a different way of knowing what a Groupmind is. Story-wise this makes sense of course, but each of their reactions to it are slightly different, from I heard this from rumours of people in cults (Hound), to I used to be told I could put people in a groupmind (Oracle), to legends suggest it was possible with a strong enough catalyst but it's never been done before (Alchemist).

Also, it's interesting to know what they each think of surroundings (specifically the Amaryllis district). They all have different opinions from I used to be told bizarre things about this place and now I kinda get it (Alchemist), to it's not that different from the place I grew up in (Hound), to it's VERY different from where I grew up in (Oracle).

And if I'm not mistaken, the reason Vere gives for your desperation is different for all of them!

You can find gameplay from me on my Youtube channel, or watch me getting all the red options and secret ending here:

I didn't read it out loud cause my mic sorta sucks and sometimes it peaks and gets a bit shrill. Also you see how my mouse moves sometimes? It means I'm screaming. I don't think I'd have been able to keep calm enough for this. Also my reading kinda sucks anyway hope you like it lol

[utilitycaster]

okay watched Cloak and Dagger and here are my thoughts in brief

I don't think showing Ripley's backstory is bad. Part of why Ripley is an interesting character to me in a way that, to use my favorite punching bag, Otohan, is not, is because we had hints of what made her this way - fleeing the Empire; a list of names on Animus that included Bertrand Dwendal. Part of why I mock Otohan relentlessly is because she is a one-dimension villain, and Ripley never was that, which is why she's an interesting villain. Tragic backstory, in my opinion, enhances one's villainy, rather than reduces it: what sort of monster suffers and decides to do the same to others, rather than is driven to work to improve the lot of others? That's essentially why Caleb is in the end a heroic character and Ludinus is the culminating BBEG more so than Predathos.

Glintshore is one of my favorite battles of Campaign 1 and it also would not, in my opinion, translate well to animation. There was a great line in the Midst Messages from Xen in reference to Moonward about how in most rules-heavy TTRPGs, when you enter a big battle, time stretches out significantly, but in a systemless game like Moonward, it goes very quickly, which gives it a very different vibe and makes players make very different decisions. The emotional weight derives largely from how the party enters combat already heavily drained and never regains their footing, and how the cast is well aware and the sense of dread (and belief that Percy might be permanently dead and Taliesin will have to roll up a new character) sets in long before the battle ends. [long tangent about good parasocial vs bad parasocial in actual play put off until I have time to actually read Watch Us Roll, but this is Good Parasocial]. It's actually an interesting test of the challenge we face for the finale of the series: you are not going to get as efficient an emotional punch as Sam saying "Nine" in a show that doesn't have a concept of spell levels. I had struggled with how one might recreate the Glintshore battle and the answer is "you don't".

Ripley's speech was great no notes, love her being fucking awful and consumed with vengeance to the end. I think just as the theme of "your resentment will destroy you" is an enduring one throughout Critical Role, so is "every mortal is in theory someone who could change and become better, but if you shoot the hand that's trying to help you, well, get rekt lol"

The music over Percy's death is corny as hell. However, I am already on the record as someone who mutes It's Thursday Night for being corny as hell and who pokes fun at Matt's more purple prose and I seem to have stuck around regardless. I have made my peace with the fact that a good chunk of the cast spent their formative years just absolutely immersed in anime, and given the Extreme Anime Vibes of Percy in TLOVM I can't say I love it, but I also can't say it's not sort of fitting. Please do cut that scene with different music though, because it would be funny as shit.

I need to watch episodes 8 and 9 (going to now!) but much as I love the glintshore fight, you know what I love more? Episode 1x69 (nice). Real Tragedy Enjoyers know the proof is in the aftermath. If 8 and 9 also suck then I'll be back here in like an hour but if they're good then it's whatever.

Grog is always on some level experiencing a Sitcom B Plot and if you ever find yourself disliking a TLOVM episode, remember you're watching a sitcom where Grog is dealing with a Bird that is Very Here (metaphorical).

[annymation]

Reimagining the characters in Wish

(Part 1- Asha)

Hey guys! I don’t really know how to start this, but let’s just say that I… Didn’t like how Disney’s 100th anniversary movie turned out, like at all.

But I can tell there was a lot of unexplored potential beneath this story, that in my opinion felt overly simple and bare bones.

But if you love it, that’s awesome, more power to you, I wish I could’ve loved it too. And I don’t want to rewrite it to show I’m “better than the writers at Disney” because I’m definitely not lol, I have no experience in writing, and I’m sure they put a lot of passion into the project and I respect them for that. But this movie inspired me with ideas for a different story that I think is worth telling.

But I won’t start telling it today, instead, I'll start a series of blogs sharing my ideas for changes in the characters and their stories, after I get some feedback I will start posting more of the story itself.

If you’re interested, then come along!

Asha✨

Personality

- Asha is a 18 year old girl, with a passion for drawing and helping those around her, sometimes even worrying more about helping others than helping herself

- She’s like a big sister to her 7 friends, always being the voice of reason and acting responsible, but not in a bossy way, she’s actually very playful with them

- To the people of Rosas tho, she's seen as kind of a weirdo, for you see, she spends almost every time of the day drawing in her sketchbook

- She practices everyday to become a better artist, and the people of Rosas find this to be very peculiar, after all, why would you take so much effort to perfect a talent when you can simply wait to turn 18 and wish for the king to make you an amazing artist?

- Asha doesn’t mind these comments, although they have made her less willing to share her drawings with others that aren’t her 7 friends

- As the story progresses we see Asha flourish from a shy and introverted girl to a brave woman who after discovering a terrifying secret about the kingdom’s rulers, steps in and inspires others to join her and fight an evil sorcerer king and his alchemist wife (yes, I made Amaya an alchemist, more on that on part 2 when I talk about how I’d change Magnifico and Amaya)

- Some Disney characters that share similarities with her personality wise are: Belle, Tiana, Pocahontas and Esmeralda

Main Traits:

Calm and mature

Determined

Passionate about her interests (drawing, dancing, philosophy and stars)

Helpful and generous

Perceptive and always questioning things around her that no one pays attention to (like why do all the artists only paint the King and Queen?)

Playful

Compassionate

Backstory

Oooh boy I gave this poor girl so much angst, okay let’s go

Asha grew up with her grandfather, her parents both died in a fire when she was just a baby

(this isn’t just to fit the “haha Disney princess has no parents” cliche, there’s plot relevance in this “mysterious fire” that I’ll talk about later)

Growing up with her grandpa, he’d always support her dream to be an artist, like her mother, who was an art teacher

Her mother not only drew really well, but she also was able to create the illusion that her drawings could move, by flipping through the pages of her sketch books

In other words, her mom was an animator

Asha saw this technic her mom used as a form of magic, so she would often tell her grandpa she wanted to “Do magic just like my mom”

Her father was a philosopher (this was established in the actual movie but never explored haha whyyyy), who taught people that working hard to achieve your dreams is not only rewarding, but also essential, because it’s part of the human nature to persevere and fight for what we believe, even if we fail, even if it’s hard, just keep moving forward.

This philosophy may sound very “umm duh” for me and you since we all know and hear everywhere nothing in life comes for free… But that’s not the case in Rosas

In this rewrite the kingdom wasn’t created by Magnifico, but rather the kingdom has existed for many generations, being ruled by different kings before Magnifico who also granted wishes… but I’m getting ahead of myself.

The point is that the culture of just asking the king to give you or make you whatever you want to be has been in this kingdom’s culture since forever, so when Asha’s dad comes out saying “hey! Maybe we should stop just relying on the king to make our dreams come true, right?” He’s actually being quite a revolutionary… and sharing a very dangerous belief to other people…

At this point you might suspect what caused that “mysterious fire”

So, back to Asha, growing up with her grandpa, they shared a lot of happy memories together. Reading her father's books and her mother's art books helped Asha connect with them even tho she never had them in her life.

But as her grandfather grew older, he became senile.

Asha went from being taken care of by her grandpa to being the one who took care of him when she was still around 13 years old, and when she turned 15 her grandfather passed away of old age

Asha went on to live with her best friend Dahlia, the two became like sisters.

Though she managed to move on from the loss of her grandfather, she could never shake the feeling that he died without getting his wish granted... But she had no way to prove that, it was just a feeling

The wish granting system works different in my rewrite, instead of there being a public wish granting ceremony once a month, there would only be a public wish TAKING ceremony, that would work just like in the movie, you turn 18, you go give your wish to the king yada yada yada.

But the wish granting part would work like this: Almost every night the king would release the wishes up in the sky, they would float down like balloons to their respective owners while they sleep, and once they woke up in the morning they'd feel that their wishes were granted, for they would wake up changed.

With this method, there's no way of confirming if someone really got their wish granted or not, unless you went to ask the king.

Asha never did ask the king if he granted her grandfather's wish, but her grandfather would sometimes express how he wasn't feeling completely fulfilled in his life, he felt like there was something... missing.

This feeling of hollowness persisted in him until the very end, no matter how hard Asha tried to help her grandfather, she never knew him as his real self, because he gave part of his soul to the king, the most beautiful part of his soul, his wish.

Asha had no proof that her grandfather didn't get his wish granted, only a gut feeling.

But because of this, Asha wasn't that thrilled to give her own wish to king magnifico, knowing there was the possibility of it never being granted.

Not to mention she didn’t even know what to wish for, “I’m just 18 and you guys expect me to already know what’s my heart’s deepest desire? I’m still figuring that out, all I know is that I wanna draw”

Plus she wanted to follow her father's philosophy and achieve her wish on her own, eventually, when she figured out what her wish even was.

Asha never rebelled against the system tho, she wasn't a confrontational person. She just accepted the people of Rosas preferred to rely on the king's magic, but that just wasn't for her.

However, on her 18 birthday, when it was expected of her to give her wish to the king, she simply said she didn't have a wish, and even if she did she wouldn’t want to hand it over, she wanted to make it come true on her own. This lead to an argument with the king, and after a series of events (that I don't have time to summarize here, but you can find out about it on my rewrite) leads to her finding out a terrible truth about her kingdom. And that's how her story begins.

Design

- I’d keep these braid ornaments that Asha had in the concept art

- Since in my rewrite she’s not that invested in the kingdom of Rosas, I’d remove all the Kingdom of Rosas symbols that are present in her design (there are a LOT of them)

- I’d replace these Rosas insignia with more star and constellations themed symbols, to reflect how Asha believes that the stars are connected to people and they can guide us, just like how her father believed.

Final Thoughts

My intentions with these changes were to give Asha a strong emotional hook, and something that makes her feel relatable.

The emotional hook here is how she spent so much of her life taking care of her grandfather that she kinda never had time to worry about her own desires, that alone can be relatable to caregivers of elderly people that watch their grandparents or even their own parents lose themselves as time passes, and end up worrying more about the person they’re taking care of than themselves.

Asha has this internal emotional conflict where she feels she needs to constantly help others the same way she helped her grandfather, and one of the things she’ll learn as the story progresses is that it’s not selfish of her to want more for HERSELF.

Another thing that would be relatable about Asha is her passion for drawing, and how most people in Rosas would say she’s wasting her time practicing so much when she can just wait until she turns 18 and wish to be amazing at drawing.

She’d never stop believing that taking her time to improve on her talent and trying again and again was worth every second of her time, because let me tell ya folks, drawing is HARD, and animating like Asha’s mom did is even HARDER, it takes a whole lot of practice, and Asha was determined to keep trying.

She’d be much like Belle, remaining true to herself even tho those around her considered her odd, and very passionate about drawing just as much Belle was passionate about reading.

I also find it funny how Asha’s motivations are fairly down to earth, like in Disney movies you usually have:

I want to be free from these palace walls!

I want to explore the ocean!

I want to open a restaurant!

I want to find true love!

And then there’s Asha here like

“My life is fine, I just wanna chill and draw stuff”

And that’s it, but, in her environment where everyone is expected to have this great wish that they have to give to the king so he’ll make it a reality, she’s kinda the odd one out, and I love that. Would be a great subversion of the Disney formula.

Of course after she learns Magnifico and Amaya’s true intentions she gets a lot more agency and the desire to save her people, her “call for adventure” if you will.

But what are Magnifico and Amaya’s true intentions? Click here for part 2 and find out!

Thank You For Reading!

[maid-of-the-golden-deer]

im sorry but "kill the villainess" (story by your april and art by haegi, included those because there wre Many similarly named stories lmao) is what ALL those other bitches THINK they are

the repeating pattern of all the men around her becoming obsessed with her not because of their Real relationship, but what they projected onto her- mirroring the common "heroine picks up 5 dudes nobly obsessed with her" trope in a much more realistic, gross way. the one guy who is Genuinely in love with her is a bit Obsessive with it but it still is genuine a result of her Actions, not whatever he made up in his own head

the way all the named characters, important or not, got a short and sweet (or. very Not sweet. the dressmakers story hit me with such powerful melancholy i had to put my phone down) backstory that explains who they are and why they act a certain way. down even to the "super supportive maid" all these stories have, who usually only get paired off with a spare man if theyre lucky, being revealed to being one of the most integral characters to the narrative

the Hints of lore but All of that lore doubling back to serve a purpose beyond a single relevant arc- maybe its just me but a lot of these generic female oriented fantasy novels love to drop a lot of keysmash-named lore dumps that arent rlly thought out that well. but here, for one example, jareds dragon killing story that helped the eris figure out the rules of causality coming back to be his karmic punishment? gold

and related to that, how they really went into the functionality of the fantasy world, how its real and not- milennia of history and legends and stories and people (awful as 90% of them seem to be lol) doomed to die, with medea dedicating her life to finding way to avert that? finding a new "author" within the story, a side character who before anyone else decided to change their own narrative by giving themselves a new name, changing fate before "eris" ever arrived?

helenas arc not being the now kinda overdone twists of "the perfect heroine from the story is actually a huge BITCH" or "the perfect heroine also transmigrated", but instead a woman who acted ignorant to survive learning that they may help you in the moment, but not forever, and finally Properly standing up for herself at the end

and to tie it all together, the premise itself. "eris" not wanting to just Accept her new life, not having a dramatically terrible life that one would want to escape, just a normal ho hum one with normal trauma and baggage anyone might have. addressing the "realities", as it were, of escapist fantasy- some people probably truly do want a whole new life, but 90% of people would end up desperately, achingly missing what they used to have

tldr kill the villianess feels like it stepped back, saw all the overused tropes of the genre good and bad, and decided it wanted to tackle them and tackle them well

[lulu2992]

Greg Bryk was in episode 25 of Podcast141, co-hosted by Marwen Heni, Mars Lipowski, and Jim Boeven, to talk about his acting career in general, but also and mostly his role as Joseph Seed in Far Cry 5.

Since he’s already shared a lot of anecdotes in interviews and live videos on Instagram, I thought I wouldn’t learn anything new... but I did, so here’s a summary of what he said about his experience playing the Father.

We knew that the dev team (he specifically mentioned Dan Hay and Drew Holmes) had struggled to find the “right” actor for the role, but what I don’t remember ever hearing before is that, after two years of unsuccessful search, the project was almost cancelled for this reason!

Thankfully, that was when Greg Bryk auditioned. He had already said the script they gave him (and that he thought was “amazing”) was what became Joseph’s monologue in the mission “We Must Be Strong”, but he gave more details about what was originally in it. In this early version of his backstory, Joseph was 23 years old and working two jobs to support his family. One night, exhausted, he fell asleep on the couch as his pregnant wife went out to get ice cream. He was then awoken by a knock on the door, told she had been in an accident, and taken to the hospital. The rest of the story is what he says in Far Cry 5: when he arrives, his wife is dead, their premature daughter is “stuffed with tubes”, he hears God’s calling, and understands he has to make this sacrifice.

So he got the role, and when they called him again to record a sermon (my guess is it was this one, but I’m just speculating), he saw what the game looked like and thought everything and everyone was “incredible”. Over time, as they got to know him, they even changed the character and partly rewrote the Father specifically for him.

The team was also very accommodating. For example, the scenes are usually shot in the huge performance capture studio, but for the Heralds’ eulogies, which are much more intimate, they built a small room so he felt like he actually had something around him instead of a big, empty space.

A day before the game came out, the cutscenes were already available online and he watched some of them. He was very impressed by the last eulogy (or, as he calls it, “snot monologue”) in particular because of how “vivid” and “human” it felt. It brought tears to his eyes and he recalls his wife was “blown away”; it was “special”.

As for the fans, he thinks they’ve been very supportive and welcoming. Some have told him they felt heard and seen by Joseph, and he believes it’s because he’s a character who loves people for who they are. At this point, he and the co-hosts agreed that being an actor was a gift because it gives an opportunity to make people’s lives better, especially in video games because there’s a unique connection that doesn’t really exist in movies or TV series.

Marwen Heni mentioned that, while most villains want you to hate them, Joseph, on the contrary, wanted you to reflect and think that he might be right. Greg Bryk admitted that he believed everything he said, especially about family and technology. Sometimes, people are isolated or only have online connections, so having someone tell them, “I see you and I love you for what you are” is powerful. In his opinion, this message resonated with a lot of players because it’s a simple truth and we all want to be part of a family.

Joseph doesn’t control his followers with fear, Marwen Heni commented, but with devotion, and that too makes him compelling. As he was playing Far Cry 5, he started questioning whether or not he (as the Deputy) was right for opposing the Father, which is something Greg Bryk says he saw a lot in comments. He believes there’s “an intimacy to the relationship” between Joseph and the player, a “seduction” in the sense that we all want to belong. He’s humbled by the impact his work had on people.

When asked if he would be open to reprising the role, this time, he answered, “Absolutely”. In fact, and this is news to me, he revealed there were discussions about turning Far Cry into a TV show, and the different games would have been standalone seasons. That said, he added that, at a certain point, it’s necessary to let characters go and that he was grateful for what he had already experienced playing the Father.

Marwen Heni then asked if Joseph, who is very complex, was entirely fictional or if it was Greg talking through him. He answered his characters are always him, to a degree, because he wants to connect with the material so he never lies and can work from things that matter to him. He never judges them and tries to think about what he wants to express through them. He’s interested in their humanity and what motivates them. “We’re all broken,” he said. “Some are much more broken than others, and sometimes those broken pieces are very sharp and jagged, and they lash out.”

He also revealed he had “very specific rituals” to help him become a character and then let them go. He mentioned a few prayers that one of his friends, who is a Wiccan, taught him. In fact, and all the co-hosts agreed, it can be very hard to “disconnect” from a character sometimes because actors aren’t just pretending; they’re using real emotions.

He had already said his son Dempsey had done the mocap for John and Jacob in the Collapse DLC and that he felt carrying Ethan’s body in New Dawn was a way for him to honor his “boy”, his dead dog Lucky, since he deeply regretted that he couldn’t be there to take him to the veterinarian the day he passed. What I didn’t know, however, is that it was Greg himself who had asked if Joseph could carry Ethan, and the team made it happen. He also explained that, when it was time to play this scene, he tried to imagine what it would be like to actually lose his son.

But who is Greg Bryk’s favorite Far Cry villain? Well, when he auditioned and started researching the franchise, he was interested in Vaas because of Michael Mando’s performance. He still doesn’t know him personally but has a friend who worked with him and who spoke about “how electrifying his talent was”. There’s something “unhinged” and “primal” to him as a performer; he’s a “wild” and “special” actor.

Finally, when told he was born to play Joseph, he confessed he felt he was indeed “called” to play this part but wants to give credit to Dan Hay, Drew Holmes, and Jean-Sébastien Décant for creating such a “terrifyingly human” antagonist in the first place.