#I MEAN YEAH...? KIND OF.
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1800duckhotline · 1 year ago
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i know u mentioned salice and gale have stuff going on can i ask abt it ?
you can always ask about it. this ask is from a week ago. i am sorry. i promise you that ive been honestly like digesting the game ending and juggling how to answer this at the same time. ill try to be very short and brief with my Thoughts
I'll still put this under a readmore after a bit because it might still be long and embarrassing LMFAOOOO
The short of it is that it starts rocky when the adventure starts because Salice has like. a potent dislike for wizards (i'll hear you say: vera you said her best friend is a wizard and her grandma too. i say: i'll get to it) and so immediately she would find him Insufferable. This is mostly a one-sided thing though bc I imagine him going "I'm just here man. I didn't do anything to You"
For how otherwise like harmless Gale is, she would find his lackluster humility and tendency to slip into condescending tangents very annoying, and in my head she'd always have to make quips or remarks about it. As it is one-sided on her part, I imagine he still acts amicable and tries not to turn discussions into arguments, even if her unwarranted hostility can get grating
This is also because salice in general is a distant, aloof individual who's acting as the nice guy out of pure circumstance. She's been on the road for more than 4 years after a bounty was put on her head in baldur's gate; she hardly trusts, and retains most of her past prejudices against those who are naturally gifted in magic, or are in general more attuned to it. [a/n: the details of this are in her biography] Since I imagine Gale being insightful enough to notice this, but not wanting to pry about it, kind of gives the hint that there's not just a simple-minded superficial dislike going on but something a little more complex. But again, he likes privacy and she does too. So it's just there in the air.
That said a turning point I imagine in their relationship with one another kind of is the weave scene in act 1? The best way I can put it is that yes, Salice is kind of mean to him oftentimes, but a lot of times also seems interested in the things he talks about (this imagine being a bit after they start adventuring so shes letting sliiightly loose on her distancing with the others), so he's like hey, well, I mean, why not show a magic trick. It can help with our bond since we need to stick together :-)
And the scene happens and it leaves Salice like. Befuddled. Because. Y'know. the whole Weave Rejection Problem she's had since forever. For an instant, one random night, during an awful unwanted adventure, She Did It. She channeled the Weave. The thing she Sold her Soul Over, you know, to be able to Do That. At the end of the scene she's got a thousand yard stare and he's like "????? are you alright" and she's just like Dead Inside, just a little bit
AGAIN HARD TO PARSE MY THOUGHTS BUT LIKE the short of it is that she's like. Okay. i need to get my feelings in check. but EVIDENTLY if someone's gonna have answers it's gonna be THIS GUY. So she decides to be nicer if not to try and get answers. Getting HELP is another thing, but if he's such an expert and having him around made that channeling happen then he knows something maybe???? Hopefully???? This is all before he reveals that he's got a nuke in his chest.
When that happens it all clicks together for her - a little too close to her own kind of story even if obviously she didn't get the attention of a goddess, but is rather seeking the attention of an entity she isn't even sure exists. But she did also catch the attention of a powerful archdevil, so it's similar, she figures. It's funny because I imagine her going "man, that sucks. I totally get it, dude. Happened to me too. Sorry about it. We'll find a solution I'm sure" and he goes "What do you mean 'happened to me too'? Do you care to elaborate" "Absolutely not ."
it's all kind of a Tell or Not To Tell game because Salice has Psychological Issues even if shes a chad and is generally very secretive of her past and such.
I have more thoughts to spare but i think I rambled enough. However I will add that I think in my head the reason why the romance makes so much sense is because fundamentally they are very similar in what motivates each of them but also drastically different in how they approach their objectives.
Gale made his gravest mistakes due to his ambition, even if the intentions were as good-natured as can be. He wanted to prove himself not only loyal but equal to Mystra, which was risky in of itself, but well definitely human of him to do. He is regretful of it in the present days of the story and he can be either encouraged to stray away from or follow that ambition when the crown of karsus enters the stage. He has a sense of recklessness when it comes to his own-selfbeing if the (initially) very self-sacrificial dialogues mean anything. And They Do Salice also committed the stupidest deed out of a desperate pursuit of power and ambition. The fact she could not succeed her grandma's lineage was driving her mad enough to sell herself to an archdevil, so long she would have powers, and so long he'd honor an utterly delusional desire of hers. How I imagine it, if she were a companion you can stray her from staying a warlock, or just let her be and suffer the consequences of not giving Mephistopheles back the Crown (since I am 100% he would somehow want it back). Salice's recklessness comes from the fact that she's not afraid of death. Maybe a little too not afraid of it.
But she's also extremely hypocritical because she'd sway him from pursuing godhood, while she's like oh me? No yeah I'm good. Girl you are stupid ? So I imagine that once her own story is unravelled for everyone to know, he'd be like Oh. I Get It Now. That's why you were so MEAN to me. But is he really in the place to judge? In their respective 20s they both ended up doing some pretty stupid things after all, of various degrees of severity
Oh this is embarrassingly long. Well I'm sorry if you are still reading this this is the delirium of a madman . That said thank you also for the questions I'm still ironing out some kinks and I am happy to answer any specific question/curiosity tbh I want to draw comics about them but im SLOW... as well as in general salice and the companions
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blueathn · 1 year ago
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Nice flesh-eating violin you got there
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aliosne · 10 months ago
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Saw a post about working class butches in physical labour jobs and wanted to make my own, so: I love you butches who do childcare or early education. I love you butch nurses. I love you butch house cleaners and janitorial staff. I love you service industry butches. I love you butches who do sex work. I love you working class butches who do “feminine” jobs you are cool as hell
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deoidesign · 8 months ago
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How I save time on backgrounds as a full-time webcomic artist
Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.
Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!
This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)
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So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.
I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.
I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.
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Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.
Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!
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This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.
But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)
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I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.
My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!
Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!
panels that look like this in scroll format...
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can look like this in print!
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because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.
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Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!
Enjoy!
Also obligatory "my webcomic" if you want to see this in action or check it out!
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keebokuun · 1 month ago
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Buttonblossom comfort comic after ep 4~
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antiadvil · 2 months ago
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hold on when did the subreddit add this rule lmao
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keferon · 3 months ago
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What are your thoughts on a decepticon prowl?
Oh I'm all for it. But! Only if he's actually a Con. Like. Wholeheartedly.
Not "nnnooo we're doingg a bad thing and I kind of dont wanna do bad thing but I have no choice poor me".
You know how in canon he truly believes he's on the right side and makes everything to ensure that Optimus wins the war? You know how he's willing to make every tough decision so Optimus doesn't have to risk his reputation? You know how he literally makes Autobots look like shiny brave and clean heroes who did nothing wrong ever?
I want all that but the other way around. I want him to do that for Megatron and for the Decepticons. The implications would be so fucking dramatic I could write a whole essay.
Low rank Cons would hate him so fucking bad.
Starscream would try to murder him at least once a day.
Megatron would absolutely treasure him. Autobots would have it r o u g h
Can you imagine
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leafspiritz · 5 months ago
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III; three for the gleam of a jewel or a smile
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xochimillilili · 4 months ago
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Kinktober day 18: Degradation
You stupid bitch, you're enjoying this aren't you? Fucking piece of shit slut enjoying my boot against your sopping wet cunt, humping along like a dumb animal... just a good set of holes and a boot cleaner for me aren't you?
God you're pathetic you dumb pet. Drooling while I press my boot against your head, you're just focused on the way your pathetic clit feels against my boot mmh? Fucking desperate dirty bitch, you better not cum or I'll ruin that cunt of yours. I won't let you cum ever again if you do, you want my cock in you right? That's what I thought, fucking act like it
Come here pet. Hey, I said come here. Are you really that fucking stupid? Dumb fucking slut, you better behave or I'll kick you down the stairs like the dumb pet you are. And you and I both know I'm not going to stop there– behave or you'll be nothing but a dumb lost pet on the street, leaking my cum and with a litter of pups in you, with your pretty face all tear stained and ruined
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renirae · 3 months ago
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what I think the season one archival staff would dress up as for halloween!!
Jon - would not dress up. he has a professional image to uphold !!
Sasha - I feel like she'd go with a classic, like maybe a witch or a vampire!! or something matching with Tim :)
Martin - probably wouldn't have the courage to do anything fancy, but after badgering from his coworkers (aka mostly Tim) he would go for one of the classics too, like a ghost/mummy/zombie?
Tim - would absolutely go overboard with something extravagant and lots of accessories, but also maybe not something actually getting too close to the supernatural. so like, a pirate? or a movie character? OR something RIDICULOUSLY spooky (specifically to annoy Jon lol)
alternatively:
a few days before halloween, Jon walks in on the archival assistants discussing how they're going to dress up. he frowns and tells them wearing halloween costumes is actually against the office dress code, as dressing in such a ridiculous way would be highly unprofessional.
he walks in on halloween to see all of them dressed up as him.
(and yes they absolutely deny it - them? dressing up for halloween against Jon's strict instructions?? they would NEVER!! they simply decided to all wear dress shirts, ties, and sweater vests on the same day by pure coincidence :))
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glassofice · 1 month ago
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The world's greatest actor || Og Cale animatic
After 155 frame later I present to you my tribute to the original occupant of cale henituse body
Do I gonna make something like this again in near future? Well who knows
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kaiserouo · 6 months ago
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if ordan karris wanna complete that sentence does that mean he also likes us?
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egophiliac · 2 years ago
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oh no, I love them
(super quick doodles done between other stuff, there will be better things later I promise :')
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mamawasatesttube · 6 months ago
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my ideal timkon don't get together until they've both already done some queer realizations and dated other guys a little bit, in part because on tim's end, i think he's been in love with kon since he was 17, but at 17 tim didn't even know he was bisexual, forget anything else. and his feelings for kon were so big but also so constant that he didn't even realize they were there or significant because they've always been there and been huge. for years. so he putters along and does his time in the torment nexus (the closet) and languishes a bit but slowly starts to figure it out.
meanwhile kon dates someone, mostly like omg im dating a guy this is ALLOWED !??!?! and its pretty lowkey and casual and doesnt last bc like . super identity issues, right. kon would Never just tell someone, but secrets and casual relationships dont last long etc etc. but just the entire principle of kon dating someone and then being like yeah idk im not really feeling it like hes nice and all but i think hes more interested in like… yknow, my hot bod, than me. its whatever tho. and tim just being SOOOOO mad that someone would date kon and not absolutely adore him. tim will not be unpacking why hes so mad about kon having a shitty boyfriend. obviously its just bc kons his bestie and deserves better. (😶)
so he's just grouchily tinkering on some upgrade for his car to get the grumpy energies out. like WHATEVER! (angrily turns socket wrench) he's not saying kon should dump the guy or anything (angrily turns socket wrench) but he's just SAYING, kon can do BETTER!!!!! (angrily turns socket wrench) and kon DESERVES better!!! kon deserves someone who will treat him RIGHT!!!!! (angrily turns socket wrench) like if TIM was gonna fuck kon he wouldn't do it like a goddamn quickie and just fucking leave (angrily grabs the next size socket and scoots further under the car) like kon OBVIOUSLY doesn't like that so why won't this guy GET THAT!!!! (angry tinkering noises) if he's that shallow he can go find himself a sexy body pillow to screw!!! leave kon alone!!!!
and cassie sitting on a chair nearby is just like. sorry what was that? "if i was gonna fuck kon"? did you just say--hey tim? hey. can you go back a step?
and tim's just. obviously this is a hypothetical everyone considers about kon. look at him he's . you know. besides, tim's just talking as his best friend who wants the best for him! ugh stop trying to read into it cassie, that's not the POINT--
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dizzybizz · 2 months ago
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mostly jrwi riptide but also @bardace's oc forts is here
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elysiae · 1 month ago
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do you think operator & drifter treat their warframes wildly differently?
somewhat insufficient TLDR: i think the operator and drifter are emotionally attached but in vastly, strikingly different ways, and it manifested very, very differently too.
in operator's case, it isn't that they dont *care*, but they know how durable a warframe is. they know they can take one hell of a hit, and they'll be okay because that warframe takes the brunt of it (albeit with some phantom pain if the damage is bad enough). theyre less comfortable outside the confines of those large, bulky war machines because they know they're ultimately safe. those warframes can take hits. they cannot. the operator knows they were people, but they never met those people before the tragedy. besides... a lot of them really are just empty shells. they're hardly the people they once were, especially since they recreated those warframes from blueprints. don't get me wrong, they do remember the anguish of the originals - they were there, they lived it, and they still have empathy for them... but the operator knows the limits of every warframe like the back of their hand - they can maneuver however they want, they can take hits, they can run into armies and not be too afraid because they (as in the operator and the warframe this time) be fine. even if the warframe is damaged, they can fix the damage, so no harm done.
but drifter on the other hand? at first i think they never really realised the power they had. in their mind they were still them, just running, rolling on the occasion, it took them ages to maneuver those things *properly*, and probably only ever really learned with the operator's guidance. they would not let a warframe take a hit, not because they felt empathy for it (at least not a lot, last i checked you kind of need at least *some* to have effective transference?) but because they were so used to walking around vulnerable. yknow, not inside a killing machine. but what would've really solidified the difference was after they went to 1999. sure, hearing that these things used to be people is one thing, but at the end of the day, to drifter, they're still just machines. drifter never got to experience what the tenno did, they never had to deal with reaching into their freshly scarred minds to ease their anger, sorrow, fear, rein them in like the terrified animals they were turning into and hush their cries with understanding - they only knew the dead inside remnants... but it's an entirely other thing when you go to the past and see the people who were hurt. you meet them and you get to know them, become their best friends - maybe even date one of them - and it hit drifter like a fuckin' freight train. they have this entirely different view on warframes from that cold perspective they had at first. they weren't just war machines. those are people. every time they go into the head of those machines, they're looking through the eyes of *people.* people who had families and desires and hobbies, things they looked forward to, entire futures ahead of them that were snuffed out. people who were scared, people who didn't know what was happening. people who knew what was happening, who lived in fear knowing they weren't able to stop it... people who lived in fear of losing themselves. and i think it hit drifter a lot harder than they'd ever admit.
but thats not to say one of them is more attached than the other - both of them care deeply about their warframes. it's just that, they have different ways of looking at them. after all their experiences were so vastly different, it'd be impossible to look at them the same way.
(too lazy to type it out all over, but i have an example in the tags i think kinda helps pull it together more)
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