#He just does what must be done

[morganmnemonic]

I'm watching The Magnus Archives for the first time (i think im going to start tagging posts relevant to this with "tma liveblog" so I don't have to keep specifying). I just started season 2, and I've got to say I'm with Jon's paranoia on this one. Martin IS more competent than he's letting on. His soft, sweet, british voice is just so disarming that even hearing him talk about surviving the worm siege, I stilll mentally categorized him as "likely to die first". Sure he survived, but thats because Prentis let him go. If he actually got wormed, he'd probably just perish. Turns out, his initial idea for what would happen if he got wormed was performing emergency worm removal surgery on himself with a pocket knife. He sounded serious too, like he was mentally prepared to go through with it without hesitation if that's what it took. And if we look at what each of the characters did during the worm invasion,

Jon made no judgement calls that significantly impacted group survival one way or the other (+0) and got very wormed at the end (-1) for a grand total of -1 survival points.

Tim didn't notice that Prentis was in the archive and nearly got got (-1), sent Sasha ahead to get help, which resulted in the fire suppression system going off and saving himself and Jon from certain death (+2), got surrounded by worms in Jon's office (-1), and got very wormed at the end (-1), for a grand total of -1 survival points.

Sasha saved Tim from Prentis (+1), successfully got help, saving Tim and Jon from certain death (+2) and died (-1). For a total of 2 survival points.

Martin directed an injured Jon and Sasha to a safe place to hide from the worms and provided an effective tool for worm removal (+2), hid the stash of fire extinguishers that saved Tim from certain death (+1), and kept himself out of mortal peril for the entire duration of the invasion (+1). 4 survival points. He didn't even get injured. He's the only one who survived without intervention by forces beyond his control. Martin didn't play the part of first to die. No, this man was born for the roll of Final Girl.

And I don't think he's evil, and I don't think he killed Gertrude. But I do think that he's entirely capable of murder, if that's what it takes to survive. And I do think he will continue to exert his agency in the story in ways that the other characters and audience forget to expect from him. Not me, though. I learned my lesson. As entirely disarming as his demeanor is, I'm not going to underestimate him a second time.

[ohitslen]

God’s #1 anti Vash the Stampede!

Just to be clear this is for my upcoming reincarnation fic 🫡

[stormyoceans]

I DON’T CARE IF HE’S A HITMAN I WOULD LAY DOWN MY LIFE FOR FADEL

[vaguely-concerned]

just for fun this time during 'sea of blood' I counted out all the venatori corpses I think we can be pretty sure were lucanis' handiwork before we show up (not including the ones he kills in his initial cutscene, and with an assumption that he's been at work mainly up and down in the areas we move through until we find him, not behind the locked door -- I think that's mostly the work of rampaging undead and other venatori-hoisted-by-their-own-petard suchlikes). can thus happily inform you lucanis has killed at least 32 venatori before rook and company get there. at least one of them he's impaled on their own weird crystal spike things the venatori mages cast as an AOE attack and that they're trying to keep him contained with when we find him. so he's clearly been keeping busy lol. that's my boy dispensing poetic justice and claiming some enrichment in his enclosure while he's at it good for him!

[oceans-beloved]

Meme dump yayyy🥳✨️

(off to make more now muhahaha >:3)

[magistralucis]

this is the first Space Marine I have ever painted Please Be Kind 😭🤣... during housecleaning I unearthed this old mini my fiancé had as a child and long story short I made him into a teacup, please welcome Brother Connoisseur of the ~*~*~Albertus Regius~*~*~ Chapter

[frog-with-no-therapy]

I want a spider X dcu but have Peter working at the league's base in space as a mechanic or a scientist, cause of course they will have the best material and information to help him make a way home. Except that Peter is weird.

Like, weird weird. Like, spider bite kind of weird with a hint of different culture from a different world kind of weird.

Listen most of his interactions with humans in their world is with them cause he's at the watchtower all the time, so his understanding of what is normal is a bit skew, and he probably also got used to acting more spidery, especially when in a lab or sm (courtesy of his time at the avenger tower where he doesn't really have to hide his spidery side)

Then you take into account him having a different kind of humour and a different set of memes and you have the whole justice league thinking he's secretly an alien

[flufflecat]

another day, another addition to my beautiful monster

[cluescorner]

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)

[freakwiththeknifecollection]

Absolutely WILD to me how if I say I can't work because I have chronic illnesses that are disabling, people understand. But SOMEHOW me not having a drivers license doesn't make any sense. It couldn't POSSIBLY be that the very same conditions that don't allow me to have a job are preventing me from learning to drive

[dollypopup]

if the end of episode 4 / part 1 of season 3 isn't the lady whistledown reveal and colin's blowup/meltdown about it. . .what are we even doing here? i saw someone go 'ooooh what if debling proposes and penelope says yes and that's the cliffhanger?'

my sister in christ, that literally holds ZERO weight and tension in polin's story. debling is an afterthought. a nothingburger to create extra drama. he is literally disposable as a character because we KNOW penelope and colin are endgame. that relationship will fall apart and the how of it. . .doesn't matter.

but lady whistledown? lady whistledown is the guillotine of their relationship and it has been hanging above their heads on a fraying string for YEARS now. it affects EVERYTHING that comes after. she is penelope's mask that has to be peeled off. she will flay colin's gentlemanly exterior clean to the bone.

just like. . .idk, think about the narrative structure for a second. it's being framed as a romcom, right? what does every romcom need?

a meetcute, a growing closeness, some external drama, a big relationship stresser / test, an *oh* moment, a reconciliation, a happy ending

debling is the external drama, not the stresser. debling cannot threaten polin's ship as endgame, or polin in general, because he literally does. not. matter. he was created by shonda to drive home the point that penelope is now post-glow-up (which also doesn't matter, because their relationship (debling and pen's) goes against the very heart of bridgerton as a concept, which is to fall in love in unconventional ways. oh how did the two of you meet? at a ball? dancing together? HOW riveting (not)), he is not meant to be the stress or fracture in polin as a pairing

meetcute? flashback of polin as kids growing closeness? the lessons, reveals he's a writer, the kiss external drama? she's dancing with other peeps big relationship stressor? LADY WHISTLEDOWN *oh* moment? AFTER LADY WHISTLEDOWN REVEAL. when he sees who Penelope is as a FULL person and falls for her anyway reconciliation? AFTER LADY WHISTLEDOWN REVEAL!! at their engagement ball when she publishes about Cressida not being LW even though she said she'd stop and he realizes he loves her even if she's upset him, the same way Penelope realizes *she* loves *him* even if he's upset her happy ending? you guessed it. AFTER. THE. LADY. WHISTLEDOWN. REVEAL (and honestly, probably the death of Lady Whistledown. because it depresses me to think that Penelope's ultimate happy ending is to continue writing petty gossip for the rest of her days when she could be fucking her hot husband on various beautiful beaches around the world and they write novels together)

lady whistledown is. the unearthing of her as another side of penelope. the secret cracking open, colin's facade fulling fading, his fury and humanity made tangible, penelope's nuance, her strengths and weaknesses and fears and hopes now barefaced. the harms she committed, the triumphs she accomplished. the strain it has on them as a pairing, the dynamic shift it introduces

i will eat my SHOES if part 1 doesn't end on the lady whistledown reveal because if it doesn't. . .what are we even doing here?

[vaguely-concerned]

I was just ambushed within the turbulent halls of my own mind by some headcanons about rye ingellvar's childhood that did 15000000 points of psychic damage to me and my heart personally and also made me almost sure of how I want to play it all at the end (very very differently from how I imagined going in!). some 'oh holy fuck this changes everything' rocking my own world bullshit going on in my neurons right now I'm reeling

[blujayonthewing]

SUPREMELY frustrating that we found something actually really cool and intriguing and plot relevant in tonight's session but I'm still so constantly preoccupied with whether the DM is going to 100% kill us with sheer poor game design that I barely have enough brainspace left over to even enjoy it

[time-is-restored]

btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)

tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!

but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).

rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.

my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’

it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.

and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!

(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)

again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).

and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!

and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.

so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.

that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.

i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.

[sskk-manifesto]

Ep 5!!!