#I LOVE TO TALK ABOUT MY SON

[puppetmaster13u]

Prompt 261

“So is no one going to talk about the eldritch space child or…” 

“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…” 

“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-” 

[cthulhum]

and dean winchester thought he was unlovable and didnt deserve happiness he hated himself and thought eveyone would eventually leave him and then a literal fucking angel fell in love with him. like loved him more than anything else in the world.

[fbfh]

Do you still write for Dave Lizewski? I loved what you've written for him so far!

FUCK yes I do. Listen there's a lot I could say about Dave, but one thing that is NEVER addressed is how deeply rooted and repressed his mommy issues are. I'm sorry, your mom dies in front of you and you're just... not affected by it??? bullshit!!!!!!! Dave CRAVES a soft gentle touch, a divine feminine aura. Even if you're not a girl, if you just take care of him gently and look at him with a soft fondness he will fold SO fast. and yes having a nice rack (while not necessary) will help with this a lot. and by a nice rack I mean literally just having anything on your chest. flat tits, huge tits, lopsided tits, fake tits, real tits, literally ANYTHING. even if your tits are practically nonexistent he WILL still be trying to grope and suck on them. and he WILL succeed. nothing in this world can stop this boy from drooling over you.

after a particularly long night full of stopping some muggers, making sure the town drunk doesn't fight anyone, and helping some college girls get home safe, he shows up at your place, a little bumped and bruised but not majorly injured. you greet him with this soft, understanding smile and bring him up to your bathroom. It's all clean and soapy and smells like you, and he immediately starts to relax. you help him take off his suit and he tries not to get hard from the feeling of your warm hands getting him out of his suit and exposing his skin to the cool air. you start inspecting him to see how bad he's hurt - because of all his nerve damage he doesn't always notice how bad his injuries are.

you smooth his hair and praise him, listen to him talk about his night patrolling the neighborhood. worry flashes across across your face as you see the scratches all over his face and arms.

"Oh, uh, Mrs. Landsberg's cat got stuck..." He trails off sheepishly while you smile and put disinfectant on his nicks and scrapes.

"Look at you, helping little old ladies and rescuing cats from trees." you coo playfully.

"Well, she got stuck in the attic crawl space, but..." he shrugs with another blush, feeling all proud and sheepish from your praise.

"Close enough."

you press a kiss to his nose.

"now all you need is a job at the daily planet."

Dave was so sore and tired after tonight that he felt like he'd need days to recover. but after 10 minutes with you, you already have him laughing and feeling like himself again. Dave doesn't know what he did to luck out and have you in his life, but he thinks about you all the time. If he's not physically with you (or texting you or calling you or snapping you or lurking on your social media accounts or reading through your old texts or looking through the folder of pictures and videos he has of you saved in his phone or-) he's thinking about you all the time. he even dreams about you every night. no matter how much time he spends with you, he always wants more. Dave is definitely in the sex isn't enough I need to crawl inside your skin club.

[i-dreamed-i-had-a-son]

I love how Epic is a story about how sometimes, you change in ways you can't undo. Sometimes it's a choice, and sometimes it's something that happens to you; often, it's both. And in some ways, you may be made worse. You may make mistakes. You may become someone you don't recognize, and you may not like who you now see in the mirror. You might lose your old self in the process of surviving.

But when you do, the people who love you will still be there. Not because of who you used to be, or how you might heal or become better, or out of ignorance of who you now are. Just because they love you, and you do not need to be perfect to be loved. You just need to be there.

And they'll be waiting for you.

[sysig]

Gift (Patreon)

[littlelightfish]

Mr. & Mrs. Folke

[dollypopup]

that 'have you ever been punished as a child?' line Pen drops hits different when you realize that in the books, Colin was horsewhipped by his father the morning before he died and then went to Eton where they literally had something called 'flogging Fridays' during the time he attended

like Julia, Miss. Quinn, what do you mean you just threw that information in as a random throwaway line that is never mentioned again? do you not realize how WILD that makes Colin's background?

He was twelve years old??? His dad saw him hitting Eloise and then horsewhipped him, and after horsewhipping his twelve. year. old. son. he then goes to comfort Eloise by taking a walk with her and the bee stings him and he fucking dies

Colin would be out here blaming himself for that death forever are you kidding me???? Wondering if he didn't hit his sister (when they're children playing together), would his Dad still be alive? Would he still have gone on that walk? Would he still have passed away as Colin sat sobbing in the stables, hurt by his hand?

And then he goes to Eton where the only time he had off was 3 weeks around Christmas, but still has to stay there, and 3 weeks in the summer when he can finally go home to Aubrey Hall?

This timeline is BONKERS. Like. . .we know Edmund dies not too long before Hyacinth is born, and she's born May/June. Colin's birthday? Yeah, it's in March. So you mean to tell me, the order of events of all this mess could be as followed: Edmund horsewhips Colin when he's 12 years old (sometime before March), he DIES that same day, Colin turns 13 (in March), Hyacinth is born (in June), and not a few months later Colin has to go to Eton (after the summer break. Social season is Spring and Summer, and ends either July or August, so let's be merciful here and say he leaves in August) and doesn't come back for an entire year?

You mean to tell me this boy has had what? Half a year to get over his father's death after he whipped him for a minor infraction and then he's waltzing into an institution where canings and whippings and floggings and bullying are the norm when he's a teeny tiny little boy?

How is this man not filled to the GILLS with trauma???? No wonder he's so close to his mum and listens to the women around him more than the men and never talks about his dad. And he still turns out so nice and empathetic and kindhearted? He still listens so much to Pen and is so gentle with her and has a good sense of humor and cares so deeply?

That man is never raising a hand to their children. He probably won't even raise his voice at their children. Oh my god.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[endbie]

I decided to make a Micheal plushie

I made him from an old baby blanket I had, and a shirt I got bleach on at some point.

His eyes are made from hot glue. His body is held together with hopes and dreams. He’s so ugly. I love him. I hope he gets hit by a car.

[vampirehayfever]

gorgug immediately deciding to beef it on the steps as a distraction proves his love language is acts of service

[mamawasatesttube]

coming out as boring or whatever but i must admit. i don't actually find boomer-sitcom-esque "i hate my wife"/"my partner is annoying and naggy"/"its cute and quirky to shit on my partner" jokes funny even if you make them gay. sorry. but its my truth.

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[1428elmstrt]

"The whole business is probably my fault. See, the tradition also insists that the Talbots be the stiff-necked, undemonstrative type. Frequently, this has been carried to very unhappy extremes." "Don't I know that." "Larry. Let's decide, you and I, that between us there shall be no more such reserve." "I'll do everything that I can, sir."

Lon Chaney Jr. as Lawrence Talbot and Claude Rains as Sir John Talbot in The Wolf Man (1941)

[k-l-ng]

Non-existent SVSSS Fanfic's summary N°1

Title : "Finding home"

(Any possible future addition to this AU will be found under the "finding home" tag)

Relationship : Ming Fan & Shen Jiu,

Shen Jiu & Shang Qinghua,

Shang Qinghua & Ming Fan,

Shen Jiu & Yue Qingyuan

Reincarnation, Hurt/Comfort, HE

In the modern world, some teachers and students of the Cang Qiong Middle School wake up with vague memories of a past life practicing cultivation. They recognize each other and start living in harmony, painting a heartwarming reunion.

Those who remain miserable are the same.

Ming Fan is glad to have his Shizun back. He knows that, this time too, Shizun will save him from a lifetime of abuse at the hands of his own parents. Shizun is busy now, but he’ll come very soon; he just has to endure a little bit. 

Shizun loves Luo Binghe, so of course, he’ll help his future husband first. He understands that Ning Yingying is also in a precarious situation, so it's natural that Shizun wants to help his other favorite disciple. 

So he waits, and waits. And waits.

Most of the staff seem to like each other better overnight. Only teacher Feng is still cold towards everyone, but it just seems like his default state, and he doesn’t share a past with his colleague. Besides teacher Yue and very tentatively, teacher Shang, no one tries to strike a friendship with him. Yet Ming Fan can’t help feeling drawn to him, and ultimately manages to find a savior in the man.

---

Feng Jiu, unlike his ex-fellow cultivators, has been reincarnated with another surname. He remembers his previous life as a Peak Lord ending abruptly because of a Qi deviation, remembers the impostor taking his body to make a fool of himself, remembers all the love he never got being poured on his replacement; remembers being forgotten, unmourned. Except, surprisingly, by the little rat-shidi, and, maybe unsurprisingly, by his head disciple.

A disciple who, while not knowing he’d died, mourned the side of "Shen Qingqiu" that had disappeared in the blink of an eye. A foolish disciple who'd seemed to partially understand his bitterness at the world -he probably did, considering-, and who, despite Shen Jiu's obvious distaste towards male disciples, still tried so desperately to gain his approval, his affection.

The foolish boy is now crouched on the sidewalk crying, pathetically trying to keep silent. Crying for a Shizun who's gone back home to his family with Luo Binghe for the holidays.

As his teacher, Feng Jiu thinks, he is much obligated to help anyway.

[ywpd-translations]

Ride 795: The peak of their limits!!

Pag 1

2: Isn't there anything I can do?

3: Listen to him

4: You don't have to say anything back, you can just nod

5: Just listen to his nonsense

6: Like always

8: To... Toudou-san

Pag 2

1: He'll arrive soon

2: In just a few minutes he'll pass on this road right before our eyes

4: There's no need to stay back

5: Right now, he's fighting

6: He's running against his rival for “the last kilometer”....

His muscles are aflame, he's wiping away his sweat, and his body is screaming

Pag 3

1: His limbs are numb because the blood isn't flowing until his extremities

His heart rate is at its limit, his body feels like it's in danger and is trying to stop moving

2: He's fighting against his own body that's trying to stop, and against his rival who's moving forward

It's the “peak of their limits”

3: The peak of... their limits

4: That's the fight he wanted

5: Watch him closely

Call out to him with me and he'll be happy

6: Don't worry

Racers recognize even the quietest voice

And then

Pag 4

1: they can turn them into power!!

Pag 5

1: Sooreeeee

2: 700m left until the mountain line!!

They're lined up!! They're neck and neck!!

So close!

Pag 6

1: 600m left!!

2: The race passes through the intersections with Mt. Hiko's trailhead!!

Goo Hakogaku!!

Don't lose, Chiba!!

They're neck and neck!!

Pag 7

1: Neither of them is stopping!!

Pag 9

2: So much sweat is falling on the road!!

3: They're passing through the last intersection and then will face the final gate

4: They're entering a narrow road!!

Pag 10

1: 500m left!!

2: They're still pedaling!!

Pag 11

1: Since earlier my fingers in my right shoes

2: keep getting cramps

3: The blood isn't reaching their tips

4: It's not, but

6: I'll keep turning my legs!!

7: I'll tighten up my shoes to reduce the pain!!

Pag 12

1: Mountain King tightened his shoe's dial!!

Woah he's serious!!

2: What does it mean!?

Biking shoes have a dial

3: During a long race, cyclists' feet get thinner, so they turn their shoes' dial up to tighten and secure their feet in preparation for the final dash

Wire

Depending on the direction you turn the dial, it tighten or become loose

4: In the scene of European races, it's something cyclists do a lot to prepare for the race before the finish line!!

5: Is Mountain Kind going to attack here!?

But right now it looked like he was trying to avoid the pain in his leg

Pag 13

1: This is bad!!

It's not just my fingers

My arms have lost feeling too when I'm dancing

3: But it's okay, it's just right

My legs are moving

4: And you're next to me!!

We're still fighting!!

Pag 14

1: If my arms won't move then I can just swing my bike from my shoulders!!

Pag 15

1: Manami attacked again!!

Amazing!

He's going!!

2: In the hardest section!!

He's leaving Mountain King behind using his dancing!!

Pag 16

1: He's opening a gap between himself and Sohoku's Mountain King!!

3: Mountain King is in a tough spot!!

4: He instinctively dropped his head!!

Pag 17

1: Try to have fun, Onoda

4: Races are hard

5: When your opponent accelerates in an unexpected moment, when the attack is stronger than you had imagined

6: Remember

Pag 18

1: You can't win a race without going through tough times

2: Teshma-san....

3: “Just before” means that there are many options

Like, will my opponent get exhausted? Could he make a mistake? You'll be thinking like that

4: Surprisingly, victory or defeat depend on these little things

Pag 19

1: Well, that's just my advice though

I actually always end up slowing down at critical moments, and so I lose

2: That's not true at all!! At this year's Inter High it was Teshima-san who won the mountain prize!! Thank you so much for that!!

I get it, I get it

3: Well, you're an earnest person and won two times already, so it's like I'm preaching to the choir

4: But there are times when you're weak

5: I've seen that many times too

9: During a race, when it's “just before”, just remember this

10: When there is both a hard road and an easy road

Pag 20

1: Don't hesitate to take the hard road!!

2: Right now for a moment, I was thinking “why am I going now” and “when it's hard to breathe”!!

Pag 21

2: My chest hurts!!

3: My legs hurt!!

4: But still!!

6: I'll choose what to chase!!

Pag 22

1: Mountain King is accelerating and chasing!!

Aaaaaagh

4: Sangaku!!

5: I'm ready!!

[tea-cat-arts]