#I WANT MONSTER BABIES...
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lordrandreaming · 1 year ago
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Me when I hear MH Stories 2 Wings of Ruin is announced for PS4...
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saturnisaturnip · 3 months ago
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Mizustune 🫧
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high-in-the-tower · 2 months ago
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It actually meant so much to me to see the original Mina/Jonathan dynamic honoured in Nosferatu (2024). The way they loved each other so much, did everything for the other, clung to each other in the face of the Count's individual assaults upon them...I'm so used to seeing adaptations take this actually really great couple and tossing them into a blender for the sake of propping up the Count's character and his *not book accurate* relationship with Mina. I was so worried going into this movie I'd been hyping up since the beginning that it would fall into the same trap, and it soothed my fears immediately. The only straight couple ever in my eyes <3
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Danny was...unnerved, which is unusual considering his upbringing as the child of mad scientists obsessed with the undead.
It had been a few weeks since he had moved into Wayne manor after a conflict between batman and his parents, which led to his home and his friends and family being blown up in a lab malfunction. Most of Amity Park was destroyed in the blasts, including Vlad and his mansion.
Usually Danny would be more suspicious of super rich dudes, but the sorrow in Bruce Wayne's eyes as he pleaded to let Danny take him in was genuine and well, Danny didn't exactly have anywhere else to go. Plus, Bruce looked weirdly guilty when danny told him none of this was his fault, which was weird. Jazz was in college and always looked exhausted on video calls, so he didn't want to bother her there.
The part that bothered him most wasn't that there was anything dangerous or bad happening, but rather the opposite.
Danny was used to dodging his home security system when it randomly targeted him. He was used to ghosts popping up out of nowhere to suckerpunch him. He was used to danger.
And now that there was none, he was jumping at shadows.
Things got better when he met Psaro. He was in the process of being either mugged or kidnapped, he wasn't sure, when this angry goth teen with silver hair and ruby eyes literally came in swinging a steel chair. After the beat down and subsequent rescue, Danny offered to buy them some food. Psaro tried to reject the offer until his stomach suddenly growled, making him blush, and Danny dragged the older goth teen to a restaurant.
They've been best friends since. Psaro later introduced him to his friends Rose and Toilen, explaining that they weren't from this world and that Rose was an elf and Toilen was a Teran from a planet called Terrestria. Danny assumed that Psaro was an elf like Rose due to them both having long pointed ears and mostly focused on Toilen thanks to the "other planet" bit.
Meanwhile, the bats have been keeping an eye out on Danny (aka stalking him) and his new, obviously magical friends.
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starcurtain · 5 months ago
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Following Topaz's explanation that Cornerstones are made to fill the hole in the user's heart, what "hole" in Aven's heart do you think his drag queen powers are meant to fill? Especially since Topaz remarks he's the only one with such showy powers
Still trying to catch up with all the messages in the inbox; sorry to everyone for taking a million years to respond.
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So cunty, and for what???
Anyway, first, when Jade talks about the Stonehearts' "voids," the alternate reading above that word is actually "ambition." And she mentions that the reason she risked reaching out to Firefly is that she views herself as similar to Firefly--Jade is someone with an unfulfilled wish.
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I think there's enough here to suggest that the Stonehearts' voids are not quite what we would normally think of when hearing the word "void"--rather than being best understood as something removed or something lost, their voids seem to be "something desired." An unfulfilled goal. An unmet need. A burning ambition. A secret wish. They all have somewhere they want to get to, and they've signed on-board with Diamond's Preservation project because his power is the fastest way--maybe the only way--to get there.
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The implication here, by the way, is that the Stonehearts are acting out the very act of Preservation itself with Diamond. The goal of Qlipoth is for the universe to be saved, an unshakeable resolution to stop Destruction's wanton obliteration. Thus, Preservation itself can be understood as "A desire that must be continuously protected and relentlessly pursued." To live. To endure.
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In using the power of an emanator to protect and provide the Stonehearts with ways to pursue their own desires, we replicate in miniature the exact resolve and endless pursuit of perseverance that Qlipoth is acting out in the broader universe. The will of Preservation empowers the Stonehearts--and in turn, the Stonehearts swear an oath to aid in Preservation's mission. It's a mutually beneficial arrangement, and it also simultaneously imitates Jade's shop perfectly: I'll give you exactly what you want, if you give me what I need.
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I should clarify that I don't actually think the cornerstones themselves fill the Stonehearts' voids. Rather, they seem to me to be a tangible symbol of the oath between Diamond and the Stonehearts--"I'll give you this power to fulfill your deepest wish, if you work for me." Jade suggests that the power of the cornerstones provides Stonehearts with the means to fill their voids (I.e., having superpowers makes it possible for you to pursue your wish), so I think their individual cornerstone abilities are best understood as "The exact power I need to achieve my particular goal."
So what does that say about Aventurine's "showy" transformation?
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Pretty much all the rest of this is just going to be my personal speculation, but I'd say the most telling glimpse we get into why Aventurine's power is so "visual" comes from these lines with the future "Aventurine" in 2.1:
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There's two completely contradictory desires being expressed here: Aventurine's life "is the chip he's most eager to lay down" and "always has been"--that is, he genuinely wants to die. He isn't just willing to gamble with his life, he's eager to. The future "Aventurine" also says real Aventurine wants to be "polished up" (to be controlled and molded by others) and "cuffed with red-hot chains" (to be made powerless and not responsible for making his own decisions, to be punished).
But conversely, the real Aventurine also wants to be perceived as "a smooth operator" and "the solid gold deal-maker who doesn't waste a drop of sweat." He wants to be in charge of his image. He wants to be the one who controls the narrative and defines how others think of him. He wants to be "spotlit center stage"--to command the eyes of the world. In short, we could say that Aventurine wants his death (and conversely, his life) to mean something.
From these conflicting desires, I think you can derive a few totally opposite but equally valid interpretations of why Aventurine's cornerstone power is so "visual":
A combat-oriented transformation is another means to seek death.
Jade's power is scary, but she isn't using it to literally launch herself into fights. Topaz's seems to be similar--something that might allow her to win over her opponents in some way (she was about to use it in Belobog to no-sell the Trailblazer), but she clarifies directly that it is not a "transformation." Aventurine just literally turns into a boss enemy and goes straight out on to the battlefield.
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In the fight, he doesn't even use shields. (Now whether that's something he never does because the cornerstone powers don't actually come with shields while in his monster form, if he couldn't use shields because his cornerstone was broken, or if he just chose not to use shields in this fight to give Trailblazer and Co. a fighting chance, only time will tell. However, it might be worth noting that his empowered Apocalyptic Shadow form doesn't come with shields either, despite having other new mechanics.)
The point is, this form, while looking cool and seeming strong, is actually a gamble in and of itself. To go out onto the battlefield, where you might not actually be the strongest combatant, is always a risk. And I think this is the kind of risk that Aventurine manifests continually in his life. He is constantly creating opportunities for his own luck to fail. His unfulfilled desire, the "ambition" he was desperate enough to join the Stonehearts to pursue--as his original goal to save his people is completely gone, his only current goal might actually just be a chance to die. His powers may manifest as a combat-oriented transformation because that is just one more way to throw himself into the crossfire.
In fact, this is exactly what Sugilite accuses him of in Jade's myriad celestia:
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You didn't need to snatch his wig this hard, Sugilite. (Also I need you all to know I originally wrote "You didn't need to come for him this hard, Sugilite," but then I realized how unfortunate that wording was, so...)
You could even argue that the fact Aventurine's transformation comes with a mask that obscures his entire face is a sign that we're supposed to see this form as dehumanizing.
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The facial features are completely obscured and asymmetrical, there's no mouth, his fingers have become claws--despite his body staying mostly human-shaped, it's obviously intended to hint at something monstrous, subsuming his original identity behind a violent facade.
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Kakavasha disappears entirely behind "Aventurine" when he transforms, becoming a faceless enemy at the risk of (perhaps in hopes of) entirely losing himself. Maybe every transformation lets Aventurine throw himself closer and closer to the edge of death--and perhaps, before Penacony, only death could ever have filled the "void."
But, on the complete opposite hand (because Aventurine is always both sides of the coin), we could also argue the other end of the spectrum entirely:
A combat-oriented transformation is a show of force.
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This screencap brought to you by Mr. Rubhen925 of Youtube.
Aventurine's entire life has been marred by disenfranchisement, by violations of his basic human rights, freedoms, and agency. At every turn, he has been victimized by others more powerful than himself: his childhood consisted of his clan being relentlessly hounded and hunted to extinction by the Katicans, having their food constantly stolen, their meager belongings burned to the ground, and each one of his family members systematically slaughtered, often in front of his eyes.
After his childhood, he was bought and sold as chattel for pennies, branded like an animal, and forced into a fight where to he had to beat other innocent people to death just to keep himself alive, all for the entertainment of the masses. Even Jade, who promised to help him achieve his goals, treats him like a business investment more than a friend.
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In Penacony, we watch everyone he talks to degrade and ostracize him. Even though Aventurine led him into doing it, Sunday tortures and re-traumatizes him live for our entertainment.
Even more that, we see Aventurine constantly struggling with the question of whether his life is really his own or whether his blessing from Gaiathra means that his entire existence has been predetermined, his fate sealed in blood and sand from the very moment of his birth, utterly inescapable.
No matter how Aventurine tries to portray himself as the ultimate winner, he's only ever the "final" victor--being the only one left standing at the end is meaningless if on the road to getting there, you were treated like fate's favorite punching bag. Winning in the end is utterly pointless if on the road to winning, you still lost it all first, from the things you loved to your personal freedom.
What does a person who has been made powerless again and again truly desire? What void do you seek to fill if life has denied you your agency over and over?
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Power. Dominance. The ability to literally strike back at those who've wronged you. The strength to intimidate and force people into a corner the way you've been intimidated and forced before.
If we say that Aventurine's "void" is not a literal desire for the release of death, then it might make sense for the "void" to instead to be a frantic desire to gain control over his circumstances. To be the one finally in charge of deciding his own fate.
Particularly in light of his character story which tells us that Kakavasha's original goal for joining the Stonehearts was to save his people, the desire to take on an impressive form that screams "I'm powerful" and has the ability to physically enact vengeance on others feels directly aligned. And it remains aligned even after the reveal that the Avgins are all gone--once more fate strips Kakavasha of his power to make a difference in the world, to achieve what he truly dreams of.
The Apocalyptic Shadow version of his boss fight is called "Desperate Diceroller."
How angry he must be, deep down. How hateful the world must seem. How sad it is to feel that way.
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If destiny won't let you out of the cage, your only choice is to grow claws to tear it open.
Okay, but WHY so much swag though?
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Are the peacock feathers and spandex really necessary?
Listen. Everyone talks about Ratio having "gifted kid" syndrome, but I'm here to tell you that Aventurine is actually a burnt out gifted kid extraordinaire.
He's literally, canonically, explicitly the chosen one of his people.
From the moment of his birth, his mother and sister--and presumably others in his clan even--were telling him that he was their clan's most precious treasure and that he would lead them to prosperity and safety.
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He carried this weight even after fleeing from the massacre, all through his childhood and teenage years, through slavery and abuse, putting his very life on the line to join the IPC in hopes of finally fulfilling the destiny his mother and sister promised he could.
He was supposed to save them. That was his meaning. That was his purpose in life.
But he was too late.
The fate he was born for, raised believing, and risked everything to achieve... is still incomplete.
So, for all that talk about suicide and power-seeking, my real answer is this: Aventurine's "void" is his unfulfilled destiny.
His whole existence has been predetermined, his life's journey laid out in prophecy and blessings from the very beginning. Yet what he thought was his fate betrayed him, and where you head after becoming an unsuccessful chosen one is a question without answer.
His thoughts constantly circle around how he is a "failure" and a "loser."
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When you have no sense of purpose, when your life has no meaning, when what you are still seeking is the role you were supposed to have from the moment of your birth: the glorious destiny of being a savior, being the "happiness" of your people, being the hero...
Of course you crave the spectacle. Of course you long for the spotlight--you long to be recognized. Because Kakavasha's the chosen one. "Spotlit center stage" is where he's supposed to be--in the leading role that was stolen from him.
I think that Aventurine's cornerstone transformation is so flashy because, at the core, it represents a longing to truly be the "precious wealth" of the Avgin that his sister promised him he would be. It represents his desire to transform from a useless, "discarded" person into a larger-than-life version of himself. (Hey, fun fact, out of every official depiction of Aventurine, his boss model wears the only outfit in which his slave brand is not naturally visible.) He literally transforms into a supernatural being, capable of seizing others' fates in his hands. It represents the power he needed to save his people and himself. Its extreme flashiness screams for attention, demands to be witnessed as something beyond a helpless human.
It's almost as if Aventurine is a child writing a wish-fulfillment story where he transforms into a hyper-glamorous, all-powerful masked superhero who is capable of saving the day and winning against his enemies every time.
Unlike Jade and Topaz, Aventurine can't hide his deepest desire. It was always going to be a "transformation," because Aventurine's unanswered wish is to be someone better than himself.
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His "void," his deepest unachieved ambition--it's written right there, all over his body.
Aventurine's cornerstone power is a story he's telling himself about the person he was supposed to be.
But as Acheron claims, that's life itself.
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Aventurine doesn't feel like he has any control over his journey's ultimate destination.
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He doesn't know where's he's headed or what the purpose of it all is. But...
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Jade explicitly describes the Ten Stonehearts and Diamond's endeavor as a "journey" as well:
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Because Preservation represents the continuance of life itself, and the Stonehearts with their endless "voids"--Aventurine with his soul-deep longing to become someone better than himself--represent all of us very real human beings, trying our best to find our own "cornerstones," to gain the means to finally, finally achieve our own sweet dreams.
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mrmeepsmadmind · 4 months ago
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his horns (finials) (idk)(ears)(whatever) shaking... the jumping ??? the struggling 😭 the off center twitching ..he is PISSED. AWF !!!!!!
#his defeat being planned makes this either hes playing up his rage bcs he definitely played up his defeat#or a mixture of playing up his rage and actually being a little pissed bcs he wanted to get more licks in but couldnt#anyways i cant take him sersiouly with those big ass ears#like an angry kitten trying to escape the burrito calm down blanket of doom#his helmet shape is so cute to me inearth spark it almost looks like a 80s mom hairstyle with the hair#cropping a symmetrical curve around her face or smthing#tbh if u are delusional enough all soundwaves are hot moms#i mean come on it's a given#except the animated one. he was freshly birthed. a little baby#megatron and optimus watching him freak like : 😦#optimus: so he served under you#megatron : oh Yes 😼..#meg: iMEAN yeah 😦#meg: i mean .. yes 😞..#need somebody to clip all soundwave appearances pls all seasons need it. NOWW!!!!!!!#at first i wasnt a big fan of his voice bcs i think when ppl try to harden that demonic voice underneath the autotune factor#which is rlly cool#they can kinda go too hard and it sounds almost too cartoony like a cartoon monster villain whos not calculated but vry primal#which goes against soundwaves whole cool calculated spy techno soundguy thing#but im warmed up to it now bcs it's a cute contrast like. u see this beautiful mech with magnificent curves & ure like omg hey hot mama#and then a voice from the 9th circle of hell growls at you like thats lowkey hilarious#dont mess with a bad bitch !!!!!! who just had a bad break up!!!!#he WILL kill u !!!!!!!!#soundwave#transformers#maccadam#tf#tf es#tf earthspark#arcee
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jotigerjotiger · 2 years ago
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officer you dont know what she means to me
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hilacopter · 8 months ago
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hey remember that time social justice activists boycotted a film company into erasing jewish representation from their movie
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bones-of-a-rabbit · 1 year ago
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Listen. A little baby gives you a title? That’s your crown to wear now. You Are Ba-Ba Now. Sorry I don’t make the rules
(Aka, Free Baby Saga 2.0: where Pirate-Eclipse and Seamonster-Y/N have to an unexpected adoption of a baby selkie and are somehow The Best Parents ever! Bc I said so <3 )
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grumpy-bat-central · 4 months ago
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Shitty sketch but
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I'M NOT WRONG
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kyo-hiki · 10 months ago
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thinking about him... <3
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howlonomy · 10 months ago
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GAAAAAAAASP!
We know monster Clover wasn't able to play in the snow back before they fell into the underground, but what if it did they get christmas?
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christmas in april moment :]
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skubricks · 4 months ago
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"Shut the fuck up... Look at me. Open your fucking eyes and look at me. Does that feel good? Yeah? Fuck you."
Cooper Koch as Benjamin in Swallowed (2022) dir. Carter Smith
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sergle · 5 months ago
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tonight I watched Return To Oz, for the second time in my beautiful life, and girl this is a HORROR MOVIE for children
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nerdyfangirlmel · 1 year ago
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Listen listen listen. If they keep up with the adding flashbacks. They’ve gotta be doing Annabeth flashbacks (because that’s what fits sea of monsters best) which not only means babybeth but also that we would get meet Thalia sooner so then they can cast Thalia and have her in it for more than a hot two seconds at the end. Since she’s supposed to be around the same age between her “death” and return.
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magpie-trove · 29 days ago
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What if I learn 2D animation
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