#How to create what you want
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zakairan · 7 months ago
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6 Master Keys of Wealth & Abundance by ZaKaiRan How to Create Wealth and an Abundance of Things into your Life
#1) Find joyful things in your life that you already have and that already exist all around you.
#2) Appreciate the unconditional abundance of support you have from your own Source.
#3) Edify other people’s wealth and success.
#4) Become an allower of abundance, not a fighter!
#5) Focus on what you want, not on what you don’t want!
#6) Understand your purpose in life, which is to have fun!
www.ZaKaiRan.com _________
The Master Keys of Success & Daily Success Rituals Audio & Video Series by ZaKaiRan   Tuning your Mind to the Frequency of Success!   To help you create and attract more money, financial freedom, time freedom, better relationships, better health, and to have more fun, freedom and fulfillment in your life.   To help you manifest your dreams and desires into physical reality, so that you can be, do or have whatever you want in your life.   www.MasterKeysOfSuccess.com
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ankles-be-bitten · 2 months ago
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idk, i just feel like if your primary argument against transandrophobia/antitransmasculinity theory is that you think it's transmisogynistic you're not being intellectually honest. who does it hurt when trans men and mascs coin a term to describe the intersection of transphobia and sexism as it most frequently affects them? because it does hurt trans men when they're told that they're not entitled to speak on the discrimination they themselves face.
what I'm hearing from people who oppose the antitransmasculinity movement is that transmisogyny is when trans men talk about their problems 👍, but obviously that's not true. i know that's not true. you know that's not true. so then what is the issue? genuinely, enlighten me. you want trans men to shut up and listen? I'm listening.
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poorly-drawn-mdzs · 6 months ago
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A procession of confessions.
[First] Prev <–-> Next
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allyriadayne · 8 months ago
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Hook, line and sinker: Larys and Alicent // Larys and Aegon
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raycatzdraws · 1 year ago
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ribbonwood
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dykedvonte · 3 months ago
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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.
-Shrimp Anon
The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.
Get ready cause this is a yap session:
Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.
I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.
The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.
This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.
Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...
These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.
I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.
Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.
It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.
I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.
It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.
There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.
End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.
#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces#regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary#but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful#and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to#explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen#in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what#is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit#from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line#in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue#that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t#upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do#something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those#two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example#or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the#fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically#violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out#in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game#but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of#rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se#how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is#concerned about with Jimmy#and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy#instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste#which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab#complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post#on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if#you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make#the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions
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choccy-milky · 2 months ago
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I've been wanting to paint Clora for a while but was brain empty 😣
Then I saw this dress set and HAD to put her in some version of it 🥰🥰🥰
I've been banned from buying more clothes for the rest of the year so let me live vicariously through her (but also I'm not a ravenclaw) also also I hope that link I embedded works
OH MY GOD MERRY CHRISTMAS TO ME🎅🎅🎅🎁🎁 WHAT THE FUCK!!!!!! the way i clicked on my inbox and then got JUMPSCARED (IN A GOOD WAY) BY THIS!!! im serious the way my mouth popped open in shock and awe was so cartoonish LMAOO. like wdym FOR FREE??😭😭😭your art is so beautiful and you're such an amazing painter IM SO MINDBLOWN RN THAT I GET TO SEE CLORA DONE BY YOU SHE LOOKS AMAZING and in such a cute fit too🧎‍♀️🧎‍♀️ i fear i shall never recover from this...found dead in my apartment and its kemiichis fault.....ILL STOP YAPPING NOW but srsly im HONOURED THANK YOU SO MUCHHHH🥹💖💖💖
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jadewritesficshere · 5 months ago
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Steddie x female!reader thought 18+ only
Eddie blinks his eyes a couple of times to make sure he is actually seeing what he is seeing. He must be living in a nightmare.
You're laying back on one of the pool loungers. One leg dangling over the edge keeping your foot on the warm cement ground, the other spread over Steve's lap as he absently rubs his hand up and down it while he bitches to you about something from work. Your hand rubs up and down Steve's back in comfort. But that isn't the nightmare.
Your bright red bikini bottoms covering enough, but with your legs spread a bit more skin is shown then intended. Spread in such a way that makes Eddie want to just dive in. Get on his knees and worship you, rub his face over your mound as he licks and nips and sucks. Moan as the curly thatch of hair brushes against his face.
Except the curls of hair he is expecting to see peeking around your bikini are gone. Just smooth bare skin. And that isn't the only nightmare. Steve's chest is smooth like when he was in school on the swim team. Not a speck of that beautiful chest hair Eddie would curl into after getting hot and heavy. Not a single curl of the "love rug" he jokingly called it.
Eddie wants to weep. To throw himself down like a little kid and thrash his arms and legs around. Yeah, it's your body and you can do what you want, but he still is sad its gone. Eddie doesn't like change, and suddenly walking in to see both of his partners change something without any warning? Uncomfortable. It makes Eddie feel itchy.
Eddie can barely speak as he walks over and sits next to Steve. He doesn't respond to Steve's warm greeting. Doesn't respond to you asking how the day is. Just stares with big wet eyes at the sight in front of him. A pout on his lips.
A warm hand lands on his shoulder, gently squeezing. Steve's brow furrowed in concern, your wide eyes blinking at him.
"Shaved?" Eddie asks in a quiet voice, eyes darting to Steve's chest and then your clothed pussy. Steve lets out a huff of laughter, "Fuck, thought something was wrong man." Eddie glares," It is."
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lleclerc · 8 months ago
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iceman + his concern for maverick post-hop 31
#icemav#top gun edit#ice is a FASCINATING one to watch post-hop 31 imo because while yes‚ obviously‚ the focus is on maverick and his grief and devastation#ice is there the whole time in the background‚ watching. and he's visibly disturbed by what he's seeing. because yeah -#he and mav had a rivalry going and yeah he called maverick dangerous and reckless to his face and he stands by that - he does.#but the problem is that this time - this one fluke freak accident of a time - it wasn't maverick's fault at all.#an unrecoverable flat spin brought on by a compressor stall from ice's jetwash isn't something that maverick could've outflown#by sticking to textbook maneuvers. it was just shit luck and shitty circumstances aligning to create a tragic mishap.#but now - now ice can see the way maverick is unraveling in the aftermath#and i'd bet that on some level it terrifies him to see that.#he's used to seeing maverick with all that brash cocky confidence with the moves to back it up.#he's maybe even had a bit of fun jockeying against that. not that he'd admit that out loud. (yet)#but maverick's spiraling now - a hollowed out shell of his former self - leaking grief and self-doubt and despair everywhere he goes#and it actually hurts to look at for ice‚ seeing maverick like this. seeing how much maverick really REALLY fucking cared under that facade#and wondering if maverick is finally taking the stuff ice said to him to heart‚ but applying it all wrong.#so he watches maverick and eventually that concern builds to a point where he tries to offer an olive branch in the locker room#you can SEE how carefully he gathers himself - how much he's holding back - he doesn't want to say the wrong thing to maverick NOW#he doesn't want to make this worse than it already is. so it comes out stilted. it's earnest - but restrained. he can't find his footing.#he doesn't know where he and maverick stand now but he's sorry - that goose is gone‚ that maverick's going through this‚#that he doesn't know how to help or what to say‚ and - crucially - for his own part in this.#but he wants mav to stick around and push through this. even though he's dangerous. even though he's reckless. ice wants him to beat this.#so when maverick shows up to graduation‚ ice is encouraged. and he's a little warmer. maverick really might pull through.#but then‚ all too soon‚ it's ice's life on the line in maverick's hands. and it scares the shit out of him because maverick's not ready#and now ice - and slider - are going to have to pay the price for that.#and then‚ against all odds‚ maverick pushes through. he comes back for them. he comes back for ice.#and after that...well.#after that‚ ice does know what to say: a vow.#my amvs#linds original
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uncanny-tranny · 1 year ago
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If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!
I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.
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thoughtfulchaos773 · 9 months ago
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Recap of Carmy being clueless...
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He gets it right sometimes
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Hopefully he gets it right by the end of the series.
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poorly-drawn-mdzs · 23 days ago
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Swift travels. [Bonus art]
[First] Prev <–-> Next
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jichanxo · 10 months ago
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Help me, Lord, from these fantasies in my head / They ain't ever been safe ones
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s4ndg3m · 9 months ago
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hear me out on scag x split guys. they both start with "s" it's practically canon.
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natjennie · 9 months ago
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what's weird about the fantasy high drama is that like. it seems to me like people forget d&d is primarily a) a game you play with your friends and also b) luck based.
I mean it's fine to say that "nothing felt like a challenge" and "they just dominated everything and there weren't any stakes" but like. it's not as if they weren't up against huge threats. they lost the mall fight. the last stand was an onslaught of enemies. they fought a dozen dragons from an airship. the fights were hard. they're just really good. they've had very good dice luck in general this season and are all very high level and highly specialized. fig is gonna beat deception and performance checks. adaine's gonna figure out the arcana. riz is gonna succeed investigations. like. for some reason their strategical competence and wisely picked abilities are. a downside? a disappointment?
the thing about d&d that you need to remember is it's first and foremost a game. it's mostly random and it takes you down weird paths and you're playing to have fun with your friends. the dice are literally telling the story that it's their time, it's their year. they've struggled enough. they've trained enough. they're good at what they do. and in my post about the academic/domestic/personal stressors being the focus, d&d doesn't have any other system to work them out than rolling different skills. that's what d&d is. brennan set specific challenge levels for different tasks and the players strategized to prioritize which abilities they were strongest in. the challenges were there. and the players rose to them. they were both smart in their delegation of responsibilities and lucky with their dice rolls. of which, both are foundations of d&d.
don't mistake them being good players and getting lucky with there being no hardship. just because they smashed through the wall, that doesn't mean the wall wasn't strong. they were just stronger.
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cherrielatte · 4 months ago
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genuine question do you even understand what a proshipper is ? like youre okay with people romanticizing pedophilia and shipping minors and adults ? you think thats okay?? GENUINE question.
Hello! Judging from the way you worded this - I'm gonna be honest: I don't think you know what proshipping is. I was very close to not answering this because it was sounding a bit in bad faith ( and this isn't the first time I've gotten belligerent asks on the same topic) But well, I decided to give it a shot and give benefit of the doubt.
 I know it's common ground to jump onto proshipping with the idea that it means you romanticize pedophilia, abuse, toxicity, etc. It's the typical high ground taken when people hear that dark fiction enjoyers exist. But that's not actually what it means. It just means that YOU, as an individual, understand that a drawing is not the same thing as human being. Written characters are not the same as human beings. Harassing REAL people over a non existent character because they put them into situations that make you uncomfortable says more about the harasser than the writer/artist. Proshipping is about taking personal responsibility for your experience online. Not long ago, the idea of a proshipper was just considered having fandom etiquette (ie: Don't like; Don't read type of tag lines. ) I'm a proshipper and there are plenty of things I don't like & make me uncomfortable. But I also understand that I can easily not engage. I can filter tags so I don't see it. I can block people that make that kind of content. I can refuse to click on something clearly labeled as the content I don't like. I can control what I see. And I can also understand that that if someone draws something I don't like it doesn't mean anything about them in real life nor what they enjoy in real life. Besides, a lot of people that consider themselves proshippers are victims of abuse or have had to endure traumatic events in their lives. Engaging in what you might consider dark fiction allows people to cope and navigate through complex emotion/trauma and express themselves in ways they are not allowed to or haven't allowed themselves to. I've seen some people say "I've been through trauma and I don't engage in proshipping." And okay, I'm happy for you. But not everyone copes the same way you do. And no one should be held to the same standard. If we were all carbon copies of each other, maybe I would understand that argument. But that's not the case. I should also mention, that it's become a bit standard for people to only excuse those that have been through trauma to make dark fiction. But only if they publicly acknowledge what kind of trauma they have endured. I am 100% against this way of thinking. I do not think it is anyone's right to demand an account of my or anyone's personal traumas just to validate the existence of certain piece of art. No one is entitled to anyone's abuse story. If a person is willing to share, because they want to, that's the personal decision of the individual. But look, much of the horror genre (movies, books, tv, etc) wouldn't exist if we put these high censorship rules onto art as a whole and unfortunately, I see this happening more and more these days like discussed in this post about someone's experience in publishing gothic horror.
Going back to an earlier point, you have to really understand that the characters are fake. 100% fake. If I ship Sora ( KH) and Ash (Pokemon) neither of them are going to be upset about it because they don't exist. If I draw them kissing, it is a drawing of anime looking characters kissing. That's all. They don't look anything like real human people. Wasting energy fighting over fictional characters is just that. Wasting time and energy. Who are you saving? Ash? Sora? They don't need help, because they aren't real. Fight for real people that actually exist. I have seen people outside of the Soriku fandom genuinely upset about people shipping Riku x Sora because they are underage! Mostly because they are both male but without fail, they always slap on the argument: "they are kids, you sicko!" But you know why they go to that? Because assuming the moral high ground wins over arguments quickly. People are eager to be superficially perceived as morally good. I have seen people ship Riku x Ansem SOD, which could fall into that age gap - problematic shipping you referred to in your ask. But you know what? I get it. I see people interpret their relationship as one of abuse, metaphorical SA, manipulation, etc. I completely understand and see that interpretation and where it stems from. And unfortunately, there are many people in fandom that have had this exact experience. Honestly, without me needing to ask anyone specifically, I KNOW there are people in fandom projecting their experiences onto Riku and Ansem as a means to replay it with a bit of actual control. And even if there are people who don't. I'm not going to ask, because it's none of my business. So again, as a proshipper I am completely in control of my online experience. I can block, mute, filter, and not engage with the things I don't like or things that trigger me. But as long as it is fiction, it remains as just that : Something I don't like between characters that dont exist. I don't have to harass, bully, nor threaten people over fiction. Of course, there are bad apples in every circle. But to me, whether someone is a bad person or not is expressed through action toward real people and the intentional harm done onto them, whether it be through inappropriate interactions, abuse of any kind, exposing personal information, harassing family/at work, or encouraging harm. Those are real actions on real people and engaging in these actions is what counts to me as markers of a bad person. Not someone drawing two fictional characters that haven't aged in the last 20 years kissing or having sex. 
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