#Hiphopculture

[arcadebroke]

[ghost-37]

ODB Forever 👑

[kemetic-dreams]

Hey PALs! #FatJoe says music is #African and that #Africa is the origine of the mainstream vibes we enjoy now. Thoughts? #afrolatino #afrobeats #afropop #afromusic #africanmusic #africandiaspora

[hiphophardware]

🎧Diggin In The Crates🎧

[noctdigitalmag]

Eminem (known then as M&M), in the rap group "Soul Intent"

Photographed in late 1991 in Warren, Michigan.

[real-chinq-tmblr]

Beyoncé on the cover of Blast magazine, a now defunct Japanese magazine. March 2001 issue.

[freshthoughts2020]

QUEENSBRIDGE

[ladynahualli]

'Outcast' is available on most streaming platforms. A song about embracing what makes you different. Lady Nahualli raps over a drill beat with a lot of angst and goes on to sing an R&B inspired hook with sensual notes. This is the song you want to play in your active hours. 🏔️🐺🏔️

[instructionsonback]

[aaliyahunleashed]

Happy Blessed Birthday to Clifford Smith Jr., better known by his stage name Method Man.

* Image of Aaliyah & Method Man (above) was taken back stage at the '95 Vibe Music Seminar Tommy Hilfiger Fashion Show. *

When Interviewed on his thoughts of Aaliyah, he said:

"The word in the hood was, she had a cockeye. Cause she always wear them shades, yahmean? But the next album came out and it was like, Whoa, she killin it on some real warrior shit. I didn’t see anyone doing what she did. I mean, Britney Spears tried but I laughed at that fuckin video. It was hilarious, yo. I liked that song Britney bit, where Aaliyah had the snake [“We Need a Resolution”]. It was deep. Aaliyah was our pop princess. To be associated with R Kelly in any way at that point in time, that was street credibility. Some people just have that “it” factor, where it doesn’t matter where they’re at, they appeal to both sides. White kids adored her; that’s a hard bridge to cross right there, man, but she had a lot of talent. And when you meet the girl there’s a level of comfortability I can’t even describe. Her and a friend of mine were best friends, so we used to hang out. We went to Universal Studios [to a photo booth], you know those little corny sticker pictures? We used to go do stuff like that. I remember watching a home movie of her and her friends portraying the Spice Girls, that was kinda kooky. It was like being around your little sister. It wasn’t Aaliyah the big superstar. It was just Baby Girl. I’ve always said that a comedian ain’t funny to me if he try too hard to be funny. Same shit with sexy. Aaliyah didn’t have to try hard. She was a total package as far as singing, dancing and entertaining. She was killin all that, and it was a relief to find out she actually ain’t cockeyed. And her moms was mad peace but very stern, remind me of my bougie aunts and shit. Not bougie in a bad way, but you know, Nigga I ain’t havin it. " - Method Man on Aaliyah

Read FULL interview here: https://www.thefader.com/2011/08/25/aaliyah-angel-so-fly-2

Method Man was part of the Rap group Wu-Tang Clan.

DID YOU KNOW: Wu-Tang clan wanted to work with Aaliyah (who was at the time a high demand artist)? RZA wrote Gravel Pit for Aaliyah.

[zippedmagazine]

[nahidahmedbd]

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[ghost-37]

[kemetic-dreams]

The new school of hip hop was the second wave of hip hop music, originating in 1983–84 with the early records of Run-D.M.C. and LL Cool J. As with the hip hop preceding it (which subsequently became known as old-school hip hop), the new school came predominantly from New York City. The new school was initially characterized in form by drum machine-led minimalism, with influences from rock music, a hip hop "metal music for the 80s–a hard-edge ugly/beauty trance as desperate and stimulating as New York itself." It was notable for taunts and boasts about rapping, and socio-political commentary, both delivered in an aggressive, self-assertive style. In image as in song its artists projected a tough, cool, street b-boy attitude.

These elements contrasted sharply with much of the previous funk- and disco-influenced hip hop groups, whose music was often characterized by novelty hits, live bands, synthesizers, and "party rhymes" (not all artists prior to 1983–84 had these styles). New-school artists made shorter songs that could more easily gain radio play, and they produced more cohesive LP albums than their old-school counterparts. By 1986, their releases began to establish the hip-hop album as a fixture of mainstream music. Hip hop music became commercially successful, as exemplified by the Beastie Boys' 1986 album Licensed to Ill, which was the first rap album to hit No. 1 on the Billboard charts.

[hiphophardware]

I sip the Dom P, watching "Gandhi" 'til I'm charged Then writing in my book of rhymes, all the words past the margin

-Nas

[tbbst]

The Bridge is Here!

MAN by T-Huny LaTasha Williamson produced by Herb Middleton

#MAN

#moontownrecordspublishing

#HipHop

#TheNext50

#Bridgemusic