#House for Sale in Long Island

[armasgrouphomesnyc]

Stunning Waterfront Property for Sale in Long Island

One of their current listings is a truly breathtaking property that boasts panoramic water views from nearly every room. The spacious, open-concept living areas are perfect for entertaining, with a gourmet kitchen, multiple dining areas, and a comfortable living room with a fireplace. Read more: https://armasgrouphomesnyc.blogspot.com/2023/03/stunning-waterfront-property-for-sale.html

[hometoursandotherstuff]

This mysterious island outside of Washington, DC was used as a brothel, and it can be yours for $2.1M. Known as Tippity Wichity Island — a 90-minute drive from Washington D.C. — the 5-acre enclave is known for its shady, yet colorful past.

The cottage on the island is surrounded by lush greenery. The current owners, Gail and John Harmon, believe the island served as a brothel after the Civil War and was operated by a soldier named Capt. Henry Howgate.

The living area comes with a wood  burning fireplace.

The dining area.

The remodeled kitchen.

One of three bedrooms.

2nd bd.

One of the baths.

A covered gazebo for outdoor dining.

There are walking trails.

You can kayak.

Boat dock.

Plus a pool.

https://nypost.com/2022/11/07/island-used-as-brothel-outside-washington-lists-for-2-1m/

[skeletalheartattack]

WATCH MS. PAC-MAN DANCE

WATCH MS. PAC-MAN DANCE

[rebelfell]

Who, me? Done with them? Where the fuck did you hear that? 18+ MDNI 2.4K

older!fem!Harrington!reader x eddie

cw: none except for actual, despicable, disgusting, nauseating fluff to make up for all some of the angst 💋

continued from here, index here

When Eddie comes to your house that night, he looks around it with wide, entranced eyes.

He only saw it when it was bare bones—plain white paint and dusty floors scattered with boxes. Now it was bursting with color and personality, shelves lined with your books, walls adorned with art and posters. A little calendar in your kitchen scribbled with various activities and reminders. Dishes from your breakfast still in the sink. Plants in just about every window, some of them with small tchotchkes hidden in the pots—figurines you’d picked up at yard sales or found randomly.

Your couch is velvet, a deep green that makes your throw pillows seem even brighter. There’s a thick knit blanket strewn across the chaise end of it and an intimidatingly long book lying out on your coffee table. It’s much nicer than the one he broke—a piece of wood shaped into an octagon with a dark gold grain polished to perfection.

In the right light, he can still see the faint white line of his scar across the center of his palm.

He finds your record player and starts flipping through your albums he only saw a small portion of that summer, most of them stashed away in the garage with the rest of your stuff. 

And while he was looking at your stuff, you just looked at him.

It was impossible to believe he was actually standing in front of you. Like a dream come to life, a vision in a hunter green dress shirt tucked into black slacks. He had the sleeves rolled up to his elbows and he’d only buttoned the shirt half-way to show off the white tank underneath, the tattoos over his collarbone peeking out from underneath the skinny straps.

You watch him as he moves on to your mantle, looking over a little altar of all things you. 

Seashells from a trip you took to Marco Island years ago. Vintage crystal candy dishes with lids repurposed into candles. A bowl of matchbooks from different clubs and restaurants. Pictures of you and your friends with your faces squished together in mis-matched frames.

And down at the very end, a copy of your book. 

Eddie picks it up and turns it over in his hands, running his fingers over the cover and the spine where your name is embossed.

“You can have that, if you want,” you tell him. “I’d love for you to read it.”

He smiles and places the book back down, eyes twinkling. “I already have,” he says.

Your brow wrinkles instantly and you’re about to ask him how that was even possible, but Eddie is already offering an explanation. Apparently, right around the time he was starting his company, Viv brought him out to do a consultation…and just so happened to leave a copy of it laying out.

You shake your head and chuckle softly, recalling a Christmas in Hawkins that you found Corroded Coffin’s self-released album in your stocking.

Eddie turns toward you and his eyes land on the staircase that leads up to your bedroom.

He feels that old impulse—that ancient craving in him that laid dormant for so many years, now urging his hands to reach out and grab you and bend you backwards until your spine is folded in half he’s kissing you so hard. Your own smile spreads across your face when he looks back to you, but there’s a tightness to it. Almost like you’re wondering what he’s going to do.

Like you’re imagining the same things he is.

He doesn’t do them, though. Because he doesn’t want it to be like that this time. He has so many other things he wants to do first.

All the things he never got to before.

A slow exhale leaves your chest, a breath you didn’t realize you were holding, and he glances at the clock hanging over your fireplace, tilting his head at you in a question,

“You wanna go see a movie?”

It’s no Starcourt Mall, but the discount theater you take him to is only a ten minute walk from your house. You go there some evenings after dinner without even checking what is playing. They never have new releases, just stuff that’s a few months old by the time they get it, nearly ready to come out on video. And sometimes they show the really old black and white ones.

Eddie buys two tickets for the next show and holds the door open for you to walk inside. You pause in the lobby, letting the smell of popcorn imbue your senses, looking around at the scant number of other people milling about. He lets the tips of his fingers trail down the inside of your arm and wrist to lace his hand with yours, giving it a squeeze as he nods at concessions.

“You like Red Vines?” he asks with a smile.

It’s a good thing the movie isn’t anything of note, because it’s near impossible to concentrate with Eddie sitting next to you. You plop down in a pair of seats towards the back in the center of the row, you with the candy and a drink while Eddie holds the popcorn—only $3 for a giant ass tub, how do they even make a profit? he asks excitedly, his eyes so wide that it makes you giggle.

Then he asks you to hold it for him while he digs in his pocket for his glasses.

”Don’t laugh,” he warns, tipping his head down and squinting at you playfully over the frames. 

Yeeeeah, laughing is not gonna be the issue. If the slightly scruffy beard wasn’t enough to send you into overdrive, the wire-rimmed glasses he perches on his nose sure as shit were.

The fourth or fifth time you catch yourself staring, at him, he catches you too. He fights back a smile while lightly brushing his fingers over his chin and cheeks, then leans over the armrest to whisper to you, even though there’s no one in the theater sitting close enough for you to bother them.

“Did I get it?” he asks, brows raising.

“Huh?” You blink rapidly, coming out of your daze.

“You’re staring at me so hard, I thought I must have something on my face.”

His lips curl upwards in that familiar cocky smirk of his and you roll your eyes, plucking a piece of popcorn from the bucket to throw at him. Already laughing, anticipating the move, his mouth opens wide and his jaw snaps closed as he catches it easily, still grinning as he chomps. It earns him the prize that is your laughter—the sound of it warming his chest from the inside out.

You hold hands the whole walk back to your house, only letting go once when he moves his to the small of your back and guides you in front of him so you don’t walk through a puddle.

And far too soon, you’re standing at your door. And he’s swallowing hard, throat bobbing as he shifts closer until the tips of his shoes bump with yours. And your heart is pounding, rattling all your organs as he looks up at you through his lashes.

“So, I should…go?”

His voice goes up at the end, making ita question.

“I guess so?” You shrug, chewing on your lip as you glance at your door. He nods.

“Good night, sweetheart,” he whispers, the short stubble on his jaw rubbing your cheek as he drops a too-brief kiss on the side of your face, lingering there to add, “I’ll call you tomorrow.”

You take a deep inhale of his scent. It’s lighter one than the woodsy cologne he used to wear. More mellow and earthy, like sage and sea salt.

Heaven.

The two of you step apart and he stays on the porch, waiting until you’ve unlocked the door and safely slipped back inside the house before he dares turn to leave. You place your keys in their spot on the hook by your door. Same as you always do. You step out of your shoes and slide them under the little bench where the rest of them reside. Same as you always do.

And then suddenly, you stop. Because what the fuck do you think you’re doing letting him leave?

You yank open the front door to find him standing there holding the screen door, his chest heaving from running back up the walkway and steps.

For a moment you just stare at one another, all your memories rushing back at once. A haze of summer heat, sunscreen and chlorine. Fresh grass clippings and perennials in bloom, messy sheets and sticky skin on sticky skin. Moonlight reflecting on the lake, thunder booming and pouring rain. Burnished eyes in a darkened hallway, a whisper of please, please, please…

And like tectonic plates colliding, you crash.

His shirt barely makes it past the threshold, your fingers tugging apart the buttons to push it off his shoulders. He helps to pull it the rest of the way off and tosses it aside before his hands find your waist, guiding you backward towards the stairs, the both of you giggling in between feverish kisses as you try and climb them without separating your lips.

You stumble through the bedroom door, him clumsily kicking off his shoes while you slap at the light switch on the wall. The red scarf draped over the lamp on your bedside table casts a haze over the soft and warm glow of the bulb, making everything it touches a radiant scarlet.

He wraps his arms around you in a tight squeeze before his hands slide down to palm your ass, lifting the skirt of your dress with his grasp. Lips vibrating with the moan you release, you put your hands on his shoulders and guide him downward to sit on the end of your bed.

His knees spread and he pulls you in to stand between them, black eyes shining up at you.

“You’re so beautiful…” 

He whispers it, half to himself, his kisses being peppered along your collarbones as he tugs down the top of your dress. The air hits your breasts as they come spilling out of the bodice and his hands cup them gently as you come forward to straddle his lap. The breathy, stuttering groan he lets out as he feels your weight sink down on top of him instantly zings between your legs.

He mouths at your breasts, kissing over the top curves, burying his face in the middle of them. It makes you sigh, dreamily, as your fingers weave into his hair and you scrape your nails across his scalp until it makes him shiver under you.

He falls backward, bringing you with him as he’s engulfed in the softness of your unmade sheets. You place your hands at his pecks, ready to tear through his flimsy undershirt to feel the warmth of his bare skin on yours. Your hips buck, almost violently, starting a rough and needy grind on his cock, whimpering with each drag of your core against the growing bulge in his slacks.

“Hang on, wait—wait, wait, wait—”

Eddie gasps for air, panting heavily as he sits up, supporting you with his hands on your back. Your body stills, the grind ceasing instantly. Your hands at his chest, fingers still curved like claws.

“Are you okay?” you whisper. “Do you—do you not want to…”

Eddie shakes his head instantly, lips pressing to your forehead as he tries to catch his breath.

“No, I wanna do this, I do,” he breathes, “you have no idea how much, but…”

And those eyes. Those big, wet, round eyes of his scan your face as he dredges up the nerve to say the thought that’s been in his head for years.

Never knowing if he’d actually get to say it.

You swear you can feel how his heart races as you smooth your hands over his chest and draw them up to cup his neck. He reaches up to hold your face in his hands, and finally he says it.

“I don’t have it in me to get over you again.”

The words steal every speck of air in the room. You can’t even inhale because every atom in your body is frozen in place. You swear even the blood in your veins stops pumping for that moment.

And then you feel it. The rush of warmth in your extremities, tingling with realization.

You don’t want just one night with him. You don’t want just a few weeks of fun. You want to see him in every season—bundled up against the cold, his cheeks pink and snowflakes clinging to his bangs; wrapped in a flannel, raking umber colored leaves into a pile and then jumping into them; throwing his head back to catch raindrops on his tongue during an April shower, splashing in puddles.

You’ve been so distracted all night by how different he is now that you haven’t even thought about how much you’ve changed. Back then, you were so worried about what people would think—your coworkers, your boss, your family. Some people in a town you didn’t even live in.

You let all the bullshit win, you let it rob you of what could have been. Not again.

“I need to know…” He swallowed hard. “If you still want what I want.”

And you know you do. You know it down to your marrow, on a cellular level. But there’s a part of you that still wants to hear him say it.

“What do you want, Eddie?” you whisper, the words leading and heady.

“You.” He says it like it’s easy. Like it’s obvious. “I’ve only ever wanted you.”

You nod back at him, licking your lips to stop their trembling. “I’ve only ever wanted you.”

There’s a kind of peace to the moment that passes between you, a long exhale after a deep breath, a pause at the peak of a mountain where you look around breathless and winded at the majesty of the view. Your eyes scan over all the features of his face, all the details you’ve spent years trying to recall properly that are now before you in startling clarity. The faint dusting of light freckles across his nose, the natural texture of his skin, the fullness of his plush lips that are rosy red from your energetic kissing, his dense lashes that frame those twin black holes in his face.

Staring back at you like you’re the one who holds all the secrets of the universe.

“Then I…I think we should wait,” he says, smiling even though it seems as if it’s physically painful for him to say it. “I want—I have to do this right.”

You press your lips to his, your fingers curled loosely in the hairs at the nape of his neck. Not gripping—not clutching, not scared of losing him.

Just holding. 

He kisses you back and you giggle, feeling exactly how much his body wants to betray what he just said. You keep your face close as your smiles touch, noses bumping as you whisper,

“Do you want some ice cream?”

prev┃next

okay, okay, okay, now I’m really done. Or am I? Again, this is all y’all’s fault ‘cos you go and say nice things and that makes me think about them more and then THIS HAPPENS!

This song also has to shoulder some of the blame…

[newsfromstolenland]

Atlantic Canada's largest newspaper chain is now officially owned by Toronto-based Postmedia Network Inc.

On Monday, Postmedia confirmed the closing of its $1-million purchase of SaltWire Network Inc. and the Halifax Herald Ltd. in a short statement on its website. The sale was approved by a Nova Scotia Supreme Court judge on Aug. 8.

Andrew MacLeod, Postmedia's president and CEO, said his company is "delighted" to welcome the new media properties, saying the sale "preserves their vital role within the community."

Full article

Let's explore why this is a very bad thing.

Postmedia, the company that just bought a chain of over two dozen Atlantic canada newspapers, is known for many things- none of them good.

This is an incomplete list of harmful things that Postmedia and its executives have done/are known for:

Right-wing politics. "The National Post was founded in 1998 by Conrad Black, who has connections to conservative politics and sat as a Conservative Party member of the United Kingdom's House of Lords. The Post has always been aligned with the right side of the political spectrum. ..."Just in the past couple of years, Postmedia has issued an edict stating that they should move even farther to the right, so they're very reliably conservative," said [Media journalist Marc] Edge. "In fact, [they] endorse Conservative candidates often over the objections of their local editors.""

Union busting. "They employed a mix of cajoling (such as with buyouts and raises), entreaties to preserve the paper’s uniquely collegial newsroom culture, office-wide memos decrying the havoc a union would wreak, and, according to CWA Canada President Martin O’Hanlon, one-on-one meetings between staff and management."

Monopolization of canadian news media. "Postmedia Network’s purchase of Saltwire Network will extend its grip from coast to coast, as it already dominates Western Canada with eight of the nine largest dailies in the three westernmost provinces. This purchase will give Postmedia the largest dailies in Nova Scotia, Prince Edward Island and Newfoundland to go along with the largest in New Brunswick, which it acquired from the Irving Oil family two years ago."

Cuts to pensions and benefits while giving large bonuses to executives. "...several top Postmedia executives had received enormous retention bonuses at a time of aggressive belt-tightening (after which many left regardless), and second, the March 2017 announcement that benefits and pensions would be curtailed significantly."

Already beginning to lay off staff from the Atlantic canada newspapers they now own. "...the long-term future of workers in departments like circulation, advertising, customer service, finance and production remains uncertain. "Staff believe maintaining local jobs in the community is critical to retaining both subscribers and clients," the union said. Last week, the union representing workers at The Telegram confirmed that four of the paper's 13 newsroom positions will be eliminated."

More reading: source 1, source 2

Tagging: @allthecanadianpolitics

[klaus-littlestwolf]

Hii! Can I request how would the yan!mikaelsons be with a little reader? :) i love ur fics

I assume you meant a Headcanon so I hope you enjoy it

DD:DNE

•They are immediately obsessed with their little one

•Rebekah is the one to meet you first at the Salvatore’s when Klaus leaves her there. She knew you were a little instantly as both Klaus and Elijah have brought littles home before, though never to keep. She loves taking you shopping and dressing you up, and it brings you joy as none of your friends even want to entertain your little side. Rebekah was the first person to ever embrace it

•After Rebekah ‘disappeared’ you got depressed and Damon was sure to keep you from Klaus as long as he could, however once Rebekah woke up he couldn’t do that anymore

•Rebekah brought you home and you were quickly introduced to the family, Klaus, Elijah and Kol taking an interest but their sister snatched you up and brought you upstairs where you got a little tipsy and watched movies together

•It was the next day that you really met her brothers, Elijah cooking breakfast to entice you into coming down the steps and you did as you smelled sausage cooking. Almost immediately you were scooped up by Klaus who set you on an island seat stating how ‘Little Bunnies don’t walk on the cold ground’ before you were given an omelet with sausage and home fries, along with perfectly buttered toast

•Rebekah was angry but she knew she wouldn’t get you away from her brothers so she left it alone and you got to know them, quickly finding out that they quite enjoyed your little side as well

•Elijah was a stickler for the rules and all of them were so simple which you liked when you were small, all 3 of them keeping you in your headspace almost religiously. You weren’t allowed to curse when you were little nor did you drink unless you asked and they let you (minus when you’re with Rebekah). You always had to take a nap to keep you from being cranky and Kol got you several cute pacifiers for everyday use but especially for your naps, he loved to see you use them. Klaus had his own rule where you weren’t allowed to walk anywhere when you could be carried, not liking that you hate to wear shoes and running the risk of a stray piece of glass getting into your soft skin from all of the glass that ends up broken in their house so he carried you around the house all the time, both of his brothers helping but it seemed to be his favorite thing and it was the first time you didn’t feel like a bother since their vampire strength could handle your weight without a problem. Klaus didn’t like the first time you complained about your weight and once you expressed ex-daddies making you feel ‘too big’ to be little and carried around he was sure to drop them from a 60 story building, and to assure you that you were perfect and he adores holding you any chance he gets, they all did

•You don’t know when you gained 3 Daddies but soon you were following more rules as well like keeping your room clean since you now had your own playroom which was honestly more a bedroom since you didn’t go home much anymore. Never lie to them was a big one that you found out Klaus takes seriously and after he caught you in a little white lie you didn’t want to see that betrayal in his eyes ever again. Before you knew it you were moved in completely, getting mail sent to their address (which they handled), your apartment was for sale and you had quit your job, well Elijah had actually but you okayed it…kind of.

•You soon had to ask for permission for everything from eating a snack or watching a movie to going anywhere outside of the house and they never let you go alone. You would be upset about it if it didn’t make you feel so small and taken care of, they always stressed how much they love you and you loved them too, calling Klaus, Elijah and Kol Daddy after your third week since meeting them.

•Everyone outside the house knew what they were doing to you, they manipulated you into living with them, depending on them and letting them take care of you like a child and while the Salvatore’s and their friends saw it as horrible the Mikaelsons saw it as love. This is what their Babygirl needs, Elijah’s Princess needs to be taken care of, Klaus’ Bunny needs to be protected, Kol’s Darling needs to be loved, every minute of every day.

•You loved their attention, and you loved when they took you out, they spoiled you like you have never experienced and you loved it when they stole you from each other. Rebekah would steal you in the early mornings and take you to breakfast and shopping, Kol would sneak you away and take you to do something fun like the batting cages or mini golf or to a giant arcade. Elijah took you to cities most often, wandering around and enjoying watching you experience new things as you had lived such a short and painful life so far, and Klaus always took you to do things that made you feel even smaller like to build a bear or a playground. He had even built a playground in a field behind their house complete with merry go round that he liked taking you to

•It was almost a month and a half before one of them was sexual with you, Kol snuggling close during a movie night and sucking on your neck which startled everyone when you first moaned. Elijah put a stop to it but now they know, they know that you want them too and they know what that sweet pussy smells like when you’re wet

•Klaus and Kol pushed you to do different things, never that you didn’t want, but they were more up front about it, however it was Elijah that fucked you first. You had gotten horny at a movie he took you to and when you got back home he took care of you but he couldn’t deny you when you wanted to take care of him too. His brothers found you naked in Elijah’s bed a few hours later, unconscious with Elijah walking out of the bathroom from a shower with a smirk on his face. That was the beginning of your Daddies fucking you nearly every day

•You we’re so desperately in love with your Daddy’s by the end of the second month that when your friends did try to rescue you when you were finally left alone, you refused to go, being carried out and throwing a fit, especially when Damon got you into the car and threw your stuffed wolf out the window along with your crushed pacifier

•The Mikaelsons found you about an hour later, knowing you would never leave on your own, you were completely dependent on them, needy and incapable of taking care of yourself anymore…they had made sure of it

•Rebekah took you home and your Daddies came a few minutes later to calm your cries.

That was when they knew you were fully theirs and you would never leave them, you were their Little One for eternity

Elijah Mikaelson Masterlist

Klaus Mikaelson Masterlist

Kol Mikaelson Masterlist

[deathbypufferfish]

It's finally done cooking, my sims gameplay ideas list! After scouring all types of sites, generators, lists, and my brain for ingredients, I've come up with a list stew that hopefully will spark some inspiration for your sims gameplays!

This non exhaustive list consists of ideas that are applicable to sims gameplay/things to do in-game. AKA things that can be played out in the sims or half pretended. If you're looking for less-gameplay story ideas, I recommend my story/conflict idea list. Most of the conflict and love ideas are on that list. Please feel free to send asks to add to the gumbo! Just note in your ask that it's for the gumbo and keep it applicable/feasible for gameplay. (To keep the post from getting too long I'll make a contributor list into a compressed image later on for those who send off-anon.)

If you are looking for more complex, in-game story ideas check out the Story Soup list here!

🍲 Gumbo below the cut! ⬇

Single Sim Gameplay:

Learn an instrument

Learn a new skill

Start a seashell collection (Island Living)

Have a sim get a bad haircut

Enroll an Adult/Elder sim in university

Use a skill you don’t usually play with

Become a mountain climber

Build a Servo

Take care of local strays

Use more likes/dislikes

Conflict:

Drop out of or fail university

Drop out or fail out of highschool

Talk badly about another sim in your house to other sims

Sim loses their job

Failed retail business

Family:

Foster a child

Parties for children

Have a baby shower

Have a slumber party

A grandparent/other family member moves in with your main household

Have a specific family holiday tradition besides the in-game ones

Family bike rides

Game night

Parent trains child in their sport

Family hikes at Granite Falls

Family volunteering

Bake sale (entrepreneur table)

Have a family photoshoot

Have teens study at the library

Have your teen go through a bad fashion phase

Host an exchange student

Make school picture day photos (Teen poses, children poses)

Have an arts & crafts day

Go fishing as a family

Have a specific weekly meal (spaghetti night, a fancy meal)

Make ice cream together (Cool Kitchen Stuff)

Wear matching pajamas for holidays

Have a bake off

Play with voidcritters (Kids Room Stuff)

Granola family (camping, hiking, low tech, simple living)

Play in a multi-generational household

Adopt

Family reunion

Unexpected baby

Have siblings share a room

Social/Activities:

Sports party night (e.g. watching the superbowl, world cup, etc)

Start a book club (with clubs)

Have a themed kids birthday party (Here’s a helpful website for ideas)

Have a potluck (buffet tables)

Garden party

Neighborhood party

Neighborhood holiday decorating contest

Host a haunted house in your home

Picnic

Barbeque party

Go to the arcade

Go regularly to restaurants (Dine Out Reloaded Mod to make restaurants tolerable)

Have an out of control party (maybe a teen party)

Go camping

Go to an Ice skating rink/roller skating rink

Spa day (at home or at a spa)

Make an army of snowpals

Movie night

Stargazing night/camp out in the backyard

Weekly bowling night

Museum trip

Karaoke night at home

Campfire night

Pool day

Weekly meetups with friends at a cafe

Try on wedding dresses with a bridal party

Have someone stay over (Growing Together)

Love:

Hook up with a service sim

Have a vacation romance

Have a “meet the parents” moment

Have an affair

Divorce

Marital fight

Rejected proposal

Throuple/Open Relationship (Open Love Life Mod)

Left at the altar

Use fear of commitment, jealous, or unflirty trait

Create a rocky marriage

Challenges:

Spend too much money on a vacation

Play with lot challenges

Use simple living (only cook with ingredients and do grocery orders)

Don’t clean up after sims (don’t drag plates, laundry, trash)

Use the Reduce and Recyle lot challenge for realism

Use the Filthy lot challenge to make cleaning harder

Lose a large sum of money

Randomize your sims’ traits as they age up

Household:

Have puppies and kittens

A serious house fire (either with cheating or with fireworks. There is also a mod for more intense fires here

Spring cleaning

Garage sale

Visit houses before you move into them

Create a storage room/attic (Eco Living boxes, Discover University chest, toy chest, treasure chest etc) Use this for old heir’s items if you are playing a legacy

Start a garden (herb, vegetables)

Renovate the house

Watch what your pets are doing

Adopt a stray animal

Teach your pets tricks

Upgrade objects

Have a home bar/rec room

Go on a vacation

Play with roommates (additionally have them be odd, difficult, or a romance option)

Have an always messy home

Hire a live-in butler

Hire a regular maid

Location:

Play in a sustainable community on one of the islands/isolated areas. (community farm, community space, homes)

Play in a tiny home (Tiny Living)

Play in a haunted house residential (Paranormal Stuff)

Become an Archaeologist. Live in Sulani and regularly visit Selvadorado for work

Career/Business:

Bookstore

Art gallery: sell your paintings or buy them off Plopsy/Buy Mode

Bakery

Play a career you don’t usually play

Winter sports store in Mt. Komorebi

Own a farmstand for your produce (Eco Lifestyle entrepreneur table) You can even build a small building for it on your property!

Pet supplies store 

Plant store

Tourist gift shop

Mattress/Bed   store

Florist shop (Flower Arranging Skill)

Juicery (Juice Fizzing Skill)

Yoga studio (host classes at a retail business or at a home studio)

Start a Bed and Breakfast/AirBnB with the roommate system

Become a celebrity in a path besides Actor/Actress (Author, Chef, Video Creator, Skier, etc.)

Food truck (Restaurant)

Fish stall (Entrepreneur table)

Make a living on Plopsy

Wool store (Cottage Living)

Natural health store (Herbalism)

Resources Used

ADAM DRIVER GIF DISCLAIMER: YES I KNOW IT'S A STEW

[chronically-ghosted]

the only thing we have to fuck is fear itself

rating: 18+

pairing: max phillips x f!reader

word count: 5309

summary: You get drunk at a happy hour and tell Max to his face you don’t find him scary at all. He takes that personally.

warnings/tags: drinking, like two seconds of scary vibes, smut, (secret) established relationship, work hard, play hard, have secret sex with your coworker even harder

a/n: I’m so sorry to FDR for butchering his quote for the sake of a title, but i like to think that horny bastard would have loved my smut.

🤍AO3 Link 🤍 Masterlist 🤍 Get notified when I post new works!

Despite working at a place that was quite literally soul-sucking, your coworkers could throw one hell of a happy-hour. 

There wasn’t a bartender in a ten mile radius from the office who didn’t know you all by name, didn’t shout a greeting over the tightly-packed house the instant you walked in. Rarely was it just a single crew member at the bars – you often got accused of moving in a pack like a five-headed hydra that could drink double its own weight in liquor, beer, and frosés – and being only two-fifths human, the Monster Squad was an alcoholic force to be reckoned with.

Maybe because you actively promoted unity amongst the species, like poster children for positive and “non-toxic human-demon relationships” HR kept encouraging in their Monday-Funday email blasts, but your little group was something of a legend in the area. You thought any notoriety was more likely due more to your faces plastered all over the bars’ trivia night winner boards, but in the office, people tended to stare. Trish, a siren from Santa Barbara, loved the attention, said it was good for her skin – gave her a “dewy” look. Nita, the only other human in your group besides you, disagreed with Ken (a quarter leprechaun on his mother’s side) when Ken claimed the whispering came from the sheer volume of nonsense that started around 4PM in the office on Fridays and continued until you all left the office. Ken was of the belief that the notoriety was actually infamy – to which he was promptly booed and had to buy the next round. 

And yet, to yourself, to the quiet conversations you had in the bathroom mirror after two long island ice teas and whatever was in what the centaur bartender at Lucky’s called an “Ass Whooping”, you suspected there might be another reason the Monster Squad even had a name at all. Within your own fields, each of you were respectable – Ken and Trish were both heads of marketing and Nita oversaw a considerable team of engineers, with you of course a department leader over in legal – one member of your group was, let’s say, more well-known. 

Well-known because he was the flashiest, the loudest, and certainly the most demonic of you all: Max Phillips, VP of sales, money-maker extraordinaire, and a fan-favorite amongst your Overlords, the rest of the sales team, and anyone with working and interested sex organs in the near vicinity. 

To your complete and utter annoyance.

You don’t quite remember how you all came together, who brought who into the group, and when it was unanimously decided that you’d stop snatching up office workers like limes at $5 margarita night after Trish, but it was Max who kept you together, who set up the group chat (somehow mysteriously gathering all of your phone numbers after a very late night), who bullied anyone who responded to his weekly “winner winner liquid dinner” texts every Friday morning with a tepid maybe into coming out that night. He already seemed to know half of the bartenders in the city, all of whom were happy to send over a free round of tequila shots as a “thank you to Max’s friends”. While you’d never look a gift vampire in the mouth, you were suspicious of his influence. Was that vampire hypnosis real? Did he have a pack of lesser, baby vamps to send out to tenderize the hunting grounds?

One thing’s for sure, he definitely didn’t scare them into it. 

“Has Halloween, like, changed for anyone else?” Nita grouched over her second Sangria Spritzer two hours into another fantabulous happy hour at Heel Clicks. The four of you were huddled into your comically small booth up on the landing near the back bar – of course there were other seats available but this had the best view, the closest access to your favorite bartender, and at some point, the shoulder-to-shoulder proximity served as a way to counteract the tipsy swaying. 

Trish leaned around Ken, her beautiful blue eyes sparkling with curiosity. 

“What do you mean?”

“I dunno,” Nita shrugged hopelessly. “It used to be one of my favorite holidays when I was a kid. I loved the candy, the costumes – all of it. But I really liked being scared the most.”

Ken sorted into his old-fashioned. “Well, if you’re still scared of things you were as a kid, Nit, I think you’ve got a bigger problem than seasonal preference.”

She elbows him and he knocks into Trish.

“Not like that . . . but, like, monster movies aren’t really scary anymore? I mean, I used to watch Ginger Snaps religiously around Halloween, but, uh, now that I know an actual werewolf and he’s the nicest little old man in accounting, I dunno . . . it’s just not the same.” 

“Sorry to burst your bubble on monsters,” Ken shrugged. “But I personally cannot relate. As a member of the Free Folk, my people have always been welcomed, seen as bringers of good will towards man.”

“You know there’s eight movies where a leprechaun murders literally dozens of teenagers, right?” You turned to Ken over Nita, your entire right buttcheek hanging off the edge of the booth. 

“Oh, yeah, baby Jennifer Aniston,” Trish mused, thinking. “If that’s what your uncle looks like, Ken, then I posit Halloween is still fucking creepy.”

“Halloween is definitely creepy and it sucks.” Your ringleader has returned with electric-green jello shots. Max Phillips carried a tray with one hand, his immaculate blue jacket gone to display firm forearms underneath his white, rolled-back sleeves. “Bunch up, kiddies, Daddy’s back with treats.” 

Half the group groaned, the other squealed in delight.

Max hip-bumped you, his ravenous cologne immediately making you think unwise thoughts, as he pushed his way onto the bench absolutely not made for this many people. He looked back at you as he passed out the drinks.

“Now why are we all in agreement that Halloween is a lame holiday?” 

“Nita claims that because she personally knows a werewolf – Ned, right? – she’s not scared of monster movies anymore.”

Max scoffed. “Well, there’s your problem right there. Werewolves were never scary to begin with.”

“What monster movies have you been watching?” Nita gaped at him. “Maybe it’s bad representation, but all the movie werewolves can tear you to shreds!”

Ken nodded solemnly. “This is why affirmative action is so important.” 

Trish smacked him over the back of the head. 

“So, what?” Max continued, crunching up the jello in its plastic cup. “Now that you know me, a vampire, you think all Dracula movies give blood-suckers a bad rap?”

“No, being a human-sized mosquito with too much hair gel is doing that all on its own.” You smirked, dead-eyed, at him. Behind you, Ken and Trish snorted so hard they almost spilled their drinks. 

Max narrowed his eyes at you, in a look he only gave you when you wouldn’t let him ease around legal loopholes “for the good of the business”. Only Nita seemed to be oblivious. 

“That’s a good point, Max.” She thoughtfully stirred her jello with her pinky, unsticking it from the sides of her cup. “I mean, I guess I never watched that many vampire movies to begin with.”

Max broke his heated staring contest with you to look around at Nita, elbow pressing up into your chest as he leaned forward on the table. “I can promise you, doll face, vampires have been and always will be more terrifying and lethal than werewolves.”

“Not the argument I think you want to make, mate,” Ken murmured as you shifted yourself to face Max entirely. 

“Oh, yeah? Enlighten us all –,”

“Nope,” Trish called down the row, “we’re taking this shot before you two get into it again.”

“To Ned!” Ken yelled. 

“To Ned!” 

Plastic crunched, tongues slurped, as jello ungracefully slipped into every open mouth down the bench. You licked your lip, tip of your tongue green. Max watched the movement out of the corner of his eye. 

“So, enlighten us, Max, why should we be so afraid of you?” 

Max grinned out the side of his mouth. “One, I’ve seen more bite out of a pomeranian than one of those Tribbles. And two, whatever-wolves can only get it up once a month. I’m all monster, all the time, baby.”

At this, everyone groaned.

“Dollar to the Dick Jar!” Trish smacked her hand on the table.

“Here, here!”

Max pouted as he took a dollar out of his wallet and slammed it into the center of the table, payment towards tips or the bill or whoever suffered the most due to The Dick. 

“Face it, buzz,” you shrugged as he put his wallet away. “You’re just not scary any more, if you ever were.”

“Is that right?” 

Fuck, you were in a lot of trouble. Beneath the table, his thigh soaked yours in heat. 

“That’s right.”

“You know what is really scary?” Ken muttered, digging around in his crushed up for the last remnants of jello. “Kelpies.”

“Ah – yes! They’ve got sloppy fangs covered in algae!”

“Hey – that’s my cousin you’re talking about!”

Heel Clicks was hands down one of your favorite bars in the area. Devoted to the local music scene in the area, the vibe was a mix of old 70s rock bands, modern steel, and whatever justified lots of mounted horns and hairy cow-skin stools. The drinks were great, seasonal too, and there was always live music on the patio out back. In a twist that you found particularly cool, the old rum-runners tunnels had been converted to comfortably spacious bathrooms in the basement. Behind the solid oak door, the noises from the above bar are nearly entirely muffled, making the slow descent to the bathroom something of an out-of-body experience when you’ve had a few and the sudden silence is almost an echo. 

Plus, these fucking stairs are a death trap. 

You embarrassingly clutched at the railing, the wooden stairs at far too sharp an angle even if you were sober as a judge, much less at a Monster Squad happy hour. 

Stupid Max and his stupid drinks and his –

What was that?

You stand up right on the third to last step, listening. 

In the half darkness in front of you, there are three paths available. To the left, employee storage, the lights above the door flickering, the sign reading “do not enter” pulsating in and out of visibility. To your right, another door, maybe an exit. Always unmarked and always locked every time your drunken curiosity got the better of you. 

And across from the stairs were the bathrooms, left women, right for men.

God, what year is it? Shouldn’t it all just be gender-neutral? You think to yourself, a tad bit more aggressive than you’d usually oppose the gender binary – primarily to wash out the rising concern at the back of your neck.

You are alone down here. It’s obvious. It’s not like there’s that many places for some dastardly villain to hide. Four shut doors and three hallways. Unless some maniac was curled up under the stairs, you are the only person in the basement. 

At least, the only person you can see. 

You don’t realize how sweaty your hands are until you try to continue your way down the stairs. You take a step and nearly slip, the eyes you know are on you somehow laughing. 

One blinking light. No where for anything to hide, so why are you so nervous? You are an adult woman, for god’s sakes. You make it to the floor, the most likely candidate for your demise behind you and –

The stairs creaked. 

The empty stairs that you just walked down creaked and you nearly leap across the hallway to put space between you. Heart in your throat, you make the monumentally stupid decision and call out, “hello? Is anyone there?”

As if the serial killer was just going to announce himself, give up the whole element of surprise.

Blinking through the bleary haze of too many drinks, you take out your phone and flip on the light. A white beam chases back the encroaching darkness, a frantic worried ghost peering through the gloom. And yet, like you consciously know, there’s nothing there. But the darkness feels heavier, the eerie distant noise from the bar above so quiet and removed the sound is more of a memory – the idea of what comfort and community should sound like. But it’s not. It’s too far gone – if anything were to happen, it’d be hours before they found you. If they did at all. 

“Oh my god,” you scold yourself, squeezing your eyes shut. “Get a fucking grip and go pee and then go back up those fucking stairs and –,”

Okay, that was definitely breathing.

Breathing, right behind you. Ragged, hungry, disembodied breathing, in your ear and your heart ricochets into your chest. Your own breath turns short, choppy, panic swelling into your ears, over your fingers. You think you might drop your phone, your fingers are so numb from fear, so you clutch tighter, the trembling throwing white light across the paneled wood in a craze. 

Be rational, this is crazy, there is nothing down here! 

The stairs snarl again and you squeak, all but bolting for the women’s bathroom, desperate to put at least some space between you and those fucking stairs, put some boundaries between –

The door is locked. When the fuck is this door ever locked?

Panic recedes to overwhelming rage because fuck, fuck, fuck, now you’re trapped in here – you can’t go back to the stairs – you rattle the handle, shaking the door against its lock –

“Fucking let me in!”

The light above the exit door goes out. And then the other. You throw all of your weight against the bathroom door. You claw at the handle, begging it to give way. 

Fuck, fuck, fuck – you can hear the darkness breathing –

No, speaking – it’s saying something, chanting, mocking, calling out – calling out your name –

The door suddenly unlocks and you stumble forward – into something solid –

Its hands grab you and like a fucking fool, you played right into its trap. 

It turns you, throws you up against the tile wall, its claws around your shoulders, cold tile against your cheek and you whimper. Whimper when you feel the soft pin-prick of fangs against the back of your neck – fuck, this is how it ends?? – and –

“Got you.” 

That voice.

That condescending, snide, bratty, little –

You elbow the solid body behind you and Max lets out a puff of air, staggering back. You whip around, nearly snarling in his smirking, beautiful face. The bathroom is dark, black tiled walls and floors with a faux-wooden sink and dim lights across the top of the mirror. In the flushed orange light, his eyelashes encourage thick shadows under his eyes and in the collar of his throat. If it wasn’t for that insufferable smile, he’d look painted from thin brush strokes and heavy scarlet paint. 

Caravaggio, eat your heart out. 

“Max, what the fuck was that?” 

He rolls his eyes, rubbing the spot on his chest where you hit him, at the top of his ribcage. “Oh, c’mon, it was just some fun. Saw you sneak off after you got Nita’s drink and thought I’d mess with you just a bit.”

You sigh, willing your heart to slow down, throwing your gaze to the ceiling and dropping your head against the tile.

“God, you asshole, I thought I was gonna die.” You swallow and move your hair out of your face. “You scared the shit out of me.”

“I what?”

“You scared –,”

That smile, the crack of fangs across his mouth, widens, the bottom of his lip rolling back over the cut of his teeth, those brown eyes melting into a warm, obscene black, as he meets you hip first against the wall. 

His hands climb over your waist, as though daring you to hit him again, and your thigh muscles tighten. Your hands instinctively trace the exposed skin left by his opened collar at the dip of his throat when he comes closer, chest pressing up against yours, nose against your temple. 

Fuck, it shouldn’t be this easy for him. You sigh through your nose, eyes rolling shut, when he nips at your cheek.

“I think you were supposed to be mad at me.”

“I am,” you groan. “I’m livid. I’m enraged. I’m –,”

His thumb brushes your ribs – not tickling, not entirely touching, but just reminding. Reminding of the force behind his touch, behind his teeth. 

“Baby girl,” he chuckles softly, the sound running down your neck like rain, “you’re melting in my arms.” 

“This doesn’t mean I’m scared of you.” You focus on the softness of his hair between your fingers, the heat of the back of his neck beneath the pads of your fingertips – resolutely ignoring the radiating scent of his cologne coming from up under his collar. More than once had he come across you in his apartment bathroom, sniffing that bottle like some dopey perv looking for a quick fix. Of course, instead of admonishing you, he bent you over his sink and fucked the daylights out of you, his wrists singing with the smell of that cologne. Now he wore it to work wherever he wanted something from you, particularly to overlook some pesky lines of legalise. 

In the hallowed darkness of the bar’s bathroom, he drops a single kiss just below your jaw, inches beneath your ear. He grumbles when your pulse there quickens, and again his fangs find a curve of skin to press against – a reminder. 

Always reminding, always lurking, a threat without a promise.

And he knows exactly what that does to you. 

You release a full body shudder when his hands drop lower, guiding you back against the wall, fingers rounding around your thighs. Like interlocking pieces, your bodies slide together, your arms curling around his neck, the heat of his chest branding yours as it forces you against the wall. You’re breathing all wrong again, but for different reasons this time. You catch a flash of the ink-well darkness of his eyes when he nuzzles out of your neck to admire the mess he has made of your skirt.

“Can I fuck you in this or is this thing too tight?” He asks, like he specifically didn’t get on his hands and knees and beg you to wear that gray pencil skirt only twelve hours earlier. 

You lean up, snagging his bottom lip between your teeth, kissing him roughly and showing him he’s not the only one with a little bite. He groans softly, one hand curling into your hair at the base of your skull, and he licks you, from the front of your lips up to the valley of your mouth. He tastes like the sweetness of his whiskey n’ coke, his tongue rubbing the flexing muscle of yours, the sharpness of your molars. You could spend hours just sucking on his plush mouth. 

Maybe he did scare you. Maybe he should have scared you more, the threat of anyone discovering your relationship a real danger to both of your careers. Maybe it should have scared you, how little you cared about any of that when he palmed your breast over your shirt. 

You inhaled over his mouth, popping off his lips with a moan, his hand cupping you roughly as he dove in to suck marks on your neck. Every moment that passes, you feel your skin ratcheting up with heat, blood almost hot. He thumbs your perk nipple through your shirt and you arch your chest, his massive palm nearly cupping your ribs to your spine.

“Max, either you figure out how to fuck me in this skirt or you owe me a new one.”

“You want me to rip it off you?” He slurs, eyelids heavy, his thigh slides in between your knees, the fabric preventing him from going higher, to the place where you both need him. You groan in frustration and his hands squeeze your hips at the sound. “Tell me fast, baby, because I can’t–,”

“For the love of – just fucking lift it up–,” His hands fumble over yours as your fingers curl under the hem, his own want making that brilliant mind for numbers almost stupid. His warm fingers overwhelm your own as they push your skirt up your waist, and then dig around the line of your pantyhose. 

“Jesus Christ, are you trying to Fort Knox me out of your pussy? Why are there so many layers?” 

You hiss at him as you slide out of your heels and shove your nylons to the ground, hopping on one leg to take them off your feet. “It’s like you’ve never undressed me before.” 

Freed of the chaos of your underthings, Max’s hands rush to his belt, the clinking of the metal sending shivers down your back and straight up your cunt. He doesn’t notice because he’s obsessively watching your thighs. “I’ve never undressed you with our coworkers a floor above us and probably becoming increasingly suspicious about where the fuck we are–,” 

You take him by the back of the neck, hand clenching around the starch white of his shoulder. He comes to you, zipper digging into your hip bone as he pulls you up off your feet. For once that chatty mouth is quiet, open and wet with desire as he takes in your flushed face, the blood pumping under your tits. Max is nothing if not almost supernaturally consumed by the look, feel, texture, and taste of your tits. 

The look on his face is one of those reasons you tend to throw caution to the wind, why your heart almost feels too big for your chest, whenever he’s around. 

He hooks an arm around your low back, tilting your hips forward. You feel the heat of his cock somewhere below you and it takes all of your strength not to grind down. 

“Max –,” he’s not even inside of you and you’re already begging. You bite down on his ear to stifle whatever was rising up your throat. 

“Hang on, baby, I gotta make sure you . . .”

Using your shoulders as counterbalance, he holds himself up against the wet warmth of your cunt, breath stuttering as he rubs the head of his cock against your slick folds. That bratty aloofness is gone; he wants to sink so, so deep into you.

“Fuck, baby, I didn’t even get you ready – but you’re already so wet –,”

You don’t resist grinding down now and he knocks his shoulders forward, needing movement, but fighting against the urge to buck up into you, gasping from the feeling of your cunt. 

“Please, Max, just –,”

“Yeah, I know, baby, okay, just, I gotta . . .” 

He angles himself and you arch your back, unable to watch with the mess of your skirt around your waist, but he finds it, finds your opening, the place he loves to mark, and without any warning, thrusts his length up into you. 

The stretch, the surprise, the ear-ringing split between being empty and then stuffed so full – you can’t help but moan so loudly, you sing to the ceiling. For a moment, your bodies hum with the stillness, the blood in your cunt pulsating around him, you claw at his broad shoulders, need him closer, needing that smell of him that haunts your empty bed as far inside of you as his cock is. His hips stutter and he presses one hand against the tile by your ribs, teeth clenched against the sensation. 

“When I fuck you, every time feels like the first time. Every goddamn time.” 

It’s not particularly the confession it could be, but you shake your head, clearing it of anything stupid like feelings for Max Phillips, your chin brushing his jaw, his nose against your ear. 

“Then do it,” you whine. “Just fuck me, Max.”

With a groan that could be mistaken for a snarl, he lifts you both up right, pushing your hips down and spreading yourself over him. You lock your ankles around his back a second before he pulls out halfway, then to jerk back in with such force and precision your eyes roll to the back of your head. He sets a pace that has pleasure weaving a tight drum just under your stomach. Each sweaty thrust fires sparks up your spine. He really is so fucking good at this. 

This is the release you need, you both need. Sure, it’s an after-effect of having a high-powered job, but it’s also more than that. Max fucking you is unfortunately very often the highlight of your day. He knows what you need, how you need it – how hard to drive his cock into you, it makes you tongue-tied and dizzy. The fast pump of his cock, how it feels to split you apart over and over again, the back zipper of your skirt digging into your back – it’s too fucking good.

“Don’t know where you get off giving me orders,” he grunts, the pounding of his hips into yours rapidly shoving you up your ascension. The slapping, wet noise in the empty room is obscene. “I’m a fucking VP, little girl, and I–,”

You tense your muscles around his cock and he fumbles, his knees buckling momentarily. 

“Do not fucking bring up the org chart right now,” you hiss, your own edge yanked away when he stills. “I’m almost there–,” 

Quicker than he’s been all night, Max lunges forward, mouth open and teeth bare. He bites your neck and then he bites you. 

Fangs puncture your skin, not deep, but enough that your body is thrown into a messy coil of nerves and adrenaline. It knows you could die like this, even if you’ve only ever called the vampire a mosquito to his face, and triggering a self-preservation instinct, your body trembles from the sudden blast of sensation.

Your pupils dilate further than they were, your skin becomes overly aware of every drop of sweat, every flutter of hair, every rub of flesh – and your fucking nerve-endings feel like static, as if brushed by lightning. 

Pleasure so-white hot it almost burns roars up your spine, slick coating his cock inside you, and you cry out. Wail in his ear. Begging him to make it better. To give you your release. The feel of his cock pounding up inside your now-overly ripe cunt brings tears to your eyes.

“Oh, fuck – fuck, fuck, fuck – Max, p-please –,”

“Can you handle it if I touch you?”

You shake your head. “Yes, yes, please, touch me.” 

“You can’t keep screaming like that,” he scolds you breathlessly, the punch of his hips bouncing you against his cheek. For all his vampire stamina, the flush of exertion across his cheeks is truly staggering and a triumph for your ego. Flecks of blood dot his mouth. “Someone’s going to come looking.” 

“I don’t care,” you groan, angling your hips to take more of him. His hand not on your back cups under your knee, tugging it higher up his torso. His pace is relentless, overwhelming – with his weight on top of you, and his cock up under you, inside you, you’re consumed by Max Phillips. “Whatever you do, d-don’t stop. Don’t stop.” 

“You scared I’m gonna?”

“Yes,” you whine. You can feel your heart pounding out its shape into your ribs. 

“Good girl. And good girls get to fucking come.”

Balancing your increasingly limp body, he holds you up right, his hand snaking beneath your skirt, between the sweat of your thighs and his torso, and –

He thumbs that buzzing bundle of nerves, “come for me, baby”, and you do. You come screaming, the tension snapping, vision sparkling with stars, and you are shoved over the edge. You don’t know you’re wailing his name until he comes too, all concern for getting caught seemingly gone as he begs you to continue as he fills you up with his pearly, gooey cum:

“That’s right, say my name. Say my fucking name, sweetheart.” 

His hips thrust weakly, some instinct choking him until he makes sure every drop of him stays in you. You’re going to be dripping for hours. 

His skin is fire-hot beneath his starched white shirt. You’ll be thinking about that for days afterward when you see him in the hallways of the office. 

This is what scares you the most. When you realize it's over and neither one of you want it to be. 

Shaking from exertion, Max slowly sets you down, unwinding your legs from his waist, your ankles trembling against the cold tile. You couldn’t imagine putting your nylons back on, the thought of that pressure against the curve of your lower stomach while you are so full of his cum practically unbearable. 

He lifts his head from your neck, eyes intentionally avoiding you as he inspects where he bit you, breath coming in ragged, long gasps. Sweat darkens the hair at his temple and that post-fuck blush is staggeringly gorgeous on him. He pricks his thumb on the sharp edge of his fangs and with a scarlet bead balanced on his thumb, he smears his blood against the puncture wounds, like someone would wipe dirt away from a loved one’s skin. 

It doesn’t really hurt, but the effects leave your neck tingling. You’d never say this out loud, but you fucking loved when he did that. 

He steps away without looking at you, giving you time to adjust your skirt, your hair in the mirror. You help him straighten his collar because it’s not like he can use the mirror to check himself.

He grins, the flush fading far too rapidly from his cheeks. 

“What are you going to tell them?” You nod to the stairs on the other side of the wall. “This can’t look good for us.” 

“You got attacked by a werewolf on the way to the bathroom. I saved you.” 

“Thought you said werewolves weren’t scary.”

He shakes his head, smirking, then presses a kiss to your temple. “Just said I was the bigger monster between the two of us.” 

“My hero.” You turn your head until his lips drink in yours. 

It is dangerous, your feelings for him. 

He taps you on the butt, pulling away. The lines around his eyes do an excellent job of masking the hurt in the brownness of his eyes. 

“Gimme five, then you come up. Can’t have you looking so completely debauched.”

He kisses you again, betraying whatever amounted to “cool and collected” he attempted for, and without another word, he slides out the door. 

His smell lingers in the air long after he does. The throbbing of your cunt also serves as a fantastically bitter reminder.

You go back to the mirror because yes, you could not have been more obvious if you were wearing a sign that said, “hi, yes, I did just get my back blown out.” You try to fold your hair around your ears at least a dozen times before pulling it back in what you hope to be a casual pony-tail. You toss your nylons into the trash can, pleading that the “oh, I tore them in the bathroom” excuse might hold an ounce of water. 

You think about what’s waiting for you a floor up and your stomach clenches. 

Fucking Max could upset the dynamics of your little group, your little Monster Squad. Whatever the stupid office bylines were, your happy-hour social group is one of the bright spots in your life, especially while working at a place run by those bastard Overlords. 

And Max knew that. He didn’t want to risk your long-term happiness for his short-term. 

Max didn’t scare you because he was a monster.

He scared you precisely because he wasn’t.

You open the bathroom door and return to the world. 

[copperbadge]

Hi Mr Starbuck! Some friends and I are moving in a few months and we're eyeing various places all over the US. Chicago came up as a relatively affordable big city (compared to LA and NYC) and I have to ask the resident Tumblr Chicagoan his opinion. As a resident who lives and works in the windy city, what's your big pros and cons of residing there (especially things you might not encounter as a tourist)? (also, how accurate is your "guide to chicago" still, since its been a few years!)

Well, I definitely have opinions!

The guide to Chicago is no longer accurate -- too many places have closed or moved, and the pandemic altered a lot (for example the Money Museum still exists but I'm not sure if it has regular hours even now). I should do a new one but like, I really don't get out much anymore so I can't talk about restaurants outside of a VERY local area, and I never could talk much about hotels, which just leaves points of interest mostly already covered by Atlas Obscura. :D At this point it'd just be kind of moot, others are doing it better than I am.

Chicago is inexpensive compared to New York or Los Angeles, but like, that's everywhere in America. Chicago is still a quite pricey city to live in, mainly because the taxes are so high -- 10.25% sales tax, for example, and my property taxes are also pretty steep. People joke about Taxachusetts, but I'm pretty sure Chicago at least has it beat (and 2/3 of the state's population lives in Chicago or the outlying suburbs). Housing is not at a premium in the way it is in NY and LA but depending on where you want to live and how far you want to commute it can still be very expensive. My housing was never less than half of my monthly income until I bought this place, and then ONLY because the job I'm in now came with a $10K/yr raise from my last one.

Chicago does have great culture, great museums, great food, and it's a liberal island in a pretty conservative region. It is however quite segregated, so if you are any race other than white, living here can get a little more complicated than I've portrayed it as a white dude. There is significant crime and particularly gun crime, but it's generally confined to specific regions of the city. That said, even if you discount crime, the Chicago PD are corrupt as fuck and uninterested in being helpful, so if you are from a demographic the cops enjoy harassing, it will not be different here.

I do love the city, warts and all. I like the water, I like the people, I like the midwestern vibe. I'd find it very hard to leave, especially because I have a network of friends here, but also because I just plain like it and I know it really well. There is a very short list of cities I'd consider leaving Chicago for, and most of those would have to have a well-paying job waiting for me. But it did take me time to fall in love with it -- it took a few years before it felt like home.

It's a little difficult to get more specific without knowing more about your situation -- what you do for work, what your budget is like, what your goals are in leaving where you are. Do you prefer to drive most places? (Parking and traffic can both get dicey.) Can you tolerate taking public transit if driving is inconvenient? Is the industry in which you work something that has a lot of openings here? Do you want to live in an urban environment, and if so are you prepared to live in a likely somewhat shitty apartment to do so? If you prefer to live in a house, are you prepared for a long commute? What do you like to do for fun and is there a thriving culture for that here? What is it important to have access to -- museums, concerts, theater, sport? Where do you need to travel to regularly (ie, I go to Austin several times a year) and how do you prefer to travel there?

Anyway, yeah -- like, I love it but I have few illusions about it. If you want to chat further feel free to hit me up by email, happy to answer more specific questions!

[armasgrouphomesnyc]

Selling your home can be a time-consuming and emotionally draining experience. When strangers open your closets and poke around, it can feel like an invasion of privacy. They will openly criticize your home and your decorating abilities, and to make matters worse, they may offer you less money, leading you to believe that your home is not worth it.

[hometoursandotherstuff]

This is kind of a weird real estate deal. Looks like a lighthouse on a beautiful big (225 acres) private island called Middle Island. There are several pretty outbuildings and a residence with 3 bds. 1 ba. in Alpena, Michigan. The price is $3.9M.

The residence looks nice, right? 

But, it’s uninhabitable. Someone stripped it down, started to renovate, and left it.

The house is a duplex and one side was reserved for the head lighthouse keeper. 

A built-in cabinet that was in the head keeper’s house.

This vehicle must’ve been brought over by boat. I wonder if it conveys.

There appear to be paths for the vehicle.

Inside the lighthouse there’s some rust and chipping walls.

The light looks like it’s been replaced.

It’s nice up here on the lighthouse balcony.

The lighthouse and buildings are on the coast of the island, so the buyer would have this big island.

I guess it would nice to own.

https://www.remax.com/mi/alpena/home-details/middle-island-alpena-mi-49707/16396981589936591567/M00000315/466287

[bookshelf-in-progress]

The True Story: An Epistolary Novelette

An intrusive fantasy story for @inklings-challenge

I. Christine Hendry to the proprietor of Wright and Co.

Sir or Madam:

I feel like such a fool for reaching out to you--a stranger whose business card happened to be tucked in the pages of an ancient book on my grandmother's shelf. I don't even know if your shop exists anymore; signs are against it, because I can't find so much as a phone number to contact you by. Nothing but an address and a name: Wright and Co.: Specialists in Rare, Antique, and Nonexistent Books.

That last category is the only reason I'm bothering to write at all. I'm looking for what seems to be a nonexistent book, so I may as well try writing to a shop that may or may not be real.

When I was a little girl, my grandmother read to me from a copy of Song of the Seafolk by Marjorie A. Penrose. It was an American children's fantasy from--I believe--the 1950s, all about a family getting mixed up with mermaids on a tiny Atlantic island. It had beautiful black-and-white illustrations, and language so lyrical that I still remember passages even though I haven't read it in nearly twenty years. My grandmother loved it to bits, and read it to me a dozen times after I came to live with her. I went off to college, and jobs, and travel, and I haven't much thought about that book--or, to be honest, my grandmother--since I left the house.

But now Grandma has a broken hip, and there's no one else to care for her, so I've come back. The moment I stepped back into that house, I found I wanted nothing more than to read that book. To her, if possible. I need to return the favor.

But the book is nowhere to be found. I've searched through all her bookshelves (extensive), closets (messy), and storage boxes (many and varied), to no avail. I resigned myself to the necessity of buying a new copy, but there are no new copies for sale. Or any old copies. None in any library. Not even a hint of its existence online. All my inquiries to cashiers and librarians have been met with blank stares. It seems like no one in the world has even heard of that book except my grandmother and me.

So I write to you from sheer desperation. A cry into the void. If your shop does exist, and you are a real person, is there any chance in the world that you have the book I want? Knowing now how rare the book apparently is, I shudder to think of the price you'd charge, but as long as I don't have to sell any limbs to pay for it, I find myself willing to pay almost any price. Of course, that's assuming you're a real person reading this, and you by some miracle have the book, and you haven't thrown this letter away while sneering at the lunatic who wrote it.

If all those things somehow manage to be true, please write back to me at this address, and I assume we'll be able to arrange some method of payment.

Yours, in desperation,

Christine Hendry

II. Benjamin Wright to Christine Hendry

Miss Hendry:

I am pleased to inform you that Wright and Co. does still exist, and it maintains its specialty of supplying books that can be found nowhere else. It is unsurprising that you were unable to locate a second copy of the book, because a glance through our sales records show that the book was purchased from this very shop in 1968 (which is likely why your grandmother was in possession of our business card), and comes from our specialized stock of books that exist nowhere else in the world.

These books tend to appear on our shelves at unpredictable times, and rarely in batches of more than one or two, so I feared I would be unable to grant your request. Yet I have sometimes found that these books appear in response to a need, so I searched the shelves, and to my delight, found the book tucked into a corner of our children's section.

The books from our special selection sometimes wander back to our store's shelves when they are no longer needed by their purchasers, and it appears that this is what happened in this case, because the book I found bears signs of ownership by a Mrs. Dorothy Hendry. Since I cannot charge you for your own book, I have taken the liberty of shipping the copy of Song of the Seafolk along with this letter.

I humbly beg your forgiveness for the suffering this has caused, and I sincerely hope Wright and Co. will be able to serve you in any future literary needs.

Faithfully yours,

Benjamin Wright

III. Christine Hendry to Benjamin Wright

Mr. Wright:

I'm glad you couldn't see how red my face got when I received your response. It's one thing to send a letter when there's a miniscule chance of a reply, but getting a reply and knowing that a real, living person read your words is a very different (mortifying) thing. I would never have written that letter the way I did if I had fully comprehended that it was going to be read by a complete stranger.

My only consolation is that my letter wasn't half as strange as your reply. What do you mean, the books appear on the shelves and wander back? How on Earth did you send me a copy of my own book??

Because you're right--it's the exact copy I remember from my childhood. The same purple clothbound cover with the mermaid and lighthouse stamped into it. The same jelly stain inside the back cover. Page 54 has a torn corner, and the mermaid on page 126 has a unibrow penciled onto her face. Even if my grandmother hadn't written her name in the cover, I'd have known it for the same book. Yet she would never have donated--or even sold--Song of the Seafolk, even after I moved away. She loved it too much.

Yet somehow you sent it to me. I'm so grateful that I won't even accuse you of sending a ring of book thieves to raid my grandmother's shelves.

I read the book to my grandmother this weekend, and it was like the years fell away, and we were back in the warm glow of my childhood bedroom, completely at ease with the world. The pain medication leaves Grandma foggy sometimes, but there were several points when she smiled, closed her eyes, and recited the book along with me word for word. I'd try to repay you in some way for facilitating that, but some things are priceless.

However you got the book, it seems to prove you're able to achieve the impossible, and because of that, I'm going to bother you with another request. Grandma loves fantasy, but her true love is mystery novels. She has a whole bookshelf devoted to them, mostly Golden Age paperbacks--country house novels, a smattering of noir. I feel like there's so little joy in her life right now, but the one thing I could provide would be a new mystery. Yet, looking at her shelves, I suspect that she's read every book of this type that exists. So I'm going to ask you to live up to that Nonexistent in your name and find me a Golden-Age-esque mystery that no one--not even Grandma--has read yet. If you can achieve that, I would be grateful for whatever you can send me.

Yours with gratitude,

Christine Hendry

IV. Benjamin Wright to Christine Hendry

Miss Hendry:

I am afraid I can answer very few of your questions as to the workings of this shop, at least when it comes to our specialized stock. Among the shelves of Wright and Co., there will on occasion appear a book which no employee has ordered--books with unfamiliar titles by unfamiliar authors, which have the appearance of age and wear, but cannot be found in any other shop, and have no history of publication by any firm. Yet there is always a reader--sometimes several, if the shop staff takes to reading it--who finds that it perfectly satisfies their tastes and fills some unmet need, as if the book was dreamt up just for them. These books seem to come into existence just when needed, and sometimes wander away when they're not.

We have several theories about the origins of these books, very few of them sensible. Perhaps they come from other worlds, where history went just a bit differently from ours. Perhaps they are books that authors dreamed up but never wrote. Perhaps they are spontaneously created in response to a reader's desires. I have learned not to question it. I merely accept the books as a gift--and bestow them as gifts to those in need.

To that end, I have honored your request for a mystery. Though I've no doubt there are many more ordinary books that could fulfill your desire (any seller of used books could tell you that this genre is far more extensive than most individual readers suspect), there is a book that appeared on our shelves last autumn that I feel will exactly fit your grandmother's tastes. The Wings of Hermes by Elizabeth Tern casts Oxford don Joseph Quill in the role of amateur sleuth, as he is pulled into the intrigue surrounding a piece of ancient Greek statuary. Quill is a very literary detective, in the vein of Gamadge or Wimsey, though his story has a touch of noir and more than a tinge of melancholy. I feel the book will be satisfying to a woman who has been a patron of our shop, and I hope it will fulfill its intended role of aiding in her recovery.

Yours faithfully,

Benjamin Wright

V. Christine Hendry to Benjamin Wright

Darling Benjamin,

Do you think I'm stupid? Or are you just insane? Do you expect me to swallow all that rigamarole about magic teleporting books? If it's a joke, you tell it with an alarmingly straight face, and frankly, it seems in poor taste (and poor business practice) to dump it all onto unsuspecting customers. If you don't want to explain how you got my book, fine--I'm sure it's a boring story involving mistaken donations or something--but I wish you wouldn't insult my intelligence by making up some whimsical fairy tale.

But for all that, I can't fault your taste in books. The Wings of Hermes was stupidly good. Grandma LOVED it. I stayed up until nine at night reading it with her--which is practically the middle of the night by her standards--because she was so desperate to know the culprit. It's a cut above most of the books on her shelf, and it's taken a place of pride there.

You weren't kidding about the melancholy. Grandma didn't mind--she was too wrapped up in the mystery--but I'll admit it got a bit depressing for my taste in places. The world seems dark enough right now--Grandma's hip isn't healing as well as we'd like. I'm having trouble adjusting to the move, and balancing work with Grandma's care is getting a touch overwhelming. I don't need fictional darkness on top of that.

What I need is something to lift my spirits. I've searched Grandma's shelves, and though she has plenty of comedies, there's nothing that catches my attention for more than a few pages, or elicits more than a wan smile. I don't know if there's a book in the world that could cheer me at the moment, but if any shop could supply it, I suppose yours can. Do you have anything like that? If you could, please send it my way.

At least, if you're willing to send it to a sponge. It seems you forgot to bill me for my last book, so if I have to settle the debt first, please let me know the price and I'll pay up. But please spare me the fairy tales.

Yours in respect,

Christine Hendry

VI. Benjamin Wright to Christine Hendry

Miss Hendry:

Your skepticism about the origins of our shop's unique books is understandable. Yet I told you the honest truth in response to an honest question. Any of our shop's past or present employees, and many of our long-term customers, would be able to verify the truth of my account. I do not typically disclose the story to new patrons, but your long history with Song of the Seafolk led me to believe you were already among those who would value it, and perhaps the faceless nature of letter-writing prompted more than usual candor. I apologize for your confusion, but I do not retract so much as a syllable of what I've said. I have told you only the truth as I know it. You may believe or doubt as you desire, but I would ask that you fling no further insults toward my honesty or my sanity.

In light of the struggles weighing upon you, the staff of Wright and Co. have forgiven any insulting insinuations, and are only too glad to do what we can to ease your burden. We have honored your request for a comedy, and have sent you a slightly worn copy of Mercator Must Walk the Plank by E.G. Delaford. It is worn because it has been read so many times by the members of our staff. It has often been stored behind the counter for staff to read in slow moments, and many of the quotes have become bywords with our little band. We sometimes read it aloud at the Christmas party. Yet by mutual consent, we have agreed that it is exactly the book you need (working here gives one a sense for these things--another Wright and Co. oddity), and gladly send it to you. If we have need of it after you've finished, we trust it will find its way back.

The book appears to have been written in (some version of) the early 20th-century, about a gentleman who takes to high-seas adventure despite his complete lack of sailing knowledge--a Don Quixote of the sea--and the woman he rescues from a shipwreck who tries in vain to set them on a sensible course. The humor is absurd, the characters memorable, and the story--I have forgotten myself. It's best for you to discover these things for yourself.

I have enclosed an invoice detailing the price of The Wings of Hermes. The price is modest compared to the extreme rarity of the book, and you may pay it if you wish to own the book outright. However, Wright and Co. also maintains a sort of library system for those who understand the unique nature of these one-of-a-kind books. For a nominal fee that covers the cost of shipping, patrons may keep one book at a time in their homes, and send it back to Wright and Co. when they wish to request another. If you wish to experience the widest variety of our unique selection--and keep these books in circulation for other readers--I recommend enrollment in this system.

I will not send an invoice for Mercator Must Walk the Plank, because we could not sell that book at any price. You may keep it for as long as it is of use to you, without interfering with your ability to borrow other books per our normal system. We consider this loan not a business arrangement, but an act of charity in your time of need.

Yours faithfully,

Benjamin Wright

VII. Penelope Brams to Christine Hendry

Christine,

I hope you don't mind that I slipped a note inside Mercator before Ben sent it off. We've never let the book outside the shop before, so I just had to say hello, and welcome you to our little band of Mercator fans (because I know you're going to love it). Please don't worry about sending it back too quickly. I must have half the book memorized, and I can always recite the silliest bits if Heinrich gets too grouchy.

I am so glad you're going to get to read this book, but I have to say that I'm surprised Ben agreed to it, because I could tell some of the things you said your last letter made him upset. These books mean a lot to him, and he doesn't talk about them to just anyone, so I don't think he liked being called a liar.

Not that I blame you! I'd have trouble believing the story, too, if I hadn't seen it myself. But I have! Hundreds of times! We'll be stocking the shelves or dusting, and all of a sudden we'll see a new book there--you usually just know there's something different about it. It'll have all the stuff that a normal book does--cover and endpages and copyright stuff and publisher names, and sometimes even those order forms to buy other books from the publisher. But they're all about companies that don't exist. Or by people we can't even find on the internet. There are too many books in too many styles for them to be the work of some prankster--especially since it's been happening for years and years and years.

And sometimes the books come back to us. I can count at least a dozen times that I've sold a book to someone, and then a year or two later I'll come across the very same copy on our shelves again. It's weird, but after you've worked here long enough, you get used to it, and you forget how strange it all is to people who don't know.

So anyway, I know you're going through a lot with your grandmother (I'm so sorry! I hope she's getting better!), and I'm sure you must be a really lovely person if you loved Song of the Seafolk so much (I hope you don't mind that I read it before Ben sent it back. Delightful book!) which is why I don't mind at all sending Mercator to you, even if you think we're all crazy. But we're not, really. And I hope we can be friends.

Lots of love,

Penelope Brams

(You can call me Penny!)

VIII. Heinrich Gross to Christine Hendry

Madam,

You have the only existing copy of Mercator Must Walk the Plank. I must ask you to use caution when handling it. It is beloved by many in the shop. Please do not consume food or drink while reading it. Do not dog-ear any more pages. Please be gentle when turning the pages that are coming loose.

This book is a gift we do not give lightly. Do not abuse our kindness.

Respectfully,

Heinrich Gross

IX. Christine Hendry to the staff of Wright and Co.

Everyone,

I'm overwhelmed. I had no idea this book--or the story behind it--meant so much to all of you. I feel like I've been sent a priceless family heirloom--and you know me from only three letters! I don't know what I've done to deserve so much trust, but I will care for this book as though it were a priceless work of art (which, from the sound of it, it basically is).

In the name of honesty, I have to say that I don't believe the story of your shop. Frankly, it all sounds like nonsense. But as I'm reading Mercator (we're on Chapter Nine!), I'm beginning to see more than a little bit of Katherina in my objections. Maybe you're all mad, maybe you're mistaken, but I'm not sure it matters much. There are worse things in life than a little nonsense. Especially when you're all so very kind.

I hope all of you (especially Ben) can forgive me for the snide remarks in my last letter. Grandma and I thank you for all the books--wherever they came from--and would be honored to consider you friends.

Yours,

Christine Hendry

P.S. How do I get enrolled in that lending program? I've sent back The Wings of Hermes.

X. Penelope Brams to Christine Hendry

Christine,

Have you finished the book yet? What do you think?

When you're done with Mercator, I have so so so many books I want you to read. I'm making a list. I know you probably don't have as much time to read as we do here, but I'd hate to think of you missing out on any of my favorites.

I don't want to rush you, but I've never talked to anyone outside of Wright's who had the faintest idea what I was talking about when we referenced Mercator. I've enjoyed having it as our inside joke, but it's even better to have more people in on it.

Write back soon!

Penny

XI. Christine Hendry to Penelope Brams

Penny,

Grandma and I finished Mercator Must Walk the Plank last night--and started it again this morning. I can see why you all love it so much. What a wonderfully absurd book. Exactly the type of comedy I was looking for. Your instincts were correct: it was just what we both needed to cheer us up. It's removed enough from our world both in time and plausibility to take our minds away from ordinary things, and there's nothing mean-spirited about any of the humor. So many good characters among that crew. And the plot! High comedy! It's been almost a week since I read Chapter 14, and I'm still giggling over the fishing scene.

I would be overjoyed to read anything else you might recommend. If any of them are half as good as Mercator, they're sure to become my favorites, too.

Yours,

Christine Hendry

P.S. Grandma's hip is doing much better. Still a long road to recovery, but maybe the reread will help. Laughter being the best medicine and all.

XII. Benjamin Wright to Christine Hendry

Miss Hendry:

I've enclosed the forms for enrollment in Wright and Co.'s specialized lending program. If you will fill in the required information (though we obviously already have your address) and submit the proper payment, we will be able to begin sending books. The catalogue is yours to keep. I'm afraid the selection is rather outdated, and the summaries less than ideal at conveying the merits of each book. It was assembled by my predecessor, and I'm afraid that my uncle's genius for books did not translate to marketing skill. Amid the cares of business, I have not found the time to put together a modernized version, especially as I find that bespoke recommendations from our staff are far more likely to result in successful pairings of book and reader.

You will note there is a section on the third page where you can request a book. If I can offer a recommendation, I believe that the Alfred Quicke mystery series by Glorya M. Hayers, with its blend of comedy and mystery, would perfectly fit the tastes of your household. The mysteries solved by idle-rich amateur detective Alfred Quicke are always intriguing, but the cast of comedic types--and the farcical situations that arise in the course of the investigation--keep the stories lighthearted. The best way I can describe it is as if Wodehouse wrote a mystery series. The setting is much like that of his most famous stories, though with curious details that suggest it is set in an intriguing alternate world. With seventeen books in the series, you would find enough material to keep your grandmother in mysteries for a long time--though I suggest starting with the fourth book, The Counterfeit Candlestick, as the point where the series finds its voice.

I appreciate the handsome apology in your last letter and accept it wholeheartedly. However, I admit I had hoped for more than agnosticism toward our story. Despite your assertions, the truth does matter, whether we can discover it or not. Though the strange behavior of these books is outside our usual experience, it does not mean it is impossible (you will find a similar truth expressed by most of the great fictional detectives), and I had hoped your respect for us would open you to the possibility that there is more to this world than what we can understand. Perhaps it was too much to expect under the circumstances. But I hope we have garnered enough goodwill that you will not take offense at this expression of my honest opinion. If you do, I apologize, and will attempt to keep future letters focused purely on business.

Respectfully yours,

Benjamin Wright

XIII. Christine Hendry to Benjamin Wright

Mr. Wright,

I respect your opinion, though naturally I don't agree. I don't doubt you're sincere in believing what you do, but I can think of a dozen more mundane explanations of how these books mysteriously appear and disappear on your shelves (most of them involving poor record-keeping and less-than-stellar search engine skills). I suggest we drop the subject in the future, as neither of us is likely to convince the other, and my lack of belief about the mystical origin of these books doesn't keep me from fully enjoying the experience of reading them.

I hope you won't think it rude that I filled out your forms twice. Grandma and I do count as separate households, and if I'm going to keep Grandma in mysteries and experience some of the other books, I'm going to need two separate streams of supply. For now, though, I think books 3 and 4 of Alfred Quicke will suit our needs nicely.

Many thanks,

Christine Hendry

XIV. Penelope Brams to Christine Hendry

Christine!!!

I'm so so glad you loved Mercator! I just knew you would, but it's always a little bit horrible when someone else reads one of your favorite books, because if they hate it, it crushes a piece of your heart, and I don't have that many pieces to spare.

But when they love it! Oh! I can love a book twice as much when I know someone else who loves it! I wouldn't think it was possible I could love Mercator more, but thinking of you and your Grandma laughing over it in her sickbed makes me so--this is going to sound strange, but I'm proud of it. As if we sent out a friend to do a good work, and he succeeded in working miracles. I hope you read it as many times as you want. Trust me, it gets better every time.

But I hope you'll find time to read some other books, too! I'm glad you got your own account along with your Grandma's. Alfred Quicke is lovely (I love his books almost as much as Mercator--please let me know what you think of Bright Folly when you read it), but one cannot live on mysteries alone. There are so many genres, so many moods, so many eras of literature to explore, and Wright's has wonderful examples of so many of them, so I'm so glad we'll get to send them to you.

I know Ben sent you that horrible little catalogue. Ignore it. It makes so many of the very best books sound so dull, and half my favorites aren't even in it. I can do a much better job of telling you what books to read. I've got pages and pages written up about the best ones, but I don't want to overwhelm you right away, so I'll just tell you about a few of the very best at a time. I've included a list of some of the ones I think you'll like best.

You can read what you like, of course, but I can't help thinking you should read The Autumn Queen's Promise by Rose Rennow just as soon as you possibly can. If you loved Song of the Seafolk, I'm sure you'll love this. It's another children's fantasy (a newer one--'90s, maybe?), with the same type of atmospheric historical setting, though this time, it's the most vivid autumnal woods you've ever read about in your life, which makes it perfect for this time of year.

The story's all about this fairy queen who stumbles into this little village in colonial America and can't get home. And she hates them all at first, of course--she's this horrible arrogant thing--but she comes to care for them and it's just lovely to read about. A little slow, but no slower than Seafolk. A nice, relaxing kind of slow. I'm sure you'll love it.

Whatever you pick next, I hope you'll keep me posted with reading updates. I so love talking with you about these books. It's so nice to have a pen pal!

Lots of love,

Penny

XV. Benjamin Wright to Christine Hendry

Miss Hendry:

Your account has been opened and the requested books have been shipped. We at Wright and Co. are pleased to count you as one of our trusted patrons.

I am afraid I will find it difficult to honor your request to drop the subject of the origin of our specialized books. Perhaps it is a fault, but I have never been able to bring myself to "agree to disagree". It has always seemed to me the coward's way out of engaging with the search for truth. However, you are correct that endlessly rehashing the subject is unlikely to assist either of us in continuing that search, so I will refrain from mentioning it unless there is further evidence to discuss. If you would be so kind as to patronize our shop in person, I would be happy to offer you further proof of the phenomena that I describe, but further discussion via these letters is likely to remain futile.

Faithfully yours,

Benjamin Wright

XVI. Christine Hendry to Benjamin Wright

Mr. Wright:

My offer to "agree to disagree" was a courtesy to you. I'm sure you don't want to lose a customer over the issue, so I was giving you the chance to let it slide so it wouldn't interfere with our working relationship. You think that makes me a coward? How can you say I'm "refusing to engage with the search for truth" when you've admitted that you don't know what the truth is? You said yourself (I still have those first letters) that you don't know where the books come from. Just because you can find no record of them doesn't mean they just appeared out of thin air. And these supposed "returns" of books could come from donations or poor record-keeping. You say you have evidence, but from my point-of-view, you could just be a quirky small press that prints old-fashioned books and tells whimsical stories to draw in customers. With all the stress surrounding Grandma's health, there's no way on Earth that I could make a cross-state trip to see your supposed "proof" for myself.

Frankly, if it weren't for Grandma, I'd consider canceling my accounts with you. But she's been tearing through Alfred Quicke so fast and enjoying it so much that I don't dare to cut off her source of supply. And the books you've sent are wonderful--you've been so kind about Mercator, and you gave me back Song of the Seafolk, and The Autumn Queen's Promise is turning into a lovely story I wouldn't have been able to find anywhere else.

I can't wrap my head around you people. Every time I give you the chance to back away from this weird story, you double down, and frankly, it's freaking me out. Penny's so bubbly that it's easy to see how she could get caught up in it, but you write with such a serious professional voice, and you seem (in your bland professional way) personally offended at my refusal to just go along with your story of mysterious magical books. Why does this matter so much to you? Why can't the books just be wonderful, obscure stories instead of mystical teleporting tomes that respond to feelings or whatever? I can't understand you.

Maybe you'll burn this letter and cancel my accounts, but if you dare to engage, I would like to know what you have to say for yourself.

Yours,

Christine Hendry

XVII. Penelope Brams to Christine Hendry

Christine,

What did you say to Ben? He's usually so nice and sensible and kind and ordinary--really a great boss--but every once in a while, he broods. And he's been brooding ever since he got your last letter. It's like he's walking around with this big old cloud over his head. He keeps wandering the shelves and then going into his office and glaring at his computer and staring at the wall.

It's got me worried. Is your Grandma okay? I guess he'd tell me if she wasn't. Or you would. I hope.

Are you dying? Maybe that would explain why you haven't written in so long.

Please don't die on me. I couldn't bear it.

Write back soon.

Penny

XVIII. Christine Hendry to Penelope Brams

Dear Penny,

No one's dying. Grandma gets more mobile every day, and I'm in as good of health as you can have when you're running mostly on caffeine and a couple of hours of sleep a night. I've just been so busy between work and Grandma's care and insurance (so many stupid phone calls) and trying to figure out our finances, and trying to find senior housing for Grandma (her house has way too many stairs), that I barely have time to eat, much less write you back. I'm sorry if I worried you.

As for Ben, well, long story short, I majorly overreacted to some minor thing he said, and wrote a sleep-deprived response that I never should have sent. I really don't want to get into it with you, because you'd probably side with him, and I'd like to keep our friendship intact, at least.

I did manage to read The Autumn Queen's Promise a few pages at a time, and it was just as lovely as you promised it would be. Exquisite fall reading. I almost hate to send it back--that lovely cover alone, with its painting of that beautiful queen in that autumnal woods, added so much atmosphere to the house just by being here. It'll never replace Song of the Seafolk in my heart, but it came closer than almost any other book to recapturing what it felt like to experience it for the first time. I send it back with warm thanks for the recommendation.

I'm also sending back your beloved copy of Mercator Must Walk the Plank. I've held onto it far longer than I deserved to. You were so gracious to send it to me, and I can't take advantage of your kindness. (You can tell Heinrich that I haven't added a single scuff to the cover).

Since Ben seems to be in no mood for letters from me, can I send my book requests through you? Grandma would like Books 8 and 9 of Alfred Quicke (she can use my account for the second, because I don't have much time for reading at the moment.)

Thank you,

Christine

XIX. Benjamin Wright to Christine Hendry

Miss Hendry:

You say that you find us at Wright and Co. difficult to understand, but I find you equally baffling. In a single letter, you will thank us profusely for our friendship and the books we provide, while at the same time attacking that very thing which we hold most dear. In expressing my difficulty with the phrase "agree to disagree", I was not attacking your morals. You will note I was more than willing to honor your request to drop the subject. Yet in misconstruing my words, you have sounded the horn of war, and honor and duty--and, to be honest, personal inclination--demand that I engage.

You ask me why these books--and the phenomena surrounding their existence--matter so much to me. I can answer only by biography. Wright and Co. is a small, cluttered, dim, obscure shop--you could find a thousand used book stores like it anywhere in the world--but from a young age (the shop was owned by my uncle then) it seemed a place of unique enchantment. I would spend summer days racing among the stacks and losing myself in books. I grew more jaded and cynical as I aged--most teenagers do--but whenever I was in danger of becoming a disaffected youth, there was something about the shop that made me feel there was something more than the meaninglessness of everyday life.

Learning about the miracle of the books felt like getting the answer to a question I hadn't realized I was asking. Here was proof there was something beyond the mundane and predictable. Something too wonderful for the human mind to understand. Some wondrous power cared enough about the patrons of this shop to help them get the right story in their hands at the right time--even if that story had never been written. Other books have authors and publishers, but these books seemed like a gift from the author of imagination itself.

When I took over the shop, I became a steward of that gift. Caring for these books and matching them with readers makes the running of this shop, not just a banal business arrangement, but a calling. Stories have the power to shape our imagination, our outlook, our relationships with others--and these stories, coming as they do unwritten, unbought and unlooked for, seem to have more power than most. Caring for that power is a great responsibility, one that I take very seriously. I have seen its good effect again and again. You cannot deny you have experienced it yourself.

You are correct when you say that I do not know the exact origin of these books. But I am not intellectually lazy just because I am content with no answer. Making peace with mystery--knowing that some things are ever unknowable--is not the same as refusing to believe the truth that comes before your eyes.

You have closed yourself to even the possibility of an explanation that goes beyond the reality you can comprehend. I have spoken of evidence that proves there is no rational explanation for these books, and you call me an unreliable witness. You have seen hints of the wondrous that you dismissed out of hand. I understand that you do not have the same evidence that I have, and I have not been as gracious as I should have been in making allowance for that. But saying that my refusal to seek an exact explanation makes me intellectually lazy is inaccurate in the extreme.

I may not know how these books come into my shop, but I know from whom. I may not know the exact mechanisms of the miracle, but I firmly believe there is an author of all that has allowed my shop to be a source of minor--and yes, rather whimsical--wonders. I need not know more than that to do my duty well.

Perhaps that explanation will help you to understand my position. More likely you will think me crazier than ever. But since I have explained my inner self, perhaps I have some right to ask for an explanation in return.

Ever since your response to that first letter, when I hinted at the miracle surrounding these books, I detected not only disbelief from you, but disdain. I was troubled to see such disgust toward the concept, especially from one who has proven herself an enthusiastic fan of fantasy. Why do you seek wonders in your stories, but resist it so fiercely in your own existence? Would it be so terrible for these books to have a supernatural origin? Is there not some appeal in letting the wondrous into your life?

You need not respond to such prying questions if it makes you uncomfortable. But I ask that at least, if you do respond, that you deal gently with one who has made his inner self so vulnerable to your scrutiny.

Yours faithfully,

Benjamin Wright

XX. Christine Hendry to Benjamin Wright

Ben,

Wow.

When I asked for an explanation, I didn't expect that.

I don't know how I can possibly respond.

I definitely understand why it matters so much to you, but somehow, this conversation has shifted from magic to theology, and I'm even less equipped to engage in a conversation about that. Not to get into too much detail, but that's part of the reason I haven't seen my grandmother in so many years. Grandma's comfortable with that stuff. I prefer my fantasy to remain safely in stories.

If what you say is true, if there's some grand wonderful power--call it magic, call it God--that does things we can't understand, then we're completely powerless against it. Which is fine if the power is good, but if the good things are real, then the bad things can be, too. There are too many ordinary problems for me to want to live in a world where there's some grand plan I can mess up by doing the wrong thing, and greater powers are waging in a war for my soul.

Fantasy is great. I love stories of mermaids and magic and the wonders of life. But it's not reality. I learned that young, and every year I live only proves it more. I'm content to live in the ordinary world with its ordinary problems, and get my escape through literature--where none of the monsters on the page can hurt me.

I'm glad--I really, truly am--that you've been able to make yourself believe in some grander purpose behind these silly little stories we've been reading. But I can't believe in that. I've seen no proof to make me believe it. Maybe you have, but most people can barely trust their own eyes, so how can I trust yours? It's not that I think you're crazy or stupid. Your personality and experiences make you want to believe. Mine make me happy to doubt. It's nobody's fault, and neither of us can change it, and it's fine. I'll stop calling you a crackpot if you stop calling me a coward, and we'll leave it at that.

Wherever the books come from, we all agree that they're wonderful, and if you don't mind dealing with a dirty nonbeliever, I'd be honored if you'd let me continue doing business with you.

Yours,

Christine Hendry

XXI. Penelope Brams to Christine Hendry

Christine,

Where is Mercator? We got your letter, and The Autumn Queen's Promise, and your most recent Alfred Quicke, but no sign is there of Mercator Must Walk the Plank.

Oh! Oh no! What if it got lost in the mail? Could we survive such a tragedy? Silly old John Quackenbush and fiery Katherina, and grumpy little Pegs and that whole lovable crew--gone forever! If the U.S. Postal Service is responsible for their destruction, I'll...we'll...we'll make them pay! This is a murder and there must be justice!

Don't worry, I don't blame you. But the next mailman to cross my path better watch out. We'll find that book if we have to tear through every mail box and bag and truck in the country!

I'll keep you posted about the search if I can find the time to write.

Frantically,

Penny

XXII. Christine Hendry to Penelope Brams

Dear Penny,

I'm so extremely sorry. When I sent you that last letter, I truly thought I had packaged and mailed Mercator Must Walk the Plank, but after receiving your reply, I discovered that the book was still on its usual shelf in my grandmother's house. I've been so sleep-deprived lately that I overlook things, but I didn't think I could possibly have overlooked something that.

Don't worry. I'll be sending it out as soon as I get another box to ship it in. And this time, I'll make 100% sure it's inside before I ship it.

Please forgive me.

Christine

XXIII. Benjamin Wright to Christine Hendry

Dear Christine,

You've asked me not to call you a coward, but your wording leaves me almost no choice. Denying yourself the good and wondrous out of fear of evil and danger is the definition of cowardice. Staying within the narrow world of rationality makes for a bleak and colorless life--and you're none the safer for your denial. Good and evil exist whether you acknowledge them or not. Closing your eyes to them only makes you vulnerable to ambush should they come upon you unaware.

Can you not open yourself to the possibility that the good can overcome the evil? That it can offer strength to face the dangers? Great stories can do that by showing us how to act in such situations, to give us examples of victory over darkness, to open our minds to possibilities that we might not accept in our ordinary lives. You've experienced such stories. Is it so strange to think they might reflect the reality we live in? Is it so strange to think there might be some greater power offering us those stories to sustain us?

To you, I'm sure it seems impossible. But you know there are those who think otherwise. I only ask you to consider the implications of the choice.

Respectfully yours,

Ben

XXIV. Christine Hendry to Benjamin Wright

Ben,

I don't think you can call my position a choice. You're acting like I'm picking between favorite foods or something--picking one position because I don't like the other one. But as far as I can tell, my position is the only choice. I have no reason to believe any other option exists.

It would be wonderful if I could believe the way you do. It seems to have brought you a lot of peace. But I'm not built that way and I'll just have to struggle along. Your concern is touching, but I've been doing just fine so far.

If I ever see proof, I'd have reason to reconsider, but as it is, I have enough trouble in the world I can see to worry too much about one that I can't.

Respectfully,

Christine

XXV. Penelope Brams to Christine Hendry

Christine,

Still no sign of Mercator. Did you forget to send it again, or do I have to lay siege to the post office?

Penny

P.S. Have you been reading any more of the books?

XXVI. Christine Hendry to Penelope Brams

Penny,

I have tried to send off that package no fewer than three times, and every time the book somehow makes its way back to my shelf. Maybe I'm just so used to seeing it there that I keep putting it back. I am so sorry for the delay.

It makes me feel guilty that I'm still profiting by reading your other books. Now that winter is upon us, Grandma and I have started reading aloud from the longest of your fantasy suggestions--The Queens of Wintermoon. You're right that it's an odd book--Russian-flavored science fantasy, with all those complicated family ties and political intrigues--but it's just what we need right now. Grandma is unfortunately dealing with a bout of pneumonia at the moment, which means I'm spending a lot of time at the hospital, but a big, thick, lush and lyrical literary book with a huge cast of vividly-drawn characters is just what we need to take us away from the sterile white walls and the scent of disinfectant.

It's great to sink into that snowy world with its royal glamour and underground orchards and mystical machines. Grandma and I spend ages talking about the four sisters and their royal husbands--all their flaws and heartaches and complicated relationships. I'm most attached to Vitalia and her political intrigue plot, while Grandma most loves the storyline of Inessa and her mysterious woodcutter husband. I have my suspicions about both their secrets, but I'm more than willing to wait the 800-or-so pages they'll need to resolve everything. It's nice to have something to take my mind off of other worries.

But I will keep worrying about Mercator. I promise somehow or another, it will make its way back to you.

Yours,

Christine

XXVII. Christine Hendry to Penelope Brams

Penny,

I don't understand it. This is the fifth time I've tried to send Mercator Must Walk the Plank back to you. This time I waited until I'd had a decent night of sleep so my mind was clear. I put it in the packaging (extra padding). I took a picture of it inside the box. I took a picture of the sealed and addressed box. I took a picture of the box when I took it to the post office and left it at the counter. And then I returned home to find the book sitting on the same shelf where I'd put it this morning.

Are the darn things breeding? Did you send me extra copies? There is no other explanation for what happened.

It's got my head spinning, and until I've got it figured out, unfortunately Mercator is going to stay right where it is.

Sorry!

Christine

XXVIII. Benjamin Wright to Christine Hendry

Christine,

Penny has made me aware of your difficulties with Mercator Must Walk the Plank. It's clear to me (as I'm sure it will be to you) what has happened. If you wished for proof, you now have it. The Powers-That-Be have determined that you have more need of the book than we do.

Please don't distress yourself by (or waste postage upon) any further attempts to send the book back. We have plenty of other books to read, and if we ever have need of Mercator, I trust that the same powers will ensure it makes its way back to us.

Yours,

Ben

XXIX. Christine Hendry to Benjamin Wright

Ben,

It's the middle of the night and I can't sleep. I'm trying not to think of that book and I can't. It just doesn't make sense.

This can't be happening. But it is. And if this part of your story is true, then that means the other part of the story is true, which means your theories

This doesn't mean you've won. I'm sure there's some rational explanation that I've overlooked. I shouldn't even write to you because you'll just try to convince me that this is proof we live in a world of angels and fairies who bother themselves about the books we read. But it's not like there's anyone else I can talk to about this.

If you have nothing to say but, "I told you so," don't bother writing back at all. But if you've anything useful to say I'm all ears (or eyes, I guess--weird that I've never actually spoken to you. I don't even know what you look like. How old are you?)

I should sleep. But I'm going to go off and mail this letter like a moron because it's the closest I can come to a conversation.

Good night.

Christine

XXX. Benjamin Wright to Christine Hendry

Christine,

This is me not saying I told you so.

That doesn't leave me much else to say.

I'm 39.

Picture the word "man" in the dictionary. Imagine there's an illustration there. That's pretty close to what I look like.

If you want to hear my voice, you'll have to come to the shop and talk to me in person. Or I suppose we could call each other. We do live in the 21st century. But I admit I've enjoyed this 19th-century correspondence we've been keeping up.

I wish I had something more useful to say, but I doubt I can say any of it in a way you want to hear.

I hope you've been sleeping better.

Ben

XXXI. Penelope Brams to Christine Hendry

Christine

CHRISTINE!!

I know you didn't order another book, but I was wandering through the shelves the other day when this book just about jumped out at me. It's like it had your name written in it. Like how your grandmother wrote in Song of the Seafolk.

Your name's not in it. I checked. But something about it still made it seem like yours. Like we were keeping it from you. Ben agreed (he's got a good sense for these things), so I started preparing the box to ship it. But I read a bit of the first chapter before I packaged the book, just to get an idea of what I was sending you. I didn't move from that spot until I'd read the whole thing. Ben just about locked me in the shop before he found me sitting in a daze in the back room.

Christine, you have to read this book. Now. It's the most beautiful...well, not fantasy. But it's not not fantasy. It's so real and yet so magical and you could maybe read it both ways. I haven't stopped thinking about it since I finished it.

But what's the book? If you've opened the package by now, I'm sure you know it's called Cardinal's Map by someone named Dorothy Cannes. It's from the eighties, it looks like, but it feels older. And newer. Does that make it timeless? I suppose all of the books in our "special" selection feel that way. Anyway, it's about this girl named Miranda, and she's this terrible grouch, and she goes to work for this old guy named Cardinal (that's where the title comes from) who needs help writing his book. And he's got the most beautiful map of all the countries in world of his fantasy book. Except the countries might be real? And just....ack, I don't have words! The book has a lot of them. Read those instead.

And then write to me because I need to know what you think about the ending!!

Lots of love,

Penny

XXXII. Christine Hendry to Penelope Brams

Penny,

You were right.

Thank you.

Christine

XXXIII. Christine Hendry to Benjamin Wright

Ben,

It's been three hours since I finished Cardinal's Map, and I haven't moved from my chair. Everything you said about the power of story is true. It's like this book reached into my soul and rearranged the furniture. Cleared out the clutter. And it did it by sweeping me along with the characters and the story and the beautiful prose so I didn't even know what was happening until it was already done.

Everything we've been fighting about for the last few weeks was in this book. It talked about all the things you were trying to tell me, but instead of just telling me, it showed me and made me think and feel and helped me make sense of it all. And I never felt like it was preaching. I'm not even sure it was trying to preach. It's just...a story, so I let my guard down and it got under my skin. Just like Cardinal's map got to Miranda.

I don't know if you've read the book or not, but the premise is that John Cardinal is writing this extensive fantasy work and Miranda's this jaded college kid hired as a secretary to help him arrange all his notes. And she's fascinated by the fictional map and gets swept up in the book, until she realizes that Cardinal is telling the story of his life. That this character who traveled to this other fantasy world is supposed to be him. And she's got to figure out if he's using this as a metaphor, or if he's crazy, or if this other world really is a real place.

And by the end of the book, we don't know. You could read it both ways--the world in the map is either a metaphor or a real country that he’s been to. But it doesn't really matter which one is true, because the bigger truth is that Miranda knows there's something beyond the rational world that we can see. And it's not terrifying. It's wonderful. It's not this place full of monsters waiting to pounce--it's this exciting, dangerous, beautiful place to explore.

If Penny wants to know what I think of the ending, I believe that Cardinal's world is real. And I believe your story is true. I've seen evidence. That terrified me, because that means the world no longer makes sense. But the truth doesn't have to be a terrifying destruction of the reality I know; it can be an expansion of it. I don't understand why any of this happens, or how, but maybe I don't have to know how. I just need to be thankful that it did.

You said that Mercator stayed with me because I needed it more than you guys did. Maybe what I needed was evidence of the miracles you told me about. Then I wondered why Song of the Seafolk wandered away, because I very much needed it here when it was at your shop. But maybe what I needed was to write to you. The correspondence we've shared, the books you've sent me, they've strengthened me through a lot of difficult weeks. They've given me and Grandma a lot of joy, brought us back together after so many year's apart. And they've helped me straighten out a lot of questions I didn't know I was wrestling with.

There was someone's hand in all this--an author arranging all the pieces of the story in a way I'd never have been able to achieve on my own. Maybe before that'd make me feel helpless, but now, I don’t know, I guess I feel cared for. Like someone’s watching out for me.

I feel like I should thank you, and I don't know how. This is too deep for words. Thank you for writing, even when I was horrible to you. Thank you for the books. Thanks for being a part of my story.

Grandma's doing better now. If she's up for it, I think it's time for a road trip.

If you're ever going to see Mercator or Cardinal's Map again, I might have to hand them to you in person.

Love to all of you,

Christine Hendry

XXXIV. Benjamin Wright to Christine Hendry

Christine,

You may not believe me, but I did not read Cardinal's Map before sending it to you. I simply had the notion that it would be the ideal book for your circumstances--and I was as surprised as you were to find just how true that was. Another gift, I suppose.

I look forward to reading it, if you can ever spare it (I look upon the book as belonging to you now). I also greatly anticipate the opportunity to see and speak to you here in the shop. I hope you will not wait long to make good on your promise.

Yours faithfully,

Ben

XXXV. Christine Hendry to the staff at Wright and Co.

Everyone,

I can't say how wonderful it was to see you all in person. You all looked just like I pictured you. Your shop is too wonderful for words. I could have moved in. But alas, Grandma and I don't have the resources for a move right now.

We'll have to continue the friendship long-distance. Now that I have the shop's phone number (funny I never thought to request it before), and your personal numbers, I suppose we can call whenever we like. But if you don't mind, I'm going to keep corresponding by letter, too.

Love to you all,

Christine

[alwayschasingrainbows]

My little quest to find the most iconic dresses for Montgomery's girls.

None of the pictures is mine. They are all from Pinterest. They may be historically inaccurate. They are also not ideal :).

Valancy Stirling:

"She got a pretty green crêpe dress with a girdle of crimson beads, at a bargain sale, a pair of silk stockings, to match, and a little crinkled green hat with a crimson rose in it." (The Blue Castle).

"She had a little smoke-blue chiffon which she always put on when they spent the evening at home—smoke-blue with touches of silver about it." (The Blue Castle).

My idea of what Valancy's (borrowed) masquerade dress MIGHT have looked like.

"Once they did go to a masquerade dance in the pavilion at one of the hotels up the lake, and had a glorious evening, but slipped away in their canoe, before unmasking time, back to the Blue Castle." (The Blue Castle).

Emily Byrd Starr

On the left: "It is to be of shot silk, blue in one light, silver in others, like a twilight sky, glimpsed through a frosted window-pane—with a bit of lace-foam here and there, like those little feathers of snow clinging to my window-pane." (Emily Climbs)

On the right: "An arrow of rhinestones in her dark hair—she had hair that wore jewels well—lent the necessary note of brilliance to the new dress of silvery-green lace over a pale-blue slip that became her so well." (Emily's Quest).

On the left: "it was a pretty crepe thing, of a pinkish-grey—the shade, I think, which was then called ashes-of-roses—and was made collarless—a great concession on Elizabeth's part—with the big puffed sleeves that look very absurd to-day, but which, like every other fashion, were pretty and piquant when worn by the youth and beauty of their time." (Emily Climbs).

On the right: "I want you to wear harebell blue gauze over ivory taffeta for your bridesmaid dress, darling" (Emily's Quest).

Anne Shirley:

"Oh, how pretty it was—a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves—they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon." (Anne of Green Gables).

"In her light dress, with her slender delicacy, she made him think of a white iris." (Anne of Island).

Rilla Blythe

"Miss Oliver, shall I wear my white dress tonight or my new green one? The green one is by far the prettier, of course, but I'm almost afraid to wear it to a shore dance for fear something will happen to it." (Rilla of Ingleside).

Pat Gardiner:

On the right: "Pat slipped into the house and flung a bright-hued scarf over her brown dress with its neck-frill of pleated pink chiffon. She always thought she looked nicer in that dress than any other." (Pat of Silver Bush).

On the left: "Pat had on her blue linen afternoon dress...which, incidentally, was the most becoming thing she owned."(Pat of Silver Bush).

And bonus:

Robin Stuart

"She wore a dress of pale yellow taffeta, with a great rose of deeper yellow velvet at one of her beautiful shoulders. Jane thought she looked like a lovely golden princess, with the slender flame of the diamond bracelet on the creamy satin of her arm."(Jane of Lantern Hill).

"[M]other came in to kiss her good night, cool, slim and fragrant, in a dress of rose crêpe with little wisps of lace over the shoulders. Mother's blue eyes seemed to mist a little."(Jane of Lantern Hill).

"She wore a green dress the first time I saw her...well, if any other girl had worn the dress, it would have been a green dress and nothing more. On Robin it was magic ...mystery...the robe of Titania. I would have kissed the hem of it." (Jane of Lantern Hill).

Another bonus (because her style is so iconic):

Ilse Burnley

"Ilse in a yellow silk gown the colour of her hair and a golden-brown hat the colour of her eyes, giving you the sensation that a gorgeous golden rose was at large in the garden." (Emily's Quest).

"Ilse, a glorified shining creature in torquoise-blue taffeta, looking the queen with a foam of laces on her full bosom and rose-and-silver nosegays at her shoulder." (Emily's Quest).

Hope you enjoyed this little compilation:) Feel free to add more ideas!

[runrunningrunner]

Coffee Date, July 2nd 2024

I'm running again. I started up in late March after a very long break that started mid way through last year. It felt like time to move again.

I started with my own version of couch-to-5k, basically a very conservative run walk program over April and most of May. For about the last month now I'm running a full 30 minutes about 3x a week.

Cross training too - dumbbell workouts which I'm doing 2-3 times a week. I've been doing a full body circuit workout, and now that I have re-established some strength and movement over the last two months I'm going to start split the training by body parts instead of doing a full body circuit so I can build some more strength.

We spent last week on vacation on the panhandle of Florida. We stayed at Okaloosa Island which is lovely, but the gulf was a bit choppy so we had quite a few red flag beach days. It's been a long time since I was in Florida and I'd forgotten how the sun there is a lot more intense than Carolina's sun. It was the first time in forever that we went away for a week and just relaxed in one place with no other obligations. Truly wonderful.

Yesterday we completed on the sale of my parent's house in London, so that chapter of our family life is over. We moved there when I was three and before my sister was born. The next time we head to London, for the first time ever I won't have "home" to go to. It feels a bit sad, and it will be weird when it happens.

I hear that there's a young couple buying the house, not a developer. They're still going to do some updates to the house before they move in (Mum and Dad made updates to the living room and kitchen in the late 80s, and to the main bathroom in the early 2000s so the house needs a bit of a refresh). I'm happy that a young family will grow up there again.

[merrock]

event: Hallo-Week

location: all around Merrock

date & time: October 25 - November 3

ooc duration: same dates

It's time… to get your spook on! We know how much this town loves Halloween, so we've rounded up as many Merrockites as possible to get fun things happening in town, whether it be movies, spooky fun activities, party nights, or anything that your haunted little hearts desire.

Please note: for the kids, trick-or-treat will still be happening on Halloween (October 31st), so make sure that you have candy ready to go, to treat them right! Or else… you might find yourself getting a trick. You can go door to door, do the trunk-or-treat, or head to the nursing home to get candy!

Dive under the cut for a complete list of things happening in and around Merrock from October 25th until November 3rd, and have fun!

DOWNTOWN

bookends -- book sale on all horror novels

brownstone inne -- ghost stories in the hotel lobby (& refreshments)

cityview park -- pumpkin carving & painting contests, various craft stations set up (for adults and kids)

cobblestone cafe -- pumpkin spice everything

the holiday shoppe -- 50-75% off all Halloween decor

mack's -- special seasonal pumpkin menu

merrock railway -- haunted train ride

the mirage -- spooky karaoke in the speakeasy (come in costume!)

mods -- flash tattoos & face painting for kids

stubs -- nightly Halloween movies (see below!)

touchback -- spooky cocktails & drinks

town hall -- Halloween safety demonstrations

vibrations -- monster mash party night all week-long (come in costume!)

STUBS:

All movies will be available on the Stubs app, as well, for you to watch at home! There is a small charge for each film, but the money goes straight to the theater. Early films will play at 6PM, late at 9PM.

October 25 -- Casper, Friday the 13th.

October 26 -- Beetlejuice, Pet Sematary.

October 27 -- Addams Family, Nightmare on Elm Street.

October 28 -- Scooby Doo on Zombie Island, Psycho.

October 29 -- Nightmare Before Christmas, Scream.

October 30 -- It's the Great Pumpkin Charlie Brown, Carrie.

October 31 -- Hocus Pocus, Halloween.

November 1 -- Coraline, Child's Play.

November 2 -- The Haunted Mansion, The Exorcist.

November 3 -- Rocky Horror Picture Show, The Craft.

ALSO AVAILABLE: Monster House, Halloweentown, Goosebumps, Practical Magic, Sleepy Hollow, What We Do in the Shadows, Ernest Scared Stupid, Scared Shrekless, The Witches, Death Becomes Her, Poltergeist, Happy Death Day, Jennifer's Body, The Crow, The Lost Boys, Rosemary's Baby, The Conjuring, The Invisible Man, Trick 'r Treat, Totally Killer + more.

COASTAL AREA

anchors away -- seasonal drinks and pumpkin beer

breathe in -- yoga & pilates with the Sanderson Sisters (come in costume!)

cassidy's candies -- mega discount on all Halloween candy

from brush to canvas -- autumn/Halloween paintings exhibited

the lighthouse -- ghost stories at the top of the lighthouse

the marina -- haunted boat rides (murder mystery style)

mawk tales -- seasonal spooky mocktails all week

sea breeze -- special Halloween flavors available

SUBURBS

aster playground -- pumpkin painting, various kids games set up

benny's -- massive Halloween decor & costume sale

children's museum -- various halloween-themed activities

community center -- costume closet open for takers

the creamery -- black & blue milks available, halloween ice creams

cul-de-sac diner -- halloween-themed meals (& specials for kids)

flour co. -- decorate your own pumpkin cookies

the fun spot -- horror skate nights (come in costume!)

the great escape -- horror escape rooms

memorial library -- spooky story reads, horror book displays

pinecrest cemetery -- cemetery tours (not haunted; respectful)

treasure chest -- 50% off all fall and Halloween decor

COUNTRYSIDE

the barn at lake malory -- haunted houses; family friendly (for kids & easily scared adults who want to take it easy), supernatural/fantasy (medium), slasher (scary).

handpick'd -- specials on seasonal wines

harmony ranch -- haunted hay ride & corn maze

hideaway market -- trunk or treat sponsored by takato's (come in costume!)

lavender lane -- pumpkin, mums & fall favorites on deep discount

little chapel -- ghost stories (with surprise haunting)

north shore -- trick-or-treating with senior citizens (come in costume!)

paradise gardens -- seasonal fall/halloween displays

pet haven -- free treat to all pets that show up in costumes

pine grove gardens -- true merrock horror / scary stories

state park -- spooky walks along the trails (very kid friendly)

the wheel -- 50% off all halloween related items

ADMIN NOTES: have at it! If you want to post costumes, they can be done any time through the week, whether you're partying at Evolution, dressing up to work at your business, or just want to get spiffed up for actual Halloween. Please tag them with #merrockfashion. Socials can be tagged with #merrocksocial, as well. Please do remember to tag anything with trigger warnings if it veers into triggering things, such as excessive blood! You can do other things for Hallo-Week, like having a slumber party and watching movies at home with your bestie, roasting pumpkin seeds, going out to toilet paper someone's house (please have permission), this is the perfect time to just have fun with anything that has to do with Halloween! <3

[purplehairedwonder]

Writing Patterns

Rules: list the first line of your last 10 (posted) fics and see if there's a pattern!

I was tagged by @katia-anyway. Thanks, babe! Here we go:

"Underwater Flirtations"

One Piece | T | ZoLaw | 3.8K | Post-Zou, Law and Zoro get caught by the Marines and have a flirty escape

“All right, Captain?” 

"Amid the Falling Snow"

One Piece | T | Lawlu | 6.6K | Law and Luffy get caught in a blizzard and huddle for warmth.

“C’mon, Torao!”

"A Fall in the Woods"

One Piece | G | Rosinante & Law | 1.5K | Rosinante sprains his ankle and Law grudgingly looks after him.

Rosinante glanced over his shoulder to make sure Law was still behind him. 

"Remorse Is Memory Awake"

Dark Rise | T | St. Kempen | 1.7K | James gets his memories back.

Sloane’s head hadn’t even hit the ground before James was dropping to a knee, Ettore’s sword slipping from his grip. 

"To Prove Worthy"

One Piece | T | Drake & Sengoku | 3K | Drake lives in the shadow of Sengoku's late son.

“Enjoying that?”

"To Call Myself Beloved"

One Piece | T | Lawlu | 13.2K | Law, Luffy, and engagement shenanigans.

The celebration of Luffy becoming the Pirate King had been going on for what felt like days, though Law knew it had only been hours.*

*This story began with an epigraph but I chose to include the first line of prose here.

"The Night Is Darkening Round Me"

One Piece | M | Lawlu | 36.9K and counting | Law buys a haunted house. Luffy and the Straw Hats are paranormal investigators.

Law turned his car into a long driveway, absently noting the Sold sticker covering the For Sale sign stuck in the front yard, before continuing up the drive toward the house he’d purchased sight unseen. 

"Our Hearts, Made Whole in Each Other"

One Piece | T | Lawlu | 2.3K | The Hearts are rescued from Blackbeard, and Luffy asks Law to stay.

It was after midnight when Luffy found Law on the deck of the Thousand Sunny, looking out over the water as the Straw Hats’ ship cut through it like a hot knife through butter in their getaway from Hachinosu. 

"My Heart, Fragile in Your Hands"

One Piece | T | Lawlu | 2.4K | Law wakes up in the Sunny's infirmary after Winner Island.

Consciousness returned in stages, as Law first heard the beeping of monitors and quiet, indistinct voices somewhere nearby. 

"Your Heart, Broken in My Chest"

One Piece | T | Lawlu | 3.6K | Law's heart is acting funny, and Luffy realizes something is wrong.

Luffy was far from an expert at having someone else’s heart in his chest, but he was pretty sure what was happening with Torao’s heart wasn’t normal.

So, it looks like I either start a fic with dialogue or a compound-complex sentence 😂

Tagging @rimetin @hyperbolicreverie @chromatic-lamina @ninhaoma-ya and anyone else who wants to play!