8 y/o Damian: What's that?
Stephanie: Chocolate.
8 y/o Damian: What's chocolate?
Stephanie: Candy. Do they not have candy in the League of Assassins?
8 y/o Damian: Yeah. Grapes, nuts, olives-
Stephanie: No wonder you're so bitter.
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the world is so fucked up and i can't help but think the damage is irreparable when i see people talking about how unusual and prudish it is to wait six to ten dates before having sex with someone. ten dates??? roughly like twenty five hours of interaction????? ten old timer burgers and mango iced teas from chilis equals sex?????? the possibility of pregnancy, STDs, emotional devastation, lifelong consequences, not to mention just straight up the possibility of getting murdered, with a STRANGER you have hung out with for maybe like two months???? and that's a LONG TIME???? and if you feel weird about that and don't want to do that that makes you NOT HETEROSEXUAL????? THATS AN ORIENTATION???? BECAUSE ITS SO OUTSIDE OF THE NORM OF HUMAN BEHAVIOR ????? i hate all of you i hate you i hate you i hate you every day i hate and I hate and I hate you
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I was on Pinterest this morning and I saw this and went “MACHETE wait- he wouldn’t drink from a puddle even in an apocalypse” then I’m like- apocalypse machete wouldn’t last five minutes, he’d cringe at the thought of mud getting on his heels(tm) and Vasco would probably act like a hunting dog, he might do pretty well ina full on apocalypse or war or something, and he would carry machete over all the mud puddles Q^Q
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I just think Tallulah gets to be upset about this. “It’s not Wilbur’s fault” “He’s not a bad dad” “He loves his daughter so much” yes! These are all true! And it’s not his fault! But he’s still not there. And Tallulah has gone through so much and still hasn’t seen him, the one time he was around was the one time she wasn’t, and all she has are letters and “I’m thinking of you always” and things that used to be theirs together, but he’s still not there. She’s waited and she’s been patient and she’s loved him all the same, and he’s still not there. Like yesterday, and the day before, and the day before, from the happy milestones to the traumatic events, he’s still not there.
She knows that it’s not his fault, but it doesn’t change the fact that he’s absent. That in and of itself just adds to the sorrow, because she knows why he’s gone, and she’s been told time and time again it doesn’t mean he doesn’t care, she knows this - it doesn’t mean it doesn’t sting, that it doesn’t hurt, that she doesn’t yearn for her father to be there more than anything in the world, and he’s just not there.
So yes, she gets to be upset, and be caustic, and stomp her feet and write bitter messages, and be angry and vitriolic, because she’s a little girl missing her father, who feels things with her whole heart and soul - and that means she gets to feel the ugly parts of it, too.
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genuinely what am i missing that has made people this crazy about buck and tommy bc their only scene where i really Felt anything between them was their first kiss and yet i see so many people saying "yeah i've wanted buddie for ages but also buck and tommy are sooo cute!!!!!! i don't want them to break up, i hope they're endgame 😭🥰" girl they've barely interacted and at least 3 of the scenes they have interacted in were implying they're a bad fit for each other
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@sith-shenanigans Hope you don't mind, moving this onto it's own post since that post was getting pretty long
Honestly I really like your take on this, I can absolutely see that. I mean gosh, this leaves me wondering how many years its been? How old is October now vs then? When did they meet? My questions about the dynamic between them only grows, but this is an incredibly plausible for a reading here.
May seeing October traped with in parabola and being one of the few still in frequent contact with her by the dreams.... October seeing May make the same stubborn mistakes over and over again, growing older herself and seeing him as more and more fallible. Augh this breaks my heart (having a fantastic time here).
Yes yes yes yes yes thats exactly the way I interpert him as well. I mean, think about it. He's so, so old, he's watched so many people, so many cities, long past his own, come and go and fade to dust. How on earth could you view people the same after that? How do you continue to interact with people, remember that they are people, and not just specs of dust who will fade.
Yes May is manipulative, and possessive, and stubborn, and many other things. He has so so so many issues.... but he's also just a very sad old man who doesnt know how to view others on the same level anymore, and its so so tragic.
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hey! i was just going through your blog, and i saw a post about ice&carole and mav&goose. i looked a bit more but i couldn't find a post about your take on mav and goose's relationship, so i wanted to ask what it was. if you have answered this, i'm sorry about asking you again. imo i think what they had was wayy deeper than friendship but complex and probably not romantic, but again, i just wanted to know your thoughts on it.
thank you! and this blog has probably been one of the best finds i have ever come across on tumblr, i'll be sad to see you go.
yeah, i was really trying to be suave and subtle and mysterious about it with this parallel
like, you should be able to figure it out for yourself.
but luckily for you i looooove beating dead horses. to a problematic degree.
the full story of my vision of mavgoose (moose?) is in the completed draft of the extras that are coming out on Saturday. about halfway through. But i want to bring it back to the internal craft-of-writing debate i brought up yesterday—my inability to summarize, or to cut superfluous sections that don’t really matter.
I’ll stick it under the cut for spoiler reasons, but i wanna show the simple first draft of this scene versus the complicated, heavier final draft. And I want to ask any of you, if you’re interested—as a reader, which is more impactful? which should i end up publishing?
the simple first draft:
then i kept turning it in my head thinking of different ways to edit it to say something slightly different, to get a little more specific, coming up with things to add, and ended up adding like five extra paragraphs. which is this:
about 1/4 of the final draft (by which i mean, this is about 1/4 of the whole final discussion scene, but the goosemav-specific content only goes on for about another graf [omitted bc spoilers]):
(so to answer your ask explicitly, i actually don’t think they were anything deeper than good friends. imo there’s no evidence that they were anything deeper than good friends, especially with maverick blowing goose/goose’s wishes off soooo many times [‘she’s lost that lovin feelin;’ volleyball; refusing to do the responsible thing at least twice even after goose tells him it puts his & his family’s livelihoods at risk…bro all he does is blow off goose]. see me bitching in the tags for more on this)
obviously in my head the complicated in-depth version ⬆️ is the True version, the version of events that really Happened. i think the writing is in some spots much more compelling. But it just doesn’t make for a particularly good reading experience when it’s surrounded by like 3/4 pages of other discussion of history! sometimes too much of (what i think is) a good thing turns that good thing bad! & this is a major keystone dynamic of my whole series so i just want to get it right, for my own peace of mind. I guess im asking you to be the harsh editor i wish i had sometimes, if ur interested in doing so—this is genuinely a major major problem i have with my writing, i can’t ever just leave well enough alone 😭 please let me know if simpler is better/less is more in this case! do i publish the short vague “the reader fills in the blanks” version or the long boring “here’s EXACTLY how i see it” version?
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I get the anger at Yak’s Dad. But as a child of an addict who I am now no contact with, I’m glad he realized he was a fuck up and left. The trauma of living with a violent drunk is worse than being abandoned (in my opinion). Returning and acknowledging his mistakes and asking for forgiveness is like a dream for the kid of addicts because it very rarely happens.
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Wanting more homoeroticism in the tension between the show’s leads as the narrative introduces greater intimacy and higher stakes between them, especially in a landscape that lacks queer representation who isn’t a villain or dies within one or two episodes, but also recognizing that core values/motivation for these characters lie in their relationships with one of two major female characters in an on screen sausage fest where the only other woman is a morally reprehensible femme fatale and erasing and/or vilifying female leads in favor of conventionally attractive males is a common practice observed in fandoms that’s rooted in misogyny and justified under the guise of rejecting heteronormativity, thinly veiled double standards, or claiming the woman is simply not interesting enough and not wanting to bolster that mindset
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