#Goes wrong universe

[natashasbitxh]

Finally got to see Peter Pan Goes Wrong in West End with Charlie Russell, Matthew Cavendish, Greg Tannahill, Matthew Howell, Harry Kershaw, Clark Devlin, Jamie Birkett, Chris Leask, Ellie Morris, and Jean-Luke Worrell! They were all amazing, I thought I'd share some of my fav bits! (Warning: There's a lot)

• Firstly, programme stuff: the note from the director basically just being Chris and Trevor arguing like a married couple. Chris being too scientific and Trevor having to remind him it's supposed to be festive.

● Them leaving a note asking if anybody was a flying operator as they didn't currently have one😭

• Robert leaving the children of the Cornley Youth Theatre abandoned in a forest with limited food and knives,to prepare for their performance of Lord of the Flies. NSPCC and police had to intervene, 2 of the children are still missing today (Ben McIntyre and Sarah Cordell)

• Jonathon's interview where's he's practically begging the interviewer to take note he was 'fashionably late', when he was actually waiting for 6 hours.

• Jonathon saying (in the interview), he's been focusing on humanitarian work, such as adopting a child from Ethiopia and a child from Vietnam. And then the interviewer just replied with "That is Brad Pitt. Everything you have just said is about Brad Pitt and not yourself."

• In the cast section, Chris Bean writing "I would like to remind my father that there is a spare ticket at the box office for him if he chooses to show up." That's so sad😭

• Trevor's section ended with "trevorzbeatz/YouTube.co.uk" 😭

• Pip (assistant stage manager) just says: "They call me Big Pip up north. Trevor's cousin. Out and about and that. Nice one." Like okay yh me too Big Pip

• They tried to feed the crocodile an alarm clock😭 (RIP Nadia tho😔)

• Annie left a little note saying she's "looking for a man" and then there's some description of what she's (not) looking for

• A page saying welcome to the theatre, but it is still very much in character😭 "Director Chris Bean always fulfils his promise of giving us a show we will remember for a very long time."

•Pre-show antics: one of the assistant stage managers (I'm gonna guess Pip? Not too sure tho) was walking around looking for a hammer. I noticed that he'd act like he was looking around and then when he spotted a child he'd go and ask them. I thought that was cute🥹

• I couldn't see the wires going through the audience cause I had seats up high, but I did see Robert pulling the end of the wire whilst on stage with the help of an audience member

• Dennis was late I think, ran across the stage from the audience with a bag on

• Lucy suddenly ran off stage, Robert not far behind shouting things like "You have to do it!" (And then later on she ran back on stage,but it seemed Robert got caught up in a convo)

• Now onto the actual show, I thought Dennis singing les mis due to his headgear was pretty funny seeing as les mis was about a door or 2 down

• At one point we were clapping for something (can't remember what, but it was during the beginning Darling Family scene), and Max joined in with the clapping. Sandra had to tell him to stop with a pointed glare and a lil hand gesture

• Every appearance with Robert as the shadow was amazing, I know it's simple but I'm always impressed with the rug pull and the way he lands

• During the bit where there's too much smoke and it engulfs the pirates, Trevor comes to the rescue but does hit Chris in the arse by accident, christrev anybody?

• I will forever love Robert trying to get Dennis to pick up the sword, Dennis picking up the boat paddle and Robert going on a rant about how he's been moving his arms for the past 5 mins why would he need the paddle

• During the interval the lights would still go out occasionally, fun touch

• As Jonathan flew up before crashing down, a banner fell down with Robert holding a bean, a reference of his show Jack and the bean

• Before this, I'd only seen the BBC recorded version of Peter Pan Goes Wrong, so I rlly enjoyed the changes. Such as the mermaids, but I RLLY laughed at Robert being the Mr Bumble in Oliver that killed a child. Especially when he went to be Peter Pan before starting to sing 'Food, Glorious Food"

• The whole poison bit was incredible, Harry's improv was on FIRE. We obvs did the traditional pantomime business which made Chris mad, he very much gave teacher vibes as he sat down on the set and said it was our own time we were wasting. He also complained that this was only the matinée and they still had an evening performance to get to. Then he pointed out how somebody in the audience was hissing, "Nobody goes to a show and says 'Yeah it was good but the person in the fourth row wouldn't stop hissing'" (this resulted in a lot of children hissing whenever he appeared on stage). Then when it got to the poison bit, a child was yelling at him to hurry up, causing Chris to go on a rant about how he didn't even want children there, sitting there on their booster seats. After the child yelled at him multiple times, Chris gave up and told the child to open it for him, which they did. Then as he was leaving, we were booing again and he was like "NO NO DONT BOO ME, IT WAS THE CHILD THAT POISIONED HIM." Then as he exited, he said something along the lines of "blame the child murderer." It was insane.

• Then, when Peter asked who would try to poison him, Tink/Annie pointed at the child that opened the bottle. I think Chris Leask actually had to turn his head downwards and to the side to hide his laughing.

• I've pointed this out before, but I'm so endeared with how worried Chris was when Annie was unconscious. HE KNEELED THERE HOVERING OVER HER BODY JUST LIKE TOUCHING HER FACE, NOT SPEAKING FOR AWHILE. Adorable. Every characters reaction was adorable...sorry Annie

• I just have to say Francis' Cabaret performance to distract us from Annie was amazing. Loved the audience clapping along as well and the rest of the cast looking absolutely shocked and confused

• I loved that we heard a whole marriage fall apart through Dennis' headgear. I want to know more abt them, the husband that took over to help Dennis sounded sweet

• When Lucy slid down the ship in her wheelchair she was flung out and then caught by Trevor in a sort of bear hug, Lucy's legs wrapped around his torso. Trevor was SEVERELY judging the cast HE WAS NOT HAPPY WITH THEM. They're besties ur honour, I thought it was so cute

• Loved Francis' Cabaret performance again during the big fight scene with the set moving.

• Trevor saying something like "You've got to be joking" when Lucy picked up the book 😭

• I wanted to scream laugh at Chris lying in the bed like an ill victorian child as Lucy closed up the story, and then Dennis choosing to lie on the squished bottom bunk

• As Lucy continued to read, Chris, Sandra, Trevor, Dennis, and Max were all checking up on one another in the background. Hugs, shoulder grabs. Guys, I love Sandra and Chris' dynamic so much, Sandra was making sure he got off the bed alright and then gave him a hug

• Of course the whole end song, Max as the crocodile encouraging us to clap

It was so amazing, everybody was fantastic!! My jaw still aches from laughing so hard! Hope ppl found this interesting cause I always love when other ppl share what happened during their show😭

[sapphic-songbird]

Introducing the cornley drama society as things said in my debate club part 2 because none of you can escape me

Chris: no that's murder!

Robert: ah but in what context?

Chris: taking a human life!?

Trevor: how can you be seduced ?

Chris:...no

Annie: what- what are you doing?

Vanessa, curled in the tightest ball she can on the floor: I'm trying to be my own weighted blanket

Max: I'm gonna go eat glitter

Sandra: please no its only 8:49 am

Vanessa, on the verge of tears: I'm here and nothing good has ever happened to me

Robert: I think could only fight two old men at once, but I could probably fight 4 children

Jonathan: well I think that depends on how you define old men and children

Chris: And I think I don't want to be a part of this conversation

Max: I think that went well! You know we all did the best we could and I'm proud of us.

Annie and Trevor: *start laughing*

Trevor: you know I was starting to hope we could all come together to make one functioning person but we've failed at even that.

Chris: it's a miracle were not all dead.

Dennis, being 100% genuine: maybe we already are.

Chris, too tired to correct him: ...yeah perhaps.

[peacockpenis]

in which (sometimes) intoxicated trevor makes poor decisions around alcohol and his cast members (aka trevor character study but he’s just a slut) (aka trevor canonically calls everyone babe so he's definitely kissed most of them) (aka 8 times trevor kissed members of the cpds and it didn't mean much and the 1 time it meant everything)

[trashpidgeon48]

Imagine you're just a normal person and you decide to take your family to the local theatre to see a show. It's going to be a delightfully fun time for the whole family. But then things just start going wrong, not in the normal way where somebody forgets a line, a sound cue goes off early, or someone forgets when to come in. No. Like the ENTIRE set starts falling apart, one guy can't seem to remember his own lines (he remembers other peoples' lines??? for some reason???), one guy can't enter the stage, one guy keeps cheesing at the audience, and multiple people get knocked out and injured. You're thinking about calling an ambulance or something. But they just keep going. By the time they get to the end you're surprised that they are still alive and actively fear for their safety. You later learn that this is NORMAL??? That they are getting funded because two of their members are nepo babies and they had appeared on the BBC multiple times??? There are people who go and see the shows because of how awful they are??? They are the living embodiment of Murphy's Law??? WHAT THE HELL IS GOING ON???

[mizaruwu]

shhh- maybe it'll go away after a while

[stars-irises]

More cornley polytechnic drama society text posts (this time not only Robert) because these are ridiculously fun to make

[iambecomeahamburger]

jonathan isn't in the car

[the-irrelevant-trumpeter]

please excuse the poor quality, i made this on a random burst of energy. anyway here you go.

[currentlyonstandbi]

thinking about that article where Aidan talks about Five being lost this season, about how he doesn't know what his place is in the universe. thinking about how it might be because there's no longer any apocalypse to stop, no world to save, and comparing it to similar circumstances in season 3. thinking about the fact Five's response to having fulfilled his purpose in that situation is not to despair but to celebrate. you could argue that maybe it's because the reality of it hasn't set in, that he's essentially in the honeymoon phase of no longer having a place in the world, but I'd argue there's another consideration - his family. Five in S3 is content, happy even, despite no longer having a purpose because at least he still knows his place. and that's amongst the people he's dedicated decades of his life to saving. thinking about how, by the end of the season, Five was ready to finally put an end to it all - no more stopping the apocalypse. because at least he'd get to go out surrounded by the people he loved. but S4 sees them all split up. and now Five's without a purpose and without his family. and there's no end of the world to save them from; they won, timeline fixed, universe restored. his family is finally safe. and Five is still alone.

the unbearable tragedy of getting what you want.

[spop-romanticizes-abuse]

whenever i say that a character needs therapy and healing before they start a relationship, people jump at my throat and assume that i'm saying that people with mental health issues shouldn't date at all or that they're not deserving of love.

folks. i have bipolar type 2. i'm also a psychology major. trust me when i say that i never said people with mental health issues shouldn't date at all.

i just think that it's a lot healthier to get into a committed relationship once you've started therapy and/or medication. no one is stopping you from getting into a relationship before that, but there is a higher chance of the relationship turning unhealthy and/or complicated. not just for your partner but for yourself as well.

and there are other relationships that people can and should focus on. i would never recommend an individual completely isolate themselves because they're mentally ill. that's the opposite of effective, it will only worsen your mental health.

romantic relationships aren't the only form of love. and when a person focuses solely on their romantic relationship, pushing aside their familial and platonic relationships, there's a higher chance of the person becoming overly dependent on their partner, which can again be unhealthy.

and keep in mind, my criticism is also more from a fictional perspective. stories that ignore a character's trauma and just give them a romantic partner aren't trying to tell you that people with mental health issues deserve love too, they're trying to brush the character's trauma under the rug and hoping that you won't notice.

a lot of these writers seem to genuinely think that romance will “cure” a character, and that's such a harmful mindset because it discourages people from seeking professional help. it's the same logic as thinking that birthing a child will solve relationship problems between a couple - that's just not how it works.

and in cases like catra, it's even worse because catra is not just dating anyone, she's dating the same person she has abused since childhood. this is destructive for both of them, not just adora. we have to realize that toxicity often stems from some kind of trauma (though not always) and it's not ableist to say that an abuser shouldn't be dating their victim.

one good example of a relationship involving a victim of trauma, in my opinion, is steven and connie from steven universe.

steven universe future focuses entirely on steven's deteriorating mental health, caused by all the trauma he endured in the original series. but in the end, after experiencing a mental breakdown, he actually seeks professional help before beginning to date connie.

it must also be mentioned that their relationship had great development since their friendship was already quite healthy and mutually supportive, and connie has been with steven through all his highs and lows. and so, it doesn't feel like this relationship came out of nowhere, just so that steven gets a happy ending.

it's a satisfying conclusion to both of their arcs and even better because they're allowed to stay away from each other and pursue their own goals while still being in a relationship, meaning that there won't be the risk of them becoming codependent.

this is all that i'm asking writers do with their characters with mental health issues/trauma. you can give them a romantic partner, just make sure you address their personal problems too, instead of brushing them under the rug.

[undertheredhood]

AU where instead of becoming the red hood and taking over gotham’s criminal underground at 18-19, jason todd decides to go back to school and graduate from college, and just generally live the life his parents (read: catherine and willis todd) would have wanted him to have that they unfortunately couldn't have given him due to their circumstances.

and what does jason get his college degree in, might you ask? he graduates with full honours as a political science major, minoring in english with plans to work in public policy.

and y'know, after graduating and working for a couple of years, things seem to be actually looking up for jason. he has good friends, a stable income with a job that he actually enjoys, he owns a home, his romantic life is pretty decent, and he's actually healing from the trauma of his death. there’s nothing that could possibly go wrong in his life, right? not when it’s been the best it’s ever been in years, right?

well, that’s where you’re wrong because when he comes home from his 9-5 shift, jason finds the batman himself brooding in the dark while sitting criss cross applesauce on his very new leather sofa.

and just when jason thought he was having a good week.

(this idea was kinda inspired by this post that i made a while back, where jason goes back to school, and now i’m having too many ‘what would jason have become if he didn’t become the red hood?’ thoughts running through my brain because of it, lmao.)

[bi4pan-polls]

Poll: Finale

[kindest-little-fella-in-town]

so my friend made me watch this whole series and this was my main take-away

[crypticsketchpad]

HEY FOLKS DIDJA MISS ME. anyways here’s something I’ve been workin on for the past few weeks, some actual reference pics for the folks from these posts! I think it’s time they got a proper ref and lore post (it’s been, what, over a year since I made them?), soooooo :] buckle up. individual pics + bios under the cut; content warning for death, gore/body horror, unethical science and/or medical malpractice, I guess some minor mentions of self harm and emotional abuse… let’s just say they’ve been through a lot

CHIMERA

they/it - 23’5 - ~400 y/o - epic wubbox..?

Chimera can only be described as a true monstrosity among monsterkind. Its three components were unfortunately torn apart in an interdimensional travel accident, and in a desperate attempt to save them, their sibling Matrix decided to combine the three into one semi-intact body. Whether or not their efforts were successful is debatable; Chimera is highly physically unstable, and isn’t exactly all there mentally. It’s usually kept away from the eyes of the public, housed in the bowels of the Ethereal Island castle.

Resents Matrix for bringing them back, as they use this fact to control them. They insist that Chimera owes them their lives, and that they should be grateful, but constantly mistreats and neglects them.

Most of its original mechanical parts were damaged in the incident, so their body’s construction is supplemented by the body parts of other ethereal monsters.

EEKTO

The “primary” head, Eekto has the most control over Chimera’s body. It’s the only one who can see and hear clearly (though not by much…), so it serves as the collective’s eyes and mouth. Associated with the element of plasma, it now constantly leaks plasmic goop from its mouth, eyes, and neck joints, making it hard to speak without choking on its own saliva. The flame that engulfs its eyes grants Eekto enhanced vision in the dark, and allows it to detect things that aren’t visible to the average monster. In life, it was the oldest of the five siblings.

NOCK

The second most active head, what Nock lacks in hearing and sight it makes up for in chattiness. It’s the main mouth of the body, consuming large amounts of food at once in order to sustain all three of them. While usually relying on Eekto to be its eyes, it can also “see” by using its long, snake-like tongue to smell its surroundings, and is capable of picking up minor sound vibrations with the membranes of its Grumpyre wing “ears”. Nock’s demeanor is almost always disturbingly cheerful, and it seems to be in blissful denial of its current situation. It’s always happy to strike up a conversation with whatever monster happens to stumble upon them while lost in the castle- unless it’s Matrix, of course.

FRAKTAL

Fraktal, associated with the element of Crystal, was the worst fatality of the trio. Its head is basically all that remains of its original body, but even so, it’s in very bad shape. Frozen in a state of decay, it’s become a host to many crystalline growths that have covered its mangled face and “neck”. It is completely unresponsive to outside stimuli, and only ever moves when one of its other two siblings decides to move their shared body’s tail. The other two, however, act as if it is still alive somehow, treating and addressing it as such. Sometimes, though, one of the other heads may sense a signal from their tail; a faint, abstract thought that is not their own.

MATRIX

they/them - 11’1” - 431 y/o - rare wubbox

A self-proclaimed “genius” scientist, Matrix loves nothing more than to upgrade themself and others through body modification. Creating questionable prosthetics from miscellaneous materials, they kidnap and experiment on monsters against their will, leaving them mutilated at best, and in some cases, whatever unfortunate victim enters their lab never comes out. Matrix’s mission is to “improve” the lives of the Ethereal monsters, who they’ve proclaimed themself the leader of. They see other monsters as nothing more than test subjects who should be happy for the help they’re providing, falsely believing that their work will benefit monsterkind as a whole, and that anyone who opposes is simply ungrateful.

The first rare wubbox to ever exist, Matrix used their supernatural ability to create interdimensional rifts to access the human world. Inspired by what they saw, they rebuilt every part of themself in order to reflect that technological influence. Pleased by their transformation, they created copies of themself, which they distributed across the monster world; as such, nearly every rare wubbox is a clone of Matrix, with a few exceptions.

Using their aforementioned interdimensional abilities, they’ve shut off Ethereal Island from the rest of the monster world, preventing anyone other than themself from entering or leaving. Any Ethereal monsters who live on the Natural Islands are descended from ones who left their home island before Matrix and co’s arrival.

They were the one who rebuilt Chimera, and the perceived success of this operation is what inspired them to experiment on other monsters in an attempt to make them better than they were before. They also use this fact to keep Chimera under control, constantly reminding them that they literally owe them their lives.

Their extra set of tail-arms were assembled from parts leftover from Chimera’s creation. These arms are very flexible, and can extend and retract slightly, though they are not as strong as one may think. (Which means that unfortunately, Matrix can’t do the Doc Ock arm walk thingy.)

While Chimera’s components are affiliated with three of the Ethereal elements, Matrix is affiliated with the Mech element, and was taught the basics of engineering by one of their creators, a Vhamp named Khord. In the present day, they find Mech-element monsters the ideal subject to use for their projects.

ZYPHUR

it/its - 12’3” - 427 y/o - common wubbox

Scarred and damaged- not just physically but mentally- by the horrors it’s had to participate in, Zyphur is Matrix’s unwilling lab assistant. Serving as the brawn to its sibling’s brains, its main role is to gather subjects for Matrix to use in their experiments; it’s easily large and powerful enough to capture and restrain the other Ethereal monsters, but that doesn’t make the process any easier for all involved. Zyphur resents its job, and feels terrible forcing its captives to participate in the twisted whims of its older sibling, but it really doesn’t have a choice. It depends on them for food, shelter, and care, and feels obligated to help them due to familial ties. Despite this, Matrix constantly berates, mistreats, and manipulates it, keeping it as their own little lackey for whatever tasks they need done.

It was forced to help gather Chimera’s body parts immediately after the accident, and assisted Matrix in reassembling them. It was in a state of shock the entire time, still reeling from its own injuries, and begging its one remaining sibling for some semblance of comfort, which it never received. Before the accident, Matrix was often dismissive but still kind towards Zyphur, but this soon changed to pure disdain and superiority towards it in the aftermath.

Ended up the least scathed after the accident, with its most major injury being a severe head wound, practically ripping half its face apart. Despite Matrix’s efforts to repair it, this wound never healed properly, leaving a massive scar on one side of its mouth.

Associated with the Poison element, which is clearly visible in its eyes. Its major bodily fluids (notably tears, blood, and saliva) are tinted a vivid green and are somewhat acidic, leaving marks on whatever they touch. They are also toxic to other monsters and may cause skin damage or poisoning when exposed to them. In theory, Zyphur is capable of spitting jets of poison saliva as a defense mechanism, but tends to just let it passively drip out of its mouth.

Due to the extreme neglect, trauma, and isolation it’s had to endure, Zyphur is somewhat developmentally stunted, and behaves much younger than it is. When the Cataclysm and subsequent accident happened, it was mentally around 15 years old, and hasn’t emotionally progressed much since.

Most of the time, when its parts haven’t been repaired for a while, the edges of its gauntlet pieces are broken, with pieces of the prongs on the end often missing. This damage is self inflicted, fueled by Zyphur’s guilt towards the pain others have suffered because of it. It feels that Chimera’s components didn’t deserve to undergo such a horrible fate, and that it should have taken their place instead. Matrix simply sees this damage as the result of clumsiness, and often scolds it because of this.

Refuses to interact with Chimera- or any other monster, really- whenever it can help it; the feelings of guilt it holds about their situations are too painful to bear.

Very malnourished, and doesn’t get to eat real food very often. Its main diet consists of Matrix’s leftovers and whatever mutilated, “unusable” monster parts remain after their experiments.

ALVA

it/its - 13’5” - 433 y/o - common wubbox

A brilliant (albeit shut-in) scientist, Alva is the creator of Wublin Island and its denizens. When not looking after its “children” (the Wublins), it spends most of its time tinkering and experimenting with new ways to put the knowledge gained from its previous projects to good use. Between these two tasks, it’s almost always exhausted, and tends to overwork itself, refusing to sleep for days and putting its work and the needs of the Wublins before its own well-being. Despite this behavior, Alva is mostly satisfied with the life it’s built for itself.

One of the oldest living wubboxes from the Dawn of Fire, and one of the first to be created; it lived through the Cataclysm but doesn’t like to talk about its experience very much.

VERY bad at caring for itself in general; it doesn’t replace its parts as often as it should, causing itself chronic pain and fatigue. Alva tries to remedy this by occasionally using a shoddy cane it made for itself, but doesn’t do so often, insisting it’s fine- often while visibly having difficulty standing and walking.

Adores the Wublins and would do anything for them; though it’s quite exhausting caring for them all, it loves them very much, and tries its best to keep them happy. This also involves it hiding any sort of negative emotions or pain it feels in front of them, as it doesn’t want its children to worry about it.

Inherited the gift of the spark of life from its creator, a Galvana named Ivolta, who was the original inventor of the wubbox.

Typically doesn’t interact with the outside world much, but periodically allows airships from other islands to bring it supplies and monster eggs. It doesn’t like to leave the island, but may do so on rare occasions if its expertise is needed- namely, it was recently contacted by a team of monsters who want to use its statue-waking tech to reawaken the newly discovered Celestials.

Before the fall of Starhenge, Alva was Matrix’s best friend; the two were very close, bonding over their similar interests in robotics and bioengineering, and often collaborated on projects. However, after seeing how drastically different they are now and how harmful their “work” has become, it is disgusted by them, refusing to speak to them, despite their constant, oblivious attempts to befriend it again.

——————————————————

PHEW that was a lot haha, anyways, if anyone has any questions about these guys, feel free to ask in the replies or my askbox! (i’ll try and respond in a timely manner lmao) been working on this storyline for a while now and I can definitely expand on some of these things if anyone’s interested :]

[fiendishartist2]

smth i think ppl get wrong when writing jon is that he has to be a bitch but he cant be cruel. if you take away his bitchyness its not jon anymore, he just becomes a fanon husk of himself. but if you make him too mean, then you're forgetting the awkward politeness and humanity of jonathan sims. remember: he may be a stubborn dickhead, but he let martin stay in the archives without having to be asked, even back in season 1

[gods-perfect-idiots]

❤️💛