#I am not very consistent with what I post

[worrynoodle]

🥧🍻Contains spoilers for Supernatural ending🍻🥧

I take what I said about the ending back. I've been rewatching and I agree that it wasn't right.

Throughout the entire series, we consistently see Sam and Dean encounter other hunters who usually represent two paths. In this life, you die or go insane ("You either die a hero or you live long enough to become a villain" -The Dark Knight). And of the two options, Sam and Dean seem to have decided that dying is at least better than potentially hurting someone. Neither of them actually believe that because they keep bringing each other back.

But this post is mostly about Dean's ending - death, in the line of duty, by rusty rebar.

During my first watchthrough, I could see - very surface level - that yeah, sure, Dean would want to die that way. Going out saving people, Sammy at his side.

But almost every other time (if not every time) Dean is faced with his own death, he decides he doesn't actually want that. He feels he must. He dies so others can live, that's his job, it's expected. But he would live if he could. When he made the demon deal to get Sam back, he confronts his nightmare self and says he doesn't want to die. He doesn't deserve to die. With the mark of Cain, in the confession booth he tells the priest that he knows he doesn't want to die and that he wants to live and experience life differently.

Dean wants to break away from the expectation that hunters die. Maybe he can't have a "normal" life. But he wants something other than what's expected of him. What God expected of him.

This was supposed to be Team Free Will. This was supposed to be about breaking away from God's Plan. Not dying like the little soldier daddy raised him to be but to become more than that. Break away from the narrative.

In the end, though, Dean is forced to have the death that everyone else planned for him. The self-sacrificing version of himself, other hunters, his dad, God. All the people we as the audience wanted Dean to be free of, to live in spite of - he dies like daddy's blunt little instrument. Cas sacrificed himself to the empty, finding peace in the face of never seeing the love of his existence again, in the face of literal eternal nothingness so that Dean could live and be more than [Dean] thought he could be. He was happy to sacrifice his happiness for Dean's. Just for Dean's life to be cut short the same way Cas died to avoid. (Death because of the work. Death like a soldier in battle.)

All of the times Dean and Sam (and Cas) die and come back to life, all of the people they find who live happily, the family they find together, the love they find, defeating literal God - it all felt like it was building to something more substantial. That they BOTH (*) were going to get something more than they expected - or, rather, resigned themselves to.

And on Sam's end - throughout the show, they show us, surface level and parallel to deans death, that him living a "normal" life without dean is what is expected. He left the life. He left Dad and Dean, went to college, had goals and aspirations, and had a serious girlfriend. His life was laid out for him. Just like death was laid out for Dean. But when push comes to shove, Sam doesn't want to live without Dean. Even when Sam thinks he can do it, like when Dean goes to purgatory, he comes the moment Dean calls and gets back into the life. When Dean dies from the mark, he says so. He was wrong, and he'll do anything to get Dean back. Everybody asks him why he would ever come back when was almost out and he tells them that he actually loves this life. That now he isn't forced into it but chooses it. He doesn't want a life without his brother in it. And that is what he was doomed to suffer. By the end of the series, I don't think Sam would have just let go like that.

Chuck said one brother had to kill the other. In other words, one lives, one dies. And that's what happened.

*I wasnt going to but now I am. Let's talk about Cas too! Through the show Cas dies again and again and again. God hates the disobedient angel with a crack in his chassis who fell in love with a man. God kills him. God wants him out of the picture but he won't go. He can't go. The story falls apart without him in it. Dean falls apart without him. But somehow his death is considered a good ending for him (good story telling wise, externally)? That confessing his love was enough? That dying in place of Dean was where he wanted to be? Sure, he was happy but it came at the price of that very happiness. It was had and taken in a moment. He was destined to die by God and that's what happened. (And we are supposed to believe that Dean just... lives on, cuddlin his dog and eatin' pie like he's not wrecked? That every other time Cas dies he falls apart but this time when Cas dies, they defeat God and true happiness is supposedly possible now - Dean would just give up? That he wouldn't try to get him back? Especially after a love confession? That just doesn't make sense to me.

My theory is that there's more to the ending than we know. That they did intentionally wrap it up there, that you can take it or leave it. But it leaves you wanting, leaves just enough questions unanswered that if they were to do a revival there's things they can do with the story.

Tl:dr: for a show about breaking away from the narrative, choosing free will, and not being held back by expectations, the ending really didn't fit well and let us down. IN MY PERSONAL OPINION

[zvtara-was-never-canon]

I read a post where Zuko is supposedly describing his girlfriend. This corresponds to the episode where he reproaches Mai for certain things she doesn’t have. Here are the points:

Zuko reproaches Mai for not having a passion for anything. This trait is attributed to Katara, who, on the contrary, is very passionate and invested in everything she undertakes.

He also reproaches her for not believing in anything. Again, this contrasts with Katara, who firmly believes in her ideals and her ability to make a difference.

Zuko would like Mai to sometimes be more tense, a bit "crazy," and let her emotions out instead of keeping them all inside. This criticism can be compared to Katara, who, in contrast, expresses herself freely, even if it doesn’t always please Zuko.

At another point, Zuko tells Mai that he likes it when she expresses her emotions. This reminds me of a scene from the episode The Southern Raiders, where Katara reproaches Zuko for his attitude during their conversation in Ba Sing Se, insisting on the importance of communicating emotions.

Finally, Zuko mentions that he’s looking for someone more open, a quality that, once again, is associated with Katara, known for her empathy and open-mindedness.

However, I think the person who wrote this post didn’t quite understand why Zuko likes Mai, and it left me confused. The words given are a bit vague. I understand the parallel, but I don’t quite see how it shows that Zuko would want a girlfriend who embodies those traits. The statements are given somewhat vaguely, without really explaining the context or the dynamic between Katara and Zuko, which makes the interpretation unclear.

And what do you think about it?

The biggest problem with using that scene as a "gotcha" against Maiko is the simple fact it is completely out of context.

Zuko lashed out because he had been trying to be nice to her earlier, with the seashell and ice-cream, Mai made it clear she wasn't impressed, and then a guy that was super into her showed up, making Zuko feel threatened because he grew up with a dad that taught him to believe that he was replaceable and had to fight to prevent it from happening.

So, he keeps confronting Mai on if she likes that guy, even after she repeatedly says she's completely indifferent to him, because he's insecure and afraid of losing her. Mai doesn't like that Zuko is being irrational and paranoid, calls him out on it, and Zuko gets defensive - and when Zuko gets defensive, he says stuff he doesn't mean.

Iroh is trying to make him see there's no way Ozai changed his mind about banishing him? Zuko says Iroh is lazy, shallow and jealous of Ozai. Iroh calls Zuko out for literally robbing people in the Earth Kingdom? Zuko says they have nothing to gain by traveling together and walks out. Iroh refuses to continue giving him advice after Zuko literally caused him to be sent to prison? Zuko calls him crazy and tells him to rot.

There is a clear pattern here, yet it is never used by anyone to argue that this is how Zuko genuinely feels about his uncle/father figure, because there's tons of scenes of them together that prove how much love he has for the man. The same applies to Mai.

He still thinks back on the prank Azula pulled on the two of them because of Mai's crush on him YEARS after they've lost contact. He is super physically affectionate with her (something he had trouble being comfortable with even with Iroh) to the point that they're CONSTANTLY making out in front of other people. He consistently turns to her for emotional support (which she got better at providing). They have dates all the time because they like each other's company. He mentions her as being THE thing he had to sacrifice when changing sides. And again, the whole reason he's jealous on The Beach is because he WANTS Mai as his girlfriend.

Dude literally says the words "You're so beautiful when you hate the world" and smiles like a simp when Sokka refers to her as "That gloomy girl who sighs a lot."

I am not going to take ONE scene in which he's being mean as proof that he secretly hates her when, just like with Iroh, we see enough interactions between them during Zuko's good days to know that he did not mean a word of it - hence him IMMEDIATELY simping for Mai as she tells him to fuck off, then reconciling with her when she says a simple, but completely honest "I care about you" after he opens up about his crisis over his own dubious choices, as she can now see that he wasn't just being a dick for the sake of being a dick, he's just a confused kid trying to cope.

As for Katara, while I'm sure Zuko grew to admire her compassion and drive to help others, that is not enough to argue "she's his true soulmate/his type." EVERYONE in the Gaang is empathetic and passionate, and they all like to have fun. Same for his uncle.

"You're a nice, pleasant person" is not enough to make someone fall in love. Zuko clearly was much closer to Mai (as well as Toph and especially Aang) than he ever was with Katara, obviously liked her more chill personality (which became less and less apathetic as their relationship evolved, and thus they clashed less), was physically attracted to her, missed her when she wasn't around, and actually demonstrated jealously when someone else showed interest in her.

THAT is basis for a relationship, unlike "Ah, you also believe war is terrible? Nice. Good thing I stopped hating you for your race, right? Now we can be friends instead of killing each other!" - which, despite what Zutarians love arguing against, is ALL there is to Zuko and Katara's canon dynamic. They're on the same side, on the same friend group, and they don't hate each other (anymore). Hardly even best friends, let alone "meant to be."

Plus if Zuko was to ever hook up with anyone of the heroes, it'd be Aang and that is just a fact.

[tokidokitokyo]

明けましておめでとうございます。今年も宜しくお願いします。

Happy New Year! Thank you for your continued support this year.

This is the traditional New Year's greeting in Japan (formal). If you'd like to be less formal, you can just say

明けましておめでとう！今年もよろしく！

And with your close friends, to be even less formal (because Japanese people love to say things in shortened format):

あけおめ！ことよろ！

The year is new and I think we're all motivated to study Japanese more than ever. Have you set your goals for the new year already? I haven't yet (that's what this post is for) but I like to wait until the year has turned and then come up with my goals. Usually because I'm continually running around up until the New Year, so I don't have time to sit down and put my goals into writing until the new year has already come.

This year I'd like to set out some general goals, as well as small goals I'd like to make into daily habits (along with the daily habits I already have). This will be a long post, so read as much or as little as you like! 2025 Goals below the cut!

Past Goals from: 2020 | 2021 (no post) | 2022 | 2023 | 2024

Tips for Setting Goals

Some things I've learned from the past 4+ years of setting Japanese language study goals that might help you too:

Be realistic: It's great to say you will memorize 10 kanji a day every day for 365 days, but is it realistic? Will you do it every day for a year? What if you get burned out in February? Will you be able to come back to it in March? I know the extent of my free time and my own ability to be consistent, and I try to be realistic for my own sake. If I make a goal more flexible, like memorize 10 kanji a week instead of daily, it gives me more leeway to take a day off here and there, and to recover from burn out when it happens.

The goals you set are flexible: Rigidly adhering to your goals doesn't help you and it really doesn't make a difference to anyone else but you (I speak from experience). Set goals you think you can accomplish, then change them if they aren't what you need. They aren't set in stone, and they can be changed as often as you want. No one will think anything of you for changing them, and being kind to yourself is a good thing.

Be broad when setting long term goals, but remember why you want to set those goals: "I want to be fluent in Japanese" is a good many-year long-term goal, but how you get there is something that can be made into short-term goals. Do you want to improve the number of vocabulary words you know? Kanji recognition ability? Listening in conversation or anime? Maybe a better long-term goal might be "I want to improve my conversational listening ability in Japanese," and then you can create attainable short-term goals from there.

Goals aren't for everyone: Maybe you don't need goals for 2025? Or to post them publicly? I set goals because I am that kind of person who likes to look back and to track my progress. And I feel like posting publicly holds me accountable (before I go ahead and meet none of my goals). But maybe goal setting isn't for you! If you want to study for the JLPT because of work-related needs or bragging rights, maybe just setting up a study schedule using one or more of the study textbooks for the JLPT is enough. Or if you are just learning Japanese to learn Japanese, maybe just continually watching anime or chatting with people on HelloTalk is enough for you. Do you need goals to motivate you? Keep your goals super realistic. Do you just want to track your progress? Make a spreadsheet or get one of the many tracking apps. Goals aren't for everyone, and in the end they really only matter to you.

Without further ado, my goals...

Daily Goals 2025

In 2024 I had a set of daily habits that I did a very good job of keeping up. Some days it was harder to fit in everything than others, but having a set of daily goals and a small minimum time commitment (10 minutes) helped me to maintain my study momentum, even if sometimes I had less motivation. After all, the key to progress in Japanese is using it every day.

Daily Habits from 2024 (that I'd like to continue)

Study Japanese for at least 10 minutes a day

Read something in Japanese every day

Speak Japanese daily

Listen to/watch something in Japanese every day

New Daily Habits for 2025 (that I'd like to add)

Learn 1 vocabulary word daily

Learn 1 kanji daily

Write one sentence daily

Weekly Goals 2025

I didn't consciously follow a lot of weekly habits in 2024, but I'd like to be more mindful of incorporating certain aspects of study on a weekly basis.

New Weekly Habits for 2025

Study one N3/N2 grammar point weekly

Listen to one podcast weekly

Watch one TV show episode/movie/YouTube video weekly

Write on HelloTalk once a week

2025 Goals

These are my more general goals for the entire year and what I want to accomplish by the end of 2025.

Finish 総まとめ N2 (Sou-matome N2) workbooks: I started these workbooks last year but never got into a routine with them. This year I'd like to complete them.

Read 3 Japanese novels level N3 or N2: I will use Natively to help me to find books that sound interesting and match the level at which I'd like to read.

Work through the 漢字検定ステップ6 (Kanji Kentei level 6) book: I have had this book forever but stopped using it seriously a few years ago.

Read 3 Japanese textbooks from the Libby Japan Foundation LA Library: I found some Japanese textbook study type books for Japanese learners and some for Japanese elementary school students on the Libby Japanese Library (needs a US phone number), and I'd like to read at least three of these.

Consistently watch one Japanese drama: In 2024, I watched the NHK Taiga Drama Hikaru Kimi e (光る君へ) every week, and although they used old Japanese, poetic Japanese, and lots of ancient government-related vocabulary that took me time to pick up, the consistency of watching the drama every week (and knowledge of Murasaki Shikibu's life) helped me to understand the drama without subtitles (JP or EN). I'd like to pick a new drama for 2025 (even if it's not year-long) and keep up with it.

Thanks for sticking with me! I hope your studies in 2025 will be productive and fun! If any of this helped you, great! And if it didn't, that's ok too. Whether you set goals or not, remember to be kind to yourself this year. And if you have set goals, let me know your number 1 goal (I'm actually really interested to see what everyone's goals are!).

素敵な一年になりますように！

Wishing you a wonderful year ahead!

[eva-does-its-best]

can you shut the fuck up youre making all trans guys look bad so fucking annoying. insane that u cant handle any fucking criticism whatsoever lol holy shit. whole ass fucking paragraph. gotta put that evil mean trans woman in her place right. god forbid someone gets frustrated at being consistently shit on by people in her community. im gonna be so real rn and say that as trans guys / tme people we have it so much easier its actually insane (coming from someone whos been thru corrective rape when i was 12 after i came out as a trans guy btw! theres my fucking pound of flesh. jesus.) not even rly trying to convince u but u just piss me the fuck off annoying as fuck

First off: So sorry about what happened to you, my most sincere condolences. It's the only thing I can really give, hope your life gives you enough peace and happyness to allow you to live with such an event.

Second:

You're making all trans guys look bad

I'm not a trans guy, I'm a transmasc, very different, a difference you should if not care about at least keep in mind if you want to respect less binary forms of masculinity. I don't speak as nor speak for trans guys, because I am not one, maybe if you actually read what I write you would know.

Insane that you can't handle any fucking criticism

Criticism where? Let me be absolutely blunt and sincere: All I see in the posts I replied to is tired, scared and hurt people who cope with said feelings by turning their vents into everyone else's problems.

I vent a fucking lot, everyone can see that, but when I vent I am sincere and point the source of my pain, how I feel, why I feel that way, and which people I believe reinforce it. What I don't do is go out of my way to involve people who have nothing to do with it or with how I feel.

Trust me I know how they feel, and the way they are dealing with it is incredibly self-destructive and I want nothing more than for them to get out of that shitty mental state that hurts them so they can feel better and have a slightly better life and emotional responses to the world.

Whole ass fucking paragraph

Yeah, that is how one transmits ideas. Shocking.

Gotta put that evil mean trans woman in her place right

I've replied to a couple posts so I don't know which one you're talking about, but I've no clue about the gender of the people who I replied to, I simply replied to shitty ideas, don't care who's behind them.

Pretty lame that you try to make this a gender war, don't you think?

God forbid someone gets frustrated at being consistently shit on by people in her community

"her" ok so this is you personally defending someone you know, I can tell.

Statement goes both ways don't you think? You think this is just for fun?? Yeah let's start a conflict that is affecting the lives of real people for fun!

We are fucking tired of the mockery, the disrespect, and the extreme policing of transmasc and trans men's language and experiences by people who have no say in them.

Do you care about that too or are you a hypocrite? Because when I reply to people's shit-ass posts I do in fact care about them otherwise I'd ignore em and let em keep hurting themselves.

"Oh but these ones attacked this person" I. Don't. Give. A. Fuck. There are shitheads everywhere, in every opinion and side of any conflict. There are gonna be shitheads who use this as an excuse to attack people of a certain particular gender they already had something against, it is irrelevant to the ideas exposed. Let's not act like there isn't a whole plethora of posts about killing transmasc please, you SHOULD care avout that too.

As transmascs/tme people we have it so much easier

You're free to have an opinion about your own experiences and I have no horse in that race. HOWEVER:

•You're not the only transmasc in the world and your opinion is very clearly not a universal truth, so don't you dare spit on everyone else's experiences by deciding what's true and what's not without counting with them.

• In your dumbass dychotomy of "tma/tme" transmasc are not the only ones put on the "tme" label and the same way I cannot talk about YOUR experiences you have no fucking right to talk about everyone else's experiences specially the ones from other identities and lives that you did not get to be or experience.

•Without dipping my toes in your opinion or your experiences I profoundly disagree with you.

• Lastly, WHO THE FUCK CARES WHO HAS IT WORSE?! WE'RE ALL FUCKING HURT AND BROKEN WE'RE LITERALLY KILLED IN THIS WORLD FOR JUST EXISTING, YOU WANT A COMPETITION??? GO FIGHT FOR TRANS PEOPLE'S RIGHTS TO COMPETE IN SPORTS INSTEAD OF CREATING OPRESSION OLYMPICS. GET YOUR COMFY ASS OUT OF YOUR INTERNET ARMCHAIR AND GO SEE WHAT'S GOING ON IN THE WORLD FFS.

There's my fucking pound of flesh. jesus.

Again so sorry you had to go through that, but you realize the whole point of this is to be able to have words for those specific forms of opression and awful events right?? To have experiences like that respected and treated with the seriousness they deserve right??? That is what we want.

You experienced transandrophobia, and the people you're defending right now don't want you to have a word for it, or allow only words picked by them as if they had any right to speak for you. Respect yourself more, man.

Not even rly trying to convince u but u just piss me the fuck off annoying as fuck

Hey at least you're honest, good. I don't give a fuck though, if you wanna keep hating me I have good news for you: I don't plan to ever shut the fuck up, enjoy.

The one person you hate is not me anyway, that is plain obvious... but that's a you thing to try and work on.

Sayonara dude👋🏻

[utilitycaster]

I can’t help but feel that the people who are complaining about the people criticizing this campaign are the types that are going to be pissed if BH does just kill Predathos and lets the gods live, especially if that comes at the cost of some supposed deserved happy ending for their faves. And what’s maybe ironic is that I feel that an ending in which BH choses to save the gods, the campaign does rise a bit in my esteem, and might in the eyes of some other critics as well, as it would, i dunno, maybe play into these themes of forgiveness and love and overcoming resentment that keep being used as a defense of this campaign and these characters? 

Anyway, godspeed on the quest to find good faith arguments on why this campaign is excellent. would genuinely like to see one.

Oh definitely. Like...look. I hope I conveyed the point of "I don't particularly think either of us are approaching this with a deep respect for the other, but we can at least make a polite fiction of good faith that, if you actually can come up with an argument that assumes that, I will accept in genuine good faith" and so in that interest I'm trying to scale back on attacking people. But also...I've been down this road before. When people complained about how bad Campaign 2 was, firstly, it specifically took hold either right after a ship competing with theirs became canon or at least was strongly hinted towards; or was in response to Molly not coming back; and secondly a lot of this happened after they'd been effusive in their praise for the campaign up until that point. Whereas for Campaign 3 you can, if you actually wished to do the research, go to my blog or most of my mutuals' blogs and do an archive dig and trace the optimism and excitement turning into skepticism turning into "yeah, this ain't it chief" with fairly consistent complaints (poor pacing, plot-character mismatches, indecision, failure of the characters to ever really challenge each other meaningfully in a way that leads to growth) throughout, coupled with, if I am being honest, a massive deal of grace and patience and "maybe this is the course correction" that was not always earned. Dorym becoming canon did not shift this among the many people who like Dorym and also think the campaign isn't very good, myself included, so I don't really think it's shipping wank that's the problem. I'm not inclined to respect arguments that either, 118 episodes into a campaign that's very close to its end, demand I consider its ~potential~. I have. It has, for the most part, failed to deliver over the course of those 118 episodes.

If a common complaint within the fandom of people who have watched hundreds of hours of this story is "it's unclear what story it is telling and the party is aimless" and small pockets and echo chambers are like NO YOU DON'T GET IT...I don't want to say its impossible for this to happen and that the majority is automatically correct, but were I an outside observer I know where I'd place money in a bet.

And yes, I agree. I think a lot of of the people defending it are either, to be very blunt, in a sunk cost fallacy situation/dedicated to a certain level of contrarianism more so than having their own opinions that exist independent of the fandom; or believe it will give them a happy ending for their faves or validate their belief the gods should die or they just want Exandria to burn at this point for whatever reason. I don't feel it's actually something that follows from the narrative, which, as this post so aptly puts, is just kind of sailing towards the rocks while the crew sort of bickers and doesn't do anything. It feels like the most satisfying endings possible are either achieving what the gods couldn't and destroying this existential threat for once and for all (in which case the gods survive, and hey, they actually did take a third option that no one was really talking about, the indecision was still boring as fuck but at least there's a scrap of payoff), or tragedy befalling them (loss of party members, killing a large swath of Exandria) as a consequence. And neither of those are what they want, which is like. the abstract concept of change and the less abstract and deeply unflattering concept of killing everyone who didn't give you what you wanted.

It is in fact unsurprising that the arguments in the fandom are the way they are. Wow I wonder why people who think "I asked this person for something and they didn't answer so I think letting loose an endless hunger entity to eat them" is a good and noble thing to do can't handle the idea that existing in the world means you and things you like will receive criticism, and other people won't just do what you want if you whine loudly enough.

[dykedvonte]

Hi, I am sorry if someone already asked you this and I completely missed it, but why do you think Anya asked for Jimmy’s help to feed Curly his pills? Swansea and Daisuke were still high-functioning and available when she asked for help. I am having a hard time understanding her thought process about leaving his patient at the mercy of her rapist, someone she was afraid so much that she felt the need to hide gun. Not to mention, she hid that gun under a secret drawer of Curly’s med bay bed too. If I was Anya, I would be scared of the possibility of Jimmy accidentally finding the gun the most. Yet she still took that risk.

We know that it shows how Jimmy can force things to people without their consent, but this is a very meta reasoning, and it says nothing about Anya’s thought process imho. I don’t think Anya was quietly and secretly taking revenge on Curly either. I interpret it as mix of wishful thinking and submission born out of fear due to Jimmy’s new captain status, but I am curious about your analysis as a psych major.

I personally think with the gun, Anya was not concerned about him finding it or looking for in medical. He doesn't know she specifically hid the gun and of all the places he'd look he wouldn't assume she'd keep it in medical, mainly cause he likely believed Curly preemptively hid it instead. Part of the reason I think he committed to crashing the ship is his belief Curly was no longer in his corner in a major way, confronting him about Anya finally proves as much to him but perhaps believing Curly hid the gun, believing that Curly thinks he's dangerous, and that he's screwed at all front at that point.

Anya probably assumed he'd never look under Curly post-crash and she was right in that assumption despite how risky. To be honest, we can take her trying to relieve him of the dealing with Curly is tied to her getting more panicked by the idea of him finding the more he lingers in medical.

I have talked about why she would even ask Jimmy in the first place and honestly I can chalk up the first time he feeds Curly to Anya wanting to get away from him, since he is demeaning and pointed to her the entire conversation since the other times she is comfortable and even implies she's been taking care of Curly herself between the segments Jimmy does it. It's been picked up by some other people but Anya is likely just giving him the tasks because he needs something to do to feel useful and feel fulfilled in the now worthless role as "Captain". I don't think she assumed he'd be so violent with Curly and even if she noticed what is she supposed to say that won't make Jimmy take it out on her or Curly more?

I have to say Anya is consistently concerned in the game with protecting herself and keeping herself safe. I don't think in the moment that she was 100% concerned about Curly being harmed compared to herself. It sounds selfish but its just a basic fear response. She fawns and tries to make Jimmy feel important even tho he's not because it keeps her safe. Making it seem like too much for her or letting him do it after he is aggressive with her or after the likely heavy/nerve-wracking convo with Swansea are all things were she just doesn't want him around anymore. Even if it would be better for Curly for her to stand ground and insist to do it, there is the likely going to be at cost of her mental security and even physical safety when it comes to Jimmy.

[deskatt]

It's a sickness at this point

[sysig]

How far did you get? (Patreon)

[turtletoria]

beardleitner revival

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[twisting-in-wonderland]

if there was an autobiography based on any of the twst characters lives, which one would you be the most interested in hearing?

I'm torn between two--

but in the end. DEFINITELY Rook's--

He'd write so much irrelevant detail, and in the end you'd know so much, yet so little about his life,,

plus- hear me out-

there's 70 parts in total

(second place was Lilia, since that guy's been through a LOT ( i mainly want to hear about the places he's been to and the food he's had tbh--- (if lilia did try and release his autobiography, it'd probably be a multi-part too- most people would think it was a fantasy story instead of an actual autobiography though lol--))

tied third was crowley and Grim as a joke, because 99% of it would be exaggerated and full of lies, i would read either one's to make fun of it-)

transcript under read more-- (since my hand writing is rough sry--)

image 1 :

Rook - 'Roi du poison! I have finished my Autobiography!'

image 2:

Vil - 'It's very well written, Rook.'

Rook - 'Oh! Bon! I am over-joyed to hear that! So you like it, Roi du poison?'

Vil - 'Of course.'

Rook - 'Bien! I shall fetch part two for you both!'

(on the side-

Epel - 'Why are there two pages describing us...?'

Image 3:

Vil and Epel - '...Part two?'

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[littlekhada]

There is something in Eli's character design that works like catnip on me. There is a difference though, unlike with catnip there is an addiction development

[onewomancitadel]

For the nth time, I just think the popular notion of "character needs to go to therapy" fandom sentiment now elevated to narrative "character goes to therapy" is incredibly facile and childish, if not revealing of the fact none of these people have gone to psychotherapy, or needed terribly much help beyond talking to someone, which is fairly revealing... maybe a lot of stories are about making people talk to each other and show compassion! So in other words, you want more story to happen

[faaun]

pls i need to provide updates

[angorwhosebabyisthis]

there are a lot of reasons i'm really, really impressed by how well sdmi portrayed the dynamic of an abusive relationship with pericles and ricky, and one of the big ones is how accurately they show what it looks like when abuse starts to escalate.

the extent of that is yet another thing that'll take a longpost of its own to go into, because it spans like.... the entire arc of their relationship in the show. but one thing that stands out to me in particular is their portrayal of the massive red flag that is a partner trotting out bigoted behavior against a group you're in. especially insults, and especially directed right at you.

this show has a LOT of fatphobia, jesus christ does it ever, and there are certainly some fatphobic tropes going on with ricky; but i've always been surprised and impressed by how many of the nastier ones they avoided, especially considering his role in the story and what his arc is about.

he is a major, nuanced character whose trauma is treated with full weight and sincerity. it's implied that his body type changed the way it did due to the trauma he went through when he was younger, and the ensuing mental illness, which is a pretty realistic experience for a lot of people. the things that happen to him are played for full tragedy and horror, when it would have been so, so easy for them to make light of it because Tee Hee Fat Guy and Tee Hee Male Abuse Victims Funnee. despite how his whole thing involves corporate greed, they don't go the route of portraying him as Gluttonous and Hedonistic; if anything he is very obviously not using all that money for even basic physical self-care, and the only time we ever see him eating anything it's when he's drinking wine grape juice with pericles. which, like, there's issues to be unpacked with that too, but jesus christ it's an improvement over what usually happens with characters like him.

he's a fat queer man who isn't degendered or made feminine in a mocking and/or predatory way. (there's nothing wrong with feminine fat queer men and they need more non-shitty rep, please and thank you god, but there is a lot of nastiness in the tropes they're often used for in mainstream media, and one of those tropes is when people consider 'fat queer man' and 'masc' to be oxymorons.) no one ever once calls him ugly; if anything multiple people in his life think he's attractive and desirable, for better or for worse. no one body-shames him. and no one ever mentions his weight.

except pericles.

'The Horrible Herd' and 'The Devouring' are two halves of a whole here, re: escalation of abuse. 'Devouring' is when the abuser goes full mask off and shit hits the fan; 'Horrible Herd' is the wind-up before the punch. HH is when ricky realizes things are getting Bad and he needs to put a stop to this now, and Devouring shows what happens when he tries, because by the point where it's gotten bad enough to give him a wakeup call it's already too late. it's how abusive relationships tend to go, and it's chillingly accurate.

and what's one of the things pericles says during Horrible Herd when that punch is winding up? something no one's ever said before now, including him? 'you pudding-faced dummkopf.'

he body-shames him. he insults his weight, and that's a major turning point. bigotry is something that's often there to some degree from the start, but not always, because some abusers are good at hiding things like that until they're confident they've got you where they want you. the message with ricky and pericles is loud and clear: when this happens, the walls are dripping blood. get out.

(if you can. and be careful when you try.)

when this show is good, it is really, truly good. god damn.