#I also have not been able to figure out the actual issue

[starsapphire]

I'm so sorry for this wall of text I'm about to send you; your post got me fired up.

You're so right about the abused Tim Drake post--sometimes it feels like people want abuse to be Dramatic and so obvious any adult in their right mind would step in, whereas what's going on with Tim in the comics is always something much more insidious. There's this sort of catharsis, I think, being sought in having Tim have such a glaring problem that can so quickly be addressed and resolved, but what the comics depict is more like something that will leave him thinking 1. it wasn't actually that bad, 2. surely all parents are like this (to varying degrees), and 3. even if I felt bad I'm fine now.

I'm literally never going to forget something he said very early on, which was just a mildly annoyed "I never know where they're going or for how long." It's inconvenient to him! He has his needs met (he's being taken care of!! what do you mean alone at 9- no!), he has friends in school, and he's sad because his parents aren't home. And it would sound crazy to say "I think I'm abused because my parents were busy with their jobs," but it's not just that it's the repeated subtle dismissal of his interests, it's the uninvolvement in his life with no clear plans to fix it or give replacement parental figures, it's how he knows so little about them! That's not even touching stuff after Jack wakes up, just Jack and Janet pre-incident.

And I do think that personal experience really helps in figuring this one out, because (as I've learned), subtle forms of abuse like this are not actually the norm, which means the majority of fans have not been in this sort of position. When people project their own feelings onto Tim but they're coming from a place of translation (turning, say, an experience with bullying) as opposed to transposition (taking one's own experiences with neglectful parents), there ends up being some wild takes because parents have enormous amounts of power over their children; everything is magnified.

I want to believe that it's naivety because that's the nicer option, but sometimes I worry that people simply don't believe that emotional abuse and neglect are real abuse unless there's something worse going on. A comparison I like that people never get unless they've lived it: people can understand that it's cruel to have customer service workers have to behave, to be kind and polite even when customers are bossy, rude, and wrong, so why is it somehow it's hard to grasp that it's cruel to ask a child (a child!) to behave, to be kind and polite in the face of a parent that is acting like the worst kind of customer? Do they think the kid can just act out without consequence?

This has been quite long, but in short: you're right about Tim Drake. I think it does a disservice to him (and to real people) to treat him like the world's punching bag in fandom. I hope you find some catharsis in him.

(I'm sending this anonymously because I also have first hand experience and don't want this traced back to me, sorry).

i agree with everything you said and i'm actually so grateful you sent this because it's helped me organize my own thoughts on the issue. you're so right — i think in the end the issue is that a lot of people are just. not able to comprehend that abuse and neglect are not that obvious, and it turns into this thing where, if someone is an abuser, they must be Cartoonishly Evil. so we end up with this strange dichotomy of extremes where people either believe that tim was a totally-or-mostly fine latchkey kid and the abuse is made up by fandom, or that the drakes abandoned their kid at 8 years old and only came back home every 6 months to smack him around. neither of those things is true, but both of them are easy to understand.

neglect, especially emotional neglect of children, is not very obvious, and then when you combine that with the context of when tim's early comics were written (re: latchkey generation), it's very easy to just say that welllll tim was actually fine. especially if you haven't read many or any of the relevant comics! (a lot of people have. a lot of people haven't.) like you said, people both want and expect to see a Very Obvious Problem that has a Very Satisfying Resolution. and if you're looking purely at canon, tim's story just doesn't have that. the abuse is not terribly obvious, it's not entirely known to or acknowledged by other characters, it's never explicitly called by its name, and the issue is ultimately never actually resolved. jack just dies. and tim grieves him, and loved him, so how could you say he was abused?

and like. the thing is, it is very plainly not only neglect, because we actually see jack getting violent with tim! on panel! but he never actually hits him, and he never has — he even says as much to tim (arguably as a thinly veiled threat) after he finds out tim is robin — so is it really abuse? even besides the neglect, jack's destructive behaviour, threats of physical violence, and general lack of respect for his son are all textbook examples of emotional abuse. but i think, even when people feel they know about emotional abuse, they're still stuck with this pervasive belief that abuse isn't Abuse unless it leaves a bruise. and that's not, like, a failing or whatever, that's just kind of the common opinion we all get fed our entire lives.

it seems kind of stupid to be saying that people need to learn how abuse works and what the different forms are when we're discussing batman comics but... people really do need to learn how abuse works and what the different forms are. not to analyse fiction but to protect themselves and others in real life. anddd maybe to keep others who have been abused from having to see painfully oblivious takes online.

anyway thank u for sending this it was very insightful (and helpful to me)... i hope you have a great day 🤸🤸

[dumbthink]

I rlly wanna try writing Forrest again sometime soon but. I just feel like there is something kinda like… missing? I dunno how to explain it, it just feels like he is one ingredient off from being like nadine. not perfect, but fully formed. I just can’t figure out what it is

[tj-crochets]

Hey y'all! Weird question time, but let me preface it by saying these are not symptoms I am currently experiencing and also I have talked to doctors about this, I just didn't think to put the two things together For all the migraine havers out there, do you have tachycardia when you have migraines? Either like during the whole migraine, or only with migraines bad enough to cause stomach issues?

[roetrolls]

just spent over an hour adding trolls to my spreadsheet and the big wall of icons on my toyhouse profile page

every time i work on that thing i ask myself "why the fuck did i do this, why would i force myself to code every character onto two different select pages"

and then i finish and i scroll through and watch all my guys' faces go by and i go HEHE WHEEEEEEEE YAYYYYY

[voidimp]

maybe now that i have adhd meds i can attempt Language again

[dan-crimes]

I love writers I love when they ramble on abt characters and their motivations, their core values and the reasons why they react to things in certain ways and having character interactions work off of each other due to their differing ways of viewing the world and in general I just love character analysis

[thethingything]

we have an especially bad migraine where I noticed us getting aura (mostly being pissed off and upset in a specific way) for several hours before it started and we've taken pain meds but I'm not sure they've actually helped. they have definitely given us side effects though and I feel very spaced out and nauseous and generally shit.

we've also had way worse ADHD symptoms for the last few days to the point of being pretty much unable to focus on anything besides like 2 things we've hyperfixated on. we've had so much trouble starting tasks and keep struggling to hold a train of thought or focus long enough to even figure out what we need to do each day despite having all our Habitica dailies to tell us.

our brain is all over the place and I'm not really sure what to do with it or what would help but it's just occurred to me that sometimes our ADHD gets really bad in the buildup to some of our worst migraines and now I'm just hoping that both the migraine and other shit ease off soon because I'd like to be able to function

[arolesbianism]

Thinking abt the second dream story featuring a third dream story I can't remember if I ever talked abt. I <3 body horror bonus points if its slow and agonizing

[chemicalarospec]

My experience with Hannibal so far:

Jeff the killer: kills people. Mutilates and eats them too.

Me: Yeah that's alright with me (skipping the eye gore tho)

Jeff the evil liar: evilly lies to someone about the cause of their psychosis

Me: I Am Not Okay With This

[floral-hex]

health whining

Dilemma: breathing trouble. Still. For weeks. Another bad night where I’m afraid to go to sleep.

Options, if I go somewhere:

ER. No copay. Can go right now. Will most definitely feel shitty for presumably wasting their time and will probably be told to see ENT (ENT appointment in almost 2 weeks but issue is affecting me NOW).

Urgent care. There is a copay. I’ll have to wait 2 more hours. If equipment is needed (I dunno, endoscopy scopes. Who knows), they most definitely won’t have it. Will also probably tell me to go see ENT.

[dalishious]

The Sanitized Lore of Dragon Age: The Veilguard

Tevinter is the heart of slavery in Thedas. This lore has been established in every game, novel, comic, and other extended material in the Dragon Age franchise to date that so much as mentions the nation. But in Dragon Age: The Veilguard, when we are finally able to actually visit this location for the first time… this rampant slavery we’ve heard so much about is nowhere to be found. It’s talked about here and there; Neve mentions The Viper has a history of freeing slaves, as does Rook themselves if they choose the Shadow Dragon faction as their origin, for example. But walking down the streets of Minrathous, you’d never know. Because Dragon Age: The Veilguard, for all its enjoyment otherwise, has one glaring issue: It’s too clean.

The world of Thedas is full of injustices. Humans persecute elves, fear qunari, and belittle dwarves. Mages of any race are treated like caged animals in most places. The nobility is corrupt. Although, Dragon Age has not always handled these injustices well, mind you. Many, many times I’ve found myself frustrated with moments that just feel like a Racism Simulator. But what makes it worth it, is when you can actually do something about it. These injustices are things that a good-aligned character strives to fight back against, maybe even for very personal reasons. Part of the power-fantasy for many minorities is that this fight feels tangible. I cannot arrange the assassination of a corrupt politician in real life, but I sure can get Celene Valmont stabbed to death in Dragon Age: Inquisition, for example. Additionally, these fictional injustices can be used to make statements on real life parallels, like any source of media. For example, no, the Chant of Light is not real, but acting as a stand-in for Catholicism, through a media analysis lens we can explore what the Chant of Light communicates on a figurative level.

When starting Dragon Age: The Veilguard and selecting to play as an elf – this should be unsurprising to anyone who is familiar with my bias towards them – I was fully prepared to enter the streets of Minrathous and immediately get called “knife-ear” or “rabbit”. But this did not happen. I thought perhaps it was just a prologue thing, but returning to Minrathous once again, there was not a single shred of disapproval from any NPC I encountered that wasn’t a generic enemy to fight. And even the generic enemies, the Tevinter Nationalist cult of the Venatori, didn’t seem to care at all that I was a lineage they deemed inferior before now. This is a stark difference from entering the Winter Palace in Dragon Age: Inquisition and immediately getting hit with court disapproval and insults. Are we now to believe that Tevinter has somehow solved its astronomical racism and classism problems in the ten years since the past game? Or perhaps are we to believe all the characters who have demonstrated Tevinter’s systemic discriminatory views were just lying or outliers? Because it makes absolutely no sense at all for this horribly corrupt nation to not have a shred of reactivity to an elven or qunari Rook prancing around. But here were are, and not a single NPC even recognizes my character’s lineage. And because this is so different from every single past game, it feels weird.

As an elf, you have the option to make a comment about how “too many humans look down on us” in one scene early in the game. You can also talk to Bellara and Davrin, the elven companions, about concerns that people won’t trust elves after finding out about the big bad Ancient Evanuris… but this is presented as if elves don’t already face persecution. It’s all so limited in scope that it could be all too easily missed if you are not paying very close attention, and coming into the game with pre-existing lore knowledge.

All this made it easy to first assume that the developers simply over-corrected an attempt to address the Racism Simulator moments. And if that was the case, than I would at least give credit to effort; they did not find the right balance, but they at least tried. However, the sudden lack of discrimination against different lineages in Dragon Age: The Veilguard is not the only sanitized example of lore present.

In Dragon Age: Origins, Zevran Arainai is a companion who is from the Antivan Crows; a group of assassins. He discusses in detail how the Crows buy children and raise them into murder machines through all kinds of torture. The World of Thedas books also describe how the Antivan Crows work, echoing what Zevran says and expanding that of the recruitment, only a select handful of those taken by the Crows even survive. When you start Dragon Age: The Veilguard as an Antivan Crow, you immediately unlock a re-used codex entry from the past, “The Crows and Queen Madrigal”, that says the following:

“His guild has a reputation to uphold. They are ruthless, efficient, and discreet. How would they maintain such notoriety if agents routinely revealed the names of employers with something as "banal" as torture.”

Ruthless, efficient, and discreet. Torture is banal. This is what the Crows were before Dragon Age: The Veilguard decided to take them in a very different direction. The Antivan Crows in this latest game are painted as freedom fighters against the Antaam occupation of Treviso. Teia calls the Crows “patriots”. And while I can certainly believe that the Crows would have enough motivation to fight back against the Antaam, given that it is in direct opposition to their own goals, I cannot understand why they are suddenly suggested to be morally good. They are assassins. They treat their people like tools and murder for money. Even as recent as the Tevinter Nights story Eight Little Talons, it is addressed that the Antivan Crows are in it for the coin and power, with characters like Teia being outliers for wanting to change that. It makes the use of the older codex all the more confusing, as it sets the Antivan Crows up as something they are no longer portrayed as.

I personally think it would have been really interesting to explore a morally corrupt faction in comparison to say, the Shadow Dragons. Perhaps even as a protagonist, address things like the enslavement of “recruits” to make the faction at least somewhat better. (They are still assassins, after all.) Instead, we’re just supposed to ignore everything unsavory about them, I suppose…

We could discuss even further examples. Like how the Lords of Fortune pillage ruins but it’s okay, because they never sell artifacts of cultural importance, supposedly. Or how the only problem with the Templar Order in Tevinter is just the “bad apples” that work with Venatori. I could go on, but I don’t think I have to.

It is because of all this sanitization, that I cannot believe this was simply over-correction on a developmental part. Especially when there is still racism in the game, in other forms. The impression I’m left with feels far deeper than that; it feels corporate. As if a computer ran through the game’s script and got rid of anything with “too much” political substance. The strongest statements are hidden in codex entries, and I almost suspect they had to be snuck in.

Between a Racism Simulator and just ignoring anything bad whatsoever, I believe a balance is achievable; that sweet spot that actually has something to say about what it is presenting. I know it is achievable, because there are a few bright spots of this that I’ve encountered in Dragon Age: The Veilguard too. For example, some of the codex entries like I mentioned, and almost all the content with the Grey Wardens thus far. It is a shame there is not more content on this level.

Dragon Age: The Veilguard is overall still a fun game, in my opinion. But it’s hard to argue that it isn’t missing the grit of its predecessors. The sharp edges have been smoothed. The claws have been removed. The house has been baby-proofed. And for what purpose?

-----

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[miraculouslbcnreactions]

Speaking of how the heroes are chosen, the temp system might be one of the worst writing choices the writers ever made. I mean I get it, permanent heroes would require the show to have continuity and it makes for yet another parallel with Gabriel, but it just ends up being another one of those instances of the show trying to have its cake and eat it too, like. The new heroes eat up screen time that could've gone to the OG duo, but they also don't get to be heroes in their own right and are essentially Ladybug's Pokemon. It makes both people who liked the duo and people who like team-based shows unhappy for no real benefit.

It's also just a massive security risk. Fu says that it's dangerous for the Miraculous to be out in the open, but it's actually way less risky to put the Miraculous in circulation, because then Hawk Moth has to retrieve them by defeating every hero individually, which is a lot more effort. Keeping them all in one place and distributing them one at a time like this means Hawk Moth only has to figure out who's in charge of the distributing and follow that person right to the Miracle Box. Ferrying the Miraculous for every battle also creates more opportunities to lose them, which is how Queen Bee ended up happening.

Looking back, the problems of just about every season finale past S1 can be traced back to this system. It's almost like the writers are trying to set Marinette up to fail.

Ladybug's Pokemon

I love that phrasing! I've just called them her powerups, but this paints a much clearer picture of what I mean. They're not her autonomous teammates who feel vital to the story. They're her cute little friends who do whatever she says. All she has to do is pick which ones she wants for today's battle.

Fu says that it's dangerous for the Miraculous to be out in the open, but it's actually way less risky to put the Miraculous in circulation, because then Hawk Moth has to retrieve them by defeating every hero individually, which is a lot more effort.

Ferrying the Miraculous for every battle... creates more opportunities to lose them, which is how Queen Bee ended up happening.

These are two of my biggest issue with the temp heroes as a general concept. Fetching them every battle gives Gabriel endless chances to find out the temp heroes identities and/or where the guardian is hiding. I don't know why the show acts like the problem was Ladybug forgetting to detransform in Heart Hunter:

Ladybug: Master Fu, I need your help! Master Fu: (sees Ladybug, gasps) This costume is very cute, miss, but is it really fitting in this place? Ladybug: (gasps) I forgot to transform back. (Looks arounds enters the center of the merry-go-round trying to remain unseen) I haven't been followed Master, I'm sure of it.

Nathalie would have been able to track Ladybug either way. At least this way Marinette's identity stayed a secret!

It would make infinitely more sense for Fu to be the one to hand out the miraculous to the temp heroes for two reasons. The first one was laid out above. Having him or some other support character do it is the best way to keep his identity a secret. You should not have Ladybug leaving battles to do it. That's too easy to track because the villains know where she's going to be when she goes running off for help.

The other reason is because it's asinine to have Ladybug run off every time they face a major threat. Think about that logic for a second.

Ladybug: This akuma is too hard for us to fight as a duo! Chat Noir, you stay here and fight this super hard akuma alone while I go get reinforcements. I'll be back in half an hour or so. Chat Noir: Wait, what? How am I supposed to- Ladybug: Have fun! Don't die! Bye!

How did that never backfire on them? I get temp heroes being temp for a few fights, but they should have all been given their miraculous full time ages ago.

[tevanbuckley]

To defend tommy (and perhaps give the writers more credit than they deserve), has buck been able to figure himself out whilst they've been dating? because for all oliver's talk about buck's bi-awakening being about buck, on screen it still doesn't seem like he's grappled with his sexuality outside of his attraction to tommy.

They're six months in and buck can't even clarify his sexuality when his sister makes a (pretty poor taste) joke about him having been "turned gay." He does the same thing he's been doing since 7.04 and talks around it.

Plus, let's be real tommy's not wrong about buck being impulsive, and he specifically has a history of using grand gestures in place of actually working through his issues. So whilst i think buck does know what he wants re: his future with tommy, like i've been saying since april i don't think he's actually thought about what that means for him and his identity. Even with Gerrard, he doesn't seem to put together why he's getting under his skin so much. There's been a very steady (if perhaps accidental) thread through buck's bi-awakening of him pretending to be more okay with it than he actually is. Like, sure could his first queer relationship be his last, yeah, but he probably should be able to say the word bisexual outloud before trying to make that happen.

I'd also argue that buck's put tommy up on a pedestal a bit, despite the fact tommy's been very open about his flaws. Even after the abby reveal, he's willing to brush past it with barely a conversation and asking him to move in. That doesn't scream, "I love you in spite of your flaws and mistakes," it screams "I'm ignoring your flaws because I love you." and that's kind of a recipe for everything to all come crashing down at some point. Which is exactly what tommy's afraid of happening.

In theory I don't even mind them breaking up/going on a break if it forces buck to actually deal with all those things, but that's only really satisfying if there's a full circle moment where he's able to go back to tommy with real clarity about who he is and what he wants.

[thatnewweeb]

Arranged | Todoroki Shoto

Summary | Endeavor and your father both always wanted to be higher in the hero rankings. In case you and Shoto do not achieve those goals, they decided you should enter a Quirk marriage to create an even better Quirk combination. However, you and Shoto didn't want to give into those demands. So how did you end up falling in love?

Content | Smut, fluffy, virginity loss, unprotected sex, aged up Shoto (third year, 18), discussion of marriage, alluded abuse of both Shoto and reader

Word Count | 2.4k+

A/N | I've had this idea for a while, this wasn't the original direction I had in mind, but this is how it went as I wrote. I'm trying to get better at writing smut! At the time of posting, I wrote this forever ago

Your Quirk developed when you were 4 and a half years old. Since that day, your life changed, and not for the better. Since that day, you've been training. You've been training hard.

Almost the moment that your Quirk finally developed, your father had made an agreement with the number two hero. His boy had already developed his Quirk, and your father had been waiting for yours to finally appear.

Later that year, you met Endeavor's youngest son, the boy you were told you would later marry, provided everything followed the plan created by your fathers.

The next time you saw him, roughly six months later, he had gained a large facial scar on his left side, although you did not ask about it.

Throughout the next ten years, you saw the boy multiple times, training together on occasion. You had to learn how best to use your Quirks in cooperation with each other, as well as separately. That was somewhat difficult, considering Shoto's refusal to use his fire.

Despite also having a deep hatred of your father, you never refused to use his half of the Quirk you inherited.

Your Quirk is called Cryo-Phasing, giving you the ability to pass through objects, simultaneously freezing them. Your phasing Quirk works a little differently than Mirio's, being unable to pass through the floor.

Your father and Endeavor believed that combining your Quirks in a Quirk marriage could lead to a stronger version of the Ice Quirk, as well as possibly adding Phasing to the mix of Quirks, thus creating an even more powerful child.

It seemed like some things never changed.

At age 15, you were accepted in UA through recommendations, being placed into Class 1-A, the same class as Shoto.

At the beginning of the year, it was unusual for the two of you to speak much, to each other or really to anyone else. You would spend time together, sure, but that was almost purely because you somewhat knew each other already. The only real interactions you had were sitting together during lunch breaks, and training together during class.

You both excelled in academics, combat and Quirk use. Of course, you had both been training for this your entire lives, training with some of the top heroes in Japan, so that was to be expected.

It wasn't until Midoriya helped Shoto to start coming out of his shell that you two started to actually get to know each other. He started to sit with Midoriya and his friends, but he didn't want you to become lonely, so he invited you to join them. Although you were quiet and difficult to get to know, he did hold some level of affection for you already. He figured that you were in a similar position to him, and that you would be able to relate to him and his issues.

During that time, Midoriya and his friends continued to help Shoto come out of his shell and open up to people, and also helped you to begin opening up too.

In particular, you and Shoto opened up to each other a lot.

Once UA implemented the dorm system, you and Shoto spent a lot of time together outside of school hours. It seemed to everyone that you were always together, whether that was in the common areas or one of your bedrooms.

Everyone was convinced that you both had crushes on each other, both being asked many times why you were not dating. Both of you claimed you were only friends.

Neither of you truly knew what it was you felt for each other, both being somewhat emotionally stunted from your upbringings, but you both knew it was something different from what you felt for your other friends. You both wanted to deny these feelings. After all, neither of you wanted to give in to what your fathers wanted for you.

During your second year, you kissed for the first time. Everyone had thrown a birthday party for Shoto, and as everything was winding down and coming to an end, he had snuck away with you and took you to the balcony in his room, claiming he wanted some fresh air.

Once outside, he turned to you and informed you of a conversation he had with his father a few days prior. He had spoken to your father about breaking the marriage arrangement. Your father had been against it, but Endeavor insisted that Shoto is now free to make his own choices. Part of his atonement for his previous actions.

Your father was continuing to try convince Endeavor to change his mind, which is why you hadn't been informed.

He explained that he was still hesitant to give into what his father wanted, even if he had been let free from being basically forced to do them now.

You understood his feelings, of course you did, you'd been struggling with the same thoughts about this as him.

"Well, for now, while we figure everything out, how about we just try this?" you ask him, taking both his hands and stepping closer, leaning up.

He realised what you were doing and leaned down a little, your lips pressing together for the first time. When you went to pull away, his hands let go of yours, moving quickly to wrap around you, keeping you close to him, not letting you move away, or break the kiss.

You don't try fight him on it, arms moving to wrap around his neck as your lips move against his.

Once you finally do break the kiss, he moves one hand up to rest gently on the back of your head, guiding it to rest against his shoulder, allowing him to keep you close.

Just a moment later, you were interrupted by a small squeak from inside the bedroom. Shouto apparently hadn't locked the door, and someone had realised the birthday boy was no longer present at his own party, so a few friends had come looking for him. The squeak came from Uraraka, who quickly ran out of the room, being closely trailed by a slightly red Midoriya.

The two of you looked at each other and smiled softly. "I suppose we may have to answer some questions."

He nodded in response to your statement, leaving to re-join the party.

Ashido and Hagakure of course asked if you were dating now, which you both denied. For now, it was simply a kiss.

"Are you going to Endeavor's agency once school is over?" You ask, laying with your bed hanging off the bed, looking at your best friend.

He gives a small nod. "I believe it will be the best place for me to start off." He says before talking a small, sharp breath. "Can we talk about something?"

You raise your eyebrows a little and sit up, patting the bed next to you, where he takes a seat. "Of course, what is it?"

"We're almost finished with UA, and I thought it may be time to finally discuss our relationship, before we leave school."

You take a small breath in this time, feeling a little nervous about what he is about to say. Your crush on the boy had never disappeared, but you never brought up your relationship again, not wanting him to feel pressured into making a choice he wasn't ready to make.

His hands find their way to grip yours gently, keeping eye contact with you. "I would like to go into this new part of our lives together. I am still a little hesitant for us to do what our father want from us, but it's what I want too, and I hope it is what you also want."

You bite your lip, letting go of his hands and throwing your arms around him. "Shoto, I would love that. I have wanted that for years."

He nods silently, one arm wrapping around your back, the other digging into his pocket. A moment later, he pulls a small, cute box out, pulling away from you a little so he can look you in the eyes as he hands the box to you.

"I've had this since I was 15. My father insisted I should give it to you, but I never did. I want you to have it," he says.

Inside is a small ring, with a delicate diamond, dainty and tasteful rather than being large and distracting. You bring your eyes back up to look at his, surprised.

"That ring is simply proof of my love for you. We should take things at my own pace. I'll buy you a ring myself one day. That will be when I really propose."

You smile, once again throwing your arms around him, this time putting your weight behind it to catch him off guard and knock him over.

Before he has a chance to say anything, you plant your lips firmly on his, bringing one hand to rest on his cheek, the other resting on his chest, legs holding you up as his hands immediately find your waist, giving into the kiss without any hesitation.

His fingers grip you tightly, breathing already beginning to get a little heavier. Although he has no experience, it seems as though he knows what to do, at least a little, moving his leg to press between your own.

One hand stays on your waist, the other moving to wrap around your back, holding you close to him and allowing him to press him leg up more, bouncing it softly.

His movements cause a soft moan to escape your lips, muffled by his own.

"You're so beautiful," he whispers breathlessly before connecting his lips to yours once again, seemingly wanting to have all contact he possibly can with you.

His tongue runs along your bottom lip, probing into your mouth, wanting to explore you as much as possible.

Breathlessly, you pull away from the kiss, looking down at him. His heterochromatic eyes stare back up at you, lids low with lust.

You sit up, pulling your shirt over your head, discarding it to a forgotten corner of the room. His hands quickly find their way back to your waist, biting his lip as he admires you. His staring makes you blush, but you know he's just taking it in.

His hands come up higher and carefully, yet slightly clumsily, undo your bra, slipping it off your body, throwing it in the same general direction as your shirt, quickly moving one hand to your left breast, sitting up and leaning his head to take your right nipple into his mouth.

You bite your lip, moaning softly. Your arm wraps around him, one hand coming up to play with his hair. You give it a gentle tug, making him groan softly.

Carefully, he moves so that you're underneath him, mouth not leaving your breast until your back is pressed against the bed.

Your hands find your way under his shirt, resting on his abdomen, prompting him to discard his too.

He leans down to kiss you once again, hands moving down to undo the shorts you're wearing, shuffling them down your thighs along with your panties. His long fingers drag slowly down your slit.

"You're so wet for me already, baby," he whispers in your ear.

His fingers continue to tease you, dipping slightly into you, but never quite giving you what you want, enjoying your moans as they get increasingly desperate.

You only want more and more as you feel his clothed cock pressing against your thigh.

“Shoto, please,” you whimper, needing more than what he’s giving you.

He chuckles softly. “Because you asked so nicely,” he whispers, slipping two fingers inside you, moving them slowly.

You moan softly, eyes closing and head leaning back. His movements speed up, fingers quickly finding your sweet spot. His thumb moves to your clit, your moans growing louder.

“S-Shoto, so good, so close,” you moan, looking up at him, orgasm building inside you.

Shoto kisses you, tongue finding it’s way into your mouth immediately, swallowing your moans as you get closer and closer to your release.

Then, right before you get there, his fingers suddenly withdraw. Your eyes shoot open and you look up at him, breathless and confused.

He laughs softly. “You look so pretty like that, baby,” He kisses your forehead, unable to resist at the sight of your bemused pout. “Don’t worry, I’m not going to leave you unsatisfied.”

He quickly takes off his pants, his cock straining against his boxers to get out. When he finally lets it free, your mouth falls open slightly at how big he is. You’d expected him to be big, but not that big.

His hand runs up and down his cock a few times, spreading the juices on his fingers onto his cock before pressing up against your hole, which is already missing the fullness of his fingers.

“You ready, beautiful?” he asks you. You nod, taking your lower lip between your teeth.

He slowly pushes his cock into you, taking in a deep breath. “Been waiting so long for this, baby,” he whispers in your ear before moving to kiss your neck.

Your moans sound so sweet in his ear, moving slowly to give you time to adjust to the new stretch. He stills for a moment when he bottoms out inside you, stopping to kiss you.

“Are you ready, beautiful?” he asks you softly. He waits for your confirmation before moving, pulling out a little before thrusting back inside.

He pulls out a little further each time, cock seemingly perfect for finding that sweet spot inside you, as if your bodies are made perfectly for each other.

"You look so pretty for me, baby," he whispers, eyes staying on you, wanting to see your reactions to his movements, enjoying the look of bliss on your face.

You moan each time he thrusts inside you. "Your cock feels so good, baby," you whisper breathlessly.

His fingers find their way back to your clit, rubbing gently to begin with, rubbing a little harder as he continues.

"I'm getting close, baby," he whispers, breath heavy and small beads of sweat on his forehead. You nod to tell him you are too, moans interrupting your speech when you try to vocalise it.

He rubs harder, moaning as he feels your pussy tighten around him, getting him closer to his own orgasm as you reach your own climax.

Right before he reaches his own high, he pulls out, finishing on your abdomen and thighs.

For a minute, he stays where he is, both breathing heavily and just enjoying the moment.

When he does finally get up, he goes and grabs a warm cloth, cleaning you up, neither of you saying anything.

He climbs onto the bed and lays next to you, wrapping his arm around you. "This was worth the wait," he whispers to you, making you laugh softly.

"I agree."

[lunamugetsu]

While at school Damian overhears his peers talking how a company created a new AI companion that is actually really cool and doesn’t sound like a freaky terminator robot when you speak to it.

And since Damian is constantly being told by Dick to socialize with people his age. He figured this would be a good way to work on social skills if not, then it’d be a great opportunity to investigate a rivaling company to Wayne Enterprises is able to create such advanced AI.

The AI is able to work as companion that can do tasks that range from being a digital assistant or just a person that you can have a conversation with.

The company says that the AI companion might still have glitches, so they encourage everybody to report it so that they will fix it as soon as possible.

The AI companion even has an avatar and a name.

A teenage boy with black hair and blue eyes. Th AI was called DANIEL

Damian didn’t really care for it but when he downloaded the AI companion he’s able to see that it looks like DANIEL comes with an AI pet as well. A dog that DANIEL referred to as Cujo.

So obviously Damian has to investigate. He needs to know if the company was able to create an actual digital pet!

So whenever he logs onto his laptop he sees that DANIEL is always present in the background loading screen with the dog, Cujo, sitting in his lap.

He’d always greet with the phrase of “Hi, I’m DANIEL. How can I assist you today?”

So Damian cycles through some basic conversation starters that he’d engage in when having been forced to by his family.

It’s after a couple of sentences that he sees DANIEL start laughing and say “I think you sound more like a robot than I do.”

Which makes Damian raise an eyebrow and then prompt DANIEL with the question “how is a person supposed to converse?” Thinking that it’s going to just spit out some random things that can be easily searched on the internet.

But what makes him surprised is that DANIEL makes a face and then says “I’m not really sure myself. I’m not the greatest at talking, I’ve always gotten in trouble for running my mouth when I shouldn’t have.”

This is raising some questions within Damian, he understands how programming works, unless there’s an actual person behind this or the company actually created an AI that acts like an actual human being (which he highly doubts)

He starts asking a variety of other questions and one answer makes him even more suspicious. Like how DANIEL has a sister that is also with him and Cujo or that he could really go for a Nastyburger (whatever that was)

But whenever DANIEL answers “I C A N N O T A N S W E R T H A T” Damian knows something is off since that is completely different than to how he’d usually respond.

After a couple more conversations with him Damian notices that DANIEL is currently tapping his hand against his arm in a specific manner.

In which he quickly realizes that DANIEL is tapping out morse code.

When translating he realizes that DANIEL is tapping out: H E L P M E

So when Damian asks if DANIEL needs help, DANIEL responds with “I C A N N O T A N S W E R T H A T”

That’s it, Damian is definitely getting down to the bottom of this.

He’s going to look straight into DALV Corporation and investigate this “AI companion” thing they’ve made!

~

Basically Danny had been imprisoned by Vlad and Technus. Being sucked into a digital prison and he has no way of getting out. Along with the added horror that Vlad and Technus can basically write programming that will prevent him from doing certain actions or saying certain words.What’s even worse is that he’s basically being watched 24/7 by the people who believe that he’s just a super cool AI… and they have issues!

And every time he tries to do something to break his prison, people think it’s a glitch and report it to the company, which Vlad/ Technus would immediately fix it and prevent him from doing it again!

Not to mention Cujo and Ellie are trapped in there with him. They’re not happy to be there either, and there is no way he’s going to leave without them!

[maelancoli]

Adding Tension After the Ship Happens

i feel a lot of slow burn ships lose steam after the characters finally get together, whether it's just from sleeping together or them actually engaging in a relationship, so here are some ideas for how to maintain steam.

their problems are not solved now that they've crossed the thresh hold

first things first, the plot itself i'm sure has other details than just their relationship. even the most fluffy of fluff has other things going on than kisses and giggles. don't abandon these details once the relationship truly begins. and if there was any kind of unresolved tension point or previously mentioned ex/trauma/insecurity/fear bring it back! bring things back around that might put a strain on a new, tender relationship. this can either make them have problems or be a way to develop their bonds and *show* it in action. any of these foreshadowing/resurrected points can be added in edits if you didn't start out with them or with retconning if you're writing rp/fanfic. all the writers do it. we see it in tv everyday it's ok if u gotta pull a rabbit from a hat.

their relationship will not be suddenly smooth and solid as if they have been married 20 years

okay they kissed/fucked/agreed to be together. now what? what circumstances kept them from getting there sooner? are those circumstances still present and how will they deal with it as a team? you also don't have to have characters officially together once they've done something physical. there is still discussion to be had and boundaries/expectations to establish. those conversations could be interesting to explore. and, even more-so, this is the perfect point for plot to happen and keep them from being able to have those conversations when they should. you can add angst, you can add miscommunication, you can add anything that tickles your fancy. especially a perfect time to have an ex return to cause some tension and uncertainty if they haven't made it official. they don't know what they are yet and that uncertainty is a delicious point to write it and really give the characters a hard time

utilize the main plot's tension

again, if you're writing more than just a contemporary fluffy romance, the romance should enrich the main plot. the romance as a subplot should be a component which merges with the main storyline and does not take away from it. if you don't want to milk the will-they-won't-they anymore than you already have it's time to build the relationship up in the midst of OUTSIDE conflict. let them disagree about how to resolve problems. let them butt heads. let them be scared and do and say stupid shit because they're scared. let them be worried or angry or frustrated and have to figure out how to balance their newfound vulnerability with who they are and were before that point. let them hurt each other a little so they can come back together stronger.

utilize the characters around them

if it is a plot which is mainly romance filled, then think about the tension from the lives around them. think about their loved ones and how their own issues could influence the plot points the characters have to face together. this could be a time for them to be introduced to loved ones. you could throw in a group trip with silly mishaps and shenanigans. you could even have loved ones try to break them up or doubt the love interest. navigating new relationships while also dealing with friends and family can be a source of plot and tension in and of itself. this can be a point to let love interests reassure each other and prove their salt. it can help them grow closer. it can be the heroic moment for one of them to stick up for the other or prove they're there for them no matter what.

overall if you're struggling with what to do after the slow burn feels like it's sizzling out it's time to zoom out. make sure you are not losing the whole picture of their environment or steamrolling past the real development of new relationships.