#I LOVE THIS THIS IS SO EPIC OP

[1pcii]

i love this meme its so fun ^-^

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[xxplastic-cubexx]

thought you'd enjoy this art by ozanpulat on insta.

OH I DO I DO VERY MUCH ENJOY THIS

[ashfdhfgdsfk]

oh thunderous classical music how i want to eat and be eaten by you

[paradimeart]

Since you mostly draw TFA, idk about you but when I started watching TFA I never expected this wet cat college student version of Optimus to become my favourite Optimus. I just think he's a really cool interpretation of the character and I wish he was my dad tbh

SAME HES MY FAVORITE <3333 i grew up watching tfa but admittedly barely remembered any of it except for bee megatron prowl and blackarachnia b/c those were the ones i had toys of, i still have blackarachnia.. sadly the rest were lost in the Incident.......... i like tfa optimus a lot in part b/c how he contrasts w other versions of him (if ur wondering the other series ive seen is most of g1, beast wars, cyberverse, the bumblebee movie, earthspark and big chunks of tfp from when my dad was watching a couple years ago). i'd decided to watch tfa on a nostalgia fueled whim and went Whoa this is fucking Goord and well. now i have a nendoroid optimus prime and i've got legacy override and twitch on the way. but back to tfa op hes very fun to contrast w other versions bc hes just SO different. and hes like the last version of optimus that had a real personality ^_^ but the biggest thing i like abt tfa op is that hes just some fucking guy. he gets angry. he yells at people. the writers werent afraid of making him fall flat on his face. hes impulsive. hes a little crazy. hes a total bitch. hes petty. he has two of the worst exes possible. he talks stiff and formally around humans other than the sumdacs and i think its really cute. he told sentinel to shove it up his ass. when he gets really mad his fucking engine revs. hes perfect. he sucks. hes done nothing wrong. he is a chronic fuck up. hes a little bootlicker. he has a hero complex while also thinking of himself as a total loser. he died for 75 seconds once.

[theloveinc]

The real genuine answer is labels exist for comfort/personal identification and the difference between bi and pan is as personal for each individual as their sexuality is, so ultimately trying to distinguish between them in the grand abstract is moot. The difference is one feels better than the other, and that’s okay, it rlly doesn’t need to be that deep.

But that’s coming from someone who’s long felt disconnect with both bi and pan labels and has rlly only identified as “queer” for the past five yrs so idk personal bias perhaps

Absotootly!! And actually same with me! I prefer a more general label as well<3 i really enjoy just being queer and not... anything in particular

[remythologise]

zero and yuki is a deep cut, people suffered

not to be anti-feminist on main but looking back Yuki was annoying as hell and Zero deserved better. having said that #grateful to know I had good enough taste to ship Zero/Yuki even if I had bad enough taste to engage with that series at all

[76l0]

im rewatching kyo kara kara maoh this is important information for anyone out there. i love yuuram

[kindred-spirit-93]

FUCK U ACHILLES U DONT GET TO TALK TO MY SON LIKE THAT.

A CHILD. A CHILD I TELL YOU. also im not over troilus fuck you again.

how the hell was he supposed to know any better when he was taken so young from the arms of his mother and forced into war that hardens the hearts of grown ass men, let alone a child who had no business being part of one, and all under the pretence of being the son of the godlike warrior he never knew, who was immortalised for his actions on the battlefield and little if anything else.

what else was he going to learn beside bloodlust and securing victory at any cost? how else was he going to see the father he never met as anything but the merciless soldier who dragged the body of his enemy (who didnt deserve that at all) around the city for days and not want to walk in his footsteps, bc thats what he was celebrated for

of course he was going to be proud of his actions thats what he was taught, thats what got him positive attention form his (adult) peers. he learnt to associate a higher death toll with appreciation, which is so sick and twisted. maybe if you stuck around more hedve learned there was more to you (and life) than murder & violence. this is kinda very on you my guy. you dont get to criticise the parenting u werent a part of.

--

last note; even if u were a present father and did your bit in raising him and was all all around a good parent, this is stil not how you approach the subject. you dont blame a child and reproach them harshly, and definately not in the way you would a mature adult who would know better.

sandwich it at least; tell him youre proud of him for being a good kid and taking care of his mother, that he has many good qualities and had a good life ahead of him, be honest with him about what kind of things he mustve heard about him after his death and set the record straight, then gently explain what you find wrong in his actions and why. understand that there was so much out of his power, make peace with him and forgive him he was a child shoved into a mans armour and expected to fill the role he was much too young and innocent for. that he never should have been forced into that role and that it wasnt his fault things played out the way they did.

*combusts*

Achilles being honest

[wolfiesmoon]

Hey I hope you are doing well when ever you are reading this but how do you think the 3rd year boys from twst would react to their s/o (gn reader) cuddling with a huge plush instead of them.

Like this.

Oh boy oh boy this kinda cures my writers block tbh, i have so many drafts but none of em look enticing enough to continue writing (´д｀|||)

I took out a few of the 3rd years bc its too many people for 1 fic but i might make a part 2 where i add the missing 3rd years at some point

i went with the more silly writing style again, hope that's fine by you ○( ＾皿＾)っ

𓏲 ๋࣭  ࣪ ˖ Malleus Draconia

He doesn't exactly get why, but he feels kinda annoyed just laying next to you while you hug a big ol plushie

This doesn't feel right🫤

But then again, you look rlly happy and satisfied so he stays quiet since if you're happy, he's happy (he desperately wants to be in the plushy's place)

When you playfully kiss the plush though, that rule no longer applies. After all, his rightful spot is in your arms🫠

He nudges you. "Put the stuffed animal away."

"You sound angry." You smirk and kiss the plush again, knowing he's probably annoyed about that

without another word, he pulls the plushy out of your hands and settles down in its place

"I am a much better than that object. Just so you know." he smiled smugly, expecting a kiss on the cheek just like you gave to the plushie earlier

you kissed him on the lips instead just to see his eyes widen and his face go red ofc 😏

𓏲 ๋࣭  ࣪ ˖ Leona Kingscholar

basically, it is NOT happening

"hell no." is the only thing he says before ripping the poor plushie out of your arms and chucking it across the room

like actually how DARE you try to replace him with a plushie

"Why would you do that?" You pouted at him, looking at the now discarded plushy from the bed🤕

"You know damn well why." He huffed, laying down on top of you without warning which tends to be a habit of his

"Because that's my spot, got it?" He answered for you. clearly you forgot😒

"Uhhh, right." you answered after a short pause...

"I won't remind you next time." he sounded rlly annoyed. it's kinda funny how worked up he got over a plushy replacing him 🤭

this also means he won't let you get up for like.... atleast 2 hours to atone for your sins

moral of the story: don't do this again unless you want a ripped up plushie and a pissed off lion man😠

�� ๋࣭  ࣪ ˖ Idia Shroud

"This is so unfair. Even worse than an OP boss. " he sighed dramatically, laying down besides you and pouting at the sight og a huge plushie in your arms

"pick up the sock if you have enough energy to complain." you turned away from him, still annoyed with him

being the epic gamer he is (😎💯), he discarded one of his socks in the middle of his room and didn't feel like picking it up later even after you told him to

...which ended with you refusing to cuddle with him until he does pick up the sock

after a short while of very awkward silence...

he groaned in annoyance, begrudgingly getting up and finally picking up the sock, then leaving the room to put it in the wash

you smirked victoriously, placing the plushie away as promised and letting him hug you instead

"The things you make me do, smh." he sighed, relaxing into you 😒

"Picking up a singular sock?" you teased him, hugging him back

He didn't reply so that means it's your victory 😝

𓏲 ๋࣭  ࣪ ˖ Vil Schoenheit

this is an unforgivable offense, just because you had a little disagreement earlier doesn't mean you can just replace him with a plushie😠

love transcends disagreements, after all

does not help at all that the plushie's cute round face reminds him of a certain thorn in his side named Neige LeBlanche😒

he sighs, "I may have been too harsh back there."

your only reply is an annoyed huff and you hug the plushie tighter which makes one of those anime veins pop up on his face 💢

he takes a deep breath "It was not my intention to hurt your... sensibilities." he's trying babe, he's really trying

You don't reply for a moment...

"Ugh." you throw the plushie away and hug him tightly "This doesn't mean I forgive you, just for the record."

"I still stand by my opinion too, just worded less harshly." he gently puts an arm around you, stroking your back

it was only a matter of time until you gave up with your stubborn pettiness, soon you'll forgive him too, he'll make sure of that 😌

𓏲 ๋࣭  ࣪ ˖ Lilia Vanrouge

He's actually surprisingly chill about it i feel like

He wouldn't get annoyed or be jealous per se, he'd just get a little sad it's not him you're hugging😔

he's there, you know? there's no need for a plushie...

"Am I not satisfactory enough?" He asks half playfully half seriously

"In what sense?" you totally knew what he meant but just wanted to tease him back

"Hey, isn't this supposed to be the other way around?" he smiled at you, immediately knowing what you were playing at

"Hahaha, you know me too well." you kiss his cheek, yet you still don't let go of the plushie which makes him pout

"I see you have found yourself a new lover." his eyes travel to the plushie for a moment, the betrayal is real😔🙏🏻

"You got a problem with him?" you raised a brow 🤨

"A little." he hugged you from the back, getting comfy

"Okay fine, maybe my ex is the better one after all." you let go of the plushie and turned around to hug him back 💗

[luxthestrange]

OP Incorrect quotes#57 Drama-

After the whole fiasco with Enie lobby, finding out the man you fell in love with was an undercover agent and only using you as cover to obtain the blueprints from Iceberg...So when he failed EPICALLY, You decided to take up the offer along with Franky to join the straw hat...happily living in peace knowing you dodged a bullet....thinking he died-

Y/n*Looking at Lucci, standing in his new fancy suit*...You're alive

Lucci: No, Need to sound so disappointed...Is that any way to speak to your Ex-Fiance?No hug?~

Y/n: Go hug a landmine-*Sees Hattori waving wing at themself and smiles at him waving back*Oh I can't hate you pretty bird, I did miss you~

[bruciemilf]

ope don't mind me i'm just gonna-- *sets this down next to your constantine post*

The batkids have all fallen in line like Thomas is their superior officer and they've all basically decided Dick is getting thrown on the pyre (because cop) when Jason slowly raises his hand like he's back in school.

Jason, who lives for chaos, putting on the Sad Orphan Eyes that Dick taught all of them how to do, saying "Abuelo, you know I died? The clown who killed me is still alive."

All the other kids jump in with "oh he's right nonno" etc etc "don't worry bambini your nonno will take care of it" etc etc

(and while Thomas and Martha aren't exactly thrilled Jason is a crime lord, he's so much better at it than fucking Carmine. So the boy is ambitious! There are worse things to be. Thomas then slips Jason a fiver when Bruce isn't looking like grandparents do)

((also also the kids calling martha and thomas grandma/grandpa in whatever other language they grew up speaking))

just thinking that thomas highkey loves being a grandparent. absolutely considers it a promotion. softest pushover of a man but also the scary dog privilege for all of his grandchildren

NONNO THATS SO ADORABLE IM GONNA CRY— ok. But you know what? Pepa and Felix from Encanto dynamic between Martha, Thomas and Alfred.

Alfred trying to tell their grandkids about the epic love story between them, and Thomas keeps on interjecting with wildly inaccurate information (he wants Damian to find him as cool as possible)

Martha, with moscow in her voice, “You’re telling the story or is he?”

“I’m sorry amore go on ^^”

Bruce gags in the background like the world’s firstborn hypocrite.

But also, southern Thomas Wayne,,, wears the fringe styled boots with gemstones on them and sparkly jacket and talks like a honey pie, but has a glare that can silence a whole table if needed be.

He’s extremely sad about Destiny’s Child breaking up, (Dick had to deliver the news, which was a whole other experience) but BEYONCÉ HAS A COUNTRY ALBUM YOU SAY?? Sign him the FUCK up.

Bruce, under his breath: no one listens to country,,,

Thomas: oh shut i. You know, your mama and I made YOU on the dinner table with Love is a Butterfly playing in the background—-

Jason: rapidly spits his food out

[icelynia]

Other gods: HOLD IT! AN UPDATED CREATURE REPORT SHOWS THAT THE DEFENDANT HAS BECOME A MONSTER YOUR HONOR!

Athena: OBJECTION YOUR HONOR, HE’S JUST A MAN! 🎀

I have no idea how Tumblr works but hello Epic/Greek mythology fandom I’m your new roommate now

[catholic-character-tournament]

Round 1 - Side B

firestar art by @kudos-si-do

Propaganda below ⬇️

Kirei

He fucked up so many people's lives so badly in just one decade (not on purpose) that the universe put him in the summoning pool of all world influencing souls. He doesnt really have any special powers but he does serve as a vessel for rasputin at one point. He's the guy who says "people die when they are killed"

please please please there's literally a type moon character in the gif on the top of this form so it's typemoonphobic if none of them get in but it shouldn't be her it should be kirei bc he's 50x funnier & more iconic than jeanne. funny lil murder priest who's fucking THE gilgamesh (from the epic of) in the church basement and dies in a knife fight w a 17 year old whose dad he wanted to fuck back in '94 before realizing that he was actually kinda lame and he's been bitter abt it ever since. he has an orphan torture factory in his basement but he's also canonically good at being a priest. he's so funny you should def try his mapo tofu i swear it's totally safe for human consumption and not made with any california reapers. did i mention he's a deadbeat dad.

Priest claims to be Pro Life to make Sakura Matou the most miserable girl on the planet, but he dies anyway.

bro became a catholic because he loves suffering

He’s a priest. Kind of. Not a very good priest obviously. There is something seriously wrong and fucked up with that man. It’s so entertaining.

he's gotta be one of the most insane catholic men ever with a very in-depth and interesting relationship with his religion and his relationship with god also he's the sexiest man ever to be conceptualized in the known universe and all of time

Will never forget the 40+ minute monologue in heavens feel being a thinly veiled metaphor for abortion

he wants to torment churchgoers and make them face their failures and suffering but all he ends up doing is motivate them to improve themselves. cringefail moment for him

he's absolutely insane. the coldhearted mercenary that barely reacts to anything is terrified of kirei. he's super fucked up. his ult in stay night is literally him channeling divine power into something called kyrie eleison. he's the vessel of rasputin (on account of being a priest with a huge....no i shant say) the biblical beast in grand order among other things. he gets drunk with and tops gilgamesh from the epic of gilgamesh in the church basement after gilgamesh from the epic of gilgamesh bats his eyes a little too hard at kirei in some of the horniest shot scenes ive ever seen. he also used to be a heretical "fixer" for the church, cleaning up scenes that would expose shit to the public. uhh what else. he holds cool swords between his fingers like a kid pretending to be wolverine but in my favorite route he just squares the hell up with the protagonist and they fight to the death outside planned parenthood

Firestar

Kitty jesus, he believes in starclan which is the kitty version of heaven/god and yea. All the warrior cats characters except those outside the clans or those that are atheist believe in the kitty heaven and would irl be bri-ish and christian as hell so. The authors are all older british christian women and so the way starclan is written is like undoubtedly that.

The main religion in the series is extremely catholic coded. Most clan cats believe in Starclan and the Dark Forest(or heaven and hell). There is a set of rule they must uphold and follow, where following them leads to heaven and breaking them leads to hell. Their religious leaders are sworn to celibacy, and the punishments that "code breakers"(or cats who break the rules) face are extremely similar to situations people with religious trauma have gone through.

OP notes: apparently converted to avoid getting his balls cut?? Idk. The discord yet wild for firestar so I had to include him because it's hilarious hehehe

[celestialvoyeur]

💛💙SPIRK FIC REC - MY FAVOURITES💙💛

As a follow up to my recent post about how few fics make it to my favourites list, and how special they are to achieve that distinction, I decided to share my current list.

I’ve shared some of these individually in the past but here you’ll have them all together. 

If you've read any of these already then I'd love to hear your thoughts on whether you loved them as much as I did! 🥰

(NB: these are not listed in any order of preference. Mostly it’s the reverse order in which I read them)

Leave No Soul Behind by whochick Words: 258,951

AOS, AU Canon-Divergence. Spock, Kirk and the other valiant members of the Emergency Personnel Ambulance Service fight to save lives and turn the tide of the ongoing war against Nero and his fleet before it’s too late. Such a beautiful slow burn for Spock and Kirk.

Atlas by distractedKat Words: 135,529

AOS. Follow on from 2009, Kirk, Spock and the rest deal with the aftermath of Nero’s attack and rebuilding after the decimation of the ‘Fleet and Academy. An exciting tale with twists and turns involving black ops, bad-mirals, action, love and fierce loyalty.

The Lotus Eaters by aldora89 Words: 93,594

AOS. Stranded on a planet together, with multiple dangers and very little hope of rescue, Jim and Spock have no choice but to rely on each other to survive. Spectacular plot, amazing world building, fabulous original character and an epic slow burn Spirk love story!

With Your Feet on the Air and Your Head on the Ground by flippyspoon Words: 39,188 @flippyspoon

SNW. A phenomenal Spirk fic in which Kirk is stuck in Spock's mind while the crew work to find a way to retrieve his body. A wonderful getting to know you/falling for you hard tale. Wonderfully written and highly entertaining.

Evolution by Rhaegal (RhaegalKS) Words: 149,293

AOS. Covering the first year of their 5 year mission, this is totally flawless. The character voices are perfection, the prose spectacular. The whole thing plays like an AOS movie. It’s phenomenal.

Emotions by LadyRa Words: 35,569

TOS. Spock gets drugged on a shore leave and is overwhelmed with its effects. Kirk tries to pick up the pieces. A beautiful, and wonderfully grounded, story of realising how much they mean to each other.

And When the Bond Breaks by LadyRa Words: 24,631

TOS. Spock takes out a shuttle to investigate an anomaly and returns to an Enterprise that’s not his own. Time travel shenanigans with such emotional depth that it will traumatise you in the best way. Stunningly good!

All Our Tomorrows Come Today by flippyspoon Words: 18,156 @flippyspoon

SNW. A newly introduced Jim and Spock accidentally get a glimpse into the future and see what they’re going to be to each other (a.k.a. Spirk’s Greatest Hits). A stunningly told story about finding the great love of your life. 

I Won't Make That Mistake Again by Moreta1848 Words: 69,402 @jennelikejennay

SNW/TOS. An epic story detailing Spock and Kirk’s love throughout their lives, beginning from their meeting on Pike’s Enterprise (SNW) and continuing on to an eventual  Generations fix-it happy ending. Wonderful!

No Going Back, No Before by spirkme Words: 78,486 @spirkme915

SNW/TOS. Timeline shenanigans, spies, twists & turns, pining, angst, sacrifice and so so much love!

The 1,000 Hour Sleep by spqr Words: 27,227

SNW. Jim’s been infected with a pathogen that means he can’t sleep, but it he doesn’t he’ll die. Cue Spock and his Vulcan telepathy helping Jim to achieve the sleep he needs, while they get to know each other within their shared mindscapes. A sweet and exciting story about falling in love and overcoming your own inner demons.

First Best Destiny by Ophelia_j Words: 387,733

TOS/TNG. Such a very special fic. Epic in its scope, it covers the entire timeline of Spirk from their very first meeting through to a  clever and satisfying Generations fix-it ending. It provides extra scenes, additional dialogue and internal monologues to expand on existing canon in a really compelling and effective way. Truly this is my new TOS canon.

The Steadfastness of Stars by itsnatalie Words: 61,566

AOS. After Beyond, The crew investigate sudden climate change on a frozen planet and find more than they bargained for. The perfect mix of great plot, fun original characters, action, mystery, world building and deep deep love.

Let Forever Be by gunstreet Words: 43,446 @gunstreet

TOS. A really compelling character study of James T. Kirk. An excellent companion piece to City on the Edge of Forever. Exploring what Jim and Spock got up to, and all they had to overcome, while trying to find Bones and their way back home.

Time After Time by spaceisgay (ChancellorGriffin) Words: 138,921

SNW. Kirk spends a 6 month rotation on the Enterprise as part of his command training. OK, if there’s a favourite of my favourites then this may be it. It’s such a stunning version of their love story, with a beautifully constructed plot. It runs the emotional gamut from moments that will have you laughing out loud to moments that will have you in floods of tears. 

milk and honey by spaceisgay (ChancellorGriffin) Words: 28,651

SNW. Kirk and Spock meet for the first time when they wake up in a prison cell together. A really fun, and extremely clever, version of the ‘aliens made them do it’ trope. It’s intriguing and funny with a real depth of feeling throughout.

The Promised Land by gunstreet Words: 58,260 @gunstreet

TOS. A story that explores the time Jim and Spock spent apart between the end of the 5 year mission and TMP. It’s a beautiful story of reunion and renewal of love. Sometimes achingly sad, but it’s worth it for the happy ending.

Again, if you've read any of these already then I'd love to hear your thoughts on whether you loved them as much as I did! 🥰

[forsworned]

I feel like Keegan despises new age slang soooo much and Merrick and Kick absolutely love to tease him about it. Well, mostly Kick. Like they'll just be chatting it up and Kick will ALWAYS start it off by saying some dumb dickhead shit after a de-brief,

Kick: "That op was lit af."

And Keegan scrunches his face in disgust with his hand hovering over his rifle.

Keegan: "Lit? What the hell does that even mean?"

And Merrick just has this huge silly grin on his face and takes a pause from looking over his stack of documents to see what ever stupidity will come out of Kick's mouth.

Kick: "You know, lit. Like awesome, exciting, epic. Come on, Russ, keep up with the times."

And Keegan just shakes his head at him and calls him 'ridiculous', but Kick literally cannot help himself. It's like the child in him is getting giddier by the second by provoking an 'elder'.

Merrick: "Kick, lay off. You know how Keegan feels about your damn slang."

Kick, playful punching Keegan on the shoulder: "Oh, come on, Merrick. It's all in good fun. Maybe, you should use the lingo every now and again. It'll make you seem less, you know, ancient."

And so obviously Keegan shoots him an icy glare with those sexy glacial hues telling him he absolutely does not need to 'embrace' anything and that the mission was a success, so that's all that really counts anyways.

But the grin on Kick's face grows wider: "You know, Keegan, that attitude is pretty sus."

Keegan, looks at him with disgust: "Sus?"

Kick: "Yeah, like suspicious. You got somethin' to hide, Serg?"

Keegan: "Only thing suspicious around here is your vocabulary."

Merrick, stifling his laughter: "Alright, Kick, you've had your fun. Leave the man alone."

It's truly like poking the bear with the two of them, and Kick will always love getting a rise out of Keegan. He'll always be a Sergeant first and a dickhead second.