#and I put this one in drafts because it was so long

[screamlet]

“I wish you would write a fic where…” Through whatever contrivance, Buck tries to woo Tommy back through trivia. Maybe he gets Tommy’s team in on it, or the emcee/host - but it’s all Tommy-themed questions because Buck is trying to prove he knows him. Does it work? Maybe it’s all surface level and it hurts Tommy as much as he appreciates it. Maybe he revealed more than he thought and Buck was listening, taking it all in. Maybe Tommy decided to participate against him and inadvertently reveals something or accidentally says he loves him or something. If you would like it, I humbly offer whatever you can do with this premise!

heeeeey it took one million years but here's something!!! i love shenanigans, i hope this lives up to them.

bucktommy fix-it, 2k

read on the ao3!

---

Tommy's not exactly kidnapped.

He's met in the parking lot at Harbor by Hen, Karen, and a couple of big smiles, and then shoved into the backseat of their car and driven off somewhere. 

"You know, it's been my experience that some people text when they want to hang out," Tommy says.

"So you did ignore my voicemails!" Karen yells. "I knew it."

"It's not personal!" Tommy says.

"I'm taking it very personal," Hen replies. "Like hell you're leaving the Christmas card list again." 

"I'll move."

"Not in this housing market."

Tommy groans because it's true. 

And see, that's a little crazy but a little fun, to know that they care enough to abduct him and take him out for the night. It's then not really surprising that Howie's waiting for them at the bar they used to frequent ages ago, when Tommy was still at the 118. 

"I got the cuffs," Howie announces, a pair of very-real looking handcuffs dangling from his fingers.

"Those better not be for me," Tommy says as Karen pulls him out of the car with shocking strength. 

"Don't worry, they're not LAPD property," Hen assures him. "They're Bobby's."

"Please stop making me learn things," Tommy says.

He's already handcuffed. Howie's living-with-a-toddler sleight-of-hand has gotten unreal. 

It's around this time that one shock wears off and another dawns: this is a scheme and Tommy is trapped.

"No no no no, whatever you're doing—"

"Chim, no!"

The bar's tables have been cleared from the center to make two long tables facing each other. Fine, cute, two teams, it's now clear to Tommy that he has to win Evan back or something with trivia. The difference, though, are the two chairs in the center, where Evan is already sitting (and handcuffed). He turns around, almost tipping the chair over except Eddie catches him. 

"Fine, whatever," Tommy says as he's sat in the chair next to Evan. To make things better/worse (because Evan's so fucking squirmy), their chairs are put back to back so they can be tied together, too. "Oh, we're going full Last Crusade, are we, Howie?" Tommy has to grunt because Athena ties a really, really good knot and again: he wishes he knew less. 

"If you had answered your phone," Bobby says coolly. "If you had bubbled less and texted more—"

Tommy whips his head around and smashes his skull right into Evan's. "Goddamn—you saw that? Why didn't you text, if you were just sitting there watching me type?"

Evan struggles against everything keeping them together, then finally says, "Because you left and you didn't want me! If you wanted me, you would have called! And now we're—" One more hard thrash that gets Tommy in the shoulder. "Kidnapped and this is your fault."

"It's my fault? You wanted me to give up—"

"No I didn't! I said something dumb and you walked out before—"

"No, no, no, we can talk later," Eddie says. "It's time for Buckley-Kinard Family Feud."

Tommy and Evan turn their heads at the same time. "The hell are you talking about?" Tommy asks. 

"It's time to draft your teams," Hen announces. "I'm hosting, so I'm removing myself from the pool."

"This isn't fair! It's Buck's family—"

"You didn't just call me that in front of everyone," Evan hisses. 

"It's Buck's family against me, I don't have anyone—"

"I'm drafting myself," Howie announces. "Buck, your turn."

"Fine, I pick Maddie," Evan replies.

"Don't sound too thrilled," she replies. 

"Your next pick?" Hen asks Tommy.

"I told you, I don't—"

Bobby comes over to his side.

"You're insane," Tommy says. 

"That's not fair!" Evan yells.

"I met him first, Buck," Bobby says placidly. 

"Yeah, but—ugh, fine, then I pick Athena." Evan turns his head and bumps into Tommy's again. "You better not pick Eddie."

"I'm picking Karen," Tommy says. "She's my friend who's a lesbian—"

He can feel Evan tense against his back, probably out of frustration and a deep, deep desire to slam his skull into Tommy's again. He doesn't know how Evan resists.

"I've been bisexual for like, nine months, could you cut me some slack?" Evan asks.

"You spent an entire afternoon reading me articles and watching videos about the three-body problem and you couldn't fucking bother—"

"Because then I'd know," Evan yells. "I'd know that you and me were too good to be true, and I'd know that it was just temporary, and I'd know that you can't live your whole life one way and suddenly a guy kisses you and everything, everything is different, and your life's completely changed! I'd find something that would tell me it can't happen, it's probably not real, and then I'd realize I was wasting your time because I can never really change. If I looked at us too hard, I'd know it was just—"

Tommy's so overwhelmed, his chest so tight, that all he can manage to say is: "Yeah, it's called biphobia, and if you had asked, I don't know, one of the three gay people in your life—"

"I didn't know what to ask, Tommy! Fuck!" Evan tries to struggle out of their bindings again, but then he stops. "Apologize to me for being such a dick about this." 

The room is tense and quiet, eerily quiet, until Tommy finally says, "I'm sorry. I'm sorry, okay? You're right and I'll stop throwing that at you. It's really unfair. It's unfair of me and unfair of, I don't know, the whole world, that made you think this could never be for you."

"That you could be it for me," Evan corrects.

"Sure, whatever." Tommy's voice is nowhere near as light and bitchy as he meant that to sound. "So are we gonna play this game or what? Now that we've got some teams of dubious quality?"

Bobby takes a seat at what is now, apparently, the Team Tommy table. "I know you like fresh pasta because then you can have soft pasta and no one will call you a heretic for not liking it al dente." 

"That's psychotic," Tommy says. "And no one cooks it true al dente, it's always just barely cooked and I shouldn't have to chomp on pasta like a horse to enjoy it!"

Evan says, "And all of you said I was the weird one and he was the normal one."

"Literally no one said that, Buck," Eddie says. "You're both absurd, that's why you're perfect for each other."

"Well," Evan says, "I know you were thinking it."

"You were thinking it, and sometimes thoughts have to make it out of your mouth for people to hear them," Tommy snaps.

The entire room bursts into an uproar and Tommy tries to struggle out of his chair again. "Fine, fine, I'm a huge hypocrite, can I get a point for admitting it!" 

"Yes, just one," Hen says. "Alright, gather up, teams. Bobby and Maddie, you're up first."

"This is a nightmare, this is a nightmare," Tommy whispers to himself. "I crashed my helicopter and this is hell."

"Hey, Mr. Keeping Your Thoughts Inside, we can't hear the question," Howie says.

"You're on my team, you have to be nice to me!"

Howie dramatically pops his piece of gum and says nothing.

"This first question is in the category of fashion," Hen reads off her phone. The TV over the bar has turned on to show a Family Feud style board with four options and Tommy can't believe his vision of hell is this detailed. It's impressive. "Name one novelty apron belonging to either Buck or Tommy."

Bobby slams his hand on the buzzer that someone brought for the occasion. "Tommy has one that says Warning: Fowl Language and it has a rooster on it." Bobby points at Tommy and says, "Sal gave it to you for your fake birthday, which is June 13, but your real birthday is in November."

The room is quiet again.

"You had a fake birthday?" Evan asks.

Tommy looks up at the ceiling. This means that he and Evan's heads are touching and he can't help but lean into it a little. He doesn't go any further, though. "Did I mention I'm like… that there's a lot of things wrong with me?"

"Yeah, these are really struggling to stay in the quirks category," Karen says. "But hell yes, one point! Let's go, Bobby!"

Bobby rejoins the team and Hen strolls down to their side of the room. "Now, Karen: can you name another apron that Tommy owns?"

Karen winces. "Okay, this can be any apron?"

"Any apron," Hen agrees.

"Alright, then I'm gonna say… a plain, utilitarian grey apron that he wears because he doesn't want to use the nice ones." 

Hen says, "Show me boring!"

The word charcoal appears on the board with a (2) next to it.

"Two charcoal ones?" Maddie asks. "Tommy, love yourself."

"Yeah, I think that's the point here and I hate it," Tommy replies.

"Alright, Chim," Hen says. "Name another apron in Tommy's kitchen."

"I think we all saw Buck's lockscreen this summer," Howie says. "Tommy in a sleeveless shirt with a black apron that said Flippin' Awesome and had two spatulas crossed on the front."

"Show me spatulas!" Hen calls out. Another point. 

"Cheap shot," Tommy says. "Evan gave me that, of course you knew that."

"Hey, genius, how do you think people learn things about each other?" Howie asks. "Hen, take it away." 

"Alright, Team Buck," Hen says, wandering over to Maddie. "Name an apron you can find in Buck's kitchen." She turns her head and says, "And don't think we didn't notice he's Evan again."

Tommy turns his head away and whispers to Evan, "Can you make them stop? Please?"

"Sorry, do you think I wanted to be tied and handcuffed to you tonight?" A beat. "Okay, that's not—whatever, I'm suffering here, too."

"Are you?"

Evan huffs. "I'm tired of chasing after people who don't want me, and you don't want me." 

Tommy stays quiet as Team Buck racks up bonus points for Evan's punny apron collection. 

"I thought you'd call or text, or come over," Evan says, voice quieter. "You said, no matter how bad I want to be, so I thought… I don't know. I waited, Tommy. That didn't feel like the end. And you never answered my voicemails, so."

"I haven't checked my voicemail in five months," Tommy admits. "I saw you left a couple the week after and I just—I couldn't. I knew I'd—I'd press play and before you'd even said Hey I would be in my truck on my way to you."

"And would that have been so bad?"

Tommy drops his head down. "I wanted a clean break so we could both walk away." 

"Tommy," Evan whispers. "No matter how bad you want that to be true… it's not."

Tommy nods to himself. "I'm sorry."

"I should have come after you," Evan says. "I should have broken down your door or, I don't know, hung onto your helicopter like Captain America."

"Yeah, good luck," Tommy laughs. 

Between them, Evan's fingertips reach for Tommy's. They cling the best they can, and Tommy—he clings back. 

"Do you mean it or do you just want to get away from everyone?" Evan asks.

"Well, apparently I can't get away from them." Evan laughs dryly, so Tommy clutches his fingers again. "I mean it. Both of those things. If they take the cuffs off, I won't run. Will you?"

Evan laughs. "Only if you'll follow."

"Then we should make a break for it."

"You got it."

---

read on the ao3!

[phonification]

something something about worth

[crossbackpoke-check]

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie

[halowishes]

haikyuu players in other sports

this has been sitting in my drafts for months but here’s my random headcannons i have after seeing suncelia_art on tiktok & haazuli’s kuroo

featuring: karasuno, fukurodani, inarizaki, nekoma, shiratorizawa, seijoh (+ sakusa, my love)

hinata shoyo

swim (breaststroke). sport climbing (speed climbing). it’s hard imagining him not playing vb but i did my best.

kageyama tobio

you cannot tell me this mf does not look like a pole vaulter. sport climbing (bouldering). these are technique/ practice driven sports that i just KNOW he would eat up.

sawamura daichi

he’s giving cheerleader because he has a loud voice and is supportive. also cycling because… well. he’s caked.

sugawara koushi

ice skating. he’s graceful and would look pretty ok? BADMINTON. it just makes sense.

tsukishima kei

ROWING. with long limbs like that he barely has to try. fencing also because he’s tall and maybe alpine skiing?

yamaguchi tadashi

skateboarding. he has the face of someone who’s willing to scrape his knees. or diving. you spend a lot of time on one skill/ technique.

bokuto koutarou

cheerleader. he’s loud, strong, and gets along with most people if he’s in a good mood. WATER POLO. he’s beefy. that is my only reason.

akaashi keiji

track and field. i could see him being a medium distance runner. baseball. he seems like he has the brain for it (i do not). ballroom dancing. that one was random but i think it works. and he’d look good in a suit.

miya atsumu

AMERICAN FOOTBALL, rugby, wrestling. literally any contact sport because you can tell he spent his whole life wrestling around with samu and his friends. & if anyone has fic recs of football or rugby player atsumu… you know where to find me.

miya osamu

yes all the sports i said for atsumu but ALSO snowboarding. i need snowboarder osamu biblically.

kita shinsuke

kyudo/ long bow archery. there’s a strict routine, it’s traditional, and he has sharp eyes idk.

suna rintaro

soccer. majority of a soccer game is defense. or swim (butterfly) since he has a flexible torso.

kuroo tetsuro

lacrosse. something about kuroo is so lax bro to me. or hip hop. he has the aura of a really chill and loose guy which, apparently, to me means they’d be good at dancing.

kozume kenna

esports (obviously).

ushijima wakatoshi

shooting. he has sharp eyes. shot put bc he has the body for it. KARATE (specifically kata). he’s built like a wall i just know he would have nice angles. (also bc he’s too proper to be a boxer.)

tendou satori

f1/ racing. according to my boyfriend it’s the one that requires the best instinct! i had no idea what to put for him!

sakusa kiyoomi

shooting since it’s a solo sport. TENNIS. you barely have to touch anything, you don’t even need a team, and he already looks like a tennis ball. and fencing because it’s a rich sport and no contact!

oikawa tooru

equestrian. if he can tame any team, then he can tame a horse. DANCE SPORT! he is so charismatic and flashy it would be perfect.

iwaizumi hajime

he also really exudes volleyball to me but i could also see him playing american football or rugby.

[purplepeptobismol]

Well….

We’re making chapter 13 more than 10k words long I guess…. [it’s already split]

Chapter 13 is turning out to be more than 15k words, so I’m not even gonna bother continue drafting it and just split the chapter already and hope for the best 😷 could be two parts, could be three parts, your guess is as good as mine!

Honestly, I just want to get this one out ASAP 🙏 I owe it to you guys for creating such amazing art and writing while I’ve been making yall wait for so long.

[mcu-fan-fics-blog]

Routine V

Mini Series

Wanda Maximoff x fem wife!reader

Summary: Routines can get tiring quickly, especially when you’re the only one working towards keeping them.

A/n: We meet again friends. I am very happy to be updating this fic once more. Also happy to inform that I have found a direction in which to take it!!! I hope you enjoy reading it.

Word count: 1400 approx

She was at a crossroads, there was nothing that she could do to stop you from leaving. She hadn’t stopped pacing the room since you left. That's when she saw it… Her saving grace. Maybe if she did this one thing she could at least open the door if not maybe just unlock it, something. At this point that was definitely better than nothing. Your passport and what looked like important papers were left sitting on the kitchen counter. You had left in a furious haze, something was meant to be left behind. You just didn’t think it would be your passport and work visa. That was the one thing that you thought you had in lock, the one thing that you couldn't forget… And you forgot it. Truthfully you knew that something was missing the moment that you stepped into the car with Kate, but you chalked it up to the stress that Wanda had caused.   

There was a time that anything that remotely felt like a fight was a no go. You never wanted to fight with Wanda, nothing about arguing with her seemed pleasant. In the beginning it was obvious she was scared and all of it was new. You danced around obvious issues the two of you had. One issue was a rather big one being Vision. It was strange their connection. It was something you knew would have easily gone the other way had you not been in the picture. They understood each other; you felt like the odd man out in your own relationship with her. It wasn’t until you exploded one day that the issue was addressed. Thinking back Wanda should have seen this coming. It almost ended the relationship before it really even began. She was tempted to call you, she really was. But she’d just crossed a very big boundary. Instead she texted Kate.

Her text was read almost immediately the text bubble kept appearing but nothing was sent. Wanda instead sent another message. ‘I’ll meet you at the gate, lose Y/n for a minute and I’ll give you her passport.’ She only received a thumbs up and she was on her way. It was high time Wanda started taking action. She wasn’t going to fail you now. 

You were lying. You had no idea where you got the confidence from but it was a complete lie. You loved her so much it hurt. She didn’t read your mind that time and it hurt that she believed you. Tears welled in your eyes, this day wasn’t supposed to go like this. You were supposed to leave peacefully, and now you had no idea what you were doing. She shook you. Wanda came into your life and turned it upside down and now she’s done it again. It was rough. Kate had been fidgety for the past twenty minutes. “Are you okay?” You managed to get the words out. She stilled wide eyed. “Uhm shouldn’t I be asking you that?” You hummed. “Probably… I’m just tired of the same thing over and over again.” You sighed. “There are so many things that I wanted to say. But she was right in front of me and the words disappeared.” Kate nodded, her eyes still fixed on the road. 

“Do you think… that uhm you’ll get back together?” She asked the obvious question. It only made your shoulders deflate more. Not because she asked, “It’s not up to me.” but because of how pitiful the answer was. And it was entirely up to her. You hadn't even been able to bring yourself to draft the papers. The fear that she’d actually sign them still managed to keep you up at night. What if she did, what then? “My heart… it aches constantly. Like something was ripped from me.” Kate cleared her throat. “You’re leaving Y/n… You're going abroad for god knows how long.” You nodded. “How else can I show her what she’s doing to me? Years Kate I’ve put up with it for years.” Kate nodded. “I did not suffer in silence, I let her know at every turn how she was compromising us.” Your words were laced with anger and conviction. And so quickly the sadness gave way to raw anger.  

Wanda felt she should have thought this entire situation out more. Here she was in her car on her way to the airport, filled with hundreds if not thousands of people. And the most daunting part being that you’re unaware. Her mind was already starting to hold her hostage. She made the treck mostly on autopilot. Then there was the whole getting through security, nothing her powers couldn’t handle. Only she somehow couldn’t. She had not felt this lack of control since ultron, she was tripping where she had learned repeatedly not to. It was overwhelming navigating through the masses of people trying to get to their flights, homes, families. Everyone's thoughts traversed constantly. Eventually and not without struggle she had found Kate, near a coffee shop.

“Finally! I thought you’d make this hard for me.” Kate’s words washed right through her. The only thing she could hear now was an angry ring, mocking her. She shook her head softly trying to dissipate the sound. Then she stilled, she could sense it. Her powers out of pure reflex sought you out. And another pang of sadness ran through her. She’d never been able to sense your anger. A slap in the face a testament as to how unwelcome she truly was. A tug at her arm brought her back. She was clutching your passport in her hand. The folder already in Kate’s possession. Kate sighed. “Are you okay?” She relented and finally asked the question. That seemed to snap her out of whatever trance she was in. She let go of the Passaport like it burned her. Kate noticed her distress and asked again. “My powers… are acting up, I'll be fine.” Kate nodded, not fully convinced. 

Kate had decided she’d throw Wanda a life line. She did not think someone could make a change so drastically in a matter of hours. This Wanda that was standing in front of her was not the same one she witnessed yell indignantly at you. This Wanda looked defeated, vulnerable. “She’s still waiting for you…” Kate said. Taking the woman in, and for a moment she wasn’t sure Wanda had heard her. Then tears started rolling down her face. “I don’t think she is…” the words came out tersely and clipped. “She's angry, she has every right to be. That doesn’t change the fact that she’s waiting… so give her time.” Kate sighed, taking a step back. “Fight for her…” She turned on her heel and walked away. Wanda seconds later managed to do the same. Her resolve slowly cemented.

Kate made her way back just as you started looking for her. She looks slightly flushed. Two coffees in hand, a folder tucked in between her arm and torso. Your eyes widened at the sight. “I didn’t even realize I was missing that!” You exclaimed. Taking a cup out of her hand, and the folder at the same time. “Kate, you're a lifesaver.” She nodded, taking a long sip of her drink. Then silence followed, you could have sworn you felt something. It made your heart race. You remembered the familiar feeling. A slight fuzz just out of reach in your mind. You couldn’t help but look around. Could it be, or was it just her lingering in your mind. Then once again Kate brought you back into the present. “Here your boarding group is about to be called.” Kate pulled you up from your seat making toward the line now forming.

Right as your ticket was scanned. She pulled you to the side slightly. “Promise you’re coming back.” You managed a small smile. “I will, I don’t think your mother will keep me away forever.” You joked. Keeping an eye on the people boarding. Kate nodded trying to reassure herself. “You forgot your passport… she brought them here. That's why I was gone for a minute.” Your heart started racing. “I didn’t want to keep it from you.” Then before you could even respond an airline worker was ushering through into the boarding tunnel. The last thing Kate managed to say was for you to call her when you landed. 

A/n: Please leave a like if you liked it!!! Late because I completely forgot to schedule. :(

Tag list: @fxckmiup @username23345 @xxxtwilightaxelxxx​ 

[darkintothedawn]

THE BOYFRIEND CODE

Memo — Part of 'The Boyfriend Code' series. These are the rules themselves. I also don't know why I wrote every fourth rule to be weirdly long in comparison to the others.

(A guide to maintaining a happy and thriving relationship with one Stiles Stilinski.)

As drafted by Stiles Stilinski

(To be signed in blood. Or, you know, ink. Whatever’s available.)

1. Thou shalt not steal the last curly fry without proper negotiations.

2. Thou shalt always laugh at thy boyfriend’s jokes, even if they are terrible (which they are not).

3. Thou shalt never, under any circumstances, team up with Scott against thy boyfriend in any and all debates, disputes, or Nerf wars.

4. Thou shalt not hold thy boyfriend’s hand just to warm up thy own freezing fingers and then let go once they’re toasty. My hands are not a temporary rental service—they require long-term commitment. Hand-holding is a big deal, okay? It’s a sacred act of love, comfort, and subtle flexing. If thou initiates contact, thou must maintain it for an appropriate amount of time (i.e., until I say so). If thou dares to pull away too soon, be warned: I will be needy about it. I will pout. I will stare at thy hand longingly. I will dramatically sigh until my hand is reclaimed. I don’t want to beg, but make no mistake—I absolutely will.

5. Thou shalt not threaten to replace thy boyfriend with Derek Hale, Chris Evans, or any fictional hottie with a tragic backstory.

6. Thou shalt not wake thy boyfriend up at ungodly hours unless there is (a) a fire, (b) a werewolf attack, (c) pancakes, or (d) an ungodly amount of love and affection.

7. Thou shalt always check behind thee in horror movie situations because thy boyfriend will absolutely be too scared to.

8. Thou shalt not initiate tickle fights unless fully prepared for the consequences. (The consequences include, but are not limited to: uncontrollable giggling, immediate retaliation, loss of breath from excessive laughter, potential betrayal by nearby allies, an all-out war that lasts for days, and, most importantly, the risk of thy boyfriend holding a lifelong grudge and striking when thou least expects it. You have been warned.)

9. Thou shalt not let Lydia convince thee that thy boyfriend is not cool. Thy boyfriend is cool. Very cool. The coolest. Tell Lydia.

10. Thou shalt always pretend to be impressed when thy boyfriend does a Cool Car Slide™ over the hood of the Jeep, even if he falls. Especially if he falls.

11. Thou shalt not judge thy boyfriend for excessive hand gestures during storytelling.

12. Thou shalt not change the music in the Jeep without a full democratic vote, which requires at least a two-thirds majority and an impassioned speech justifying the change. Veto power is reserved exclusively for thy boyfriend, as the rightful ruler of the aux cord. Exceptions may be granted in cases of extreme emergency, such as a truly terrible song choice (unlikely), spontaneous karaoke needs, or the requirement of a dramatic soundtrack for an impending battle, chase scene, or epic road trip montage. Abuse of this privilege may result in a permanent aux ban. (Also, if the Jeep breaks down, it is not because thy boyfriend’s music taste is cursed. We do not entertain such slander.)

13. Thou shalt not put socks on thy boyfriend while he is sleeping just to mess with him. (Seriously, why would you do this? Are you a monster?)

14. Thou shalt not let Coach Finstock know that thy boyfriend has, in fact, finished his economics homework. He thrives on the chaos.

15. Thou shalt not insult Star Wars in any way, shape, or form. Ever. No exceptions. (Even about the prequels. We do not speak of the prequels.)

16. Thou shalt always respond to thy boyfriend’s "I love you" with "I love you more," or at least pretend to fight about it. Because love is a competition, and thy boyfriend refuses to lose. Bonus points for dramatic declarations, exaggerated swooning, and impromptu Shakespearean monologues. Failure to engage in this battle of affection shall result in excessive, possibly puppy-eyed pouting until the matter is properly resolved.

17. Thou shalt not hide sticky notes with increasingly unsettling messages around thy boyfriend’s room just to see how long it takes him to find them. (I will NOT be gaslit in my own home.)

18. Thou shalt not give Scott better cuddles than thy boyfriend. (I see you. I know what you’re doing.)

19. Thou shalt prevent thy boyfriend from naming any future pets after fictional detectives, no matter how endearing his arguments may be. (We are NOT adopting a dog names "Spooky Mulder.")

20. Thou shalt not eat the last Pop-Tart and then blame the supernatural—especially not ghosts, banshees, or mischievous forest spirits. (They have better things to do than steal my breakfast.) If thou art the culprit, thou must accept the consequences, which may include but are not limited to: dramatic sighs, betrayed expressions, and a well-documented grudge lasting no less than 48 hours. Restocking the Pop-Tart supply immediately may lessen thy sentence.

21. Thou shalt not record thy boyfriend’s sleep talk and use it as blackmail. (Even if it’s hilarious. And yes, I am Batman in my dreams.)

22. Thou shalt not use thy boyfriend as a human shield during werewolf-related incidents. (It is rude and it hurts me physically even if I do appreciate you wanting me to protect you.)

23. Thou shalt not tickle thy boyfriend while he is driving. (Unless thou hast a death wish.)

24. Thou shalt not challenge thy boyfriend to a duel with pool noodles unless thou art truly prepared to suffer the consequences. A challenge once issued cannot be taken back. There will be no mercy. There will be no surrender. There will only be the sound of plastic striking plastic, the cries of the fallen, and the inevitable betrayal when one of us decides to wield two noodles at once. Victory is never guaranteed, but humiliation is. And should thou lose, thou must accept thy fate with dignity—or prepare for a rematch at dawn.

25. Thou shalt always accept spontaneous dance breaks in the kitchen. No exceptions.

26. Thou shalt not bribe thy boyfriend’s dad with baked goods to get classified FBI-level intel on thy boyfriend’s embarrassing childhood stories. (I know he caves for cookies. This is betrayal.)

27. Thou shalt not, under any circumstances, allow thy boyfriend near a Ouija board. (We do not need to summon ghosts. Again.)

28. Thou shalt always remember that thy boyfriend is the funniest, smartest, most charming, and overall most lovable human being in the universe. This remains true even when:

I'm ranting about a conspiracy theory at 2 AM with a suspicious amount of red string.

I'm attempting to parkour off the Jeep and failing spectacularly.

I'm using sarcasm as a defence mechanism instead of admitting I have emotions.

I'm dramatically narrating my own life like I'm in a noir film.

I'm absolutely convinced that I could take a werewolf in a fight “if given the proper motivation.”

I'm getting side-tracked in the middle of an argument because I thought of a joke and simply must share it.

I'm clinging to thee like a koala after a scary movie but still pretending I’m totally fine.

I'm being an absolute menace in every way, shape, and form—but, let’s be honest, that’s part of my charm.

In conclusion: I am a menace, but I am thy menace. Act accordingly.

[yumesei]

14's days of cupid's arrow : Day 1 - Flowers ! Cant go wrong with the classics.

A/N : As always, mostly an unedited first draft because your girl hates re-reading and editing fics when it's not for others. But some of those prompts inspired me so I still wanted to do something ^-^

Soap had been away from weeks, weeks that in the blink of an eyes turned into months.

Sei couldn't tell exactly for how long he has been gone. She didn't count the days, didn't see the point of it except making herself more miserable than she'll ever allow herself to be.

Sei didn't want her life to revolve around someone else. No matter how much she loved them. No matter if the innate need for closeness, the need to feel him invade her every sense, haunted her whenever the constant background noises of soldiers and computer's fans faded into the quiet hum of the night.

That was the kind of thoughts running through her head as she was gathering the multiples files spread out on her desk.

She put away everything, quickly turning off her computer, saying goodbye to the never-ending lignes of code that were starting to feel like they melted her retina.

Tonight was Friday, and this was one of those weeks where luck was on her side and she had her whole weekend off. She could already picture her small flat, away from the buzzing of base. But mostly, her soft mattress, the way it'll shift under her weight as she'll get ready to sleep her exhaustion off.

But when she finally arrived, a point of colors in front of her door caught her eye. Soft pink, purple and green fading into each other and clashing with the stark dark door.

As she approached, she quickly understood what it was : a beautiful hydrangea bouquet waiting for her.

She crouched, fingertips grazing the smooth petals before picking up the small white card hidden between them.

"Always thinking about you, lass"

Obviously it was him, it was always him. He didn't even need to sign it.

She let out a small laugh, the thought of him thinking to send her flowers even while he was at the other side of the world, fighting for his life, warming up her heart more than she'd like to admit. Did he even have the right to do that? Probably not, he probably did it in secret on the few downtime he has while some of his mates teased him about getting soft.

Honestly, she didn't even knew how he knew she was off tonight. But one thing was sure, even away, he was always with her. And even if she didn't want to admit it, she was always with him too.

[gallusrostromegalus]

Question for #AEIWAM, about the Hogyoku: In Canon, Aizen is using one Hogyoku to figure out how to make Shinigami into Hollow, and Urahara is discovered to have a second Hogyoku when he tries to undo the Hollowfication on the group that would become the Visored. But it's never adequately explained where either of them came from, other than "they were invented by [Aizen & Urahara". In #AEIWAM, if the Hogyoku was used to make the first Kami, but using it for what Urahara & Aizen were doing, it seems so... low-powered. What if it's not two separate Hogyoku, but rather one Hogyoku split into two parts? Man, I bet Kaname was waiting for the best moment to tell Aizen that Urahara had one

Oh no.

It's MUCH stupider than that.

The *exact* nature and purpose of the hogyoku (and why the instructions for how to make one were just out there for Gin to find on the Soul King's worktable) are MAJOR SPOILERS for the TYBW arc of AEIWAM, but as far as functions go: A Hogyoku is a device used to accumulate massive amounts of Reiryoku (Soul Energy), compress and purify it, and then squeeze it out into an organism later to make it extremely powerful.

If you can guess the spoilers from those two sentences, you get a gold star and drafted into helping me write this damn fic.

I'm not sure where you got the bit about them being used to make the first Kami, but that is (at least now) not the case- Kami form from a similar function, but were not intentionally *made*, and not with a Hogyoku.

ANYWAY,

You are right, the two hogyoku in AEIWAM are under-powered compared to the original plan, but that's mostly because neither Aizen or Urahara could comprehend the sheer scale of Nobody's design, so what they actually made were, essentially Micro-hogyokus.

The Approximate Order of Events:

A fuckass long time ago:

Nobody, Ichibei and Shinso all get the shit stabbed out of them during the Godslaying Event.

Gin is formed from the physical and metaphysical viscera of all three.

As a result, Nobody dies, Ichibei is left a shell of his former self and Shinso loses his body.

Gin realizes that, with Nobody dead and Their various body parts jamming up the wheel of Samsara, there is a very real possibility the Current Life Machine will starve and die before it can give birth to the next one, and the universe they're in will retroactively cease to exist.

Gin decides the best course of action is to put the current Life Machine on life support so it doesn't starve or miscarry while he figures out how to unjam the wheel.

While Gin is figuring this shit out, Ichibei shoves Nobody's corpse in amber and locks the palace to prevent anyone from finding out the "Soul King" is dead, and traps Shinso inside.

Gin finds the plans for The Hogyoku (note the capitalization) on Nobody's worktable, and realizes a smaller version could be used to fill a single soul with an absolute shitwack of energy and that soul could then become an energy capri-sun for the Life Machine.

Gin, however, lacks the engineering knowledge or skill to actually MAKE a micro-hogyoku, let alone convince a soul to submit themselves to the torture of becoming a Divine Juice Box.

...Unless they think it was their idea in the first place.

Gin redacts a few key points about The Hogyoku, including it's scale and intended purpose, and then takes the redacted plans- which are not paper but Concepts- and travels to Spirit World, where most of the Reiriyoku is to dangle the plans in the dreams of various likely-looking maniacs that are slightly too smart for their own good.

late 1700's to early 1800's

After several false starts, Gin finally hits his mark in the disillusioned and bitter Sosuke Aizen, who lost his entire family in a series of catastrophes and is realizing just how cruel and incompetent the afterlife really is.

Aizen changes careers from "Assistant to the central 46" to "Shinigami" and starts his research into the nature of Reiryoku to build "his" vision to make himself God and Fix Everything Forever.

Gin continues jiggling the bait while he waits for Aizen to get some results, and finds a second mark in a bright-eyed and naieve Kisuke Urahara, who thinks he can use it to infuse hollows with whatever it is they're missing and Fix That Forever.

Satisfied that he now has a Juice Box and a Backup Juice box, Gin transforms into a human-shaped soul and appears as a child in the Rukongai as part of his long con to get close to Aizen and Urahara and keep them on track.

late 1800's ish:

Progress is SLOW with both men and Gin is getting frustrated.

Aizen is slighty further along, having learned about Arrancar and the growth instars of hollows while Kisuke was learning how to become a cop, so Gin enters the academy, speedruns it, and attatches himself to Aizen to herd him in the right direction faster.

Aizen is also fucking terrible at Opsec and is discovered by Kaname Tousen, who is immune to Aizen's Illusion Bullshit, but mistakenly thinks that Aizen's lackey, Kiganjo, is the mastermind, and confides in Aizen.

Aizen is about to straight-up murder Kaname to keep him from blowing it when Gin remembers Kaname from the academy and realizes that where Aizen has ambition instead of brains, Kaname is the real genius here, and will definitely speed things up.

Whether he wants to or not.

Shortly after Kaname is cursed into compliance, Kirio Hikifune is recruited into the Royal Guard and Urahara becomes captain of the 12th, where he devotes himself to figuring out how to make his hogyoku.

Everything is coming up Gin!

1900:

Despite being cursed all to hell, Tousen VERY NEARLY blows the whole operation by alerting the rest of the court guard to the location of Aizen's lab, but Gin is able to step in at the last second and stop him.

...By turning 14 of the Ninth's seated officers into hollows that were absorbed by the hogyoku, and the subsequent rescue party into hollows that Urahara spirits away.

Instead of absorbing the rescue party into his own hogyoku, urahara turns them into Visored and they all abscond to the living world/vanish as far as Gin can tell.

Fuck.

Gin redoubles his efforts to keep Aizen on track now that he only has one Juice Box, which means things get a whole lot worse for Tousen but hey, gotta save the universe and that means Aizen Absolutely Cannot Fuck This Up.

1980:

Aizen Fucks it All Up.

Gin has to sprint back to Soul King Palace to molt real fast, and in the fucking three days he's gone, Aizen:

figures out how to use the "export energy" feature on his hogyoku and

instead of exporting the energy into HIMSELF, Aisen makes a sort of super-hollow he calls "White" because that's his favorite color, and dumps all 10,000 souls worth of energy into it.

Aizen then orders Kaname to take White to the Living World to go fuck shit up, just to see what it can do.

Kaname, in the midst of an extreme nervous breakdown, abandons White in downtown Karakura because Aizen forgot to give him end commands, and goes to ground in hopes that Aizen gets his dumb ass killed doing this, or Kaname dies quietly before he can be forced to mutilate or kill anyone else.

Kaname's Obvious Nervous Breakdown is witnessed by Captain Isshin Shiba, who follows Kaname to his meeting with... someone, he looks like a human-shaped mirage? and some creepy-ass hollow, which Kaname takes to the living world and then just... leaves?

White starts to Fuck Shit Up, mostly by wandering around while being a dangerously radioactive to souls, and Isshin decides he needs to kill this thing before it destroys the whole city.

Quincy Prodigy and current host to the ghost of Quincy Freishutz sees White and has the same idea.

Looney-tunes ass battle between White, Isshin, and Masaki breaks out.

Meanwhile, Kaname's continuing nervous breakdown is witnessed by Yoruichi, who stalks him in cat form for a while before she senses the fight break out, and calls Urahara on the way to tell him Shit's Afoot.

Meanwhile, Isshin and Masaki are falling in love. Or at least, Isshin is falling in love with the most insane woman he's ever met. Masaki thinks he's a very cute tactical advantage.

White, all of two hours old, has no fucking clue what the fuck is happening, just that these asshole are trying to kill him.

Isshin and Masaki do a coordinated double attack that backfires and effectively tears everyone's souls in half- Isshin and Masaki are seperated from their Yume-kon: Engetsu and Quincy Freishutz.

Yoruichi gets to the fight and kicks White into two pieces that had not yet quite figured out who is king and who is horse, and then Yoruichi is KO'd by the resulting recoil.

Urahara arrives just in time to see his former coworker and some woman(???) with their souls falling apart, and two large glops of energy. Isshin demands urahara save this woman. Urahara, attempting to figure out how to do that: I can. uh. frankenstein your souls together? Masaki, seeing her way out of Yhwach's grasp: DO THAT.

Urahara uses his hogyoku to stuff the glops of energy into the holes where thier Yume-kon should be, then stitches Isshin and Masaki's souls together to contain the glops within both of them.

Inside Masaki and Isshin, Quincy Freischutz and Engetsu both fuse with/are absorbed by the glops formerly known as white.

This causes Isshin to develop severe amnesia and Masaki to lose her the use of quincy abilities/breaks her connection to Ywach.

Aizen realizes that his hogyoku is now Empty (and useless), but witnesses Urahara use his before absconding with Isshin and whoever that woman was.

Kaname wakes up in bed in the ninth with exactly zero memory of how the fuck he got back from his saw-trap-like bolt hole in the living world, and a really weird headache.

1983:

Isshin and Masaki get HAMMERED at a Halloween party and make Ichigo.

Both halves of the being formerly known as White jump from parent to child, taking whats left of Engetsu and Quincy Freischutz with them, and inside the fetal ichigo, the entities re-fuse into a chimera that decides its name is Zangetsu.

Zangetsu then promptly goes dormant because yume-kon are not supposed to be body hopping and reverse-parthenogenesising like this no matter how much energy they have to burn and he's TIRED.

Orihime's parents get drunk and have nasty hate sex in a closet during an office christmas party and make Orihime, setting Shinso's much better secret "Fix The Life Machine" plan in motion.

Urahara finally gets the idea "Hey maybe this hogyoku thing isn't a great idea"

He thinks that he can destroy his hogyoku by sealing it, then sealing it inside a sturdy mortal soul, and letting that mortal die.

Unfortunately, no souls in the living world can handle the radiation of the sealed hogyoku, so he's got to stuff it into a shinigami and then make that shinigami mortal.

2000:

Instead of doing the sane thing and stuffing it into the most immediately available shinigami (himself), Urahara fucks around for 20 years until Rukia comes around, and he stuffs it into her soul instead.

In a weird coincidence that ABSOLUTELY NOBODY COULD HAVE SEEN COMING, Rukia, who is patrolling the area Ichigo lives in, comes into contact with Ichigo, the kid whose parents Urahara stuffed full of hogyoku glop.

This contact makes the dormant Zangetsu WAKE THE FUCK UP, and reflexively slorp the soul energy out of Rukia. Instead of the full powers of Urahara's hogyoku, Zangetsu only gets Rukia's personal reserves, but its enough for him to be concious and see that OH FUCK THAT'S A BIGASS HOLLOW, ICHIGO'S GONNA DIE FUCK, FUCK WE NEED A WEAPON- BOW? NO, TOO CLOSE. SWORD? YEAH! WE REMEMBER HOW TO BE A SWORD!!

Thus: Shinigami!Ichigo.

This event trips Aizen's radar, and he starts his plan to get his hands on Urahara's still-active hogyoku/fuck over soul society/destroy karakura/make himself the new soul king

the first and second parts of that plan (mostly) work, and Aizen yoinks urahara's hogyoku from rukia and absconds with it, Gin and Kaname, who has been working on his own plan to break the curse, but is exhausted.

Aizen, just to be a dick to ichigo, kidnaps Orihime.

Kaname explains that the hogyokus are tools that consume souls and convert them into energy, and that Aizen is planning to use the one he stole from urahara to devour karakura and make himself into the new god. "What do you mean 'new' god?" "I'm like 99% sure the soul king is dead. there's God-sized body parts all over the spirit world." "Ah. Bad."

Aizen shows Orihime his own, empty hogyoku and monolouges about how only an incompetent and cruel god would make the living and spirit worlds like this. While he's distracted, Orihime grabs the hogyoku and eats it, bringing the next part of Shinso's plan to fruition.

Orihime starts being able to see connections other people don't but she's had AuDHD her whole life so that's nothing new. Her Shun Shun Rikka suddenly gets a whole lot stronger though, and she helps kaname start to break his curse by pulling the nails out of his spine with it.

At the battle of Fake Karakura, Kaname finally breaks his curse and beats the SHIT out of Aizen until he cracks Urahara's hogyoku that aizen loged in his chest, preventing it from absorbing any more power, so Aizen can't absorb real karakura and become a god.

In retaliation, Aizen decides that if he can't be god, then he will at least kill the gotei-13, and fuses with urahara's hogyoku to become stupid powerful

Zangetsu has been trying to speed-train ichigo but the kid is only 16 and this is the apocalypse unless they do something UHHHHH HERE KID, HAVE SOME OF OUR HOGYOKU POWERS YEAH THEY'RE HOLLOW FLAVORED DON'T WORRY ABOUT IT-

Hollow!Ichigo finishes kicking Aizen's ass until he's unable to fight back and surrenders, losing control of, but unable to let of his immense power.

Gin pops up from where he'd been pretending to be a corpse, paralyzes Aizen by stabbing him in the back of the neck, says "thanks kid!" and absconds with his Juice box back to Soul King Palace, and then to the workings of the Life machine beyond.

Gin puts Aizen into something that greatly resembles a horrible combination of The Machine from princess bride, a mouth, and a taffy puller, which operates in much the same fashion as all three to extract all that delicious soul energy from him.

2001:

Kaname wakes up from the coma Unohana had to put him in to let him recover on Valentines day, finally a free man for the first time in over a century.

It's not the first thing he does with his freedom, but kicking urahara's ass for making a hogyoku at all is up there.

Orihime continues to get... weirder.

...and that's as far as I've gotten with much specificity in drafts.

[ceedak]

can we get a ceedak timeline 🤔 i feel like there’s a lot idk abt them fr 😭😭

yes u absolutely can i could talk about them forever and ever 🥳🥳

disclaimer: i do wanna say this is just from what i’ve gathered because i didn’t become super fixated on nfl rpf until last year </3 one day i’ll do a legit deep dive like an insane person and update with all my findings…

second disclaimer: im delusional yes and a part of me straight up thinks that they’ve had to have hooked up at least once bc i love to psychoanalyze people i'll never meet but i’ll make sure to say when i’m being fully delusional KSDJFHSKDS

putting it under a read more because i’m sure it’ll be much longer than necessary

also i will reblog this and add links to some videos!!

SO before i get into like when ceedee was drafted and such i wanna talk about how invisible string coded they are because i love shit like this sm

both were born in louisiana only about an hour and a half apart from each other until ceedee moved to texas as a child after hurricane katrina hit (he’s said he’s moved around a couple of times as kid in interviews before)

dak went to mississippi st. in college and ceedee’s dream school was LSU (rival colleges… 🚬) but he had committed to oklahoma (also they wouldn’t have met or anything in college anyway because dak was drafted in 2016 and ceedee started playing in college in 2017 but i digress it makes my brain light up anyway lol)

when dak was drafted he was projected to go like late second round/early third round of the draft but 🗿 he got into some trouble beforehand (driving under the influence) and ended up falling to the 4th round (after the front office kept trying to trade up to get a different backup QB)

dak also had to compete for his spot as a backup and was named starter after romo was injured in 2016. this was dak’s rookie year and he led them to the playoffs - almost to the nfc championship game. after this he basically took the job from romo

okay so FAST FORWARD to the 2020 draft. ceedee was projected to go top 10 and he fell all the way to SEVENTEEN so the cowboys were able to grab him then (drafted bpa instead of for need)

idk all of this is just very <333 to me that so many things managed to fall into place just right and they managed to find each other on the same team out of THIRTY TWO teams it makes me weeeep 🤧 also just something else that i think is very cute because i truly am a little insane: ceedee was born april 8th and dak’s jersey number is 4 and ceedee’s is 88 so 4/8 ALL THE DOTS CONNECT SOMEHOW…

so we’ll go through a teensy bit about dak i suppose and then ceedee this won’t be too long

dak: baby of his family and has two brothers. his parents divorced when he was little and he was very close with his mom before she passed away in 2013 (he’s started a foundation since then for cancer research and suicide prevention/mental health). went to mississippi st, cowboys starter his rookie year, etc etc. he also lost his brother to suicide in 2020 and he’s said before he feels a responsibility to live on and carry his and his mom’s legacy throughout his life. he’s like suuuuuper underrated in the league i feel and a lot of cowboys fans are complete assholes to him all the time it makes me so mad cos they could literally never ever make me hate him - he makes me so weepy 😭😭😭 umm but yeah he’s donated a ton to children cancer funds too and donated during BLM protests and things like that - he won the walter payton man of the year award. he just had a baby and got engaged in october (remember for the yaoi LOL) ok im gonna stop here cause i don’t wanna rant too much lol

btw i know what you are dak prescott:

ceedee: MY BELOVED… my favorite my absolute favorite. he has two brothers and two little sisters. idk if he’s the eldest or not tbh i see different things all the time that he’s the second eldest whatever not that important i guess. so blah blah college blah blah - he wears 88 on the team because that’s considered really special to the cowboys franchise and is reserved for elite receivers. idk he’s the most beautiful man ever and he does a lot of donating too - i know he participates in a lot of football youth camps a lot to help kids out and he likes to provide meals to families around thanksgiving and christmas time. a loooot of cowboys fans have criticized him for not being that much of a leader and pouting a lot on the sidelines (which he does sometimes… my mimir) but i think this last season he’s reaaaaallyyy taken a step into more of a leader type position especially with dak being out and he’s proven himself more than enough. he LOOOVES spending money on clothes it’s so cute… gonna be a sad day when the class war happens and i’m faced with cedarian lamb. ummm i also legit think he’s gay and closet is made of glass but whatever

see this is the problem i never stfu but okay CEEDAK what you actually asked about ksjdksjdks

PRE-2020 SEASON: this was before ceedee was drafted (some stuff i found last night) and this is what i mean when i say i haven’t done like a deep dive into these things bc i’m sure there’s soo much more but this kinda gives the general vibes

“I was like a little kid at the playground,” CeeDee tells us. (on the first time Dak texted him to invite him over to his house, says it was surreal.) august 21, 2020

and i actually hunted the exact clip down where he says this: (will reblog with link - skip to 4:25 he talks for like a minute or so - sorry the audio’s funky it’s because of covid so all the reporters weren’t in the room i’m pretty sure) DELUSIONS: you can’t tell me ceedee wasn’t nursing a crush here idgaf

2020 SEASON:

ceedee’s rookie year

personal stuff happened with dak before the season started - this is when he lost his brother to suicide and he’s been really outspoken about mental health since then. on top of that he broke his ankle during week 5 of the season (and tried to snap it back into place by himself on the field). dak was performing on like a sort of insane level before the injury happened so </3 what could’ve been and all that… the what-ifs of it all… so that year they weren’t able to play together as much

Oct 11, 2020: ���CeeDee Lamb said he texted Dak as soon as he got out of the shower. Thanked him for everything he’s done for him and they were gonna hold it down for him until they see him on the field again.” (after the game dak got hurt in)

POST 2020 SEASON:

"He came back from his second surgery about two months ago so he’s walking around, rehabbing, doing everything right," Lamb said Wednesday. "It’s great to see, especially when you seen him go down. You saw the look in his eyes and you saw how sad he was and how much this game meant to him. Just to see him smiling again, happy again, being with his guys is a great deal."

"First day he kind of caught me by surprise with his arm strength," Lamb said. "He knows the little nuances of the game to be better. He makes it easy to follow him, if you will."

2021 SEASON

ceedee’s second year, he was in a WR room with amari cooper (currently on the bills) and michael gallup (now retired) blah blah season happened whateverrrr but AFTER this season the front office (i’ll always be mad about this lol) traded amari to the browns for a 5th round pick 💀 hence THIS!!! which i consider the #Real beginning of ceedak:

“Dak Prescott asked for CeeDee Lamb’s locker to be moved next to his: ‘My two other locker mates left, so I was a little lonely. With him being young, hopefully he’s my WR until I’m done playing. Just bring him closer, more conversations, he’s right there to talk and communicate.’”

said he had no doubt ceedee could become his "main guy"

here’s some fun stuff i found from 2021 too

https://www.youtube.com/watch?v=t3hCmIZN-YI&ab_channel=DallasCowboys (7 min mark this was after a game winning td in overtime against new england)

“CeeDee Lamb on game-winning 35-yard TD: ‘It was the best feeling ever, honestly.’”

2022 SEASON:

https://youtu.be/T73xGDsFiVo?si=Qn_dwK1yfnHPiMya talks about dak here at 7:50 “all i need is him” 🤧

he’s actually said this a couple times lol he says shit like “we’re all we got” about each other - he’s said it this most recent season too so <3

dak injured his thumb this season though so he was out for like 7 weeks i think i can’t remember off the top of my head lol but again another season where they didn’t get to play much together

fun 2022 stuff:

“Last year, Cowboys caked Dak in the face on the field for his 28th birthday. On his 29th today, CeeDee told us they planned to do the same in the locker room. Hoped Dak would think he was safe after no cake on the field, and then locker room ambush.”

“Scene here: Dak was talking to us at his locker. CeeDee walks past wearing metallic red lens sunglasses indoors and eating chicken. Says the key to following up ass-kicking is ‘keep kicking ass.’”

“Dak on CeeDee’s vibe: Yeah, cool as hell - says ‘keep kicking ass’ while he’s eating.”

“Dak Prescott walked by during our interview with CeeDee Lamb - QB1: CeeDee’s that dude! / WR1: Happy birthday, Dak!”

link posted in reblog: skip to 2:30 he almost says he loves dak lol also very

2023: THE SEASON OF CEEDAK!!!

https://youtu.be/7_WRIzb5fPA?si=R0TETc2qtW0IOP5P the infamous "was gonna take him out for dinner tonight" clip is from this aka what got me hooked on ceedak lol (this interview is just so good in general i love ceedee sm - def recommend watching! such a nice look at his personality)

this is where my delusions take over i deadass think they hooked up at LEAST once around this time lol maybe end of 2022 season maybe early 2023 season IDK but anyway during this year the offense was soo wack for a couple of weeks until the bye week and then ceedee made some noise about it bc he felt like he wasn't being as utilized (which is true i'm so serious mccarthy was SUCH an annoying coach lol) but quotes:

“Cowboys WR CeeDee Lamb said Dak Prescott approached him and said: ‘If you have a problem with anything, just come up to me and we’ll talk about it.’ Lamb said he and Dak worked on getting on the same page their first day back in the building after the 49ers loss.”

Dak: ‘I mean, a frustrated player that feels like we all could’ve done better and feels like he can change the game, I understand it. I really do. So it’s in the sense of just communicating with him… CeeDee is a guy that I’ll never lose confidence in and trust who he is and understand why he’s frustrated. But at the end of the day, he’s a leader. It’s about him leading other guys and picking other guys up and him just trying to make sure we’re all pushing our best. That’s where the frustration is, we have to remove that. And he will. He’s a young player that’s growing by the day and he’ll only get better. He’ll be better because of that.’

but after they switched the offense around dak and ceedee went craaaazyyy - ceedee was named all pro, dak was in mvp talks (should have won it to be honest i'm sorry lamar i still love you <3) but 2023 cowboys will seriously haunt me forever lol

https://www.youtube.com/watch?v=sudQu72KDXs&ab_channel=NFLonFOX

DELUSIONS: dak announced he was having a baby like two weeks after this game SO let’s just say…. maybe…. perhaps… they were hooking up… ceedee probably knew before the public did - not saying that’s why he seems a little upset at the beginning of this clip cause who knows 🤷‍♀️ like i said DELUSIONS but… i can’t help it when the timeline timelines don’t shoot the messenger

also i do wanna mention that dak’s fiance follows a loooot of cowboys players on ig but she does not follow ceedee and he doesn’t follow her AGAIN just delusions…. but… iykyk 👀

sooo they were poppin off in 2023, ceedee was breaking records and shit, won nfc east, went to the playoffs and then i DON'T wanna talk about it i have my theories about wtf happened during that playoffs packers game but 💀💀 anyway the offseason before the 2024 season was genuinely the worst of my life because BOTH ceedee and dak had to get extended and jerry jones (who is the worst) waited until after training camp to get them both signed lol so ceedee wasn't participating in training camp at all which affected them in the beginning of the 2024 season which was a complete mess A MESS but here's some fun stuff after ceedee signed his extension/during that offseason

“Remarkable. That’s who CeeDee Lamb is. … He’s special. He’s just getting going and as long as I’m here, he’s gonna keep stacking these records year after year.”

“CeeDee Lamb strongly defended Dak: No one deserves the criticism that he gets. The way he gets talked about is crazy.”

2023-2024 OFFSEASON:

worst months of my life lol ceedee was holding out for his new contract and didn’t get it signed until like… august i think? anddd dak was signed fucking three hours before kickoff the first week of the season lol i HATE this front office

but here’s some fun quotes after ceedee was signed:

CeeDee Lamb: “We were texting quite a bit. Obviously I missed being out there, competing with him… for is being so in tune together and all it takes is one text message or one conversation, one phone call… for us both… having the same passion for the game, same love for the game. I want what’s best for Dak and vice versa. Shout out to him too for getting that bag, too. We’ll be together for the next five years.”

Dak Prescott on CeeDee Lamb’s added muscle weight: “He’s wearing a lot more sleeveless shirts. As long as the speed is there, and it looks like it is (in practice), I’m fine with however big he is.” LMAO??

Dak Prescott: “I peeped the biceps. He’s wearing more sleeveless shirts now.”

Dak Prescott recently on CeeDee Lamb: “He’s talented. He works hard. He’s special. He’s the best receiver in the league for a reason. And I’ve seen Instagram videos. I know you’ve seen him. He’s working. And he works hard. So I have no angst, no worries about when he gets here that we’re not going to pick up where we left off. And when you're a stud like that and you’re smart like he is and you’re good at communicating, that makes that process that much easier. So it’s not like we’ve got to build something. We’ve got that. We just got to reignite it when he gets here.”

on how much ceedee worked with dak at the field at dak’s house even though he was staying away from the team: “Often. I would say quite often. Anytime that I’m back in town, and he’s obviously back here, I hit him and then… it’s very… good having a rich quarterback.”

Dak Prescott’s thoughts on the tandem of him and CeeDee Lamb being compared to legendary duos like Joe Montana and Jerry Rice: “I think that says a lot just cause we’ve only done it for four years and you just named some of those duos that did it for their whole careers. But then again, I feel like we can be better than all of them… so love the comparisons, they sound good and all, but hopefully one day people are saying these next duos and next tandems can be like me and CeeDee.” (i will kms over this quote one day)

i’m sure there’s things i’m missing but this is already sooooo long lol so

2024 SEASON:

WORST SEASON OF MY LIFEEEEEE / ceedak angst era

the front office set this team up to fail and let like a ton of players walk in the offseason, didn’t use free agency, injury riddled team, had a bunch of rookies starting but anyway just gonna go game by game really quick because this is when i was locked tf in and it’s more recent so ?? more detail seems alright when it's necessary also i wrote so many half-finished post-game fics this season to cope with how terrible it was i’m cryingggg it was insane

cowboys vs browns: i was at this game :) good game they won

cowboys vs saints: blocked this game out actually!!!

cowboys vs ravens: fake ass comeback also the game ceedee CRASHED OUT on the field lskdjslkdjsskjdsk which is so funny bc i literally love lamar sm and was so excited to watch but… my players wanted to make me MISERABLE

this was said a day or two after the game by ceedee (bc he fumbled during it and then wasn't there for post game media people andddd was yelling at dak on the sideline 🗿)

“Our relationship has, if anything, gotten stronger. Don’t let what, what’s out there fool you. We’re brothers to the end. We know that we all we got, and I tip my hat off to him. I got the utmost respect for him.”

“So with that being said, everything is gonna come out - the energy, the passion, the love, the fight - and then we’ll make up in the end. So no, no craziness now. Don’t.”

dak also said something about his rhythm with ceedee being a “rare feeling” which… okay internalized homophobia but i CANNOT for the life of me find the actual quote i’ve searched through my gallery but it’s not there </3 if i find i’ll add later (i’m pretty sure it was after the baltimore game but i can’t remember)

cowboys vs giants: this is a tremicah game no need to mention ceedak idt - nasty ugly win but whatever

cowboys vs steelers: dak prescott giving me a heart attack 12 fucking times during this game

cowboys vs lions: don’t wanna talk about it! i’m a hater! always will be sorry!!! ben johnson statpadding on my sorry ass terrible team i was SICKKKKK

BYE WEEK: my trials and tribulations…. my nfl rpf…

CeeDee Lamb on getting in some extra work with Dak Prescott during their bye week: “We love our bye weeks. We took advantage of it. We got right. We used every opportunity to get better and I feel like it’s going to show. We got on some routes, and obviously the timing is everything. We needed that.”

now ummm this is the week dak got engaged so. which is really funny because after the announcement post on ig ceedee went GHOST on instagramksjdjks like i went back to check because i’m crazy (these are delusions btw) and he had been posting like once a week… maybe once every two weeks PRETTY consistently like for at least a couple of months but after the engagement happened there was pretty much nothing for like… almost two months?? ummm which AGAIN i’m not saying anything i’m not insinuating anything buuuuut…… buuuuut….. also it’s really fucking funny because in this same interview ceedee dropped that he left the country during the bye week but didn’t post it on socials at all so i’m like ohhhh… you’re coping w the engagement… i see LMAO anyway

cowboys vs 49ers: sigghhhh….. lets get into it

SO this was a loss but two ceedee touchdowns.. i’m leaving with something!!!

“Yeah, I found CeeDee,” Prescott said when reflecting back on Lamb’s breakout in the Bay Area. “He did a good job of getting open, running all of his routes hard no matter where he was, if he was the one or if he was backside on a concept. Loved his intentionality in the game. He kind of said something like that to me during the game, midway through the game, like ‘Yeah, we’re back.’ And that was before, I think, his two touchdown drives. So just him even playing with that confidence, communicating that, it gives me a lot of confidence.”

super hopeful right maybe they'll really connect again and things'll be fine LOL

cowboys vs falcons: worst game ever dak tore his hamstring off the bone like a fucking idiot and ceedee sprained his AC joint and would not stop going back out into the game i was ready to kms

cowboys vs eagles: not talking about it idc

cowboys vs texans: loss because ofc but whatever ceedak hugged before the game tho so i didn’t gaf about the loss - i can’t find the clip rn but if i do i’ll post it

cowboys vs commanders: this is when i accepted they were tanking and then they decided to just be elite for whatever reason lol made me so happy though ceedee was so happy <33

cowboys vs giants: whatever

cowboys vs bengals: worst fucking game of my life nothing to do with ceedak but one of my other fave player’s (i also ship him w ceedee idgaf) knee EXPLODED so that was so much fun to deal with

cowboys vs panthers: i still can’t believe bryce young decided to forget how to play football in this game im crying

cowboys vs tampa: again they just wanted to be elite for whatever reason

cowboys vs: eagles: don’t wanna talk about it idc

cowboys vs commanders: WHATEVER thanks for the 12th draft pick ashton jeanty you will be a cowboy

SO. that’s basically where everything's at lmfao worst season EVERRRRR with ceedak ANGST um but yeah hopefully 2025 will be better... i’m cautiously optimistic because their old coach is finally FINALLY gone because he was really limiting them and their ability you know? 2023 season was amazing and then 2024 started and it was like… mccarthy just reverted back to his old scheme that wasn’t working. it was really annoyingksdkskds. but the new coach (despite it seeming like a silly hire) had a decent press conference (that ceedee didn’t attend bc he was playing around in paris LOL) andddd he seems to be setting up a nice staff around him so hopefully hopefully hopefully 2025 is a lot better and ceedak will save me again… can’t wait for training camp omg

anyway if u read all this i’m SO sorry i hope it’s… expansive enough?? i wanted to include kind of how it’s been through the years and i had a lot more to add for 2023/2024 because that’s when my adhd was just like Yea let’s hyperfixate on this so. been stuck here for awhile and i’ll probably be stuck here for years and years and years <3

[hongjoongspoetry]

hongjoongspoetry's tumblr wrapped, 2024

Thank you @bvidzsoo for the tag!! 🩷

2024 review

2024 was the year I really got into writing for ateez. I've been writing fanfics since middle school and used to be in a lot of different fandoms. I used to post on wattpad, but was never consistent or managed to finish any of my stories. Ateez is the first group/fandom that I've really kept writing for a long period of time and not lost interest in, plus I've also managed to write complete oneshots and am almost even done with my first series (ever)!!!

Total statistics of 2024

- no. of fics: 8 - wc: 151.3K - no. of wips: 9

Genres explored in 2024

Horror, action, romance, dystopia, historical, sports fiction, slice of life, comedy, pirate fics (that one's in the drafts but it was written in 2024), can't forget the golden trio of fluff, smut and angst!!

first fic of 2024: Reassuring Words and Mellow Touches

- posted: feb 17th - pairing: Idol!San x F!Reader - comments: I believe this was my first ever ateez fic and it was actually "self indulgent" too. As stated in the author's note, I have a fear of giving birth and it's known in my primary family, but no one takes my fear seriously. So, back then, wrote the things I needed to hear in the moment and it was to have someone be understanding of my feelings.

longest fic: Bones, Blood and Teeth Erode

- posted: oct 8th - pairing: non idol!Yunho x F!Reader - comments: I never imagined to write something pushing 40k words!!! I'm actually amazed and proud of myself for finishing it. It was certainly a challenge as BBATE wasn't anything I've written before.

last fic: A Love Written in Gold | Chapter 1

- posted: nov 8th - pairing: Proletarian!Hongjoong x Nobility!Reader - comments: I'm so excited for this fic and everything I've planned for it!! I was originally not going to post it until Cold Hands, Warm Heart was done, but I couldn't hold myself from writing lmaooo.

top 3 most popular fics of 2024

Reassuring Words and Mellow Touches

- posted: feb 17th - pairing: Idol!San x F!Reader - comments: so this is getting quite repetitive 😭 it is what it is lmaoo, im just happy people could find comfort in my writing. Back then, I didn't expect it to get the attention it did or that people would reach out and tell me how much they feel seen.

Too Sweet

- posted: apr 24th - pairing: Upcoming rockstar!Yunho x F!Reader - comments: This fic is entirely inspired by Hozier's Too Sweet. I was obsessed with that song when it came out and I think I listened to it on REPEAT. I just had to write a fic to it and at the time, it was the longest fic I had eve written!

Baby, Love Me Lights Out

- posted: sep 21st - pairing: Idol!San x GN!Reader - comments: okay so this one, I just wrote it for shits and giggles 😭 that was the day I learned just how much atiny love drunken san lmaooo.

mina's personal picks

Cold Hands, Warm Heart

- posted: jun 3rd - pairing: hockey player!mingi x figure skater!reader - comments: this is my fav fic (series) from 2024! I've always wanted to do an ice sports fanfic, but never really had the time nor like "knowledge" to do it when I was younger lmao. I have so many ideas for this fic and this universe overall because the other boys will have their own stories later on, so they are all connected!! AND we get small cameos/easter eggs in each series of what the other boys' fics will be about! Although there are a lot of readers who liked CHWH, I'm still a bit sad it didn't get more recognition as I did put in a lot of thought behind it, but I'm still happy its almsot done. Mainly because it's my first ever series and well, I just love the characters I've created

A Love Written in Gold

- posted: oct 8th - pairing: Proletarian!Hongjoong x Nobility!Reader - comment: Okay, so season 3 of bridgerton really sparked this idea of writing a bridgerteez fanfic and I just had to write something for my bias! I'm a sucker for the forbidden love trope so this was the perfect fic to use it for lmaooo. No, but this is also a fic I have so so so much to planned for and I really can't wait to share it with you!! It's also really fun to write, which I can say I don't feel the same for some fics. If you have time and love bridgerton, I advice you to give it a chance!

2025 goals

One of my goals for 2025 is to write more and publish more fics than I did in 2024, but I don't know if I will achieve it as I'm swimming in work from uni hahah. If not, then I at least wish to finish my series cold hands, warm heart and a love written in gold before 2025 ends. I also want to start writing the next instalment Puzzle Pieces!

No pressure tags: @ennysbookstore @solaris-amethyst @seongwars @desirehorizon @everyonewooeverywhere + anyone else who wants to do this! 🩷

[nkjemisin]

Hey there. I'm writing a story set in New York City and am not American. I have few characters, but most of them are arab or white. I can't help but feel a bit wrong about it, given that America is much more diverse than that, and NYC being an emblem of that. Do you think I should force myself to include more representation or should I just tell my story, and leave that more diverse cast to some other story I could write? I know this is a neverending debate and there are many opinions about it, but I've always agreed with everything you've said in matters of representation in fiction, and so I'd be curious to know your personal answer on it.

I'm a little confused by how you're using "representation," here. It sounds like you think representation = "randomly sticking BIPOC everywhere." I think when most people use that word, it means something more like "create an accurate or at least plausible depiction of a group or place." In actual New York, there are plenty of Middle Easterners and white people who live in relatively homogeneous small communities where they might only see someone of a different ethnicity on the subway. If your story is set in one of those communities -- and you do stick some random BIPOC in that subway scene, because that's plausible -- then it sounds like your characters might be an example of good representation.

(Note: if you're not writing something set in the real world, but it features human beings, it needs to represent humanity as a whole, unless there's a good in-world reason not to. But if it's our world? You can get specific.)

Here's the catch, tho: plausibility is relative. If you've absorbed some biases and haven't done enough research, then you might end up writing something that feels plausible to you, but which isn't actually representative or plausible to anyone else. The way to avoid this is to do the research and check (to the best of your ability) your biases. For example, you aren't American, I assume you've at least visited NYC? If not, you should. You can visit some of the communities I mentioned! You can eat in restaurants, visit mosques, have conversations with actual real people who are living the life you're writing about! If you don't have the time, money, or spoons to do that, there are other ways to do good research -- films and YT/Tiktok videos made by people from the communities in question, for example. But you'd need to watch a lot of them to get a good representative sample.

I recommend this book to all the writing students I've taught at Clarion, and other writer workshops: Writing the Other, by Nisi Shawl and Cynthia Ward. There's a particular part of it that seems relevant here, which is a kind of hierarchy of "appropriate" appropriation, I think first mentioned by Diantha Day Sprouse but included in Writing the Other. Basically it says that if you want to write about a culture that isn't your own, you can learn about that culture in one of several ways: a) You can be an Invader, and just go take whatever intellectual and artistic tidbits from that culture that you want, regardless of how damaging this might be to members of that group. Example: non-Indigenous people who write about actual secret practices, or who encourage the desecration of sacred places. b) You can be a Tourist, in which you're still mooching from that culture, but at least you're figuratively paying someone for it and accepting tidbits that the culture has chosen to sell. Example: getting a sensitivity reader. Or c) you can be an Invited Guest, who brings in as much as they take out, and who has formed relationships that are beneficial to all involved. Example: being part of an exchange program, both as a student and later as a host, and maintaining those friendships outside of the program.

The goal is to be an IG, but that isn't always possible. Tourist is still better than being an Invader. (...I feel like I'm leaving out a category. It's been a while since I read the book; any more recent readers want to check me here?) But the closer you can get to actually participating in that culture, the more your work will be informed by reality instead of biases or misinformation, and the more likely your work will read as plausible not just to you, but to your widest possible audience -- people familiar with the culture and people who aren't.

(I'm a little concerned about your phrasing of "force myself to include more representation," note. Why would that need to be a forced thing? A writer's goal should be to write something that feels lived-in and authentic to [if it's a real place] most people's experience -- not to meet some arbitrary standard, but because that's how you master immersion and characterization. If good immersion and characterization feel forced to you right now, that suggests you need more practice. I recommend writing short stories!)

[mossy-paws]

I miss clementine. I miss vinestaff's adopted creature. Could we see some new clementine. I just want to give the cuty a second hug.

(Bias towards the past? what's that :) )

funny enough! Guess what I’ve been forgetting to post for quite some time now :)

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[bookshelf-in-progress]

No matter how many times it happens, I'm always shocked by how reliably all my problems with any given story are solved by making it shorter. If I go into a story with the idea that it'll be long, that I should use as much detail as I want to craft a full-length and fully-fleshed-out story instead of a short one, it always turns into this rambling, meandering, soulless thing that's no fun to read, and I get tangled up in so many flimsy, sprawling layers of character and worldbuilding that the plot becomes unworkable.

The minute I tell myself, "Let's make this as short as possible," the problems fall away, I find the heart of the story again, the pacing is brisk, scenes get multiple purposes, the world feels deeper because I'm implying things that spark the reader's imagination rather than trying to put every threadbare, boring detail on the page. Every time. You'd think I'd have learned by now.

[mammomlette]

People don’t talk about MC needing to wear a magical ring to not accidentally yk cause NATURAL DISASTERS with their powers??? Not only accidentally but without realising???

Diavolo or smthn is asking too much of MC or being a bit too annoying and their other hand slowly drifts towards the ring and they hold onto it while maintaining dead eye contact. Like continue to piss me off hoe I’ll blink and blow a hole in your castle idk

Obv they never do it (or do they?) but the threat is there and it’s a risk dia (or whoever but I’m using dia) can’t take