#I change the characters and what their actual backstory is around a lot

[theshadowrealmitself]

Thinking about: two characters getting sent to an alternate dimension right after their selves in that dimension (who are much older than they are) are killed, so everyone thinks that instead of dying, the event somehow regressed them into their younger selves

Due to how terrifying everyone comes across to them in the new universe, they just go along with it, hoping no one knew their other selves well enough to know that these new people are actually new people and not just younger versions of the people they know

Turns out, in this universe, they’re mortal enemies

In the middle of a space war

This is nowhere close to how their original universe was.

[byanyan]

me two years ago: byan has always been a little bastard. awful nasty child who intentionally used their big doe eyes to manipulate people

me now: byan used to be a soft baby who just wanted love and acceptance, who slowly became hardened and selfish in order to survive when they realized they'd never get what they needed

[otaku553]

Straw hat women redesigns :) I was trying to doodle some of the crew and came to the realization that I just Could Not with Nami so I wanted to play around with it a little bit

Some more design notes below:

Nami’s design actually went a lot smoother for me than Robin’s! I think canon post timeskip Nami is a very low bar. While you can argue that to some extent Nami being vain and seductive is part of her character, I do feel that there are many more integral parts of her character that can be highlighted in her design, namely map making and her combat. Though not one of the stronger straw hats, Nami does seem to be well practiced with her staff outside of its use for weather manipulation, and I think her being a physical combatant, even slightly, can be better reflected with more loose clothing for better mobility.

For her mapmaking, I wanted her to have constant easy access to her tools and to information about the locale, so around her waist she has one large pouch at the back for books and scrolls and maps in progress and one small pouch to the side for writing utensils and measurement tools. As backup she also has 2 pens in her bun, which also act as pins for keeping her hair up if she ever needs to move a lot.

I’m not sure how clearly it shows up in the notes, but Nami’s shoe soles are also made from whatever artificial cloud material makes up the weather island she stayed on during the timeskip, so that it both pads her steps to make them soundless and bounces for better mobility. The shoes are naturally shaped like heels but without the actual heel, since she tends to move around on tiptoes anyways- a nod to her epithet as cat burglar and her past as a thief.

I made her shoulders a bit broader because I think they probably get a lot of exercise with her staff, and changed out the bikini top for a more supportive chest wrap, with a loose tank over it for breathability. The compression socks and sleeve are more stylistic than anything, since I like layers, but they might come in handy for her if she spends extended amounts of time sitting down making maps for the crew.

Robin’s was a bit more difficult for me to figure out, and I might go back and revisit it at some point. For Nami, it was a bit easier to imagine what would pair well with her combat methods and her needs as a mapmaker, but with Robin, she’s an academic who fights almost completely hands off, without a specific weapon to her name. Because her strength lies mostly in her devil fruit, she has a bit more room for style over functionality, but I also still wanted her to have something that made sense with what she was. I don’t really think I succeeded in that regard, but it’s also hard to convey what she does visually— she’s more of like a professor than a field archaeologist I think.

I really really enjoy her cowboy hat but I didn’t think it would match with the rest of the outfit so I switched it out for a wider brimmed hat and kept the orange sunglasses on it, as a nod to the revolutionaries with the combination of headwear and eyewear. She deserves a trench coat. I don’t make the rules. And the rest of the fit mostly came down to things I think I would enjoy wearing, haha

The trench coat is partially a nod to the scholars of ohara, who seem to wear white coats like lab coats in some screenshots of robin’s backstory. I think also the reading glasses help to make her seem a bit more academic, but aren’t prominent enough to leave a strong impression. All in all I do wish robin’s design had more functionality in it but I also think that robin is a character who probably enjoys dressing up nicely like this, especially in the comfort and stability of the straw hats.

[andhumanslovedstories]

chapter eleven of what feels like the most soap opera ass fic I've ever written and then just a bunch of thoughts about writing it, which contains vague spoilers for my plans:

The inception of the fic basically went like this:

haha lol i'd be fun if sqq got real mad at the state of education

what would need to happen in this fic that doesn't happen in canon to motivate him to do something about it

oh shit he didn't unlock OOC so he has to figure out how to be his coddling indulgent self (which he's in denial about) while also being shen jiu

But the thing that really made the story get so much bigger in scope was when I was reading a fic with yqy coming clean to sj, and sj being like, "GASP. I forgive you." And I was "I simply do not believe that this is how it would happen." And I would have moved on with my life, but then I thought, "but like how would it happen." And more importantly, how could this conversation happen within the canon timeline but still involve Shen Jiu, the person this information affects.

The OOC idea and the need for Shen Jiu to be present in this fight scene came together to be like "what if sqq got sj's memories so he could rules-lawyer his characterization more accurately, and ends up being furious on sj's behalf?"

(This, btw, is why I knew I had to get much fonder of YQY and get a much better understanding of his character. When a pillar of your fic idea is a character getting ripped into for his choices, it is sooooooo easy to for it to come off as the author yelling their personal opinions or for it to be completely flat character bashing. Neither are interesting to read or write! Hence the crash-course in YQY appreciation, so now he gets his own emotional arc too. Everyone gets a goddamn plotline.)

Meanwhile I was also thinking about the implications of downloading another person's life into your head. If you have their memories and their body, are you them? What makes you not them? I didn't know! I sort of just kept writing and posting with the assumption that I'd figure something out, which I've finally nailed down btw. That's a relief! Also kinda the fun of WIPs where you're building the railroad track as you're on the train. I end up fanficing my own fanfic. Once stuff is posted, that's the canon, and I look at it and think, "if this was a book I was reading, what is the way I would extrapolate what's there to make a new but coherent story?"

That's why my outline becomes pretty useless after a while. The big picture doesn't change too much--I know roughly where all the major characters are going to be emotionally by the end of the story--but I discover the path I'm going to take there. Which usually means adding stuff. Liu Qingge wasn't going to get a POV, and now every chapter I'm like "fuck am I building a throuple". Ming Fan will have waaaay more a story line than I originally conceived. Early on, I was like "eh I'm not going to go too far into the brothel stuff," and can you guess what is going to be coming up prominently in the next few chapters? God help me.

Actually, there's only one major part of the outline that I cut: Shang Qinghua. He was originally very prominent early on, but turns out having the literal Word of God in a story about slowly discovering backstory is difficult to reconcile. So sadly, he doesn't get a real role. If you're curious, the original plan for him was that SQQ would realize he's a transmigrator much earlier in the canon, but the System would be like [shen jiu would not tell shang qinghua he is a transmigrator. ooc] which would lead to this series of SQQ trying to figure out how he can communicate around this. SQQ at a peak meeting being like, "do you think these DEMONS are PROUD of having made their WAY to us IMMORTALS?" while SQH is like, "AM I HAVING A STROKE?"

What's some other stuff about this fic? I've got a lot of thoughts bottled up, in part because I'm kinda snobby tbh in how I post. I'm like "*pushes glasses up my nose* the author's takes on the story should not be unavoidably present when reading the text" so I don't like to use ao3's author's notes. It's ridiculous and not a standard I hold anyone else too, but whenever I find myself wanting to address something in the notes, I know I must feel insecure about that part of the story. So either fix it or don't draw attention to it. But this is fine, you have to come here for this. This is DVD commentary.

My favorite part of writing this fic has been balancing Shen Jiu's character. As I'm fleshing out his sad backstory, I've been wary of essentially woobifying him. Reducing him to just someone who greatly suffered is so boring and flat. He NEEDS to suck. Or more accurately, he needs to be a very imperfect victim. Exasperating at his mildest, despicable at his worst. (Truthfully, I do think I can and should make him worse. Luckily this story is nothing but flashbacks to him at his worst so there's plenty of opportunities.)

This whole mental breakdown section has been an interesting balancing act because it's explicitly about how bad Shen Jiu's life was and now how bad Shen Qingqiu's is. It's the point at which I had to decide how torturous his time at the Qiu manor had been (me and Shen Qingqiu really discovered that together). On a scale of 1 to 10 with 10 being the absolute worst saddest brutalist ideas I had for this era in his life, I'd say I settled on about a 7. Most of it is backstage in my head, but once I locked that down, I could start figuring out how much was bleeding through.

Anyway, it's been fun writing the angstfest of the last few chapters, but oh my god am I ready for a tone shift. There's usually jokes in my works, even the saddest bits, but jokes relieve tension which is the opposite of what I was going for. I didn't want any humor in the YQY conversation, then you have to keep not joking for a while to get the point across. There's still a lot of planned emotional shit, but I'm happy to not be wallowing for a while.

AND GOD AS MY WITNESS THIS STORY WILL NOT BE LONGER THAN 20 CHAPTERS. MAYBE IT'LL EVEN BE LESS!! IT IS DEFINITELY NOT GOING TO BE A WHOLE CANON REWRITE. PROBABLY!! IF TIANLANG JUN HAS ANY SIGNIFICANT SCREEN TIME, PLEASE KNOW THAT I HAVE FAILED.

[astracora]

Turning Point - Part 1

Characters: Poly!LADs x gn!mc (MC POV/Sylus-centric POV)

Warnings: Lots of hurt/tiny bit of comfort, Injuries, Angst, Loss of Arm, Lots of emotional struggle with disability.

Word Count: 3517

Written: 3rd January 2025

Notes: Pre-relationship with gn!MC with all LADs, with my personal pov of the game and lil headcanons littered in. Unnamed MC, but using my personal MC's basic appearance and adjusted backstory. I take some liberties with what the game offers me. I find Sylus easier to write, but all LADs are present. Don't ask me if I'm working through some stuff... I can't say I'm not. This is Pre-Cat Curse. I'll try to do the more comfort, actual communication part sometime soon.

Now Playing: The Foundations of Decay, by My Chemical Romance

Masterlist AO3

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When you close your eyes it's all you can see. The metal bar through your shoulder. The debris crushing your arm.

You can't feel it anymore.

But you can see it.

You hate Mysts. You hate EVER. You hate that you fucked up and let your guard down. Falling for a trap you're not even sure was for you, or just some fucked up experiment they'd been carrying out with their new toys.

You hate that you woke up changed, you hate that when you'd seen hospital walls you'd expected to see Caleb there like he was throughout your teen years. Or Zayne, clipboard in hand, ready to lecture you on being more careful, on taking care of yourself.

You hate that Jenna sent you home, for the foreseeable future, to recover. To do your stupid physical therapy. To sit at home and stare at yourself in the mirror. Aches and pains and phantoms lurking over your limbs, your shoulder.

You hate having to lock Mephisto out, drawing your curtains. You hate pretending you're not in, whenever Xavier comes knocking. You hate switching off your phone so Rafayel can't contact you.

You hate being this weak, useless creature.

You hate the core in your chest.

You hate what made you like this.

You hate that your instinct is to run away and hide.

A wounded cat in an alleyway, lying down in a corner, hoping the heat of your fur doesn't fade.

Hoping you don't freeze to death where no one thinks to look for you.

You hate that even when you wish someone would find you, only one person ever made sure to look, and he's gone.

You feel like you did when you watched your home disappear into flames, you feel that horrible acrid disgust in your stomach. The feeling that if you could kill what made you feel like this, you'd be alright again. You'd be able to breathe again.

The feeling that dropped you into The Nest with no concern for yourself, just a goal in mind.

The feeling that put you into Sylus' lap, gun in hand, snarling.

You feel like you did when you were told by Dr Noah that there was no cure for what lurked in your heart, that it could kill you, that no one could tell you when.

The feeling that had you abandoning any vision of a future.

The feeling that sat you in front of Caleb, wounds bleeding over his hands, because then you felt something else.

You don't have the name for them, they have been constant companions throughout your life, but you don't even know their names. You're so very tired of them, though. Wishing that they would leave you be, to let something lighter and warmer settle where they once sat.

Choosing your family, however, is often difficult.

The room is dark around you, every curtain drawn, all the lights turned off. Huddling in the corner of your bedroom, blanket wrapped firmly over your body so you can't see. Can't look and see every mottled bruise, every uneven harsh scar, every bloody bandage that you can't bear to change.

The place your arm used to be.

If you look away, if you don't stare at it, if you focus really hard, you can feel it.

You can pretend…

Even if the pain bites at your shoulder.

Even when the medication you can't make yourself take without throwing up, stares at you across the room. Where you'd thrown it in your trembling hand. Limbs so weak, walking aches every step.

You'd fallen to the floor, curled up and stayed.

You think you should be crying, but you can't seem to feel anything other than those old feelings and the pain. Like they're keeping you tethered to this reality. Chains around you, digging into your throat, tearing at soft skin.

Part of you is aware you have to keep moving, if you don't take care of yourself… you'll see Caleb sooner than you should. That he'd be sad that you stopped trying. That moving forwards is important. That there's still good you can do, meaning to be found.

It's the last logical strain of your mind that reminds you people will eventually find you, if you fade to nothing here. That they'll be hurt.

Even worse if it's Tara… Zayne… Xavier… Rafayel… Sylus…

It's only a small voice, easily ignored, in favour of fighting against the chains around your neck. Trying to keep you here, in a world you don't want to be in. In a reality that keeps ripping at you.

So you shrink in on yourself, flinching when you try to tighten a hand you've lost around the soft wool of the blanket, and curl inwards.

It has to get better. Quieter.

It has to.

—-----

Sylus stands outside the apartment door, staring at it. His knocks have gone ignored, his messages unread. Mephisto hasn't been able to even spot a hair on your head. He's not used to not knowing where you are, to not being able to keep track of you. Even if you don't respond, he at least knows if you're safe.

You've made no indication that you don't want him around, ever since that moment you'd rushed across a crossing to demand he never disappear on you, you'd not pushed him away.

He can't think of anything he's done that will have changed that. At least, he's almost sure he hasn't… The idea that he has sinks into his gut, twisting and biting like an agitated snake.

If he's to be devoured by any snake, it needs to be you and your EVOL link.

He's staring at the handle, wondering whether to snap the thing, or break into your security system. There's other hunters in the apartment block, the longer he stands out here the bigger the risk.

Of course, if he's caught breaking in… that would be another thing.

Perhaps if your balcony is unlocked, he can use his EVOL to get to you that way.

Why did he never register himself into your security system before now?

"Oi."

He's surprised that someone could sneak up on him, he's less surprised when he sees the wanted Lemurian standing behind him. Turning, the bright eyed fish is staring, "You here for any particular reason, or are you staring at doors for fun?"

Sylus can read the wariness in his eyes, he knows of your companions, he's got a good database of information about them, this one is the one with the most amount of secrets. Even parts he can't dig up. There's a small flicker of recognition in the fish's eyes as he looks at him, an acknowledgment that means Sylus has been figured out.

Though he doesn't feel a threat from it. There's recognition and then there's being made. Whatever the fish wants, it's nothing to do with him. He wonders if you've talked about him at all.

He wants to test it. "Skye." Hand extended, "I'm looking for the little kitten who lives here."

There's another flicker, and this one he doesn't understand, but it softens the glare a little bit, "Rafayel. So you're that friend of Cuties. I'm here looking for them too." This time his glare turns into a frown, disgruntled, agitated.

There's a lot Sylus can read. The fish, Rafayel, is struggling to balance all the feelings he's drowning with.

"So, have they responded to you at all?"

"No."

The frown on Rafayel's face is familiar, Sylus has seen it in his mirror, after staring at all the unread messages, after finding Mephisto without information yet again.

It's been days, and he knows he can't give you space anymore. While he respects your boundaries, he knows there's always a very real risk you could disappear. It might not always be a conscious choice you make. He doesn't want you dying in an alley alone.

If you're going to die, you're going to die with him, in his arms, with company.

He imagines those around you, feel much the same.

"Me too." This time he does hear the approach. Two sets of footsteps. When he turns, he picks out your hunter partner, and your doctor. The two look frazzled. Like they've run here.

The doctor wipes his forehead, as he looks over at Sylus and Rafayel, he doesn't have the same reaction to him that Rafayel did, but his sharp features are not welcoming. The hunter on the other hand, stops, hand flashing in light, and Sylus gets a jolt of 'danger', before it fades.

Bright blue eyes widen a little bit, and then the hand relaxes, looking at the little crow phone charm dangling from Sylus' phone that sits in his hand. Quiet. Lonely.

"Why are you here?" The edge doesn't leave the hunters voice, but the words are aimed specifically at Sylus.

He lets himself laugh, a huff of air, rather than any real humour, "Now, now Crown Prince. I'm not the enemy. I'm… a friend."

He watches the hand tense, light flickering again, blue sharpening into ice. Ah, Philos. Always did make the most easily tormented creatures.

"Crown Prince?" The doctor turns his head to the hunter, who huffs, turning his head away.

"We have more important things to think about now, don't we?" Sylus offers, somewhat a truce. If he can get to his kitten, he doesn't really care if he has to tolerate the prince. Or the fish… or the doctor with the pretty forest eyes.

There's bigger problems. The door.

The hunter wavers, looking at the door, protective, ready to fight if he has to. Sylus thinks he resembles a knight, more than a prince. Perhaps they all are in some way. Rushing to the door of their reckless little hunter.

"Are you-"

"Friends." Sylus interrupts the doctor, "Skye."

"Rafayel."

The prince stays quiet, introductions clearly done in the past.

The doctor nods, "Zayne, I've heard of you all. Very well." He indicates the files he's holding, "We have returned from the Association. They were injured in the line of duty, they were sent to a specialist, and have since returned and been taken off active duty until they have fully recovered."

Injured.

Taken off active duty.

Sylus tries to take the information in, but he gets distracted by the tense line of the doctor's jaw.

"You're angry."

The doctor blinks, turning his head away a little, "I don't know what you mean."

Rafayel peeks over, head tilted, "I'd be angry too, if as their doctor, cutie didn't come to me."

Ah, he watches Zayne glare at the fish, before he straightens himself out, so that's it. The doctor feels unwanted.

Helpless.

Sylus is familiar with the feeling, even if he hates it. He has to defeat it. He has to make sure this does not happen again.

"Well, best go greet kitten then."

He hears someone mutter, "Kitten?" behind him, but he's buoyed by the information that his kitten isn't just running away from him needlessly. You need help, you need support. You're hurt.

So he reaches over to the security lock on your door, and with his EVOL, crushes it inside out. Pushing the door open.

"Well shit." The fish speaks, "You really are him, huh?"

"The one and only, fish." Sylus shoots back, but doesn't stop. Pushing through the door and entering the apartment.

He makes a note to fix your door as soon as this is over.

It's no surprise Mephisto can't see you, the place is dark. His eyes flicker around the room, he hears the doctor knock into something, and the prince uses his EVOL to give them a floating star to illuminate.

Sylus feels like he should be making notes, these people are the closest people to his kitten, other than the other hunters you're closest to. Every bit of information he has about you, builds that puzzle up, but he notices blood on the floor.

Bandages torn and ripped.

Things knocked off sides, scattered to the floor.

"Cutie?" The fishes voice rises in concern, moving ahead of them, to walk over to the bedroom.

There's a twitch to Sylus' fingers that is unfamiliar. Fear making his EVOL flicker and flare, ready. He thinks it's close to fury.

Whoever did this, he'll find, and he'll make sure they can never do it again.

When they enter the bedroom, you're there. Curled on your side, blanket soaked through with sweat and blood. Eyes flickering around you weakly. Zayne stops walking, picking up a prosthetic from where it's been thrown across the room. Hands shaking as he turns it, then turns his gaze back to you.

Sylus is hard to throw off, he's not used to seeing you hurting. You have often hidden your wounds from him, he's always had to follow you, or chase you down to be there when you need a hand. You push him away if he gives you the choice, when it comes to support. You fiercely lick your own wounds, and pretend you're fine.

He remembers the snarl in your throat when you pressed a gun to his head, demanding absolution and justice for the death of those you cared about.

Despite his aching heart for the way you hissed 'Monster' at him, your fire was always delicious to taste. Even if it scorched his mouth.

You were never this. This small, shivering kitten, huddling further away from him when he steps forwards. A hurt, broken mewl out of your mouth.

The light flicks on, and you cry out, covering yourself fully with the blanket. Struggling in the process.

It gives him a chance to really take everything in, and he wishes the light had stayed off.

A bloody handprint is on the floor, before it drags away, like a claw. There are old bandages, caked in blood and dried up, around you. Medication packets thrown across the room. Your blanket is dirty and the smell indicates you haven't moved, or showered, or done anything but ache and bleed.

He wants to approach you, but the shivering… he looks at the doctor, "Do something." His voice isn't as hard as he wants it to be, it's fragile and… weak, and he doesn't want it to be weak. He needs to be strong, he has to be strong. You need him to be strong.

Zayne doesn't need urging, he approaches you carefully, a hand settles gently on your blanketed form. You jerk away, a dry sob ripping its way out of your misused voice.

"Darling. Come on, let me see."

Rafayel and Xavier hover on the edges. Sylus thinks he might look like them. Unsure, worried, trembling. Fear in their gut.

So this is what love can do, when it hurts.

You always bring new things into his life, he just wishes it was not at your expense.

At your pain.

Sylus grabs the prince's wrist, "Come."

Xavier tenses, but nods stiffly, following him. Rafayel looks at you, as Zayne coaxes you from the blanket to check on you, and though his feet struggle to move, he follows as well.

When he has led them into another room, he begins to pick things up off the floor. "Help me." He doesn't offer anything else, this is too much even for him. He doesn't want to open his feelings up to them, no matter how important they are to you. He needs to do something, though, and until he can get information out of you, he can't deal with who hurt you.

He can't do what he wants to do. Bleed, and rip, and tear, and destroy.

He can't burn whatever touched you.

Sylus is relieved when they follow him, the hunter knows where things are in your home. The fish busies himself with looking through your fridge for anything that past its best by date. He doesn't find anything, so orders from his phone.

They have to eat, he'd muttered to himself.

Sylus has never heard a siren's voice break before.

He wonders if you sound as beautiful when you cry, and let him hear.

The cleaning is methodical, though the scent of your blood doesn't ease away. He has to open a window, to air the place out, before it stops suffocating him. He's irritated by the hunger it incites in his stomach. Like he wants to bury his face into the bloody bandages and taste them.

A feeling of greed and hunger he doesn't seem able to fully get rid of. No matter how much he wants to need you in every other way than this.

When food arrives, Rafayel takes it into the kitchen, easing himself into cooking basic fish soup. The smell replaces the scent of blood, and Sylus can breathe easier.

While the fish and the prince are busy, and the worst of the mess is cleaned. Including broken shards of glass, and smashed photo frames. Sylus walks closer to the bedroom. He wants to just clean up the mess in there, so you can exist, and not see blood everywhere. Instead, he finds you, blanket pulled down, while the doctor wipes blood from around your shoulder.

His feet pause, and he meets your mismatched eyes. Scars ripping through the side of your face.

"Kitten." He exhales, and watches as you flinch, trying to bury yourself back in the blanket. The doctor takes your face in his hands, breathes with you, and soothes the hackles rising.

"It's alright."

"Don't look." You croak out, pleading at Sylus, both of them. Begging them not to see you.

He sighs, and he approaches, kneeling in front of you, hand reaching out to take your one. Soothing the flinch, the hair raising, with a steady pressure of his thumb against your skin. "Now kitten, I always want to look at you. You know that."

Your eyes glisten with tears, before you look back at Zayne, sniffling through the pain, "Hurts."

The doctor nods, "I'll need to resuture some of your wounds, I brought my tools with me, but you will need to go back into the hospital for checkups." When you try to pull away, both he and Zayne keep a handle on you. So you can't escape, so you can't fall back. So you can't stumble.

"You also need to start your therapy, if you avoid it, you will struggle even more."

"No." You snap, biting at the bit. Sylus thinks if you had a dragon's teeth, you'd sharpen them against their flesh. "I don't want it, I don't need it."

"You do need it." The doctor's brow furrows, frustration coming through his face. At himself? At you? At this situation? Sylus' couldn't tell, maybe all of it. "You need to take care of yourself."

They're both surprised when you hiccup, when your sob lets itself out. When you fall forwards. He watches your shoulder flinch, and your hand pulls out of his to cover your face, and you shatter.

Sobbings, breaking, choking on air.

He isn't sure what he's supposed to do, but he doesn't get much time to think. You're pulled forward by the doctor, into both of their arms, due to how close they are. His arm hooks around you, balancing you, so they both can hold you. The smell of blood tickles his nose again, but this time, he buries his nose in your neck. You smell like they've pulled you back from decaying, and it hurts the heart he gave to you so many years ago.

Eventually you settle, breathing again for them, fingers trembling where your hand is trapped between their bodies.

When you pull away, tears have streaked down your face, smearing dirt across your cheeks. Zayne reaches his hand out to wipe away some of it, but he lets out a soft sigh, "We need to get you cleaned up so I can take care of you."

Your eyes downcast, staring at the floor. You look ashamed, and it bites at Sylus' heels, so he presses a kiss against your cheek. Which makes the look morph to shock. "We can get the fish if that helps, I'm sure he'll make sure you don't drown."

The nod is weak, tired and worn, even though he watches your eyes flicker to your wounds, to your shoulder, back to him. Like you're realising it means someone else seeing you.

He wishes you'd see yourself the way he sees you. The way he can tell the doctor sees you. The way he's sure the prince and the fish see you.

It's not enough to tell you, though, you have to learn it yourself. So he stands, stopping momentarily when your hand tightens against his shirt, eyes widening. He watches the scar tissue tug, he watches the hand tremble where its grasping him. So he puts his over it, "I'm not leaving, kitten. When you're clean, when you're stitched back up, we'll talk, and eat. Alright?"

Sylus feels the heat settle around his heart, like your hand is holding it, when you nod. A tiny bit of fire returning to you.

To the tenacious light of your eyes.

[thewertsearch]

TC: all my life i believed at a fuckin paradise to come what held the most baller, darkest of carnivals to join. TC: AND A PROPHECY TC: to tell all about a band of rowdy and capricious minstrels steeped in the good harshwhimsy. TC: THE MIRTHFUL MESSIAHS WERE FORETOLD TO BE CRASHING THAT FUCKING PIE STAND AND BRING THE HOLY RUCKUS. […] TC: I'M TALKING ABOUT THE VAST HONK, YOU BLASPHEMOUS MOTHERFUCKER.

I suppose I have to take Gamzee's cult a lot more seriously now - which means I should probably at least try to figure out what it is they actually believe.

It appears as if their doctrine is centered around some sort of prophecy, concerning a group of legendary figures known as 'mirthful messiahs'. They're fated to release the Vast Honk - and, in doing so, create some sort of Juggalo paradise.

We don't know any lore about the Vast Honk, but its name sets up intentional parallels with Gl'bgolyb's apocalyptic Vast Glub, as well as the Vast Croak, a holy sound emitted by newborn Genesis Frogs. Both of these sounds accompany enormous, galaxy-shaking cosmic events, so the Honk is presumably no different.

Alternia's First Guardian was 'corrupted' by a genome of the same name, presumably changing him from a standard Sburb NPC into the English cultist we all know and tolerate.

Could the Vast Honk be released by someone corrupted in a similar manner? We already know that Jade's Genesis Frog was spliced with some unknown DNA; it's terrifyingly plausible that said DNA was planted by Scratch, Gamzee, or English himself. There's a very real possibility that the Vast Honk will come from the mouth of Jade's frog.

TC: BUT NOW. TC: because of you. TC: BECAUSE OF ALL YOU AND YOUR FUCKING OUTRAGEOUSNESS. TC: you stole up all my miracles away by revealing at me how the wicked shit was really kicked. TC: LIKE SOME FILTHY FUCKING SCIENSTIFF WHO AT OLD TIMES WOULD BE RULED UNFUNNY WITHOUT EVEN GETTING HIS FUCKING TRIAL ON. TC: and now i don't know what to think about the spiritual fantasies i had.

Anyway, Gamzee can’t seem to reconcile his worldview with this pair of alien rappers who seem to cruelly parody his beliefs.

He’s always been dimly aware of his fictional nature, and as his mind begins to clear, it is forced to confront the possibility that this is all his religion ever was. A viral video and a meme.

For once, he doesn't think it's a very funny joke.

TC: I HAVE THE IDEA THAT YOU PUT IN MY PAN TO SIT THERE. TC: that the paradise planet TC: IS A FUCKING JOKE. TC: and the miracles TC: ARE FAKE. TC: pure fiction. TC: FALSE FAKEY FRAUDY CON JOBS FROM A BUNCH OF UNFUNNY NINJA HARLEQUIN BULLSHIT ARTISTS.

It would be remiss of me not to bring up the possibility that ICP are non-trivially involved with Homestuck's plot. I mean, Betty Crocker is now a key figure in multiple characters’ backstories, so fucking anything is possible at this point.

Joseph Bruce and Joseph Utsler could literally be the mirthful messiahs, and I have no idea what that could mean. I might actually have to listen to their albums to understand the comic.

[wishful-thinking64]

Hazbin Hotel & Helluva Boss Rewrite Ideas #01

I truly believe that both shows have a lot of untapped potential that we'll unfortunately never get to see thanks to Viv refusing to take criticism and the fact that her writers are all yes men. However, that doesn't mean I can't give out rewrite ideas like they're candy to those who wish to tap into either show's said potential. With that being said, here are some rewrite ideas that you could use for Hazbin Hotel and Helluva Boss! ______ #01.) Have Mrs. Mayberry become one of the residents of the Hazbin Hotel. I promise you, this one writes itself. #02.) Have Glitz & Glam be Fizz's rival co-workers to parallel his time in the circus when he worked with the Buckzo twins who acted more like a family to him. #03.) Write some new workers for the Hazbin Hotel since they're still severely understaffed. You could make these new employees a Hellborn, a Sinner, an Overlord, or Goetia royalty if you wanted too. The possibilities for this one are endless! #04.) Let Heaven contrast with Hell based on how they operate. For example, in my rewrite for the Hellaverse, Heaven doesn't use currency at all. It quite literally doesn't exist up there. Instead, they use the Bartering System as they view it to be the most fair exchange of goods and services. #05.) Have there be a character who doesn't belong in Hell but got sent there anyway for whatever reason. I'd recommend using Valoris (my take on renaming Vaggie) if you don't mind keeping her as a fallen angel or using her original Sinner backstory however I feel like Amélie (I renamed Emily solely because her name is so common. It's not bad but you can tell that there was barely any thought put into it either.) could work just as well since she'd be a fallen Seraph. #06.) Make Lucifer and Stolas evil as they were originally intended to be before Viv scrapped the idea in favor of something worse. Stolitz is a toxic ship no matter how much damage control and retconning Helluva Boss tries to do and when initially asked about how Lucifer would act later in the series on an old livestream, Viv originally wanted to have his character be on par with that of Willy Wonka so do with that information what you will. #07.) Allow for Charlie's, "Anyone can be redeemed," mentality to constantly be challenged by those around her. Don't be afraid to have her be in the wrong because we all know that not everyone can be redeemed. Some people (Valentino) truly aren't deserving of it and others won't be accepting to change. You can lead a horse to water all you want but the horse has to decide to drink it. #08.) Create a proper foil ship for Fallen Star (I hate using the ship name Chaggie) cause if even Stolitz can have one in the form of Fizzmodeus then Fallen Star should have one too. Most people opt to use Emilute but I'm a damn GuitarSpear shipper so I opted for a crossover ship that has Emily and another character from Helluva Boss instead. Listen, if a rare pair and joke ship like CherriSnake can become canon over a ship like Sir Pentious x Rosie that actually makes sense when you consider they're from similar time periods, then a crossover ship being in my AU rewrite is the least of my problems.

For context, here's a screenshot for one of the HH mockup episodes before Viv and her team decided to scrap it. Like the majority of the HH mockup episodes. ______ Well, that's all I've got for now so happy writing and good luck!

[descendant-of-truth]

That said, I do think that Shadow Generations being such a more carefully cultivated exploration of Shadow's past compared to what the original Generations was for Sonic is... not doing Sonic himself any favors

General audiences are already kind of under the impression that Sonic as a character is fundamentally not that deep or interesting, and Generations was written during a time that really, really wanted to prove that notion right. Sonic "being deep" was what, seemingly, caused so much critical backlash, so to counteract that, they gave us the blandest cutscenes Sonic has ever had the displeasure of being in.

But that's not really what Sega is trying to push for, now. Frontiers wanted to be more serious, with a mature, down-to-earth Sonic. The movies gave him an origin story that inherently makes him a lot more complicated than usual. Prime put the focus on his emotions and gave him a character arc that lasted the whole show. The IDW comics can get extremely serious, and we're treated to Sonic's inner monologue as he wrestles with difficult choices. They clearly want Sonic as a character to be interesting to people, not just a vehicle for action and quips.

But putting the old Sonic Generations in the same package as the new Shadow Generations is inherently portraying them as equivalent experiences. When Sonic explores his past, it's no big deal - just another day on the hero job! Absolutely nothing worth exploring on his end when it comes to meeting his past self and revisiting his memories! Nope! No need to use time travel as a way to explore his core values as a person who prefers to live in the moment and not be bound by his past, no siree!

Oh, but Shadow? Now that's the actually interesting character! Revisiting Shadow's past is such an exciting event that it requires the whole year to hype up, and Sonic's just so boring in comparison, isn't he? Who really cares about Sonic beyond his surface-level characteristics anyway, right? The Sonic Generations remaster is more of an accessory to what's essentially Shadow the Hedgehog 2 at this point, and that bothers me.

Sure, Sonic doesn't have "a backstory" like Shadow does. But the past that we explore in Sonic Generations isn't his literal origins, but all the adventures we went on with him. Imagine how much depth you could wring out of him if you just took those events as being legitimate parts of his life that he has feelings on! Feelings we could explore!

But because it's a remaster instead of a full-blown remake, all of this effort they're putting into Shadow's campaign is nowhere to be seen in Sonic's. Can you imagine how good of a package deal this would be if Sonic's character was given this much care and respect, too? Like, we have two Sonics, but Shadow is getting more than double the favoritism.

And the fact that this is only going to continue to push the idea that Sonic is just. incapable of being interesting, or even really affected by what happens around him is really frustrating. We already have the movies and Prime drastically changing his demeanor and core traits for the sake of making him "able" to have character development, and as much as I love those versions as characters, it's really doing a disservice to who Sonic is supposed to be.

The last thing we need is for Generations to come out again and make the Sonic from the games seem like the least interesting version of him. Bringing Shadow up should not involve dragging Sonic down - they're supposed to be equals. But this game doesn't seem to be showcasing that very well, on account of essentially being two games written by different people haphazardly mashed together.

People being introduced to the series through this game are going to have such a skewed perception of what Sonic is like as a person, as well as what he's like compared to Shadow, and that just. makes me kinda upset not gonna lie

[dr-spectre]

Guess who turned 7 years old?

SPLATOON 2!!!!! Everyone's favourite Splatoon game!!!! Right? Right guys....? We love Splatoon 2 yeah....? It's the best one right.....? Totally not gonna become the middle child of the series that gets overshadowed by the new fresh Splatoon 3 and the nostalgia of the first game right.....?

Okay, jokes aside about if Splatoon 2 is actually good or not. This was the game that actually got me into Splatoon, I knew about the series since it's announcement but I couldn't play the first game because like the rest of general public, I didn't own a wii u. Still don't but I would love to have one to mod. (And play Splatoon 1 online with fan servers...)

I think Splatoon 2 really did bring a lot of cool stuff to the table and it had a lot of quality of life features and interesting weapon, sub and special concepts.

It gave us the dualies!! THE DUALIES! I LOVE THE DUALIES!

It gave us the brellas! Which.... were kinda bad at launch and still are bad till this day....

BUT! I dont wanna talk about weapons because thats BORING! I wanna talk about one of the best things Splatoon 2 gave us...

OFF THE HOOK! PEARL AND MARINA! These girls are some of the most popular characters in the series and for good reason. They are both funny, likeable, charming, witty and have developed backstories by the time Octo Expansion comes around. Plus their chemistry is top-notch and so damn CUTE! It's almost has if they are somehow more than friends and that kind of connection is canon and people who try to deny it are fucking idiots and will never be in a relationship of their own.....

Also Splatoon 2 gave us a pretty solid hero mode at launch, sure it was basically more Splatoon 1 hero mode but hey, the first hero mode was fun so more of the same is fine by me. Plus you get Marie's classic snark too while you go through levels, she's nice company surprisingly. Way better than some old ass crusty dude...

It also gave us....

totally didn't fuck up my mental health this year and last year and caused me chest pain and discomfort until I had to dig and dig AND DIG for knowledge just to salvage it and make sure my favourite character in the fucking series was given the respect she deserves....

....hypno/octo Callie.... totally didn't fuck up this villain arc for her huh Nintendo? Totally didn't throw away the depth you built up (and was shown in concept art) only to try and hastily fix it 2 years later with an obscure relationship chart no one fucking talks about, not even the timeline explainers...

totally didn't use the wrong terminology to describe her situation and made everything so much worse because you wanted a simple black and white story for the kiddies yeah Nintendo? Despite you making stuff grey in the dlc expansion so the both story modes now clash like oil and water theme wise.

And yet you still treat her like dirt. Still using the wrong poorly localised words. If I still gotta repeat to the sky one more time that callie was under hypnosis and not forceful brainwashing I might have a stroke. You can't even fucking brainwash someone with hypnosis because the limitation of hypnosis is that the person under it must be fully comfortable with the suggestion and the suggestion cannot go agaisnt their morals and ideology. AND GUESS WHAT BRAINWASHING IS! FORCING DIFFERENT IDEOLOGIES INTO SOMEONE'S HEAD! DO YOU GET WHY I HAVE AN ISSUE NOW?!?!?! JUST USE THE WORD HYPNOTISED NINTENDO! THATS ALL YOU GOTTA DO!! ILL BE SOOO HAPPY!!!

YOU TOO INKIPEDIA! I CAUGHT YOU USING THE WORD TOO MULTIPLE TIMES! you better change it... just change brainwashed to hypnotised and I would literally kiss you on the lips or something idk... I love you inkipedia but that's all you gotta change okay? Pretty please? With a cherry on top?

ENOUGH OF THAT! I WANNA TALK ABOUT SOMETHING ELSE!!!

Do you know what else Splatoon 2 gave us?

OCTO EXPANSION BABY! I know people love to call this overrated now but I really don't care. It's not overrated, it's perfectly rated. It also gave us PLAYABLE OCTOLINGS! Which was a highly requested thing people really really wanted and they gave us what we asked for! Even though they lacked a lot of customisation options.... still do till this day... (Nintendo is it really that hard to come up with new hair? The community has been doing that for years for you man.)

And of course... the last thing I want to talk about...

This is probably my favourite Splatfest to date. It brought in a lot of actual genuine philosophical discussion on what kind of world is best, a world of chaos? Or a world of order? I chose team chaos because when the youtuber/streamer Etika was still around he chose team chaos and I chose that team because of him... rest in peace...

The shifty station too was phenomenonal as you got to hear Fly Octo Fly and Pearl would come in AND YOU GOT TO USE HER PRINCESS CANON!!!! IT WAS SO FUCKING COOL AHHHH!!!

God Pearl is so cool... i can't believe I actually used to dislike her. I wanna beat up teen me so badly for having such bad takes. Marina is hot sure, but, Pearl is just so fucking funny. Man what was wrong with 13 to 17 year old me....

Anyways, I wanted to ramble about Splatoon 2. It's pretty special to me as it was the reason I am here today, so I can't really criticise it as much as others do. Well... aside from one obvious thing but, I've done that many times.

Also, before I go... NINTENDO!!! BRING BACK SHIFTY STATIONS FOR SPLATOON 4!!! DO IT!!! STOP BEING COWARDS!!!!

[bones-of-a-rabbit]

the babbit masterpost

HELLO welcome to the Babbit's Blog masterpost!!! On this post you'll find some fun facts about yours allegedly (me <33), some ref's for my different 'sona's, and a couple links to my fics and whatnot! Are you ready? No?? Excellent neither am i let's do this

Meet the Babbits!: the self-inserts/personas

the first ref is for my general/most commonly used persona, Babbit! They aren't really an anthro/furry as much as they are a humanoid with the head of a rabbit. I like to think of this one as the 'me' that's in my head- the purest form of my thoughts and feelings, but not the solid real-life me. The second ref is my self-insert persona, Rabbit, the one i picture using most often when i'm reading a fic or imagining a self-insert scenario lol. This one is like the me that people see and meet and speak to in real actual life, if that makes sense. It's the way I come across to people and all of the things I wish I could iron out of my crumpled up real-self <3 The third is a much more specific 'sona, Hazel, who started off as a FNaF:SB animatronic self-insert. She does have a backstory and lore now, which i think makes her more of an OC than a self-insert, but a lot of her is still me and a lot of what she experiences in her backstory is from my life/instills the same feelings that were taken away from things that happened to me, so I think she kinda counts enough to put a ref for her here sdkjfsdhfj (Why the different names?: makes things a little easier, and they hold meaning to me symbolically, I guess!)

Content!: Here's a short list of my various fics that will get updated as I create more! (it was, in reality, not fine.): FNaF Sun/Moon x Reader fanfic, gender neutral, for general audiences, fluff-fest, idiots to lovers "You're the new tech/repairman at the Fazbear Mega Pizzaplex, unfortunately. Your first task? To make the Daycare Attendant into two separate animatronics. It's an amazing opportunity, really, and there is nothing you love more than getting a chance to really work with such tech! The only bad part is that you don't know how to tell anyone that you just might be in over your head. (You are extremely in over your head.)" After Everything Was Fixed (but you were still broken): AU FNaF Sun/Moon x (Animatronic) Reader, gender neutral, read with caution, angst, harm to sentient robots, traumatized main character, hurt/comfort slow burn, romance slow burn "The virus was gone. Everyone was fixed. You had been put back together. It's a time for a new beginning, to do things right this time, to wash away the past and paint a better future. Their memories of the infection had- mercifully- been taken away from them. Yours had not. He doesn't understand why you try to avoid him. Even if you could tell him, you're not sure you would. You want to be his friend, but it's difficult; every time you see him, you remember the hundreds of times he killed you." A fic where you are a repairman-themed STAFFbot, taking place post-virus. In the past, Moon, infected by the virus, took delight in attacking and dismantling the reader during the night. Now, in the present, you find yourself burdened by the memories of the past while everyone around you has no recollection of the events. It gets more complicated as Sun and Moon, both now cleared of the virus, grow curious of you. This fic will follow a series of arcs, presently on arc one. For anyone curious, feel free to send an ask about the arcs in 'After Everything Was Fixed'! The Sun, the Moon, and the Blazing Comet (title subject to change): AU FNaF Sun/Moon/Eclipse x Reader, gender neutral, teen and up audiences, travel/journey, betrayal, hurt/comfort slowburn, reconciling, themes of breaking the mold, found family (TBA) Hold My Broken Hands (title subject to change): AU FNaF Sun/Moon x Reader, gender neutral, mature audiences, dark romance, dark comedy, severe bodily harm, mutilation, murder, obsessive behavior, possessive behavior, lovesick (TBA)

My AU's!: i'm going to make a Babbit-AUs-Masterpost and then put the link here i swear, i just have so many im sorry jdfhsjdfhs (like more than twenty)

Fandoms!: I enjoy, have been in, made or make content for: Pokemon Undertale FNaF Creepypasta (YEAH I KNOW LET ME LIVE OKAY) My Little Pony (I KNOW OKAY LEAVE ME ALONE) Steven Universe Star Trek Warrior Cats i'm sure theres more but i just forgot everything i have ever liked wheeeeeze

Whomst the hell?: HI I'm Rabbit! Or Bones! Or Babbit! Or Avarice/Ava, if you want to go for a more legitimate-sounding name. I'm 24 years old, prefer to use they/them pronouns, and so, so incredibly ace. I've been drawing as long as I've had the ability to hold a pen, writing since I was in grade school, and being a plague to the ones around me since the beginning of time! If you've seen my art, its probably from the absolute mountain of fluffy-wuffy love-dovey (y/n) x Sundrop/Moondrop/Eclipse doodles I've been sharing for several years now sdfjhsdj. If you've heard of my fics, it was probably the one I made just for fun that's now turned into an actual fanfiction that I enjoy writing, the silly-lovey-fluff incarnate (it was, in reality, not fine.) !

Likes n Dislikes!: I'm a sucker for sap, fluff, and lots and lots of love-dovey bullshit! I also like stories about finding oneself and monsters being befriended or loved. I like space, aliens, robots, the odd and strange, injecting humanity into things not human, monsters, creatures, animals, the fae, concepts of spirits and karma and the afterlife, and more! I dislike 'fanservice', most anime tbh LOL it's not personal I just don't enjoy it im srry, FLY BABIES i know they have an actual name but i hate that word too pls just dont i will scream, sexually aggressive/forceful content/characters, being made to feel small, dumb, or trapped,

Other!: I have a pretty high gross-out tolerance! I also have a pretty high 'wow that's messed up huh' tolerance, in that sometimes I will just say stuff that's super grim or dark or messed up and not realize it lmao. I am full of random facts and anecdotes, especially weird or gross ones! sometimes i get on tangents that can go for actual hours so pls forgive that lol

WARNINGS: THIS BLOG MAY FEATURE CONTENT BASED ON/RELATED TO THEMES OF GUILT, CHILDHOOD LOSS, GRIEF, SELF HATRED, DISCONNECTION FROM REALITY/SELF, TRAUMA, AND SEVERE DEPRESSION/ANXIETY. YES I AM GETTING HELP. YES I AM OKAY. THANK YOU FOR YOUR PATIENCE AND UNDERSTANDING.

bonus persona: crybaby

[maid-of-the-golden-deer]

im sorry but "kill the villainess" (story by your april and art by haegi, included those because there wre Many similarly named stories lmao) is what ALL those other bitches THINK they are

the repeating pattern of all the men around her becoming obsessed with her not because of their Real relationship, but what they projected onto her- mirroring the common "heroine picks up 5 dudes nobly obsessed with her" trope in a much more realistic, gross way. the one guy who is Genuinely in love with her is a bit Obsessive with it but it still is genuine a result of her Actions, not whatever he made up in his own head

the way all the named characters, important or not, got a short and sweet (or. very Not sweet. the dressmakers story hit me with such powerful melancholy i had to put my phone down) backstory that explains who they are and why they act a certain way. down even to the "super supportive maid" all these stories have, who usually only get paired off with a spare man if theyre lucky, being revealed to being one of the most integral characters to the narrative

the Hints of lore but All of that lore doubling back to serve a purpose beyond a single relevant arc- maybe its just me but a lot of these generic female oriented fantasy novels love to drop a lot of keysmash-named lore dumps that arent rlly thought out that well. but here, for one example, jareds dragon killing story that helped the eris figure out the rules of causality coming back to be his karmic punishment? gold

and related to that, how they really went into the functionality of the fantasy world, how its real and not- milennia of history and legends and stories and people (awful as 90% of them seem to be lol) doomed to die, with medea dedicating her life to finding way to avert that? finding a new "author" within the story, a side character who before anyone else decided to change their own narrative by giving themselves a new name, changing fate before "eris" ever arrived?

helenas arc not being the now kinda overdone twists of "the perfect heroine from the story is actually a huge BITCH" or "the perfect heroine also transmigrated", but instead a woman who acted ignorant to survive learning that they may help you in the moment, but not forever, and finally Properly standing up for herself at the end

and to tie it all together, the premise itself. "eris" not wanting to just Accept her new life, not having a dramatically terrible life that one would want to escape, just a normal ho hum one with normal trauma and baggage anyone might have. addressing the "realities", as it were, of escapist fantasy- some people probably truly do want a whole new life, but 90% of people would end up desperately, achingly missing what they used to have

tldr kill the villianess feels like it stepped back, saw all the overused tropes of the genre good and bad, and decided it wanted to tackle them and tackle them well

[wisteria-lodge]

What do you think a wizarding wedding would look like, and what do you think Lucius' and Narcissa's specifically looked like?

The book does show us Fleur and Bill's wedding, but that was a wartime shotgun-ish wedding in the peripherals of the story's focus. I'm also not ever sure how much of the details there are things joanne really thought about and decided to include in her representation of a Magical wedding, and how much of it are just modern social customs she might have considered the forever universal default and put in the book.

Narcissa and Lucius also seem to be the rare fictional couple who'd actually enjoy all the pedantry and tradition and specificities in a wedding to me. Seeing as you're writing a fic with them in it, I thought you'd probably already thought about this aspect of worldbuilding/character writing, so I hope you don't mind me asking abt it. Thanks and have a great day!!

Okay, I love this ask, and I'm going to lay it all out, but first I want to lay out my Reasoning.

Here are my rules, when it comes to expanding on/filling in the Harry Potter world building:

ONE: If we’re dealing with any sort of political or social structure, my reference is England, year 1700. 

This does make sense with the backstory we get: the Wizarding World split away from the Muggle world in the late 1600s, wizards live a really long time, and wizards also didn’t need an industrial revolution (because magic filled the place of tech) so they wouldn’t have gotten any of the social changes that happened because of the industrial revolution. 

Also, this particular time period generally fits with what we see on the page. Education, politics, the police force, mental health care - it all seems to work in a very 1700s way. We don’t have any electricity, there’s no industrialization. (Like, Umbridge’s pamphlets are made by hand. I mean obviously they’re made by magic, but an individual’s magic, they’re not assembled in a magical factory.) So when Draco brings up a “museum”...  it makes sense to me that he’s not not thinking of a modern museum with a ticketing department running off grants and public funding, full of typed-out little plaques written by scientists and historians, telling you the provenance of whatever you’re looking at. If we went to a museum in Wizarding World, I would expect the type of museum you saw in 1700: a cabinet of curiosities assembled by one single wealthy collector, arranged in some eccentric way, handwritten labels or no labels at all, very probably in a wing of a private house. That feels correct and in-universe to me. So… whenever someone asks me something like ‘how do taxes work in the Harry Potter universe,’ I take 1700 England as a starting place, and go from there. 

TWO: If we’re dealing with aesthetic details or inventions, I draw from England 1700 - 1880

There isn’t much that’s Victorian in the world building… but there’s plenty in the set dressing. We see lots of 1800s fashion: women wearing hats with birds and flowers on them, men wearing bowler hats and top hats. There are 1800s hedge mazes, most of the holiday decorations are from the late 1800s, we’ve got radios and trains… and I’m completely fine with all that. It seems to me that if you’re a wizard walking through the Muggle world, it’s a lot easier to see someone wearing a cool hat, and say ‘I would like a hat like that’  - versus walking around and picking up the concept of, idk unions. So cameras are okay: they’re 1800s. Note that Rita Skeeter’s photographer Bozo has a magical version of a 1850s camera

while Muggle born Colin Creevey has… a modded 1930s camera? To communicate that he’s got a foot in both worlds. 

My point is, if you saw someone riding a bicycle in Harry Potter, you would assume they brought it in from the Muggle world. Bicycles showed up in England in the 1880s, so that’s slightly too late. It’s important to the feel of the world to keep up a good chunk of separation between the aesthetics of the Wizarding World, and the aesthetics of the muggle world.

THREE: Gender politics/gendered customs basically don’t exist

This is one of the things that makes Harry Potter a J. K. Rowling fantasy world. Obviously, JKR the person has a lot to unpack about gender politics, and there are all kinds of Doylist differences between the way male and female characters are treated in the Harry Potter books. But in universe, there is no Watsonian benefit to being a guy or being a girl in any particular situation. We get gendered bathrooms (although the prefects’ bathroom and the locker rooms seem co-ed), gendered fashions, gendered dorms… and that’s basically it.  

Of course there are some very old and baked in gendered things I doubt JKR even thought about… a woman taking her husband’s last name for instance. (Honestly - I would have loved a posh doubled-barreled name for Draco. Draco Malfoy-Black sounds quite sharp and public schooly.) There’s a thing where Dumbledore mentions that the Blacks prefer it when a guy inherits… but in the same breath, he’s completely convinced Bellatrix is about to inherit, so clearly that isn’t that important.

The only other example I can think of is the way we’re told the unicorns prefer the female students. But, the boys in Professor Grubbly-Plank’s class unanimously think this is bullshit, and I would argue that the framing of the book supports this read. We haven’t seen magic work like this before, so did Professor G-P get it wrong? And/or just doesn’t want to deal with the boys? Presumably this is why we are happy Hagrid is coming back

FOUR: There is basically no organized religion/spirituality in the Wizarding World. 

The narrative does a lot of work to not tell us who the random officiant at Dumbledore's funeral and Bill and Fleur‘s wedding is. Who is he? Who does he represent? How do you find him? How does he have authority to do this? Not important, doesn’t matter, keep moving along. We are definitely in a world where there is a holiday named Christmas… but it’s like the women taking their husband's name thing, that seems too baked into JKR’s worldview to question. But there is no mention of any religious dimension, it’s just presents and feasts and balls. 

If I’m writing something that’s interested in what these guys consider to be the sacred underpinnings of their world (like something focusing on a wedding, for instance…) then I think I would end up expanding on important magical rituals. I’m thinking Fidelius, Unbreakable Vow, sacrificial magic. Not for nothing, but considering how much importance the moment where Severus and Narcissa make an Unbreakable Vow is given by both the narrative and the characters… it feels more like a wedding than the wedding does, and I’m not even a Severus/Narcissa shipper. 

*

So when it comes to weddings… I’ve honestly found it uniquely difficult to research the history there, because a lot of people are very motivated to suggest that every wedding tradition has some deep, meaningful ancient origin - or that it was just kind of always that way. Take the concept of a “best man” and the term “best man" for instance. That starts showing up in the 1780s (so it’s a social custom that doesn’t make my 1700 deadline.) Harry is of course filtering everything through his POV, but if I were writing a wedding thing, I’d want to say that Sirius is filling a different position. Like “godfather” seems a very legally important role in the wizarding society, so lean into that.  Maybe the “best man” equivalent at a wizard wedding is the person who you’ve picked to get custody of your kids if you die. 

We also see things like white wedding dresses and matching bridesmaid dresses being treated as an absolute given at Fleur’s wedding, when both of those things pretty much only exist because Queen Victoria did them in 1840. One interesting thing is that JKR doesn’t seem to do an exchange of rings, and she’s changed up that moment to make it more reminiscent of (I think) a handfasting ceremony? Which is fine, I can work with that. (Also rings are just treated very negatively across the board in the Harry Potter books. No idea why.)

But, in-universe, the Bill/Fleur wedding is really hard to use as a model for what a typical pureblood Wizarding wedding looks like. For all the reasons Anon mentions: It’s war time, it was put together very quickly, Harry is not paying the most attention, we don’t get to see the whole thing. I would also add in the fact that the Weasleys are political radicals, and at that point especially would be very politically motivated to have a wedding that looks more Muggle. 

Okay.  If I were writing a pureblood wedding… like Lucius and Narcissa’s wedding… what would I do.

First, I don’t think I want a typical wedding from the year 1700. I want 1700 does renaissance/medieval. (Kind of Sir Walter Scott.) I like this because it brings in/explains the Merlin thing - the purebloods all use ‘Merlin’ as an oath, so I guess Merlin (and Arthur, and that kind of romanticized middle ages) is important to them culturally. Also, medieval influences are going to make your wedding feel impressive and established… which is exactly what the Malfoys are after. Make sure everyone knows what an old family they are. All these pureblood families have crests, so put them everywhere, front and center. The decorations should be banners and flags with the crests of everyone attending, no florals.

I also love the idea of fossilized fashions, old-fashioned clothes that don’t come out except during a very ceremonial, traditional occasion. (Think of the ways that veils used to be a pretty normal part of a lady's wardrobe, but now you only see them during weddings.) I’d have it so that during a wizard wedding… all the ladies bring out their long, draping, evil enchantress sleeves and the guys are supposed to wear half-capes and swords. It’s also a good excuse to bring out all the really old family jewelry, of which I am sure the Malfoys have buckets.

I also want this to be a very magical wedding. Like, there are parts of it you straight-up could not participate in as muggle, because I think (sadly) that would be the vibe during the timeline of the main books. Weddings are for showing off, and part of that would be showing off your magical prowess. I’m thinking - light the dance floor on fire before the first dance, and then the couple has to perform a Flame Freezing charm. This tradition started as a screw-you to the Muggles after the witch trials… but now everybody just kinda does it because it looks really cool when the newlyweds dance on a bed of flame. Oh, and we’re definitely doing medieval-style palm-touching dances. No waltzing for the first dance at a traditional Malfoy wedding.

And they’ll go all out for the wedding feast, which will be long. The 1700s and middle ages were both really into food that did stuff - food that transformed, or food that looked like other food, or food that had birds flying out of it. So  just lean into that times a million with magic.

I am also such a sucker for slightly sentient magical houses, and Harry Potter absolutely has some of that, with the way Hogwarts (the building) has various ways to fight back against enemies and infiltrators. So I think a Malfoy wedding would definitely be taking place at Malfoy Manor, and that the house itself would be a part of the proceedings in some way. Like it’s got to accept the new family member (we know, from little moments like Umbridge being barred from Dumbledore‘s office… that sometimes magical buildings just reject you.) Integrating a new person into the new space would be a multi-step process. Maybe there’s a ceremony where they present the new person with the family spell books, and another one where they present them with keys to various parts of the house, etc.

You could tie this in with the idea of a bedding ceremony (which also hits my medieval + 1700s markers.) Maybe the house changes in some way when the couple first sleeps together, like it redecorates with the belongings of the person moving in, or grows them a rose garden or observatory so they feel more at home. I bet it’s fun for the guests to stick around and watch this change happen. (A trope like this might be especially fun in an arranged marriage or marriage-law type story.)

I’m thinking this would also be a very long wedding, and the wedding party is probably staying at the house for a week or so beforehand. That’s part of the flex, the family’s ability to adequately pay host to so many people for such a long period of time. Like that’s what a house like Malfoy Manor is for, there’s a reason those places were functionally small hotels. If at the end my old-school pureblood wedding feels like a modern muggle wedding... I don’t think I’ve done my job. A Muggleborn who’s been invited ought to have culture shock.

And yes. It goes without saying that Lucius and Narcissa would have eaten up all this pomp and circumstance, with a spoon.

[lemonlimestar]

i absolutely adore your designs! id love to hear about your process for making characters who look similar in canon have unique and identifiable features!!

tysm :,) i’ve always been really into character design so it’s fun to translate that into characters i love.

as for making similar looking characters look different i drew up a little lineup.

this is gonna be a long one sjhdjsjs

cassie, steph, and mia are all beloved white, blonde, *skinny, teenage girls with roughly the same appearance so i decided to focus in on them.

(*they’re usually portrayed as being muscular/fit but nowhere near in same fashion as their male counterparts)

i wish there was a fancier way to put it, but honestly i just play around with shape language until i get a design i like. i try to lean into motifs/commonalities. (ex: the robins have larger noses to be sort of bird-like, cissie has a heart face to tie into the connection between archery & cupid, the house of el s-curl, cassie’s pigtails are shaped like stars) overall, doing lineups like these are really helpful when trying to make characters look different because it shows you a side-by-side of all the similarities & differences in how i draw the characters.

especially when they interact a lot (ex: wally & roy, kon & tim, cissie & greta) i don’t want them looking like siblings or to repeat the same features between characters who already look similar. unless i’m playing into that (dick & donna <3)

when changing race or body types, i try to factor in the actual character & their backstory. i tend to draw cassie stockier because of her more brawler-like fighting style + her being one of shorter yj kids. but also, i made greta chubby both because i thought it worked well with her shape language and i simply wanted to. the world is my oyster.

as for race, i’m a lot more careful about thinking about how being non-white would affect a character. i have to know a decent amount about a character before hitting them with The Self-Indulgence Beam. making a character black, brown, or asian shouldn’t be slapped on like a sticker without any care put into it. i feel like it’s a well-known point, but it’s worth mentioning especially because i’m black & i make so many characters non-white when i draw them.

back to canon portrayals, they’re some unique features given to them (ex: steph’s freckles aren’t always drawn but they do get featured a few times) so i try to make things like that a permanent physical feature. the curls were simply inspired by some other stephs i’ve seen :) i typically hc that she straightens & crimps them when she’s a teenager but i drew her with them for this example. i got very self-indulgent with my steph design because she’s my girl, but i also tried to keep in mind how she complements the people she interacts with the most (cass, tim, babs).

although i’ve enjoyed what i’ve read with her, i know the least about mia. so, i just gave her features i’d like to see more on teenage characters like acne. i pulled from some panels for the shape of her nose and adjusted the shade of her hair about a million times. i debated on giving her piercings, but ended up going against it because she doesn’t have invulnerability nor a full face mask & she doesn’t have piercings in any of the panels i saw of her.

although i’m not the hugest fan of the reveal of cassie secretly being a demigod rather than just having been given her powers, her being not entirely human gives me a little bit more leeway with her design in my head. hence the stark blonde in her lashes being inspired by fantasy design i enjoy.

one more thing i almost forgot was scars. obviously heroes with no powers would have more visible scars. just with the bats: they all have body scarring but i draw cass with more facial scars because of her history + she’s herself so she wouldn’t bother covering them v.s. tim, who doesn’t have visible facial scars bc he’s Very Particular about appearances, but he has a crooked nose.

scars can be fun to play with as far as trying to remember what happens to certain characters that would leave them scarred (cissie’s scar where the arrow went through her, any scars kon got from literally dying, wally’s or barry’s scarring from their “accidents”) they’re an interesting trait to add & reflects the whole vigilantism thing.

okay i think that’s all the thoughts i have. ik this got kinda rambley but i hope it was helpful 😭

here are some closeups, as a treat <3

[am-i-the-asshole-official]

This is a fandom related thing. I will say that right off the bat, but I needed a few extra opinions on this since it feels like I am alone on this.

AITA for killing off my OC in a group rp?

For some context, I (using the name Snow for myself) joined a group rp with some other people where we would come up with a plot together. Everyone would be using original characters (OCs) It was agreed that the things that happened would be voted on, but people were not allowed to control what other people did with their OCs. It is the whole "my oc, my rules" thing. For those who don't get it, it basically means that since the oc is yours, only you get to decide what happens to them.

To the story. I had plans I wanted to do with my OC. I wrote her to be someone who was secretly working for the villains and was only tricking the others into thinking she was their friend. The only other people who were aware of this were the moderators, and they had approved of it.

What was the problem then you may be wondering? Well the problem was that another member, I'll just call them Star, had said that they had gotten an emotional attachment to my OC. Which I personally found weird, so I typically tried not to be stuck alone with them.

When it came to reveal the plot twist with my oc, Star had a freak out upon finding out. They started crying and complaining that it wasn't right to do that and they could not picture "their" emotional support character doing that. The other members decided to comfort Star. They always sided with Star and acted like they were oh so special. The others were saying that this was all just a joke and that it wasn't actually going to happen. "It is just a joke right, Snow?" they had said.

And I replied with. "No. It's not a joke. My oc has been working with the villains the whole time."

Star's response was to have a meltdown over it, saying that I was out to hurt them and ruin their day. So I ended up getting a message from the moderators asking me to change my OC's backstory as to not upset Star further. They ended up telling Star that it would be changed to just having my OC be mind controlled the whole time.

This was not something I agreed with, but I pretended to play along begrudgingly. I hated that the group decided to treat my OC like she belonged to Star. But I played along and came up with my own idea. There was a plot point that came up in the rp that would have someone die off, so I took it as my opportunity to kill off my own OC. If I wasn't allowed to do what I had planned for her initially, then she wasn't going to stick around anymore.

After I killed her off, Star logged off and vanished for an entire 3 days. All the other members constantly messaged them to try and get a response from her, but they did not answer until they returned. When they logged on, they said that they had to a panic attack over what had happened and felt hurt that I would do that.

I just responded with "my oc, my rules. I quit this group." Then I quickly went through and deleted every little bit of information I had shared about my OC with that group before leaving their discord. After, I got a lot of messages from all the members, about sending the information so that Star could continue playing with my OC since she was their comfort character and it wasn't fair I was doing this to them especially after their panic attack. I said no and blocked everyone who had asked me that.

Sure I feel bad that they had a panic attack, but I felt betrayed that everyone else was willing to bend the rules for them and allow them to control my OC. Even if I no longer use said OC, I still wouldn't let them have her. This is still my property and I stand by the "my oc, my rules" thing.

So AITA for killing off my OC?

What are these acronyms?

[raven-at-the-writing-desk]

im so excited for the new yuu... waiting for them to join the manga yuu family...... is there any traits you'd like them to have? maybe to parallel or completely contrast jamil, since he's the OB boy this time around?

tbh I hope they keep it up w the different body types rep 🙂‍↕️🙂‍↕️ it's nice to see that even if they keep the "pretty average boy/girl" motif (?), they are trying different stuff w them. I hope we have more varied yuus in the future (goes for the anime too !!! I'm curious to see what that yuu is going to be like as well- or if they're just gonna adapt the manga and nor change the yuus, I wouldn't mind that either tbh)

[Referencing this news! More about the mangaka here.]

I don't really have a preference for what traits the new Yuu for the Episode of Scarabia has. I can't really find myself getting invested in the manga Yuus because I know that they won't stick around for very long (and definitely not long enough to have any sort of meaningful character arc). I also think it's disappointing that we get these characters that seem to be intentionally designed to be foils to the OB boys, but we never really get additional interactions between the Yuu and the OB boy that would add more meaning to their relationship or flesh out how that Yuu helps the OB boy change over time. Real missed opportunity there.

Some common ideas I've seen floating around for the Scarabia arc Yuu are:

Princess Jasmine coded (and/or at least femme) Yuu

someone in a servant position but, unlike Jamil, they are not resentful of their role and instead is optimistic about the future

"rags to riches" Yuu

I also know that some people are hoping for a dark-skinned or a Middle Eastern Yuu, but this in of itself is not a character trait so I'm not counting this in the list. Ideally I would like more variety in our Yuus (not just in race or gender, but in other factors like age or occupation) but I don't know how likely it will be that Twst actually commits to it (especially since the latter may change the interactions by a lot). I'm not even sure if they'd step outside of the box for designs/backstories if it doesn't contribute anything to the narrative foils they're trying to set up. Like, I'm pretty sure the manga team didn't decide to make Yuuta (the Yuu for Octavinelle) a large boy for the sake of diversity but rather to show Azul you can still love yourself and be content even if your body is a certain way. (I discuss the manga Yuus and how they contrast with their respective OB boys more here!) I don't see what making the Scarabia Yuu dark-skinned, Middle Eastern, or a different body type does to add to or enhance Jamil's character. It's not like Yuuka (for Savanaclaw) had to be dark-skinned or African to be Leona's foil, or Yuuken (for Heartslabyul) had to be small and British to be Riddle's foil, right? But both Yuuka and Yuuken were physically fit; we had a strong woman (with a scar in her design to match Leona) that played righteously to contrast Leona's underhandedness and a disciplined but kind man to show Riddle you can maintain a level of sternness without being overbearing on your peers. They were given character traits, rather than solely physical traits, which reflect their OB boy. It would be great to have the diversity, yes! Again though, I don't think the mangaka are designing Yuus with diversity in mind, but rather what the design does for the characters of the OB boys.

Finally, in regards to the anime, it has been announced to be an adaptation of the manga. That, presumably, means we will see the manga Yuus of each book's arc animated. Until we get news that states otherwise, I'm assuming this to be the case.

[redfeatheredreptile]

Here's my piece for @creatingblackcharacters' Black History Month Challenge! She's one of my sci-fi story's main OCs, Zola! (That's why she's Afro-Polaran, Polara 5 is her home planet) I had a ton of fun working on this, and I really learned a lot! But, of course, let me know if there's anything I can improve on with how I depicted her.

(copied from the replies)

Ice's question: What do you want to tell your Black viewers, through this character or the effort you put into her?

A: Thank you for asking! I’ve seen this come up repeatedly in my readings on Black women: the general stigma and disapproval around Black girls and women being feminine or girly, especially in a ‘loud’ way— without being sexualized. With Zola I really wanted to show that she loves who she is; fashionable, pink and cute things and all, while still enjoying her Blackness as well, which I tried to show with her hair and her accessories. I would love it if she inspires women (or anyone Black!) to express themselves the way that feels good, whether it’s girly or not.

More info under the cut!

I challenged myself to listen to only Black artists while working on this piece, and to read poems by Black women and find ones I think fit Zola. It's been good to broaden my music horizons. My 'Black Artists' playlist is still growing. Things I learned:

1) Don't blindly color-pick for skin tone, especially dark ones. The ones I got were suuper washed-out. I changed her skin colors maybe 4 or 5 times just to get it right =.=; I'm still learning, so I hope I didn't overcorrect and over-saturate her. I went back and re-read lessons 3 and 4 and that helped me figure out what shade I actually wanted for her. If I were to draw her again, I would change the lighting to something better, too. 2) Black hairstyles are FUN to draw! I've only drawn a few specific ones from reference so far but they really force me to think about the shape and texture of the hair, how light bounces off it, etc. I also like doing curvy lines, detail, and drawing hair in general, so it was a treat. I learned a lot from the lessons on Black hair types and styles, as soon as I learned about twists and looked at the different styles for them I knew it would be Zola's favorite. I need to draw her in a twist-out, next!

3) For writing them, reading Ice's lessons helped a lot too! She's still not had much time yet in the story (she gets introduced later) but it helped me develop what kind of character I actually want her to be. She got more of a sensitive side rather than a generic 'strong woman'TM. She's still very confident and self-assured, but I've planned moments in the story where she doesn't have to be and gets to be emotionally vulnerable. She's also got a larger role in the story that involves her backstory and her family, and not just helping the other members of the 'party'. Hope to flesh her out a lot more as I continue writing!

Misc: Her 'face claim' is technically Mirakela Love, but between making her fatter than the model and my cartoony style I don't think it ended up looking much like her. Still helped to have reference, though. The color scheme for her outfit is meant to evoke the Lesbian flag. She gay and proud. Zola's meant to be both girly and fashionable, but I'm not a super fashionable person, so I just did my best and combined some outfits I liked. Then I added Jinx-style boots for funsies. Do hoops go with the rest of it? I don't know!