#Historical Castles

[ssleeping-in-a-coffin]

I just learned this fact and I can't help but share it with you!!!

In 13th-century European castles, separate fortresses were rarely built. Instead, one of the towers was significantly larger than the others and served as sleeping quarters for the lord or the king and his family.

Medieval life was full of changes and conflicts. Periods of peace were often interrupted by wars and sieges. To protect the ruler and his family, spiral staircases were built in the towers, winding clockwise. This design made it harder for attackers, as defenders could strike while using the wall as a shield, whereas attackers, especially right-handed ones, faced difficulties.

Additionally, the steps were uneven in height and length, making it easier for defenders, familiar with the layout, to move quickly. Attackers, in heavy armor and unfamiliar with the stairs, risked losing balance. This design significantly complicated sieges, particularly when climbing upward, giving defenders an advantage.

Thus, clockwise spiral staircases were not only convenient but also a crucial part of defensive strategy.

[runawayandhide]

[changingseasons-blog]

Monsanto, Portugal

[witchyautumns]

🍁jameslloydcole🍁

Bonskeid house in Pithlochry, Scotland

[bebs-art-gallery]

[die-rosastrasse]

The Lady's Bedroom at Malahide Castle

Dublin, Ireland VI 2023

[escapismsworld]

📍Castle of St. Michael, England, United Kingdom

[mvdso2]

Hammond Castle

Mvdso

[constantlyfalling]

once dwellings...

[runawayandhide]

Moreton Corbet Castle, England.

[postcard-from-the-past]

Bran Castle - Dracula's Castle - in Transylvania, Romania

Romanian vintage postcard

[arc-hus]

Jorba Castle Works, Puig de la Guàrdia, Spain - Carles Enrich

[vermutandherring]

More info, screenshots and DONWLOAD HERE (always free)

Huge thanks to @mara45123-blog @kerriganhouse @anachrosims @lilis-palace @lordcrumps @zx-ta @thejim07 @simcredibledesigns @annadedanann @littledica @thesensemedieval @the-regal-sim @cliffou29 @sympxls @tinywardens @syboubou @thebleedingwoodland @the-persimmon-fox @dravenxivuk @natalia-auditore @plushpixelssims @sims4luxury @cemeterybrat @sooky88 @ameranthe @andibuilds-simblr @pinkbox-anye @artyssims @hygge-sims @simverses @kirsicca @elderscrollscustomcontent @pierisim @remussirion @jennisims for their CC����

P.S.: I suppose after CurseForge case some mods can be replaced or taken down. You can search it on the pages of the original creators.

[annajewelsphotography]

Predjama Castle - Slovenia (by Anna Jewels (@earthpeek))

https://www.instagram.com/earthpeek/

[heritagebrowser]

The Grande Singerie of the Château de Chantilly, a boudoir originally intended to house the porcelain of the Duke of Bourbon, offers a decor characteristic of the rocaille style mixing antics and Chinoiserie treated in a fanciful or allegorical way. It owes its name to the fact that the scenes represent monkeys serving men and vice versa.

These paintings on paneling, attributed to Christophe Huet (1700-1759), present an exceptional example of the taste quite common in the 18th century for Chinese oriental exoticism.

In 1710 the Château de Chantilly returned to Louis-Henri Bourbon-Condé (1692-1740), Duke of Bourbon who continued the development undertaken by his grandfather, the great Condé. The decor of the small castle was thus remodeled in 1737, the date of the execution of the Grande Singerie which is attributed to Christophe Huet, a renowned painter of paintings of animals and birds. But for a long time we hesitated about the author (Watteau, Claude Gillot, Audran?) because the archives do not reveal any payment made by the duke for the decor of the two antics: the Grande Singerie is one of the large apartments on the first floor while the Petite Singerie is located on the ground floor. However, recent restorations have revealed the date of execution of the boudoir: the inscription “1737” is painted on the block of marble that the monkey sculptor models. This is how we were able to eliminate the long-suspected authors: Watteau, who died in 1721, Claude Gillot, who died in 1722 and Claude Audran, who died in 1734. From then on, the decorations of the Singeries were attributed to Christophe Huet who, moreover, worked for the Condé family in 1734-1735. The workmanship and style of two other decorations still visible and created by Huet made it possible to make these connections: the Cabinet des Singes of the Hôtel de Rohan (today National Archives in Paris) in 1749-1752 and the Chinese Salon of Château de Champs-sur-Marne before 1755.

Huet was a student of Gillot and we know that he collaborated with Audran for the Château d'Anet in 1733. His style is borrowed from those of Berain, Audran and Watteau and Boucher. He had two collaborators: Dutour for the animals and Crépin for the landscapes.

[bruhstation]

can't it even be more obvious thomas. why are you surprised that a sudrian historical site filled to the brim with armor and weaponry that dates back to the middle ages has old people afflicted with the gold dust working around the castle