#Gold Mining Tools

[mining-market]

Unveiling The Gold Mining Market: Trends, Insights, And Key Players

Introduction

Gold mining is a critical sector in the global economy, driven by the enduring value and demand for gold as a precious metal. This article delves into the dynamics of the Gold Mining Market, exploring its trends, growth drivers, challenges, and key players shaping the industry landscape.

Understanding the Gold Mining Market

Gold mining involves the extraction of gold from the earth's crust through various methods, including surface mining, underground mining, and placer mining. Gold has been prized for centuries for its intrinsic value, serving as a store of wealth, a hedge against economic uncertainty, and a component of luxury goods and jewelry.

Gold Mining Market Research Reports

Market research reports provide valuable insights into the gold mining industry, offering analyses of market trends, production statistics, exploration activities, and regulatory developments. These reports assist investors, mining companies, and policymakers in making informed decisions regarding investment, expansion, and policy formulation.

Gold Mining Market Size

The global gold mining market is substantial, with billions of dollars invested annually in exploration, development, and production. According to recent data, The global gold mining industry was valued at approximately USD 353 billion in 2020. Gold production totaled over 3,000 metric tons in the same year, with major gold-producing countries including China, Australia, Russia, and the United States.

The market size is expected to grow steadily in the coming years, driven by factors such as increasing demand for gold in jewelry, investment, and technology sectors.

Gold Mining Market Trends

Several trends are shaping the gold mining market, including:

Technological Innovation: Advances in mining technologies, such as automation, artificial intelligence, and data analytics, are enhancing efficiency, safety, and productivity in gold mining operations. Innovative extraction methods and processing techniques are also improving recovery rates and reducing environmental impacts.

Sustainable Practices: There is a growing emphasis on sustainable mining practices in the gold mining industry. Companies are increasingly adopting eco-friendly technologies, implementing biodiversity conservation measures, and engaging with local communities to ensure responsible mining operations.

Exploration and Discovery: Despite being a mature industry, gold mining continues to benefit from ongoing exploration efforts aimed at discovering new gold deposits. Remote sensing technologies, geological modeling, and geochemical analysis are facilitating the identification of prospective areas for gold exploration.

Gold Mining Market Growth

The gold mining market is experiencing steady growth, driven by factors such as:

Safe-Haven Demand: Gold is often perceived as a safe-haven asset during times of economic uncertainty, geopolitical tensions, and currency fluctuations. As a result, demand for gold tends to increase during periods of market volatility, supporting the growth of the gold mining industry.

Investment Demand: Gold serves as an attractive investment option, offering diversification benefits and hedging against inflation and currency devaluation. Institutional investors, central banks, and retail investors allocate significant capital to gold-backed exchange-traded funds (ETFs), physical gold holdings, and gold mining equities, driving demand for gold and stimulating mining activities.

Gold Mining Market Challenges

Despite its growth prospects, the gold mining industry faces several challenges, including:

Environmental Regulations: Gold mining operations have significant environmental impacts, including habitat destruction, water pollution, and land degradation. Regulatory requirements related to environmental protection, biodiversity conservation, and mine closure are becoming increasingly stringent, posing compliance challenges and increasing operational costs for mining companies.

Cost Pressures: Rising production costs, labor shortages, and fluctuations in energy and commodity prices can exert pressure on the profitability of gold mining operations. Companies must optimize their operations, implement cost-saving measures, and invest in technological innovation to remain competitive in a challenging operating environment.

Social License to Operate: Community relations and stakeholder engagement are critical for obtaining and maintaining a social license to operate in the gold mining industry. Companies must address social and cultural concerns, respect indigenous rights, and mitigate social and environmental impacts to secure community support and regulatory approvals for their mining projects.

Key Players in the Gold Mining Market

The Gold Mining Market is dominated by several major players, including:

Newmont Corporation: Newmont is one of the world's largest gold mining companies, with operations in multiple countries and a diverse portfolio of gold assets.

Barrick Gold Corporation: Barrick Gold is a leading gold producer, with mines located in North and South America, Africa, and the Asia-Pacific region.

AngloGold Ashanti Limited: AngloGold Ashanti is a global gold mining company, with operations in Africa, the Americas, and Australia.

Polyus PJSC: Polyus is the largest gold producer in Russia and one of the top gold mining companies globally, with significant reserves and production capacity.

Kinross Gold Corporation: Kinross Gold operates mines in North and South America, West Africa, and Russia, producing gold and silver.

These key players leverage their operational expertise, financial resources, and exploration capabilities to maintain their competitive positions in the global gold mining market.

Conclusion

The gold mining market remains a vital component of the global economy, driven by enduring demand for gold across various sectors. Despite facing challenges such as environmental regulations and cost pressures, the industry continues to grow, supported by technological innovation, investment demand, and exploration efforts. As the industry evolves, collaboration, sustainability, and responsible mining practices will be essential for ensuring the long-term viability and success of the gold mining sector.

[visionsofour-past]

• Portrait of a Boy with Gold-Mining Toys.

Artist/Photographer: Carleton Watkins (United States, 1829-1916); James M. Ford (United States, 1827-ca. 1877)

Date: March–September 1854

Medium: Daguerreotype, hand-colored

[merpancake]

SDV feels like it could so easily become a fairy story.

You move to a little coastal town where you begin recovering a plot of land, some of the locals take a shine to you and you to them. It's nice, homey. Everyone is welcoming except for the established town grumps.

Suddenly you realize you never leave town. Everything you want is obtainable at the little mom'n'pop general store, or from some of the locals themselves. You never go into the city to sell goods because the mayor does it for you- right? You never really see him do it. You just lie down in bed and wake up in the morning. When was the last time you dreamed?

You need new shoes and the adventurers club sells you handmade leather boots that fit perfectly despite never asking for a shoe size. Your clothes sew themselves when you lay a bolt of fabric and a random item onto the sewing machine- you blink and it's done.

The general store sells fertilizers that turn your garden plot into a verdant field. You spend all day harvesting crops with tools that gleam silver, gold, purple. Saplings grow over a month into fully productive fruit trees, your beehives drop jars of honey into your hands.

The blacksmith cracks open geodes full of polished gemstones. There's a man in the woods who says he found you in the mines but you were 80 levels deep. The elevator works but the minecarts don't. You gave a diamond to a local girl and she ate it like a plum.

And suddenly everyone is drinking mayonnaise.

[skzdarlings]

i do ; skz ; felix x reader

requested by anonymous: ' I would love if you could use these prompts...on Felix x fem reader:❛ i love that no one else has seen you like this, that no one else has felt you before, been inside you. they don't get to have you, but i do. ❜❛ you're mine. you've always been mine. ❜I love possessive Felix, istg i would give amything to have him' plus two anonymous requests for: 'i'd say you need someone to put you in your place' for felix.

pairing: lee felix/reader content info: look this request was for possessive!felix and so possessive!felix i delivered. he is a little weirdo in this tbh. but i think after all my anti-rich-guy stories, i have earned the right for one problematic possessive mafia boss who throws his money and his dick around hahaha. so yes, possessive!felix, virgin!reader, wedding night, arranged marriage, felix being a criminal boss, insta-love. reader's backstory involves a verbally abusive/neglectful family. explicit sexual content. word count: 4000 words.

masterlist. part of the valentine’s day stories series. credit to prompts. requests are closed.

enjoy <3

-

Your new husband is astoundingly pretty.   You expected a different face to be waiting at the end of the wedding aisle: harsh, old, scarred.  Maybe, if you let yourself fantasize, he would be handsome in a rugged way. 

You were not expecting Felix.  Slender, delicate Felix with his high cheekbones and freckles, his dark eyes and feather-soft blonde hair.  He smiled a dimpled smile as your father surrendered your hand. 

That surrender was a visual representation of a literal transaction.  You were a bartering tool to save your father’s business.  You knew an arranged marriage was inevitable when a few trades went sour and the company went bankrupt.  The family could only maintain relevancy and safety through a match to someone more powerful. 

Lee Felix is the heir to a very dirty criminal syndicate that blends in high society.  Everyone knows their money is blood-spattered, but they throw a good party and the jewels sparkle the same.

You knew his name long before the wedding.  Of course you knew his name.  But you did not know his face.  You expected a devil, not a vision of divinity, resplendent in white and gold. 

Your heart has not stopped racing since he first lifted your veil and kissed you with lips softer and gentler than your grandest fantasies. 

Now you are perched on a lavish bed in a beautiful penthouse suite.  The walls are windows, externally tinted but offering you a glorious view of the glittering cityscape at night.  You wonder how much of the city your new husband owns. 

Would that be an impertinent question?  It is not as though there is any real charade to play; this is not a love match and there is no sense pretending otherwise.  Enquiring after financial assets is arguably appropriate insofar as business goes. 

Then the door opens and your new husband enters.  All thoughts of business flitter into nothing, an insignificant detail next to your wedding night.  A night with this powerful and beautiful stranger.

“Are you nervous?” he asks in a voice so deep it keeps surprising you.  It suits his angelic appearance in a way, something so captivating about its low tones, effortlessly melodic.  But that melody is coloured darkly in its depth, scratching a shiver up your spine.  When he speaks, it feels like he is trailing his fingers up your back in a curious, searching touch. 

He looks at you with as much depth, dark eyes penetrating as he circles the bed.  He has been nothing but polite, but you can’t help but feel like prey being circled by a predator. 

Even more concerning, you can’t help but like it.  Since the moment he took your hand, his eyes have not left you.  It is almost overwhelming.  You have been invisible your whole life.  No one ever looked at you.  No one ever wanted you.  Your father scared off anyone who tried. 

Felix is not just anyone.  Anyone sensible would be scared of him.

You are also not just anyone. 

“No,” you answer.

“Really?”  He lifts a curious eyebrow. 

You are both in your wedding clothes, all white and gold.  Your veil is draped over a chair in the corner.  He puts his coat there too. 

He never looks away from you, rolling his shirtsleeves up his forearms as he approaches the bed.

“May I ask, why not?” he asks.  It’s a funny question, so polite but only posed because he knows his own reputation.  He knows what you must think of him.  The bloodshed, the ruthlessness, the merciless command he holds over his family’s legacy.  He might look unassuming, but he is not to be trifled with.  That gentle exterior could be unnerving to some people, even more than an outward brute. 

But you have dealt with those brutes your whole life.  An abusive father, cruel brother, an uncaring mother.  Hurt, neglected, ignored. 

Tonight, while you circled the reception to greet everyone, your father and brother pulled you aside.  Your mother had already berated you on the details of your appearance, but they were reprimanding you for every other misstep.

You almost burst into tears, tired and frightened.  You were so afraid you would never escape them.  Even at your wedding, on the cusp of a new life, they were dragging you around, kicking and screaming.

Then you felt a tap on your shoulder.  Bang Chan, one of Felix’s most trusted agents, stood there with a forced but cordial smile.  He looked at you and not your family. 

“Sorry to interrupt,” he said.  “Your husband is asking for you.  Please, come with me.”

Your father sputtered indignantly, unaccustomed to such blatant disrespect for his authority.  Chan said nothing to him, simply offered you his arm.  He also opened his jacket to flash the gun in his chest holster.  Your family had their weapons stripped before entering the reception.  It was a subtle reminder of who was really in charge. 

So your father and brother were left sputtering helplessly as Chan escorted you across the room.  Felix was sitting with some of his men, smiling his bright smile and looking like any happy young groom. 

That sunny face faltered when he saw your morose expression.  His glance passed to your family, a flicker of anger in his gaze.  Then he smiled at you and held out a welcoming arm. 

“Come here,” he said.  “Sit with me a bit.  Please.” That deep voice.  You felt it like a touch inside you. He had recited the scripted vows earlier.  This invitation was his first real address. 

You nodded.  Your legs were shaky from the confrontation, never mind the wobble from your heels.  Your feet hurt.  Sitting would be a relief if nothing else. 

There was an empty seat behind Felix.  It was the type of seat you were usually given: at the back where you could be forgotten. 

Once you were within reach, Felix grabbed you around the waist.  Your breath caught as you stumbled towards him.  He caught you and held you.  Then you were sitting in his lap, your dress draped everywhere, a glittering ivory prize perched safe and pretty on his knee.  He wrapped a possessive arm around your middle. 

It was more than a power play.  It was one thing to put you on his lap and show your family that he owned you now, but it was another for him to frown as he touched the painfully tight pearl belt around your waist. 

“Why is this so tight?” he asked, looking at you with concern.     

“I’m sorry,” you said automatically, in the habit of grovelling whenever someone took a disappointed tone.  “My mother,” you spoke softly, not wanting the rest of the table to hear. 

He leaned closer to you, offering you his ear directly.  A whisper was all you managed, unaccustomed to such attention.

“They’re real pearls,” you whispered.  “Very expensive.  Very fine.  Too fine for me.  My mother had the belt made small so I would remember to act worthy of them.  Sit straight.  Not over-eat.  You know.”

He frowned, his brow furrowing.  Instinct compelled you to soothe that displeasure, laughing like you were not upset.

“It’s all right,” you said.  “She’s right.  They are very fine pearls.”

“It’s not all right,” Felix said.  He looked at you, held your gaze in his own.  You found yourself counting his freckles.  “Do you like it?” he asked. 

Maybe it was his display of power.  Maybe it was his arm around you.  Maybe it was the freckles.  He looked so sweet, so sincere.  You could not bring yourself to lie.  Though you had defended your cruel family all your life, the truth fell from your lips in a rough exhale. 

“No.”  You felt tears in your eyes.  “I know it’s expensive.  I know it’s beautiful.  But I’ve never hated anything more.” 

He held your gaze, your watery eyes in the dark depths of his own.

Then he grabbed the belt by a thin material strand and yanked.  A couple pearls popped right off and scattered.  The rest dangled on the belt, an absurd amount of wealth in his hand. 

Felix tossed it over his shoulder like it was garbage. Then he wrapped his arm around your waist and held you against him. 

You chanced a look at your family.  They were scandalized.  Horrified.  And you breathed easier for the first time in a long time. You have long suffered the oppressive strangle of control masquerading as love.  His protective arm felt nothing like that pearl belt.

So you look at him now.  You strive to articulate all these feelings.  You are not used to speaking and having someone listen. 

“I can’t explain it,” you say.  “Maybe it’s foolish.  But I… I just feel like I was meant to be here.  With you.  Like this.”

Your heart jumps at his expression, a luminous pleasure that brightens this dimly lit room. 

“That’s funny,” he says.  “I feel the same way.”

You swallow as he sits beside you.  Slowly, touch by touch, breath by breath, he is bringing your bodies together.  His knee touches yours, his arm your arm.  He folds his hands in his lap but he is close enough you can count his freckles again. 

“I need to be honest with you,” he says.  “I’ve wanted you since I first saw you.  A year ago.  At the winter masquerade.”

You look at him with surprise.  All at once, his eyes come back to you, gazing at you behind a golden bird mask at the annual winter social.  You couldn’t place the handsome stranger at the time.  His hair was dark then, his face in a mask.  He did not speak.  His distinctive voice would have given him away. 

He danced one dance with you, the only person who danced with you all night.  You were later reprimanded for behaving like a slut, even though he touched your waist and nothing more.

“You were very kind,” he says.  “I watched you with the staff.  You were the only one in that whole room to say please and thank you to them – did you know that?”  He sighs and looks away, thoughts travelling beyond this room.  “I came from nothing,” he says.  “My family… we fought to get where we are now.  But I remember, you know.  What it feels like to be the smallest and least important person in the room.”

You sit straighter when he looks at you.  Oh, your heart has not slowed its thunder.  Excitement and affection swirl together in a motley tempest of sensation, touched by his words and yearning for more.  You thought you had been sold to an uncaring bidder, but Felix touches you slowly, like he would a very fine work of art.  His knuckles caress your cheek, the slope of your jaw. 

“I thought…” He looks at you reverently.  “I thought… I would do anything to preserve that goodness.  I would protect it.  Like your family wasn’t.”  His brow furrows now, a shadow of his face.  “They would have ruined you.” 

His hand continues, knuckles skimming down your throat, your shoulder, your arm.  You shiver.   He has a terrible scar, scoring the whole back of his hand.  A stark difference to your unblemished hand, your manicured nails against his calloused fingers. 

He says, “I know what it’s like to be ruined.”

You look from your hands to his face, his handsome profile, the slope of his nose and his soft lips.  He is still looking at your joined hands. 

“I wasn’t always like this,” he says.  “I’d give anything to have my innocence back.  But I can’t.”

He lifts your hand, cradles it between both of his like something precious.  Your breath catches when he kisses your palm, lips soft against your skin.  

“So I told myself, I would do anything to save yours,” he says.  He looks almost… afraid.  An expression you never expected to see on this man.   “So I destroyed your father’s business,” he says.  “It was all me.  I knew he would never give you to a man like me unless he had no choice.  He would have given you away to one of his friends and they would have broken you.  But you were already mine.  So I left him no choice but to see things my way.” 

“Oh,” you say, surprised beyond all words. 

“I wanted you to know before anything… happens… between us,” he says.  “But I understand if your feeling are complicated.  Or if you… fear me.”

Your father has often boasted how many men fear him.  It does not sound like a boast from Felix, rather something lamentable.  His face is shadowed in shame. 

“My feelings are not complicated,” you say.  He is still holding your hand in both of his.  You lay your other hand there, a complete joining. 

He meets your gaze, an intense and imploring stare.

“I’m not my father’s daughter anymore,” you say.  “I’m my husband’s wife.  My loyalty is to you.  My place is with you.”

“Yes,” he says, spoken on a breath.  His smile returns.  “Your place.  I’d say you need someone to put you in your place.  Your rightful place.” 

He springs off the bed like there is lightning under his feet.  He is all smiles and sunlight again, a beacon in the blue dark of this room.  You cannot help but bask in his warmth, bereft in the chill when he leaves your side. 

He takes something from his discarded coat pocket, a case swathed in velvet, soft to the touch.  You hold it, admiring the texture.

He kneels behind you on the bed while you open it.   Inside is the most breathtaking necklace you have ever seen in your life.  When you lift it, the chain is long, designed to sit low, loose around your neck.  No more chokers.  No more pearls. 

“Oh, Felix,” you say, breathless and amazed, then very embarrassed.  You are not used to such lovely gifts.  Even the pearls were a punishment.  “I can’t accept this…” you say, stunned.

“You can,” he says. 

He takes the clasp then strings the necklace around you.  His fingers on the nape of your neck have you shivering.  The necklace clasps in place, then his lips are on your neck, a chaste press that nonetheless lights fire under your skin.  “It was made for you,” he says.  “Like you were made for me.” 

He takes the zipper of your gown between two careful fingers, so slowly lowering it.  It feels like you are unravelling with it.  The zipper reaches the base of your spine and his fingertips dance across your bare skin. 

He steps off the bed.  He looks down at you, his eyes intense but his smile soft.  He touches your cheek, strokes his thumb across it lovingly. 

Then he is sinking to his knees in front of you.  You already feel weak as jelly, but your whole body goes soft and pliant when he gently grasps your ankle, when he slides your painful shoe off your foot and tosses it aside.  He somehow finds every sore spot and rubs it better. 

“This is how it works,” he says.  He is on his knees but somehow his presence looms bigger than you.  You cannot look away from the thrall of his gaze.  “You are my wife.  And when we are out there, I am your servant.”  He takes your other foot and removes that shoe as well.  He massages you gently.  “I will never deny you anything,” he says.  “You can ask me for anything. All right?  I will give you the whole world.  I will give you my whole heart.  In return, I only want one thing.”

“What’s that?” you ask, already breathless.

“I am your husband,” he says, “and in here, you are my servant.  Only I can touch you.  Only I will have you.  All of you.  In every way.  Always, starting from today.  Starting from right now.”    

“Yes.  Yes.  But I – I’ve never done this before,” you say, aching to surrender but fearful he will regret this.  Though you are knowledgeable, you are lacking in experience from years of isolation.  “I’ve been alone for so long,” you say.  “I don’t want to disappoint you.” 

“You don’t,” he says.  He lifts your leg, swoops down to kiss your calf, then higher: your knee, your thigh.  “You could never,” he says, guiding your leg to rest on his shoulder.  He gathers the volume of your wedding dress in his hands and pushes it up, up. 

You almost forget to breathe.  He kisses higher on your thigh.  Then he grabs the thin material of your white tights and rips them open.

“You’re mine,” he says.  “You’ve always been mine.” 

You fall back on your elbows, limbs already quivering as he tears through your underclothes as if impatiently ripping open a prettily wrapped gift.   With your expensive lace panties shredded and your tights in tatters, he pushes your skirts up and out of his way.  You hold them while he kisses up your thigh.  He runs his tongue along the seam between your thigh and somewhere much more sensitive. 

“No one else has done this to you?” he asks.  He already looks flushed.  Desperate.      

“No,” you answer.  You swallow hard.  “Never.”  You know some men do not enjoy providing this type of pleasure to their wives, so you are about to tell him that you have no expectations in that regard—

But then he is on you like a starving man, eyes closed and mouth open and licking through all that wet desire.  You fall on your back, pressing your heel into his back.  He groans, pressing deeper, tongue seeking, swiping, stroking. 

He grips your thighs possessively, holding you in place as he ravages you with his mouth.  He takes you up and over a blissful crest.  It leaves you a drenched and panting mess. 

He stands, wiping his arm across his wet mouth.  He does not look satisfied, eyes still hungry as he climbs on top of you. 

“My wife,” he says, like the word is sacred and impossible, like he thought a man like him could never say it.  “All mine,” he says, running his hands up your thighs, up your waist, touching every inch of you until he is cradling your face delicately in his careful but calloused hands.   

It makes your whole body clench up tightly, your breath stuttering as he kisses you.  You melt into the kiss, so different from the chaste peck of your ceremony.  It is a claiming kiss, the taste of you still on his lips, his moan in your mouth, his chest against yours as those sounds of pleasure rumble through him. 

He tugs down your bodice, then he is ripping through your underclothes again.   When your bodice is around your waist and your chest is bare except for his necklace, you find yourself covering your breasts instinctively.  He takes your hands, not forcefully but firmly, holding your gaze.  His mouth is already so pink and raw from kissing.  You wonder if you look as ravished.  Maybe more.  It makes you whimper, surrendering when he pins your hands on either side of your head. 

“This is mine,” he says, kissing your jaw, your throat, then lower.  “All mine, sweetheart.”

He wraps his lips around a pointed nipple and you feel the reaction between your legs, as if connected by a thread.  Your legs try to close around his hips but he presses down.  The crumpled skirt of your dress is between you, but he feels your thighs clenching, feels you desperately bucking. 

Even his chuckle is a deep sound.  He smiles at you, batting his eyelashes as he licks the curve of your breast.  Your whole body twitches again. 

“Mm,” he says.  “You feel that?  You getting all tight… and hot… just for me…”

“Felix,” you say, you beg.

He sits back on his heels to get your wedding dress off.  It is a flurry of ivory and silk, earning some laughter, then it is gone and your husband is staring down at you.   Again, you feel like prey, like a meal spread out helplessly for some predatory creature.  Again, you like it. 

He is just as impatient with his own clothes.  He does not look away from you while tearing his shirt open.  Buttons fly, forgotten, and he rips the material down his arms and off.  His belt is next, leather whistling through the air then joining the heap on the floor.  He grabs your hand and guides it to the hard shape in his white pants, groaning deep in his chest as your palm curves around it. 

You are so captivated him, by the way he feels, by the sounds he makes, that you are surprised when he touches you too.  Your legs part instinctively, then your thighs twitch to close when you are embarrassed by your eagerness. 

“Don’t be shy,” he says.  “Not with me.” His fingers feel divine inside you, gliding as if through silk, pressing at your walls and making you whimper.  “Yeah, my baby.  So nice… ‘n wet… for me…” he murmurs, more to himself than you. It still makes you clench, like your body wants him deeper, pulling tight around him.   “God.  Perfect.” 

“Aren’t we g-gonna—”  Your eyes drop to his waistband, then up to his eyes again. 

He smiles, laughs, and withdraws his fingers slowly. 

“Oh yeah, sweetheart,” he says, unbuttoning his pants.  “We are.  Be patient.  You’re gonna enjoy this.  Gonna remember this night forever.”  He leans down so his body is over yours.  He kisses you, presses you into the pillows.  When he pulls back, he traces a finger along the necklace, smiling brightly. “The first time I made you mine,” he says, speaking low and soft against your lips.   “I’m going to do everything with you,” he says.  “And you’re gonna want it.  All of it and more.” 

He has you begging for more already.  When he finally is pushing inside you, after so much torturous build-up, you are a breathless, sweaty tangle of limbs.  It feels like he is pinning you to the mattress, taking you so deep and so hard, like your whole body is changing to fit him.   There is a long, slow burn, but you are so wet and he is so careful; it is an ache that gives way to pleasure. 

His arms are around you, holding him above you, making you feel so completely shielded and enveloped.  He starts a slow pace that turns more frantic.  Your hands move all over his chest and shoulders to find a grip. 

“I love that no one else has seen you like this,” he says, grabbing your searching hand.  He brings it to his mouth, kisses your palm, your fingers.  He puts your hand on his shoulder, then he slides his hand under your head to cup your neck, holding you steady while he rolls his hips into yours.  “That no one else has felt you before,” he says.  “Been inside you. They don't get to have you, but I do.“

“Yes,” you say.  “Always.  My husband.” 

“Mm.”  He drops his forehead to yours.  “My wife.” 

You come again but it feels different, starting deep inside you and rolling outward, a full-body spasm that has you crying out his name.  He comes too, holding you against him, his lips on your neck as he says your name. 

Then he kisses you.  Then he lays you down.  He wraps you in his arms and squeezes. 

“Sleep for now,” he says.  “It’s been a long day.  And I want you again.”

“You have me,” you say, nestling in his arms, your head under his chin. 

“Yes,” he says with a smile.  He looks so sweet even while his wicked hands hold your body in a strong, possessive grip.  “I do.”      

[clanwarrior-tumbly]

oooh 70 on the prompts list with shane would be so angstyyyyy plz i need to see ur thoughts on this -galaxy

This one's got a little kick to it ough

70) "After everything we've been through, you still don't think that I love you?"

......

"Honey..wh..what is this?"

"Can't you read? God, and I thought Alex was the only illiterate man in town-"

"I know what it says! But..I don't understand. Did I do something wrong?"

"Besides being a leech on my income for the past year and not doing a damn thing to make up for it....no."

"..are you crazy? I HAVE been doing my part! Just..take these back to Lewis and tell him you changed your mind. I'm not signing them."

"I don't need your signature. Just mine is enough to finalize it. I've already gotten everything packed for you..since you're too goddamn lazy to do it yourself."

"....what?" Tears stung Shane's eyes as he shakily set the stack of papers on the table, his vision blurring. He stared at you, seeing not an ounce of remorse on your face..but instead pure hatred. "Why would you do this behind my back? I-I thought...you-"

"What? You thought I loved you? Hah." The brief laugh that left your lips was cold. "Who could love a messed-up lowlife like you, Shane? I have a farm to take care of, a community center to restore..I can't have you slowing me down. It was a fun little fling, but now you bore me. I gotta get serious about my work."

"That's...all I was to you? A "fling"?!" A hurtful scowl formed on his face, hands shaking. "What about everything we've-?!"

"I only pitied you. And y'know, if I didn't care about Jas growing up without a father figure..I would've left you in the forest that night. I only stayed and married you to make them happy. But you blew your chance to get your act together..they're gonna be so disappointed in you."

As much as he wanted to respond with a snarky "I didn't know there was a time limit"...he was frozen on the spot, unable to say anything.

What could he say?

This was all so sudden...and just when he thought you two were doing so well and he was starting to have a genuinely positive outlook on life..

He made the horrid mistake of checking the mailbox and finding the dreaded papers.

"I'll say this was 50,000 gold well-spent." You grabbed the papers off the table, looking at the broken man before holding out your hand. "Give me that necklace. I'm gonna sell it."

"No..." Shane shook his head and clutched the mermaid pendant, tears streaking his face as he backed into the corner. "I...I-I'm so sorry, I'll try to be better! Just tell me what I can fix, a-and I'll-!!"

Suddenly you pulled out a dagger and swiped at him, causing him to flinch and shield himself, eyes squeezing shut in anticipation-

Yet he wasn't injured, but when he saw his pendant in your hands now...he felt as though you actually twisted that dagger deep into his heart.

He collapsed to his knees, devastated as you sheathed your weapon and pocketed the amulet you once tied around his neck at your wedding.

By your hands, you two were bonded in matrimony...

And by your hands, that bond was severed.

"There's nothing to talk about. I'm sick of pretending that I care for some lazy ungrateful fuck. Goodbye, Shane."

And with that, you stormed out of the house..and he was left there on the floor, his sobs filling the silence in the now empty cabin.

.

.

.

.

.

.

.

.

It was already late when you returned from your mining trip, and once you finished putting the spoils of your expedition into the shipping bin, you yawned and stretched.

The time was 1:10 AM...and your energy was super drained.

You figured Shane was already sound asleep. The idea of crawling into that cozy bed and cuddling with the man you loved had you eager to take off your boots and put your tools away.

However upon opening the door..you immediately caught a faint whiff of beer, and it left a sinking pit in your stomach.

He did bring home a six-pack case today, and he promised to have it in moderation.

But the kitchen trash showed clear evidence of recently-opened cans.

Four out of the six, in fact.

'Oh man..it happened again..'

You knew that he wasn't gonna be able to quit cold turkey just like that. It wasn't a habit he could flip off like a lightswitch, and that's a fact you've come to accept.

Although he had a few beers from time to time, it was nothing like before. And he would always let you know if he was having some....so to realize he drank over half the case tonight alone was alarming.

Why? You were only gone for a few hours..

You entered the bedroom, finding Shane still awake, hunched over on the bed's edge with his face in his hands. He looked completely torn up, and you've never seen him this bad since..

"Shane, sweetheart?"

Startled, he looked up at you, revealing his eyes to be puffy and red from crying. "O-Oh..hi. You..y-you came back?" He hoarsely asked.

"Of course I did..without having to visit Harvey, thank god." You walked over and sat beside him, frowning. "But more importantly are you okay? What's wrong?"

He tried to respond, but the memories of that nightmare made him physically incapable of doing so...and fresh tears welled in his eyes.

A choked sob came out, and as quickly as he tried covering it up--it failed as similar heartbreaking noises followed.

You didn't waste any time pulling him into a hug.

Leaning against you, he sobbed into your neck, soaking the collar of your shirt in tears. But you just hushed him and rubbed his back. He didn't smell too heavily of beer, although it made you wonder what happened tonight that was bad enough to make him relapse.

Was it...you?

Was you being away stressing him out?

Did he think you wouldn't come back-

"[Y/n]...you sure you..really love me? And all of this isn't...a-a joke?" He hiccupped softly.

Those questions made your heart sink, and you briefly pulled away to gaze at him in sadness. You knew he was still struggling with his self-confidence and self-image, often comparing himself to a "squishy bag of flesh" and feeling "too old", but for him to doubt your love?

Even after talking him off a cliff?

Even after going to the gridball game where you shared that first kiss?

Even after giving him the bouquet and mermaid pendant?

"After everything we've been through, you still don't think that I love you?" You asked softly, not with anger, but with worry.

"Just look at me, and look at every other guy in this town. You could'a had a doctor, someone who can still play gridball, a writer who lives by the sea...even that emo guy seems cool. But you chose me..."

With a sniffle, he clutched the mermaid pendant with trembling fingers. "...this pathetic..l-lowlife who doesn't do shit on this farm. I swear I'd change and get my act together, but I'm letting you down again...j-just like everyone else. And I'm so sorry...I'm such a failure." He sobbed harder.

"Wha..that's nonsense. You do more for me and this farm than you could possibly know." You cupped his face, feeling his cheeks grow wet with fresh tears. "You feed the animals, you water any crops my sprinklers could've missed...and those pepper poppers you give me help keep my energy up in the mines so I can come home safely."

"But..I can't even microwave them right." He whined. "I wanna have the energy to cook like you do-"

"What do you mean?" You frowned. "Last week, you made me a killer omelet when I went to bed angry over a Pepper Rex burning my favorite cardigan."

Shane blinked, searching his foggy brain for that memory, before it dawned on him that he actually DID wake up extra early to surprise you with an omelet he cooked on the stove. Made from Charlie's eggs, of course.

"Ah, that's right..well...I guess I'm good at some things.." He sniffled, slowly calming down.

You chuckled softly, thumbing away the rest of his tears, your fingers brushing over his scruff. He recently shaved it, but it grew back rather quickly--like a crop infused with deluxe growth fertilizer.

"You're good at being my partner, and keeping me company after a long day." You kissed him in the lips. "I love you, Shane. Nothing will change that, even if you have relapses."

"I love you, too..and 'm sorry. I just had this really bad nightmare, and I couldn't fight the urge tonight."

"I understand, I'm not angry." Bringing him back into a hug, you sighed as he squeezed you tightly. "Did you wanna talk about it? I know it's late but..I'm sure it'll help us both."

"...you promise not to laugh?"

"I promise."

"I..had a nightmare you divorced me."

"Huh..really?"

"Yeah, you filed the papers behind my back and said some...pretty hurtful stuff, like how it's "the best 50,000 gold you've ever spent", how what we had was just "a fling", and...how I'm leeching off of you." The longer he went on, the more he struggled to swallow back further tears. "And..you took the pendant back by force. With that dagger you always keep on you."

"....."

"I-It's stupid, but it...just felt so real. And when I woke up and you didn't come back from the mines yet, I thought maybe..it actually happened."

"Shane." You shook your head, leaning back again to bring his face into your hands. "No way would I EVER put that much gold towards something that stupid. This farmwork..it's so much to one person to handle, and I'm forever grateful you're here to help me. You're doing your best, and that's all I could ever ask for."

"Thank you.." He nodded, finally realizing that what he dreamed was nothing more than a ridiculous nightmare.

You smiled and kissed him again, making this one last a bit longer before you pulled away. "I'll get you some water, okay? I don't want my baby to have a hangover in the morning."

Shane sheepishly returned the smile, allowing you to get up and go to the kitchen, while he got comfortable in bed and patiently waited for your return. His hand went to the pendant on his chest, relieved it was still there.

Even though you were probably dead-tired from the mines..you still took the time to care for him when he hit another low. You didn't see him as a chore or a leech on your life.

You saw him as your husband, your soulmate..someone you were willing to love through thick and thin even when some days were harder than others.

Of course, his depression might tell him otherwise, and manifest those insecurities into nightmares.

But you'll still be here for him no matter what.

[mollywog]

Thinking about Katniss’s friendship with Madge (and also Gale)

I think Madge is important for several reasons, but one being: She shows us that Katniss doesn't 100% 'buy' the whole merchant vs seam thing.

The mayor’s daughter, Madge, opens the door. She’s in my year at school. Being the mayor’s daughter, you’d expect her to be a snob, but she’s all right. She just keeps to herself. Like me. Since neither of us really has a group of friends, we seem to end up together a lot at school. Eating lunch, sitting next to each other at assemblies, partnering for sports activities. We rarely talk, which suits us both just fine.

Katniss (and Gale) are actually progress thinkers in this way. They hold biases/resentment about the merchants, but also can recognize it as a Capital driven division.

Even though Gale snaps at Madge at the start of the book, Katniss credits him with knowing ‘his anger at Madge is misdirected.’ In fact he is the one verbalizing the idea to her.

You can see why someone like Madge, who has never been at risk of needing a tessera, can set him off. The chance of her name being drawn is very slim compared to those of us who live in the Seam. Not impossible, but slim. And even though the rules were set up by the Capitol, not the districts, certainly not Madge's family, it's hard not to resent those who don't have to sign up for tesserae.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I've listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. "It's to the Capitol's advantage to have us divided among ourselves," he might say if there were no ears to hear but mine. If it wasn't reaping day. If a girl with a gold pin and no tesserae had not made what I'm sure she thought was a harmless comment.

Madge and Gale inspire Katniss’s rebellious actions just as much Peeta

Madge’s pin is what makes Rue trust Katniss.

I unclasp the pin and hold it out to her. “Here, you take it. It has more meaning for you than me.”

“Oh, no,” says Rue, closing my fingers back over the pin. “I like to see it on you. That’s how I decided I could trust you. Besides, I have this.” She pulls a necklace woven out of some kind of grass from her shirt. On it, hangs a roughly carved wooden star. Or maybe it’s a flower. “It’s a good luck charm.”

And Katniss is reminded of both Gale’s rants and Peeta’s piece in their games speech in the aftermath of Rue’s death

Gale’s voice is in my head. His ravings against the Capitol no longer pointless, no longer to be ignored. Rue’s death has forced me to confront my own fury against the cruelty, the injustice they inflict upon us. But here, even more strongly than at home, I feel my impotence. There’s no way to take revenge on the Capitol. Is there?

Then I remember Peeta’s words on the roof. “Only I keep wishing I could think of a way to . . . to show the Capitol they don’t own me. That I’m more than just a piece in their Games.” And for the first time, I understand what he means.

Please also check out this beautiful analysis of Madge by @wistfulweaverwoman!

[attractthecrows]

oh my god. wait. no. first i need to draw him carving her vallaslin

well the nice thing about da4 being 12 years after dai is that now im entirely justified in drawing a grownup nessie fussing over her one-armed former inquisitor father refusing to do things like "be careful" or "rest for once in his goddamn life"

[mollysunder]

Lunari Heritage in Zaun

This is gonna be a reach, but from the little we've seen of Vi and Jinx's mom and younger Silco, I'd guess they were both from the same ethnic group.

In a place like Zaun, where the people are left with scraps, any piece of jewelry sticks out. Vi's mom and Silco are both wearing similar pieces of jewelry. Silco's bracelet could likely be fitted as a necklace since it twice wraps over his wrist. Neither are wearing anything of high quality, but the necklace and bracelet in their respective pictures seem decently maintained if not worn. That's when I thought, these are probably heirlooms.

In fact they looked pretty similar too, but in smaller scale of the princess's own pendants. I wouldn't bring this up if it weren't for the fact that Piltovans prioritize elaborate art-deco aesthetics, the more elaborately geometric the better (Councilor Shoola). So you would assume even the simplest jewelry would be a square pendant or a straight line. But no, big plain circles, and then I remembered we saw that before, on the princess Ambessa killed. Big bronze circles.

And when we look at young Vi , you notice that she's wearing jewelry too. A simple necklace with a green (it looks green) gem. And I realized that the princess's necklace was also adorned green gems.

I'm pulling from scraps, but it's interesting that small things these Zaunites have to adorn themselves (though not for long with the time skips) are similar versions if not simpler version's of the princess's.

At first I thought this meant that many of the cast were actually of Ionian descent. But then in the Princess's scene a thought kept coming back to me, "Why is Mel wearing purple?". Mel, a skilled diplomat from a young age, typically wears the main colors of the nations she hosts and is hosted by. White for Piltover, Black for Noxus (Ambessa), and always with her signature accents of gold. So if Mel followed her mother to Ionia ,where green is a culturally significant color, why purple? It's because Mel and Ambessa weren't in Ionia, they were in Targon fighting the Lunari.

The Lunari are Rakkor tribal people in the Targonian region who worship the moon, and are persecuted for it by the Solari, the religious order that worships the sun. While technically Mt. Targon is influenced by Mt. Olympus and Greek mythology aesthetic, that's more the case for the Solari. Overtime the Lunari aesthetic has been mixed it's originally nomadic culture with East Asian influences. The prominent colors of the Lunari happen to be turquoise, silver, black and purple. It was such a little thing to remember but it made me see connections I hadn't thought about.

Suddenly everything starts to connect. The bronze coins represent the 3 moons that exist in Arcane's Runeterra. How do we know there are 3 moons, because the Valdiani piece Jinx stole was depicting their planet. In the Valdiani there are 3 orbits circling the Earth, meaning 3 moons (or satelites). Now the engraving on the gold of the princess's necklace makes sense, because it's supposed to resemble the gates at the peak of Mt. Targon. The pendant itself is shaped like the mountain with the gates fitted at the top.

Frankly, it works for the Princess to have been Lunari and waves of descendants of the Lunari to arrive in Piltover and end up in Zaun. In Arcane, Piltover was created as a safe haven to escape the Rune Wars 200 years from the start of the show. Even after the Rune Wars ended the shipping port has likely seen waves of migrant labor and refugees from the ongoing crisis that occur in Runeterra (*cough*Noxus*cough*). It's likely that many of the current generation of Zaunites are of mixed heritage of the various fleeing people's.

It creates a whole new dynamic of the ways in which Piltover's laws, their Ethos, strips the people of Zaun from their identity and reducing them to tools for the mines. Magic is inherently a part of religious ceremonies and religion in general in Runeterra, especially for the Lunari. How do you practice your religion in a place that has banned the means by which it's conducted? There must have been more people like the Lunari who didn't have a problem with their magic, their problem was that they were being persecuted.

The remnants of family keepsakes brought over as communities fled were clung to as best as possible especially as they had to let go of part their spiritual identity. But even that doesn't seem to have lasted either. Vi doesn't keep her necklace, her mother is dead, so lost is her necklace, and we never see Silco wear his bracelet. They could have been stolen, or at best, hidden for safe keeping, maybe Enforcers get suspicious at the hint of mysticism and suddenly they want to talk.

Finally, maybe a little less related, it is interesting how prominent Piltovans and Zaunites take on day and night aspects. The sun shines over Piltover at their best, begins to set at times of uncertainty. While in the cover of night with moon above, the strongest Zaunites strike hardest. One more thing, it is interesting how Arcane's Jinx has taken on darker tones of purple rather than stick with neon pink. I always have to go back and look at a reference to remember that her pants are purple-er than I recall.

Update: I wanted to include that the large doodle Jinx made on her cup actually looks similar to the Lunari's sigil. And the sigil remains on the cup into the timeskip, also the center moon is made smaller within the crescent like in the necklace. I also noticed Jinx's cup later has more violent bomb imagery around it.

Update 2: With the final season approaching I'm noticing this is getting some attention again. I would like to say that if I could write this from scratch again I'd say it's more likely the princess is from Ionia now, which doesn't up end the Lunari theory.

Previous League canon confirms the Lunari faith does have ties to Ionia. A good portion of the Lunari are Ionian in descent, and Diana, their aspect of the moon (essentially their demigod), currently lives in Ionia. League even created skinline for Ionians blood moon worshippers, an edgy offshoot of the Lunari faith. It's all very interesting and a bit complicated because Riot loves to drop plot points in the lore and never come back. I'll try to clean something up for a longer explanation later. What's crazy is the Medardas are still the aggressors because Noxians and Solarians, which the Medardas are both, terrorize Ionians and Lunaris respectively.

[brotherconstant]

GIFMAKING TUTORIAL: PHOTOPEA (for Windows)

Screencapping

Gif Width/Size Limit/Ezgif

Loading Frames

Cropping and Resizing

Rasterize/Make Frames

Sharpening

Coloring (not detailed. Links to other tutorials included)

Exporting

Obligatory Mentions: @photopeablr ; @miwtual ; @benoitblanc ; @ashleysolsen Definitely check out these blogs for tips, tutorials and resources, they're a gold mine. Finally I recommend browsing the PHOTOPEA TUTORIAL / PHOTOPEA TUTORIAL GIF tags. DISCLAIMER: English is not my first language and I'm not an expert on what I'm going to discuss, so if anything's unclear feel free to drop another ask.

1. SCREENCAPPING -> PotPlayer (the one I use) or MVP or KMPlayer

INSTALL PotPlayer (tutorial)

Play your movie/episode and press Ctrl + G. The Consecutive Image Capturer window will pop up. Click Start to capture consecutive frames, Stop when you got what you needed.

Where it says "Image Type -> Format" I recommend picking PNG, for higher quality screencaps.

To access the folder where the screencaps are stored, type %appdata% in windows search, open the PotPlayerMini64 folder (or 32, depending on your system) and then the Capture folder. That's where you'll find your screencaps.

Admittedly MVP is a lot faster but I prefer Potplayer because it generates (at least in my case) higher quality screencaps. MVP kind of alters the hue and it made it harder for me to color my gifs. Still, if you're interested in how to use it, I recommend this tutorial.

As for KMPlayer, every tutorial out there is outdated and I couldn't figure out the new version of the software.

2. GIF WIDTH/HEIGHT, SIZE LIMIT, EZGIF OPTMIZER

At this point you should already know how big your gifs are going to be. Remember the ideal gif width(s) on tumblr are 540 px / 268 px / 177 px. These specific numbers take into account the 4 px space between the gifs. No restrictions on height. Here are some examples:

You can play around with the height (177x400, 177x540, 268x200, 268x268, 268x350, 268x400, 540x440, 540x500, 540x540 etc) but if you go over the 10 MB limit you'll either have to make your gifs smaller/delete some frames.

OR you can go on ezgif and optimize your gif, which is usually what I do. The quality might suffer a little, but I'm not really (that) obsessed with how crispy my gifs look, or I'd download photoshop.

Depending on the gif size, you can decrease the compression level. I've never had to go over 35. It's better to start at 5 (minimum) and then go from there until you reach your desired ( <10mb) gif size. Now that I think about it I should have included this passage at the end of the tutorial, I guess I'll just mention it again.

3. LOAD YOUR FRAMES

File -> Open... -> Pick one of your screencaps. The first one, the last one, a random one. Doesn't matter. That's your Background.

File -> Open & Place -> Select all the frames (including the one you already loaded in the previous passage) you need for your gif and load them.

(I recommend creating a specific folder for the screencaps of each gif you're going to make.)

WARNING: When you Place your screencaps make sure the Crop tool is NOT selected, especially if you've already used it and the width/height values have been entered. It will mess things up - I don't know why, could be a bug.

You can either select them all with Ctrl+A or with the method I explained in the ask: "when you want to select more than one frame or all frames at once select the first one, then scroll to the bottom and, while pressing Shift, select the last one. this way ALL your frames will be selected".

WARNING: Depending on how fast your computer is / on your RAM, this process may take a while. My old computer was old and slow af, while my new one can load even a 100 frames relatively fast, all things considered. Even so, I recommend ALWAYS saving your work before loading new frames for a new gif, because photopea might crash unexpectedly. Just save your work as often as you can, even while coloring or before exporting. Trust me, I speak from experience.

Now you can go ahead and delete the Background at the bottom, you won't need it anymore.

4. CROPPING AND RESIZING

Right now your screencaps are still smart objects. Before rasterizing and converting to frames, you need to crop your gif.

Technically you can rasterize/convert to frames and then crop, BUT if you do it in that order photopea will automatically delete the cropped pixels, even if you don't select the "Delete Cropped Pixels" Option. Might be another bug, unclear. Basically, if you crop your gif and then realize you cropped a little too much to the left or the right, you can go ahead, select the Move Tool (shortcut: V) and, after selecting ALL YOUR FRAMES, move them around on your canvas until you are satisfied. You won't be able to do this if you rasterize first and then crop, the excess pixels will be deleted. I don't know why, I found out by accident lol.

CROPPING

(Cropped pixels: the gray/opaque area outside of the selected area. That area disappears once you press enter and crop, but the pixels are retained, so you can move the frames around and reposition them as you like. In this case I could move the frames to the left and include Silver's figure [curly guy in the foreground] in the crop)

After deleting the Background, you will need to select all your frames (using the Shift key), use the C shortcut on your keyboard to choose the Crop tool. Or you can click on it, whatever's more convenient. Once you do that, a dropdown menu is going to appear. You need to select the "FIXED SIZE" option, as shown in the following screencap.

Once you do that, you can type in your desired width and height. Do not immediately press enter.

Your work area should now look like this. Now you can click on one of the white squares and enlarge the selected area until the edges are lined up. You can then move it around until it covers the area you wish to gif.

WARNING: to move the big rectangle around, you're gonna have to click on a random point of the work area, PREFERABLY not to close to the rectangle itself, or you might accidentally rotate it.

See? When your cursor is close to the selected area it turns into this rotating tool. Move it away until it reverts to your usual cursor, then you can start moving the rectangle. Press Enter when you're satisfied with the area you selected.

RESIZE

This isn't always necessary (pretty much never in my case) - and it's a passage I often forget myself - but it's mentioned in most of the tutorials I came across over the years, so I'd be remiss if I didn't include it in mine. After cropping, you'll want to resize your image.

IMAGE -> Image Size...

This window will pop up. Now, should the values in the Width and Height space be anything other than 540 and 400 (or the values you entered yourself, whatever they might be) you need to correct that. They've always been correct in my case, but again. Had to mention it.

5. RASTERIZE & MAKE FRAMES

Now that your screencaps are cropped, you can go ahead and convert them.

LAYER -> Rasterize (if you skip this passage you won't be able to Sharpen (or use any filter) on your frames at once. You'll have to Sharpen your frames one by one.

Photopea doesn't feature a timeline and it's not a video editor, which makes this passage crucial. When you select all your smart objects and try to apply a filter, the filter will only by applied to ONE frame. Once you rasterize your smart objects and make them into frames, you can select them all and sharpen them at once. Unfortunately this also means that you won't be able to - I don't know how to explain this properly so bear with me - use all smart filters/use them in the same way a photoshop user can. For example, you can sharpen / remove noise / add noise / unsharp mask... but you can't act on those filters in the same way a photoshop user can. When you work on smart objects you can change the blend mode - which is critical if you decide to use a filter like High Pass. If you simply apply a high pass filter on photopea you won't be able to change the blend mode and your gif will look like this (following screencaps). Or rather, you will be able to change the blend mode by clicking on the little wheel next to "High pass" (circled in green in the 2nd screencap), but you'll have to apply the filter to each frame manually, one by one.

Then you can rasterize/make into frames, but it's extremely time consuming. I did it once or twice when I first started making gifs and it got old pretty soon haha.

Layer -> Animation -> Make frames. This passage will add "_a_" at the beginning of all your frames and it's what allows you to make a (moving) gif. As I said in the ask, if you skip this passage your gif will not move.

6. SHARPENING

Some people prefer to color first and sharpen later, but I found that sharpening filters (more or less) dramatically alter the aspect of your gif and already brighten it a bit (depending on your settings) and you may end up with an excessively bright gif.

Now, sharpening settings are not necessarily set in stone. The most popular ones are 500/0.4 + 10/10, which I use sometimes. But you may also need to take into account the quality of the files you're working with + the specific tv show you're giffing. I've been using different settings for pretty much every tv show I gif, especially in the last couple months. Some examples:

followed by

OR

AMOUNT: 500% RADIUS 0.3px followed by AMOUNT: 20% (or 10%) RADIUS 10px

You'll just need to experiment and see what works best for your gifs.

Some gifmakers use the UNSHARP MASK filter as well (I think it's pretty popular among photopea users?) but it makes my gifs look extra grainy, makes the borders look super bright and it clashes with my coloring method(s), so I use it rarely and with very moderate settings. Something like this:

Again, depends on the gif and on what you like. I've seen it used with great results by other gifmakers!

REDUCE NOISE

Sometimes - and this is especially the case for dark scenes - your gif may look excessively grainy, depending on how bright you want to make it. Reducing noise can help. Keep it mind, it can also make it worse and mess up the quality. BUT it also reduces the size of your gif. Obviously, the higher the settings, the more quality will suffer.

These are my standard settings (either 2/70% or 2/80%). It's almost imperceptible, but it helps with some of the trickier scenes.

ADDING NOISE

Adding noise (1% or 2% max) can sometimes help with quality (or make it worse, just like reduce noise) but it will make your gif so so so much bigger, and occasionally damage the frames, which means you won't be able to load your gif on tumblr, so I rarely use it.

You'll also want to create ACTIONS which will allow you to sharpen your gifs much faster.

HOW TO CREATE AN ACTION ON PHOTOPEA

The Action Button (shaped like a Play button as you can see in the following screencaps) may not be there if you're using photopea for the first time. If that's the case click on the magnifiying glass next to "Account" (in red) and type "actions". Press Enter and the button should immediately show up.

Once you do that, click on the Folder (circled in yellow)

and rename it however you like.

now click on New Action (circled in red). now you can press the Recording button (circled in green)

Now

FILTERS -> Smart Sharpen

and you can enter your values. Then you repeat this passage (WITHOUT pressing rec, WITHOUT pressing new action or anything else, you just open the smart shapen window again) and, if you want, you can sharpen your gif some more (10%, 10px, or anything you want.)

Maybe, before creating an action, experiment with the settings first and see what works best.

When you're satisfied, you can PRESS STOP (it's the rec button, which is now a square) and you can DOWNLOAD your action (downwards facing arrow, the last button next to the bin. Sorry, forgot to circle it) .

You need to download your action and then upload it on your photopea. When you do, a window will pop up and photopea will ask you whether you wish to load the action every time you open the program. You choose "Okay" and the action will be loaded in the storage.

When you want to sharpen your gif, you select all your frames, then you click on the Play button, and select the Action, NOT the folder, or it won't work.

Actions can also be created to more rapidly crop and convert your frames, but it doesn't always work on photopea (for me at least). The process is exactly the same, except once you start recording you 1) crop your gif as explained in step 4, 2) convert into frames. Then you stop the recording and download the action and upload it. This won't work for the Rasterize step by the way. Just the Animation -> Make Frame step.

7. COLORING

Now you can color your gif. I won't include a coloring tutorial simply because I use a different method for every tv show I gif for. You normally want to begin with a brightness or a curve layer, but sometimes I start with a Channel Mixer layer to immediately get rid of yellow/green filters (there's a tutorial for this particular tool which you will find in the list I mention in the link below)

[Plus I'm not really an authority on this matter as my method is generally... fuck around and find out. Two years of coloring and I still have no idea what I'm doing. 70% of the time.]

Simple Gif Coloring for Beginners -> very detailed + it includes a pretty handy list of tutorials at the bottom.

8. EXPORTING

Now you can export your gif. Some gifmakers export their (sharpened) gifs BEFORE coloring and then load the gifs on photopea to color them. I'm not sure it makes any difference.

FILE -> EXPORT AS -> GIF

(not colored, just sharpened)

As you can see, unlike photoshop the exporting settings are pretty thread bare. The only option available is dither - it sometimes help with color banding - which, and I'm quoting from google for maximum clarity:

"refers to the method of simulating colors not available in the color display system of your computer. A higher dithering percentage creates the appearance of more colors and more detail in an image, but can also increase the file size."

SPEED

When you export your gif, it will play at a very decreased speed (100%). I usually set it at 180/190%, but as for every other tool, you might want to play around a little bit.

GIF SIZE/EZGIF OPTIMIZER (See Step 2)

And that's it.

P.S.: worth repeating

Save your work as often as you can, even while coloring or before exporting.

[bumblebeerror]

You know what kills me about the Minecraft movie being jumanji?

Minecraft HAS a plot. Theres a story already! The aim of the game outside of sandbox is to free The End from the ender dragon so that you can get the egg and elytra. You start out with nothing, you go mining, make armour, find diamonds, get obsidian. You make an enchanting setup, diamond armour and tools through more mining or through villager trading. a nether portal. You go to the nether, look for a fortress, collect blaze rods. You look for endermen or trade with piglins or villagers for ender pearls. You craft ender eyes, and follow them to the end portal frame, you fill it with eyes, hop through, pop all the end crystals and then kill the dragon. Boom! Plot! There’s even a few different ways to achieve the plot!

You could even tweak villagers so that they speak in notes written via anvil and paper, have them ask for help defending their village from a raid and in return they shower the player in gifts and the armorer makes them the enchanted diamond tools/armour they need.

You could tweak Piglins so that they can be actively bargained with, and have them ask the player for 1 gold ingot per pearl, or something. Or even have the player go heist-style and steal the pearls from the bastion.

My point is. All of this would make an interesting story because it already IS an interesting story.

Also, those CGI animals are NIGHTMARES. Take a page from Minecraft’s own book and use their animation style, I fucking beg. Hell even animated characters with Minecraft’s actual sprites would be better.

[zedecksiew]

(Don't) Incentivise Ethical Behaviour

In the ongoing project of rescuing useful thoughts off Xwitter, here's another hot take of mine, reheated:

"Being good for a reward isn’t being good---it’s just optimal play."

The quote comes from Luke Gearing and his excellent post "Against Incentive", to which I had been reacting.

My thread was mainly intended as a fulsome nodding along to one of Luke's points. It was posted in 2021, and extended in 2023 after Sidney Icarus posed a question to it. So it is two threads.

Here they are, properly paragraphed, hopefully more cleanly expressed:

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(Don't) Incentivise Ethical Behaviour

This is my main problem with mechanically rewarding pro-social play: a character's ethical choice is rendered mercenary.

As Luke Gearing puts it:

"Being good for a reward isn’t being good---it’s just optimal play."

Bear in mind that I'm not saying that pro-social play can't have rewarding outcomes for players. Any decision should have consequences in the fiction. It serves the ideal of portraying a living, world to have these consequences rendered diegetic:

The townsfolk are thankful; the goblins remember your mercy; pamphlets appear, quoting from your revolutionary speech.

What I am saying is that rewarding abstract mechanical benefits (XP tickets, metacurrency points, etc) for ethical decisions stinks.

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A subtle but absolutely essential distinction, when it comes to portraying and exploring ethics / morality, in roleplaying games.

Say you reward bonus XP for sparing goblins.

Are your players making a decisions based on how much they value life / the personhood of goblins? Or are they making a decision based on how much they want XP?

Say you declare: "If you help the villagers, the party receives a +1 attitude modifier in this village."

Are your players assisting the community because it is the right thing to do, or are they playing optimally, for a +1 effect?

+

XP As Currency

XP is the ur-example of incentive in TTRPGs. It began with D&D's gold-for-XP, and has never strayed far from that logic.

XP is still currency. Do things the GM / game designer wants you to do? Get paid.

Players use XP to buy better mechanical tools (levels, skills, abilities)---which they can then in turn use to better perform the actions that will net them XP.

Like using gold you stole from goblins to buy a sword, so you can now rob orcs.

I genuinely feel that such systems are valuable. They are models that illuminate the drives fuelling amoral / unethical behaviour.

Material gain is the drive of land-grabbing and colonialism. Logger-barons and empires do get wealthier and more privileged, as a reward for their terrible actions.

+

If you want to present an ethical choice in play, congruent to our real-life dilemmas, there is value in asking:

"Hey, if you kill the goblins you can grab their treasure, and you will get richer. There's no reward for sparing their lives, except that they are thankful."

Which is another way of asking:

"Does your commitment to the ideal of preserving life outweigh the guaranteed material incentives for taking life?"

The ethical choice is the difficult choice, precisely because it involves---as it often does, in real life---sacrificing personal growth and gain. Doling out an XP bounty for doing the right thing makes the ethical choice moot.

"I as the player am making a mechanically optimal choice, but my character is making an ethical choice!"

A cop-out. Owning your cake and eating it too. The fictional fig-leaf of empathy over a calculated a decision to make profit.

+

Sidney Icarus asks a question which I will quote here:

"... those who hold to their beliefs of good behaviour don't feel rewarded, and therefore feel punished. And that's not a good feeling. It's an unpleasant experience to play a game where the righteous players are in rags, and the mercenary fucks have crowns and sceptres. So, what's the design opportunity? How do we make doing the right thing feel pleasant without making it mercenary? Or, like reality, do we acknowledge that ethical acts are valuable only intrinsically and philosophically? I have no idea how to reconcile this."

I would suggest that the above dichotomy---"righteous players in rags, mercs in crowns"---is true if property is recognised as the only true incentive.

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Friends As Property

Modern games try to solve the righteous-players-in-rags "problem" in various ways. Virtue might not net you treasure or XP, but may give you:

Contact or ally slots, which you can fill in;

Relationship meters you can watch tick up;

Favour points you can cash in later;

etc.

How different are these mechanical incentives from treasure or XP, really?

Your relationships with supposedly living, breathing beings are transformed into abilities for your character: skills you can train; powers you can reliably proc. Pump your relationship score with the orc tribe until calling on them for reinforcements becomes a once-per-month ability.

Relationships become contracts. Regard becomes debt. Put your friend in an ally slot, so they become a tool.

If this is what you want play to be---totally fine! As stated previously, games say powerful things when they portray the engines of profit and property.

But I personally don't think game designers should design employer-employee relationships and disguise these as instances of mutual aid.

+

Friends As Friends

In the OSR campaigns I'm part of, I keep forgetting to record money. Which is usually a big deal in such games, seeing as they are in the grand tradition of gold-for-XP?

In both games, my characters are still 1st-Level pukes, though it's been months.

I'm having a blast, anyway.

My GMs, by virtue of running organic, reactive worlds, have made play rewarding for me. NPCs / geographies remember the party's previous actions, and respond accordingly.

I've been given gills from a river god, after constant prayer;

I've befriended a village of monsters, where we now live;

I've parleyed with the witch of a whole forest, where we may now tread;

I've a boon from the touch of wood wose, after answering his summons.

I cannot count on the wood wose showing up. He is a character in the world, not a power I control. Calling on the wood wose might become a whole adventure.

Little of this stuff is codified my stats or abilities or equipment list. They are mostly all under "misc notes".

Diegetic growth. Narrative change that spirals into more play.

This is the design opportunity, to me:

How do we shape TTRPG play culture in such a way that the "misc notes" gaps in our games are as fun as the systemised bits? What kinds of orientation tools must we provide? What should we say, in our advice sections?

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A Note About Trust

The reason why it is so hard to imagine play beyond conventional incentive structures has a lot to do with trust.

Sidney again:

One of the core issues is the "low trust table". I'm not designing just for myself but for my audience. For a product. How much can I ask purchasers and their friends to codesign this part with me?

Nerds love numbers and things we can write down in inventories or slots because they are sureties. We've learned to fear fiat or player discretion, traumatised as we are by Problem GMs or That Guys.

The reason why the poverty in Sidney's hypothetical ("righteous players are in rags") sounds so bad is because in truth it represents risk at the game table. If you don't participate in the mechanics legible to your ruleset (the XP and gear to do more game things), you risk gradually being excluded from play.

You have no assurance your fellow players will know how hold space for you; be considerate; work together to portray a living world where NPCs react in meaningful ways---in ways that will be fun and rewarding for everybody playing.

You are giving up the guarantee of mechanical relevance for the possibility of fun interactions and creative social play.

+

The "low trust table" is learned behaviour--the cruft of gamer culture and trauma.

When I game with folks new to TTRPGs, they tend to be decent, considerate. I think there's enough anecdotal evidence from folks playing with school kids / newcomers / etc to suggest my experience is not unique.

If the "low trust table" is indeed learned behaviour, it can be unlearned.

Which rules conventions, now part of the hobby mainstream, were the result of designers designing defensively---shadowboxing against terrible players and the spectre of "unfairness"?

How can we "undesign" such conventions?

Lack of trust is a problem that we have to address in play culture, not rulesets. You cannot cook a dish so good it forces diners to have good table manners.

+

This is too long already. I'll end with an observation:

Elfgames are not praxis, but doesn't this specific dilemma in the microcosm of our silly elfgames ultimately mirror real-world ethics?

To be moral is to trust in a better world; to be amoral / immoral is to hedge against the guarantee of a worse one.

+++

Further Reading

Some words from around the TTRPG community about incentive and advancement in games:

+

However, the reason there is a big debate about this is that behavioural incentives in games clearly do work, either entirely or at various levels. This applies outside gaming, as well. Why do advertising companies and retail business use "rewards" structures to convince people to buy more of their products? Why do people chase after "Likes" on social media?

A comment by Paul_T to "A Hypothesis on Behavioral Incentives" from a discussion on Story-Games.com

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the structure and symbolism of the D&D game align with certain structures and values of patriarchy. The game is designed to last infinitely by shifting goalposts of character experience in terms of increasing amounts of gold pieces acquired; this resembles the modus operandi of phallic desire which seeks out object after object (most typically, women) in order to quench a lack which always reasserts itself.

D&D's Obsession With Phallic Desire from Traverse Fantasy

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In short, my feeling is that rewarding players with character improvement in return for achieving goals in a specific way impedes some of the key strengths of TTRPGs for little or no benefit in return. 

Incentives from Bastionland

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When good deeds arise naturally out of the players choices, especially when players rejected other options that were more beneficial to them, it is immensely satisfying. Far more than if players are just assumed to be heroic by default. It gives agency and meaning to player choice.

Make Players Choose To Be Kind from Cosmic Orrery

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Much has been made about 1 GP = 1 XP as the core gameplay loop driver of TSR D+D. But XP for gold retrieved also winds up being something of a de facto capitalistic outlook as well. Success is driven by accumulation of individual wealth -- by an adventuring company, even! So what's a new framework that can be used for underpinning a leftist OSR campaign?

A Spectre (7+3 HD) Is Haunting the Flaeness: Towards a Leftist OSR from Legacy of the Bieth

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Growth should be tied to a specific experience occurring in the fiction. It is more important for a PC to grow more interesting than more skilled or capable. PCs experience growth not necessarily because they’ve gotten more skill and experience, but because they are changed in a significant way.

Cairn FAQ from Cairn RPG / Yochai Gal

+++

Thank you Ram for the Story-Games.com deep cut!

( Image sources: https://knowyourmeme.com/memes/neuron-activation https://en.wikipedia.org/wiki/Majesty:_The_Fantasy_Kingdom_Sim https://www.economist.com/sites/default/files/special-reports-pdfs/10490978.pdf https://varnam.my/34311/untold-tales-of-indian-labourers-from-rubber-plantations-during-pre-independence-malaya/ https://nobonzo.com/ )

+

PS: used with permission from Sandro, art by Maxa', a reminder to self:

[theoutcastrogue]

Cold Iron in folklore, fiction, and RPGs

'Gold is for the mistress—silver for the maid! Copper for the craftsman cunning at his trade.' 'Good!' said the Baron, sitting in his hall, 'But Iron—Cold Iron—is master of them all!' — Rudyard Kipling, “Cold Iron”

Folklore

Drudenmesser, or "witch-knife", an apotropaic folding knife from Germany

The notion that iron (or steel) can ward against evil spirits, witches, fairies, etc is very widespread in folklore. You hang a horseshoe over your threshold to deny entry to evil spirits, you carry an iron tool with you to make sure devils won't assault you, you place a small knife under the baby's crib to ward it from witches, and so on. Iron is apotropaic in many many cultures.

In English, we often come across passages that refer to apotropaic cold iron (or cold steel). "All uncouth, unknown Wights are terrifyed by nothing earthly so much as by cold Iron", says Robert Kirk in 1691, which I believe is the earliest example. "Evil spirits cannot bear the touch of cold steel. Iron, or preferably steel, in any form is a protection", says John Gregorson Campbell in 1901.

Words

So what is cold iron? In this context, it’s just iron. The “cold” part is poetic, especially – but not only – if we’re talking about either blades (or swords, weapons, the force of arms) or manacles and the like. It just sounds more ominous. There are “cold yron chaines” in The Fairie Queene (1596), and a 1638 book of travels tells us that a Georgian general (in the Caucasus) vowed “to make the Turk to eat cold iron”.

Green’s Dictionary of Slang defines “cold iron” as a sword, and dates the term to 1698. From 1725 it appears in Cant dictionaries (could this sense be thieves’ cant, originally? why not, plenty of words and expressions started as underworld slang and then entered the mainstream), and from ~1750 its use becomes much more common.

NGram Viewer diagram for 1600-2019.

In other contexts, cold iron is (surprise!) iron that’s not hot. So let’s talk a bit about metallurgy.

Metals

In nature, we can find only one kind of iron that’s pure enough to work with: meteoritic iron. It has to literally fall from the sky. Barring that very rare occurrence, people have to mine the earth for iron ore, which is not workable as is. To separate the iron from the ore we have to smelt it, and for that we need heat, in the form of hot charcoals. Throwing the ore on the coals won’t do much of anything, it’s not hot enough. But if we enclose the coals in a little tower built of clay, leaving holes for air flow, the temperature rises enough to smelt the ore. That’s called a bloomery.

clay bloomery / medieval bloomery / beating the bloom to get rid of the slag

What comes out of the bloomery is a bloom: a porous, malleable mass of iron (that we need) and slag (byproducts that we don’t need). But now we can get rid of the slag and turn the porous mass to something solid, by hammering the hot bloom over and over. And once the slag is off, by the same process we can give it a desired shape in the forge, reheating it as needed. This is called “working” the iron, hence “wrought iron” objects, i.e. forged.

a blacksmith in his forge, with bellows, fire, and anvil (English woodcut, 1603)

This is the lowest-tech version, possibly going back to ~2000 BCE in Nigeria. If we add bellows, the improved air flow will raise the temperature. So smelting happens faster and more efficiently in the bloomery, and so does heating the iron in the forge, making it easier to work with. And that’s the standard process from the Iron Age all through the middle ages and beyond (although in China they may have skipped this stage and gone straight to the next one).

If we make the bloomery bigger and bigger, with stronger and stronger bellows, we end up with a blast furnace, a construction so efficient that the temperature outright melts the iron, and it’s liquified enough to be poured into a mould and acquire the desired shape when it cools off. This is “cast iron”.

a blast furnace

So in all of this, what’s cold iron? Well, it’s iron that went though the heat and cooled off. (No heat = no iron, all you got is ore.) If it came out of a bloomery, or if it wasn’t cast, it’s by definition worked, hammered, beaten, wrought, and that happened while it was still hot.

Is there such a thing as “cold-wrought” iron? No. In fact, “working cold iron” was a simile for something foolish or pointless. A smith who beats cold iron instead of putting it in the fire shows folly, says a 1694 book on religion, so you too should choose your best tools, piety and good decorum, to educate your children and servants, instead of beating them. When Don Quixote (1605) declares he’ll go knight-erranting again, Sancho Panza tries to dissuade him, but it’s like “preaching in the desert and hammering on cold iron” (a direct translation of martillar en hierro frío).

Minor work can be done on cold iron. A 1710 dictionary of technical terms tells us that a rivetting-hammer is “chiefly used for rivetting or setting straight cold iron, or for crooking of small work; but ’tis seldom used at the forge”. Fully fashioning an object out of cold iron is not a real process – though a 1659 History of the World would claim that in Arabia it’s so hot that “smiths work nails and horseshoes out of cold iron, softened only by the vigorous heat of the sun, and the hard hammering of hands on the anvil”. [I declare myself unqualified to judge the veracity of this statement, let's just say I have doubts.] And there is of course such a thing as “cold wrought-iron”, as in wrought iron after it’s cooled off.

Either way, in the context of pre-20th century English texts which refer to apotropaic “cold iron”, it’s definitely not “cold-wrought”, or meteoritic, or a special alloy of any kind. It’s just iron.

Fiction

The old superstition kept coming up in fantasy fiction. In 1910 Rudyard Kipling wrote the very influential short story “Cold Iron” (in the collection Rewards and Fairies), where he explains invents the details of the fairies’ aversion to iron. They can’t bewitch a child wearing boots, because the boots have nails in the soles. They can’t pass under a doorway guarded by a horseshoe, but they can slip through the backdoor that people neglected to guard. Mortals live “on the near side of Cold Iron”, because there’s iron in every house, while fairies live “on the far side of Cold Iron”, and want nothing to do with it. And changelings brought up by fairies will go back to the world of mortals as soon they touch cold iron for the first time.

In Poul Anderson’s The Broken Sword (1954), we read:

“Let me tell you, boy, that you humans, weak and short-lived and unwitting, are nonetheless more strong than elves and trolls, aye, than giants and gods. And that you can touch cold iron is only one reason.”

In Peter S. Beagle’s The Last Unicorn (1968) the unicorn is imprisoned in an iron cage:

“She turned and turned in her prison, her body shrinking from the touch of the iron bars all around her. No creature of man’s night loves cold iron, and while the unicorn could endure its presence, the murderous smell of it seemed to turn her bones to sand and her blood to rain.”

Poul Anderson would come back to that idea in Operation Chaos (1971), where the worldbuilding’s premise is that magic and magical creatures have been reintroduced into the modern world, because a scientist “discovered he could degauss the effects of cold iron and release the goetic forces”. And that until then, they had been steadily declining, ever since the Iron Age came along.

There are a million examples, I’m just focusing on those that would have had a more direct influence on roleplaying games. However, I should note that all these say “cold iron” but mean “iron”. Yes, the fey call it cold, but they are a poetic bunch. You can’t expect Robin Goodfellow’s words to be pedestrian, now can you?

RPGs

And from there, fantasy roleplaying systems got the idea that Cold Iron is a special material that fey are vulnerable to. The term had been floating around since the early D&D days, but inconsistently, scattered in random sourcebooks, and not necessarily meaning anything else than iron. In 1st Edition’s Monster Manual (1977) it’s ghasts and quasits who are vulnerable to it, not any fey creature. Devils and/or fiends might dislike iron, powdered cold iron is a component in Magic Circle Against Evil, and “cold-wrought iron” makes a couple of appearances. For example, in AD&D it can strike Fool’s Gold and turn it back to its natural state, revealing the illusion.

Then Changeling: The Dreaming came along and made it a big deal, a fundamental rule, and an anathema to all fae:

Cold iron is the ultimate sign of Banality to changelings. ... Its presence makes changelings ill at ease, and cold iron weapons cause horrible, smoking wounds that rob changelings of Glamour and threaten their very existence.... The best way to think about cold iron is not as a thing, but as a process, a very low-tech process. It must be produced from iron ore over a charcoal fire. The resulting lump of black-gray material can then be forged (hammered) into useful shapes. — Changeling: The Dreaming (2nd Edition, 1997)

So now that we know how iron works, does that description make sense? Well, if we assume that the iron ore is unceremoniously dumped on coals, it does not. You can’t smelt iron like that. If we assume that a bloomery is involved even though it’s not mentioned, then yes, this is broadly speaking how iron’s been made since the Iron Age, and until blast furnaces came into the picture. But the World of Darkness isn’t a pseudo-medieval setting, it’s modern urban fantasy. So the implication here is that “cold iron” is iron made the old way: you can’t buy it in the store, someone has to replicate ye olde process and do the whole thing by hand. Now, this is NOT how the term “cold iron” has been used in real life or fiction thus far, but hey, fantasy games are allowed to invent things.

Regardless, 3.5 borrowed the idea, and for the first time D&D made this a core rule. Now most fey creatures had damage reduction and took less damage from weapons and natural attacks, unless the weapon was made of Cold Iron:

“This iron, mined deep underground, known for its effectiveness against fey creatures, is forged at a lower temperature to preserve its delicate properties.” — Player’s Handbook (3.5 Edition, 2003)

Pathfinder kept the rule, though 5e did not. And unlike Changeling, this definition left it somewhat ambiguous if we’re talking about a material with special composition (i.e. not iron) or made with a special process (i.e. iron but). The community was divided, threads were locked over this!

So until someone points me to new evidence, I’ll assume that the invention of cold iron as a special material, distinct from plain iron, should be attributed to TTRPGs.

[horrorisunknowntoyou]

Watching From The Sidelines P.3

[SAGAU X SHAPESHIFTER READER]

Synopsis: The game begins! You travel all over Teyvat, as your followers try so hard to follow your tracks. But your having too much fun talking to the locals, helping those in need and drinking!

If they can catch you, you will become their God, if not well, then they'll have to continue playing the game!

A/n: mentioned of flirting with women and men. And slight y/n x zhongli.

Tag List:

@randomnatics @the-2nd-random-kid @smokey-cat @moosieman12345 @nexylaza @stellakito @creation-magician @longppanoodle @angelkazusstuff @apple-ai @guess-i-die @jcrml @byakuren100 @moraxsimp69 @iruiji @ll-nty77 @yuyuzi-ling

------------------------------------------------------------

All the maids and house keepers were let go, but were given a large bag of mora in compensation. They were allowed to take anything they want from the manor, you were going to sell it as you had no need of it.

which all is left is you and this empty house.

Tick...Tick....Tick.....

You tapped your foot against the floor, your legs crossed sitting on an loafy chair besides a window. You had a golden pocket watch in your hand checking every minute.

"They should be here in one...two... three..."

Bang

You closed the pocket watch swiftly, placing it inside your coat pocket. Patting your chest as you hold your hands together listening the door be swinged open.

It was obvious at this open your the creator, your golden eyes hidden behind your sunglasses. Monsters and enemies not bothered by your presence. It's clear what your identity is. Especially the death of the imposter. The golden eyes they had, have transferred to you much to your displeasure.

You took a sip from a glass of champagne you poured for yourself.

Your "entourage" soon appeared Infront of you, clearly disheveled and worried. They were on their knees grasping at straws, panting like the dogs they are.

Before they could even speak you rose your hand to silence them.

"How about we play a little game...you want me to be your God. Correct? So..." You stood up watching their eyes follow you, as you make way to window hitting the notch open. " If you win this game, I'll be your God. "

They looked at each other confused.

"My Grace, our creator what game are you suggesting?" Zhongli asked.

You hummed, " A game of cat and mouse. To play a game, there must be rules. Here are mine."

* 1. No unlawful killing of innocents, even if they help me don't hurt them. That includes yourselves as well

* 2. The form I am in now will be my main one, only to make it fair for you all. However I'll still use my abilities to my advantage. Including tools.

* 3. All of you are against me and me alone. However to make it fun I'll have sometimes a "spy" on your side. A random chosen person who will give me info.

"As I stated earlier if you catch me, I'll be your God and do whatever you want me to do."

The entourage looked at each other and nod in approval.

Venti looked at you in admiration, " We agree to our Creator's rules! It's obvious this is a test for us."

Zhongli agrees with it, "Our Creator is testing our faith after our failure to noticed the imposter. We don't deserve such mercy."

You kinda stood their like "huh?" As Ei nod to the other two. " We will play our Creator's game and prove our devote loyalties."

You smiled at them, " recruit whoever you wish, there no time limit. " You walked over to the mirror.

"THE GAME STARTS IN 1...2...3! GO!" You immediately jumped out of the window, throwing a confetti bomb at them to disorient them. Gold confetti flying everywhere with dust of glitter and smoke.

The acolytes cover their mouth, shielding their eyes as Venti clear the air.

" CAPTURE THE CREATOR NO MATTER WHAT!" zhongli yells out , pointing towards the window.

-----------------------------------------------------------

You were running, you didn't know where but you just ran. You can practically feel your heart hitting against your chest, the adrenaline pumping through your veins.

God, you never felt more alive then now, this doesn't compare to stressing over exams or phone calls to doctors or setting up your college funds. Hell, not even when you transported to this world as their God.

It was euphoric.

You were practically leaping around in joy.

How can those y/n's in those SAGAU fics be so foolish. You came from the same background as those fics, but why was the world wrapped around your finger?

The strongest people in all of genshin are chasing you! But not to mercilessly kill you, but instead a game you instigated.

A game...how funny is that?

No longer am binded to an execution but game.

How silly.

You smirked at the thought of it, you took off your sun glasses placing it away as you hear the acolytes near by. You hid behind a tree shape shifting into a bird on a branch. Watching them pass by you with determination In their eyes.

Expect one.

Aether.

He spotted you, but he didn't mention it to the others. As they ran into different directions all around Teryet he stayed behind.

You shape shifted back to m/n, "Hello Aether."

He blushed looking at you in shock, " you know my name?" You simply nodded.

"Your the traveller how could I not? So Aether do you wish to be my first spy? "

He nodded almost immediately, " please! I would be honored. "

You hummed, "good, remember not the tell the others. But I have heard alot from you, so you'll be of great use to me." You pull something from your pocket placing it on his hand.

" a gift. " You mumbles as you look at him who's completely awe struck.

" your so much kinder then the imposter! They never did anything like this to me!" He says as you raised an eyebrow in intrigued.

"Is that so?... Tell me more. "

------------------------------------------------------------

Aether set a blanket down for you to sit on as he explained about the imposter. Mostly just venting out his frustrations as you listen in intrigued.

Saying that, they were so cruel and give no rewards always complaining for things to be done. Always in humane and never helped. They were greedy and power hungry. He just kept going and going.

Honestly, thank the gods the imposter was dead because how Aether explains it, you would have killed them yourself.

How dare they use your face to be cruel to the undeserving, how dare they make the weak and poor feel vulnerable.

How dare they disgrace YOUR name.

It disgusted you.

You thank him for the info but he shook his head, " I don't deserve such words I just did as you told. " You just sighed..

" of course, of course. You must return to the others or they might get suspicious of your absence. I'll call you when needed. Also tell your sister and Paimon I said hello. "

He nodded excitedly.

You stood up and nodded at him in approval as disappeared in a dust of gold confetti.

Aether sat there blushing, holding the gift dearly to him , so excited to be the Creator's first spy and vessel.

He couldn't be any more happier.

-----------------------------------------------------------

Days past

Your acolytes were taking this game very seriously.

But you? Oh you were relaxing in a random tavern, drinking a glass. Flirting with some of the women and men in the bar.

If they saw you, they would definitely be jealous.

You laughed at their jokes, as they melt under the touch of your gloved hands.

Of course just when you had the person wrapped around your finger you Venti immediately showed up. You kissed on top of the strangers hand, " sorry to cut it short but I most go. " You immediately dodged his attack, sliding under him and bolted out the door.

" Your Grace come back!" You hear faintly behind you.

Venti was still on you before Xiao came out of nowhere with his weapon.

"your getting faster!" You said as you grabbed onto a railing above you. With your agility, you swing up onto the roof and leaped onto the other building roof.

You stick your tongue out at them teasing them as you fled away.

Xiao sighs, shaking his head as Venti whines , stomping his foot.

-----------------------------------------------------------

You were helping a child down a tree, smiling at them happily playing with them. Gently setting them down, giving them a lollipop.

"Thank you mister!/miss!" The child's says smiling running off to their mother.

You waved bye, before being jumped by lumine and Paimon, immediately dropping to the floor dodging their attack. You immediately kick yourself up , brushing dirt off your coat.

Paimon flying towards you like a missile, but you immediately distracted her with candy.

She immediately took the bait and you shape shifted as a bird and flew away all giddy as lumine and Paimon argued over her taking the candy.

"How can I decline!" Paimon pouted

Lumine groans in defeat, " we were so close! "

It was cute to watch.

-----------------------------------------------------------

You chugged down another glass, laughing loudly in a party your invited to. It was dark and everyone was dancing. Attention on you as you smiled hiding behind a fan, after all you were a rich business man.

After all what's the harm I'm having fun?

You talked to other business partners and people you knew. Hell, you even met up with your assistant and she told you how things are going along. You told her you were busy with external affairs and will make her in charge and raise her salary and holidays off.

She agreed to it, thankful with the benefits she was given. " Thank you sir/ma'am, I can't thank you enough for the generosity you given me. "

" of course, I wouldn't be as successful without your help."

" I'm honored you think so." She smiles.

"go have fun, I have things to do, go enjoy yourself." You said smiling, gesturing her to talk to others.

" of course, thank you sir. " She says leaving, as you leaned against a table.

You pulled out your pocket watch, looking at the time as you step outside. Climbing on top of the roof, starring onto the night sky, looking at the moon.

You heard light footsteps behind you.

You turn around and smile seeing zhongli standing there.

You chuckled, as zhongli has his weapon in hand, he swung it at you, but you catch it. Tossing it aside, wrapping your arm around his waist pulling him close, the other hand on his hand.

"Y-Your Grace?!" He fumbled.

You can tell he's overwhelmed by this, as you hum to the tune played below. Spinning him around in the moonlight, bowing him down. He practically melts to your touch, collapsing on to his knees. You smirked as you gently set him down.

"i-i...uh..."

You blew him a kiss before teleporting away.

He just sat there dumbfounded and flustered.

----------------------------------------------------------

Besides being chased by the most powerful people in genshin. You like wandering around, you didn't need to sleep or eat a lot so it wasn't much of a issue. You liked to explore the world, seeing the shops and stores. Talking with the locals and hanging out with them, everyday was something new. You weren't stuck in some temple being worshipped. Bored out of your mind.

No, you were experiencing Teyvat as a whole. You saw it yourself with your own eyes instead of those of an acolyte.

You are witnessing it first hand the issues and solving them on your own.

Because if you were called as their God , you wouldn't have a chance to do something like this.

It was nice to do everything independently.

You got to do small thoughtless things.

Like giving money to the poor.

Giving sweets and toys to children.

Helping the elderly and unfortunate.

Giving flowers to women and men.

Doing small errands

Going on adventures.

Hanging out with locals.

Getting invited to parties.

The list goes on, and of course with your money, you can spend it luxuriously if needed. As your still running your businesses and going to meetings and such. Just because your traveling doesn't mean you stopped working.

But you know, eventually the acolytes will turn it up a notch and add more people into this game. The question is when. Because so far you had an idea what they are doing due to Aether's spy work.

So they are definitely planning something, but it depends on what.

Time will only tell.

------------------------------------------------------------

Bonus!

WFTS y/n's Playlist (slightly fem leaning)

UPSAHL - People I Don't Like

Gwen Stefani - Rich Girl

Yung Gravy - Betty

Abba - Money, Money, Money

Destiny's Child - Bills, Bills, Bills

Lady Gaga - Fashion

Macklemore & Ryan Lewis - Thrift Shop

Flo Rida - Right Round

Lady Gaga - Telephone

Bruno Mars - That's What I Like

WFTS y/n is such a chaotic person lmao.

[fruitzapple]

For your 3D art:

What are your influences?

What is your process for creating and texturing the models?

What software do you use?

Other than that, I will be keeping an eye out for more of your models as you are what I aspire to be as a hobbyist 3D artist.

Thanks for asking! I'll apologize ahead of time I'm not the best a writing but I hope my answers will be helpful and fun to read

1: I'm really inspired by arcane and into the spider verse! I love the way they can make 3d look like paintings or comic books I love to stylize 3d and I hope with more practice I can make my 3d art come off as different 2d styles. I'm also a big fan of the old low poly games look with the silly pixel texture it's kinda a funny balance between wanting my art to look nothing like 3d and wanting it embrace the sillies of the art form.

2a modeling: I start with cubes for almost everything I make. I started my 3d art journey with texturing Minecraft skins so I kinda like cubes, it also makes unwrapping it onto a flat plane for texturing just a bit easier for me. Here's an image with the geometry of my silly mailbox model highlighted.

3: I use Blender to make all my models although I just learned a little bit of 3ds Max in my first 3d animation class, I'm mostly self taught though that being the one semester of a 3d animation class under my belt but youtube has been a gold mine for every question I have about 3d and I've practically learned everything I know about using Blender of youtube tutorials.

2b texturing: I use an add-on called uv pack master in blender to speed up my uv unwrapping process so I can make my texture look nicer faster. As for painting I use the tools in blender to texture my models with a couple extra brushes from another add-on it's outdated though and I should probably find some new brushes lol. This is what my texture looks like btw! It's a little messy but I hope you can find it helpful!

I'm really passionate about 3d animation and almost everything involving it I love talking about it thank you for asking!

[ghostofashina]

"An affair from which gold arose and shadow too was born"

This was clearly about Lands Between and Lands of Shadows, how these two places coexist in different aspects. But also, I think it can give us a nice perspective about Godwyn and Messmer births.

This is just a small theory I made while trying to built up a timeline, because these two births tend to blend into the other and I think it's on purpose. And I know, where Melina fits in this? I still think Melina is one of the youngest of the pack, as a secret weapon of Marika recalling Messmer's kindling being out of her reach, but this is another theory for another post. Now, I'd like to bring a small theory about Godwyn being the child born from the seduction and the betrayal.

SOTE SPOILERS ahead.

We know, for certain, Godfrey was Marika's true first Elden Lord. But, even it being a common sense that Godwyn was their firstborn, there's actually no true evidence claiming he was born before the omen twins. Except that now, after one piece of dialogue in the DLC, can shows us this and a little more.

First things first. Messmer's dad still is the great mystery of Shadow of the Erdtree, and again I think this is on purpose, because considering Godfrey's evidence, the game wants to tell us he was already there when Messmer came to life. And I, personally, don't think neither Radagon or Godfrey are Messmer's father. I think, in a parallel to christian God, sacrificing his son for the sins, Marika birthed Messmer alone — and Melina, that's why they both share a vision of fire and are direct siblings.

According to Marika's own words: "[Radagon] Thou'rt yet to become me. Thou'rt yet to become a God. Let us be shattered, both. Mine other self."

Knowing that Marika comes from the Shaman Village, and that her people was "grafted" to each other in seek of the divine, he is a part she divested herself later in the story and Messmer was some sort of manifestation of this, but not necessarily a child of Radagon.

And I guess we can agree Messmer was born in the Lands of Shadow, because he knows very well the sins committed against his mother and her own modus operandi. He was there before her godhood and that's why Godfrey's offspring got the title of first demigods. And Godfrey, too, was there with Marika since the start.

I won't get into the timeline of events, because it's a mish-mash in game, and I don't have the tools to explore assets and files. But, one thing that the DLC gives importance is the act of a vow. And we know Marika and Godfrey did a vow.

Leaving his past of Hoarah Loux, Godfrey took Serosh upon his shoulders to ease his bloodlust and accept the role when he sworned a vow with Marika to become a Lord. Which can reminds us of the Secret Rite Scroll, found in Shadow Keep.

"A lord will usher in a god's return and the lord's soul will require a vessel."

We can argue here about the roles of vessel and soul, because it feels Godfrey became the vessel to the Beast Regent (some sort of lord), which recalls the amount of lion representation in Hornsent culture. So, I tend to think that Serosh was part of the "betrayal" in order to ascend Marika to godhood with Godfrey as her lord consort.

That's when I imagine Godwyn was born. After the vow, to consumate the idea of Godfrey being named a lord of the golden lineage once Marika achieved godhood and started the Age of Erdtree.

If we recall the Minor Erdtree, left to the matriarch at Shaman Village, it's said:

"Secret incantation of Marika Only the kindness of gold, without Order."

I can see this as Miquella divesting himself of St. Trina, his love. Marika bathed her home in gold, knowing there was nothing left to heal. Alongside with her braid, it was a departing gift, because she was leaving for a new era. She is leaving her kindness of gold, to built the order. Godwyn was her last act of kindness of gold before the Order. That's why we have so many evidences he, alongside Messmer, was her beloved child of gold.

Going deeper, once we advance the questline of Hornsent Grandam, she tell us a very specific dialogue line, that can show us why Godwyn was curseless when he was born, different from his siblings.

She spoke of a omen curse. Curse upon her children, each and all. Messmer as her own flesh and blood, which I believe, carried the grafting curse upon her people over and over again, being a vessel to an outer god "grafting" into Marika's child. But Godwyn was curseless, because he was conceived outside cursing eyes, in secret. He was born of a vow that, once came to common knowledge, was called "the seduction and the betrayal" in the eyes of the Hornsent.

The birth of Godwyn was the start of her ascension to godhood. The affair from which gold (golden lineage, golden order, the golden prince) arose and shadow (abyssal serpent "shorn of light", shadow keep, shadow tree) too was born. And everything about them is represented of golden and shadow. From the eclipse to the golden ring in their symbols (as we see in the Death Knight's cloak or battle axes and alongside Messmer's spear and flame). So, I keep thinking they both were born at Lands of Shadows. One to purge her enemies and protect her kingdom, the other to represent a new era and maintain her glory. Godwyn is the Golden and Messmer is the Order.