#I READ TOO MANY QUOTES

[i-am-not-a-who-i-am-a-what]

so about the header that proceeded today's statement:

Viability as agent: Low

Viability as subject: None

Viability as catalyst: Medium

i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?

the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."

the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."

the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."

so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.

imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?

it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.

and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?

[cerealbishh]

"The world's lucky to have you."

[sincerelymarner]

credits: on the bus with cammi & aj / cbc / espn / please look after mom, kyung-sook shin

[sallymew4]

kids when they hear that their dad is back in town VS. kids when theyre hanging out with a conman that accidentally stole their wallet once

im not even joking btw

bonus heres me being crazy about them in dms ^^^

[starpros-sunshine]

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

[queeringclassiclit]

Elphaba Thropp

from Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire (1995)

propaganda:

“She was castrated at birth,” replied the Tin Woodman calmly. “She was born hermaphroditic, or maybe entirely male.” ...“She’s a woman who prefers the company of other women,” said the Scarecrow. (when Elphaba is born) “Another willful boy,” said the fishwife, sighing. “Shall we kill it?” “Don’t be so nasty to it,” said the crone, “it’s a girl.” “Hah,” said the bleary-eyed maiden, “look again, there’s the weather vane.” For a minute they were in disagreement, even with the child naked before them. Only after a second and third rub was it clear that the child was indeed feminine.

submitted by @florencewelchsgrapejuice

[averlym]

no one would notice if i ever vanished // if bodies could sustain // this never-ending army // like blood pumping through a vein

(click for better resolution!)

:OOO hello. anyway since these are all posters i'd have in an ideal world or smth and i'd like to store the high res versions somewhere,,, here's the google drive folder for them? hehe ''

close up!

[geryone]

Reading a novel & thinking yeah we all took the same theory courses in college huh

[junkjounral]

June 6, 2023

“There is no difference between trying to love and loving” —Joy Ladin

[kashilascorner]

Okay!! Done with The Count of Monte Cristo. That was a ride. I did not enjoy the ending in itself much. The final chapter felt a bit disjointed and while I can understand Edmond was trying to teach Morrel and Valentine a lesson that's more important than any treasure, I think keeping them apart was unnecessarily convoluted and, frankly, cruel, especially keeping Valentine in the dark about her family's demise.

That being said, compared to the 2024 movie, which was my gateway into the book (spoilers for the movie ahead):

I still think it was very well adapted and I generally enjoy the changes made.

In particular, Benedetto/Cavalcanti's storyline in the movie works wonderfully and his relationship to both Eugénie and Haydée was cute. I do prefer this Cavalcanti over book!Cavalcanti because he feels more rounded. However, the movie cannot top Villefort's demise in the book. It's extremely good and heart wrenching.

The movie utilizes Albert and Haydée in the end in a vaguely similar way to Morrels and Valentine in the book, which was appreciated. They close the circle their literal or adoptive parents started and Edmond sails off on his own and I think there's a lot of beauty in that too.

I disagree that the changes made to Haydée's character in the movie reinforce the orientalism. The movie did not even try suppressing (or addressing) the orientalism, I do agree with that, and believe things could have been handled better. But Haydée's seduction game is entirely premeditated. She's not alluring as a walking oriental femme fatale, she is rather explicitly made to look that way. She and the count play with that as part of the trap they are laying for Albert. This mirrors Cavalcanti's trap too. It is similar to the way "Sinbad the Sailor" metaphorically seduces Franz d'Épinay in the book when they first met. I'm not saying it was perfect though. I'd say the orientalism in regards to Haydee has more to do with casting choices, costumes and treatment of her background than with the narrative use made of her in the movie. Sorry, but revenge-seeking willing to seduce her way to her goals movie!Haydée that still has a filialish role to the Count is definitely more appealing to me than submissive (literally a slave), love-sick book!Haydée who most of the time only waits and pines. She does testify against Fernando on her own accord and free will and shows an absolutely amazing strength and I love book!Haydée for that but it's not often that she gets to shine like she deserves.

Making Edmond and Fernando childhood friends is actually good, I loved that! But making the Mondegos an already affluent and well positioned family by the beginning and making Mercedes/Edmond lowkey forbidden because of class difference was not so good. One of the most interesting things in the book is getting to see just how much their status improves -with Edmond being the price to pay.

The movie does go much easier on Mercedes, WHICH SHE DESERVES. The aspect of her being "unfaithful" is moderately prominent in Edmond's discourse in the book, even if Edmond tells her to her face she's a saint. Given her ending, I think the book narratively does punish her for that so-called infidelity which I personally believe to be absolutely unfair but. 19th century right.

Other book things I prefer over the movie: Fernando's ending. The final battle was super fun to watch but sorry. Fernando offing himself because his family left him adds a whole other layer of tragedy and gives him a sort of redeeming quality (even if in the book they don't really put it this way). In the movie he has no redeeming quality lol

Also. I get why Noirtier was not much there. Same happens with the Morrels and Valentine. But Noirtier is one of the characters from the book that fascinate me the most so I'll miss him

[acourtofquestions]

Overhead, the stars shone clear and bright, and though Mala had only once appeared to him at dawn, on the foothills across this very city, though she might be little more than a strange, mighty being from another world, he offered up a prayer anyway.

Then, he had begged Mala to protect Aelin from Maeve when they entered Doranelle, to give her strength and guidance, and to let her walk out alive. Then, he had begged Mala to let him remain with Aelin, the woman he loved. The goddess had been little more than a sunbeam in the rising dawn, and yet he had felt her smile at him.

Tonight, with only the cold fire of the stars for company, he begged her once more.

A curl of wind sent his prayer drifting to those stars, to the waxing moon silvering the camp, the river, the mountains.

He had killed his way across the world; he had gone to war and back more times than he cared to remember. And despite it all, despite the rage and despair and ice he'd wrapped around his heart, he'd still found Aelin. Every horizon he'd gazed toward, unable and unwilling to rest during those centuries, every mountain and ocean he'd seen and wondered what lay beyond... It had been her. It had been Aelin, the silent call of the mating bond driving him, even when he could not feel it.

They'd walked this dark path together back to the light. He would not let the road end here.

[youjustwaitsunshine]

i love you historical epics with prefaces and footnotes i love you bilingual historical epics with side by side verses i love you historical context i love you endless appendices i love you explanation for the historical text that makes up half the book

[nicolibbyquotes]

“Other lives, other existences, it didn't matter. They were polarities, and wherever they went, his half would always find hers.”

- “The Atlas Complex” by Olivie Blake

[ikishima]

My #1 advice for people moving out is to NOT buy nonstick cookware... not only is the lifespan of nonstick a MAXIMUM of 7 years (usually more like 2-5 years) but teflon, aka Polytetrafluoroethylene-- the plastic coating that makes the cookware nonstick, infuses microplastics into your food.

New cookware sets can cost hundreds of dollars so my advice is to look for 100% stainless steel cookware in thrift stores. Safer, cheaper, & instead of needing to replace every 2-7 years they can potentially last you the entire rest of your life AND they won't start shedding plastic into your food

[lia404]

"Ai, living has no answer."

"When we're in pain, we search for an answer to feel better. A concise, absolute answer. But if you really want an answer��� it's that there is no answer. There are no absolute in this world. Even if we think there is, in the end, it'll only make us feel better for a moment.

If there are no absolute, then what's left?

Bonds. Bonds between individuals. Bonds between one another. That's all there is.

That also changes with time. A huge trigger can cause a huge change. Bonds may be severed. But new bonds can also be formed. So living is a series of bonds.

That's what life is.

I have to do that forever?

Yes.

That's a lot of work.

Yeah.

I'd need to be so strong.

That's why people become stronger. That occasionally leads to conflicts. But even if that happens, we have to keep fighting. Keep searching for bonds, even if there's no answer.

You can't rush living."

So I saw on MyFigureCollection that October 13 was maybe possibly Yusaku's birthday, although I couldn't find any reliable source for this. I'd have loved to do something nice and light-hearted for the occasion, but I'm still feeling too strongly about it all. So here you are instead: Happy (maybe) Birthday, Yusaku! Please have some trauma to go with your trauma. Here's to another year of fending off expectations and looking for your own life and its non-answers with eyes wide open and always filled with hope.

[lokh]

Thought of something after seeing fanart of Dungeon Meshi! Laois keeping some monster habits/power, but mostly his sense of smell. So anytime Shuro feels "heated" *winkwinknudgenudge* Laois knows

OOOO it would be fun if it was tied to the idea of ""desire"" like laios still wanting to consume desire in some way and being able to sense it eyes emoji......