#I also just love how they used this panel in the show but with different outfits
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rei-ismyname · 11 hours ago
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UNCANNY X-MEN #5 From The Ashes
First of all, I should acknowledge that something I've been calling a missed opportunity has received an attempt on page - the X-Men killing in FotHox, specifically Kurt. It's a single line and doesn't make a lot of sense, trying to have cake and eat it too by nodding to it in issue 5 but not meaningfully engaging with the recent past. Kurt did NOT think he was a killer, ever. That's just a bad faith reading of the text. He was in a war against genocidal fascists, come on.
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Cool new form for Calico, though.
Kurt putting his sword/s away doesn't quite cut it. Errol Flynn swashbuckling has been an influence on him since he was a child and he's been big on sword usage almost since the beginning of his publication history. It's his thing, and he badly needs personality in FTA. Also, he didn't kill anyone with a sword in Fall, he teleported them into space. Swords parry and block, they disarm and intimidate. They have use outside of combat. They look cool, and it's something Kurt is very good at. So yeah, the barest attempt was made, but it didn't land for me. There could have been space to set it up and sell it too, perhaps by toning down the Charles Xavier/Sarah flashbacks that were ultimately just a fakeout.
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Speaking of things that were given lip service in issue 5 and could have benefited from more attention, Jubilee told us who she is - kinda. A panel or two of origin story that was established in the 90s, but nothing about why she's here or what she wants out of life. How she feels about the loss of Krakoa, where the hell her baby, Shogo, is. It fits in with Uncanny's overarching sense of unfocusedness and her role could have been performed by anyone - not a good look for the end of the flagship book's first arc.
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We get the resolution to and defeat of Sarah Gaunt. 'She's crazy, always has been' is so unsatisfying. I can't think of any other description. It's nice that we don't have another sin to lay at Xavier's door, but attempted baby trap is not a frequently used trope for a reason. She acknowledges she was lying, but then blames him for the loss of her son years later in a different country - then transfers that hatred to all mutants? Comicsxf have criticised her characterisation as 'Monstrous Mother' and I agree. What was the point of giving it so much space, to the extent that we spent more time in the past than with most of our putative main characters? She beat the shit out of Logan and Rogue the last two issues, nearly killing them - only for Rogue to draw strength from deus ex dead kid and completely wipe her out. It's lovely that Rogue is able to summon empathy for her, it shows us why she's a hero, but taken as an arc she's rewarded with victory despite making bad decisions. Long time readers know Rogue can lead, but I think Gail Simone is going to have to do the work to convince new readers that she's right for this. It's well and good to have moral authority but leading your team to death isn't.
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Harvey X was unexpected but felt unearned. Surprise is fun but internal and narrative consistency is better. I thought it was Charles moving people around, because it was signposted. Harvey X being the puppet master felt almost silly as he revealed previously unseen very powerful abilities. Why would he wait for Rogue and Logan to be nearly dead to act? Maybe that's the only time he can act, because he's dead? Idk, at least he didn't scream how hot Rogue is again. He speaks about a sacrifice he's making but what sacrifice is that? Is his power finite and burns him out, Proteus-style? It's not quite clear, and I guess we'll never see him again.
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Precognition. Healing. Telepathy.
Gambit and the Eye of Agamotto was a Chekhov's Gun that mostly worked (and made me feel sah smart for calling it.) Remy prays (?) to it and then blows the possessed cultists away. I'm pretty sure Jubilee could make a bigger boom than that (I know she can) but rule of cool wins the day.
These are/were captured and possessed mutants. I hope we see them again, especially after Fawn's introduction in #1. They're not doing this willingly.
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Rogue flies to meet Warden Ellis to give her Sarah back, further muddling Ellis' characterisation. I have no idea what she's about now. Nuance is good in antagonists, but for someone who wants to crush mutants with her government mandate she's awfully cooperative with them. No threats, no riddles, no ultimatum, just meekly accepting two threats? I want to give a fuck about the closest thing we have to an antagonist (for a crossover event right around the corner) but there's nothing there! This was an opportunity for something, anything. Gah! I don't understand this writing.
Rogue's threat is interesting, though I have to wonder what she and Scott are going to disagree about. It's implied Jubilee will get captured, and we know Beast already has been. 2/3 X-Men teams have their motivation to wreck Graymalkin I just struggle to see them coming to blows over it.
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Rogue and her elocution lessons feel very out of character and came out of nowhere. If it was setup earlier and tied to insecurity or identity that would work, but being introduced and haphazardly paid off in issue 5 baffles me, frankly. Rogue's southern upbringing is never something she's been ashamed of, her angst has almost always been related to her powers. She's a confident woman. A story where she struggles with that could have legs, but that's not the story that's been told. She certainly doesn't need Gambit or Logan to tell her - I'd expect it to be the other way around.
I'm not sure what to make of the images we get from Harvey X's visions of the future. I'll write about them separately if I find an interesting hook.
So ends the first arc of Uncanny X-Men volume whatever. My main issue is that it doesn't meaningfully engage with what came before it, and it doesn't quite manage to establish its own identity either. What is its mission statement and what kind of book can we expect? I don't know, and I hope Gail Simone does. It's not the end of the world, mind you. Following Krakoa was always going to be tough, and the world was going to feel smaller, less connected. I can't help but wonder what it might have felt like without a lot of Charles Xavier flashbacks amounting to nothing. Maybe we'd know more about Kurt or Jubilee, even the Outliers. Ideally that'll be corrected. I don't do number ratings so I'll just say it was okay, higher if you are a Rogue stan.
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lilybug-02 · 7 months ago
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Eimmet High...temmiE high. OMG!
Part 28 || First || Previous || Next...(Hiatus)
--Full Series--
Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')
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jasonsthunderthighs · 2 years ago
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Bruh. They WANT to shed family blood SO bad. The upper three (Destiny, Death and Dream) have a rule on not “playin games with the younger three” (Desire, Despair and Delirium when she wants to fuck with Dream in her own way with no ill intentions.) Also you guys took the line “We are their toys. Their dolls, if you will.” a LITTLE too literal for Sandman fanfictions 😂
The Sandman #16 (1989)
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pepprs · 2 years ago
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beaver gnawing on wood noises
#purrs#delete later#this is gonna be a bad / hard post and i’ll have to delete it. like it feels like in making it im invoking cosmic forces to show me karma or#idk like being an ingrate or whatever. but sometimes i find myself on social media rabbitholes looking at instagram pages of.. women who#like really genuinely appear to be good moms to their kids. and love them for who they are and don’t try to make them anything different.#and who celebrate their quirks and stuff. and even share interests with them at the bare minimum. and it just makes me want to sob. like the#knot in my throat. i shouldn’t do it bc i just hurt myself but it’s like. im so lucky i have a mom and that she provides for me. and i know#there are valid reasons for that being all she can do. but also why can’t she… idk.why can’t she ummm love me. or celebrate me. or find#magic in me. or at the very least accept my humanness and be open to me like giving her feedback on stuff. even tonight at this panel this o#one woman was like yeah my two daughters call me on stuff and im like you’re right. if i called my mom on stuff (and i do) she would give me#the silent treatment (and she has) or eviscerate me (and she has). and people in my work life and on here call me endearing and say all#these things. but it’s like none of it can fill up the absolute aching pulsing void that is… my mom. my mom!!!!! is just a person i live#with anr resent most of the time. who has hurt me so badly. and i could have had a mom who like. let me sing and didn’t mock me for it.#and who came in and said goodnight to me and my sister instead of leaving us to o ur own devices because we’re twins and we had each other.#and 14 years ago today was the day that fully cemented in that she could not be that kind of mom and would never be. and i know she tried so#hard and i know she has been hurt and is still hurting. but i just want to scream. like everyone deserves a mom who loves them for who they#are and shit. and how fucking unfair is it that.. like it sounds so selfish and entitled. b it how fucking unfair is it that i got a mom who#im afraid of and then there are people like fucking… m*lissa err*co and sh*ron wh*atley (those are just the famous ones) who by all#appearances seem to be like.. not only loving but open. seeing their children as human and magic all at once. instead of a war prize and a#symbol of their own hardships or whatever. like it’s just so fucking unfair. i hate that this is the way things are for me and that it will#never change and that if it ever does i have to be the one to change it or i have to heal from it and let go of it. like FUCK that! i want#love from my mom! FUCK the fact that she can’t give it to me!!! she has to!!!!!! but she won’t. idk. delete post <3#like so genuinely i should not be even typing these words bc god is gonna smite me now lol. but my heart is howling#and the shitty thing is i don’t think i’ll be able to be that kind of mom if i ever become one bc of how badly all of this has hurt me. and#bc of all that i don’t even think i want to become a mom anymore bc i don’t want to be the reason a child feels this way or grows up to.
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angelkeys · 1 year ago
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pacing around my house thinking about shit in The Blind Prophet like how Bartholomeus had joked that sometimes he feels like letting the apocalypse wipe out humanity wouldn't be so bad actually and then in the testing room scene he calls the other guy ungrateful for attacking him when Bartholomeus was trying to help him escape and so quickly switches from throwing away his whole plan just to save this guy's life to deciding to kill the guy to keep his plan going and how this time the game doesn't show you the violence you just see Bartholomeus walking out of the testing room and realize from the blood splattered on his pants and face what's he done and how even though he was under the influence of the Syn's drink when that happened it still hangs over him because he's supposed to be Not Like Them and the effects of the drink are still showing in how he expresses anger afterwards ALSO how eating or drinking has been linked to corruption multiple times through the game (the story of a submarine chef cannibalizing his own crew, a demon trying to possess Bartholomeus with a drink and later forcing itself down his throat to eat him from the inside, the Syn's drink) and when Bartholomeus finally gets a breather after dealing with the Syn cult and decides to go see Vic and still very much has the testing room weighing on him they eat together as they talk over what has happened and it's presented as a time light and sweet with the image of the cookies shown in contrast to the Syn drink
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dunmesh · 9 months ago
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this panel from the world guide of falin being surrounded by other girls while laios is all alone kills me because. that's it. that's the key difference in their journeys.
as laios states himself, he left the village in order to create a home for him and falin elsewhere. a home that won't collapse due to others' hatred and fears like their old home did, a home where they are loved and accepted unconditionally. but as he soon found out, even before earning money, or having walls surrounding him and a roof above his head- what he so earnestly desired was to meet other people who will accept him for who he is as well. instead, he kept being tormented by those around him, shunned and sneered at. his loneliness quickly became all-consuming until he truly had nothing left except for the monsters in the pages of his book, but even that became a target of mockery and destroyed. that's why ever since the day he left the village, he never felt that he truly made the right choice. so he kept running away: unable to resist and unable to accpet.
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and an ocean away from him there was his sister, who never managed to fully fit in herself. but unlike him, she met a person who became a home to her and learned what a true friendship was for the first time in her life. and laios clearly realizes that too when he finally sees falin and marcille together, he can tell his sister obtained the greatest treasure there is on her own- the exact thing he never managed to find anywhere himself, thus coming back empty-handed to the sister he left the village for.
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but when you read this part of the manga, laios's focus is on falin's loneliness, not his own. he talks about how it hurts thinking about all those moments she had to spend alone because he wasn't there for her, so it almost sounds like he's the one who couldn't bear her suffering and therefore decided to not let her go again. but we do get a glimpse of their first meeting after that almost-decade long separation in the manga, and then we see more of that in the world guide and daydream hour- and it becomes abundantly clear that it was falin who was trying to protect and save him from this pit of loneliness and depression he was in.
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so instead of just doing his best to atone for leaving her behind in the village and making sure she is never lonely again, it might also be that laios was desperately clinging to the one person in the world he felt that accepted and loved him unconditionally. those words he used to describe his motivation to stay by falin's side are the exact words she would've used as well; she couldn't bear leaving him behind in this state. in a sense, they were each other's shackles.
but then she did. she died for him and their friends, and ironically enough, it was by leaving him alone like this that he was finally able to stand on his own and put his full trust in others. to have the courage to reveal who he is and give others the opportunity to accept him after such a long time of hiding. it was a long journey, but his hiding finally came to an end when he faced the others after shedding his monster form. and i love that the person who was falin's "home" all those years away from laios, marcille, became just as meaningful to him during their time separated from falin- the first one to find him and show him that he isn't alone anymore. just as he did for her.
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so at the end of the story when falin talks about all the places she would like to go, it's not just that she wants to pursue her own dreams- but that she actually feels free to do so and go anywhere she desires. and one of the main reasons for that is that her brother finally found new people he wants to be with; his own home.
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bokettochild · 2 months ago
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Linked Universe Enterence p.3
Okay! So I have thoughts!!!!
First off, does anyone remember when JoJo shared those first snippets? How there was a fun little detail that suddenly disappeared when the comic actually became more than doodles?
Yeah, I'm talking about this guy
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(Not the grouchy old man being offended, the owl LOL)
I know there's a chance I'm wrong, a big one at that, but I think it would be really cool if, if only for a short while, JoJo brought him back, even if it's just for this era of Hyrule. Let Time have his owl buddy!
Anyways, to the actual comic!
I noticed that the boys are all still together, so I'm guessing they're waiting until they come to a cross-roads to actually split up like Four advised last time. So we have that to look forwards to in the coming updates!
I love that she's really highlighting the similarities and differences in this arc, showing us who knows what and what they've done, but also the little things; both with owls and the antifairy!
I adore the Owlan reference/appearance!
And Time immediately agreeing about the "long, drawn out lectures part" made me laugh. (His expression, my Hylia!!!)
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That is the face of a man who kept accidentally asking to "hear it again" and regrets it with every bone of his being LOL
It's good to see more call backs to the last comics too! Having Hyrule be wary of the statue because he remembers seeing it before, and Warriors agreeing, but also reminding that it didn't cause harm. The fact that Hyrule keeps his sword pointed at it though, wary, does say a lot about how cautious he's being all the same (Wild ought to take notes)
And of course this whole panel
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Twilight's awkwardly trying to assure the rest without spilling the secret, Sky laughing and turning to look at Legend, and the fact that the vet is just so entirely done with even just the thought of being a rabbit. (I love his face, omgosh).
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Te way I screamed "anti-fairy!" when I saw this, and then was so, so delighted that Legend and I had the same thought (I am unwell about this man).
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I'm equally unwell about the fact that Legend just has to say "ouch" (which you only say at inconveniences and not real, actual hurts) and immediately everyone's turning, weapons out and ready to help him face...whatever. Like, he's fine, guys, but it's sweet you care (now Legend, please take note and realize you belong, you idiot)
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Love that Time hears "fairy" and immediately is all ears. All the more so at the "anti" part. Man was raised by fairies and he absolutely doesn't like the idea of something that would hurt them.
Meanwhile Legend is just being freaking Haku (Spirited Away) over here!
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Tell me you don't see it!!!!!!
Also, his casual use of magic to purify something, to just make it no longer a threat, rather than hurting it. That need to save EVERYONE is really showing through here, huh?
And immediately, everyone is shocked that he did that, but also what it means about fairies. About dark magic. But Time and Wars especially!
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Gosh, just Legend's little worried face and Time's offense at the idea of fairies being corrupted and harmed. Shows a bit about them here too I think. Time is maybe slightly obsessed with fairies (reasonably so) and hates them being harmed, but he shows his worry on the matter in anger. legend, meanwhile, becomes more sombre, quieter: it bothers him too (maybe reminds him of a certain predecessor?)
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Get this man a tiara, he's a freaking Disney Princess over here, good grief!!!! He's carrying fairy food on what? The slim chance he has time to stop and feed them? Honestly, i know he's probably as attached to fairies as Time (although with a healthier relationship with them), but this is just too cute. this man is going to be the death of me!!!
Anyways, here's the bonuses!!!!
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SUN APPEARANCE!!!!!!!! We have a canon Sun appearance!!!!! Like, sure, sleepy student Sky, but it's SUN!!!!
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This smile. Oh my gosh I adore him. He's just so glad he got to help the corrupted little one become normal again.
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JoJo was having fun with Four I see LOL
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Man really said "hang on, let me check my purse, I think I have snacks in here"
Freaking Mom Coded
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dceasesd · 5 months ago
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why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)
go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.
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if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction
alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.
first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.
anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"
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here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.
the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,
it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.
once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!
when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.
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the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.
furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.
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i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?
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obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).
he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.
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like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.
so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3
pt. 1 / pt. 2
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tinydefector · 6 months ago
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Is it too much to ask for a follow-up on the Human' Effects fic?
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Masterlist
This is more just some more information of headcanons I have and how I like writing the bots. So I hope you enjoy it. This one's more on the differences and similarities between humans and Cybertronians.
Word count: 2.5k
Warning: mentions of reproduction, and exploration of body's. Valveplug.
__________
So this is just a continuation for Human effects. This one also delves into some more information on biological, cultural and different frames and how they interact with each other, humans and other organic Creatures. 
Biological Humans and Cybertronians are vastly different even with quite a few similarities. 
Sparklings and children 
There is a very big difference in the body function of Humans and Cybertronians. Size for one but also Organic DNA and CNA. There are many things which can Line up with the other species but also function very differently 
Such as. 
structure and organ comparison 
Plating - skin
Helm - head
Processor, brain module - brain 
Faceplate- face
Audio Receptors, Audials, Receptor orifices - ears 
Nasal ridge, enstril, olfactory sensors- nose
Optical ridge - eyebrows
Optics, visors  - eyes and glasses sometimes visors are used as optics
Intake- mouth, throat or a breath. 
Denta, denta plating- teeth 
Glossa- tongue 
Mandibles (insecticons) - jaw 
Vocalizer- voice box 
Chin or chin plating are the same 
Chestplate, chassis- chest and higher stomach (abs area) 
Fuel tanks- stomach. 
Backplate, back struts, binary system,  bipedalism - back and spine, spinal cord. 
Servos and digits - Hands and fingers 
Sounder plating - shoulder blades 
Pede - feet 
pump and Spark - heart and soul 
Energon lines - arrays veins. 
Vents - lungs, breath. 
Pelvic plate - pelvis
Aft, tailpipe, skid plate- butt
Interface panel - covered reproduction organs
Spike - penis 
Value - vagina 
Carrier chamber, Gestation chamber - womb
Helm and head
With the fact one is filled with circuitry, coding and wires and the other is filled with flesh, fluid and other organic matter. Humans' heads are covered in hair most times. And even those who aren't their head Is still rather soft and smooth. And the bots love playing with human hair and facial hair when they are allowed too. 
It also leads to humans giving the bots head scratches, and it's something so man you the bots had never thought of and they love it. They will lay their head in their human lap and just enjoy the gentle touches to their Finial, audials, and helm crest. It becomes. Causal thing of the humans using soft little microfiber cloths to clean out dust and dirt from the small crevices in the bots Plating. Head pats and scratches really becomes something that Cybertronians love alot and it makes a lot of humans consider the bots large cats.
Faceplate and Faces. 
One of the things which is very different between humans and Cybertronians is how they show affection to each other. Cybertronians do a thing called a helm hold. Where they each hold their partner's helm in their servos while looking into each other's optics, it's how they show how much they care, because they are focusing only on that one person. And it means alot more after the war, to focus all your attention on just one bots servos shows a lot of trust, affection and love for someone.  
While humans have Hugging, kissing. So the bots are rather confused the first time they are hugged, tensing up not wanting to hurt their human. And they nearly short circuit when the human kisses them it's more out of fear. 
“Do you know how dangerous that is! What if I crushed you!” The bot hisses in panic while looking at their lover. “not to mention the fact that is my Energon Intake! Do you know what energon can do to Humans!” It nearly sends the bot into meltdowns as they hold their lover's face staring into their eyes trying to show them how much they love and care for them. It would break their spark if they accidentally hurt them. 
“it's called a Kiss, I was kissing you” the human tries to explain, their hands cupping around their bots servos. 
“a kiss?” the bot inquired. “Yea I'm sorry if you didn't want it, it's just I thought we were in that part of our relationship” the human begins rambling out of anxiety thinking they had messed up. In the end they both settle for a small gesture in-between. Pressing their head and helm, together as they cradle the other. 
Eventually they will come around to accepting kisses but it is only for very special occasions. Because the bot will make sure that there isn't a trace of energon in their system for their partner's safety. Over time it becomes them pressing soft kisses to each other's noses. 
Skin and Plating 
These are all the parts which somewhat are similar to humans, but also work vastly different than the human body does. So with this listed here are many of the things that vary with the similarities. 
Plating and skin are vastly different due to one being metal and the other being flesh, it's one of the things a lot of the Cybertronians love is how soft Human skin is. They really enjoy just fondling their human companions, pulling their checks, and enjoying how their skin moves. How pliable, warm and squishy they are. Cybertronians finding out about human breasts really takes them by storm. 
“What are those?” the bot asks while pressing a finger to their breast feeling how soft and squishy they are. 
“breast, boobs, tits they have a lot of names” 
“What are they for?” The bot continues to just slowly play with them out of curiosity, not knowing what the human would need them for. 
“they are used for feeding babies, they fill with milk, it's not a constant thing and not everyone's do but they are for feeding babies.” the human tries to explain and it just leaves the bot shocked. 
“You're with Sparkling?” The bot asked as they began fussing over the human more, gently pressing their digits to the human's body more. 
“no, no I'm not pregnant!” They laugh out loud while rather embarrassed. “‘but wouldn't they deflate?” The bot shoots back as their digits begin needing the flesh which makes the humans sigh and lean into the touch. “human babe, don't have the same functions as you.” They tease softly.
 It ends up with one bot having their human lover back pressed to their Chassis. The bot's servos just cupped around their partners breast slowly massaging them as the human leans back just enjoying the feeling because it takes the weight off their back and the cool touch of the metal feels delightful against their skin. 
Heart and spark
The difference between a human heart and spark aren't that different at all. They both pump blood/energon to where it's needed, it's the life provider of the body. Each has a beat or pulse. And the said beat and pulse sounds different. A human's heart beat feels like a thump but to Cybertronians it's an echo. Each beat they can feel and see like A beating light. And they love how it feels laying against them, their spark will actually fall in tune With their heart beat as a way to calm the human.  While for humans a Cybertronians spark pulse feels like electricity dancing across their skin it's like the build up of static but it doesn't zap. The vibration of a spark is like energy building and releasing, the buzzing sound that just resonates through their body as they lay against their bot. 
olfactory sensors and nose
Unfortunately humans don't have the enhanced scent sensors that a lot of other species do, and Cybertronians have one for the most advanced ones, they don't just smell it but they can break down the chemical compound to its base and are able to tell humans emotions based on how they smell. It also leads to bots becoming rather touching with their lovers when they can smell their cycle. It also leads a lot of bots realising they have a breeding kink after being with a human, because the moment they can feel their partners change in hormones they are hovering. It becomes an even bigger thing when they smell the scent of a young spark, they feel the EM Field. 
carriers and pregnancy 
There is a major difference between human pregnancy and cybertronian pregnancy. Humans can only be born from reproduction.  a new spark can be formed in multiple ways. 
-Forged.  
-Cold construct. 
-split spark
- Sparked 
Forged new sparks are bots that are formed in hotspots across cybertron and on occasions sparklings can also be formed from these hot spots. 
Cold constructs are bots that have been made by others for a purpose and were originally classed as 2nd class citizens, miners or lower than other bots, 
Split Sparks made from splitting your spark into another form. It was very rare due to multiple laws being inplace against it. 
Sparklings were formed through spark merging with another and creating enough energy to form new lifeforms. A carrier would then have to host said spark in their Gestation chamber until the spark could grow its own protoform. Then from there they are moved into the carrier chamber where they learn off their carrier's coding, and also receive food, coding and personal information from their Sire via Transfluid. As sparklings are still not able to consume normal energon and it has to be processed down enough for the sparkling. (Similar to how humans breastfeed) from there once they are ready the sparkling will be ‘birthed’ and from their they will need to be carried in a spark chamber until they have fully developed but gives them time to learn the world around them but still have the safety of a parent to protect them. 
This leads the bots and humans to both be horrified at the differences of the others' reproduction. The bots are horrified over the fact a human's pelvis bone breaks just to birth a baby. But also the fact that humans can carry more than one child. They eventually watch a documentary over human birth; it makes a lot of bots short out and crash. 
Humans on the other hand are shocked over the time it takes for a bot to have a sparkling. 100 years is longer than a lot of humans ever live but it's how long it takes for the full process of a sparkling to be formed and born. That's without all the issues with CNA, temperature, spark energy, energon. A Lot of Cybertronian pregnancies don't make it to term due to these factors. 
So when by some chance a human gets pregnant by a Cybertronian it has the whole planet up in a tissy. Not just the fact of how genetically different they are but how it happened. The first human Cybertronian sparkling is a miracle watched by man and documented. And it turns out the human womb is actually the best possible hosting spot for the start of a sparkling, it's the perfect temperature, and it's not a temperature a lot of bots can keep their own frames. The human womb actually short cuts a lot of time over the birth Due to the sparkling Not needing to be shifted from one chamber to another. It comes down to being pregnant for 3 years. It's a long time for a human but it's decades Less than what it normally takes for a Cybertronian if they made it through the full progress. 
And when the sparkling is born it's discovered that the sparkling doesn't have any human traits, defects or appearance. Due to the human body mainly working as a host, the CNA and DNA don't mix when it comes to creating a sparkling but they work perfectly in sync When it comes to helping the sparkling grow. And it also turns out humans are able to sustain more than One sparkling. 
That also brings me to the function of spike and Valves. For Cybertronians spikes and Valves aren't how Sparklings are created, sparklings are created from two sparks merging together and creating enough energy for a sparkling but interface is needed to start the process of how they form. Sparkling needs Transfluid to begin and that is what Cybertronians use interfacing for outside of sharing memories, information and emotions. Most times Cybertronians interface for fun, feeling close, sharing information with a loved one, or to help feed a sparkling the necessary data, fluids and programming. 
so When a Cybertronian and human interface it has a lovely mix of a 50/ 50 chance of getting pregnant due to how the human and cybertronian heart and spark link in a frequency that is almost essential Spark merging. And a human doesn't even need to interface with a Cybertronian to get pregnant.
Here is a list of ways humans have gotten pregnant/ a bot has gotten pregnant. 
-interfacing 
-spark bonding 
-a human touching a bots spark. 
-having enough hated for another you get them pregnant by sheer Anger
- spark And heart syncing 
-A human being on their cycle will make a bot pregnant. 
______________
Megatron entered the medbay of the Lost Light, feeling unusual warmth and pressure in his chest. "Ratchet," he said gruffly to get the medic's attention. "Something is...off. I feel as if I have consumed fool's energon again, but I know that is not the case." 
He looked down at the medic, his optics betraying slight concern beneath his usual stern demeanour. "Examine me and determine what ails me. I need to be at full function." His pride did not allow him to admit weakness easily, but he trusted Ratchet's skills. 
Ratchet nodded to First Aid and They as they stood ready to assist. He turned back to Megatron with a scrutinising gaze.
"When did you first notice the symptoms? Any other anomalies in your systems?" he asked gruffly, scanning the Decepticon warlord from head to foot with a diagnostic tool. The scans showed unusual activity in Megatron's Gestation chamber.
"Hmm...it appears your spark is pulsing more rapidly than normal. And the pressure you described suggests a buildup of energon flow." Ratchet paused, analysing the data. "This could indicate...no, it's not possible. Or is it...?" He leaned in closer, inspecting Megatron with keen optics.
"We'll need a more detailed scan. Over here, lay back - this won't hurt but may feel peculiar. First Aid, fire up the resonator. Ambulon you're in charge of monitoring vitals."
"What's wrong, ratchet he was fine this morning?" The human asked in concern. 
Megatron lay back on the medical berth as directed, his massive frame dwarfing its size. his expression softened ever so slightly. As the detailed spark scan began, Ratchet's optics widened in surprise. "By the Allspark...it can't be..." He motioned First Aid "Look here. What do you see?"
First Aid peered at the monitor in amazement. "Two distinct spark pulses...but how is that possible?" Ratchet glanced over at Megatron, then back at the others. "It would seem Megatron himself is carrying sparkling. The increased energon flow and pressure were signs of protoform development beginning."
He chuckled wryly. "Well Megatron, it seems that fool's energon was not to blame after all. Congratulations...you're going to be a creator." Megatron's optics widened in disbelief at Ratchet's announcement. Carrying sparkling? It made no sense as far as he knew, spark merging could only occur between cybertronians and he had only been intimate with a human. 
He sat up abruptly, almost knocking First Aid over, and glared down at Ratchet. "Explain yourself, medic! How is this possible? The human and I have been intimate but they clearly lack our means of conception." Ratchet held up a calming hand. "Peace, Megatron. I have a theory," 
Taglist: @angelxcvxc
@ladyofnegativity
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andyoullhearitagain · 9 months ago
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Top Ten Least Bad Outfits in TNG
I'm gonna be honest and say that the non-uniform outfits in TNG are not my favorite costume design in the world, but there are some looks that stick with me:
10. That Girl Who Kissed Data That One Time's Outfit:
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I can never decide if I like this look or I think it's ugly, but I love the pants and tall boots combo. Her blouse is bad and the bouclé jacket is both too heavy and too fussy for this outfit, but I love the belt and suspenders combo, and the chevron embossing on the suspenders. This costume and all the others except #9 is a Robert Blackman design.
9. This Jumpsuit On That Girl From "The Dauphin":
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This is the only William Ware Theiss design on this list. I love his TOS stuff but most of his TNG designs leave me cold 🤷‍♀️. But I love this is extremely 80s jumpsuit. Love the pretty drape, love the ruching on the sleeves, love the harem pants silhouette. Only note is that the whole bodice should be a structured corset bodice instead of the kind of odd structured panel it has now.
8. Picard's Shorty Pyjama Set:
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TNG is absolutely full of the strangest pyjama choices you can imagine and Picard is no exception but I love this bold look. Would kill for this pyjama set. He also takes a work zoom wearing this one time which is insane.
7. Data's 1890's Looks But Specifically This One With The Shirtsleeves And The Blue Shirt:
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The best part of "Time's Arrow" is that Data isn't a fish out of water in the 1890s, he's absolutely killing it, and I love that the only real Casual Data look we get is this one. I prefer the blue shirt to the pink because Data should really wear more blue, it's a nice contrast with yellow. Please also note his emerald watch fob, which was 0% necessary to blend in, he's just having fun with it.
6. 12 Year Old Keiko's Linen Overalls:
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The paperbag waist! The bow! The little bows at the shirt cuffs! I can understand why she replicated a miniature copy of this outfit.
5. Beverly and Guinan's Dixon Hill Holodeck Costumes:
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I'm counting these as one because they're essentially the same design in different color pallets but what color paletts! Bev is pulling off the very difficult pink+red+red hair and the mint green on Guinan is 🤌. I particularly love how Guinan's hat is so 1940s yet also echos the silhouette of her usual costume.
4. Deanna's Teal Dress:
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Like all of you I prefer Deanna in the uniform, but this dress slays, ok? The space age asymmetrical neckline. The drop waist. The structured bodice. The slit almost all the way to the hip. And of course the matching tights and shoes CANNOT BE BEATEN. Also one time I saw a dude on a Star Trek forum call this a "ballgown" which baffles me to this day, this is clearly a slightly fancy day dress.
3. Picard's 1890s Look:
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You'd think Picard would go full posh in the 1890s but instead he gives us this working-class Shakespearean director look and he 👏 looks 👏 incredible 👏. Way to mix textures, Jean-Luc.
2. Lore's Turtleneck and Giant Vest:
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You and I know that Lore stole these clothes from the Pakleds because we pay a lot of attention to Star Trek costumes, but to a normal viewer Lore shows up and this is just his outfit!! It's giving, like, space-age goblincore and it's incredible. I want wear this oufit every day. I want to make a little doll Lore wearing this outfit to express my love for it. It's only not #1 because the pants are too orange and a strange weave.
Deanna's Ancient West Holodeck Outfit:
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Deanna!!! The pants! The hat! The calico! She looks 10/10 hot in this outfit. For sure the superior version of this is before she gives her neckerchief to Worf (it really benefits from that cool highlight) but either way this is the best anyone's ever looked on that holodeck.
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heretherebeturtles-comic · 2 months ago
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Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).。o♡
I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW
i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡
Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!
My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube
youtube
It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol
ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.
... lets start with a sight tangent.
Sketch from Life!!!
If you want to get better at backgrounds I recommend doing some sketching out in the real world!
When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.
If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?
If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.
All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.
ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.
now the actual thing...
BACKGROUNDS
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(the pictures used for this are my own. I dug them out of my 2022 folder)
Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.
They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!
Brainstorming and Thumbnailing
I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.
I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.
Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.
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Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.
References
I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.
Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.
In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.
Perspective
Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.
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Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.
You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).
I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.
Cleanup
You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.
Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)
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Lineart
I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.
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Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)
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russellsppttemplates · 7 months ago
Text
A red thread tying you to me (Charles Leclerc)
There was something pulling you to him and Charles was ready to act on it
Note: english is not my first language. I loved the blurb and now we have a big piece too!
Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm taking requests so if you have any ideas or concepts you want to share, feel free to do so as I'll try to get to them the best I can!
my masterlist
Tw: mentions the death of reader's father's and Charles' father's deaths
Tag list: @myloverjk-blog @hiireadstuff @c-losur3
"The congress is just outside of Milan, the exact city and details are in there", your colleague Lucia offered as she flickered though the pages, "I've been a couple of times before and it's really enriching, I just know you'll love the students and the department head - she was my supervisor for a couple of years".
"It sounds great", you looked at the panel information and then the travel details, "it's such a shame you can't come with me though, but I also wouldn't want to risk your little dude showing up and have me as your midwife", you chuckled as Lucia rubbed her baby bump.
"You're capable of many things, Y/N, but I would prefer if the fate of my baby and my underparts was in the hands of a professional!", she bumped your shoulder, "and the area is really nice too, I'm sure you'll find something to keep you busy during the weekend".
"I have plans, actually, I'll be fine I think", you smiled.
Like Lucia predicted, you had a great time in the conference and the guest lecture you gave was applauded and discussed for nearly an hour after you showed the last slide of the presentation, topics going back and forth until everyone had to absolutely leave the room before the next lecture began. For now, you'd get to enjoy the region, drinking some wine and taking in the views you recognised.
The park where your father used to take you didn't look too different. The slides didn't look rusty anymore, and the swing was a bright red colour as you sat on it once you didn't see any other kid around who might want to use them and let yourself feel the breeze on your face and hair as you kicked your legs in and out. Your father used to make you feel like you could touch the sky with how high he helped you go, "you're going to touch the clouds, mia piccola stella", he would say and you would laugh loudly.
You missed him every single day, but over the years, your grief allowed you remember all of the happy moments you lived with him, cherishing them close to your heart. Spending the whole weekend in Monza and attending the race was something you hadn't done without him since he passed away. The circuit was your father's favourite - "it's the fans, Y/N, there's a thrill in the air that no other circuit has - Tifosi cover the streets, they're all you can see around town and it's magical almost" he would say to you, so when you noticed the conference was in the area and coincided with the Grand Prix weekend, both you and your mother agreed you should take the opportunity.
On your way back to the hotel, you stopped by the track, wondering what the preparations for a race weekend looked like after so many years. You still followed the sport, but you never got the chance to catch this on television.
"Oh my, oh my", you heard someone say beside where you were standing, "I can't believe my eyes, it's Y/N Y/L/N".
Turning around you spotted Salvatore, one of the mechanics your father worked with. He also had kids around your age and you would often play together whenever you were both in the garage for the weekend.
"Salvatore!", you cheered, giving him a big smile after kissing each of his cheeks, "you better believe your eyes then".
"It's been so long since I've seen you last", he recalled, rubbing your back softly. You and your mother had gone to Maranello for a tribute ceremony the team had for your father - that had been the last time he saw you.
"It has been, yes - I'm sorry", you apoligised. You told the team you'd be around and so much had happened since and you only watched it through a screen instead of living it in the flesh.
"It's okay, it was the time you needed - What brought you to Monza this weekend?", he wondered as he walked inside the paddock with you, scanning his card and getting you both in.
"A work trip actually - I finished a conference yesterday and I also gave a lecture at the university", you nodded, "and my father always loved Monza", you smiled at the memory, "he knew how cliché that sounded, but he always said there wasn't a better weekend on the calendar. And I've missed the rush, too", you offered, letting the tears flow freely and accepting them even though you were in the middle of the paddock, loud noises coming from every angle as the teams prepared the finishing touches for the upcoming race.
"He's very proud of you, I'm sure", Salvatore comforted, "and everyone will be happy to see you here - the little girl with the high pigtails is a grown woman now who attends conferences and gives lectures, who would've known?", he joked as you stepped inside the garage.
"Is this little troublemaker Y/N Y/L/N?", one of the oldest mechanics said after he applied a sticker to the halo.
When your father took you to the races, everyone knew they had fun guaranteed with you, always pulling pranks and laughing loudly, "my troublemaker days are over, I'm a responsible woman now", you chuckled, giving a quick wave to everyone before greeting everyone individually.
"Do you have tickets for this weekend?", Fred asked. Even though he had just met you, it was clear to him how much you mattered to everyone who worked with your father, "we can get you a pass, I'm sure".
"I have grandstand tickets", you stated.
"Silvia!", the team principal called the woman, making her approach him and rub your arm kindly, "do we have any guest passes left?".
"Let me check", Silvia mumbled, "we have one left, actually! Charles didn't even notice he asked us to save a ticket for his mother twice - I'll get it for you, it's in the meeting room upstairs", she smiled.
"Charles will also be very happy to see you around, did you tell him you were coming?", Salvatore mentioned.
"I haven't actually - I've been really busy", you mumbled.
You met the monégasque driver when he was Scuderia Ferrari's development driver and Prema Racing driver in Formula Two, accidentally running into him in the dining area of the hospitality and ending up spending most of his free time there throughout the whole weekend.
Quickly, it became a tradition to do so whenever he was over and whenever he was done with his Formula Two duties and you happened to be at the same track.
When you stopped attending races because the memories were too painful, you lost contact, opting to react to eachother's Instagram stories every now and again and sending quick messages through the social media app.
"The boys arrive today, but they're only coming to the track tomorrow", Fred added, "you'll have plenty of time to catch up".
Charles had finally arrived to the hotel after all the flights and drives, thankful that there weren't many fans around already and he could get inside without a hitch, checking in and getting his room keys.
"Hold it, per favore!", he said to the person on the lift, dreaming of the changing from his travel outfit and the bed waiting for him. When his hand helped him inside the metal door, he couldn't believe his eyes, "Y/N?".
He could remember the last time he saw you. He had just started his first season as a Formula One driver for Alfa Romeo and you had come back to the paddock for the first race of the season like you promised you would. He sat with you whenever he had a little break, you caught up with him and his early days as a driver with a seat rather than just watching from the sidelines.
"Charles, hi!", you gasped, hugging him and feeling him squeeze your body against his.
"I- what are you doing here? Are you here for the race?", he wondered. This couldn't be a mere coincidence. He hoped it wasn't.
"I had a work trip here that coincided with this weekend, and I thought of it as a sign", you explained, "you're staying in this hotel too?".
"Yes, the team are at the one where we usually stay for the weekend, but until Thursday, I'm staying here, yes", he smiled, "Goodness, I feel like it's both been forever and like it was yesterday", he chuckled, "do you want to get a drink? I have a nice selection in my room whenever I stay", he offered.
"I'd love to, Charles", you said, hoping that the tingly feeling on your tummy mirrored Charles' own excitement at this unexpected but valued encounter, "are you sure though? You just arrived".
"No, don't worry about that! My room is... 705", he checked on the card he was handed, "so you can join me now or maybe you want to set those things down first and meet me there?", he pointed to the bag you were carrying.
"Yes, this is quite heavy actually", you blushed, "my room is on this floor, so I'll meet in your room in fifteen? I need to freshen up because I've been walking around town all day".
Leaving the elevator on your floor, Charles waved at your before the doors closed andyou headed to your door. Stepping inside, you left the totebag with the books you bought in the chair before heading to the bathroom, brushing out any tangles in your hair and splashing your face with water to freshen up.
After getting yourself ready to go, you went up to Charles' floor, knocking on the door and waiting for him.
"Come in, come in!", Charles offered after he opened the door, "I've unpacked but kept it very organised still", he chuckled as you walked inside the room. It looked the same as yours did, only a different colour pallette for the decoration.
"How have you been?", you wondered once you sat down and shared some sparkling water, neither of you really feeling like drinking anything alcoholic.
"You surely know more about me than I know about you", Charles smiled, "but it's been good, this season has been great so far, I feel like we're in a really good path and things are working well", he took a sip from his cup, "the team have done such an incredible job".
"And the driver on the car doesn't have anything to do with that?", you squinted at his ever so modest take on things.
"I suppose I do", he blushed.
"I may have not been here, but I've watched every race - minus some of the ones at daft o'clock, I only watched those when my sleep was all messed up", you joked, "you're an essential part of this team, Charles, everyone can see that so you should give yourself more credit", you touched his arm.
Even though it had been years since you last saw eachother, you hit it off immediately and it seemed like no time had passed.
"And you? What is this work trip that brought you here?", Charles nodded.
"You're not the only one who gets to travel for work, alright?", you tsked, "I had to do a presentation on a conference and then the department invited me for a lecture, nothing big".
"Who's being ever so modest now, hm? That is fantastic, mon ange!", he congratulated before he noticed the words coming out of his mouth.
"When I noticed it fell around this weekend, I told my mum and she said that I should try and dip my foot here - I've been wanting to come to race sooner but...", you trailed off.
"I get it - it's hard going to the places that remind you of them", Charles took his hand in yours and squeezed it, "he was so cherished by the team, I'm sure everyone will be very happy to see you".
"Actually, I walked to the track today so I could see it up close before the race - I hoped it wouldn't be such a big shock once I got there on Friday -, and I bumped into Salvatore", you smiled, "he let me go into the garage and I saw everyone, it was really nice", you looked up so the tears on your eyes wouldn't fall.
"I can get you a pass, let me just text Silvia!", Charles said as he got his phone from his pocket with his free hand.
"She already did", you chirped, "apparently you booked two for your mother, so they had a spare one".
"You see, a couple of years ago, my mum was too late to tell me she was coming to the race and I was out of the guest passes, so I always have one on hold for her and I sent the list with her name on it as well", he admitted, "but it seems to have turned out just fine - meant to be even".
You ended up requesting room service for the two of you for dinner, neither feeling like going out of the room after feeling so comfortable there. Conversation was steady, vulnerability was easy to show and the butterflies were happily dancing on your tummy.
"I better get to my room, then", you stated once Charles told you about what he needed to do tomorrow once he was at the track.
"I didn't mean it that way - I'm fine!", he said after doing his best attempt at containing a big yawn, "I'm fine!".
"You're tired, and frankly so am I", you admitted as you got up from the bed.
"Would you like to come with me to the track tomorrow? If you don't have other plans that is", he mumbled the last part.
"I don't - I was just going to work a little bit, but if you find me a spot in the hospitality, I'll happily take my stuff there", you smiled reassuringly as you put on your shoes and headed to the door.
"I can take you to your room", Charles got up from the bed and followed you.
"No need, my room is just downstairs", you reasoned, kissing his cheek in a silent thank you still.
"That's right - so we'll go tomorrow after breakfast?", he rested his body on the door once you opened it.
"Yes, that works for me! Good night, Charles", you smiled before walking up to the elevator.
.
Walking inside the hospitalitynwith Salvatore and the rest of the team, he was quick to show you where you could set up.
"Charles likes to spend as much time as possible with the fans and it's right about now that they start becoming more and more and they're everywhere, too", he explained as he helped you in the table on the lounge area, "there's food and coffee in there if you need anything", Salvatore smiled, "if you need anything, just ask someone".
"Thank you - this is perfect", you assured, sitting down and working on your laptop and reading some of the books you had bought.
Charles and Carlos finally arrived at the hospitality, greeting the team and talking to them for a while before they headed upstairs for a meeting.
"You didn't tell me you had a girlfriend and you were bringing her here", Carlos told Charles as he poured some coffee on a mug after the meeting.
"I don't - I haven't brought a girlfriend here", Charles quirked an eyebrow at his team-mate.
"So who is that young woman you just smiled at and are pouring coffee for after giving her the heart eyes?", it was the spanish driver's turn to raise his eyebrows.
"Oh, Y/N!", Charles smiled as he mentioned your name, "she's an old friend! Her father was a mechanic before he passed away a few years ago - the older team members have known her since she was little, everyone loves her", he mused.
"Everyone loves her - I can see that", Carlos chuckled as he followed Charles to the table.
"We don't want to interrupt or disturb you too much", Charles announced as he set the mug next to your laptop.
"It's fine, sit sit!", you encouraged as you closed the books you no longer needed to make room for them, "I'm Y/N", you told Carlos.
"I'm Carlos", he smiled back, "nice to meet you", he said before you dove into conversation, discussing anything that popped into your minds and getting to know eachother.
"Don't let her fool you into believing she has always been a responsible, put together girl because she used to steal and hide all of our tools!", Antonio, one of the engineers pointed at you after he got himself a bottle of water, "Charles knows her tricks already but you, Carlos, don't fall for that!".
"You loved it every time I was on the computers and drew on Paint! You even had one of my drawings as the background for almost an entire season!", you threw at him as he approached you, patting the top of your head protectively.
"I'd like to see that! I've only known her since she was way older", Charles pouted.
"Jealous much?", Carlos teased, his voice above a whisper as Charles seemed to get flustered.
"Is it really that obvious?", the monégasque driver mumbled once you got up to get something to eat, "I've had a crush on her since I was a development driver".
"Why have you never said anything? She seems like she really cares about you too", Carlos mused as he thought to a few moments before where you too gqve him heart eyes. He would have to be blind to not notice it, and even then the energy between you too would still be felt.
"The timing wasn't right, I guess - her father passed away almost right after as I became a driver for Alfa Romeo, and she hasn't been in the paddock since. We have texted every now and again over the years and now she happened to be here for the race too", Charles offered.
"I'd say you should take a shot - trust me, she likes you back", Carlos patted Charles' shoulder after getting up, watching you go back to the table with a big smile on your face.
.
After Charles took pole position in qualifying, the team stayed a bit longer for the debrief, going over a few points of the discussion and the changes they still needed to make before the race.
"Y/N! We're having dinner at one of our favourite restaurants in town and I'm counting you in, okay?", Charles said as he spotted you in the garage, followed by Andrea, who had been keeping you company along with his brothers, Charlotte and Pascale.
"Your family is here for you, Charles, I don't want to intrude", you said as you got up, unaware of the Leclerc matriarch behind you.
"Chérie, of course you won't be intruding - we'd love to have you there!", Pascale chirped in.
"Well, in that case...!", you smiled, "just tell me where I should go and at what time, or are we going straight there?", you wondered.
"I was thinking we could go straight there if that's okay with you - you can can come with me and Andrea can ride with my brothers", Charles suggested, "unless you need to go back to the hotel", he quickly scrambled.
"No, I'm fine! Unless this outfit is not restaurant appropriate", you muttered as you looked down. Against all odds, you managed to not get any food stains on your dress. It was a midi skirt cut, flowy to allow your body to feel cool considering the warm Italian day.
"It's fine - you're fine, you look beautiful!", Charles was quick to assure you.
"Good, that's good then", you smiled before excusing yourself to go and get your things.
"You have to tell her, Charles - your affection is no use to either of you if you keept it in here", Pascale tapped her son's chest.
.
"Y/N", Charles called you before he had to go and get ready for the race, "I have something for you - we do", he said as some of the mechanics, including Salvatore, followed him.
"Oh, what is it?", you smiled.
"We commented with some guys back at the factory that you were here with is this weekend and they found something we thought you'd like to have", Salvatore said as he handed you a bag.
Looking inside, you noticed an old Ferrari cap and some embroidered lettering on the side, recognising it immediately. When you were a teenager, you decided to try different hobbies and hand embroidery was the one that stuck the most, so much so that on one of the race weekends, you embroidered caps for everyone on the team that asked you.
"My wife remembered the one I have at home and then the guys at Maranello found your father's and apparently one you did for Charles' as well", Salvatore offered as you took them both out.
"Dad always said he had plenty of embroidered things at home and this one was the one he had to travel with him", you chuckled as tears welled up in your eyes, feeling Charles soothingly rub your back.
"I remember getting this and loving it - I thought I had lost it!", Charles said, unaware if how close he was pulling you together so he could get a peek at the old caps.
"There's some loose string here", you chuckled, wiping the tears and fiddling with the red thread, "I didn't know how to properly tie it at the start, I kept losing it - I think I even glued it down at some point. Thank you for bringing this out", you smiled.
"Would you mind if I wore this for the driver's parade?", Charles asked you.
"I was planning on wearing my dad's while I watched the race", you offered, testing the fabric and placing it on your head before doing the same with Charles, fixing it on his head and looking up at him.
You never got over how handsome he was. The little scar on his cheek, his mole, the smile that never failed to make you smile, his beautiful green eyes. His kindness, his gentleness, his talent - there wasn't a way to deny how much you liked it. How much you liked him.
"We will be matching then!", Charles squeezed you against him before going to his driver's room.
Only when Charles was headed to take P1 on the grid did he hand the cap back to Salvatore and put on his helmet, giving you a wink before he left.
"How are you feeling?", Pascale asked as she sat next to you to watch the race. Over the last couple of days, she had grown close to you, not only because you had captured her son's heart and she wanted to get to know you, but also because Charles had told her how emotionally charged it was for you to be at the track, in Monza nonetheless.
"It's a lot", you admitted, "everyone has been so kind and warm, so all of the heavy feelings have been slowly infiltrating the good ones and it's been easier to deal with them like that", you blinked away a few tears.
"I get it", Pascale nodded, "losing someone is not easy, and I can't imagine what it feels like for you - the boys and I talk about my late husband every now and again and it gets easier to talk about it, I think that's what it is anyway".
"Yes, definitely like that. My mum and I have reached the point where we don't cry at every mention - despite what you might have noticed this weekend", you chuckled.
"It's emotional, chérie - I, for one, always cry whenever the boys achieve their goals. Hervé isn't here to see them, but I know he knows, and the boys know how proud he is of them", Pascale smiled, keeping some tears at bay too.
"You raised amazing young men, don't doubt that", you let out. At this point, you were sure she had noticed or had at least an inkling. As any mechanic for the red team who knew you since you were a kid would say, you were never a good liar - anytime you said you didn't touch something, they knew to look in your backpack first.
"Thank you, dear", she added, "you know, Charles is quite careful in who he lets in, but he's never been good at hiding how much he cares about someone and I can tell he cares a great deal about you".
"I care a lot about him too", you smiled before you were handed a pair of headphones each with the race about to start.
When Charles successfully kept the cars behind him away with a good gap, you clapped and watched the remaining laps number get smaller and smaller until there was only the current lap left.
Charlotte held your hand together with hers as you watched Charles be the first driver to see the checkered flag and when Xavi yelled "And P1!" into the radio, you did your happy dance, not having a care in the world about what others thought as you watched the Tifosi erupt in cheer.
"He did it! He did it!", Pascale clapped for her son, Arthur hugging her while Lorenzo did the same with his girlfriend while you softly touched your father's embroidered name on your cap with your fingers.
Running up to Parc Fermé, you stood in the sea of red, waiting for him to come back and hug them.
"You did so well, congratulations!", you said as you pulled Charles for a hug.
"Had my good luck charm with me!", he smiled back, kissing your cheek as he took advantage of you being shielded by the mechanics and engineers.
The team celebratory dinner was going really well, everyone happy with how the weekend panned out with both drivers on the podium and enjoying the meal on the restaurant's outside patio.
"If you guys want dessert, they're going to set them out on that table and you can grab as much as you like", Fred spread the message as you could see all kinds of sweet foods being brought out, a pudding catching your eye along with some raspberries.
You and Charles got the dessert plates and served yourselves, noticing the staff was already clearing up the tables, meaning you'd have to move to the bar area, many people opting to skip dessert and get some drinks instead.
"You can see the stars so clearly tonight", you mused as you looked up at the sky, setting your plate on the high table.
"My father always said that the stars did shine brighter here, and tonight the sky is very clear", Charles hummed in agreement, looking at your face. The moonlight and the dim lighting for the lamps and fairy lights illuminated all your features perfectly - your smile as you looked up formed the dimples on your cheeks, your eyes that were a tiny bit squinty and the way your whole body seemed relaxed.
The goosebumps on your arms caught his eye though, "here, have this", Charles said as he offered you the cardigan he had carried around all night since according to him his mother made him do it because it would be cold.
"Thanks", you smiled as you pulled the sleeves and folded them around your wrist so they would fit better, "this is really comfy, I might steal this if you don't ask for it back", you joked.
"I don't mind if you keep it, you have had my heart all these years", Charles stated. There it was.
"What?", you faced him, heart beating fast inside your chest.
"It's true, I've had a crush on you since I first met you, and these past couple of days have been amazing, and I can't believe it took me all these years to realize how I truly feel about you Y/N", he told you, no stutter or sign of regret on his face.
"I haven't been around, really, it's my fault", you fiddled with your thumbs before looking at him again, "but I can't lose you again".
"You never lost me, amour", he smiled as his eyes flickered between your eyes and your lips, his hand cupping your cheek your mouth pressed on his, ignoring everything and everyone around you.
Interrupting the kiss for air, Charles giggled as you hid your face in his neck once you heard the cheers and whistles, your lashes tickling him as his arms circled your waist and pulled you closer to him.
"He wins inside the track and outside of it, Charles Leclerc, P1 to Y/N's heart!", Carlos shouted before whistling again.
"Just so you know, I want an invite to your wedding!", Salvatore pointed his finger at you, "I still remember when you invited me for your wedding with Vettel!".
"You and Seb?", Charles chuckled once you pulled away from his neck.
"Sebastian was my favourite when I was little", you giggled, hiding your face on Charles' chest this time, "when he was back in RedBull still, I asked my father to ask him if he could take a photo with me and I cherished that for so many years - it was my most prized possession!".
"I can't promise you Seb, but I can promise you the very best of me", Charles said as he kissed the top of your head.
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pancake-breakfast · 4 months ago
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Sorry it took me so long to get these notes up. Between internet issues and pure busy-ness, it's been rough. But here they are! The notes from AX Day 1's Trigun Stampede panel! Now with images! (Sorry for Chilchuck's head in most of them. He's awfully tall for a half-foot.)
Trigun Stampede presented by Toho Animation, Studio Orange, and Crunchyroll
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The guests for this panel were Yoshihiro Watanabe (producer at Orange) and Katsuhiro Takei (producer at Toho animation), with Steve Liu from Crunchyroll hosting. (They had a translator as well, but Watanabe promptly stole her job.)
One other thing I'm going to note before we get started is that this was Takei's first time talking about all this in front of an audience since Episode 12 aired. He kept looking out at the practically full auditorium (the panel was held in one of the ballrooms, so easily one of the biggest rooms at the venue) and seeing all the fans and cosplayers and just grinning from ear to ear. He was clearly very exited.
Introduction
They started off by playing a quick video recapping Season 1. (It really made me want to watch the show on a big screen. It looks great even on a projector!) After the video, Liu started in on the interview questions. Please don't take anything below as a direct quote unless it's in quotation marks; I'm not that fast with my notes, so I'm mostly paraphrasing and relying on my memory, either of which could include my own misinterpretation or just be flat-out wrong.
The first question was, how do you feel about the future of the series?
Watanabe said their passion (for creating more of the series) was burning within them.
Takei noted that when the show was initially announced at AX some years back, they were very nervous about it since they were remaking a well-known and well-loved title, but today, looking out at all the fans, he felt a lot more confident.
Behind the Scenes of Trigun Stampede
They then showed some concept art from the famed Trigun Bible. This included what Watanabe called "Vash's projection of Rem." Seems like they came up with this design before coming up with Vash's dark design.
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They also shared some concept art of what most people assume to be spiky-haired Vash...
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...but which Watanabe quickly noted is actually Vash in Episode 1. You know, when he's hanging upside-down. Takei added that Muto, the director, was a bit mischievous and had a tendency to lie to the staff about when certain designs would appear in the series. He apparently hid a handful of Easter eggs and foreshadowing (like Vash having spikier hair) throughout the series.
They also had some concept art of Knives and of Vash's wing.
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They then showed some concept art for some friends all y'all might recognize if you read the manga....
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...but in case you didn't, I'll identify the characters below:
Top Row: Vash the Stampede, Millions Knives, Meryl Stryfe, Roberto Deniro (the blank one), Legato Bluesummers
Bottom Row: Monev the Gale, Dominique the Cyclops, Leonof the Puppet-Master, E.G. the Mine, Nicholas the Punisher, Midvalley the Hornfreak, Hoppered the Gauntlet, Rai-Dei the Blade (his name doesn't actually look like Rai-Dei here, though, so they may be calling him something different or they may just be subbing in kanji; it's too small for me to tell), Grey the Ninelives, Livio the Double Fang, Zazie the Beast, Elendira the Crimsonnail
If you're sitting there thinking, "Aww, they came up with all these designs but we saw so few of them!" then I have news for you! Watanabe said we should be keeping an eye out for more of these folks in the next part.
Favorite Scenes
Next, Liu asked both of the guests about their favorite scenes, and before they got into talking about them, we were shown a video not just of the final scene, but the storyboard, the rough cut version, and the version used for dubbing, all on one screen.
Takei answered first, and he chose the scene from episode 1 where Vash goes up against Chuck Lee, a.k.a. the military policeman from July.
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(The audience kept laughing at Vash's wonderfully goofy face in the storyboard.)
When asked why he loved that scene, Takei noted that everything they wanted to accomplish in Trigun Stampede was encapsulated in it. In the manga and '98, Vash is more funny and tough (although "a good-looking guy"), and here in Stampede, he's rather more wimpy (although "still a good-looking guy"). This scene is a good blend of both sides of Vash.
It also showcases a "good action scene," which he clarified by noting there aren't many anime where so much drama and emotion is centered around one bullet. Takei also noted (though it's hard to convey to you all via still images) that Muto trusted his animators to improve on the storyboards. He's not as strict as some other directors and didn't want them to feel confined to stick to it too closely, but rather wanted them to enhance what was storyboarded out as they felt was appropriate.
Which leads to Watanabe's choice for favorite scene: the one where Vash is running through his shattered memories toward Rem and finally breaks free of Knives' prison and yeets Knives himself out. (Alas, Watanabe did not, in fact, use the word "yeet.")
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Watanabe said he chose this scene because he loved the details that the team added to it after the storyboarding. The storyboard just had Vash running, but they added all these subtle movements and emotion that created a much stronger impact. When the completed scene was presented in Studio Orange, all who saw it were in awe.
Upcoming Trigun Stampede Merch
First up, as many of you already know, we have the Special Edition DVD/Blu-Ray set, which is currently available via preorder on Crunchyroll.
Second up is a new Vash figure! So new they haven't finished coloring it yet, BUT they did note this will be Black Vash (a.k.a. Grape Juice Vash) from Ep. 12. Takei is particularly excited about this because he always wanted to get the Black Vash figure from back in the day, but wasn't able to, and now he's gonna be able to get his own Stampede version. This figure is actually designed by the same person who designed the Vash figures for the manga back in the day. Interestingly, after they picked him but before they met to collaborate on designs, he came up with the current design for the figure. This worked out exceedingly well, since the design Orange wanted for the figure was basically the same thing.
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Also, this Vash figure will soon have a Wolfwood companion figure. Because you can't have just one of them. The Wolfwood figure is still being designed, so alas, no images of it yet.
There's also been a restock of the orders for the clothes collaboration they had with SuperGroupies before, so a bunch of that stuff will be available again soon. They're also adding a new item to the lineup, and that's a black version of the Vash jacket. (I checked their website and it looks like they might also be adding a Livio EoM jacket. Hot.)
Preview Stuff for the Next Season
Ok, first and foremost, I'm gonna note there was NO TRAILER SHOWN, so let's crush those hopes now lest they linger and lead to disappointment. What they DID show was this:
First, a preview image of the characters for the upcoming season....
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TBH, the only difference I really noticed is Knives' hair seems fluffier, but new art is always nice! Also, this one looks like a win for foot, ankle, and/or hand fetishists.
Second, we got a lovely video thanks from Nightow himself!
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(He said he wanted to be there, but unfortunately there wasn't a strong enough headwind for him to run to the con. And for the curious, he's wearing a Guillermo del Toro shirt.)
Nightow being a fan of Stampede and overjoyed that so many people love his story isn't new. (Wonderful, but not new.) What IS new is he drew this nice little piece of art for us all.
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He said this was his first time drawing Stampede Wolfwood. He had to get them to send him 3D images of the Punisher to be able to get it right, but he enjoyed making it! He said "it felt old and new at the same time." He can't believe next year will be the series' 30th anniversary. (Congrats, OG fans. Now we can all feel old together.)
The third thing they released was this.
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Given the amount of trouble I've had posting this, I'm sure plenty of you already know that the next season/final chapter is going to be called Trigun Stargaze. Liu asked Takei about this title, and Takei said something like, "I don't know what this is about. Trigun Stargaze? What's that? This is news to me." He then (after noting he had just been joking) launched into what little he could tell us about the upcoming season.
He said he can't talk about the reason for the specific title, but that manga readers can probably make some good guesses.
Trigun Stargaze will take place 2 1/2 years after Stampede. They want to keep in mind the original concept behind Stampede, that being that because the previous Trigun stories have been so amazing, what they create needs to be amazing, too. He said they're proud of what they've made so far. It went beyond your imagination. He hopes Stargaze will go beyond your imagination, too.
Cosplayer Highlight
They decided to call all the cosplayers up to the space in front of the stage next. There were SO MANY COSPLAYERS!! Foolishly, I didn't take a panorama.
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Costumes included '98 and Stampede versions of Vash, Wolfwood, and Meryl, as well as a handful of Millys (Millies?), not one but TWO groups doing Barbie & Ken-styled Vash and Wolfwood (the Barbie Vashes shouted, "Hi, Barbie!" at each other when everyone went to sit back down), an old-school Legato, a Zazie, and a group fully cross-playing the characters (with Meryl and Milly being male while Vash and Wolfwood were female; they did NOT change the costumes for any of the characters).
Liu handed out prizes to a few of them (they didn't have nearly enough prizes for all of them), and then they had all the cosplayers bunch up and face the stage and the guests turn around and took a picture of everyone. (If anyone has a link to the picture anywhere, let me know and I'll add it here. No, you can't see me in it; I'm much too far over to the side.)
Guests' Closing Thoughts
They were actually running early on the panel, so Liu opened it up to any additional comments either of the guests would like to make.
Takei still seemed overwhelmed by all the cosplayers (like I said, he spent the whole panel grinning from ear to ear at the audience), and he noted he had been worried about the Stampede characters being accepted by the fans. This was his first time seeing all the cosplayers, and he said that made him "feel safe."
Watanabe said he loved looking at the "multiverse" of Trigun. It had these previous iterations, and now it has Stampede, and the fans have both adopted it and adapted it, blending the different versions together and even adding their own things, and he really appreciates that. Takei added that while they created Trigun Stampede, if in 50 or 100 years, a new Trigun series is made, that would be great.
The animation for Stargaze is in process. Watanabe said he just recently saw some of it (a clip of only a few seconds that he, of course, couldn't show us) and it blew him away.
Both Watanabe and Takei are fans of the manga and the original series, and Takei said he's really wanted this series to happen, so he hopes we all look forward to it, too.
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shinidamachu · 4 months ago
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inuyasha, kagome and jealousy: why their feelings were justified
disclaimer: I'm aware there's a debate about whether or not inukag was officially, canonically dating during the series and that the answers tend to change according to the source material embasing them (manga or anime), but despite using manga panels to write this, I did it purely out of practicality and have no intentions of opening this particular can of worms right now. The point I'll be trying to make for @inukag-week's bickering prompt is that their feelings were valid regardless.
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Inuyasha and Kagome get criticized a lot for the jealousy they feel of each other.
People seem to think that Kagome is not entitled to that sentiment because she chose to stay by his side knowing what it entailed and, more often than not, was the one telling him to go see Kikyo, so it's not fair of her to resent him when he actually does.
On the other hand, they claim that precisely because Inuyasha goes to see Kikyo, it's hypocritical of him to get mad at the fact that Koga is constantly showing just how much romantically invested he is on Kagome, as he has no ground to stand on.
Their feelings, however, are completely justified and no other scene proves that better than this manga interaction Sunrise mercilessly cut out:
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Inuyasha is once again jealous of Kagome and Koga's proximity and he lets his frustrations out in no uncertain terms, but then Kagome makes a good point: what righ has he to be upset about it when he is also close to Kikyo? It's exactly why he gets flak in the first place. And his answer to that question is very interesting:
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She may think Inuyasha is diverting, but he's really not. That's the briliance of this exchange: they are both right and they are both wrong on their assumptions.
Of course that, from Kagome's perspective, Koga putting his arms around her is not that big of a deal. They have no history whatsoever and she made it clear since day one that she wasn't interested. If he still wants to shoot his shot, it's all she can do to lay a friend and ally down gently.
Plus, it doesn't hurt that Koga's interest on her is such an ego boost...
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Or that it turns the tables on Inuyasha to make him feel insecure and worried for a change.
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Or that, in a twisted way, it actually reassures her of the feelings he tries so hard to be nonchalant about.
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It might be a little petty of her, but how any of that even compares to Inuyasha kissing Kikyo? To Inuyasha meeting her alone even though she did terrible things to the two of them? To everyone constantly talking about how he still has feelings for her?
Surely he must know, after everything they've been through, that it can't compare, that he is the one Kagome is in love with. And since he does know, how dare he ever doubt her?
And of course that, from Inuyasha's point of view, Koga putting his arms around her is a huge deal. She complains about how every time he sees Kikyo they "float off into their own little world" but the truth is that except for the kiss she laid on him and the goodbye one they shared when she passed away for good — none of which had romantic conotations —, his interactions with Kikyo were pretty sterile, especially if juxtaposed with Kagome's interactions with Koga.
Kikyo is dead and isn't romantically interested in Inuyasha, nor is he romantically interested in her, but Koga certainly is into Kagome. Just because it isn't reciprocal yet, doesn't mean it hasn't potential to be.
Koga is the one regularly inserting himself into her personal space and she lets him, even though he did terrible things to the two of them. And so how can he be sure she doesn't like it? And how exactly is that different from the dynamic they share? Was she, after all, just being nice with him too and nothing more?
Surely she must know, after everything they've been through, that he only leaves because he has a duty to fulfil, but that he will always come back to her, that she is the one whose shoulders he puts his arm around. And since she does know, how dare she ever doubt him?
It's a classic case of miscommunication, but one that actually makes total sense, because they're just two teenagers navigating through extremely complex feelings in the worst possible circumstances.
They don't have the bigger picture the audience has and even if they did, their judgement would still be clouded by their jealousy, which keeps they stuck into their own perspectives.
And what makes even hard for them to get over these feelings is that they don't come from a place of ownership at all, but rather from a place of insecurity.
That's why Koga and Kikyo make up for such formidable rivals for Inuyasha and Kagome: it's not about the competition — the audience knows there isn't really one —, it's about the insecurities they bring out of the pairing, because they were carefully designed to do just that.
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From the very beginning Kagome was being compared to Kikyo for being her reincarnation. She starts the story already having to measure up to her in power and once Kikyo actually enters the scene, Kagome is also taken aback by her beauty and elegance, but more than that: she feels like she can't compete because Kikyo "died for Inuyasha." One day he might return the favor.
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For his part, Inuyasha has Koga to deal with. A good looking, uncomplicated man who has taken a like to Kagome and has absolutely nothing holding him back from pursuing her, while he has nothing to offer but a difficult past, an unstable present and an uncertain future. One day she could grow tired of it all and realize that Koga could give her everything he couldn't and leave for good.
In conclusion, all that jealousy is rooted in insecurities and in the fear of losing each other, which are completely understandable and absolutely valid .
The differece, I think, is that the narrative lets Inuyasha express his feelings of jealousy directly towards Koga, from insults to actual physical fights, without grand repercutions, while Kagome is never allowed allowed a similar outlet
But that's a topic for another day.
Special thanks to @kitramune for helping me with the panels.
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the-soliloquies-of-sadists · 8 months ago
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#398
“Oh, stop fucking crying.  Nobody here gives a shit.  So you got beat up.  It was a fair fight, and you lost.  I haven’t seen a faggot lose a fist fight that bad in a long time.  That’s the second of two you lost.  You fucked up.  You are going to be sobbing when I want you to.  Now is not the time.  So stop that blubbering....
 “I don’t get you faggots.  You all answer and ad on one of those master/slave websites looking for fags willing to be gangbanged by a dozen or so sadistic redneck men like me.  The ad said you will be roughed up.  What did you expect?  You got roughed up.
“You thought that it was going to come from us.  Well, we ain’t done with you.  You are going to be the star tomorrow night.  Tonight is the plowing for the faggot who bested you in this last fight. 
“You are going to have a role in tonight’s festivities though.  I have to prepare you for it.  Come with me over here. 
“No. No. Stop your crying, you pussy.  I said come here.  If I would have known you were going to be a cry baby, I would have done this…
“…earlier.
“Well, a good ol’ fashioned punch to the gut took your breath away, didn’t it?  If you don’t want another, come with me into my shop. 
“…Being barefoot and naked back here can be dangerous.  So watch where you step.  Here, let’s go into my back room.  This is where I come when I want a private fuck.  I love fucking outdoors, and I love fucking in front of my buds, but sometimes I need to be here with all my toys.
“Yeah, I bet you have never seen so much equipment before.  A lot of it I made.  Some of my buds helped me out.  Don’t worry, we aren’t going to use everything.
“Hop up on this bench.  I know it’s narrow, but you are going to be secured on it.  Lean back and lift your legs up.  You’re not going to fall off; I got you.
“Here make yourself useful, put these wrist restraints on.  You need to be tied down when I fuck….
“These chains will keep your legs in position.  Yeah, it looks like a beast that they are attached to opposite walls….  Now for your arms….
“There, you are secure spread eagle.  Wiggle your arms and legs.  You can’t get out right?  Good.  Good.  You know what I love about this room and this contraption you are on is this.  This wall panel over here.  With a push of these two buttons, your arms are pulled back further above your head.  These buttons pull your legs wide, up and wide.  Tight hunh?...  There!  Any further and I would break you in two like a wishbone.  Try to move….  See!  You can’t move at all, not without dislocating something.
“Look at that!  Your cunt is out there for anyone to see.  The thing about that bench is that any fag I install on it, like I did you, has its cunt at my dick height.
“Oh yeah, I’m going to be fucking that cunt in a few minutes.  Although I would call it more like a rape.  Your tiny hard on might say you want it now, but you are going to have a different tune once I get started. 
“Here let me take my cock out and show you what I mean.  It’s not the longest dick that will be plowing your cunt this weekend, but it is one of the fattest.  Feel it’s weight on your cunt lips.  Heavy hunh?  Just think about how much you are going to be screaming out for hours as I pile drive into you without mercy.  It will make that fist fight you were in look like it was to good friends playing checkers.
“So let me tell you what’s happening and let’s see if I can kill your hard-on before I rape you. 
“You already know we like making faggots fight.  We like seeing how city fags like yourself deal with primal brutality.  The answer is not well.  You should see your black eye.  It’s gotten better since your first fight.  Don’t worry, there’s still time this weekend to get your other eye blacked out.
“Heh heh.  That got your dick to lose some of the hardon.  It also got me leaking.  Yeah, the guys like seeing all your bruises and cuts.  That’s why after I dump my load into your cunt, I will be removing all your hair.
“The depilatory cream I’ll put on your crotch area will burn like a motherfuck, so that’s why I’m fucking you now.  Yeah, all your hair, including your eyebrows will be gone by tonight’s festivities.
“You are going to be shown off to the guys tonight, right before we bang the fuck out of the fag that just beat the shit out of you this morning.  He really was motivated.  You didn’t even see that coming, did you?
“Me and Daryl wanted you to lose, so we told the other fag something about the remaining gang bangs.
“You look worried.  Fuck yeah. 
“As you probably figured out, we use a bracket system to pair you up.  The thing is that we don’t care who wins.  We are more interested in who is the ultimate loser.  The two winners from round one fought each other.  The winner got fucked by each of us.  He even got to cum at the end of the night.  He was dumped naked on the outskirts of Shreveport.  He’ll somehow figure out how to get back to Dallas.
“The runner up, got plowed by us, but we got to work him over as we fucked the hell out of him.  I even got my arm in his ass.  He was dumped naked in a nettle patch in the middle of woods outside of Knoxville.
“We design the weekend so that the guys can get more and more brutal on the fags as we work our way through the gang bangs.  We told that fag that beat you what the losing fag would have to endure, and he came out swinging.
“Was that fair to you?  We don’t care.  What he wasn’t told was what happens to the winner of you two.  Tonight, he’s going to be brought out to a wooden fuck bench.  He’ll only be secured to it with one thing, a nail through his cock head into the bench.  Most likely he will rip it out sometime tonight, but some fags we have done that to managed to keep their cocks intact.  We’ll see.
“He won’t be going back to Florida when he’s done, just like you aren’t ever returning to your life either.  Both of you have been sold.
“Ahh and here comes the tears.  You realized that you fucked up, didn’t you?  Hey you were begging us to abduct you and make you our sex slave.  You said you were a no limits slave.  Didn’t you?  What, you thought that meant something else?  Aww too bad for you.
“Your new owner saw all the correspondence, he’s seen your lack of fighting skills, and he’s ok with what we have in store for you. 
“Oh damn.  Your tears really have me leaking.  Here let me apply them to your cunt lips.  Normally, my leak is all the lube you will get.  But tears from fear adds saltiness. 
“Before we nail the other fag down, I’m going to bring you out to the other guys.  With your legs spread just like they are now, my bud David will come by and grab these balls.  He’s going to slice open your sack and relieve you of these useless things.  No more being a man for you.
“You new owner also wants us to sew up your foreskin, except for a tiny hole to piss out.
“There’s the full-out tears.  Fuck yeah….  “Right to the root it goes!  Barely dry fucks hurt, hunh?  You wanted to be roughed up and owned.  You got that.  Now enjoy the next few hours of fucking.  Or don’t.  I don’t care.”
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bokettochild · 3 months ago
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I cannot BELIEVE no one told me we had an update!!!!!
Anyways, here's my favorite bits as always, because I need to SCREAM about this one!
The rupee acquisition!
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I love how JoJo included that traditional *item acquired* pose that all the Links do, and gave it a reason in the comic (Wind insisting he hold it up is just so fun)
Sky's comment though, "don't spend it all in one place". Isn't that a line you get in Skord when you acquire rupees? The cute little easter eggs here are so fun!
I also really love how Legend is taking an instructional role here, both with Wars and the champion!
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While also letting his veteran show
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and I love that the rest recognize that! Wild calling Legend "an expert" and actually listening to what he has to say, even if he doesn't agree with it.
I also super like the panels of Twilight's interaction with Legend here
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Very eldest and middle sibling discussing the youngest child, and I love it. It reminds us that, even for all the cuteness we got between them in the last arc, Twilight still sees Legend as too rough around the edges, enough that it borders on bullying when it comes to some of the rest, and he's trying to curb that. And Legend is LISTENING, because (as I've said a thousand times) Legend respects Twilight and values his opinion. Twilight is his big brother too now and Legend, while still being himself, genuinely seems to care about his opinion.
Twilight's just tense in general, although why, I think is mostly because of Time's sharp scolding in the last update. Even though he's snapping back at the younger ones, he's not very happy to be snapped at right now, and he's eager to get out from under Time's watchful eye.
Time and Warriors
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Because while he feels e has grounds to correct Legend for telling Wild what to do, Warriors straight up subtly scolding his protege is different. And the difference is that Legend and Wild and Twi had camaraderie (see Dawn p.3), they're brothers, but Wars is approaching this as a commander, a captain, and Twi doesn't appreciate that. Warriors isn't their leader though, but he's taking that role anyways. (Old habits die hard, I'm sure)
I mean, we all knew Wars was going to confront Wild sooner or later, but I'm glad he was so calm about it. Twilight's ruffled feathers (fur) is more from Time being overbearing, I believe, so it aggravates any slight annoyance Warriors might present.
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Even despite some of our suspicions earlier, I like this bit here. Wild was a soldier once, and the captain is very much the image of what he would have worked with before. JoJo mentioned wanting to play with that dynamic, with them bothering having military background, and I think this is that training (hundred years ago though it was) kicking in and making the champion defer to the man who outranks him (as far as they know). Granted, they all call Wars "Captain" but this felt pointed.
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I do love Four acting as the word of wisdom here, advising Time, just like he does Twilight, as to the best way to handle a team. it's a reminder that he's done this before, and he knows how teamwork can be, but also that sometimes you need space and working together means working in different areas.
Anyways, here's a couple bonus things that make me happy!
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Bunny stance!
(shh, I know he's making a point by stepping on Wild's toes, let me have this)
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Wars being so freaking pretty! Dear Hylia help me! (Is it wrong I understand Cia a bit now?)
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Wind being the youngest sibling who is Done With Your Chatter
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A competent boy being competent (and not as experienced as Ledge, but pretty darn close (if you've played both their games you know))
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Showing off items! (I can hear the little ✨da nana na✨)
And of course, I love Time being a tired, overprotective parent (he looks like my mom here, good grief!)
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