#HELP THE THINGS HE SAYS ABOUT HER

[nekocrumbs]

I'M TRYING TO LIMIT MYSELF ON POSTING BUT I'M HAVING AN ACTUAL CRISIS HERE SOMEONE PLEASE ANSWER MY QUESTION, IS TOBI CRUSHING ON SHIRITAMA IN THE LIGHT NOVEL?! OR AM I MISSING SOMETHING?!

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[jenanigans1207]

What I wanted so badly was for Mary to learn about her boys from Cas. Like that night where Cas finds her when she can’t sleep and she expresses that she just doesn’t know anything about her sons since she missed so much?? All I wanted was for Cas to sit down with her at the table and just start telling her about them. Basic stuff at first: their favorite foods, their sleeping habits, the stuff he’s just observed by being their passenger for years.

And then I want him to say something totally Cas, like “Dean always wears more layers but that’s because his body naturally runs two degrees colder than Sam’s. But that’s normal for him and not indicative of any illness, so it’s nothing to worry about.”

And as they talk, it starts to get a little deeper, and Cas tells her more. He tells her about what she missed, about all the horrible things that happened to her sons and how they coped; how it changed them. And he tells her about Sam, he does, but really it ends up being all about Dean.

He’ll tell her about how Dean clenches his fists when he’s upset, even as he tries to keep his face impassive. About how Dean drums his fingers on the steering wheel when he’s anxious. He’ll tell her about Dean’s nightmares, about the ways he’s chosen to cope. He’ll tell her how to know when to approach Dean and when to give him space, how to gently acknowledge what he’s feeling without pushing him too far.

And with every word he says, Mary’s curious head tilt from when she’d seen them hug in reunion turns into a bone deep type of certainty. Because Cas is telling her things that only someone who paid special attention would notice. He’s telling her things that only someone very, very close to her son’s heart would know.

Cas will tell her the cliff notes of what they’ve been through; will tell her how the whole world looked to Dean and he rose to the occasion over and over again. He’ll tell her about Dean’s doubts in himself and then vehemently declare them as wrong and explain, at length, why. He will tell her about the people Dean has loved— the people who loved him like he was their own— and lost. He will tell her about Bobby, Ellen, Jody, Donna, and Charlie. He’ll tell her about Claire, too, and how Dean stepped up.

And the whole time, Mary will have this realization that oh, she may not have been around to guide and protect her sons, but there was always someone there to care for them and support them when they needed it. She will realize that she and John may have left them, but they were never alone.

But more than that, there was someone there for Dean. Someone picking Dean over and over again while Dean picked Sam, or the world, over himself. There was someone fighting for Dean when he wasn’t fighting for himself. There was someone who saw Dean, and loved him unconditionally.

Sitting across from her, at the asscrack of dawn, filling her in on all the things she missed was every mother’s dream: someone who loved her child with the kind of devotion that would break the world. And from the sounds of the stories she was being told, it did break the world. Someone whose love is entirely untainted and comes without any strings attached.

It’s so clear to her as she listens to Cas talk that Cas loves Dean with no expectations. That loving Dean is something he just does, like he doesn’t know how not to love Dean, like the possibility of not loving him never occurred to Cas. He loves Dean in a way that Mary knows can and will soothe Dean’s sharp edges and battered heart. He loves Dean in the kind of pure way that tells Mary that it will continue to endure and overcome everything without ever diminishing, even the littlest amount.

Mary, through tears, will tell Cas how she always told Dean that there were angels watching over him. And before Cas can make some comment about Dean being the Righteous Man and the interest of most of Heaven, she will place a hand over his and give him a motherly look that will convey all the things she’s not sure how to say— and the things she’s not sure Cas is ready to hear yet. And Cas will flush and look away, mumbling about how her son is very special to him.

And when she pulls him into a hug and murmurs thank yous into his shoulder, she will be comforted in the knowledge that her sons turned out to be wonderful men, and that they managed to stay together through everything. She will be comforted to know that no matter what happens, no matter her shortcomings as she tries to fill a role she never meant to leave, Sam will have Dean and Dean will have Cas.

And this time, when Cas tells her that she belongs here, she will believe him. And she will tell him that he belongs here, too.

And when Dean wakes up a few hours later and wanders in to find Mary and Cas still chatting over the table, he’ll be surprised— but pleased— to find Mary looking more at ease. He’ll be pleased when she gives him a warm hug and pats him on the cheek and tell him with all the sincerity that only a mother can muster that she’s glad that he met Castiel. And when Dean agrees, a little confused, Mary will just smile at him.

“I always said I’d like a third son.” She says, “so give him a reason to take our last name, won’t you?”

And Dean will splutter and turn fifteen shades of red as he steadfastly doesn’t look at Cas but mumbles something that suggests he’s not against the idea at all.

And Mary will laugh again and wink at an equally red Cas before heading towards the kitchen like “Cas said waffles are your favorite, so I hope you’re hungry!”

[bookalicent]

yeah so this was insane

[felassan]

What kind of spirit do you think Felassan waz?

Swag

[howbrightthemoon]

THANK YOU R/POLINBRIDGERTON I CAN NOW DIE IN PEACE (for now) WITH THIS BRIGHTENED VERSION HALLELUJAH

Nicola, girl, why would you lie about not using tongue and then give us PENELOPE LICKING THE INSIDE OF COLIN'S UPPER LIP ARE YOU KIDDING MEEEEEEE

also, you guys can see it looks like early morning outside right???? you guys know they went at it ALL NIGHT AFTER THE BALL RIGHT???????? WHERES THE ALL NIGHT BOINKING MONTAGE?????

[writer-room]

Listen when people say they want Percy to go on a villain arc most times I see it as they want him to go dark, want him to start murdering, maiming, going full Luke, etc. And I support that. If anyone deserves to kill people it's this kid.

However, let us be realistic for a moment, because I quite like the other alternative. Villain arc Percy usually entails "he's finally had enough of the Gods bullshit & will do things his own way". Let us think on this. What would Percy most likely do in this situation? Would it really be murder right off the bat?

I think he'd be the pettiest, annoying little shit there is. And because one can't usually threaten the Gods in a way that truly matters, but they can make them sweat really hard.

This goes beyond ignoring their calls and leaving them on read. He refuses to give food offerings unless it's the nastiest shit known to man. Bribes the cyclops into hucking huge objects up Mount Olympus before they all scurry off. Finds the olive tree Athena gave to Athens, and while he wouldn't have the heart to destroy it, he'd for sure rip off a branch & mail it to her (Annabeth nearly had to put them in witness protection).

Eventually it gets to the point he has Nico on speed-dial and offers him a shit ton of fast food & a 'get out of Percy's quest bullshit free' pass if he could hop into the Underworld and yoink up some annoying spirits or dead monsters to piss off the Gods. When the Gods get pissed at him Percy just silently pulls out some safe-for-demigods phone like "hang on I wanna see how many happy meals I owe Nico for bringing Typhon back up". They know he is not bluffing.

Could the Gods counteract him? Yeah, sure, Hera gave him amnesia and it was like 90% effective for a while. However, he kind of went off the rails, everyone else went off the rails, and then they had even more Roman nonsense to deal with. If anything it both solved but also made even more problems. And a much angrier Percy. So, frankly, they're very confident it could work, but they're a little worried about what the aftermath would be.

Ares suggests just killing him. Poseidon takes offense to this. Artemis scoffs and says even Ares couldn't beat him. Everyone stops for a moment. The question is not asked verbally. But it is seen in the darting eyes and shifting seats.

Can they kill Percy Jackson?

Well, sure, they must be able to. He's a powerful kid, no doubt, with powerful allies, but they are Gods. Of course they can kill him. So that's not the real question, they wouldn't dare really entertain such a thing to ever confirm if it was true, but this is rather the layer of frosting hiding the real atrocity of a cake underneath it.

What will they lose trying to kill Percy Jackson?

What will remain standing in the face of some 18-year-old who lived one of the hardest knocks of life, loves so much it makes them sick, is so completely unaware of his own strength not even they know its full extent, and currently has absolutely zero fucks to give about the end of a reign longer than he will ever understand?

They decide to quietly shut the lid on that whole fiasco and let Percy do whatever he wants.

Unfortunately, they can't exactly ignore everyone else. And everyone else is who Percy cares about the most. So, think of it more like leaving a grenade in a locked box in the attic. Just hope and pray you've moved out before something gets curious and starts rummaging around up there.

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[jinxed-sinner]

Look I know Lucifer isn't the best dad ever but I feel like people who say he's a bad dad are purposely ignoring the context of the show. It is very much implied that he thought Charlie wanted nothing to do with him, and Charlie thought he wanted nothing to do with her. Lucifer’s still dealing with trauma from Heaven and his fall and probably will for the rest of time plus he's dealing with what would probably qualify as clinical depression, and simultaneously dealing with trauma, clinical depression, and autistic traits (which Lucifer absolutely has; I do not say, as an autistic person, that Lucifer is a massive autistic mood for no reason) is a fucking NIGHTMARE.

I'm not saying Lucifer shouldn't take responsibility. He should. But he's already doing better than my dad frankly. Lucifer hits me in the daddy issues, I wish my dad made an effort to be more active in my life. Lucifer is fucking trying, and that's better than a lot of people can say about their dads.

[alwaysurvalentine]

bad days are meant to be shared - st fic

Written for Day 10 of @steddieangstyaugust - prompt: "Where were you?" - word count: 3.7k - cw: some cussing, mentions of nausea but no vomiting (Steve Harrington centric, but Eddie saves the day)

enjoy! 💛

Working at Family Video is fine. It really is. It can be mindless but Steve doesn’t mind it, or at least he doesn’t mind when he wakes up feeling refreshed. Instead he got to wake up feeling groggy, a heaviness settling in his head that he knows can turn into a migraine if he isn’t careful. His heartbeat is already pulsing through his body but he figures the medicine he took this morning with his coffee should hold off the worst of it until Robin comes in. She’ll be able to talk to the customers and he can just focus on restocking the shelves and rewinding tapes. He’s just got to make it until 2. Only one hour to go until she walks in and so far it’s been pretty quiet for a Friday. Only one more hour and then he won’t have to answer the phone when it rings or-

Speaking of the phone, it starts to ring and he sighs. He wishes he didn’t have to answer, but would rather answer than listen to it continue to ring – acting like an ice pick to his brain.

“Thank you for calling Family Video, how can I help you?” 

“Steve! Hey!” Robin’s out of breath on the other end of the line and Steve can picture her wrestling jeans on while talking on the phone. “Can you do me a huuuuge favor? Can you please please cover for me today? Chrissy invited me out to the lake for a picnic!”

He knows he’s going to regret it, especially with how his head already feels, but he also knows she’s covered for him before. Plus, he’s been dying to tell her ‘I told you so’ about the whole Chrissy Situation (TM), since Robin refuses to believe the other girl likes her. Steve’s seen cheerleaders flirt, he knows what it means that Chrissy always finds a way to touch Robin in some way. Examples include bumping shoulders while they walk all the way to brushing Robin’s hair behind her ears – Steve swears she’s hopeless. The girl can figure out Russian in no time, but a girl flirting with her? Might as well be the nuclear codes. Though he thinks Robin could figure that out faster.

“Yeah, Robs. ‘Course I can.” His voice comes out more gruff than he intended, but the light from the front window is just hitting his eyes worse than it was before. The echo of his pounding heartbeat intensifies. There’s a small pause on the other end of the phone, damn Robin and her ability to read him. “Someone’s about to walk in – talk later?” 

“Sure, but Ste-” He hangs up. No one’s walking up to the store but Steve stands behind the register for a moment regardless. He crosses his arms on the counter in front of him and leans against them for a couple breaths. Now he’s got four hours to go before he can leave and no one to cover for him if this headache does become a migraine. Hopefully Hawkins will decide to go to the actual movie theater in town rather than coming in for a rental. Four hours until he gets to go home. Where he planned on cooking dinner for Eddie tonight, shit. His head throbs at the idea. No, it’ll be fine. He’ll make it through his shift, make dinner for Eddie, call Robin to ask about her date, clean up dinner, and then go to bed. Imagining his and Eddie’s bed, soft sheets and fluffy pillows gives him some hope; imagining Eddie’s arms around him when he falls asleep brings a small smile to his face. 

The bell attached to the front door rings and he sighs before standing straight, his customer service smile already painted on his face when he realizes it’s Dustin that’s walked through the door. As always, his curls are wild under his cap, and he’s wearing his green ‘Camp Know Where’ shirt. 

“Steve! Get this! So was messing around with my mom’s radio to see what parts I could use to make my own phonograph -” And the pulsing is back. Steve knows as long as he keeps on nodding every so often and places a couple ‘oh really?’s in there Dustin will carry this whole conversation on his own. Dustin’s mom is a saint, but Steve knows that sometimes her suggestions for ‘Dusty’ to get some air is to give her some time alone in the house. Which usually leads him to wherever Steve is or the rest of the Party – Steve seems to be the lucky winner today.

A family makes their way into the store, Mrs. Dawson and her two boys. Steve doesn’t remember their names but he eyes them as they race off to the cartoon section of the shelves. Mrs. Dawson sets down a couple movies in front of him on the counter, a grimace on her face. Her lipstick is a bright pink that almost hurts to look at. 

“Let me just pull up your account to get this squared away. Did you need help finding anything today?” His voice sounds plastic even to him, and distantly he can hear Dustin still talking about the pieces of the camcorder. What the hell is a beam splitter? Anyway – Amelia Dawson’s record shows the two movies on the counter, she’s turning them in on the last day before late fees but that’s fine. He checks that she’s returned them and goes to grab the cases (Robin Hood and Pete’s Dragon smile up at him from their plastic covers); now that he has his hands on them – are very sticky. Like dipped in caramel sticky. Luckily Mrs. Dawson’s attention is back on her boys who have decided to try and play tag in the aisles, uncaring of their elbows catching on movies at the end of shelves and leaving them to clatter on the floor. Steve fights a gag at the feeling and scoots the movies to the side of the counter, he can rewind them later. 

“So as I was saying, now I just have to get a couple of parts from Radio Shack and I should be able to record my own waves and see what they look like. If I can do that, then-” Steve tunes him out again, nodding along like he has any idea about what Dustin is talking about. Why does he need to see how words sound?

“Boys, come on now, we don’t want to keep daddy waiting – let’s go. Time for a late lunch.” Luckily, the twins – who he finally remembers are Michael and Matthew – take off towards the door at their mom’s words. Pushing at each other to see who’s going to get there first. The cardboard cut out for the month, Sigourney Weaver’s character from Aliens, falls to the floor in their wake but at least the store is noticeably quieter without them. Dustin asks to use the bathroom and Steve just nods as he rounds the counter. The movies that fell earlier get placed on the shelf and he makes a mental note to move them to the right places before he leaves today. He’s standing the cutout back up when he gets hit with a wave of nausea. He closes his eyes and slowly inhales, knows if he pukes now the rest of his shift will be absolute hell. With his eyes closed it’s a lot easier to hone in on the sounds of the fluorescent lights. Normally it’s a gentle buzz in the background, but today the lights seem to be doing their best impression of a drum line that just won’t quit. The nausea lessens and Steve glances at his watch. Just three hours left to go.

~

“Steve, what do you think?” Hazel eyes blink and Dustin comes into focus again, his eyes expectant. Steve knows he’s waiting for an answer to something but he genuinely has no idea what was just asked of him. Dustin’s eyebrows furrow slightly as the silence continues. Steve’s head is still throbbing and he can feel his heartbeat all the way down to his fingers. 

“What did you say?” 

Dustin huffs, rolling his eyes before repeating(?) his question. “I said, do you think that we can record the sound of silence as a sound wave? Because when it’s quiet your ears can make that ringing noise, do you think it’s quantifiable? And if it is, do you think there’s some kind of link to that sound to the part of the ear that is affected by deafness?”

Steve knows all of those words individually, but thinking of them in a sequence that makes sense to him right now is not happening. He even knows what Dustin means by the ringing noise, but he didn’t realize other people heard that too – thought that was just a him thing. Dustin must be able to tell he doesn’t have an answer because he crosses his arms. 

“Do you even listen to me when I’m talking?” Steve shouldn’t, especially with how riled up Dustin already appears to be, but he tunes him out again. Choosing instead to focus on the man walking through the door behind his friend. 

“Welcome to Family Video!” 

Distantly Steve wonders if Robin and Chrissy are having a good time at the lake, it’s been a sunny day. Probably hot enough to swim honestly. He feels bad for thinking it, but he hopes that Eddie’s bandmates are gone by the time he gets home. Normally he’d be fine with them at the apartment since they help bring out the best in Eddie, but he knows that they can also get pretty loud, especially if they’re messing with their instruments. He still needs to reorganize the shelves and rewind a couple films before the end of his shift. The thought of dinner makes his stomach turn and he wishes he could just go to bed once he gets home. But tonight’s his turn to cook, him and Eddie switching off days to make sure no one’s cooking all of the time. 

“Excuse me?” A hand snaps in front of his face, bringing his attention to Mr. Jameson’s annoyed face. “Can you check me out or not? I don’t see anyone else here.” His words bite and Steve silently nods. Glancing at the title before looking up his name in the system. The screen is blurry and all the words look like one long dark line across the screen. 

“Sorry, sir. Your total is-” before Steve could finish a five dollar bill was placed on the counter. “Okay, your change is $3.50. Here you-”

“No, you owe me four dollars back. Not $3.50. This is why I normally have that girl check me out. You’d think you’d know how much to charge by now.” 

“No sir, it’s 50 cents per day, and typical rental time is three days. So that’s $1.50 which makes your change $3.50.” The change sits in Steve’s hand, two quarters pinched between his index finger and thumb. Mr. Jameson stares him down, eyes filled with anger, and Steve’s over it. Whatever, he’s got 5o cents in his car that he can put in the drawer to make it balanced later. He pops open the drawer and pulls out another dollar, dropping the quarters back into their slot. Four dollar bills are snatched from his hand and Mr. Jameson grunts before stomping out the door. 

“Steve? What the hell? You’re just going to let him talk to you like that?” Dustin’s voice is shrill when he talks, getting higher near the end, and Steve just breaks.

“Please shut up.” Dustin’s mouth closes with a snap, a look of hurt on his face. Steve wants to say more, explain that having his eyes opens hurts and that he can’t be bothered with customers who don’t know how to be decent; can’t be bothered with remembering what parts of the radio and camcorder and VCR player Dustin took apart for his personal project. He wants to explain that he really needs to put a cold compress on his head and lay down in the pitch black silence of his room for a few hours to be human again. 

None of this makes its way out of his tense jaw though and Dustin must decide he’s done with Steve for the day because he says nothing before turning and making his way towards the door. Fuck.

~

The last two hours of Steve’s shift passes in a blur. Someone tries to call the phone and instead of answering he covers his ears until the ringing stops and then unhooks it from the receiver. A couple of girls try fluttering their eyes at him to see what his weekend plans are but all he can think about is how he’s going to get through dinner with Eddie, and they finally leave with a disappointed glance at each other. 

Finally, he’s able to turn the open sign around – and then he remembers he never organized the movies from earlier. He fixes the shelves by dwindling sunlight, having shut off the overhead lights as soon as he could. It takes him about 30 minutes to fix it all, pausing every so often to just stand with his eyes closed. The words have lost their meanings and he hopes that basing his sorting off of the cover pictures is good enough.

Sitting in his car is the most relief Steve’s gotten all day. Eyes closed behind sunglasses he had clipped on his visor and the engine off he takes the time to breathe; the nausea has been coming and going on its own in waves and he almost wishes he could just go to sleep in his car. Getting back to the apartment is only possible through muscle memory and the knowledge that dinner still has to be made. He waits another few minutes in the car, trying to decide if any of the cars outside are of the band’s, or if he’s officially got Eddie all to himself. For the first time today he feels lucky when he doesn’t see Jeff’s car. 

Living on the second floor has its benefits, like not having upstairs neighbors and getting lots of natural sunlight for the apartment. It also has its downsides, like carrying heavy groceries in the heat and getting up to their door in one piece when a migraine has him by the throat. Even his key turning in the lock makes him cringe, clenching his teeth together as he steps in. It’s quiet in the apartment, a certain stillness in the air that Steve appreciates. He toes off his shoes, setting his keys in the little ceramic bowl El gifted him and Eddie when they moved, and then bends to straighten his shoes to the wall. Bending does not help his nausea and he swallows down a gag. 

“Stevie, honey? You make it home?” Eddie rounds the corner, a grin already on his face. His hair rests on his shoulders, frizzy curls around his head like a halo. Steve musters a small smile at Eddie, closing the distance between them with a few steps. The shirt Eddie’s wearing is well worn, old enough now that the words on the front have faded into the black around them and the collar is stretched out enough that Steve can almost see the top of a spider’s leg.

“Hey, hungry?” Normally Steve matches Eddie’s energy as best he can, but he can already feel his energy draining again. Should’ve sat in the car for a little while longer. He presses a quick kiss to Eddie’s cheek and continues his path to the kitchen. 

“You read my mind. You okay with cooking while I finish up some stuff before dinner? I promise you’ll have me all to yourself once food is ready. Just have some chords to figure out after talking with Gareth about some timing stuff.” Steve hopes Eddie’s looking when he nods because all of the movement from the stairs has caught up to him and he doesn’t think he has it in him to speak right now. 

Alone in the kitchen Steve just breathes. Almost done. Just have to brown the meat, toss it into some sauce and make the noodles. Easy. 

~

All of the ingredients are sitting on the counter when Steve finally loses the battle with his nausea and darts to the bathroom. He keeps the lights off, more focused on kneeling on the tile and trying to breathe through his gagging. A few minutes go by and he’s able to take a full breath in – just sitting down has taken the edge off. The darkness of the bathroom is more than welcome, he just wishes he wasn’t crouched over in his jeans still. Soft footsteps sound from the hallway heading towards the kitchen, guess Eddie finished his stuff.

“Stevie? Where’d you go?” As much as he’d love to answer, the effort it would take to yell for Eddie isn’t worth it right now so instead Steve leans against the tub, coolness spreading across his back. Another moment passes and Eddie rounds the corner to the bathroom, confusion on his face.

“You okay, sweetheart?” 

Three words and the dam holding Steve together just, breaks. His head pounds worse when the tears start but he can’t stop now that he’s started. Today sucked. And now his night’s going just as poorly. Can’t even get dinner made. Eddie’s still looking at him but he can’t make out his expression through the tears blurring his vision. 

“Okay, alright, come here.” And then Eddie’s kneeling on the ground, arms outstretched for Steve to lean in to. As soon as he leans in, he’s crumpling into Eddie’s arms. 

~

Steve’s not sure how long they sit there, him crying into Eddie’s shirt, but the collar is nice and damp by the time he pulls away.Disgusting.

“As much as I love this surprise cuddle session, wanna tell me what’s going on?” He knows Eddie doesn’t mean to, but the sound of his boyfriend’s voice almost seems to echo in the bathroom. Steve shakes his head and whines, tries to burrow further into Eddie – done with pretending. His head hurts and his whole body feels heavy like concrete. Right now the best thing in the world is having his eyes shut, head tucked into Eddie’s neck, and having his back rubbed. Without an answer though, Eddie leans back, staring at Steve hard like he’s going to hear the answer if he thinks at Steve hard enough. 

“Head.” Just one word takes a herculean effort and Steve watches as recognition lights in Eddie’s eyes. Finally. And then Steve blinks long and slow. 

~

When Steve cracks his eyes open again he’s greeted by the wall of his and Eddie’s bedroom instead of the white of the bathroom. His head is still pounding but at least it’s dark in here, the curtains are drawn and he has a feeling even if they were open only the moon would greet him. He knows Eddie’s not currently in the room because the air feels still, and distantly he thinks he can hear movement in the kitchen. 

Shit, dinner. He was supposed to cook dinner tonight. He hears the small creak of the door opening and he shuts his eyes again – he’s not ready to see or talk to Eddie yet. Embarrassment heats his face remembering how much he cried earlier, not that Eddie hasn’t seen him in worse states. But Steve Harrington taken down by a simple headache? Stupid. Can’t even contribute to the house like Eddie. Can’t keep up with Dustin when he talks. Can’t be happy for his best friend when she lands a date. 

“Hey, baby. Gotta wake up, I want you to take some medicine and drink some water.” A gentle hand is on Steve’s calf, rubbing slightly to ‘wake’ him. He burrows deeper into the blankets instead of rolling over.

“Baby…” And now Eddie just sounds disheartened, another person Steve needs to apologize to. Eddie first, for crying for no reason. Then Dustin for not listening to his rant. Then Robin for not being more excited for her. “Medicine and then water, then you can sleep some more. Come on.” 

“I’m sorry.” Steve rolls over, tugging the blanket with him . He’s miserable and can’t think of anything better than sleep. Tomorrow he can make it up to Eddie; make him breakfast, do the laundry, make a grocery list, ask him how handing out with the guys went, check in about -

“-vie, I need you to focus for just a couple minutes. Where do you keep going? Get out of that head of yours, can’t imagine it’s helping your migraine.” The words are whispered and Steve blinks at Eddie. Brown eyes meet his and he manages a small smile. 

“Sorry.”

“No need for all that. If you’d listened the first time you’d know I don’t mind. I love getting to take care of you. I love you. Stop worrying about whatever it is, there’s nothing you need to make up for – so no more apologies.” Eddie’s so earnest when he talks, a smile on his face causing small dimples to form. He’s holding a glass of water in one hand and a couple of pills in the other, but it’s the damp washcloth Steve can see draped on his wrist that brings a tear to his eye. Doesn’t matter if Eddie never said those three words again, his actions say them enough. Damp wash cloths when Steve’s head hurts, standing up for Steve when one of the kid’s decides they don’t want to explain a reference they make, or even when he flashes him a knowing smile behind Robin’s head when she’s talking about Chrissy. He’s full of love, and no matter how much Steve might feel like he’s messed up – he knows Eddie’s got enough love for him too.

“Hey, why are we crying? Sit up and take these.” With a small sniffle Steve nods, sits up, and takes the medicine. The washcloth is cool on his skin where Eddie rests it, letting him burrow back into the blankets – and the last thing he feels is a gentle kiss to his cheek before sleep takes him again. 

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[slymanner]

this was smart <'3

[dykedvonte]

One of my mutuals opinions is the "bro code" thing, that Curly is one of those guys who wouldn't care about the victim because the perpetrator is his friend and I'm really banging my head on the wall like that other anon. I've only played through the game once but Curly's behaviour/reactions etc read completely different from the "bro code" thing and I have to wonder if my mutual and I even played the same game.. like the constant digs at him from Jimmy, his body language in his face reveal and so on like you mentioned in your post. While this game is a little different obviously, it kind of reminded of a point in Alice Madness Returns that makes it very clear that Alice's pain blinded her to the abuse of the other children and her failure to act earlier because of it. Curly is guilty of a similar inaction but it doesn't change the fact he was a victim of Jimmy too. I don't think I can look at it any other way because both of these games have really stuck with me.

I genuinely think it really is the idea that people want a simple easy to blame problem and the idea that the only relatable victims of abuse are those that "surpass" it or do a lot to help others. When it comes to victims, especially those that don't fit the typical demographics, who either accidently perpetuate it, enable it or aren't ideal in some way shape or form, people jump to ignore what they went through as it's easier than dealing with those conflicting sentiments.

The bro-code conversation in Mouthwashing stems from a concept I generally dislike that there had to be something about Curly that made him meet or keep being friends with someone like Jimmy. I think people genuinely underestimate how many like decent and good people just know an asshole or are friends with someone who is really bad outside of their view/established dynamics. The game makes it clear none of the inaction against Jimmy is because of a lack of care, it is a lack of understanding from the privaleged postions they have as men to not have to worry about what Anya does/went through and the type of extremes men like Jimmy will go through to cover it up. They are all too preoccupied in their own strifes.

Another thing I see being oversaturated the idea that you have to be a freak, misanthrope or have a disorder to do the thing Jimmy does. The game is an escalation, it's a spiral that I don't see people comment on that Jimmy was not likely having the mood swings and episodes of rage/frustration we were seeing in the game. This is after they all start experiencing the worst moments in their lives that he got THAT openly bad. Of course, this is just my interpretation but much like in real life, people that go to extremes like that usually live mundane lives. It's a pressure cooker affect to where the stress made them pop. It's self inflicted but still the case.

I really think people need to be more willing to acknowledge that not everything needs to be an extreme or in black and white or easy to understand. It doesn't need to be happy or have an answer or solution, especially in the cases where the abused sadly helps perpetuate what they experience. It's not he should've known better from experience or shouldn't he have known what could've happened because victims tend to not like to think in matters of the worst. Not to mention, especially in cases of abuse where it feels so personally directed that you don't expect to happen to someone else.

[quietwingsinthesky]

i really do think the desire to paint ten as unambiguously The Worst™️ when it comes to his relationship with martha is out of this desire to uncomplicate their relationship. to decouple them as friends and people who profoundly impacted each other’s lives. it’s just an easier narrative to swallow: that ten was Awful to her and then martha kicked him to the curb when she realized she was too good for him. easier, maybe, then dealing with the troubles of unrequited affection don’t have to be anyone’s fault, or that ten shut martha out in a lot of ways but let her in in others that he wouldn’t let any other companion near, or that they were still friends, they still wanted to see each other and be around each other, even though it was messy and sometimes hurt. you know?

[autumnoakes]

okay but going back to zagreus and melinoë for a second... i think when they meet they're going to have a LOT to work on with each other if they're going to get along. zagreus likes to push boundaries and he doesn't like leaving things unresolved if there's something he can do about it and melinoë is a LOT like hades in so many ways (temperment and sometimes her tone in particular). they're going to get on each others' nerves. they're going to drive each other up the wall. they're going to need time to get to know each other and understand each other and they might not get the chance to during hades 2 (what with mel's task seeming pretty nonstop. i know she's a goddess but girl don't you get tired???).