#Growing Up Part of a Whole

[theladysunami]

I had a very odd dream where a train (or bus?) I was on got yanked into another world. While my dream had nothing to do with SVSSS, it did have my waking self thinking about how hilarious and/or horrifying such a thing could be as an AU.

Imagine Shen Yuan riding the subway, train or bus one day, when something happens and his whole car gets yanked into the world of PIDW. Nobody else in the car knows anything about PIDW, so Shen Yuan finds himself with the self imposed task of keeping this eccentric group of strangers alive in a weird world full of demons, monsters, and aphrodisiac plants.

The group’s first assumption would probably be that they’re still on modern earth, and just got teleported somewhere. Their second assumption, if they come across common folk, might be they somehow ended up in the past.

Then they run into some monster, or people riding on swords with specific uniforms, or a commoner mentions a name or event only Shen Yuan recognizes. The rest of the party debates what sort of Xianxia or Wuxia world they’ve ended up in, while poor Shen Yuan sweats bullets. He knows exactly what world they are in, and they are so screwed.

I have this image of poor beleaguered nerd Shen Yuan successfully protecting and leading this group of primary school kids, their cute teacher, and a handful of grannies and grandpas, while all the other adults and older teens keep wandering off and getting themselves in trouble.

[shallowseeker]

I'm breaking this one out by itself because it's a little funny.

*Dean's phone rings*

*Dean answers without looking*

*Dean proceeds to yell at Cas*

Ah, right. What could possible be so important?

/////

Sam goes on to tell Dean that *drumroll* Sam is Lucifer's true vessel.

WOW! Scary!

DEAN: *sarcastically* Just when you thought you were out, they pull you back in, huh Sammy? SAM: That's it? That's your response?

It's... completely lost of Sam, though, the REASON for Dean's sarcasm.

See. It's this: now that Sam's found out that HE'S a vessel, he's in his car, an absolute FIRE lit under his goddamned tail, EAGER to get back in and fight.

Sam.

SAMMY.

🤦🤦🤦🤦

Dean throws a hint.

DEAN: *sarcastically again* I guess I'm a little numb to the earth-shattering revelations at this point. SAM: Well what are we gonna do about it?

And Sam... still doesn't get it.

Sigh.

Here's the thing. Sam wasn't panicking when they learned that Dean was a vessel. Only Cas and Bobby were panicked and stressed. They were mean, but they were at least aware of the reality of things.

But Sam.

Yes, Sam was going through things, struggling with things, and taking time to go through things is okay. But on the other hand, it definitely still hurts that Sam wasn't insisting on staying in the fight on Dean's behalf, to protect Dean from becoming a vessel.

But now that Sam's learned that he's a vessel?

Boom.

It's not even that, though. It's this whole conversation.

Because what's missing here? Empathy for Dean's plight.

Sam doesn't realize that this is why he's perpetually at... the kids' table. This right here.

In this whole conversation, Sam is eaten up with ranting about his own feelings, about how he's sick of being a puppet, and how he's going to hunt Lucifer down and gain redemption.

Sam's all about "how he can do this," how he's "gonna prove it to you."

It makes him seem a lot younger than he is.

....

There's no acknowledgment of how helpless Dean must have been feeling all this time, knowing that he's been targeted by an archangel, about how scary this whole thing is.

Hell, even Cas acknowledged Dean's fears re: Michael.

I mean: He did it in his Cas way, but it still acknowledged the enormity of the fear.

Cas:

///

Meanwhile, Sam back in 5x01, right after DEAN learned about being Michael's vessel: Geez, why is everyone so cranky and stressed?

🥺Dean, what do you mean that you didn't mean your pep talk to Bobby? Whaaaat? 🥺

///

....

And the thing is. Not "getting it"? That's understandable. But this conversation is just... devoid of support for Dean.

And they're not. Sam's zapping all the strength for himself.

When they've been together lately, Dean is the big brother who lends support, and Sam isn't giving anything back. Sam's out to prove himself, not to support others.

And they tell older siblings and parents to be patient, to let them learn, to step back and forgive, to be "a soft place to land."

That's hard to do. And it's exhausting.

And aside// Sam's apology to (demon) Bobby was SO MUCH NICER. Sam, where is this humility and energy for other people????

SAM: No, actually. Bobby, this is all my fault. I'm sorry. Lilith did not break the final seal. Lilith was the final seal. I killed her, and I set Lucifer free. You guys warned me about Ruby, the demon blood, but I didn't listen. I brought this on. I'm sorry.

[poorly-drawn-mdzs]

Izutsumi character study

[utilitycaster]

I think the two most obvious foils for Ludinus Da'leth across all of Critical Role are Essek and Keyleth, which is both fascinating given how different those two characters are from each other (Essek being a foil in terms of isolation, single-mindedness, harm in the name of ambition, knowledge, and other such wizard themes; Keyleth being a foil in terms of people who have lost something at a young age to the gods and bear resentment for it, political leadership, belief that the world belongs to mortalkind, and longevity) but also it's extremely funny that they both are the partners of Liam's character.

[cashmere-caveman]

when u are a guy who is super normal about his boss and also his boss' wannabe arch-nemesis (more terror text post memes)

[gideonisms]

Anyway while we're speculating about the end of atn here's a selection of some of tamsyn muir's other endings (spoilers for most of her short stories):

girl & her love interest elope to live under the sea as an eldritch power couple

woman's best friend agrees to move in with her which makes her magical house happy

ghoul and the creature in her dead girlfriend's body walk off into the sunset after destroying their enemies

princess kills a dragon and then she and her love interest go into business together as professional monsters

well one does end with the protag becoming a cannibal and staying with the guy who tricked her into it so you've got me there

monster women overrun a town

a ghost gets revenge

Quite a few of the endings strike an unsettling tone in which you're not quite sure what you got was a happy ending, but the protagonists did walk away better off than they started. That's similar to what I expect from the atn ending too

[fear-no-mort]

i cant get over the whole time in the real world rick just sat there watching over morty and when he woke up finally rick sounded SO happy the way he just yelled his name excitedly the second he woke up,,,

[griem]

ijbol idk man releasing screenshots of very polarizing things said in a private discord server between friends in a public "callout" post is #the most #tumblrific thing ive ever seen LOL.

#opinion 😱 in tags

[retributory]

gx is so crazy how do you explain to someone with a surface-level understanding of what yugioh is that the series after dm features a hermaphroditic dragon-demon card spirit fusing their soul with the main character, who also has apparently been continually reincarnating for 100s of years with the card spirit's primary goal being to protect him, and when they embrace to fuse he says they shall never part again because they will forever and always from that point on be one jointed soul and body, and also he commits a borderline genocide against the card spirit race (???) and straight up kills some of his friends (they get better), and also there's a character who got his leg broken during an archeological dig and they replaced the broken bone with a dinosaur bone (???) and now he's like part dino and has fucking dino dna (?????????) and they send him to space as his dinosona to destroy a satellite that is about to destroy the earth (????????????), and also one of the teachers in the school (seto kaiba's duel school for dueling) is a homunculus and when he dies his soul (???) gets eaten by his cat and for the rest of the series he is living (?) inside of the cat's body, and also on top of all that theres a cool rival character as expected of a show targeted towards young boys who looks cool but in actuality he's lame as hell like he canonically stinks like shit cause he doesn't wash his clothes and he joins a cult and they get him out of the cult by reminding him that his real personality is being a rancid little stinky smelly bastard loser and no one likes him and he spends the entire series getting completely dunked on and also his main archetype is these things:

and then you have to concede that at the end of the day it is still an anime for a children's card game designed to sell the cards so if you ever try to explain the impact this had on your developing mind at 7 years old you'll sound sick

[henry-fox-biggest-stan]

When Piper (lesbian) broke up with Jason she told him than she thought she actually liked girls.

Jason, confused, asked her about it, because obviously she liked girls. Girls were amazing. Who wouldn’t like them? He’s just confused as to why that’s the reason she’s breaking up with him. If she wanted to end things, he would respect it, but that reason didn’t really make sense to him.

Piper, repeated herself and told him than she thought she only liked women. And Jason was a man. So it couldn’t work out. But than she would love to still be friends.

Jason, even more confused now, is like?? Piper only likes girls?? But everybody likes everyone?? Not just one gender specifically??

Anyway this is how Jason discovers he’s bisexual

[stagefoureddiediaz]

Thinking about step 9 and the whole concept of forgiveness of one’s self and others and it bringing healing and how bobby and Eddie have been paralleled a fair amount and the idea that Eddie started this process back at the end of s5 with his forgiveness and acceptance of his father but how he hasn’t yet gone anywhere near his mother and their relationship .

How his catholic guilt storyline seems more likely to play on his reltionship with his mother than his father (if his father wasn’t around that much it would’ve been Helena taking him to church etc each week) so the idea of an Eddie - Helena storyline that plays on catholic guilt and potentially his queerness in relation to that has me chewing on glass - it could be so epically good

[delyth88]

I'm fascinated with how movie-verse!Charles must have discovered and experimented with his abilities. I imagine he must have started off scared and nervous and then rapidly swung to being cocky and confident when he realises just how much control he has over everyone. He can make them do whatever he wants. He can make them like him, he can make them give him good marks in school when he didn't bother to try, he can make them be nice to Raven.

And then I wonder how long it took for this heady feeling to pass and for him to understand the humanity in each person and realise that he doesn't really want to control anyone after all.

And how easily it could have gone a different way.

[batcavescolony]

Batman: Under The Red Hood

I think this is a moment that reminds you that Alfred Pennyworth raised Bruce. Thomas Wayne was Bruce's father for so few years, he was young when they died, he probably doesn't remember much about him. The person that raised him the most was Alfred. So for better of worse Alfred is part of the creation of Batman.

[witchspeka]

I dont think Mob is naive as much as he's socially unaware, like the reason why he trusts Reigen so blindly is a bit more complex than just him being naive

Cause Mob reached out to Reigen because he was desperate to find someone like him, someone who understood his psychic specific issues, someone that could truly know what he's feeling and going through and give him guidance and support

Post incident Mob's thinking process was something along the lines of my powers hurt people -> my powers are bad -> my powers (my emotions, my instincts, myself) cannot be trusted

So he lost all confidence and trust in his own actions, resigning to being as passive as possible to avoid any further damage to anyone else, thus he started doubting his own perception of reality too

He's a kid already struggling with being ostracised for being socially inept, who just got traumatised and all of his insecurity increased by the tenfold, he doesn't know how to process what he's going through. He needs help.

And here comes Reigen, seemingly reliable, a responsible adult in a child's eyes, someone who claims he can understand him

Even tho Reigen doesnt. But it doesn't matter, because Mob finds comfort in his words and takes them to heart

Even if Reigen doesn't fully get it, even if he doesn't see the bigger picture, even if his advice isn't always the best

Eventually, Mob grows up, realises Reigen isn't as honest as he seemed through his 11 year old perspective, but like most things, he refuses to acknowledge it on a deeper level

Mob knows, but never tells Reigen, never thinks about what all those lies mean to him (ofc until he forces himself to face those doubts regarding Reigen, to properly acknowledge both of their flaws and accept them as they are, I should scream into the void about Confession Arc more God)

Due to his lack of trust in himself, Mob has relied on Reigen for years now to shape his moral compass, his thoughts, his decisions

Because well, Reigen lies, sure, but he isnt a bad person. When he hurts Mob, it isn't intentional or with ill intent, he still wants the best for him, what's the issue?

Except that it stunts Mob's growth. He doesn't develop as a person, doesn't have goals or wishes or ambitions, can't make choices on his own, he doesn't even let himself acknowledge his own emotions, he refuses to let himself exist

But Mob realises in time that he wants more than that, he wants to become better and be independent and feel again

Still, he puts the acknowledgement of the lies on hold for as long as he can, unwilling to question the way things are

This can make him feel a little naive, he constantly relies on Reigen and trusts his decisions and raises questions rarely until separation arc when he finally puts his foot down

And I do think that moment is the most resounding proof we have that Mob knows and allows himself to be used by Reigen, not wanting to shake the status quo, until he gets fed up

I mentioned the social ineptitude at the beggining but idk if I should even elaborate on that, you've watched the show, you know what I mean

He's blunt and can't read social cues or tonality that well and can't speak in front of crowds and is overall pretty awkward and I do think some people conflate that with naivety

Mob is still a child, he doesnt fully understand how the world works at the ripe age of 14 years old, but some folks take that as him being inherently naive/innocent/whatever which I don't find true

[andromeda3116]

people actually went on about how game of thrones made it socially acceptable to be a fantasy nerd, as though the lord of the rings movies hadn't been released less than a decade earlier and left far greater cultural ripples and i am just

got may have made the adults feel better about liking fantasy, but lotr got into the kids' heads when they (we) were just young and impressionable enough to be absolutely transported and emotionally rewritten by don't you leave him, samwise gamgee and my brother, my captain, my king and and rohan will answer

lotr was rewriting entire generations' brain chemistry long before asoiaf and so obviously it's not fair to compare any post-lotr fantasy novel to it, and each book series was trying to do different things within their own spheres and so that also is not a fair comparison, but in terms of the cultural impact of the adaptations that came out within a decade of each other, saying that it was game of thrones that made fantasy mainstream is baffling

game of thrones could only run because the lord of the rings movies laid the path, and i will die on this hill

[girlthativealwaysbeen]

So I wrote this next song a few days before my nineteenth birthday. And, um, back then, I was so terrified of change, and I was especially afraid of growing up. And I'd, like, cry at all my birthday parties as a child. Very, very emo.

Now that I'm 21, I don't feel afraid of growing up at all. In fact, I'm really, really looking forward to it. And, um, if I could give any advice to the 18-year-old girl who wrote this song, I'd tell her not to worry so much, and that she has no idea how many magical, magical things are waiting just around the corner for her. So, uh, with that, here's "teenage dream".

- Olivia Rodrigo at the Guts World Tour before playing teenage dream