#I can see people being mad at this so to be clear THIS IS ALL MY OPINION

[bluejutdae]

Perv!Roommate Jeongin | Jeongin x you

notes: sequel of this. I hate it, but eh. Might delete it in the future..

PervRoomate!Jeongin whose jealousy is slowly making him spiral out of control. Now that he has tasted you, the thought of anyone else getting too close drives him mad. When you go back home and talk about your day, he listens carefully for any male names that come up. Your coworkers, your friends, the guy at the coffee shop who paid for your drink… they’re all threats trying to take you away from him. So he starts to “accidentally” show up in places he knows you’ll be at. “Oh, you come here too?” and “was it tonight that you planned to come see a movie here?”

PervRoomate!Jeongin who, anytime he sees you talking a little too cozy with another guy, jokes saying you’re cheating on him, that you shouldn’t flirt with others. It’s an inconvenience for you, but you can’t deny the shiver that went through you from the possessiveness of his words. He starts manipulating you when you consider making plans. He looks at you like a puppy and convinces you to tell your friends you’re busy, guilt tripping you into staying home with him, because “I just miss spending time with you, jagi. Don’t you care about me?”

PervRoomate!Jeongin who has no remorse when he gaslights you, telling you agreed to watch that movie with him. And no remorse when he lies, pretending to be sick the moment  you’re about to go out with someone. How can you abandon your roommate-slash-fuck buddy when he feels like that? The same night, after he convinces you to sleep in his bed because he feels too cold, he smiles to himself. Once words about you being unavailable spread at work and among your friends, the competition will be destroyed. 

PervRoomate!Jeongin starts to leave marks on your body, where they’re most visible. Hickeys on your neck, a bite mark on your shoulder. It’s his way of marking you, another proof that you’re his and no one else’s. He gets a twisted satisfaction from seeing the marks he left on your skin. And the display of ownership doesn’t bother you too much. It’s just something silly, right? It’s not real ownership.

PervRoomate!Jeongin who plays the victim any time you two argue, and he makes you feel guilty. “I was only looking after you. That skirt was really short. You know how many perverts are on the train, right?” He’s pushy, yes, but he only wants you to be safe, right? Sometimes, after a fight, he seems so hurt by it. “I just care about you so much, can’t you see that?” Of course you can see it. And when he kisses you, you reassure him, you kiss him, and inevitably you spend the evening together in bed. 

PervRoomate!Jeongin always fucks you harder after a fight, more possessive, and more marks litter your body the day after that. A collar of bruises on your neck, a clear sign of STAY AWAY FROM HER, clear to everyone but you. When he has you on your knees, fucking you from behind, with you back pushed against his chest, he whispers “you’re mine. All mine. No one else can have you like I do.” But you never worry, people say all sorts of things while having sex, and you’ve always loved some dirty talk.

PervRoomate!Jeongin that, now that has access to your body, your attention and your underwear drawers, wants more. “If we’re both single by the time we’re thirty, we should get married”. But if things go his way, neither of you will be single…

[darkficsyouneveraskedfor]

Mad Season 2

Warnings: non/dubcon, social anxiety, chronic illness, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Bucky Barnes, Peter Parker

Summary: a class project gets messy. (short!reader)

Note: yes I'm being irresponsible.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

‘So sorry I’m running behind. May forgot her wallet’. You reread Peter’s message for the fifth time and check the time under the bubble. More than forty minutes ago. He has to be close. 

You thought of checking but you don’t want to pressure him. Besides, he is doing a favour by bringing you to Stark Tower to let you use the space with him. You turn and pace along the wall, out of the way of the New York pedestrians who wouldn’t even notice if you got underfoot. 

You thought of waiting in the lobby but that’s too much. You focus on breathing. You feel alright for the moment, but a few times, you’ve reached for your inhaler just out of habit.  

“Hey,” a voice draws you out of your mounting anxiety, bringing you back down to just above neutral. “Door’s open, you know?” 

You face Bucky as he holds open of the many glass doors. 

You nod and teeter on your heels. “I know, sir. Just waiting.” 

“Bucky,” he corrects you. Like last time. Oops. “Waiting on the kid?” You gesture affirmatively again. He waves you over casually with a gloved hand, “come on. I can get ya into the lab.” 

“Mm, ahem,” you clear your throat, it’s getting tight. You get closer as the noise of the street makes it hard to hear your own thoughts. “That’s nice but I said I’d wait here.” 

“Busy,” he comments and his eyes roll around derisively. “Should be out here on the street. Let the kid know you’ll be upstairs.” 

There’s no arguing with him, not that you would ever dare. You’re not afraid of him. Maybe intimidated but who doesn’t make you feel small. No, he’s Bucky Barnes, an Avenger. You have no ground to tell him no. Besides, he’s being nice even if his tone remains mostly indifferent. 

“Thanks, s—Bucky,” you muster a tight-lipped smile. 

He holds the door and you flit in ahead of him, your wool jacket flapping and brushing against him. He follows. You hurry ahead then stop short as you realise you don’t know where you going. As you do, a man in a suit huffs and nearly knocks you over with his arm. 

“Watch it, little girl.” He sneers. 

“Hey,” Bucky catches him by his tie, “what’d you say to the lady?” 

You spin around in shock, rubbing your arm at the suddenness of it all. 

“N-nothing, I--” the man blinks in fear. “Nothing, she just got in my way.” 

“You knocked into her and you can’t say sorry?” Bucky pulls him closer, glaring at him with a furrow of his nose. 

“N-no,” the man shows his palms, “no.” 

“Look at her. She’s half your size, pal. You think she could hurt you?” 

“No, no, look, I’m sorry. I’m sorry!” The man sputters. 

“Not to me,” Bucky slides his hand down the man’s tie and pulls him like a dog on a leash toward you, “her.” 

The man blanches and gulp, “look, miss, I’m sorry. I didn’t see you. I shouldn’t have... I should look where I’m going.” 

“Good boy,” Bucky’s snarl comes close to a smirk as he lets the man go and taps his cheek lightly. “Go.” 

He shoves the man by the shoulder and you bat your eyes dumbly. You watch him go as Bucky looms close. You look at him and reach for your bag. You unzip the pouch at the end of the thin strap and pull out your inhaler. You take a puff. 

His expression softens, “oh, is that me?” 

You shake your head, “too many people.” 

“Ah, right,” he points toward the elevators. 

You follow him as he bulldozes through the bodies and pushes the button. You stop beside him and fidget with your inhaler. You peek over at him again. He looks down at you and you wince. 

“Sorry... I...” 

“People usually only stare when I got the arm out,” he shrugs. “I got something on my face? Damn beard catches.”  

Brushes his fingers over the thicket of hair across his jaw. You shake your head again. 

“S-sorry. I... I...” you sniff as the doors open and he beckons you ahead of him. You scurry on and he follows as a slow pace. He spins and jabs the buttons.  

“Thanks for... for helping.” 

“Not at all,” he says. Silence rises with the elevator. He coughs. “You know, I had a buddy with ashthma. Still my buddy but he don’t got the asthma no more.”  

He snorts. You mull his words. You think know who he means.  

“The stuff or whatever... got rid of it?” You ask meekly. 

“Yeah, the stuff. Serum. Poison,” he scoffs. 

“Oh,” you hum. 

“Guess I take it for granted. Never had to worry about much of the being sick part. Sister did. Yeah, she used to always have something,” he clicks his tongue. “Tell me when to shut up.” 

“No, no, I wouldn’t... wouldn’t ever,” you stutter. 

Another lulls fills the elevator as it opens, but the tension remains trapped inside. He points you out first and waits to trail after you. You come out onto the floor. You vaguely recognise some of the acrylic decor and the stiff looking chairs but you don’t know where to go. 

“Left,” he directs you with a gentle caress down your sleeve. “Easy to get lost when you don’t waste your life here." 

You let him guide you. You’d lose yourself without him. It’s exactly why you’d been out on the street.  

That reminds you of Peter. You reach for your bag again and pull out your phone. You check for a message. 

“Kid standing a nice gal like you up?” He asks. 

You flinch, “uh, no, his aunt... there was an emergency.” 

“More important than you, huh?” He pivots and presses his finger to the keypad. The door opens. 

“I don’t... I don’t know. It’s not a big deal.” 

He looks at you, his eyes narrowing, “you’re not a big deal?” 

“No, waiting isn’t... isn’t that bad,” you stammer. “Uh, thanks, again.” 

“Well, you know, in my day, we treated ladies with respect. Let me know if the kid needs a lesson or two,” he taps the doorframe. “I’ll check in, just in case.” 

“You don’t have to.” 

“I know I don’t,” he says. “Go on,” he nods through the door. 

You don’t hesitate. You enter the lab with another thanks, eager to have some time to yourself. You go to the table and untangle your knapsack. You look back just as the door starts to slide shut. You only get a glimpse of his eyes before he’s blocked out by the metal barrier. You can feel his gaze staining you. 

You know it must be all in your head but he is so intense. Not as angry as last time but still... a lot. 

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[mylambandmartyr]

when you have the time and energy id be very interested to hear why you dislike the punisher (2017)......... because i also dislike it but can never put into words why or even point to a reason. its always "frank's vibes are off" or "the general vibes are off" or "its painfully unfunny" or "it just annoys me". if you have anything more specific or analytical id love to hear it

Where to even start…

Ok. I'm going to be focusing on just the first season where it’s at it’s "best" to be generous, because all of the most egregious issues get so much worse in the second season so it barely counts in my mind.

It’s got all of the trademark Marvel Problems. The cringe dialogue, the convoluted plots, the nationalist propaganda, the aggressive heterosexuality, sacrificing an interesting story in favor of an American-dream-Apple-pie-and-motherhood ass-plot… etc. etc…

I’ll split this up into a miscellaneous laundry list of complaints for structure, so this doesn’t end up turning into a rambling essay.

• Incoherent messaging/Bad politics

First off, It’s US military propaganda, but we all know that. That impacts its ability to tell an authentic, thoughtful story. Propaganda is always full of contradictions and exceptions to its own rules, which exacerbates problems that already riddle corporate media.

The most glaring problem I think most Marvel properties have is lack of a cohesive message and themes. Daredevil suffers from a similar issue, which is as much of a "too many cooks in the kitchen" problem (too many contradicting ideas) for what they wanted as it is with the producers being spineless hacks who were unable to decide what they wanted their story to be.

They wanted to have their cake and eat it too, in a lot of respects. They wanted to tell a story about trauma, vengeance and the brutality of war but they also wanted a All-American Badass Gun Guy to get young people interested in enlisting, so it constantly jettisons back and forth in tone and makes for shitty television.

• Stupid Plot

The conspiracy-thriller plot feels off-base for a Punisher story, and is jarring if you saw season 2 of Daredevil. It doesn’t even feel like it takes place in the same universe (none of it feels cohesive, which as stated is a running problem)

The series begins with Frank "finishing" his mission to eliminate everyone involved with the murders of his family and symbolically burning his Punisher vest. This is beyond stupid for a variety of reasons. From a continuity perspective, a storytelling perspective, a character motivation perspective… it just doesn’t make sense. This means the writers have to scramble to come up with a new conflict, which is absurd to me when they could’ve just… had him keep going.

• General Characterization

You’re entirely correct in that Frank’s character just feels off. Like I said earlier, going into the Punisher fresh off of Daredevil season 2 is jarring, even before I knew anything about the character from the comics. There’s a sense that there’s something missing with Frank’s motivations and it definitely has a lot to do with the aforementioned stupid Government conspiracy A-plot in season 1.

Imo, Jon Bernthal, despite everything, plays Frank pretty well considering the material he’s been given, but there’s still something off. @cabfarewell says that it’s because he plays him too much like a cop, which I think is true. There’s just air of… Bootlicker throughout the whole show that undercuts the fact that Frank, at his core, is a character who gets fucked over by his government, which is vaguely gestured at but never satisfyingly addressed.

• Sexism

It goes without saying that Marvel is dogshit at female characters and the Punisher is no exception.

It’s tragic because Karen Page, Dinah Madani, Sarah and Leo Lieberman (and to some extent Maria) all have potential but are woefully underutilized. It’s very clear that the writers are using stock archetypes as a crutch (Potential Love interest, "Virtuous" Cop, Mother, Daughter, Dead Wife etc…) and never expand on them more, because clearly they do not see them as people, but like I said, this is par for the course for Marvel, nobody’s surprised.

• The Liebermans

Then there’s my beloved Micro.

I adore Micro as a character for a variety of reasons and I think Ebon Moss-Bacharach plays him fantastically, BUT it has to be said that he embodies a lot of antisemitic stereotypes.

The narrative aggressively pushes the audience to view him as an unathletic, cowardly effete intellectual who’s reluctant to get his hands dirty. He’s scheming and not entirely trustworthy, he’s simultaneously hypersexual and impotent. Literally the only way they could’ve made it worse is if they made him a cheapskate with deep-seated mommy issues.

It’s kind of bizarre because there are things David does that directly contradict the stereotypes, he’s clearly very capable, and not a coward, but Frank and other characters insist that they’re true. It’s just bad writing.

They kind of half-ass a suggestion of a character arc, but it ultimately ends with a restoration of the status quo which MAKES NO SENSE for David as a character.

Sarah’s an even worse case, not even getting an arc and barely changing as a result.

Like I said earlier, Sarah is neglected by the narrative which makes a lot of the things she does not entirely make sense taking into account how a real person might respond in her situation. Sarah and her kids are more plot devices than people, which is disappointing, because I feel like giving her more character would have enriched the story a lot. She’s positioned as a mirror to Frank, being also recently widowed and coping poorly, and like most things in this show this is never addressed fully.

[taylor]

still reeling over the fact that almost 2 months ago the guy i was talking to (not dating, but definitely 'seeing') took another girl TO MY AND MY ROOMMATE'S APARTMENT to FUCK HER ON OUR AIR MATTRESS while i was ON VACATION THOUSANDS OF MILES AWAY

honestly. how do i get myself into these situations

[gaytoddhoward]

i kind of need to be like skinned or put into a meat grinder or something . lol .

[thekimspoblog]

Demon trying to feed on my insecurities: "You're a bad driver"

Me: "Of course I am. I hate driving. Going 80 mph surrounded by tons of metal is nerve-wrecking. I try to do it as little as possible. Of course I'm bad at it"

Demon: "You're a bad writer"

Me: "Well that part's simply not true. I never claimed I was the greatest author of my generation, but when I put pen to paper I know what I want to communicate and I usually do it well. If someone isn't impressed with my work, that's unfortunate but they're entitled to their opinion"

Demon: "You're a bad leader"

Me: "Well I don't know about that! I mean there was that one time when... Ok look just because people don't see me as an authority figure doesn't mean... 😠 You know you can be a real asshole, demon!"

[yuridovewing]

Feel like one of the best ways you can convince someone that no, villains with compelling motives that have sad backstories are not terrible writing compared to straight up born evil villains who just want to kill everyone and be done with it, is to tell them that Warrior Cats writes born evil villains constantly while literally preaching “That’s how evil works, you can’t CHANGE, you’re either touched by demons at birth or you aren’t!” and it blows chunks

[sureuncertainty]

that validating but also infuriating moment when i see a post that makes me annoyed and then i go into the notes and it’s like 90% terfs agreeing with it like okay good i’m not crazy this post was bullshit. also i think if a ton of terfs are agreeing with your point then MAYBE you should rethink what you’re saying a little bit

[todayisafridaynight]

INCREDIBLY FUNNY that I refused to settle for just saying "bread" but yes it was those! So in that sense, the lavish bread physics are integral to conveying how important the little things were in getting him through prison. Still, for the sake of the drip…...... perhaps sacrifices are needed...

But yeah, I'm thrilled you noticed those things about the evolution of Jo's design, too! It's super interesting to think about in terms of storytelling, I don't think you're inarticulate in saying that at all. Speaking of, I also just look up "holder" to find prev asks at this point lol

Jo and Ichi's dynamic is also a major topic of interest for me (as we've seen). I think a lot of what's going on with them is definitely some variation of "old habits die hard." That's natural when you form that kind of uneasy coexistence. But like you mentioned, it's also telling that Jo picked up the nickname in the first place, because I went back through the entire script, and it really is the case that only Arakawa, Masato, Jo, and the people who raised Ichi call him that. It's reserved for his family.

I think this line about Aoki (that I completely forgot about before looking at the script again lol) may also shed some light: "A long time ago, I knew him as the young master. He knew me as Ichi." Because they all do that, don't they? Ichi still says Captain, Boss, and Young Master, Jo still says Boss, Ichi, and Young Master, Aoki still says Dad and Ichi.

Even though on paper these relationships should've dissolved with Ichi being expelled, Masato becoming Aoki, and Jo taking over as second patriarch, to one another, they're all still who they used to be. And as an aspect of how they communicate, the "learned language" that forms in families, it stands out when they're all on the same page with the terms they choose to use.

This line from Ichi also stood out to me: "But my aniki taught me different. He said whoever makes the first move is the victor. The guy with steel balls wins." Like, that's clearly Jo, right? For one thing, the "flavor" of aniki is different from Captain, of course--one is directly an appointed post, and one is more open to interpretation--but it also clearly shows that Jo's imparted his "philosophy" to Ichi in some ways.

I think, to a degree, it's one of those holdovers from RGGO that wasn't fully implemented. Because they're more or less the same in RGGO in this regard, but RGGJo does outright say it makes him weirdly happy that Ichi still calls him Captain, so that's a clearer indicator and makes the idea feel more "complete."

With what I said before about their "learned language," too, the Arakawa Family has this way of saying goodbye that's specific to them, and I really miss it in Y7. It is referenced briefly, but it's not a "thing" like it was in RGGO. It's kinda like how The Gang in It's Always Sunny in Philadelphia greet each other with "Hey-ohhh!" LMAO idk but. I Enjoy. But that's also why it stood out to me that LaD8Jo greets Ichi the same way as Y7Jo and RGGJo.

ALSO that is so sick the author of Soliloquy saw your art…… incredible……….. + as an aside since I was reminded, it's very true that sometimes people seem to "fill in the blanks" with tropes, and my favorite is honestly when it's both funny and offensive. There was this whole "phase" (and to everyone's credit it was short-lived) of playing Mine up like this Huge Misogynist because he's not attracted to women, and it's WILD to recognize that he's gay but still pull up homophobic tropes for funsies.

Like I was mad at the time mostly on account of the mischaracterization (because come on, even if you've only seen Y3, he is still uncharacteristically soft with Katase… not that he wasn't INSANE for The Slap, but it also wasn't at all rooted in the same things as say, Nishiki slapping Reina might've been.) But it was funny. Perhaps not in the way it was intended to be, but it was funny. And, you know, that's why I'm happy to stay in my own little corner as well.

You coulda just said bread it's ok 😭 I WAS right though it WAS a carb......

On the subject of language though, it's def something I picked up on (if my last ask wasn't any indication lmao)! It's a real neat detail and something I think helps push that 'family' theme Y7 has going on (or at the very least demonstrates how despite the times changing, they still have those bonds with each other whether they acknowledge it or not), it definitely being a case of picking up a habit/term from family.

About tropes in fan works though, I can't act like I'm guiltless of it LMAO so I don't have too strong of a leg to stand on when it comes to criticizing it (and I can't lie, sometimes I do find playing into the trope funny if it's at least based on something from the text and it's just exaggerated For The Bit yeah). However I do think the strangest thing was linking misogyny and Mine (I made a post rambling about it but deleted it like. .3 seconds later) because nothing he does in either Y3 nor RGGO is explicitly misogynistic? In the slightest? And as we talked about before he's considerably pretty respectful towards women? Again, he surely did slap a little girl, but it wasn't because she was a girl you know (still cringe to do but if we're gonna talk about it let's do it right please and thank you). As you say though, pushing that trope onto Mine just feels like perpetuating the harmful stereotype that gay men hate women, and in cases like that then I can't really take the piss out of it without having a weird taste in my mouth.

[77ngiez]

hey guys do we realize that the main difference betwen how kai and midori developed is that kai was given the chance to learn what normal life and love and family was like by working with chidouins while midori was kept under asunaros thumb all his life. do we realize that just a few changes could have kai acting just as cruel and merciless as midori. do we realize that midori is a victim of asunaro too, and though that doesn't excuse his actions it does make them more tragic. do we realize this or are we all being serious when we say midori is the only character who isn't worth redemption.

[mothocean]

Girl help i am having grievances over my art major final project

[slippery-minghus]

secretly wishing and hoping that during her one on one with the manager tomorrow, Toxic Coworker(TM) realizes maybe this is not the job for her.

that, or she has a freakout about it and calls out for the next several days, leading to her getting let go due to too many absences

[dunmesh]

okay i don't have anything smart to add i just genuinely love that these seemingly trivial jokes are actually an important part of his character. we see it throughout the entire manga, how he pushes aside his own frustration and discomfort to accommodate everyone else's and avoid needless confrontation- another example off the top of my head would be the barometz chapter in which he slowly gets frustrated with izutsumi but still tries his best to talk some sense into her calmly and soundly.

and in contrast, there are very few times he expresses his anger and hurt towards others, and it usually takes a lot for him to finally lose his patience and control.

i mean, even with kabru he tried to be polite despite the circumstances until the guy said the one thing that triggers an immense sense of shame, hurt and rage in laios. and you know, the manga does say it quite clearly early on. when we are introduced to namari and then to shuro, laios acts all friendly and shows his respect and trust in them despite how things ended between them, and everyone else gets frustrated with him for acting so strange- why are you the one who tries so hard to pacify the rest when you should be the angriest?

and they don't understand him. they don't know him well enough to be able to understand, but we as readers get to see during the manga that they aren't wrong to question him- he does, in fact, feel all those ugly emotions. and it's when the winged lion finally confronts him that we see to what extent these feelings he buried so deep go, and suddenly all those funny little moments where he sometimes pretends to be mr nice guy speak volumes about his character. honestly, ryoko kui is a master at using jokes in order to define important character traits and this one doesn't fail to amaze me.

and laios's hatred and rage and deep scars he can't get over aren't shown explicitly during most of these moments i mentioned before, but now you realize there are 26 years of emotional baggage to all of them and they sting. he is angry but he can't say shit, what difference would it make? it won't make his friends choose him instead of themselves when he needed them most, and it won't help his party get any farther. of course, this logic doesn't apply to them- they are absolutely allowed to get angry and it's fine to get mad at him, he can take that.

so after finishing the series it's so clear that he tries his best to avoid clashing with others not just due to the current circumstances and him needing to be a reliable leader but also because he knows that people don't even like him when he tries to show his good sides and hide all the rest, so who the hell would tolerate his rage and despair? who would stay after realizing that he is so deeply flawed he doesn't even like his own being?

but he does get mad. he can't help it, and sometimes it gets out of control and now everyone knows. and it's funny, isn't it? that most of those moments ended up bringing him closer to others. shuro admitting he is envy of him and actually becoming the friend laios thought he was all along, fighting for his sake and waiting for him to come back- believing in him even after he turned into a monster and searching for him the way he couldn't bring himself to do for falin when he learned of what became of her- or kabru being pushed to just let it all out because he couldn't bluff his way out of this one and get to laios any other way, so now they are even. they are both horribly honest with each other and they both choose to stay. a weird way of getting to know each other, but it is what it is.

it's simply... the more laios let himself just be, the deeper his relationships grew. and there's intimacy in being your ugly, weak and furious self around someone and them not leaving you. feeling safe enough to let it be known you are hurt and angry. and he knows that now, too.

[luveline]

would you do a james fainting fic 🙏🙏

—James doesn’t like you, but he’ll come to your rescue. fem, 1.5k The office is hot. 

James dabs at his neck. Out of the corner of his eye, he can see Remus rubbing his eye. 

“You okay?” he asks. 

You look up from the paper on your desk. When you realise he isn’t asking you, you look away, your lips pressing into a tight line. James tries not to show he’s noticed. 

“Fine,” Remus mutters. “Fucked off ‘cos of the portal changing again. I hate these long passwords.” 

“Are you hot or is it just me?” 

You clear your throat. Usually, unless it’s Remus who’s spoken first or James has said something you find ridiculous, you won’t interrupt. “I’m really warm,” you say, “do you think I can open the window?” 

“Like you can reach it, shorts. I’ll do it.” James jumps up from his seat. Whether you’re short or not has nothing to do with it. James is taller, and he holds it against you diligently. 

He rounds your desks. The sun is worse on his skin than the heat alone. He can’t imagine how awful you must feel to have it on the side of your neck all day; in the half minute he stands there opening the window, the heat makes him queasy. 

He tugs the blinds down enough to shield you. It’ll help the entire office, he thinks. Not just you. If you thought he was doing something nice you’d only interrogate his motives until you both turned irate, and that’s the last thing anyone needs today. 

James isn’t sure how you and he ended up not liking one another. He’s never met anybody he didn’t like that wasn’t a massive wanker, and you are but you’re not, not really. When you first started he’d actually thought you were cute, and funny, if a little quiet. It didn’t matter because James is used to quiet people. But one thing turned to another, he’d used your mug without washing it, you’d left him off of the department emails for the quarter, then the snipping started. Constant nitpicking and bickering. You make it too easy, and so what if he likes how you look when you’re mad? It doesn’t hurt anybody to put your mug in the stockroom and your lunch on a different shelf. If anything, he’s keeping you vigilant. 

You don’t look vigilant. You don’t say anything as James sits back down, even though he hits his knee for the hundredth time on his desk. You usually love it. Sometimes when you’re tired he does it on purpose to give you a reason to keep going till 4:30. 

“Are you okay?” James asks finally, eyeing your face. “You look funnier than usual.” 

“I’m fine.” 

“Are you sure?” He should stop being mean. You look like you’re gonna pass out. 

Remus peeks over his computer screen. “You don’t look well,” he says. 

“I’m fine.” You roll your seat back. 

James pushes back at the same time. “Wait a second–”

You’re standing before James can stop you, but he stands up anyways, and he takes your elbow into his hand though he shouldn’t. You give him the most peculiar look, almost like you’re enjoying his touch, just for those two seconds, before your chin dips down and your eyes squeeze closed, and all of you goes slack. 

James grabs you at the precipice of a bad fall. 

You’re still as a doll in his hands. He leans back with a quick sigh, his arm curling over the small of your back and upward. Your legs aren’t holding your weight, and you begin to slip. 

James could keep you up, he doesn’t go to the gym for nothing, but Remus rushes to his aid and pushes your chair back, helping him set you down on the floor. “What do we do?” Remus asks urgently. 

James puts his hand behind your head. You’re slack. When he touches your face, your skin is as hot as the heart of a furnace. 

“Can you get some water?” he asks Remus. 

James is peculiarly calm. He knows you’re just hot, it’s not uncommon for people to faint in high temperatures, and he’s honestly confident in his ability to look after you. It’s very sad to see you unwell, of course, and his heart is beating fast as he takes in your slack mouth. 

“Hey, Y/N,” he says, cupping your cheek gently. He gives your face a little shake, reluctant to be rough with you while you’re vulnerable, even if some force would help. “Hey, can you hear me? You’re okay, can you open your eyes?” 

Nothing. He leans down a touch to listen for your breath, and it’s fine, if a tad fast. 

Remus comes back with a cup of water and Sirius, which is predictable but not super helpful. “Jesus,” Sirius says. “I’ll call an ambulance.” 

“She’ll die of embarrassment,” Remus says. 

“She’s coming around,” James says, patting your cheek, thrilled when your eyelashes twitch. “I think we should go into the break room, is it empty? We can sit her on the sofa.” 

“You don’t think we should do something a bit more drastic?” Sirius asks. 

James feels rather defensive of you. Remus is right, you would die of embarrassment if they called an ambulance, and he’s sure you’re fine. You have to be fine. “She just fainted, it’s so hot in here. Go open a window in the break room and we’ll wait for her to come around.” 

Sirius glares playfully at being told what to do, but he goes, and Remus kneels down beside James with a cup of water. Someone from the front of the office asks if you’re alright, but James misses what they’re saying as you let out a whine. 

All of a sudden, his attention is fully yours. 

“Hey,” he murmurs. 

Your eyes open slowly, lashes heavy like they’re thick with honey. You take in a deep, deep breath through your nose, and you blink, and you turn into his hand where it’s holding your cheek with all the familiarity of a lover. “James,” you mumble. 

His stomach aches. He ignores it. “You okay? Can you look at me properly? I need to make sure you’re fine.” 

“I’m fine,” you say, face pressed to his hand. 

“Just look at me. Just for a second.” 

You pull yourself with clear annoyance from his hand and open your eyes properly. He can pinpoint the moment you realise who he is, how you're touching, and he can’t explain the pang he gets when you rush up and away from his touch. “Oh, fuck,” you mumble, dropping your head, your fingers to your forehead and your thumb covering your eyes. 

“Hey, don’t move around so much.” He continues to be soft. You might have realised who it is that’s trying to look after you, and you might not want him to, but he’ll be damned if he lets your bickering stop him from making sure you’re as okay as he’d claimed to everyone else. “Are you okay?” 

“Did I…” 

“You fainted. Don’t worry, I caught you. Take it easy, okay? Have this.” 

He presses the cup of water into your hand.

Somewhere behind him, Remus has moved away, and is seemingly fending off the masses of people coming to offer assistance. 

You see them looking at you behind him and cover your face. 

James shuffles forward quickly. “Hey, it’s okay. I’m not gonna let anyone see you. I’m saving this embarrassment all for myself. Please drink your water.” 

“Did everybody see me fall?” 

“They saw us engaged in a loving cwtch. It was very romantic.” 

You sip your water. In truth, you don’t look much better for passing out, and James can’t get the feeling of your face out of his hand. He wants to touch you again, his fingers hesitating an inch from your knee. 

“Sorry.” 

“Don’t be,” he says. “You don’t control the weather. Do you?” 

“Of course I don’t.” 

“Then why are you sorry? It was alright. You have nothing to be sorry for, okay? We just want to make sure you’re okay. Sirius wanted to call an ambulance,” —you visibly baulk— “and I told him no, don’t worry. Then all the attention would be on you, and not me for my valiant rescue.” 

“Was I heavy?” you ask, your mumbling nearly friendly. 

“I can bench press two twenty.” 

“That… doesn’t mean anything to me.” 

“You’re nothing I couldn’t handle, shortcake. Do you think you can stand up? I’ll take you into the break room. You can lay down on the sofa.” 

You make a soft sound James won’t soon forget and put your hand out for his help. He doesn’t have to force you. You don’t have to ask. He helps you stand and keeps an arm behind your back, shielding you from the worried and curious gazes of your coworkers. 

You press your cheek to his chest. 

Remus looks at you both like you’ve been body-snatched, but it’s too late to wuss out now.