#I been trying writing again

[sameboot]

Permanently tormented by my desire to share the plot and development and arcs that my oc stories involve except that that would take an insane amount of work and skill that I don’t have. Laying down and dying…………. can u guys look into my brain and see it instead

[idiosyncraticrednebula]

The more "empowered" Disney tries to write their heroines as, the less interesting and charismatic they become, ironically.

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.

[queenharumiura]

2024 Akira Amano 'The Characters' Exhibition bonus 'Selfie-style' cards.

[ID: Official art of multiple characters from the manga and anime Katekyo Hitman Reborn.

They're all drawn as if taking a selfie, most of them smiling and/or doing a peace sign or another playful gesture with their hand.

Reborn, Colonnello, Viper and Fon are in their cursed forms, with Viper pulling their hood down, trying to hide more of their face.

Gokudera waves at us, with "Vongola Famiglia" written on his palm and the Vongola's emblem drawn on it too. Lambo is in his Ten Years Later version, Tsuna's shown both in his normal state and in Hyper Dying Will mode, Basil is in Hyper Dying Will mode too and Chrome's wearing cat ears.

Squalo and Xanxus are scowling. /End ID]

ID courtesy of @hopeswriting.

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[mauraeyk]

RUBY BELL AND JAMES BEAUFORT 1.06 | Maxton Hall

[tobyisave]

the new crystal temp

[varpusvaras]

Jason gets his new ID card on a Thursday.

It's somehow simultaneously completely unremarkable, and also making his head reel. It's not even the first new, official ID card he has had in his hands - he needed one for the licence, after all, so he'd got one then - but it's still new in every way possible.

Jason turns the card around a couple of times, just to make sure that it's real. It is. New and shiny, with his own face looking back at him from the front. His face is also somehow the same old and completely new at the same time. It is very much him, in the picture, but Jason feels like he is looking at his long lost twin brother rather than at himself. His hair is freshly cut, completely black. His skin is tanned more than it has been in years, from spending a lot of time under the California sun during the past few weeks. He is wearing a light blue button-down shirt, one that Jason wouldn't usually never be caught in publicly.

It is him, still.

Jason is pretty sure he shouldn't have gotten neither of his new, official state-issued ID's so fast, or gotten everything else sorted out so quick either, but Roy has his own ways of doing things. This is the one time his previous government-connections came in handy, he had said after Jason had said yes, and then he had kissed Jason on the forehead and told him not to worry about it.

Jason had let Roy take care of it all. Doing things for others is how he shows affection, and Jason had felt that Roy had needed to take care of Jason even more than Jason had needed Roy to take care of him. Not that Jason is complaining about it. He still feels a bit untethered, and most things are taking entirely too much out of him, either physically or mentally, though Jason is not sure which is which most of the time.

Not that it really matters.

He finally turns his eyes away from his picture to what is written on the rest of the card. His birthday is correct, for once, since this is an official card and not a fake one for whatever purpose Jason had needed one over the years. His address is also on the card, and Jason cannot help but feel a sense of elevation for it. It makes him feel a little stupid. It's an address (Roy's address, their address, Jason officially lives there too-), not a new name or anything like that.

Jason is not really sure if he can look at the name on the card and not immediately combust on the spot, if the address is making him feel this way already.

The ring on his finger feels heavy. Jason takes a deep breath and moves his thumb where it had been covering the rest of the text.

Jason Peter Harper.

It's his name.

It's him.

Jason reads it again. Then again. Then again once, twice, three times more.

Jason Peter Harper looks at him from the picture while he does so. Jason's head is really spinning, and he forces it to stop, hard.

It is him.

He is Jason Peter Harper.

He is the man in the picture on the card.

That's him.

The door opens and closes in the hallway. Roy comes up to Jason when Jason doesn't answer to his greeting.

"Everything okay?" He asks, as he gets to Jason's back.

"Yeah", Jason manages to get out from his mouth. "My new card came in."

"Oh, already?" Roy says. "That was fast. Let me see?"

Jason lifts the card up a bit, so Roy can read it over his shoulder. From how close Roy is standing to him, Jason can hear the small, gentle stutter in his breath as he reads the name. It isn't like neither of them had not seen it already, written like that, since it is in other forms they had filled out, but apparently, it is still making Roy feel just as much things as Jason does.

Jason hopes that it never stops doing that for either of them. Or at least, not for a very long time.

He needs something to last.

"Nice name you got there, Harper", Roy says, and Jason swears that he can almost feel Roy's smile on his skin. He then feels Roy's body pressing against him, warm and strong and solid. Roy wraps his arms around Jason, his head dipping down to rest on Jason, and Jason turns to look at Roy's hands and at the mathing golden wedding band he has on his finger.

"You're mine", Roy says against Jason's shoulder. It is what he has been saying, ever since the clerck at the City Hall had put their name on the paper, singing their lives together. You're mine, you're mine, you're mine, and no one can say otherwise.

Jason had needed to hear it.

He still does.

Jason looks up at the card. It's strange, how a little piece of plastic can tell everyone who he is.

Jason breathes in and closes his eyes, just feeling it all.

His name is Jason Peter Harper. He's alive.

His name is Jason Peter Harper, and for the first time since he died, he thinks he can be happy.

[iliothermia]

I'm really struggling with communication right now, so I'm gonna be a bit distant for a bit. I really appreciate the patience n kindness 💗

[themeraldee]

So the gif set of Homelander trying to surprise Stormfront got me thinking: in the same vein, what if you & Homie were in a secret relationship and while working at the tower he finds you and tells you he has a surprise for you…but unlike SF you get all giddy and go along with him, excited and touched that he wanted to surprise you with something sweet. Imagine his dumb little happy face when he sees how happy he made you. The sweet moment between you would then turn into something spicy as you thanked him for being romantic 🥵😈 that is all 😁

I love this!! you know even if she did come with him at first Stormfront would totally not appreciate the gesture as much as all of us would... just saying. But I love how much of a sap he is!!!! If he found someone who would genuinely love him and someone he would respect he'd be such a giddy, romantic cutie.

I totally wanted to write this because I need to see his gestures appreciated!!! However it turned out a little stiff - hopefully you still enjoy my humble attempt at recreating this beautiful image you painted!! (Also I focused on the romance of it so much the smut suddenly felt out of nowhere so have a smut-free fic from me for once, something I didn't think I was capable of 😂)

[Masterlist]

| 1.4k | Homelander x female!Reader | Established Relationship. Fluff.

This meeting couldn’t get any longer. You spend the entire hour taking notes, actually paying attention to what the Marketing team presents so you can implement any changes they request. That part is easy.

What’s not easy is the way you can constantly feel Homelander’s gaze on you, as if he’s undressing you with his eyes. And knowing him, that’s exactly what he’s been doing the entire meeting. Suddenly you’re glad for the matching set you chose to wear under your professional get-up.

Each day that you keep your relationship a secret he pushes the boundary, seeing how much you can take until you crack and just go public with him. Though it’s not as if he’s not been thoroughly enjoying this little secret affair you two have going on. 

Normally it’s a graze of his gloved hand down your side, or he places it on your lower back as he moves past you. Plus he always gives your waist a squeeze anytime he ‘innocently’ manages to get his hands on you. He’s waiting for someone to notice. Not that anyone would dare call him out on anything. So instead he keeps on toeing the line of what’s appropriate for coworkers to see and what would border on sexual harassment, with them not knowing your relationship history. 

You throw him back a few glances as if to say cut it out, but he just sends you a sly smirk. God, he’s insufferable. Strangely, a quality of his you vehemently love. 

The meeting finally concludes and the rest of the attendees slip out of the room. Now that you two are the last ones in he stands behind you, hands gliding up and down your sides. 

“Stop, you’re untucking my blouse.” It’s a weak complaint, your tone coloured with glee at just having his hands on you.

He leans his head forward nuzzling into the juncture of your neck, inhaling the scent of you. Tailored perfectly to his senses as it’s the same perfume he’s gifted you two weeks ago.

“Come with me, I’ve got a surprise for you.” He murmurs into your skin, the heat of his breath and the subtle vibration of his words makes your stomach flip. A surprise?

“Really? I love surprises!” You can’t stop the wide smile that spreads across your lips, pure delight filling you at the thought of him going out of his way to prepare a surprise for you.

“Good. You’re gonna love this one. Come.” He pulls away, instead wrapping his hand around your wrist so he can tug you behind him. As if you wouldn’t follow him anyway. Again, it’s just another one of his little ways to show everyone else a hint of his true claim on you.

Your office is on the same floor as the meeting room so your journey there is quick. He gently urges you in while having you face him and with a click he locks the door behind you both.

Before you even get a chance to say anything he pulls you in for a kiss. Both of his hands on your jaw, cradling you as close as he can. He kisses you like he’s been starving for it. With the way he whimpers into the kiss the one hour may as well have been a year. You’re no less enthusiastic but it always makes your knees weak at how eager he is to kiss you.

Just as you’re pulling away with a giggle, he captures your lips with a few more kisses, peppering them all over. 

“You’re crazy.”

“Mhm, crazy in love maybe.” Unable to resist the redness he kissed into your lips he leans in again. This kiss is less hungry, more focused on showcasing his love for you with a tender touch. 

“If this is the surprise, I am definitely not complaining.” 

“Charming. But not quite.” He gives your body a little spin, facing you towards the desk in your office.

You gasp at the sight of a bursting bouquet of rich red roses already propped up and arranged in a vase. “Oh my god!” Comes out of you in surprise and with a few steps you’re right in front of them eagerly inhaling the fresh scent. Your eyes immediately flicker back up to him. “Thank you, these are so gorgeous!” You’re so excited and overtaken by the sight of the gorgeous blooms you totally miss the little card embedded towards the back of the bouquet.

You pluck it out. Your finger smooths over the nice feel of the paper as you read the note.

The pre-printed text says With Love. But right underneath there’s an added note in a very recognizable handwriting. 

Happy one month anniversary. 

Homelander, xo

If you told anyone how much of a romantic sap Homelander could be, you’re sure they wouldn’t believe you. Yet nothing fills your heart with more fondness than the ways he shows his love for you. Your eyes turn a little glassy as you softly touch where he wrote his name.

Looking up at him you notice just how unlike himself he’s turned. He’s all boyish and bashful while you take in his gift. Clearly pleased it’s having such an effect on you.

You all but run back to him throwing your arms around his neck. “Thank you. That means a lot.”

“Anything for my girl.” He’s smiling just as brightly as you did before, preening at how good of a job he’s done at making you happy. 

“However, that’s not all.” He says with a mischievous raise of his eyebrows as he steps closer to your desk, retrieving a long sleek box from the first drawer. Clearly planted there by him for this exact moment.

“What? Oh no, you shouldn’t have!” You coo at the sweet gesture. He’s every bit the perfect Valentine’s ad and you’re eating it right up. You don’t care for the opulence he brings into your life, albeit it’s a very nice benefit, but you understand it’s the one way he knows how to show his love. So instead of protesting the costs you let him shower you in extravagant gifts. You’re sure at this point that the monetary value of said gifts easily exceeds your life savings. 

He passes you the luxurious box for you to open up and in the meanwhile already he’s pinching the fingertips of his gloves, pulling them off.

You crack the box open, your jaw dropping at the reveal of the bracelet he got for you. It’s not just ridiculously expensive, it’s also personalized. In a cursive font, the back of the gold plate is engraved. With love, Homelander. Just like the card. Part of you wonders which one came first.

Your jaw is still dropped as you sputter in surprise and awe, eyes flickering in between the gift and him. “I have no words. Wow. I mean—for one it’s beautiful!” You’re mesmerized by how the embedded diamonds on the front of the bracelet reflect the artificial light of your office. 

“I’m glad you like it. May I?” He asks but without waiting for an answer he plucks the bracelet from its cushion, discarding the box on your desk.

Nodding you put your arm out, pulling a little at your sleeve to expose your wrist better. With his bare hands he puts the two ends of the bracelet around your wrist. Clasping the dainty chain that holds the slim engraved plate together.

You stare at it in reverence but it’s not the glittering diamonds that have your attention. No. It’s the cold metal pressing against your wrist. His engraved name sits against your skin like a brand. Now you can carry him with you wherever you want. A physical reminder that you’re his. Right against your wrist. You don’t even realize what face you’re pulling. But from the way he’s looking back at you it’s gotta be a good one. The look on his face just tells you that he���d buy the entire store if it meant you’d crack a smile half as bright as the one you’re gracing him with now. 

You let out a stuttered little breath. “I love it. I love you.” You say with such honesty and rawness it catches him off guard. You’re the first person who’s ever been so genuine with their feelings towards him. There’s never been any hidden agenda. You’re not trying to butter him up just to get a favor out of him. You’re as genuine as it gets. A quality of yours he finds invaluable.

He brings your hand to his lips, pressing them against your soft skin. He places a second kiss right next to where the bracelet sits. 

No matter what he knows that for him you wear your heart on your sleeve and now his name on your wrist.

Taglist (you can add yourself to be tagged anytime I publish a new Homelander fic): @infinetlyforgotten @rafecamsgirlll @nervoussystemss @hom3landr @mrsdesade @nommingonfood

[idontcaboose]

Haunted car Au part 15

Previous. Masterpost

“Ok, then “car dude”. What the fuck are you doing and what did you do to Danny?” Red Hood demanded.

Danny wasn't sure to feel threatened by the Red Hood or appreciated over the fact that Jason had gotten the notorious Crime Lord Bat to look for him after only about a day and a half of being a car. He knew the other street kids trusted Jason with their lives, but to ask The Red Hood to find a missing kid was a bit much in his opinion. And while Danny trusted Jason (never with a bet involving stickers and Bat-Items again), he Did Not Trust Hood, especially when in the secret Batcave. He may be kidnapped, but that is better than death by Bats for intruding and finding out secret stuff. Danny was pulled from his thoughts when he felt a rap on the hood of the car.

“Hey, you going to give some form of answer? Or are you actually going to try to play dumb, cause I will take your wheels off.” Hood threatened again.

“Wait, did you just threaten the car equivalent to breaking his legs?” Duke asked, both amused and horrified. “Nope! We are not torturing a car in the Batcave!” Duke proceeded to try to drag Hood away from the Batmobile.

“Ge’ Off Glowstick. I need to know about Danny!-” Hood yelled while shoving Duke away from him, only to be interrupted by the car blasting the word “SAFE!” that sounded like a snip from a baseball game.

“Are you saying that Danny is safe?” Hood clarified.

It took Jason everything he had to not facepalm at the campiest “Ya!” he had ever heard. It reminded him of something from one of those sports themed Disney movies that Dick sometimes makes them watch.

“Ok. Where is Danny?” Hood asked.

Both Duke and Hood heard a sound clip of Ben Kenobi saying “Of course I know him. He’s me.” echo in the cave.

“Danny?” Both vigilantes asked, Duke in confusion and Hood in horror. This was answered with a “correct” dinging noise that was definitely taken from the Riddler.

Next

@kizzer55555 @sebas-nights @candeartist422 @trappednyourheart @fandom-life-corrupted-me @tkiesai @2lbballpeenhammer @admiralwidow @rewrittenwrongs @whotfevenknowsanymore @symmetricalastigmatism

@thespacedragons

@atinygracie @okami-love

@lesbian-spider-drone @1n0sss @forgetmenot-bluepurple

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[flowerakatsuka]

" just know that i'm always here for you, okay? "

i'm finally finishing up my s2 rewatch and getting to the 24th episode awoke a beast in me. so i wanted to make a fake screenshot based on some of their lore that takes place during that episode. i think they'd end up having a heart-to-heart moment since kuroba went through similar struggles after their grandfather's own hospitalization...

also have a bonus doodle bc i need to even out the balance between serious & goofy with these two.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[babyloniastreasure]

something that kind of bothers me about modern feelings toward the epic of gilgamesh is how it's been COMPLETELY watered down to being "gay". Bear with me as I explain.

this is more of an extreme example, but I see this take all the time (not the yaoi part. the gay lover part). it's boiled down to the fact that it's gay over literally anything else in the epic. Gilgamesh's lament to Urshanabi about Enkidu's loss is overshadowed by the fact that Gilgamesh is mourning his gay lover. Gilgamesh is on a journey because he lost his gay lover. Gilgamesh and Enkidu were gay.

Now I understand that with a modern lens, people tend to lock on to how unabashedly Gilgamesh mourns Enkidu, because it's gay and because it's the oldest written epic in human history. People feel deeply connected to the idea that people like them have been around since the dawn of literature. But placing exclusive focus on the nature of the relationship as gay, rather than why the relationship or its loss was important, erases the story the epic is trying to tell.

The Epic of Gilgamesh is a story about love, yes, but it is not a love story. It's about the fear of death, coping with loss, and desperation to stave off the inevitable. It's about the bonds of friendship, about hardship, coming to terms personal change and losing pieces of yourself as you learn and grow. It is about consequences, arrogance, death, second chances, mourning, yearning, loving and LIVING. The Epic of Gilgamesh is about the entire human experience and one man's struggle to accept it. What does it mean to have lived? What does it mean to have loved, and lost? What does it mean to die, and to be remembered? What does it mean to be human?

It is perfectly okay to find appreciation for the Epic because of Gilgamesh and Enkidu's relationship. But also understand that the world's oldest story is not about two gay men who loved each other. It is a story about being alive.

TLDR;