#I AM SO SORRY I TOOK SO LONG TO ANSWER

[sandinabottle]

Get booped!! >:D

BOOP!!!

[sturgeonposting]

Gingerbread sturgeon

HES BEAUTIFUL AND HE MIMICS THE LIFE CYCLE AND GROWTH OF THE GENUS HUSO!!!!!!!!!!!!!

[ask-queen-arti]

(the ask box is open!)

[nkogneatho]

Pasi come here. Who among the Haikyuu captains has the best cock game and why

this question is so...OH MY GOD.

y'all will hate me for this but it's a tie between oikawa tooru and kuroo tetsuro. yeah yeah i know kuroo is a sex god and all but you cannot overlook oikawa's cock game.

oikawa flexes about shit a lot so you assume he was yapping about the shit he can do but when he had you on all fours, he was so determined to find your gspot and then hit it continuously till you came. he is mean too because he knows he is too good. he knows you feel too good. his balls be slapping so loud against your ass. and his mouth??? fuck he is filthy as hell. asking you to tell him how fucking good his cock feels. how you will never find any other man who's gonna ruin your pussy as he does.

kuroo on the other hand already looks like he has a good cock game. but you did not know that he loves to be in your mouth even more than your pussy. he looooves to slap his dick against your cheeks, telling you how good you look. he is patient with you when you suck it. however, when he is too close to his orgasm, he'll force your head down till his balls touch your chin, jerking his hips forward and making sure you enjoy every sip of his cum down your throat. but when he pulls out, a thick strand of your saliva and his semen connecting his dick and your tongue, he runs the tip along your lips, giving it a pretty gloss that dior could never.

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[attntionwhre]

ugh i just went through your whole blog and now im absolutely soaking wet… i wanna be yr little brother soo so bad…

you being a total loser older brother, never having any luck with girls, just getting high and jerking off all day. but your little brother is the total opposite, dressing like a slut 24/7, going out with a new guy every week, and it pisses you off. then maybe one day you decide to snoop around on my computer (i deserve it anyway, for being such an annoying little shit) and end up finding just ENDLESS amounts of gross incest hentai that ive saved over the years. and ofc this pisses you off even more, cause i’ve been acting like such a slut while *also* being an incest addicted freak and i STILL havent put out for you??

so ofc when i get home (probably from sucking off some random guy) you decide to take matters into your own hands and fuck me until my cunt is gurgling with overflowing seed. if im so happy to let any guy with a cock stir up my pussy, surely i wont mind my older brother raping my womb full of babies <3

(whoops i kind of went overboard. yr blog just really gets me going, lol! ^^)

can‘t believe you would go out and fuck random guys when your older brother is right there! i mean your taste in hentai says it all: you‘re desperate to get fucked by big bro, you should have know nobody else can fill that need!

so when you finally get home and i rape your womb full of babies you realize that this is what you‘ve been craving your whole life. it just feels so right getting violated by your older brother, how stupid of you to think any other guy could satisfy you in that way!

[nkjemisin]

Hey there. I'm writing a story set in New York City and am not American. I have few characters, but most of them are arab or white. I can't help but feel a bit wrong about it, given that America is much more diverse than that, and NYC being an emblem of that. Do you think I should force myself to include more representation or should I just tell my story, and leave that more diverse cast to some other story I could write? I know this is a neverending debate and there are many opinions about it, but I've always agreed with everything you've said in matters of representation in fiction, and so I'd be curious to know your personal answer on it.

I'm a little confused by how you're using "representation," here. It sounds like you think representation = "randomly sticking BIPOC everywhere." I think when most people use that word, it means something more like "create an accurate or at least plausible depiction of a group or place." In actual New York, there are plenty of Middle Easterners and white people who live in relatively homogeneous small communities where they might only see someone of a different ethnicity on the subway. If your story is set in one of those communities -- and you do stick some random BIPOC in that subway scene, because that's plausible -- then it sounds like your characters might be an example of good representation.

(Note: if you're not writing something set in the real world, but it features human beings, it needs to represent humanity as a whole, unless there's a good in-world reason not to. But if it's our world? You can get specific.)

Here's the catch, tho: plausibility is relative. If you've absorbed some biases and haven't done enough research, then you might end up writing something that feels plausible to you, but which isn't actually representative or plausible to anyone else. The way to avoid this is to do the research and check (to the best of your ability) your biases. For example, you aren't American, I assume you've at least visited NYC? If not, you should. You can visit some of the communities I mentioned! You can eat in restaurants, visit mosques, have conversations with actual real people who are living the life you're writing about! If you don't have the time, money, or spoons to do that, there are other ways to do good research -- films and YT/Tiktok videos made by people from the communities in question, for example. But you'd need to watch a lot of them to get a good representative sample.

I recommend this book to all the writing students I've taught at Clarion, and other writer workshops: Writing the Other, by Nisi Shawl and Cynthia Ward. There's a particular part of it that seems relevant here, which is a kind of hierarchy of "appropriate" appropriation, I think first mentioned by Diantha Day Sprouse but included in Writing the Other. Basically it says that if you want to write about a culture that isn't your own, you can learn about that culture in one of several ways: a) You can be an Invader, and just go take whatever intellectual and artistic tidbits from that culture that you want, regardless of how damaging this might be to members of that group. Example: non-Indigenous people who write about actual secret practices, or who encourage the desecration of sacred places. b) You can be a Tourist, in which you're still mooching from that culture, but at least you're figuratively paying someone for it and accepting tidbits that the culture has chosen to sell. Example: getting a sensitivity reader. Or c) you can be an Invited Guest, who brings in as much as they take out, and who has formed relationships that are beneficial to all involved. Example: being part of an exchange program, both as a student and later as a host, and maintaining those friendships outside of the program.

The goal is to be an IG, but that isn't always possible. Tourist is still better than being an Invader. (...I feel like I'm leaving out a category. It's been a while since I read the book; any more recent readers want to check me here?) But the closer you can get to actually participating in that culture, the more your work will be informed by reality instead of biases or misinformation, and the more likely your work will read as plausible not just to you, but to your widest possible audience -- people familiar with the culture and people who aren't.

(I'm a little concerned about your phrasing of "force myself to include more representation," note. Why would that need to be a forced thing? A writer's goal should be to write something that feels lived-in and authentic to [if it's a real place] most people's experience -- not to meet some arbitrary standard, but because that's how you master immersion and characterization. If good immersion and characterization feel forced to you right now, that suggests you need more practice. I recommend writing short stories!)

[heeliopheelia]

Who in your opinion is mtl rough in bed from enha hyung line? 👀

MOST

SUNGHOON now listen i know this might come off as controversial but bear with me babes. i'm an avid believer that this man is simply uncapable of going easy on his s/o. there's nothing else that gets him going as much fucking you dumb until the only thing left on your mind is his name. and there goes my hard dom hoon agenda again – like the shut up you slut and take whatever i give you kinda hard dom. heavy on degrading, spanking, overstimulating you... pls i am so normal about him

HEESEUNG i know that a lot of yall portray him as a sub but i just can't go behind this agenda I'M SORRY I MAY BE BIASED 😔 anyway, i think that hee is an absolute menace once you get him horny (which is not that hard, let's not lie to ourselves). he'd be HEAVILY into degrading too, especially if his s/o is more on the submissive side. loves to recieve oral more than to give one especially when you choke oh so prettily on his cock

JAKE he just loves you sm – he's a service dom imo and he would do absolutely everything and anything that you ask of him. i think that this man is def the kinkiest one out of all the guys in here but he wouldn't just drown you in every new idea he gets, he would rather take it slow, one by one yk? baby just loves to please you and make you feel the best as you possibly can, so not even a year in your relationship and i'm pretty sure he would've tried absoluetely EVERYTHING on you by then <33

JAY oh he's absolutely a dom too, don't get me wrong, i just feel like he literally WORSHIPS you and woud prefer to make love to you rather than to just fuck you like some whore (but if you're into that then he'll do the best he can, take my word on that 😚). i'm not saying he's vanilla, i just think he wouldn't be as rough with you. jay just knows what he's doing and he's confident and secure with his abilites in bed, so he wouldn't have to go all feral on you to make you feel completely satisfied

LEAST

[regular-gnome]

Now you've got me curious gnome. What WAS the relationship between the archivists when they were younger like?

(Also I LOVE your work and look up to you ALOT. Have a nice day/night!)

Their relationships have changed since childhood, running through extremes and attitudes but ultimately focusing on a common goal and set of routines. Adding to it, there isn't exactly anyone else older who could be there for them in the long run, so for better or worse all issues are build on or/and resolved between them. In the end.. it's not like they have anywhere else to go, and they don't exactly want to be alone in the void. They stick together, even if some are gone for periods of time

(But I'm glad you enjoy the things I draw! It always makes me happy to see you pop up in my notes and see your interpretation of the celestial critters:P have a cool daynight too!)

About the colors of the cloaks when they were kids, in some previous comics they shared the same teal cyan hue as an indication of being part of the group. Buuut, they already have affiliation indicated by the shadow face ornament.. and keeping the same colours made it difficult to distinguish them. Soo, this is one instance where I need to backtrack a design choice. Not counting in the more casual clothes besides robes that apear in comics too

[trashyshrew]

big admirer of your work! you asked for drawing suggestions–would love to see your take on lawlight snuggled up together relaxing in bed or something! absolutely starved for soft content of these two

[threestarsaboveclouds]

(@golden-threads-local-group) [LIVE BROADCAST] - Private Twelve Endless Nights, Three Stars Above Clouds TEN: Is this working? TEN: Our communications array has been down for some time. TEN: To the intended recipient of this broadcast, I am Twelve Endless Nights. I, too, was built as an observatory to study the skies above. TEN: After spending far too long only to be able to speak with my own group, it is a relief to speak with another possibly like-minded individual. TEN: Tell me, how has your work gone? Are your systems and instruments in good condition? How grateful I am to speak with another of my caliber!

@golden-threads-local-group

TSAC: Ah, hello Twelve Endless Nights! I recall reading some of your published methodology many cycles ago; I have stored it in my archives alongside the research of others in my field of study. I am glad we are able to speak together!

My work has been proceeding as normal. My nightly sky surveys provide me with a near-constant stream of data to analyze, which keeps my processing strata rather busy. If you would like me to share any survey data with you, please let me know; I have preserved my results from several of the past hundred cycles within my Memory Conflux.

(However, the data payload may be quite dense… too dense to send over the broadcast network in a timely manner. It may be more efficient to deliver the data via a pearl… perhaps I should look into some alternative communication methods. Let me know if you have any ideas.)

Some parts of my facility have… seen better days. But the damage is not severe enough to prevent me from doing my work. I’m grateful that my equipment has remained functional for so long after our creators’ departure. I have learned from listening to broadcasts that some of our peers have not been so lucky.

How are you? And your group members, if you have any? I hope the issues with your communications array has not made your work more difficult. Have you uncovered anything interesting recently that you are willing to share?

[ OOC: Ancient typeface source, Inspiration ]

[mxviko]

Can u draw Pike please? :3

(Mike makowski x Pete Thelman)

Yess I can!

The silliests little things I love them actually

[kissatoru]

hey… it’s the reiner anon teehee 🤭 love love LOVED the head drabble URGGDHDGSHDG he’s so baby girl !!!

now i can’t get popping virgin!reiner’s cherry out of my mind 😵‍💫 his poor cock just cumming and cumming all over again because u just feel so good

omg heyyyy, nice to have you backk!! i’m glad you liked it hehe<3

he would be so embarrassed and overwhelmed and cuuuute, precious boy wouldn’t know what to do with himself! i just have this picture of him clinging to you, all shivering and panting and groaning, unable to comprehend how it can feel this good. he’s honestly so emotional too, with unshed tears making his hazel eyes and sandy blond lashes all wet and droopy, because you just take care of him so well!! and show and do these wonderful things to him he’s never experienced before!! and he’s scared but he loves and trusts you, there’s no one else he’d rather do this with!! and at some point those tears can’t sit back any longer, they slip down his cheeks. he doesn’t cry often, not as much as he used to, but with you, it’s never felt safer to do so<3

[zeawesomeness]

(Hello! Have an interaction.)

A definitely-a-child Donatello has taken the TMNT AU competition as an opportunity to make a profit. He even offers custom, high tech friendship bracelets for your turtles. (I added extra to yours because he lost his Kendra once, so I thought it made more sense for him to have some sort of interaction.)

I can’t imagine it’s easy seeing someone who reminds you of a dead person you once knew well… :)

[aghostnamedcalamity]

Hi calamity. Do you think that Joey would continue to be a part of Benjamin's life even when Benjamin is an adult?

Hello! I think he will, but probably not nearly as active like in his childhood. But he’ll be there! Joey did work as an emotional translator of sorts between Mordecai and Benjamin during the times they were clashing the most and, even though Mordecai then strived to be better in that aspect, still is a good shoulder to lean on when Benjamin needs some mental support :)