#HURRY UP S3 HURRY UP

[starshipstories]

ON MY TOMBSTONE THEY WONT HAVE MY NAME JUST THESE TWO PICTURES

[dcbnam-aep]

hair out, blue dress - is lanfear going to fuck about with moiraine in the world of dreams and ARE THEY GOING TO KISS!???!??!!!

[chobunz]

finally finished squid game s2 and when i say that ending was ASS i mean it cs omfg, i did not js wait three whole years js for it to end like that… dpmo 😐😐😐 the plot was also way too predictable like i could see half the shit coming a mile away, most of the characters added very little to no value and/or the ones who were acc interesting died so.. (my girl se-mi u deserved sm better 😞), i want my 7 hours back cs i litr got no closure bruh, worst cliffhanger ever .—. idek if ima watch s3 when it comes out LMAO like nah im fr mad asf 😭😭

[the-velvet-worm]

genuinely not mentally or emotionally prepared to see Perc'ahlia's first kiss animated for a number of reasons first being if we don't get the whole dialogue about Fenthras and Ripley and forgiveness etc etc it just will not hit the same; second it's ALL ABOUT THE SETTING they're in the woods it's Vex's favorite terrain it's "so we'll talk later" it's everything we deserve everything

[crazychicke]

[edelgards]

rhaenicent is just edelthea in another universe for those insane enough who have the eyes to see

[devotedlystrangewizard]

being a bsd fan is really funny actually bc asagiri says "oops your fave is dead" and so you say "no theyre not??" and the response is almost always a defeated "no theyre not here they are"

[manic-pixie-aquarius]

"they're repressed because he's repressed" Oh My God You Are A GENIUS!

Because I've been rewatching season 3 and I swear I just noticed that everytime Will touches his neck AKA senses the Mind Flayer, either Mike and El or Mike alone are present. It's as if his homosexuality is always there but when it truly is aching to show is when Will is feeling jealousy (when he sees Mike spending all his time with El and her attached to him) or want (him getting flustered by Mike)

It’s blink-and-you’ll-miss-it, but the Alan Turing poster really tells us so much about Will that I consider it to be a significant piece of foreshadowing for S5.

First, let’s dissuade ourselves of the notion that Will chose Turing for his hero project for nerd reasons – Will’s preferred flavour of nerdery is escapist fantasy, not computer science. He doesn’t know what an IP address is and the first thing he thinks of when he hears modem noises is a movie he likes.

No, he chose Turing because he admires him for being a gay man who accomplished so much in his short life.

On one hand, that’s pretty heart-warming – the fact he’s willing to identify with other gay men and look up to them as role models shows us he’s making good progress in accepting his identity. On the other hand, it’s heart-breaking, because Turing’s story is not a happy one – he was caught having a sexual relationship with a man and forced to choose between jail or chemical castration. He chose castration.

I remind you: Will identifies with this guy.

Will is growing up under the twin specters of AIDS and homophobia and likely assumes he’s destined to die young too. He’s been abused and bullied so much, I imagine he’s heard and internalized it all: that he deserves to die, that he’s disgusting, that he’ll never be fulfilled in life.

So when puberty begins crawling its way inside him and implants those shameful desires that make gay men so worthy of abuse… he chooses castration.

For all the sad pining he does in S4, we never really see Will express desire for Mike – he never checks him out or shows signs of nervousness when they touch. He behaves with perfect platonic decorum at all times…

…unless we consider That One Scene With The Hose.

Sexual interpretations of this scene are controversial, and I can understand why; we’re so used to seeing Will as this innocent, immature little boy that it’s shocking to catch him fantasizing so lustfully, even though these sorts of thoughts are pretty normal for a 15 year-old. But I think that’s the point. We’re supposed to feel uncomfortable about this, because Will feels uncomfortable about it too.

He’s done well in accepting his identity, but he’s an absolute repressed mess when it comes to accepting his sexuality.

So, that’s what the Turing poster tells us about Will. Here’s where the foreshadowing comes in: Will is not the only queer-coded character to have been metaphorically castrated.

Henry’s experience bears striking similarities to Turing’s: he too was caught engaging in a natural but forbidden behaviour and forced by his government to undergo a medical procedure to suppress that behaviour.

His villain speech to El in 4x07, which is ostensibly about his powers, also reads very strongly as a scathing criticism of heteronormativity, and it’s covered in rainbow motifs.

The metaphor here is obvious: Henry’s powers are a manifestation of his homosexuality.

Which implies that Will’s homosexuality can also manifest as powers. They’re repressed because he’s repressed.

It’s not a coincidence that the sexual tension was through the fucking roof in the infamous sauna scene. Every time Will’s supernatural ability to sense the Mind Flayer triggers in S3, Mike is also nearby.

What’s interesting about Mike is that his queer acceptance issues mirror Will’s: Mike has a healthy relationship with his sexuality (he casually checks guys out and plasters his bedroom walls with posters of buff dudes) but he just can’t bring himself to accept what this implies about his identity.

Always with the symmetry, these two. They complement each other perfectly; one’s hang-up is the other’s strength. They have a lot to teach each other about being queer.

And as repressed as they are, I think they want to learn from each other – Will lets himself get flustered when Mike flirts with him in his bedroom, and Mike hangs on to every word of wisdom Will shares with him in their heart-to-hearts.

Internalized homophobia is a powerful force, but their bond is so strong that it empowers them to fight back.

Henry’s powers symbolize his anger at being mistreated and his desire to take that anger out on the world… but Will’s powers symbolize self-acceptance and love.

So he isn’t just going to defeat Vecna with his powers, and he isn’t just going to get the boy: these two things are one and the same.

[nintendont2502]

anyway side order is INSANE ive only just started it but oh my god

[toddandersonn]

Didn't even realize S4 of Abbott Elementary is out... ooops

[paper-sunset]

SOON

Timothy Olyphant as Cobb Vanth THE MANDALORIAN | 2.01

[carmenberzattosgf]

s3 carmen i need to take you out to the alley to give you a freak nasty blowjob to make you calm down-💫

let’s talk about blowing Carmy to give him stress relief. Word count: 1613

I’m thinking about working at the bear as a server. You and Carmy have always had tension. Longing glances that went on a little bit too long. Lingering touches of his hand on your waist when he needs to get around you.

This night, Carmy is on fire during service. There’s practically steam coming out of his ears. He’s barking orders without a care, expecting to be listened to. Usually, he directs most of his anger towards the kitchen staff, but you land in his crosshairs.

“Why the fuck is it taking you so long inbetween plates? Are you taking the scenic view back to the kitchen or some shit? Stop wasting time and hurry the fuck up.”

“Chef. Chill,” you respond. As soon as the words leave your mouth, you realize how bad of an idea it was to say that.

“The only thing you should be saying is ‘Yes, chef’. Do you want to try that again?” You turn to face Sydney instead of Carmen, trying to keep your cool.

“Chef Syd. Can you hold down the fort for a second? I need to talk to Carmy really quick.”

Carmy interjects before Sydney can even reply. “The fuck? I’m doing my job here. Now, can I get—“

“Chef. It’s fine. Go cool off a bit,” Sydney replies, stepping up to the expo. Carmy sighs, running a hand in his hair, before storming off through the back door. You follow suit, catching the door before it slams.

Carmy leans against the back of the building. His fingers are in his hair, tugging at his roots in an attempt to dull his anger. Under his breath, he mutters a slew of curses and god knows what else. Somehow, you find the courage to stand in front of him, toe to toe.

“Carmen, you need to calm down. You can’t lash out on people like a toddler when you don’t get exactly your way.”

“I- I can’t fucking turn it off.” His voice is laced with venom. He looks directly into your eyes. That furious look still present in his features. “I need people to- to fucking listen to me, and f-fucking go faster.”

You can’t deny the tension brewing between you and Carmy in the dim alleyway. His breath fans against your cheek. It would take just a small lean in for your lips to press against his. That’s not what you do, though.

Instead, your hand moves, as if on its own accord, to just barely palm his groin. His eyes widen as he takes in a gasp of air. Pure shock falls on his features. “You need to let your stress out. Do you want a way to do that, Carm?” you ask.

“I w-what— what?” he stammers. His cheeks flush in an instant. You chuckle as you feel him hardening through his pants. You lean into him, but your lips miss his own, choosing to target the corner of his mouth.

Your mouth trails gently, chaste kisses from the corner of his mouth, down his jaw, and to his neck. You don’t spend time sucking on the skin. If a bruise appeared on his neck after this, everyone would know. Instead, you trail your tongue on his pulse point. His body shivers against you. “C’mon, Carmy. Do I need to spell it out for you?” You punctuate your sentence by applying pressure with your palm to his length. You can’t see his face, but you can hear the groan he tries to keep under his breath.

You drop to your knees in front of him, thankful for the thick fabric of your pants. You gaze up at his face with the most innocent look you can muster given the situation. Carmy can’t even comprehend the sight of you on your knees for him. The fear of someone seeing is the last thing on Carmen’s mind. “Are—fuck—are you sure?”

“Positive.”

“Take my cock out.” Carmy’s voice commands just like he’s giving you orders in the kitchen.

“Yes, Chef,” you whisper. He tenses from your choice of words. Your fingers dip into the waist band of his slacks before pulling them down to his knees. His underwear falls down with them, leaving him bare and hard in front of you.

He’s huge, way bigger than you would have expected. The tip is already leaking precum. You can’t take your eyes off of his lower half. He hides a lot of muscle under his chef whites. The V-lines of his hips are deep and defined, guiding you right to his cock. Your eyes catch glimpse of a happy trail that extends under the fabric of his shirt.

“Like what you see?” His voice is low and gravely.

You don’t look up at him, not yet. Your hands slide underneath his shirt to tug up the fabric, letting you see the rest of his stomach. The happy trail runs up to his navel. Your finger tips trace the lines of his abs. You can’t resist the urge to press kisses to his stomach. Here, you don’t have to working about marks showing, so you suck and bite at his skin. Carmy’s hand briefly cups the back of your head, threading into your hair before letting go.

“You’re so pretty, Carm,” you admit with brutal honesty. It’s true. He’s built like a Greek god. For the first time, you’ve rendered Carmy speechless with just your words. The second time you render him speechless happens when your lips wrap around the tip of his cock. You moan as the salty taste hits your tongue. Your cheeks hollow inwards to suck lightly.

“F-fuck. Fuck—fuck.” You snap your eyes up to look at him. There’s sweat forming at his brow. His hands clench at his sides in a white knuckle grip. With his gaze on you, you lick a broad stripe from the base of his cock to the tip, making a show out of it. His dick twitches on your tongue.

You can’t stand not having Carmy’s hands on you, so you take one of his hands and place it on your cheek. Not waiting a second, you take his cock all the way into your mouth. Your nose reaches the trail of hair you noticed earlier.

“Holy shit—look at you,” Carmy murmurs. His tough hand cups your cheek, lazily rubbing his thumb on your skin. Without realizing it, Carmy’s hips sink a just a little bit deeper into your throat. It reaches the point of too much, making you gag. You don’t lift off of him, though. Tears well up in your eyes as you keep his dick deep inside your mouth.

“Is it too much? You’re gagging for it,” he spits out. He’s trying to keep his composure, but his voice is full of need. “Shit—babe. Can I— can I fuck your mouth? We’ve already—fuck— already been out here too long,” Carmy practically begs.

You lift off of his cock looking utterly debauched. Spit runs down your chin, and your lips are swollen red. “If it’ll help you calm down, you can do whatever you want with me, Carm. Use me.”

“Yeah? You want that? What a good girl for me.” Carmy grasps his length in his hand, guiding himself to your lips. Your mouth falls open letting his cock sink all the way into your throat. The grasp of his hands is different from before. This time, both of his hands are on your face, palm resting on your cheeks. The rest of his hand wraps around your head, holding you firmly.

Carmy is really efficient. His cock pounds into your throat with zero hesitation. It’s near animalistic the way he’s holding your head and using you. “S’good so fuckin’ good. Takin’ my cock so good, baby,” he mumbles, too lost in pleasure to care about the words leaving his lips. “Gonna—gonna cum down your throat. You’d like that wouldn’t you? To be my little cum slut?” A deep moan reverberates through your mouth at his words. He’s lost all filter.

It’s only a few more thrusts before Carmen spills into your mouth with a strained groan. Just as you’re able to swallow, Carmy pulls to up to your feet. His lips smash against yours. The kiss is fierce and all consuming. His tongue dips into your mouth, battling with your own. Carmy groans into your mouth when he tastes himself on your tongue.

Strings of spit unite your lips when he pulls back. There’s a new look in his eyes that you can’t quite describe. “A-are you—“ you have to clear your throat, still sore from his cock. “Are you feeling calmer now? D-did that help?” Your voice is completely shot and raspy.

“Fuck, baby. You’ve got my heart beating out of my chest. Thank you for uh— for doing that. I was being an asshole,” he admits.

“You just needed someone to relieve some stress. I’m happy I could help you.”

“You’re coming home with me after service. Gotta take care of you since you took care of me.” Carmy leans in to give you a soft kiss. “And… you might wanna head straight to the bathroom to clean up a bit. Don’t need anyone else to see you like this. You’re too fucking pretty.”

Carmy is like a new man when he walks back into that kitchen. He’s more toned down, and careful about the yelling. Sydney thinks you must have been a therapist in a past life, because whatever you did managed to chill Carmy out.

It’s a week tops until someone in the kitchen finds out you two are fucking.

[willbyersabyss]

It's calling you...

El saw Will in the void when she opened the 1983 gate. He was the one calling to her the whole time.

Brenner told El that the demogorgon was calling her, but what if it wasn't the demogorgon at all... what if it was Will.

The lines are constantly blurred between the demogorgon and Will in s1. Will talks through the lights, the demogorgon comes through the wall. They follow the demogorgon's blood trail, they find Will instead. Will calls Joyce, the demogorgon intercepts. We can never really tell whether it's Will or the “demogorgon.” This blur could carry over to the opening of the gate.

Speaking of phone calls, almost every missed phone call in the show is related to Will in some way. When people try to reach him, they fail. Only when Will calls them does it go through.

I can't even give all of the examples because there are too many, but Will is always associated with phone calls. Will called Joyce in s1, Mike has had multiple missed calls to Will, Nancy tried calling Will in s3, etc. Will has to call, he has to reach out.

When Max calls the Byers, it doesn't just go to voicemail, it's busy. Someone is using the phone despite no one being there. That someone is Will. One of the first scenes we see is Will calling the police, but he doesn't call them, he calls... someone else. Whoever it was, they picked up. But there's no sound other than screeching. Who was screeching? We'll get to that in a bit...

El was called to. The "demogorgon" wanted her. So we have Will who is constantly associated with phone calls, but he's also mixed up with the demogorgon. Why? El answered his call.

The phone call Bob tells Joyce to let go is immediately followed by the lab's lights going haywire, then a door to the Upside Down opens for Will. They also cut to a faucet dripping and a clock going unusually fast. El's void is made of water and there's a clock ticking sound just before she opens the gate. These scenes parallel. The 1983 gate was opened for Will. He was calling out to her, just like the phone.

"All I needed was someone to open the door. And you did that for me without even realizing it." Ok Vecna I'm pretty sure El noticed the giant gate in the wall. So what didn't she realize? El didn't know Will was the one calling to her.

When Mike asked if El saw Will, she flipped the DnD board to the back. We assume she means the Upside Down, but what if that's not what she meant. What if she meant she saw him in the void? The back of the board is pitch black just like her void.

She places Will's character right next to the demogorgon. How does El know that Will is where the demogorgon is? She had to have seen him NEXT TO IT. This is the first time in the story where we see El sensing Will, so why would we assume she saw him in the UD before this point? She hasn't used her tracking power since she opened the gate. There's only one time she could have seen him. When she contacted the demogorgon, there might have been someone else there, lurking behind. Will!

When El puts Will over the walkie, Lucas says this. The name Blackburn means "black stream." The void is black and made of water. Could this be hinting at El tapping into the neighbor of the demogorgon in the void? Mike follows this with "Did that sound like a baby to you? That was Will." Hm that's interesting because we can actually hear Will in the void when El sees the demogorgon for the first time.

Yeah, that's right. You can hear him.

I can only add one video to this post so the number in the corner will align with the text accordingly!

I'm going to sound like a broken record because I've talked about this a few times already, but I think I finally put all the pieces together:

1 - When it cuts to the speaker, you can hear a faint voice come through. This sounds just like Will when he tells El to hurry. So we have a real "Did that sound like a demogorgon to you? That was Will!" moment. If you line up the hurry clip with the speaker video (not pictured), Will starts to disappear in Castle Byers at the exact time El breaks out of the void in the other clip. They're connected.

We don't actually see what's making the noises in the void the first round, we only hear it. What would the reason for this omission be?

I think the moment we see Will in the Upside Down Castle Byers is the beginning of everything. That's when the gate opened.

2 - The scream we hear when El opens the gate is the same scream that breaks Castle Byers. While this is just a demogorgon sound, it's interesting that they used the one that sounds the most human. Especially when this is the least common sound it makes. It has the same cadence and length in both clips!

I would also like to note that this sound has played when a demogorgon wasn’t directly seen. When Nancy emerges from the tree gate, we hear this weird scream too even though the demogorgon clearly wasn’t coming through with her. Gate, scream, invisible demogorgon.

The egg the demogorgon is eating when she touches it is about 20 feet away from Castle Byers. It can't be a coincidence that they placed them so close. They could've had Hopper come across that egg anywhere, why Castle Byers?

Dustin used an egg to test if the deprivation bath was ready. El then found Will in UD Castle Byers using this bath. Eggs are associated with the gate opening, they used an egg just before she finds Will, and THE egg is outside Castle Byers. Will being in Castle Byers is related to the gate opening.

So what if the scream Will hears was the same scream from the gate opening? We don't see a creature on the other side of the blast, just white fog, so can we be sure it was the monster opening the door? Maybe the force of El opening the gate is what broke it. When people disappear from the void, they leave behind the fog we see outside of Castle Byers after the blast. This fog doesn't usually appear in the UD.

Most people don't sense El when she reaches out to them in the void, but Will did. He was reaching out to her. When El opens the gate, Will was already in Castle Byers in the UD. There's time shenanigans here. Time doesn't really flow how it should in the void. El was able to see a pregnant Terry in there before she was swept into her memory loop. Time also is weird in the UD. It wouldn't be crazy for El to be able to open the mother gate after Will got kidnapped in a weird paradox way.

3 - Coming back to phone call weirdness for a second, Will hears screeching over the phone. This may be a stretch, but it kind of sounds like a distorted version of El's screams when she opens the gate? Then Will's phone call was interrupted by the creature unlatching the door. So when Will's call goes through, a door opens. And he's met with the answer to his most fateful call. He hears El screeching as she opens the gate because that was the result of him reaching out.

In their respective universes, both Will and the demogorgon destroy Castle Byers. So that's another mix up between the two. If Will really was the one calling out to El before she opened the gate, his destruction of Castle Byers is not only a physical representation of how he inadvertently destroyed it, but also an emotional representation. Will accidentally created his own kidnapping by asking El to open the gate. He created the trauma that led to his childhood destruction. The rod imagery at the end of this scene proves that.

Another possible reach, but we know that it was raining the night Castle Byers was built and the night Will destroyed it. If El's journey through the watery void also indirectly caused the destruction and creation of the UD Castle Byers, there's more water connections there. The UD isn't just mirroring visuals, but scenarios too.

When Hopper inspects the remains of Castle Byers, he finds a lion plushie. El was cuddling a lion plushie when Brenner told her she was going to make contact with whatever was calling her. The lion causes Hopper to flashback to Sara and El was in a flashback when we see her with her lion. So what if UD Castle Byers is a "flashback" to when the gate opened?

Just before UD Castle Byers was destroyed, Will was singing Should I Stay or Should I Go. While these were not the lines he was singing, the song makes references to time weirdness. "I'll be here till the end of time" implies that Will is stuck in a time loop when he's in the UD. This song being sung during this scene may hint at its significance in the time loop.

Then there's lines alluding to kneeling in a black void with something on your back. Interesting how the demogorgon was crouched down in the void when El touched its back.

Speaking of kneeling, El approaches Billy in the void the exact same way she does the demogorgon. Billy, who is literally named William. I'm telling you the Will demogorgon mix up never ends. Billy makes himself disappear the same way Will does in the void scene. Oh and when El is looking for the source in Billy's mindscape, the song "William" plays. Very subtle (sarcasm). Will is the source.

Ok but how did the gate open?

Will died.

In s4, we find out that gates can be created by killing people. We also find out that music can open gates in the mind. Interesting how both of those things happen to Will around the UD Castle Byers scene. Will was singing to himself, then he got taken to the library where he died.

The big boy gates all meet at that library where there's a giant clock. Will was the fifth and final sacrifice. But wait! The original gate opened at the lab, not the library. Perhaps Will died twice... once at Castle Byers for a split second, then again at the library. The Castle Byers death opened mother gate, but the library death had delayed effects.

Or Will didn't die twice and it was just a joint effort between El and Will.

El and Will have opened a gate together before. Every time El contacted Will up to this point, it didn't open a gate. Only when Will reached out himself did a gate open. We're right back to Will being the one calling out. He had to try for it to work.

Will was on the brink of death in Castle Byers. Maybe he wanted a gate to open right then and there so he could be saved. But time had different plans. So when Will called out to El in the void, she answered, and they opened the gate together, not knowing that this actually causes his suffering rather than heal it.

In s2 when they figure out that Will spelled out "close gate," the phone rings. They rip the phone off the wall. Another missed call associated with the gate. But this time, it was Will telling them to close it. He had to tell them to ignore the call. They destroy the call, they close the gate.

It's also possible that Will's call for help was manipulated by Vecna. Maybe Vecna showed El the demogorgon to hide his true intentions. Will has something Vecna needs to open the gate. Not to make everything about Will's mind theory, but if the UD is Will's mindscape, it could explain why Will’s call for help resulted in a gate. Max's call for help through music opened a gate to her mind. So is it really that far off to say that Will's did the same?

Alright lets get a run down of the timeline:

El reaches out to Will in Castle Byers, Will tells El to hurry. This aligns with the first call El hears in the void.

A bit later, El revisits the call, assuming it was the demogorgon. In a startled scramble, she accidentally makes contact with Will who was on the brink of death about 20 feet away. Their joint energy opens the gate and destroys Castle Byers.

This energy attracts whatever took Will to the library. Will is kidnapped once more and dies. This joins the gates in 1986?

We know that the scene of Will getting taken from Castle Byers to the library is the opening scene of s5. Both s3 and s4 begin with a gate opening. Wouldn't it be fitting for the s5 opener to be the gate that started it all?

[crazychicke]

Bridgerton I Feels Like home

[minervas-hand]

The sensory deprivation/whiteout alone must be majorly messing with his head. Like a classic tactic of recruitment in cults, now I think of it.

I hope Aziraphale is doing okay up in Heaven

Cause today I got really grumpy/overwhelmed, all because I forgot to eat

Poor Aziraphale has been in Heaven for how long now? He's probably hangry up there!

[ireneaesthetic]

Pointing out little moments and details of scenes that need to be remembered.

library scene • episode 1

their expressions softening and smiles growing bigger as soon as their eyes meet. oh the effect of each other’s presence!!!

wille's staring contest and the lip bite while approaching give off so much confidence. he leans in for the kiss like it's all he's been waiting for - everyone is watching and yet he sees and cares about anyone anything but simon.

simon dives into the kiss just as quickly. it starts out as shyyy but you can see the tension easing through his body language.

it’s a second first kiss for them in a way bc it's their first public one: the thrill, the excitement, the butterflies - it's all there. for this huge step to come from wille makes it even more special.

it’s a super tender kiss, with simon’s hand ending up on wille’s chest. background noises fading away to enhance the sound of their lips is so on point: none of that truly matters bc in this moment it's - them.

first they kiss and then greet with a proper hej *giggling*.

lip biting is serious business in this scene. simon's shows a lot of embarrassment tho - he comes out of their own bubble and suddenly becomes very aware of people's chatter.

shoutout to felice and maddie in the background not giving a damn about it ahsjsj.

wille pulling simon by the hand in such a hurry is funny and so him. he literally says 'ok folks you've seen enough, i want him just for myself now'.

ugh i love parallels in this show sooo much. they alone tell the whole story!

same spot but different point in their relationship: so distant in s2 - both physically/emotionally - and couldn't be seen or heard so they were hyper attentive; deeply connected on all levels in s3 instead, the focus is solely on each other, reaching for comfort by holding hands. the coloring tells the same plot too: cold and dull tones first but much warmer ones in s3.

simon side eyeing the hallway but turning to wille is enough to reassure him and ease the discomfort.

hands intertwined with the key chain in such a ‘fuck 'em, this is about us’ way is a genius move.

wille’s whole posture is extremely relaxed - one arm behind his back, the other hand holding simon’s, his legs crossed. it’s a breath of fresh air to finally see him acting this loose and unbothered around people. he's also the one who helps simon feeling much more comfortable here too.

not much to point out, i just needed to gif simon’s bambi eyes and wilhelm being mesmerized by his face.

hela terminen's line delivery is honestly *chef’s kiss*. they care to keep their voices low throughout the scene and then -

i have a thing for height difference so this shot is everything to me. it's peak head over heels boyfriends behavior!

wilhelm is stronger than me bc i would've kissed simon right on the spot if he tilted his head up like that.

shhh they’re cuddling.

the forehead touch with closed eyes and content smiles. this is basically what i've always loved the most about them - the state of pure bliss they're in only when with each other.

simon's eyes on him while wille is still keeping his eyes closed, slowly pulling away, to enjoy the moment a little longer.

simon's attention directed towards wille and the linked hands. it must feel the best kind of weird to experience the freedom of doing couple-things publicly - people's scrutiny no longer being something they have to hide from.