#I Once Knew You...

[puppyeared]

thanks @chipper-smol for getting me ISAT i will be so irresponsible with the looping

[khruschevshoe]

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

[iwasbored777]

These two scenes mean so much to me. Logan really believed that his purpose will be fulfilled only if he dies a hero and Wade didn't want to let him die. When they saved the world and survived, Logan wanted to walk away from Wade but Wade asked him to stay. Logan thought that he isn't going to get a happy ending and probably that he doesn't deserve one but Wade didn't want to lose him. Imagine how Logan felt, after so many years of being alone, to finally have a friend who actually cares about him and wants him to be happy.

[poorly-drawn-mdzs]

oh hey! i was reading a fic the other day where Wangji was once misspelled as Wangu. which leads me to: MDZS Pingu-style??? noot noot!

Do you think love can bloom on the sea ice?

[regulusrules]

Do I know you? // I thought I knew you.

BBC Merlin (2008) - s01e01 // s05e13 parallel

[quigzahhutt]

his little head shake ...

"I didn't wanna sound stupid, so" and then his little feet taps 🥺🥺

[claraoswalds]

#mrs flood who are you: time lord edition

[queenwhoneverwasx]

'...In the meantime I am here. And Meleys. We will not let the Queen falter.' - Rhaenys Targaryen in 2x02

[egophiliac]

I love your take on Crowley!

I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?

I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.

thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.

that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...

[constelationprize]

Thinking many many thoughts about how Jean was Riko's partner for a YEAR and was still rooming with Goon #3. Because that was how unwilling Riko was to let go of Kevin. And how that implies that Jean was placed as his partner both because of the practicality of Kevin being gone AND as a punishment for letting him go in the first place. Being partners with Jean could actually slow Riko down depending on how often he's hurt (because I don't think Riko was all that exempt from the rules to the point where his partner's performance would completely not matter) and he was still placed there. Riko was just THAT angry at him over Kevin's escape. And all the while he was keeping Kevin's side of room like an altar, even back when he didn't even think Kevin could PLAY, because of an injury he caused.

[tangledinink]

OH MY GOD IS HE MISSING HALF HIS PLASTRON?!?!!! AGANGKUSGKUAVKUSUKVAI MY BABYYY

lmao yeah they've had this discussion a few times now. it's slowwllyy starting to sink in for don now.

[ swanatello ]

[casualavocados]

You should stay away from me. I'm no longer with the gang. I didn't agree. Our boss already agreed four years ago. Pull over and let me out of the car. I'm your boss!

KISEKI: DEAR TO ME Ep. 01 / Ep. 09

[hooned]

riki when he saw a child engene in the crowd ⭐

[sunnlily]

"it hurts to be something, it's worse to be nothing with you" from promise - laufey

dan heng's indifference to jing yuan hurts :^)

[benevolenterrancy]

what I'm learning is that MXTX series really have ☆*: .｡The Range｡.:*☆ and that my first impressions often don't survive for very long...

MDZS, initial impression: ooh revived necromancer that everyone fears, this is going to be dark and revenge-fuelled

MDZS, subsequent impression: these are Silly Lil Guys off on a romcom murder mystery

SVSSS first impression: nerd who got isekai'd into a shitty novel, crybaby puppy dog imprints on him

SVSSS subsequent impression: how many times now has the love interest tortured the main character? should I start a tally?

(i've only just finished SVSSS bk2, please no spoilers!!)

[haveihitanerve]

Renewed Orphan Grief

Clark barely sees it coming. He doesn't even see the hit. Only sees the aftermath. Bruce crumbles. Hard and quick and final. There is a sudden stillness to the battlefield, a hush rippling over everyone, good and bad, villain and hero. The villain pauses, caught off guard. He hadn't expected it to work. He hadn't expected to kill- “BATMAN!!” the screams shatter the silence, cleaving across the battle like knives. Clark turns. Nightwing is barreling towards his fallen former mentor, hardly registering the people he flies over, legs moving in a blur. Red Robin is right behind him, hurtling for Batman as well, almost fast enough to rival a speedster. Robin himself is already there, pushing and pulling and tugging, demanding he “get up!” and “fight!” and “stop playing please father!” Clark cannot stand it. He turns, and sees that there are more than just three voices. “BATMAN!!” Spoiler, the purple demon Bruce had once called her, is running faster than he has ever seen a human, and he can already detect the salty scent of tears. “B!” Red Hood drops his guns, sprinting for the other Gotham hero, the man they all thought was his enemy. Another child appears at his side, silent, undetected, ‘orphan’ Clark’s brain supplies numbly. Batman’s shadow. There’s a sudden roar of defiance and someone new and yet old is there, red hair flowing, metal braces around her legs, a bright yellow bat proudly emblazoned on her chest. The Signal is at her side, and they collapse like alk the others at his side, pulling Robin away and begging, pleading, pushing their life into him, sobbing for him to just “get up, please.” and Clark can’t stand the voice cracks and the shaking sobs, can’t stand the numbness in Red Robin’s eyes and the lack of a smile on Nightwing’s face. The battle resumes, slowly, and suddenly the kids are awake again, tearing across the field like wraiths, ripping through anyone who gets in their way. Clark spots their final destination. The villain does too. He scrambles into his jet, screaming, “go go go!” But its too late. They converge, scrambling up the sides like spiders, nimble and fast and far too agile. There is a silence emanating off them that is unnatural, unheard of. Clark has felt grief before but nothing like the things he can feel wafting off of them, and J’onn falls to his knees, cradling his head in pain as the wave finally hits him. “Please!!!” The villain screams, and they cannot see him anymore, theres a solid wall of bodies between them and his voice. “Don’t kill me!!” At that, they finally pause. “You killed our father.” Nightwing says finally, voice echoing across the expanse. “He had a rule against killing.” Red Hood cracks his fingers. “He might have pleaded your case.” The children, as a whole, step closer. “He’s not here to do that anymore.” Clark covers his ears.