#I DID NOT EXPECT TO LIKE THIS EPISODE I DID NOT EXPECT TO NOT BE SALTY

[anpanman95]

now that I got he appreciation post out of the way I’ll yap about what I loved the most about this whole scene because was a fucking masterpiece.

1. He looks fucked out and I’m going insane. His heavy breathing was blasting through my headphones and, although that is something that usually annoys me during these scenes, it was done carefully and tastefully. It felt natural and real, not overplayed, not overkilled, but raw and perfectly genuine.

2. Anyone else devastated by the absolute adorableness of this moment? Just me? This was such a cute short thing that casts light into their relationship. They’re both actually very carefree people, always have been, even if Jack had a hard time coming back to his true self. This moment felt so intimate and relaxed. From trying to make the other submit, playfully and sensually, they both pause here and quickly take a breather to gauge each other and decide how is this going to happen before Jack takes the lead again. These are truly Jack and Joke.

3. Wall slamming. It’s one of the cliches I absolutely devour. Ever since episode 1 I knew they would be the kind to do this. I knew their NC would be like this. They want each other too much, they’re gonna take and take and take.

4. No awkward stripping. Just desperate. The moment characters strip have always felt so unnatural for me. This was done hastily and they stumble and it doesn’t look pretty because it shouldn’t. They have wanted each other for too long for them to wait another second in getting themselves naked. Joke is so desperate he struggles with taking Jack’s shirt off and he doesn’t care nor slows down. It adds on the realness of it all.

5. More wall slamming. Dear god I’m unwell. No further words.

6. He was stupid hot for this. They are possessed. As they should be. There’s tenderness and roughness at the same time in their movements and touches, casting light on the fact they love each other but are desperately hungry for each other’s body. They never let you forget that, not once.

7. Did you hear my screams? I was not expecting that. What I’ve seen happen many times on BL NC scenes, is that there is a high contrast done in between the couple when it comes to portraying desire. Usually it’s only one of them that is more vocal or physical about it, while the other takes it and follows. Yin and War have mentioned they don’t want their characters to stick to one dynamic, and it shows a lot in this whole scene. They both are perfectly capable of taking the lead, they both want to take the lead, they both want to submit. They are equals. And that’s always gonna be that way.

The power play, the switching, the rolling in the sheets, the CONSENT, the loving looks, the gentle touches, the rough touches, the pauses, the desperation, the desire.

they did it all. not one single thing missing.

they deserve nothing less than a standing ovation.

yinwar, you did it again

[hearts4hughes]

tied up - rafe cameron x fem!reader

warnings: master manipulator!rafe ; mentions of violence ; sexual innuendos towards the end

a/n: the second i saw rafe tied up and sweaty in this episode, i KNEW i had to write about it. this is probably the first of many writings relating to this scene.

the ship rocks gently beneath you, creaking in time with the water lapping against its sides. you step carefully, feeling the weight of the metal plate in your hands, warm against your fingertips. the scent of food mixes with the salt air, thick and lingering, though you’re sure he won’t touch it. rafe sits a few feet away, hands bound to a pipe in front of him, his head drooped forward. he doesn’t look up as you approach, but you can feel his awareness.

you pause, just out of reach, and the light catches his profile—a bruise blooming darkly his eye, his lip split and red, dried blood marking his mouth like some careless stain from when jj knocked him out. he lifts his head slowly, almost deliberately, and his gaze finds yours. his eyes are sharp, narrowed, an intense blue like broken glass in sunlight, calculating and unreadable.

the plate feels heavier in your hands, like it’s suddenly full of something fragile. you set it down, the scrape of metal on wood cutting through the silence like a match. he doesn’t move, just watches you with that unblinking look, like he’s trying to measure how much of you he could break if his hands were free. the thought chills you, but you don’t step back.

“eat,” you say, trying to sound calm, detached, but your voice feels too loud in the confined space. his mouth twitches, a hint of something that might be a smile, but it’s too cold, too hollow. you can see the strain in his shoulders, the pure anger in the way he holds himself, but underneath it—something else. a flicker of vulnerability he’s trying hard to hide.

“so, they send you down to try to convince me to eat? think it would soften me up or something?” his voice is rough as it echos through the confined room. “i already told sarah that i’m not eating until they untie me.” he says with pure defiance. his eyes bore into you as if he’s trying to study you.

you turn your head, your gaze diverting to the dusty floor. “actually, no one sent me down here. they could give a shit if you starved or not. it would be doing everyone a favor.” you avoid his eyes, afraid that your confidence would melt if you met them.

for a second, you wonder if he’s about to say something, something meant only for you, and the realization tightens in your chest like a warning.

“then, why are you here?” he asks harshly. you look up to meet his haunted eyes, a chill runs down your spine and butterflies settle in your stomach. “what happened to never wanting to see me again, huh? what happened to ‘i love you forever’ ?”

his words command a flood of memories to rush through your head. your breathing becomes heavier as you remember it all; the lingering gazes, the sweet nothings, and finally, the way the absence in his eyes as he shot sherif peterkin.

“you know what happened, rafe,” you warn, your voice cracking slightly. he smirked, almost as if he could sense your anxiety. “you know why i left you.”

rafe’s smirk deepens, twisted and bitter, and he leans forward as much as the bindings allow him. “left me?” his voice is low, mocking, but there’s something raw in it too. “come on. we both know you didn’t leave me—you never really left me.”

the words cut through you, sharper than you expect, and for a moment, you can’t breathe. he watches you, waiting for a reaction, relishing it, and maybe even needing it. his gaze is relentless, pining you there like you were the one in restraints.

you force yourself to meet his eyes, even as every instinct screams to look away, to leave the room, and to escape. “i did, though. i left you because you weren’t the man i started dating. you were this,” you gesture to his bruises, his dried blood, and his hostility shimmering in his expression; the man who seems like a stranger and yet is all too familiar.

“you’ve always been mine.” he mutters more to himself than to you. “and i’m- i’m trying to change, y/n. i’ve been trying to change.” he says sternly, almost as if it was obvious, but it wasn’t. “y-you people don’t understand that i can change. i can change just as easily as you and sarah did when you started hanging around those goddamn pogues!” he raises his voice, jolting forward, and causing you to jump back.

when he notices you flinch, his gaze softens. he take a deep breath and sits back. you swallow harshly as he shifts from 0 to 100 in mere seconds.

“i’m just trying to change for the better; for you.” his voice is soft, not like what it was before. you can hear the sadness and the desperation dripping from his mouth.

it’s a trap. it’s all a trap. you’ve known rafe long enough to sense when he’s being manipulative, and he’s at his peak right now. you don’t respond, shaking your head, and going to grab the plate of food. as you grab the mental dish, his hands clasp around your wrist. the plate drops to the floor with a clatter.

“don’t- don’t go.” he whispers softly. his eyes search your face for even an ounce of reciprocated feelings. you bite the inside of your cheek as you ponder the possibilities. “stay here with me… please.” he isn’t speaking anymore, no, he’s begging.

your guard completely falls, leaving yourself vulnerable, and raw to his manipulations. when he senses the sudden shift, it’s as if he latches onto you, stringing his webs tighter around you.

you relax your shoulders with a sigh, not saying yes, but not leaving. he smiles and his eyes fall to your plump lips. his grip tightens around your wrist, fingers wrapping around your pulse. his breath is shallow and ragged, as if he’s afraid you’ll drift away.

your pulse quickens, a silent thrum that feels too loud, too obvious. his thumb moves softly, tracing small circles against your skin, a touch that’s barely there but enough to send a rush of warmth up your arm. you could pull away, break the moment before it goes any further, but you stay still.

rafe’s eyes drop to your lips, his jaw clenching as he takes a steadying breath. he’s drawing you closer, erasing the distance you swore to keep. “you don’t have to stay,” he murmurs, but his fingers tighten, betraying his words. “but… I don’t want you to leave.”

he inches closer, his face barely a breath away as his scent fills your senses. you can feel him hesitating, struggling against something, something that holds him back as much as it pulls him forward.

thousands of thoughts, warnings, and memories flash through your mind like blinding headlights, but they quiet under the intensity of his stare. then, he leans forward, closing the final sliver of space between you. his lips press softly against yours, and as if surrendering, you begin to kiss him back. the kiss begins gentle and sweet, but quickly turns into something desperate and fiery.

his tongue teases your mouth, slipping against your bottom lip. he’s frantic, raw, almost as if he’s afraid of losing you again, like he’s trying to make up for everything that happened. your lips slot against his like a puzzle piece.

you pull away breathlessly and stare at him. he lifts his arms that are bound by rope just enough for you to slip under them, now straddling his lap. you settle on his lap, something hard presses against your ass.

he smirks, “feel what you do to me, baby? i’ve missed you so much.��

the way he stares at you then and there tells you that you’ll be his forever. that there is no escape from him, even if you allow yourself to believe so. you’ll eternally be stuck in his web as he dances around you, only adding more silk to restrain you.

“calm down and untie me.” he says with a twisted grin. “let me take care of you, sweet girl.”

[crimson-and-clover-1717]

When I watched OFMD this year, I literally knew three things:

It was called Our Flag Means Death

It was a pirate comedy

It had been cancelled

I didn’t know Rhys Darby (‘that Murray bloke from Conchords’) or Con O’Neill (‘the weird guy from Chernobyl’) were in it until they came on screen. And please don’t stab in me in the face, but I had never heard of Taika Waititi. I’m very much not the target market for this show. Although I will say I think it’s universal in its exploration of the human condition. So if you’re human, the show is for you.

I knew nothing about budget cuts, editing decisions, or even at this point any circumstances around why it had been cancelled. I had not an inkling it was a romance. I had no notion it was going to overtake my life to such an extent.

I watched one episode a night for 18 nights (I know, I know… I binge-watched it immediately afterwards over two days, and haven’t stopped since). I also had no-one to talk to about the show as I watched the 18 episodes. No-one I knew had ever heard of it. I really was a blank canvas.

And this is what I thought. Other than finding Calypso’s Birthday a little uncomfortable on first watch (and that’s largely because I find torture, even the OFMD variety, difficult to engage with - I always skip the opening of 206 now), I saw no difference between the seasons in terms of artistic merit. It’s possible that because I didn’t experience an 18-month hiatus, and build up my own version of what season 2 should be in my head, I didn’t have any expectations to be knocked down. I just engaged with what they asked me to watch.

I fell in love with this show at ‘My name’s Stede. I’ll be your robber here today.’ I fell in love with Stede Bonnet when he did his little Scrappy Doo air-punch in episode two.

With regard to season two, The Innkeeper affected me so much I honestly think it altered my brain at a structural level. More so than The Chain sequence which is when I think this show started affecting my brain chemistry.

I also loved the development of Stede and Ed outside of their personas. The couch scene in Fun and Games made me believe in them as a couple in ways I hadn’t quite in season one because they were growing and being real with each other. I thought their arguments were so well-written. Man on Fire has one of the most authentic representations of couple miscommunication I have ever seen on tv. And I think Mermen is really good in doing what it needed to do, and did it well. How do you end a tv series that gives a satisfactorily emotional ending, but doesn’t give away everything in case there’s another season?

Ed’s journey in particular just ripped my heart out and then glued it back together. And seeing Stede continue to develop his very nonlinear understanding of the power of his earnestness and gnc self, whilst still sometimes wrestling with notions of traditional masculinity… I needed to grow a second heart.

When I learned of the financial and time constraints later on, I was shocked they had achieved such a high standard of tv.

Imagine my shock when I discovered the Canyon…

It’s fine if you don’t like season 2, or season 1, or OFMD at all for that matter. But if you want me to say season 2 isn’t any good, or as good as season 1, then you want me to say something that I have never felt to be true. When you experience it holistically like I did, it all hangs together beautifully.

[kisilinramblings]

The list of ML S6 episodes title has appeared and it feels like it is the real deal.

I know others have written about it, but here is my analysis and speculations based on the episode title down below.

Enjoy!

601 - Climatiqueen Sounds like Stormy Weather got an upgrade (her french name is Climatika). Nice little nod to the pilot of the previous arc too.

602 - Dessinatriste A nod to "le Dessinateur" (Evillustrator)? With this time the adjective "triste" (sad) included in this new name. Although, it could be a girl character as the name does sound like the feminine form (Dessinatrice).

603 - Sublimation Sublimation is the superpower name of the Rooster, so the episode might be about Marc, but it could also be the name of the olympic themed Akumatized we can see in the S6 sneak peak that was going around. The audio said she is looking for people to be the better version of themselves. Sublime is a word to qualify high morals and esthetic qualities. Could also be a kid-friendly introduction to what Sublimation is in psychanalysis if it has any value left. Sublimation is about transforming impulses into more productive behaviors.

604 - Daddycop Most probably a nod to Rogercop. An episode about Sabrina's relation with her father perhaps? On a side note, the title reminds me of the Daddy Cool song.

605 - Papys Garous Papi (or Papy, both writting are accepted) is a casual and affectionate term for someone to talk about their grandfather. So Papa-Garou (Weredad) but also involving at least Marinette's grandfather. Because Papy is plural here. Does Tom consider himself to be an old man?

606 - Princesse Syren Ondine as Syren is getting an upgrade as well.

607 - El Toro de Piedra Sounds like Ivan will be involved in that one. After all, he has the Ox Miraculous and his akumatization was called Stoneheart. Although the Spanish is new. Perhaps the akumatized will be a relative of Ivan?

608 - Vampigami I think everyone's first thought was seeing Kagami as a Vampire. Is Kagami a fan of either Dracula or the Twilight series? Considering it is canon that she read romance mangas (Glaciator 2), I wouldn't be surprised for the latter. Still, we did have an episode before that did end with "gami" but wasn't about Kagami (Optigami which was a portmanteau of Optic and Origami).

609 - Monsieur Agreste This feels like a follow up to the Gabriel Agreste episode from S4. Is someone pretending to be Gabriel? Or could it be the Adrien's grandparents episode that was hinted by Gloob? Or is Argos involved?

610 - Le Château Noir I know the speculations are about that episode being around Chat Noir, but I am not sure it is a pun with Chat due to the word Château (Castle) keeping its accent. But you know which Medieval Akumatized we had before? Le Chevalier Noir (Dark Blade).

611 - Revelator Not much to go with there. We can expect the Akumatized is a guy and that there is a risk of revealing things. Although, we did have an episode called Revelation which featured Infox (Hoaxer), but I am not sure they could be related. Again, the title doesn't give much to work with.

612 - Psyconductrice A portmanteau of the words Psycho and Conductrice which could either be a female driver or a female conductor. However, ML Paris has turned a page on cars under Mayor Bustier, so it is probably more related to music or leading people.

613 - Yaksi Gozen Obviously, we think of Ikari Gozen and Matagi Gozen (Pretension). So Tomoe will be once again akumatized. I have looked for the name Yaksi and it looks like it is a sanskrit word. The wiki page I've found said they are similar to fairies or nymphs in the hindu culture. Although, I find the use of sanskrit special for Tomoe. As far as a remember, the only other sanskrit name we got was Mayura. So, could it be that either Nathalie or the Peacock Miraculous is involved in that episode as well?

614 - Couchorak Goldorak reference spotted! The other word in that name is Couche. Which actually have several meanings. It could notably be either a diaper, a layer or a bed.

615 - La Redresseuse As a francophone, all I am thinking about is "Dresseur Pokémon" (Pokémon Trainer) ^^; Anyway, something to do with training an animal or correcting bad behaviors. If Sublimation isn't the olympic themed akumatized, then this is my best second guess.

616 - Noe At first glance, all I am thinking about is a negative Zoé. Even though Noé (with an accent) is a boy's name (the French version of Noah). So maybe a new Bourgeois family member? Another possibility, since this is the French episode list is that Noe is a dimunitive for Noël, which is the French name of Nino's little brother.

617 - La Fée de Beaux Rêves Nice little pun there. The actual sentence is "Fais de beaux rêves" (Have Sweet Dreams) but with the word Fée instead of the verb. This seems to align with Pigella's power as well.

618 - Les Crassetastrophes Portmanteau of the words Crasse (filthy, dirty, scum) and Catastrophe (disaster). This one feels like it will be very smelly and disgusting. I wouldn't be surprised if this one is about pollution and if so, Polymouse will be involved.

619 - Riginarazione So, we got the words Rigid(?), Regina (either it is the Character name or the word Queen) combined with the word ration in Italian.

620 - Renverse-coeurs Reminds me of Dislocoeur which Dark Cupid's French name. So, we could theorized that Kim would be involved here.

621 - Les Titans Chaînes This one is giving me trouble. even in French because the name isn't a natural combination. It would be more normal to write it up as "Chaînes Titans" instead. "Chaînes" could be literally chains (in the sense of shackles) but in French, the word could also refers to a series of something. Like a mountain range, a production line or food chain, but also a channel (like a TV channel or Youtube channel). I do see the pun with the word "Enchaîne" in the title which either means to align or to shackle. Wasn't there an episode confirmed about influencers? This might be that one. Especially as Titans are not only huge figures, they even had a war in the greek mythology against the Olympian Gods (Titanomachy).

622 - Lady Chaos Honestly, your guess is as good as mine here. Because the ML verse counts a few Lady Something, like Lady Wifi or Lady Dragon, so this title doesn't mean it is about Ladybug directly, but it could be related to her as it is in opposition with what Ladybug does and represents.

623 - Tristanansi Nora is akumatized again and she will be sad this time around.

624 - La Reine de Frayeurville Spooky episode in perspective. Frayeur means Fright. So literally, the Queen of Frightville.

625 - Protocole Secret Feels more like a code name to a project than an akumatized name. My money this is Tomoe's plan.

626 - Nemesis Nothing to add besides that it sounds promising. I wonder what our new Butterfly Holder has in store in that one.

[primrose19]

I haven't been quiet about my dislike (hatred, even) of the last two episodes of the show but I'll say it again

(I cannot speak for everyone, obviously, so these are just my personal feelings on the matter)

People tend to confuse "happy" with "satisfying" endings. Let's look at Lilia's episode. She died. Literally. Technically, that is a "sad" ending. But it wasn't, actually, because I did not feel sad. Quite the opposite, actually, I ADORED how her arc was concluded. I had happy tears. Her end truly felt like a beginning. My point is, I was expecting the same emotional impact from Agatha's end because there was no way this show would end any other way. Agatha was always going to die. But execution fucking matters. Hell, the hug in e4 had more emotional impact than the kiss. Do you know why? Because in the, supposedly, Agatha centered show, we got BARELY NOTHING regarding Agatha's backstory and we got EVEN LESS about Rio and Agatha's relationship. And I'm not even speaking from a shipper perspective. But Agatha's story has been so interwoven with Death, it feels like something fucking crucial to show. I don't disagree that there's a certain allure in leaving things unsaid and implied but when you want to have that sort of ending, it needs to have the emotional impact to back it up. The ending needs to fit the rest of the show (example: HTTYD 3, but we are not going to unravel that disaster here since it's neither the time nor the place for it).

And don't even get me started on the comic book lovers. "It's ending was comic book accurate so I'm happy!" Well, I'm not a comic book reader. This ending meant absolutely nothing to me the way it was shown. Which brings me back to my first point; execution fucking matters.

As for your "this is not the end of them" comment, I don't necessarily disagree. Originally, another thing that made me hate the ending was the fact that we got no resolution between the two. At least, no explicitly shown resolution. Now, I think maybe they left it open-ended on purpose, to maybe (hopefully) touch upon that in future projects. However, it truly does feel like the time for the backstory is over. I can't fully explain this feeling but the closest example I could give is spinoffs; you know how you get certain main characters and then this work gets a spinoff with a new set of protagonists but the old ones still make some appearances here and there? You get to know what they're up to in present time but you no longer get a full view of them. That's what this feels like.

Anyway, thank you for coming to my Ted talk

Honestly, I don't understand the people who are bitter about the way Agatha All Along ended. I thought it was freaking amazing.

Agatha and Rio got to be angry and in love and epically drawn to each other. And petty as all hell.

We got a kiss (and Rio's face those seconds before Agatha kissed her and she felt it coming). We got to see the wounds Agatha left in Death. We got to see a moment where Agatha essentially forgave Death (even if she wouldn't acknowledge it to Rio). We watched Rio cover her grave in the color that meant most to Agatha. We watched how Rio gave Agatha the time to love her son (because even if the older Agatha refused to see it - because it hurt too much - she would clearly have taken that gift a second time if she found herself back in that moment).

And it wasn't even the end of them, because if you don't think Rio is going to keep pursuing Agatha's soul now that she's floating around as a ghost instead of coming home to her, you're wrong (you're just... wrong).

It might not have been a "happy ending" but it was freaking glorious.

[louisferrignojr]

i have all sorts of criticisms for 911 as a show overall, for the 8x06 bucktommy storyline specifically, and for tim minear as a writer and showrunner. all valid criticisms and things I'm allowed to do as a queer viewer, because it relates to the writing choices, regardless whether they are influenced by external factors such as actor availability, budgets, or network demands and restrictions.

but you won't see me turning on oliver stark like a fucking rabid delusional buddie shipper.

using my logic and basic knowledge about the world of television, i can't put any blame on him for this shitfest. you won't see me coming up with ridiculous theories that he hates lou (#1 buddie talking point since the beginning) or that he got tim to write the episode this way (he's just a bloody actor ffs), that he hasn't done enough to champion the ship (you want him to be a bucktommy warrior?), because guess what?

say he promoted the relationship on his personal instagram, say he hyped it up more in interviews, say he interacted with shippers online or showcased more bucktommy fanworks... and the pair broke up in 8x06? because he doesn't write the show? you could then argue oliver engaged in queerbaiting, because the show did not deliver the queer content he promoted.

and isn't that what he was accused of anyway, before he deleted his twitter? doesn't it make sense that he might want to be careful about this?

and given the harassment he's had to endure from buddie shippers, i find it perfectly acceptable to answer buddie questions diplomatically because we know what those people are fucking capable of. it makes sense to me that he doesn't want to anger them.

at the end of the day, i'm not defending him. i've said before i'm deeply disappointed with his comments in the TVline interview and the way he doubled down in that instagram post. he has lost my respect and i no longer think he's a good ally to bisexual people specifically, because when you are playing a bisexual character, you have the bare minimum obligation to listen when real bisexual people are telling you that you fucked up. yes, i would like to see him acknowledge his wrongdoing and show that he understands the issue and why the things he said were biphobic. no matter how badly he fucked up, he should be allowed to reflect and make amends... because he's a human being and that's what the weewoo show is about. redemption arcs and second chances all around, folks.

but - he's literally just an actor and a celebrity. i expect nothing. i'm not holding out hope. i spare him no mind. i don't hate him and i'm not angry with him because i never idolised him. because i don't know him beyond the persona he shows the world. no one does. we can infer things based on what we see and hear, but there's really no way to know how much of that is his authentic self.

anyway. just my two cents 🫶

[teapot-of-tyrahn]

REWATCHING PEARL'S EPISODE AND. I CAN'T BELIEVE I MISSED THIS:

"you two are looking mighty green today... are you ill? are you sick?" and then. pearl pulled out an enchanted diamond sword. she held it for both of them to see as she said: "do you need help? i can assist you..."

she threatens them. sword in hand. threatens to relieve them of their lives. because isn't this how the game is supposed to be played? yellows kill dark greens for their lives. the poor kill the thriving. that's how it works. that's how it always has.

and then cleo says something she hadn't been expecting to hear:

"here's the question, pearl; do you need help?"

she had never been offered a life in last life; she'd only given them. in limited life her allies never offered her their time; she only took time from her enemies. she's never been offered a life. she'd never been offered help.

"...i would love help..."

she'd never been expecting them to help her. she came in the conversation expecting to take, like she always had, not be given.

"pearl, i'm happy for you to murder me, if required!"

he didn't even hesitate. he was happy to die for her.

"...why are you both the way you are...?"

why are you both so nice to me? what did i do to deserve you?

[hunter470]

My 9-1-1 RANT

Ok, I don’t normally do these types of posts, but I can’t move on until I get some things out. These are just my thoughts about the latest episodes of 9-1-1 as well as overall comments on the Buck/Tommy relationship. These opinions are mine and are based on the countless hours of TV I’ve watched in my 54 years on this planet, as well as my knowledge of writing and how Hollywood operates. I’m not confirming that any of this is true or are the real intentions of anyone involved with the show. Just my opinions. So, you can agree with me or not. I’m not trying to persuade anyone in any way. Also, I’m not going to get into endless arguments about my opinions but feel free to comment if you want, I just don’t promise I’ll reply. 

Ok, here we go. Sorry it’s so long. Like I said earlier, I just needed to get it out. So many wasted opportunities.

If you think TM cares what the fans want, you’re seriously kidding yourself. If he did, Buddie would have been canon a long time ago. The only thing he cares about is ratings and his vision for the show, which can change at a moment’s notice with no rhyme or reason as we’ve seen. 

Although I loved Buck and Tommy together, I knew the show wouldn’t do their story justice. So, no matter what TM or OS have said, the bi story was only to garner publicity, draw in new viewers, and increase ratings especially with the show moving to a new network. There was no altruistic reason behind it so don’t kid yourself. They knew there was an audience for the story because of all the Buddie shippers. Just remember, it’s called show business, not show friends for a reason.

Do you think OS really cares about bi representation? Based on his latest comments and non-apology it’s obvious he only cares about getting the stories that garner him the most screen time and press. Seriously, read his latest interviews. He’s excited to get to have fun now. So, congrats OS, Buck gets to F around. Just shows how most, if not all, actors are ego driven no matter what they say. Sorry not sorry.

TM has commented that he doesn’t owe anyone anything. In fact, I recall him saying to Buddie fans if they don’t like it, read fanfiction. If that didn’t clue you in, then you weren’t reading the room. Kinda reminds me of another show runner…for those who watched H50 you know who I’m talking about. That’s why I don’t get heavily invested in these shows. I’ll watch but I never expect anything I like to last…especially if it has to do with gay relationships.

It says a lot that the show remained completely silent about the bullying and death threats Lou received just for playing a role he was happy to play. Again, they really didn’t care because they knew he wasn’t going to be there after episode six. What a great message for all the bullies…just keep bullying and you’ll get what you want. 

Again, reread OS’s interviews. He was doing the Hollywood double speak. Says just enough to keep you hooked with hope to get you to watch even when he knew all along it wasn’t lasting. It really was as clear as day if you go back and read what he said. 

Also, if you thought Buck was going to get into a meaningful long-term relationship, then you didn’t watch the video from the You Tuber “Call Me Chato” that TM posted on his Facebook. The video was all about characters and how they should always stay fundamentally the same with minimal development - I’m paraphrasing. However, Buck is the golden retriever, heart so big it gets broken, character who will remain on a hamster wheel and unlucky in love because that’s who he is. If he changes too much it shifts the dynamic, which only happens if the show was ending. 

If you thought the writers would do justice to a bisexual story, then you haven’t been watching the show closely. There’s been minimal Buck/Tommy relationship development on screen. Taylor got more. Viewers were lucky to get crumbs in the limited screen time Buck and Tommy got. Then, a breakup out of left field? One minute Buck is saying Tommy is it for him and he wants him to move in, and then it’s over? If he truly felt deeply for Tommy, why not fight to keep him? Why give up so easily and let him walk away? What’s the point? Also, to end it on a terrible stereotype is yet another clue. Horrible writing and another sign that TM and OS had zero investment in the relationship. The whole break up was rushed and made no sense. Essentially, it was just used to draw people in and to get Buck single and sleeping around again because that’s who he is. I for one won’t care for any of Buck’s future relationships. I mean, why would I when they never last. 

Also, writers that give you a 66-year-old police sergeant and a 10 y/o boy landing a heavily damaged plane on an active freeway in LA with no prior training, and sorry playing video game flight simulators is not training, is some Sharknado level writing, which is not a compliment. Oh, and that whole story was truly the shows “jumping the shark” moment. If you don’t know what the term “jumping the shark” means, look it up and try to tell me I’m wrong. 

Not having Tommy involved in the three part premier episodes, other than a few minutes at a birthday party, was so obvious as to the show’s intent. I mean, the fake captain from Hotshots got more screen time. 

They claim they wanted someone for Buck that was connected to him and the 118 and then you don’t use the character at all. You wanted Buck off the hamster wheel? What a crock! Such a wasted opportunity.

Since it’s been confirmed episode 6 was filmed before 5, Tim’s just playing god with peoples’ feelings and crushing their hearts at this point. I mean, how do you have such a great episode (5) and a wonderful speech by Josh (6) just to break them up? Plus, having Tommy break up after six months? That man was all in, which was obvious in episode 5.

Guess it shouldn’t be a surprise that’s how TM would handle things after that horrible Tarlos breakup. At least on Lone Star we knew Rafa (Carlos) was a main cast member so there was hope. Lou was a guest star so it seems kinda final based on his interviews. Again, what was the point? They could have had Buck's bi revelation be with a random character. So, building up the Buck/Tommy relationship just to take it away was to inflict the most pain. Good job. 

Do I think the show will make Buddie canon? Who knows…one thing I do know is I wouldn’t trust them if they did. Also, even if Tommy somehow returns, I don’t trust TM with anything related to this story. Sure, hope he’s happy with ruining the show for so many people. Again, like another show runner I mentioned in item 4 above. Honestly, I can’t believe the Buddie fans have stayed for so long. That’s commitment, I guess. 

Do I think Lou should go back to 9-1-1? Hell no! He was screwed over by both TM and OS. Prove it to me otherwise. However, it’s up to him and of course, he loves acting so I wouldn’t blame him.

Finally, even though I’ve watched the show since the beginning, it no longer brings me joy. There are too many other TV shows to stick with one I no longer enjoy. So yes, I’m announcing my departure, and I don’t give an F what OS, you, or anyone else thinks about it. Not that any of this matters any way…

[goldenwitherphoenix13]

Throwing in my two pence here. This might get a little extensive and confusing, since I'm not great with words, so bear with me and trust me, ok?

First pence goes to this. Small thing on this being a non scripted series, yes, this is very true. None of the "curses" and stuff are planned, any references are usualy just thrown in for fun because the creators love watching us make our own stories and art, and Martyns lore is mostly his own AU that isn't connected to the main series.

But fandoms love making their own interpretations of stories, like Martyn does. It's why I have no problem with the "blessings and curses" of each participant. It's just the fan interpretations of funny coincidencs. The AUs we make. The fan content, artwork and stories, we make with the sturdy base of the life series. Jimmy and Martyn love reacting to fan made content, angsty or silly. They are loving it for the craft that it is! But they aren't canon, and never will be. Both sides know this. Scott's blessing won't always work, Grians widow curse won't always happen, and Jimmy's canary curse won't always play out quite the same as others expect it to do. Speaking of...

Time for that second penny. My interpretation of the Canary curse.

To me, the canary curse was NEVER about Jimmy being out first. It was NEVER about how he is bad at minecraft. It was NEVER about his permadeath being the the first one every time.

It was always about the chaos that came afterwards.

He wasn't cursed to die first, he was just the catalyst of disaster. When players would start to die left, right and center. It was a moment in every series where the red names would stack up and start to kill more and more, because now that a player had fallen, a sense of desperation falls across everyone. Dying first 4 times was just an unfortunate coincidence.

Jimmy is not awful at the game, he has some good skills. We can talk about that in a bit though.

The Canary in the coalmine might sometimes die to warn the coal miners of the poisons, but their silence without death speaks the exact same message.

Jimmy isn't cursed to die. Jimmy is blessed with a warning to everyone else that the end ic coming and discord wii be upon them soon.

And that warning is just his silence, through life and death.

He does not need to die for the Canary curse to come calling. Not to him. But to everyone.

Chucking in one extra penny, I would like to say that I very much think he can win. Genuinly, not having a laugh, not mocking it, and i'm not listening to anyone else. Session 3 gave me a scare, and i started doubting it, but i told myself (and Jimmy in chat) that i believe, and I was right to. Session 4 was amazing for him.

Jimmy is not bad at the game by any means. He can just be very unlucky. Events don't always line up for him so he ends up looking more incompetent than he is.

But when they do, well, just look at his 1v3 in dodgebolt and how he won the tournament for the crown in empires season 1, and remember how he spent the majority of Last life on YELLOW. And even episode 4 of wild life with how well he did in that session. I'm not saying he's the greatest minecraft player of all time because he does have his moments of lacking braincells like we all get, but he has got some skills. He just likes to mess about a bit to make things a little more entertaining for his viewers, he plays with his viewers in mind, but when he locks in, he very much locks in. And I love it.

I do still think he can win a life series. If not this one, maybe another one in the future. But I think he can do it. And if only one person in this universe believes that, then I am that one person.

Right, sorry if anything came off rude, im not the best at phrasing stuff so i might of misworded somethings here and there by accident. Again sorry if i did. I'm not here to change opinions, just to share my own. I'll leave now.

cries because everybody in this fandom sees the thought of Jimmy winning as a laughable impossibility and even people who say they're rooting for him only mean it as a joke and whenever you mention that he's doing good people have to let you know that it won't last long and inevitably he will die first because of some stupid self-fulfilling prophecy that got turned into my least favorite fanon ever. why can't he just be like a player who has a chance just like everyone else does. have you stopped to consider WHY he dies first so often? it's not a curse. this isn't a scripted series. it's because he's incredibly pacifistic and because people generally don't want to help him because they consider him a weak player. both of these things have been done away with this season, he has a taste for blood and an ally who is both incredibly underrated in his strength and has said he would never betray him. jimmy has as much a chance as anyone else.

[olderthannetfic]

I hate that deleting fic is so stigmatized. Yeah, when my shitty pharmacy wouldn't give me my meds for ten days, I had a manic depressive episode and deleted something. Sorry that makes me evil or entitled or trying to milk the audience for sympathy. You'd think putting it back up and apologizing would be enough. You'd be wrong. People keep chiming in to let me know this was manipulative. They let me know they won't be reading any more of it. They say they know someone who's Bipolar and their friend's Bipolar Disorder isn't like this so I'm faking for internet sympathy. Thanks to my selfish "attention whoring" they've lost comment threads they loved rereading and it's my fault.

Everyone says they're sympathetic to mental health issues. Then you make one single mistake that annoys them. And then it turns out you're unforgivable. They had to go a whole two days without one story. I had to go ten days without medication that keeps me sane and stable during the election and I didn't self-harm, I didn't try to kill myself and I didn't do anything self-destructive. But I briefly deleted a story.

I'm honestly thinking about making a new AO3 account and, after I finish this story, just swapping over to a new account. I'm tired of being treated like shit.

--

Listen, a fuckton of artists throughout history have destroyed their work for mental health reasons. Their personal friends did care about their mental health. Strangers care about their art.

These commenters are being rude, but you are hoping for something that is unlikely.

Make a new account if you want to escape these specific people. Don't expect the stigma around destroying art to change.

[romana-after-dark]

Dead Dove December 2024

Hello everyone! This December I’m hosting a multi-fandom event that I’m calling, Dead Dove December! From 12/01/2024 - 12/31/2024 I’m encouraging others to create something that expresses their deepest and (most importantly) darkest desires. I will be reblogging all pieces of art or fanfiction, and will post a masterlist in January. or whenever i get around to it. i have not even done the pride masterlist bc I'm a disaster! But most importantly this will be for funsies.

I hosted this last year with just oscar/pedro Characters but Logan is my special guy so he's here now too <3

Details below the cut…

What is Dead Dove Do Not Eat?

Dead Dove: Do Not Eat, or DDDNE has its origins in one of my comfort shows!

The phrase comes from a meme referencing the 2003 Arrested Development episode "Top Banana", in which Michael Bluth opens a paper bag labeled "DEAD DOVE DO NOT EAT" and, upon discovering that there is a dead dove inside the bag, says, deadpan, "I don't know what I expected." - fanlore.org

In short, what you see in the tags is what you should expect to see in the fic. This can apply for any type of fic, including the fluffy ones, but it’s usually associated with darker themes. That being said, this is your warning that this is a DARK THEMED EVENT. If you aren’t comfortable with darker topics like non-con, excessive violence, blood/gore, death, toxic relationships, 18+ age gaps, and more, then I encourage you not to participate in this event.

How to Participate

For the month of December, post your Dead Dove fanfiction or fan art on your blog. Use the tag #deaddovedecemeber2024 and tag me. You can also send a link via ask or DM if you like! I will not be posting anything for you, just reblogging and linking. At the end of December I will post a masterlist with links to everyone’s works! Side Note - Since Tumblr doesn’t really allow for NSFW art, you can post your work on Twitter or any other site that allows it and just send me that link so I can add it to the masterlist.

Rules

You MUST be 18+ to participate. I will be checking your blog/social media to be sure. Please make sure your age is easy to find. If I find that you’re a minor or if your age isn’t readily present I will be blocking you and you will be unable to participate. You can just add that you are over 18 if you don’t want your age out on the internet. As the creator and promotor of this event, I need to know I’m not interacting with minors given the nature of this event.

The work MUST be dark in some way. There’s no limit to how dark your work needs to be or can be, but it needs to contain some sort of dark theme in order to qualify. If non con isn’t your thing, dub con via stockholm syndrome or brainwash can let you write a more comfortable scene while still remaining dark. Fics and art do not necessarily need to be NSFW. last year a friend even did cnc, where it was seemingly dark but then ended with it was Marc and reader ding a scene. Dark reader or oc is an absolute yes.

Your work MUST have an Oscar Isaac, Hugh Jackman, or Pedro Pascal Character. It can be x reader, x oc,xcanon character, crosoversec. If you want Joel Miller fucking the ghoul from Fallout (or both of them fucking a reader)you can even though Eddie doesn't exist in any Oscar Pedro Hugh content. If you want Marc and Logan to fuck, go nuts. Got a series you're already writing, and wanna submit a dark chapter or a dark Au to it? That's fine too! We're pretty open here.

Do NOT post anything before 12/01/2024. I will not count submissions prior to that date or after 12/31/2024. Masterlsit will be posted in January.

Your work MUST contain the proper tags. I won’t police how detailed your tags should be, but, for instance, if your work contains non-con, and you didn’t tag non-con then your work will not qualify. Please be inclusive in your writing where you can, but aware of POC queer and disabled people.

You may submit no more than two (2) pieces. This can include a fanfic and fanart, two fanfics or two fanarts. This is to allow someone to write a piece and make a work of art to accompany it. You can also work with another creator together.

I’m not going to yuck someone’s yum, but there are some things I’m just personally not comfortable with and since I’ll be reading/viewing/promoting all of these, I have a few things not allowed in the event. The list of what’s NOT allowed is shorter than the list of what IS allowed so here’s a list of the things that will NOT be tolerated in this event:

No underage/aged up minor content - To clarify, this includes things popular ships like - TLOU 1 or "Show Ellie" x Joel or Miguel O’Hara X Gwen Stacy. No "ageing up" minors for the purpose of a fic.

No Bestiality - To clarify, monsterfucking does NOT count as bestiality (at least to me). For example, werewolves, venom, Khonshu, e.t.c. are all allowed.

No incest - To clarify, step-sibling/step-parent relationships are permitted as long as everyone is 18+. Different age of consent in your state or country does not apply here, and frankly I'd prefer 21+ but I know there are younger people than me who write so I'm not gonna say you gotta write like that. Selfcest relationships are also allowed (like Moon Knight or Miguel with his alternate self, e.t.c.).

No necro/snuff. Plain and simple.

I have final say in what I want to promote. Is TLOU 2 Ellie an adult and not technically Joel's ctual kid? Yes. technically it fits all the rules but it gives me the ick so I'm not gonna accept it. I cannot possibly prepare for all scenarios, and i want to just be able to have fun here with yall.

If you’re unsure if something is allowed or not, you can send me a DM or an ask for clarification prior to posting.

You can use any prompts you want or none, you aren’t tied to any one idea but here are some to get the ideas flowing if you need them!

Also, you can absolutely use a fic to inspire your art, or art to inspire a fic! Your inspiration piece, whether yours or someone else’s does not have to be from December, but you MUST obtain permission from the original creator before I promote your work. Most creators are happy when their work inspires others, and all my fics are open to being used for inspiration, but please reach out to the creator first.

I’m very excited! This is my second year hosting this an I've hosted other events by myself or with friends so I'm happy to keep going, this time with Hugh Jackman bc i can't get Logan out of my head.

Dividers and header made by the amazing @melodygatesauthor

Please consider reblogging to spread the word!

I don't reall know many people in the logan/hugh jackman fandom so I'd love if this was an oppritunity to get to know yall too!

Dark prompt list to come, also check out #deaddovedecember2023 to see what last year had!

[copperbadge]

[ID: A poster ad in the Chicago subway for Taskrabbit; it reads "You're never gonna hang that up; never gonna take that down" followed by "Mounting & More" and the Taskrabbit text logo.]

For a subway ad there's...a lot going on there.

I again don't have photos of the work I did this morning so I thought I'd share that ad; funny to get rickrolled waiting for my train. I've been working on sorting bins to go to storage again, and honestly I expected this to take all week but I think I've got most of it completed. I still have a bin I need to sort through but that one is likely not to go to storage anyway; it's what I call my "trauma box" because originally it was a box of stuff from my last job, which I forgot existed for six months after leaving the job (somewhat traumatically). Realistically it's now just a massive bin of odds-and-ends I don't know what to do with, but most of them need to either be donated, thrown out, or stashed somewhere in the condo. There's also a full bin of paperwork I need to sift through -- old grad school notes, scrapbooks I need to digitize, and a collection of Marvel Comics trading cards I should probably take to a card store and see if I can sell.

Still, this morning I packed up my camping gear and grill bag, pulled down the bag of summer clothes I packed up earlier, and emptied out one of the two "sort through" boxes so now they're all in one box. I cleared out the other "under bed" storage box (the new plastic ones should arrive this week!) and set aside some more clothes to donate and put another few loads into the laundry to wash.

Probably for the best I topped up my account with the laundry room last month...

I'm pleased I kind of got back to "limit by podcast" levels of work -- I listened to the latest Criminal episode, "The Reverend", and I was just starting to feel a little scattered and overwhelmed as it ended, so I stopped for the day. I'll still need to change over the laundry and fold it and figure out what to do with some of it, but at least that's all I have left to do, and I don't have to worry about finding more.

[babyangelsky]

It's not that being scolded by Shin's mom was all it took to make Saint pull back, it's that he hasn't forgiven himself for what he did to Shin. And honestly, no true reconciliation is possible until he does.

Saint has been doing absolutely everything he can to apologize. He's been moving heaven and earth to try to atone for hurting Shin and earn his forgiveness but the thing is, forgiveness isn't really something you can ask for or something you owe anyone. Forgiveness is something you do for yourself, so you can move forward in your life after having been wronged and be at peace with yourself.

No matter how much he may want to, Saint can't undo what he did. He can't un-break Shin's leg or un-walk away from him. The only thing that's in his power to do is sincerely apologize, be there for Shin now, and not run away from him again. Because that's what really hurt Shin, even beyond losing his future: Saint leaving him.

And that's what made it so easy for him to misunderstand Saint at the end of this episode. They're just starting to repair their relationship and Shin still doesn't trust that Saint won't leave him again, so he's almost primed to expect it. Saint isn't leaving him of course (wild horses, babes. wild fucking horses) but because he hasn't forgiven himself, it's all too easy for him to fall into this cycle of self-punishment where he does everything he can to atone except what's required. To quote @respectthepetty, he's doing the most to avoid doing the bare minimum.

Like I know it's easy to look at something like Saint's decision to drop out of school and give up Shin as a dramatic teenage response, but I think it's deeper than that. I think there's a part of Saint that really believes that he doesn't deserve to have a future because he took Shin's away.

His default is self-punishment but he doesn't realize that Shin doesn't want him to prostrate himself, take every hit for everyone all the time, give up school, or agree to do wild ass shit to get Kenneth to leave him alone. He just wants Saint to be by his side and stay there. But in order for that to happen, Saint has to forgive himself and believe that that's what Shin wants.

To move forward, they both have to move on, together and that starts with Saint forgiving himself.

[sepublic]

I think there’s a lot of implications to Evelyn that people ignore in favor of making her into their white everyman’s Manic Pixie Dream Girl instead of like, an actual character with motives who came to the human world for a reason.

There’s the very obvious implication that she made the archway in Gravesfield??? The one that uses Titan’s Blood to open a temporary portal each time? And there’s another archway located by her house; I dunno if Evelyn made it herself, or if she had parents who were just never shown because they’re not too important to the story.

Evelyn obviously would’ve been a child when she visited Gravesfield as well, because there’s no way the writers would have her romance with Caleb begin if only one of them was a minor. So that points to her being a kid prodigy, which is something you can see in her descendants Eda and Lilith (Yes, Lilith as well; She’s very skilled herself and even figured out Glyph combos, it’s just that she’s being compared to Eda constantly and let her inferiority complex downplay herself).

But how did Evelyn even get to the human realm in the first place if the other archway hadn’t been built? Did she just magically connect hers to a pre-existing human archway?

We know Eclipse Lake exists, it’s how Philip entered the Boiling Isles, and others in the Demon Realm knew of it. Plenty of witches speculated on how a permanent portal to and from the human realm worked; So interdimensional travel was already a field that wild witches in the Deadwardian Era were interested in.

Portals in this show are two-way, so Evelyn must’ve entered Eclipse Lake, emerged somewhere in what would be known in the present as the Connecticut area, and then wandered until she came across some humans… And alas, she came across some of the worst humans to ever exist, RIP.

She made Flapjack, and Palismen you create don’t awaken until you state your wish. If Flapjack resonated with Hunter for sharing Caleb’s wish, then he must’ve resonated with Caleb for sharing Evelyn’s wish; To decide her own future. Flapjack himself is introduced trying to leave and go places, despite people telling him to stay put.

Caleb is someone for whom that wish came in leaving his ‘home’ in Gravesfield, he’d already moved there from someplace else prior! When Evelyn is established to be someone skilled in interdimensional travel, is there not an obvious connection to be made between this and her shared dynamic in Caleb, and the Palisman who resonated with both?

Did Evelyn live with her parents? Was she by herself as a kid? When a teenage Eda runs to the human realm to escape her complicated relationship with her parents, is it the same as her ancestor? The Boiling Isles was never perfect (but the coven system was an objective downgrade), and Dana even mentioned it herself at one point. Its people are just as humans as humans, and so just as capable of being messy and flawed and even cruel. The Coven Heads were willing to fuse their realm with ours under the expectation they'd be treated like royalty for it.

Like Gus, did Evelyn find human detritus and become interested this way? Like Luz, did Evelyn hope she could escape her problems in one world by finding another? I wonder what magic Evelyn liked? Probably stuff to do with portals (Eda uses them in the first episode), teleportation, warping space, etc.

With all this in mind, with Evelyn already being established as someone who can create portal devices, Philip’s tendency to plagiarize and take credit, his inability to make a second portal without using the first one as a base, and the portal itself being found right by Evelyn’s home and archway…

What if Evelyn made the portal, with Caleb’s help. It does change the context of these notes in Philip’s journal, if they’re transcribed from those of Evelyn, a wild witch who revered the Titan and her way of life.

Evelyn went through Eclipse Lake, traveled until she found Gravesfield; Evelyn posed as a human and trusted Caleb after seeing how he and Flapjack got along. Evelyn built a working archway and when Gravesfield suspected a witch in their presence —possibly due to her experiments— they went on a hunt for her.

Evelyn revealed her identity to Caleb and Philip, and brought the former to her world, possibly as a test run or to celebrate its completion, before bringing him back to Gravesfield. Evelyn and Caleb would meet in secret for their own safety, communicating via rebuses, as Caleb stayed in Gravesfield until Philip was old enough to take care of himself, and/or even changed his mind and went along!

But he didn’t, and if Philip tried to do something about the archway, Evelyn still had Eclipse Lake. She might’ve even made the Portal by this point and that’s how Philip has notes on it prior to reuniting with Caleb. So Caleb moved to her home (possibly after Evelyn showed up in his house using the Portal), and Philip eventually found the Eclipse Lake portal. But in those subsequent 5+ years, Evelyn used the Titan’s right eye to create a new portal, that would use a little bit of Titan’s Blood as a battery but not deplete it with each use.

Evelyn and Caleb programmed this portal to open in his childhood home where Caleb expected Philip to be, because he still hoped to have his brother with him and always had. Evelyn agreed to let this happen despite Philip clearly wanting her dead, even if he was not going to get Caleb implicated and killed to do so.

But Philip decided to cross that line, because at some point Evelyn and Caleb had a child, and knowing he was related to a mixed child pissed him off so bad. He pretended to be accepting, even as Evelyn and Caleb revealed a Portal and their plan to go back to him anyhow. Despite this, he attempted to murder Evelyn and/or Caleb anyway. Caleb died, and the Portal was damaged, but Evelyn chased off Philip. He eventually went back for Caleb’s body and stole it, and attempted to replicate the Portal that Evelyn and Caleb had showed off, believing he’d broken it beyond repair.

Evelyn decided she wanted nothing else to do with the human realm and buried the Portal; Maybe she left the option for anyone else who was still interested. Which gets me to another point, that maybe Evelyn made a grave mistake in accessing the human world, but let’s be real the onus is always on those who act in bad faith, not someone who acted in good faith and had that taken advantage of. But in the long, long run, even longer than 400 years, past the ending of the series…

Gus is not the first, but he might be more successful than Evelyn, and succeed where she failed. He’s a witch who was also fascinated in the human world, and now he’s cultivating a Human-Demon Realm Exchange Program, so both worlds can get to know each other, so people from both worlds can find new places. Because Evelyn’s portal was reclaimed by her ancestor, who did need it after all; And it led to Luz finding the isles, to Vee finding Gravesfield.

Luz and Vee were also taken advantage of to commit genocide, but Luz helped stop it. She helped right a great wrong in freeing the Collector and giving the Titan’s son a friend; Evelyn was a wild witch, so she would’ve respected the Titan, and did use his right eye to create the Portal. During that time, the Titan was also able to peer into both the human and demon realms, though he wouldn’t have had much reason to care about the human realm for a while.

(And if the Archivists ever return; There’s a Collector who could be very helpful in resolving that threat, who was freed thanks to the butterfly effect of Evelyn’s actions.)

So in the long run, perhaps centuries after the show ends? Maybe Evelyn did good after all. There’s a lot our worlds could learn from each other, and perhaps healing magic would’ve helped someone like Manny; If not him, others down the line. Plant magic could also be very helpful. The Collector was able to create a second Portal to establish more permanent contact through Caleb’s old home, as Evelyn intended. Not to mention the work of her descendants she had from meeting Caleb! And Gus is helping more Calebs and Evelyns find homes, just as Evelyn helped Caleb, Luz, and Vee.

[letsgofullpogue]

I don't usually share my thoughts on the season here, I try to keep it more of an archive than anything, but this shit was a mess and I need to unpack it somewhere. Thoughts on season 4 below the cut.

Groff being JJ's father doesn't make any sense.

Before part two even came out, this little kernel of story rang so false for me. How does Luke wind up with a kook baby who "died" at sea? And the obvious answer is he had an affair with a kook, they had a baby, and, sure, she dies and he has to take care of the baby, leaving him bitter and alone and resentful of JJ. This is a reasonable expectation based on what we know of Luke thus far. But that's not what they're selling. Luke is a good-natured groundskeeper for the Genrettes, forming a light friendship with Larissa and bringing her little baby flowers to light up their days. Chandler, the baby's actual father, lurks in the background, seemingly jealous and controlling and not a fan of Luke. This completely stomps all over what we know to be true about Luke from the beginning, and really wipes out all the beautiful, horrifying work that Rudy and Gary did to build their relationship up until now. What a tragedy.

Why would Chandler kill Larissa and hand off the baby, pretending that he died? Was he hoping that Wes would take him under his wing and he would become the Genrette heir? Why not just keep his own baby with him, who would presumably be the real Genrette heir, coming into the money and property by way of guardianship when he inevitably killed Wes anyway? What's the deal with Chandler and Larissa? Did he marry her for money since he was a Pogue (more on that later)? Is this Foghorn Leghorn accent put on? Did he marry her specifically for her Blackbeard connections? Was it on the order of the Lupine Corsairs? Did he start working with them before he hooked up with Larissa? Was this all part of the plan? Why did Larissa keep her last name? Why in god's name do I care?

Watching Chandler play JJ the whole time requires us to believe that JJ is stupid, and JJ is not stupid. Impulsive, sure. Acts before thinking, absolutely, but not stupid. He's not going to get played this way (especially by a Kook), letting Chandler lock him in a mausoleum, giving him the necklace, giving Chandler his phone. It's insane. And driving around town in the Twinkie while being wanted? Still using their house and surf shop as home base for planning? Stupid stupid stupid.

The retread of scenes we've already done

Pope and Sarah in the tunnel with the rain is Kie in the sewer with the water flushing her out.

JJ and Chandler in the Twinkie is Big John and John B in the Twinkie, and just as bad. I thought they understood that was too much time away from the group, but what I've come to is that they don't actually understand anything.

Wasting too much time with a band of villains, see also last season. At least Singh had an interesting story that somewhat wove into the quest. These guys are just hired grunts. They're not on this hunt for themselves, they were hired to find the crown. Hired by who? And why do we care? They have a code that they live by, but we don't care that one of their faceless guys got killed and that they're out for revenge while pursuing the treasure. They get way too much screen time for us only have ten episodes.

Pope running from the Marines is Pope running from his scholarship interview, with higher stakes consequences that'll never be addressed, I'm sure.

Pope, John B, Cleo, and Sarah in the garage is John B in the garage in season one.

JJ wounded and floating in the water, just like in season two.

JJ and Kie talking about wishes while on watch is surf trip again. I was like, oh wow the chemistry is totally back here, and then I realized that it's fully leaning on the cadence of something that's already happened.

These are not parallels, this is bad writing. Or lazy writing. Or both.

High-stakes actions with no regard for consequences

Speaking of, they're constantly writing themselves into situations they can't get out of at this point. Last year, with JJ making deals with Barracuda Mike, big-time drug dealer, a thing that should have had huge consequences for reneging on the deal, but wound up with none. And in an even bigger 'this doesn't matter', he goes to Barracuda Mike's house this year and demands things of him? Wild and unbelievable.

This year, with JJ assaulting cops and destroying the town, for reasons that don't even really make sense. Wanted and on the run. How do you come back from that? (And a side note. JJ wasn't ever really a physically destructive presence, moreso destructive in the way that he has impulse control issues and acts before he thinks. But JJ has always been the type to take the beating, not start it. Happy to defend himself and his friends, but out of a feeling of usefulness and purpose in the group, not for funsies.)

Also this year with Pope, assaulting a cop, slipping his ankle monitor, and running away from the Marines. THE MARINES. Consequences should be looming, and who knows if we'll get there. But why set these kids on the run for the rest of their lives? The point is this place, the point is these kids. These beautiful idiots with bad luck and good hearts, just trying to get a win. What win is left? Evading jail? Revenge killing? What happened to our little boat show? This is a mess.

A family way

It's insane to me that they would chose to make Sarah pregnant in these circumstances that they've written them into, but then again, it's written by men who seem to have big-time mommy and daddy issues, so why am I surprised? I do feel like the best part of the season is that before John B even knew about the pregnancy, he was basically like I want to be done with this shit. He is not his father, he doesn't yearn for the adventure of it all. He wants to build a life, a normal life, and I wish we had had more time to sit with that and explore it for him.

The dialog

I don't know if it's that they're not improving as much anymore because of ~*reasons*~, but the dialog has gone completely down the tubes. In the last episode of the season, Kiara says "JJ hurry" over and over, at least 5 times in the span of like 15 minutes. When John B, Sarah, and Cleo are running from the Kooks, it's hurry, hurry, hurry. It's either that the writers simply aren't trying anymore or so much of the dialog was filled in with improv that now that everyone hates each other (she says casually and not addressing it at all), they're unwilling to play. Either way, that's their jobs. This show should be so fun to watch and it's becoming a drag.

The filters

I know everyone has complained about the colors of this show the whole time, but it's becoming unforgivable. The blue nighttime filter? I want to throw something at my tv every time they use it. Shoot at night??? Or on a stage? There are options that aren't the most awful fake-looking filters in the world, which, by the way, make watching on any smaller screen completely impossible. I miss those season one South Carolina sunsets. It feels like we've replaced most of those with a really harsh yellow filter that makes lighting people impossible.

Pogues vs. Kooks

That was the setup for this show, right? The haves and the have-nots? Two tribes, one island? Well, now almost every Kook is a Pogue and every Pogue is a Kook. They're muddling the message with bad results, because they still seem to want the tension and the storylines that result from it, but Chandler is a Pogue turned Kook, Ward was a Pogue turned Kook, so is Mike. JJ is a Kook turned Pogue, Rafe, RAFE of all people is working with the Pogues and engaged to one? With season five being the official last season, what will we be left with at the end of all this?

Interviews

So much of what they intended for this story, or what they want the audience to take from this story is told in interviews. I don't know if they're flat-out lying or they really think they nailed it in the telling. They say JJ is freaking out because he finds out he's a Kook, but that's not really what happened on screen, it seems more like he freaks out because their land is being taken from them and Luke's back and betraying them for a deal to keep him out of jail (yeah, not enough time spent on that). That JJ dying was the plan from the beginning which I don't believe was the case for one single second. "JJ is super jealous", where? Show me where because he barely glances at Kiara the entire second half of the season. They're two unsupervised children, dating, living in the same house, who barely ever touch, nevermind kiss. You're making this shit up to get the fans in a frenzy about it and not delivering in the telling.

The biggest fuck you

JJ dying. If talk is to be believed (and I do believe it) Rudy asked to leave and the Pates granted this request by killing him. I'm pissed as hell that the Rudy/Elaine/Madison/Mariah whatever it was ruined a truly great character and couple (the thing that brought me to this show in the first place) and I'm also pissed that it was written this way. Their right as writers and showrunners, I guess. BUT. There is a way to do this and have it make narrative sense and spur the story on and it is their job as writers to figure that out. What they did was strap him with an insane storyline about biological parents that makes no sense, act completely out of character for much of the season, have him pick up a drinking problem that he's never had before (becoming a liability for his friends), and have his new daddy kill him with a 1-inch blade in retribution for *checks notes* not letting him out of a well? Oh, and having his friends bury him in an unmarked grave in a land far from home, a home that they really can't even return to without some of them going to jail for a long time. And now they're out for revenge, as suggested by Rafe.

What is season five going to be? Losing JJ (and Jiara by extension) is a devastating loss for this show. Saddling John B and Sarah with a kid on the way while on the run and actively pursuing very bad people is irresponsible. How can we bring it on home in a way that honors these characters and makes sense of the mess they made of this story? How can we bring it on home at all? I'm not sure, but I guess we'll find out when the time comes. Lord knows, I'll be here until the bitter end.

[azaharinflames]

I have this nagging fear that if they mention Tommy in the next episodes they are gone make him the bad guy.

And I don’t think I can deal with it. I’ve somehow accepted the beauty in the tragedy of the break up, but I won’t accept that.

And I have so little trust in them at that point.

you 🤝me

I have that fear as well. I don’t think they expected or imagined the backlash to be this big - people are still commenting on their socials about it and asking to get Tommy back. I think they did expect reactions, mostly from us, but they weren’t expecting the GA to be this affected.

In my most delulu hours I’ve thought this could’ve served them as a sort of test, you know? The GA doesn’t simply like Buck being in a relationship - they liked this relationship, they wanted to keep seeing it.

But, because they didn’t know, I am a bit scared (a lot, let’s be real), they will take the time to make Tommy the bad guy in all of this. I sure hope they don’t, because they have to know making the gay man the big bad man is a horrible take to adopt, especially in this climate, but at this point who knows.

I also believe we are all choosing the worst option right now. Comprehensible given what happened last week, and rational because I can see them fucking it up even more, but I surely hope they have more brains than that.

Personally, what I am expecting from the ep (and what I fear as well) is that Buck will be completely fine by the end, like Tommy never happened. We have RG’s interview to say Buck will be stuck on the past, but we also don’t know if that is just for 807, or overall.

Regardless, 911 is in a compromised position right now. If they make Tommy bad or if they try to destroy the BT relationship completely, I can only imagine the backlash growing. They have to be careful in a way they haven’t been so far.

Thank you for the ask ♥️