#I adore designing clothes for characters so much

[soularsss]

okay so i have been in a redesigny sorta mood recently and I was telling my Dad about Dalas story, of all things that is what started me thinking about her non stop the past couple of days, I thought she deserved some proper care and attention considering the lasting impact she is supposed to have on my story.

i thought i'd talk a little about the design too because it was super fun! As much as i liked the unconventional design she used to have, the cool tones sorta clash with the warm personality I wanted to give her. I AM a fan of characters who act like they look (cinnamon roll that could kill you and so on) but that isnt the vibe I wanted for Dala.

I really want her to be this sort of radiating light and warmth that permeates everything it touches, like that kind of sunlight you can feel on your skin, and particularly the way you can feel it even after you've walked back under the shade. Similarly to how everybody who's met her still feels her burning presence, even after her death has faded into the past.

ANYWAY!!! her pinterest board is FULL of sunrise pics and sunlight filtering through curtains/trees ect, so i thought it would be nice to use those colours and give her that extra bit of warmth. AND THEN!!! I remembered that adorable adorable tumblr post by roychewtoy (the one in the image above) I thought adding those patterns would be a cool touch no matter what, as it also links back to the vibe i want to give her, but Togruta markings are an evolved form of camouflage so it isnt actually a particularly far fetched design for one haha.

Dala is relatively young when her story takes place (around the same age as Ahsoka is when we first met her) So i felt that if i advanced the markings like i did in the top right corner, they aged her a little too much. So i simplified most of them, but she keeps the dappled light on her face. I like to imagine she would gain more and more dapples as she aged, and the lines on her lekku would advance into the more watery dapple light look too :))

i did also begin working on her clothing, i will be revisiting it soon and i will probably reblog this with the finals at some point :D But for now here are a couple headpieces, and a little sketch of her padawan beads inspired by @furious-blueberry0! Mei is probably adding another bell hehe

[daisybell-on-a-carousel]

Honestly haven't actually watched Miraculous Ladybug since like season 2-3, but ah, I still do really adore the design potential! And it's always so much fun to suit up characters

So here's Jason Todd from DC with some of the miraculous! I think both the cats suit him, though personally I imagine the tiger fits him a bit better, both in colors and powers! Not sure what personality the tiger looks for though

Man, wild to realize I make colors more saturated than a kids cartoon somehow, color theory was fighting me here and I didn't fight back. His skin feels so bright against everything here-

Heres,, alot of extras of the black cat! I put him in layers and I wanted to see them all

My design inspo was a vague mishmash of his various Red Hood suits, stuff I think he'd wear, the Arkham Knight helmet, and pre-crisis Jason's first suit + Flying Todd clothes

Man, I wish there were more crossover fics for DC/Batman where a batman character left the universe instead, or more crossover fusions, yknow?

[dual-cetacean]

Get booped, Nine.

In celebration of all the boops today, I made a very quick, loosely goosey comic. All the booping has been so much fun! I had to draw Nine getting booped. They are understandably confused. (If anyone but Sonic had done this, they would have lost their hand)

[lovecoredeity]

@miss-grey that’s so real,,, god I haven’t even been able to do sketches lately either but those tend to be all I’m able to do as of late rather than like fully rendered stuff. Thanks so much, you’re so sweet!! And I’ll try not to, you also try not to be hard on yourself or anything okay? And thank you so much again, that’s always such a high compliment!!

[goldiipond]

i love using bright fun colors in my art colors are so fun. the universe disagreed with this however and decided to have my hyperfixation focus almost entirely on the arc where everyone is wearing the same white clothes

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

[zoe-oneesama]

Since SL is ending, do u have a favorite outfit you wished you could have draw more of it? Can be any character.

You unlocked something in me cuz I went digging for these:

I drew this super cute coat-dress for Rose and then only got to show the back of it?! And I looooved this fall look on Alya so much I tried to use it again in "Puppeteer" but barely got use out of it there either. And I deliberately referenced my favorite Akane Tendo from Ranma 1/2 look with Mylene...and then only showed her tiny 😭😭

This blink-and-you'll-miss-it look for Alix was so layered and so what I think I'd put Alix in as her permanent outfit if I was designing her for the show. Same for this adorable oversized fit for Ondine, she needs an "out of the water" look. As for Chloe and Sabrina, I felt like these both really reflected them well so it's too bad I only got two pages out of them.

I actually DID get a lot of real-estate out of this Alya look, I just liked it so much I want to see it more. And this Nino doesn't blow my mind but I drew him so cute in my sketchbook quick sketch that I want to bring the look back just to recapture the magic. And this long skirt on Nadja made her look kinda hot, I waited to late to start messing with the adults.

I just really liked the few times I got to draw Juleka in this look, I wonder if it's actually the hair that I liked most. And poor Marc, I drew them in this "is it a shirt? is it a dress?" look but you never see below their waist! And I killed it with these three, you can tell that I just really like the outfits I made for Alya, Kagami doesn't get to wear casual clothes enough, and Nino isn't super fashionable, but when I nail it for him I NAIL it!

I like making the rich kids casual. (Also I fully admit that there's just something about showing off guys collarbones for me, idk what it is). I especially like this Chloe look because it's inspired by fellow creator @mikoriin's artwork of her! Ivan is hard to get excited about because I feel like part of his visual design is that he's NOT fashionable (I mean he's wearing two different shades of black, the nightmare) so when I can trick him into looking good, I like it 💖And I like most of the looks I give Lila, wanting to see her outfit more is just me wanting to write her more.

Last but not least, the Hero fits from the kids. If you add in Alya dressed as Fox Trot, the Cesaires cover the Main 4 of SL (pre Ladybug) lol. It's a shame that they couldn't show off their hero worship more.

[maedictus]

I absolutely adore your designs for Tolkien’s characters, they are giving me life right now THE COLORS THE CLOTHING THE STYLES THE VARIOUS REAL WORLD CULTURE INSPIRATIONS AAAAAAAA

Aww, thank you so very much! Here's a Finrod I hadn't posted yet, as a gift for your kindness and support! 🌷

[redr0sewrites]

Hazbin Hotel Characters with a Goth S/o

this is basically how some of ththe hazbin characters would support their goth s/o- as a goth person this is literally so self-indulgent lmao

🥀Pairing(s): lucifer x reader, velvette x reader, adam x reader, alastor x reader

🥀 Cw: fluff!

Lucifer

lucifer is a little confused and intimidated about your style at first, he definitely asks a lot of questions

VERY supportive once u explain it, hes very much the "okay dear" type

honestly i think he would find it super attractive, the way u express yourself is just so admirable to him

i feel like lucifer is very fidgety and is always losing focus, and one tjing that i do is that im ALWAYS fidgeting with thr chains and accessories on my outfits so like imagine him just standing super close to you and gently rearranging your chains and necklaces for you...

he would let you teach him how to do makeup and eyeliner and would definitely let you practice styles on him!

lucifer would also help you get ready too, always willing to offer some positive feedback or help with makeup and hair

i also think lucifer adores it when you give him music recommendations, and would get super into a lot of the bands that you like

i personally hc him as a siouxsie and the banshees fan bc i just feel like the elegant vibes fit him very well, but i also think he'd like strawberry switchblade too and just goth stuff like that

overall very supportive and super sweet and silly when it comes to your fashion

Velvette

gosh she needs more love

you both are fashion ICONS okay like even before you both become official she is blown away by your style and authenticity

she def designs special fashion items just for you, she makes a whole line of clothes based off of u and ur aesthetic

velvette LOVES matching with you and loves incorporating both of your individual styles into your matching outfits, whether youre more mallgoth or romantic goth or trad goth or anything in between, she is totally inspired by you and your fits and will always want to inspire you in return

def buys you things she seed and thinks you'd like or look good in, regardless of price. her gifts range from thrifted maxi dresses abd fishnets to priceless jewelry and makeup LIKEEEEE omg

velvette LOVES when u wear something she bought for u or designed for u as well

yall are always late for social events bc u HAVE to be the best dressed couple there i swear

also if u wear chunky boots or platforms and ur taller than her???? expect her to pull you down for kisses bc URGH seeing you sm taller than her does something to her

guys i have a type help

Adam

adam thinks your hot af if you're goth

hes the type to make big tiddy goth gf jokes im sorry💀

in all seriousness tho he would LOVE a goth s/o

adam def likes alternative/rock music and he would think it's awesome if you introduced him to some goth bands

he would LOVE the scary bitches, death grips, and also sisters of mercy too

i def think goth people would be much more rare in heaven than in hell, and he would get SO defensive on your behalf if anyone said anything about you or your fashion

honestly hes your number one fan and LOVES giving his input on your fits

honestly your closet doubles when you date him, adam loves seeing you wear his rings and punk jewelry and i def think he has a lot of old band shirts and stuff for his band, so he would love seeing you wear his oversized shirts

if u have piercings WOOWHEE bc adam asks SO MANY QUESTIONS

he thinks theyre so hot ngl, and i def think he has a few piercings and will buy u both matching jewelry

adam would learn to play songs you like on the guitar for you as well

i dont think hed be super keen on letting you put makeup on him but he'd fold after a little persuasion

i honestly think he'd like eyeliner and how he looks wearing it but doesn't want to admit it bc he doesn't want to seem too feminine (but u know ofc)

Alastor

before even meeting you he was fascinated by your style and boldness

alastor loves people who are unique, and someone who chooses to stand out so much definitely catches his eye

he'd find you very aesthetically appealing and would often find himself wanting to be around you more and learn more about you, your style, and goth culture in general

over this time period is probably when he started to develop feelings for you

alastor would def like the romantic/vampire goth look, that whole genre in general is just very elegant and classy while also nonconformist, which definitely speaks to him

when it comes to music alastor would probably be a little skeptical at first, especially when it comes to new technology, however if you (like me) have a record player and vinyl, i def think he would like listening to some of your fav goth bands on that

i dont really know why but i gen think he'd be a fan of the cure, sure its pretty basic but the vibe of some of the songs can be upbeat and kinda jazzy, and they just have that "old timey" vibe i think alastor would appreciate

alastor is fascinated with the process in which you get ready, and enjoys just sitting and watching in peaceful silence as uou do your makeup and pick out your outfit

if you (like most goths) are into creepy and unusual decor, he would LOVE to help you decorate your room

alastor has the strangest taste in interior design and loves sharing his unhinged ideas with you

overall alastor loves people with a lot of individuality and would definitely find a goth partner appealing because of that !!

THIS IS GETTING SO LONG HELP IM PROB GONNA MAKE A PT2 W MORE CHARACTERS HEHE- THIS WAS MY FIRST TIME WRITING FOR ALASTOR AND VELVETTE I HOPE I DID THEM JUSTICE!!! WE NEED MORE LOVE FOR VELVETTE SHES SOOOOO AJSJDJD- anywaysssss hope yall enjoyed!!! feel free to req more, esp if u want a pt2 to this >:D

[chromatic-corrosion]

(part 1) Character/Show information found on Gooseworx's tumblr

I went into Gooseworx's tumblr and made a list of all the info found on there so far.

Caine:

Caine named himself before deciding that it's an acronym that stands for Creative Artificial Intelligence Networking Entity (he thinks it makes him sound professional)

‘’[Caine] does not have an age, as he is an AI.’’

Apparently, Caine is likely the best singer out of everyone in the circus.

Caine would own a circus peanut shotgun.

Caine can’t grasp the concept of irony.

Caine is not affected by “this statement is false”

if Caine could remove his clothes, there’d be nothing underneath. His clothes are his body.

Caine constantly gives silly nicknames to everything.

Caine would only bite his eyes or tongue if he thought it’s funny. Otherwise, they clip through his teeth

the restaurant that Caine was in with Bubble is “one of Caine’s special realms.”

Bubble:

Bubble speaks in reverse once in episode 3.

Bubble is a much simpler AI created by Caine

Apparently, Bubble is the biggest slut.

Bubble is ‘’Caine’s little hype man’’

Bubble likes being popped.

Bubble is a boy

Pomni:

Pomni’s hat is a part of her body

Pomni does not like being touched

Pomni’s first design looked liked a frog

Pomni’s reaction to herself in the mirror isn’t a positive reaction

Apparently, Pomni’s hair is black.

Pomni is good at accounting.

Ragatha:

Ragatha gives the best hugs

Ragatha has been in the circus the second longest.

Ragatha likes horses.

Ragatha can see through her button eye

Jax:

‘’There’s a particular character who hasn’t been revealed yet who’s practically a self-insert.’’ (He’s the mean one…Jax?)

Nobody likes Jax

Jax doesn’t have a tail.

Jax deserves to be trapped in the circus the most

There’s nothing heroic about Jax.

Jax is morally the worst character in the show.

Jax didn’t enter the circus at the age of 14.

Jax didn't react well when he first entered the circus

Jax is afraid of corn because it reminds him of something called 'the farm’. (this turned out to be a lie)

Jax mainly bullies the girls because he has issues he hasn’t worked out with himself yet.

Gangle:

Gangle likes to draw, specifically anime.

Gangle can walk on water, but only during a full moon. (this turned out to be a lie)

Gangle’s favourite anime is Azumanga Daioh.

Gangle has a body pillow with a character on it.

Gangle watched One Piece, and her favorite character was Chopper.

Kinger:

For some reason, when Gooseworx was asked to describe the next character (who we now know to be Kinger), she used the word ‘’dad’’

Kinger is not British.

Kinger is the tallest and oldest

Kinger knows how to play chess.

Zooble:

Zooble almost gets no screen time in the first two episodes

Zooble has a 'zooble box’ of extra parts in their room, and it has no end.

Zooble does not like hugs

Zooble has been in the circus the second shortest.

Zooble is very grouchy and irritable.

Zooble would smoke weed.

Zooble is the worst at giving hugs

Zooble is constantly trying out different parts.

Zooble was a tattoo artist at one point.

Zooble most likely dyed their hair in the real world.

the Sun & the Moon

The Moon (and the Sun) is an AI "like bubble"

the Sun can talk too

Queenie

The black queen chess pieces name is Queenie

Queenie being a black chess piece and Kinger being a white chess piece has no relevancy to their relationship. It’s only a design choice.

Queenie and Kinger aren’t siblings.

multiple characters

How each member of the cast would react if you called them 'adorable’.

Ragatha: oh! Thank you so much!

Jax: Well that makes one of us.

Gangle: oh…

Pomni: Uhhhhhh… thanks I guess?

Zooble: Shut up…

Kinger: Heh! 

Caine: You’re absolutely right!

Bubble: *says every slur*

Jax is the youngest member of the circus, with Zooble being the second youngest as they are half a month older than Jax.

Nobody in the circus is truly sane

the ages of all the humans.

Pomni - 25

Jax - 22

Ragatha - 30

Zooble - 22

Gangle - 26

Kinger - 48

The performers can feel pain

Every character has a reason for the way they act.

We’ll get to see the characters' rooms eventually.

Ragatha can play the cello and Zooble can play drums

None of the characters have bones, but they do have a visible skeleton when they’re being electrocuted.

Other

There wont be any singing, only instrumental songs

There are “many” that we don’t know of.

The typical episode length will be 21-25 minutes.

There won’t be any romance

‘’the entire show is about exploring these characters on a much deeper level.’’

Abstraction can’t be undone.

The abstracted all look the same

Someone asked who was closest to abstracting besides Kinger, in response Gooseworx said ‘’You wouldn't believe me if I told you.’’

“This show isn’t going to be very suitable for young kids, especially in the later episodes.’’

Future Episodes

There’s “technically” a worm in episode 2.

There is an episode that heavily features Kinger.

Some episodes are a '1’ on the horror scale, some are a '6’. all of the following

"If it were to get made into a full season, yes each character gets their own little episode."

all of the following episodes in one word.

boy

damn

oh…

haha!

guns

huh?

OH

what…

On 7th of November, Gooseworx said "the plan is eight episodes total, one season".

Note that some of this info may have changed since posting. Some may change during the course of the show, and some may be jokes and lies. Please let me know if there's anything I missed!

[tteokdoroki]

hurricane heartbreak katsuki bakugou ── ᡣ𐭩 ˙ ̟🩰 !!

⋆˙ᝰ about ! you’ve always thought that katsuki would follow you to the ends of the earth, until suddenly, he stops. especially when he realises that he’s better off without you. ( 2.6K )

warnings ! minors blank and ageless blogs do not interact. sfw, angst, no happy ending. characters aged up to 20s, unrequited love, friendship breakups, regular breakups, confessions, gaslighting, reader is morally flawed and a bad friend, katsuki is a hopeless romantic :(, fem!reader, pro hero!bakugou - not beta read!

as usual, katsuki moves to open the door before his mind can catch up. 

he knows that he shouldn’t. if he kept the doors locked he could keep his heart safe from the ache that comes with the person on the other side. but, the bigger and weaker half of him succumbs to the longing laced in the blood that soars through the beating muscle keeping him alive. the same muscle every form of media since the dawn of time has associated with the human desire to be loved and adored. 

it’s a human code that he can’t go against, like asking a neanderthal to fight it’s basic instincts. katsuki opens the door not because he wants to, but because he has to, even if his entire body twitches against the will of his one track mind and his hand lands on the cool metal doorknob in advance of his logical train of thought. besides, it’s raining tonight, and it would be cruel to leave you outside. 

as usual, when you step past the threshold of the number two hero’s lush, bachelor pad-like home — he expects things to be different. for you to waltz in with your arms wide spread and a spark of joy in your eyes because you love seeing the blonde and because you missed him. 

“it was so horrible,” you wail to him instead, just as you had done so on the phone — except this time, the cadence to your usually bright voice is as dull and as dreary as the weather outside. “he blew up at me, said that we were done ‘n that i was too clingy. just like that,” pouting, you shrug off your rain-slicked jacket and allow your best friend to hang it up for you. before you can start quivering like a pathetic stray dog, the begrudgingly kind pro hero places a set of clothes, warm and fresh from the dryer, into your hands and ushers you deeper into the space he calls home.

“fuck that guy,” he tells you, while you rant to him on the walk down the hall.

katsuki lets you you dry off and disappear into his room for spare clothes (as if you own the place), giving himself time to think and reflect. the you that katsuki knows and has bitterly come to love is hollowed and desperate — vying for any attention or affection she can get from people who just don’t care. he’s never understood it, the reasons why you go vying for the validation of others who don’t deserve a millisecond of your time, let alone your precious smile.

you know, the one that brings out the crows feet at the corners of your doe-like eyes and lifts the edges of your glossed lips ever so slightly. you illuminate a room and fill it with warmth when you’re happy and feel loved but when you’re like this… thrown out into the rain whilst being hungry for more — much like that of a stray…

…it’s bakugou’s hand that reaches out to feed you tender love and care from the pieces of his own broken soul. he does everything im his power to make you smile again, otherwise he’d shake the heavens from the sky and bring their shattered pieces back down to earth with his destructive quirk…for you.

everything is always for you.

katsuki is the one who deserves to see your radiant grin and be the one that’s always on your mind. so perhaps, he is no better than you, starved with a craving for the attention of someone whose thoughts are simply elsewhere. with someone else.

you resurface from his room wearing a discontinued all-might shirt with an iron-on design that’s cracked on the front and a pair of fluffy dynamight themed socks kept spare in katsuki’s wash for whenever you come over. by this time he’s already popped on the kettle for some herbal tea, though his back remains facing you — fingers clenched against his smooth marble countertop. “why would he say that?” 

you shrug. “i don’t know… i probably deserve it. this always happens.” 

to his right, the kettle’s whistle reaches it’s crescendo but katsuki doesn’t bother to add hot water to your tea.

the assessment you make as you pad back over to katsuki is only partly correct. he turns abruptly, prepped and ready to loosely wrap his arms around you in a familiar hug, another step in this bi-monthly routine the two of you have going. your nose presses into the middle of his molten chest, sending a pang through his heart like an arrow from Cupid whilst simultaneously riling up the butterflies in his tummy. you’re so cute, so sweet and it makes the blonde feel special to be able to witness the more vulnerable parts of you — the parts of you pieced back together by inexpensive glue after you’ve been shattered by heartbreak once more.

you, you’re too sweet to deserve this pain. the same pain that weighs down on the pro hero’s shoulders because he can’t stop chasing after you. this always happens, but you don’t deserve it. even if it’s like some sort of cathartic karma for leading bakugou on all of these years. 

nonetheless, he’s never been the best at comforting people but a selfish warmth that burns brighter than his quirk spans throughout katsuki’s body whenever you seek comfort in him. even if all it does is chip away at his soul, knowing that you’re all torn up about someone else and someone that isn’t him yet again. 

katsuki abandons the tea completely.

however, his cherry lips continue to open and close in search of words and phrases that may sedate your storm of emotions before they rain down on him — just like the world outside. they’re hard to come by, meaningful ones at least, so katsuki settles with a simple… “you deserve better.” 

“yeah? well it doesn’t seem like it. every guy i’ve ever met has hurt me some way, somehow.” you quip blandly, obliviously. “who does better even look like?

me. is what bakugou wants to say. he looks like me. but now isn’t the time or place to tell you that, it’s never been. deep down, he knows that you might never see him that way, as a someone who could treat you right, as someone deserving of your darkest desires and sweet nothings, as someone who could be the very person you deserve to grow old with. you don’t look at him the same way, to you, katsuki will always be your best friend and source of comfort.

he’ll never be a lover or a special one or a boyfriend. 

not to you. 

never to you.

and sadly, he almost feels content to stay this way — if it means he’ll be able to have you near. with the two of you tucked away in one another’s arms, swaying to the melody of harmonious wind and rain, the abrasive, corroding nature of katsuki bakugou is tamed and the world comes to a standstill that feels sort of homely. its familiar, a routine he’s so easily settled into time and time again. confessing to you would be like disrupting the natural course of your relationship and bakugou has seen what you do to guys who cross your limits or suddenly no longer entertain you. sometimes they genuinely do hurt you, other times you’re like a little girl who no longer has a desire to play with her favourite toy — easily casting them aside. the blonde would hate to be one of them, to be thrown out by the person he loves most.

“you’ll find someone,” he says gruffly, after some time. 

pulling away slightly and with a hand centre stage on katsuki’s ooey-gooey lovesick chest, you smile ever so gently. and it’s enough for him, even though it burns, it’s enough to make it worth it. all this suffering in silence, loving you from afar…that is, until he hears what you have to to say next. 

“i wish i could find someone like you, kats.”

the rain outside has hit its peak, bordering on the edge of torrential as it drowns the concrete jungle outside and the grey clouds it pours from shroud the city in a similar darkness to the veil falling over katsuki’s mind. now that, it really pisses his off. someone like him? why not him? he doesn’t understand why you actively put yourself through the ringer when what you want is right before your very eyes.

like a sudden clap of thunder or a strike of bright lightning, katsuki has a realisation. he isn’t so sure how much more of this he can stomach or take. a few weeks ago his best friend, kirishima, had scolded him long and hard for allowing you to walk all over the explosive pro hero. maybe the redhead had been right, your words seem almost purposeful and calculated — designed to hit him right where it hurts. whether or not you’re aware of the fact.

“y’can’t keep doing this.” comes the blonde’s whisper, coasting just under his breath, so low that you almost miss it underneath the howling notes of the wind.

“what?” 

“please stop doing this.” bakugou says again, but firmer, shrugging your hands from his well-built torso like they’ve given him an electric shock. a flash of hurt lines itself across your beautifully crafted features like a film of dust clinging to a marble carved sculpture belonging to an art museum. he hates it, how he can still admire you and treasure you even when you torture him with a punishment of unrequited love. “you can’t keep comin’ here every time you get your heart broken, knowing how i feel about you. it’s fucked up, you’re fucking me up.” 

people have only ever dreamed of being able to bring the great dynamight down to his knees. a man of such power and force could never be shaken, especially with everything that he’s been through to get where he is today. 

the colour in your voice pales, the glint to your eyes dulls and you nervously reach out for your best friend only to be rejected which hurts more than any shitty break up you’ve ever had. “k-katsuki…kats, what are you talking about?” 

“you know exactly what i mean. don’t try to gaslight me or some shit.” katsuki puts it simply, fighting the lump in his throat that nearly stops him from being truthful. it’s always been a difficult task to push you away, “we play pretend, you come to me expectin’ me to lick your wounds ‘n shit. fuck, i’ve been doing it for the last ten years. since todoroki first rejected you in high school, then that guy from class 1B and then shindou from that other school once we went pro.”

he rambles relentlessly and you take every word while memories of each heartbreak flash brightly before your very eyes. it’s clear to you now, standing in front of him, that bakugou has been holding this, whatever this is, inside for far too long. concealing his emotions until his fuse was at its end and it all exploded to the surface. “katsuki stop it.” you say weakly, throat dry.

“fuck no! why should i?” the brash blonde spits venomously, his upper lip curling into an ugly sneer. one you’ve only ever seen when he’s talking to villains, or better yet, talking about your exes. “because it never stopped for me. you never stopped using me.” he blabs, but he’s hardly shouting — the mere fact that he isn’t freaks you out even more. “it’s so fucked up, i’ve been waiting for a chance with you for years. i never said yes to someone fuckin’ loving me for who i am. for all the shit that i come with because i was waitin’ for you.”  for nearly a decade you’ve been offering katsuki all the riches in the world, only to pry them from his warmth fingers and leave him for cold and death.

you could apologise right then and there, make things right, tell katsuki that it was him all along and those other guys meant nothing to you. it’s what he wants so badly, it’s the only thing that could make him forget all of this drama and take you back into his arms. instead, you retreat like a hermit crab back into its shell, stepping back and away from your best friend while selfishly curling in on yourself.

“i didn’t… i didn’t ask you to wait.” 

those words are like a lightening strike to the chest. the white flashbang outside illuminates your face for katsuki to see, guilt outlines the natural slopes and continue of your face and some kind of regret floods the black ink on your eyes. bakugou’s suspicions have been proven true. you’ve never wanted him, not in the way that he’s wanted you. it must be that. must be that you kept him around knowing he’d chase shooting stars and run to the end of a rainbow if it meant the prize was you.

“you didn’t have to,” katsuki’s breathing turns ragged, mimicking the uncontrollable winds of a brewing storm, and his anxiety peaks, spilling over the edge of a glass he’d tried to keep half full for so long. he knew this, all along, he knew that you’d reject him plain and simple but why does it feel like his world is ending. “would have done it anyways ‘cause i am…was… in love with you. you didn’t need to ask me because you knew i'd always be there.” 

it hurts, the truth, it burns like acid rain dissolving through a manmade structure. you hate the taste of it in the air, as katsuki’s words ring through it — undermining the heavy rain pelting down against his roof. you don’t know what to say or tell him, but instead of the contentedness of being close to the blonde you now feel a sudden sense of impending doom. an epiphany. a realisation that you’re going to lose your best friend because you took advantage of a bleeding heart.

you’ve never been the only one whose organs were ripped out and ever-loving corpse was left for dead. each time pieces of you died at every soul-crushing rejecting you’ve ever faced — katsuki has been right behind you, falling to pieces, decomposing, breaking apart… watching you mourn a relationship with someone else. 

someone that wasn’t him. 

words and apologies tangle in your throat and form a knot that blocks their passage. what do you even say to someone who has inadvertently confessed their love for you — something in which you’re not sure you even believe in anymore? “i-i’m… i’m sorry,” slowly, you take a step forward, blindly reaching out for katsuki in his living room shrouded by darkness and only temporarily lit up my lightening crashes. but he steps back, he retreats into a person he used to be — one that was nasty and cruel despite how much he cared.

bearing his fangs, katsuki defends himself from the only person who could truly ever hurt him. you. his walls build up and he snarls again. “i don’t care.” though, his voice wobbles and his eyes are glossy under the harsh white light of the lightening by strikes outside — he remains defensive. 

“i’m sorry,” you sullenly repeat. for what? not loving him? for using him? you’re not sure. “katsuki…i’m sorry—“ 

you sound so genuine, your voice so sweet and sorrowful — it’s almost enough to make the man melt, for his walls to fall away and his heart to open back up just for you. but bakugou knows better, if gives in and steps closer and holds you once more — the cycle will repeat. you’ll know that you can come to him whenever you want, and take advantage of his pathetic yearning and devotion to you. over and over again, for as long as you want. because if you call he’ll answer, always. 

not this time though.

katsuki bakugou steels himself as though he’s facing his greatest foe, his jaw hardens, his ruby red eyes flutter shut and his head shakes and he tries so hard to resist you. when he finally looks at you again, after what feels like an eternity, you’re hopeful in thinking that maybe this can be fixed and you can keep your best friend. however, you’ve seen katsuki’s expression on a dozen other faces before.

that look people give you when they tell you it’s over, when they grow tired of you, when they leave you. 

you know it all too well, the face of someone breaking up with you. 

except this time you’re not losing a half baked love, this time you’re losing someone who adored every part of you even if it was severely flawed. 

you’re losing your best friend. your katsuki.

and all it took was the clouds parting and the heavens crying for you to realise that.

꒰ end. — all rights reserved © tteokdoroki 2024. do not copy, repost, translate, feed into ai & recommend elsewhere.

[jellitchi]

vat7k designs in my head...

i thought their canon designs were a eensy weensy bit Unpolished so i made these mostly for myself. erm if u rly want it i think varian is 19 here, hugo 19, nuru 18, yong 12.

i also made rhem all playlists and had to draw them a cover so thats what the last img is I linked each of em under my notes for all of em... Under the cut is Like a Huge Infodump of notes i have for each chara,,,,,,

i kept varians design basically the same, i dislike the design w the orange neck thing so i just Nuked it😭... Here's Varians playlist

Hugos design i just wanted to put him in something more Loose. hes a thief, a professional escape artist. i dont think wearing clunky metal is ideal for him. i also gave him a prosthetic arm (blond w no arm design trope!) but u cant see it in the ref so i added another drawing of him in his under layering👍 i vaguely referenced russian(?) clothes for him as well... Yeah not too much changed w him i just tried to make him slippery-er. Here's Hugo's playlist

yong came relatively easy to me, if it wasn't obvious i did rip gaming from g*nshin's hoodie. i thought the lion hood was Adorable and freaking perfect for what i had in mind for hos character. since the og notes said the fire kingdom is loosely Chinese inspired i basically just kept that. i mashed tgt a buncha diff dynasties though sorry for how inconsistent i was... i think he looks Okay. anyways i changed yongs role a bit, ill explain why im adjusting some of their roles later but i kept yong as the Jinx Type character. hes the eldest in his family and has a buncha younger siblings, hes a lion dancer and does performances w his family/siblings. he rly like special effects n keeps tryna incorporate his fireworks into their performances (it flops and he has to sew up the dmg) ill explain more of yongs role in another post maybe shrugs... Here's Yong's Playlist

miss nuru was a bit of a struggle for me i might share my full design process with her coz i did a Bunch of mockups for her😭😭😭... i didnt have a specific country of reference for her but i chose to make her vaguely south asian inspired. i also really wanted to keep the sheer fabric w the star / constellation map. i love that idea its so cute so shes still technically the navigator. but she also wields a sword too, fencing or whatever. (her and varian r Huge Cass fangirls which is probably why she started tryna use a sword (snuck out to watch cass compete) Okay ill talk abt this later) in my head, okay ill Probably make a whole nother post talking abt how im interpreting/writing each chara, but in my head i think nuru is the youngest and her kingdom's archivist. shes mostly in charge of like Her kingdoms history / artifacts / etc. ok im getting too side tracked ill save the lore dump for later but thats Nurus role in the party. Here's Nuru's Playlist

uhm below i made their character stats mostly to help me with planning / role developing. the yellow is their base stats the color behind is their end stats i guess. i was gonna explain my reasoning for their stats but ermm this post is kinda Really long so sorry😭... varian max int for obvious reasons, also max charisma just coz i feel like u kinda learn a thing or two being around a couple manipulators and spending time in jail idk shrugs... (also lets not forget the "ud b surprised what ppl would do for a cookie!") Hugo slippery guy, if a brick is thrown at him as hes running hes gonna try n run faster to shatter it, his mindset is Run Run Run! i think hes relatively agile too but yeah mostly a Speedster. i think he n varian got no Physical strength varian maybe just like A little coz Farm boy but I rly doubt quirin is making him do a Lotta heavy lifting. yong has incredible stamina and agility because hed a performer. nuru is the strongest coz this team would literally Flop without a proper Offense😭... i think varian n hugo r able to outwit plenty of their opponents but i think nuru is pretty good in a fight, same w yong. Yeah Okay Sorry for a Long Long Post thanks hope u guys enjoy

[deadghosy]

I am in desperate need of more chibi!reader.

What if chibi makes mini cakes in their little mini kitchen and decorates them to the characters colors, and possibly flavor preferences?

Thanks if you do this

❤️ anon

AWW THATS SO CUTEEE!!!💗🦆

CUTE HEADCANNNONS ABOUT CHIBI!READER

WARNING: FLUFF💗🦆

You sometimes snuggle with husk as if he was a mother cat as he purrs having his arm over your small chubby body.

Imagine you and Angel having your own poses with Angel. You and Angel definitely have a whole bunch of photos which is so cool.

Imagine you and your bad ASS HOT PINK PRETTY PRINCESS CAR GOING FOR A JOY RIDE! with of course Lucifer beside you as he controls a toy car that has duck designs on it. I mean shittt you guys race as if you are depending your lives on it

Your car broke down…(Angel forgot to change the batteries for you) you sniffled “depressed” until Angel came back to shown you your new HOT GLAMOUR HOT PINK CAR WITH SPARKLES!?

Yeah….you definitely used it to run over someone’s toes as you smirked with your shades on like a badass bitch.

You have an easy bake oven…

NOW CMONNNN YOOU CANT LIE CHIBI! READER BE COOKIN OUT HERE😭

Literally the crew bought you a mini kitchen set and let you decorate it to your [aesthetic] as you smiled having your hands to your hips as you smiled at this.

Vaggie and Charlie sleeping with you beside them like a baby as you twitch 😭ima cry because that’s actually do adorable imaging a baby chibi reader who sleep so cozy to the point you wanna squish their cheeks.

You feed the crew your mini dishes from your mini kitchen which makes them smile at your effort. You accidentally burnt yourself but you huff with a determined squeak as you kept cooking for them.

You were the one who would put bows in alastor’s hair…and Alastor smiled softly at your affection towards him.

A chubby chibi reader who rubs their cheek against the cast’s thumbs with a soft squeak needy for attention for once as they were getting ignored.

A cute headcannon is that, the cast makes a Day schedule who youvwokd be with every week as it’s just fun tk see you come out of the person’s room with a new attitude and clothing choice.

You patted a toy duck thinking it was real as you made a “quack” sound with a squeak as it was heart aching to Lucifer as he grabs where his heart is and recorded the whole thing

You are having a bubble bath tired in a toy tub like I said before as Charlie coos at how cute you are as she scrubs your soft hair

Your favorite cartoon is hello kitty + SpongeBob as it showed how childish you are and were

I headcannon reader to waddle up against to sir Pentious to show how much you love him. That made him tear up a bit as he shows you off to his eggs

You yawn as you snuggle against anything….ANYTHING! You freaking name it-

You definitely get babied like a real baby but you don’t complain as you just be spoiled rotten by affection. They sure damn know

Imagine reader holding a small toy duck as they softly snooze. Like and there is a this ambience music in the background which makes the reader pass out faster.

Alastor has you on his desk as he makes a broadcast as a victim who tried to stomp on you has been murdered…not like you know anyways.

You are definitely the one people can’t leave for a minute as you would piss anyone off in a second. But you are so cute anyone could forgive you.

THATS ALL I HAVE FOR CUTE HCS🦆💗✨

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[snailsagere]

Please read my dni in my bio before interacting

I made a computer games to play when regressed so here's phone games to play when regressed!

Phone games to play when regressed!

All of these games are free unless stated otherwise and I will give content warnings if needed! If I miss anything and you think I should include it then feel free to tell me!

🌸= personal favourites

Monster girl maker 1 and 2

Description- it's a cute dress up game where you design monster girls, it's really really cute!

CW- I think it's got some medically stuff and general stuff that may be scary

My little pony pocket ponies

Description- it's a game where you get through enemies using the mlp characters it's quite tricky so I recommend this more for anyone who regresses to older ages but it's still really fun!

CW- none :3

🌸My little pony colour by magic

Description- it's a colour by number game where you colour in scenes and decorate a friendship museum!

CW- none :3

🌸My little pony magic princess

Description- you rebuild equestria and complete quests as well as little in game competitions!

CW- none :3

🌸My little pony celebration

Description- you celebrate loads of different parties hosted by the my little pony characters!

CW- none :3

Toca world

Description- pretty much like a doll house but on your phone, make characters, make them a house and explore the world etc, there are also dlc's you can pay for which add stuff like new locations etc

CW- none :3

Toca hair salon 3

Description- this is a paid game where you cut and style different people's hair!

CW- cartoon scissors, hair cutting equipment etc

🌸Hello kitty around the world

Description- you travel to different countries as hello kitty, learn facts about them and where they are in world! you also earn traditional outfits and food to dress hello kitty and feed her!

CW- none! :3

Hello kitty educational games

Description- play a variety of different games to earn outfits and furniture for hello kitty!

CW- none! :3

🌸Hello kitty fashion star

Description- dress up girls in sanrio clothes!

CW- none! :3

Hello kitty cafe

Description- own a cafe! And play as sanrio characters! This games a bit tricky so I recommend it for older kids! Aswell as that there used to be in app purchases to make it easier but they do not work anymore so keep that in mind!

CW- none! :3

Hello kitty goodnight

Description- you play little mini games to get the hello kitty family to sleep!

CW- none! :3

🌸Littlest pet shop your world

Description- play loads and loads of littlest pet shop mini games and if you have the lps with the rubbery heads you can even scan them into the game!

CW- none! (I haven't played every mini game but it seems fine)

Cats and soup

Description- this is a clicky game where you unlock cats for them to make soup

CW- drawings of cartoony knives (to cut veggies)

Bunnybuns

Description- you play as a bunny making food for customers based on hints they give you

CW- none (I don't remember if they use kitchen equipment but I think they don't, not certain though!)

My talking Angela 2

Description- look after a cat called angela, play mini games etc

CW- none! :3

🌸Virtual families 3

Description- I grew up play virtual families 2!this is the same premise we're you look after a family on your phone!

CW- none! :3

Tsuki odyssey

Description- similar to tsuki adventure but now you're in a new location, you can fish, buy things, decorate your house and see what tsuki gets up to

CW- I think burglary is mentioned at the start

Cats are cute

Description- expand a town of cats, pet them, feed them and play with them!

CW- none! :3

Adorable home

Description- play as a couple and adopt loads and loads of cats, look after them and decorate and expand your house!

CW- none! :3

Any papa's game

Description- cook food for customers! All the papa's games are paid for but they're only £1-£3! My personal recommendation is papa's pancakeria!

CW- some of the games have knives in them

🌸Pokemon playhouse

Description- you collect pokemon and play cute mini games with them! This is a good game for little kids who like pokemon!

CW- none! :3

Pokemon smile

Description- brush your teeth to catch pokemon!

CW- none! :3

Pokemon go

Description- walk around outside and catch pokemon! Definitely recommend doing this when it's less cold hehe

CW- none! :3

Pokemon cafe

Description- a match three gand where you make food and drinks fir pokemon customers!

CW- cartoony knife+kitchen equipment maybe

🌸Egg!

Description- raise eggs until they hatch into cute creatures! I loved this game when I was little

CW- none! :3

🌸My school-learning game

Description- be a teacher in a school and teach characters basic maths and English (it has a few different language options depending on where you're from) you can unlock things but you have to pay for them but what is free is fun

CW- none! :3

Colouring games

Description- colour in pictures!

CW- none! :3

🌸Jungle floof

Description- raise jungle animals and play mini games!

CW- none! :3

🌸Applaydu

Description- a kinder egg toy game! Loads of different activities to do and you can unlock characters by scanning your kinder toys!

CW- none! :3

🌸Duo abc

Description- learn the alphabet and basic words (only English), disclaimer? Maybe? not the same as duolingo, this app is made for children

CW- none! :3

Extras! (games I found while making this list)

Plants vs Zombies 1, 2 and 3

Description- fight zombies by setting up plants with different abilities! I recommend this for older kids, I had pvz 1 and 2 when I was younger and I was very bad at it haha

CW- zombies, ungorey violence (no blood etc)

Sundae picnic

Description- make ice cream for cats and dogs! (please don't actually give cats or dogs ice cream)

CW- none! :3

Pokemon sleep

Description- collect pokemon by sleeping (sometimes the app doesn't record your sleep properly but usually it's ok, still fun either way)

CW- none! :3

Khan kids

Description- I haven't played it yet but it looks like it has little mini games for younger kids on it!

CW- idk :c

[love-takes-work]

I've seen a fair number of people interpret Rebecca Sugar's (and the Crew's) decision to put Ruby in a dress as subversive, and I want to discuss why that feels like a clear miss to me.

Every time--every single time--I've heard Rebecca Sugar talk about the queer relationships on this show, it comes with this expression of wholesomeness, and often glazed with a sheen of wistfulness, flavored something like "I needed this as a child and young person, and I didn't have it." Much of Rebecca Sugar's work to bring this wedding (and other unapologetic queer relationships) to the screen was framed as an emergency--as in, we HAVE to get this out there for those kids we used to be, because we know they're drowning.

Yes, it's funny sometimes when people make jokes about Sugar deliberately "adding more gay" or "making it gayer" as a big eff-you to the people who spoke against it, but that doesn't sit right from where I'm standing. It took so much strength (and resulted in so much battle damage) to fight that fight, yes. But from everything I can see from the interviews and conversations I've seen and read, this wasn't served up in a "ha-HA, take THAT!" kind of way. These characters having these kinds of relationships should have been a non-issue, and the fact that their very wholesome kids'-show wedding and very sweet kiss and very adorable love for each other was seen as Political when it should have been just two characters in love is so sad to me.

I've seen dozens of people suggest that Ruby is in a dress and Sapphire is in a suit "to fuck with the bigoted censors in other countries" or "to give the finger to gender roles," but again, I think it is simpler and sweeter than that. Rebecca's said that Ruby in a dress is how she feels in a dress. Celebration and exploration of feminine-coded stuff felt wrong to Rebecca for a long time, like it wasn't hers, because she wasn't really a woman and didn't want it forced on her. As a result she was robbed of all the beauty that should have been a non-issue, from what TV shows and toys she was supposed to enjoy as a kid to what kind of person she was supposed to marry and what she should wear as an adult.

Ruby never got a choice about how she looked really. Once she got to choose her presentation for a significant event, this is what she chose. It means so much more to see that than to construct it primarily as a reactionary measure, as if it would somehow foil the sinister censors in more homophobic countries (who, incidentally, are not therefore forced to show Ruby in a dress even though they tried to hide that Ruby was a "she" or that she was in a romantic relationship with another "she"; y'all, they just don't show the episode).

We see plenty of other examples of gender-role-related expectations being casually stepped on and squashed, like when they took the trouble to give traditionally masculine and traditionally feminine "clothes" to some watermelons to make the audience think there was a husband and wife watermelon only to have the wife be the warrior and the husband stay home with the child. With stuff like that, yeah, sure, maybe it's designed to make you think "oh isn't that very feminist of them!" Or maybe it's more "well why do I see this as a 'reversal' when it's just a thing that happened?" This show is full of ladyish beings who fight and have power. And as for Steven. . . .

Nobody has negative reactions onscreen (or even particularly confused reactions) when Steven wears traditionally feminine clothes, and it is (of course) also not presented as a "boy in a dress gag"--it's not supposed to be funny. When they go all in slathering Steven in literal princess tropes throughout the final act of Season 5, we understand that it's because the powerful Diamonds expect him to be Pink Diamond, not because the show is trying to girlify him or embarrass him or even make the audience think positive thoughts about boys in girls' clothes. It's more neutral than that in my interpretation: "these are literally just pieces of cloth, and while some of them have meaning, they don't inherently have a gender." I don't see this as transgressive. It's just in a world where putting on what you want to wear doesn't HAVE to be a political statement. (Though obviously it CAN be, and plenty of people wear a variety of clothes as a fuck-you to whoever they want to give the finger to. I just don't see that as happening here.)

Don't get me wrong; Rebecca Sugar certainly knew about the politics (intimately) and has lived at many of their intersections. She was not ignorant of how queer people are seen in this world. She was silenced as a bisexual person because her identity supposedly didn't matter if she was with a man and planned to be with that same man forever. She was shunted into "omg a woman did this!" categories over and over again, which she wore uneasily as a nonbinary person while accepting that part of who we are is how the world sees us. But what is it like if everything someone like her embraces is seen as a statement synonymous with "fuck you" to someone else?

She is married to a person who happens to be a man and happens to be Black. Her relationship isn't a "statement" about either of those aspects of his existence; her love is simply something that is. She is Jewish working in a society that's largely Christian. Her cultural perspective to NOT center her cartoon around Christian holidays and Christian morals; her choices to make an alternate world in this specific way is simply something that is. Her queer perspective as a nonbinary bisexual person has helped inform the Gems' radical philosophy of "what if we learned to explore and define ourselves instead of doing the 'jobs' we're assigned and being told it's our nature?" Her decision to include queer people in a broadly queer cartoon isn't designed PRIMARILY as a battle against baddies, or to drown out all the relentless straightness, or to deliciously get our queer little paws all over their kids' TV. It's an act of love.

So this is just to say that though I DO understand that sometimes subversion and intentional transgression are very necessary, I do not think that's the HEART of what's going on at this Gem wedding. We got a wholesome marriage scene between two of the most lovely little flawed-but-still-somehow-perfect characters, and I very much want to see their choices as being about them. About how Ruby feels in a dress. About how Sapphire feels about not having to always wear a dress. About them incorporating a symbol of their union into their separate lives so they can have some independence in their togetherness. About them celebrating their love by letting Steven wipe his schmaltz all over them.

There are many choices in the show that ARE carefully constructed to counter existing narratives, you know, giving the Crystal Gems' only boy all the healing, pink, flower imagery; having a single-sex species that's ladyish with all the members going by "she"; featuring many nurturing male characters who cry and cook and raise kids without mothers; pairing multiple fighty ladies with gentler guys; and importantly, intentionally loading up the show with stories, characters, and imagery any gender will find appealing despite being tasked with expectations to pander to the preteen boy demographic.

But it's very important to me that the inclusion of queer characters and the featuring of their choices be seen primarily as a loving act, and way way less of a "lol screw the bigots." I want our stories to be about us. Yes, I know it's a necessary evil that sometimes our stories are also about fighting Them. But every time I see someone say they put Ruby in the dress to "piss off the homophobes" or "stump the censors" I feel a little gross. Like the time I picked out an outfit I loved and my mom said I only dressed in such an obnoxious way to upset her, and I was baffled because my aesthetic choices, my opinions, my choices had nothing to do with her. Yet they were framed like I chose these clothes primarily to cause some kind of petty harm to her, when not only was it not true but I was not even that kind of person who would gloat over intentionally irritating someone.

The queerness of this show isn't a sneaky, underhanded act trying above all to upset a bigot or celebrate someone's homophobic fury. It lives for itself. Its existence is about itself. It's so we can see ourselves in a show, and it's so people who aren't queer or don't have those experiences can see that we exist, we participate, we want very similar things, and definitely are focusing way more about celebrating our love at our own weddings rather than relishing the thought of bigots tearing their hair out and hating us.

It's dangerous to turn every act of our love into a deliberate movement in a battle strategy when their weddings just get to be weddings.

I think there’s this idea that that [queer characters] is something that applies or should be only discussed with adults that is completely wrong. And I think when you realize that talking to kids about heteronormativity is just like air that you breathe all the time, it’s kind of amazing that that is not true in any other capacity. I think if you wait to tell kids, to tell queer youth that it matters how they feel or that they are even a person, then it’s going to be too late! You have to talk about it—you have to let it be what it gets to be for everyone. I mean, like, I think about, a lot of times I think about sort of fairy tales and Disney movies and the way that love is something that is ALWAYS discussed with children. And I think also there’s this idea that’s like, oh, we should represent, you know, queer characters that are adults, because there are adults that are queer, and you should know that’s something that is happening in the adult world, but that’s not how those films or those stories are told to children. You’re told that YOU should dream about love, about this fulfilling love that YOU’RE going to have. […] The Prince and Snow White are not like someone’s PARENTS. They’re something you want to be, that you are sort of dreaming of a future where you will find happiness. Why shouldn’t everyone have that? It’s really absurd to think that everyone shouldn’t get to have that! --Rebecca Sugar