#God this scene was not supposed to be as long as it was
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08x06 fix-it fic: break and be mended
not connected to that excerpt i posted before, just something completely different. 4.5k, read on the ao3
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Another hospital room. Buck takes a deep breath and closes his eyes again, letting it out and hoping he gets back to sleep. It doesn't happen, though, because his brain catches up to his eyes:
Maddie, wearing a yellow paper hospital mask, a hand anxiously on her belly, sitting in the chair next to him with that too-familiar oh-thank-god-you're-finally-awake face… and Tommy leaning in the doorway.
He takes another deep breath and opens his eyes again.
"You're okay," Maddie says patiently, slowly, as Buck tries to slam the door shut or set the doorway on fire with his brain. "It's just the turkey flu, it hit you hard."
That breaks Buck's concentration. "Wait, is this a dream? Another coma dream? Turkey flu has to be something I made up."
Maddie raises her eyebrows and looks over her shoulder at Tommy before turning back to Buck. "Another one?"
"No, no, don't look at him," Buck interrupts. "He's not supposed to be here, not when I have turkey flu, not ever. He broke up with me, remember?"
In the doorway, Tommy shifts his weight from one foot to the other. He's wearing the dark blue LAFD t-shirt and pleated pants, a special Air Ops patch on his shirt sleeve. They always lurked under his flight suit, under his turnouts when they were on the same scene, but Buck didn't get to see them often. It was for the best, he thinks now, because the shirt fits perfectly across Tommy's chest and shoulders, the pants belted low. His shirt is tucked in better than Buck's ever is. He almost never got to see him like this so it feels like some new Tommy he's seeing, a Tommy that hangs around Harbor long enough to take off his flight suit but doesn't peel the rest of his work self off. He doesn't get off his shift, put the pilot away, shower and go home.
Buck looks away. He's looked too long.
"I'm actually here, you know." Tommy raps his knuckles on the door like that's proof of anything except a very strong poltergeist. "I can hear you."
Buck watches something that he hasn't seen in years sweep across Maddie's face (mostly her eyebrows, because of the mask).
She turns around and snaps, "I let you come within ten feet of my brother and you think bitchy fun Tommy was invited, too? He was not." Tommy looks shocked and abashed; Buck loves her so much.
"Why was he invited at all, Maddie?" Buck asks. "And you're both real, right? Like I'm not hallucinating both of you. Is that a turkey flu symptom? Can I have my phone? I need to look up turkey flu."
"It's a strain of avian flu, you just happened to get it from a turkey farm. Hen said you had a call to one of those last week," Maddie explains. "And you kept giggling when I said the words turkey flu so, you know, why not?"
"It's pretty funny," Buck admits. "Hey, why's he here?"
Maddie turns around and looks at Tommy expectantly. Buck still knows his face, still knows him, and can see the quip that wants to escape past his lips. He can see the work it takes to hold it back and look sincere, really sincere, for them.
"You collapsed at a scene and I flew you over," Tommy says. "I wanted to make sure you were okay."
Buck stares at him as he presses his lips into a fine line. "I'm okay. Thanks."
Tommy nods, then asks, "Can we talk? Alone?"
It's taken four months, almost as long as they were together, but Buck's finally hearing the words he's wanted to hear since Tommy walked out his door. I'm sorry, I was scared, I love you, yes let's take the next step together, from now on let's take every step together—that was Buck's first choice. Can we talk as a jumping off point for all those other things—that was Buck's second choice. Was.
Buck glances at Maddie and knows his face does something dumb. "I'll be outside," Maddie says. "And I'm not far, if you want me to throw him out." She looks over her shoulder at Tommy. "I'll do it."
Tommy nods. "Wouldn't doubt you for a second."
She squeezes Buck's hand and lingers for a beat, one long look at him like she's waiting for him to say actually, wait, don't, stay, but he doesn't. He hates that he doesn't. He hates that he wants to hear what Tommy has to say.
She and Tommy swap places; he takes the chair next to Buck's bed and she leaves, shutting the door behind her. Tommy doesn't see the way she passes by the window like a shark, watching, but Buck laughs. When Tommy looks back, she's gone.
"Your sister's changed a little," Tommy says casually. "Her sense of humor, I mean."
Buck licks his lips. "Yeah, well, when you were my boyfriend, you were her friend. Now you're neither."
"Yep, got it," Tommy says. He sits back in the chair, but looks so uncomfortable that someone would think he'd never sat in one before.
"Are you okay?" Buck asks. "Why are you here?"
"This chair is so weird."
"Tommy, what do you want to talk about?"
It startles Tommy, and it should. He only got soft and smitten, totally-in-love (even if he couldn't admit it out loud) Evan Buckley, cute and bratty Evan Buckley. He doesn't get that Evan anymore. No one has.
Tommy sits with his feet flat on the floor and his hands folded in his lap. He takes a minute, a long minute, of staring at the floor before he looks up and stares at Buck. "You asked me to move in with you."
Buck blinks. "I did."
"You asked me to move in with you."
"You said that. I mean, I said that, but you—"
"Evan," Tommy interrupts.
"I thought I was Buck now," Buck interrupts.
Bitchiness lurks on Tommy's tongue, but he holds it back. "You asked me to move in with you. Into the loft."
Buck tilts his head. "Yeah?"
Tommy shuts his eyes hard and shakes his head before he looks at Buck again. "Evan, I own a house."
"... okay?"
"Did you ask me to move in with you and expect me to give up my house?"
"What, no—" Buck says, then stops himself. "I don't—I didn't think—"
"Did you even think about that?" Tommy asks. "Like when you talked about moving in together, getting married, the future, all of that—did you even remember that I own a house?"
"You know," Buck interrupts. "Four months ago, you could have said, haha, wow, that's moving pretty fast, also I own a house, maybe when we're ready, we could move into MY HOUSE and make it OUR HOUSE, but you needed to run out the door so why would you say any of that?"
"Yeah! I was freaked out! Because here was this guy I—this guy I really liked, and he asked me, a 40-year-old man, to move into his loft?"
"What's wrong with it? Why do you keep saying it like that?"
"It's downtown! Downtown is loud and filthy and did I mention it's noisy? It was hell sleeping there in the summer because even with your central air, heat rises and it rises right into the bedroom. I saw your electric bill, Evan, it was unforgivable."
Buck wants to throw something at him. "And we could have been at your house, quiet and with better temperature control, but we weren't because…?"
"I'm just saying," Tommy continues. "Yeah, all that's true, but I realized you wanted me, wanted a future with me, and you didn't even remember that when I wasn't working or with you, I was at my house."
"I get that," Buck says. "Now how many times did we hang out at your house?"
Tommy sighs. "It's out of the way, your place was always closer to the 118 and to Harbor, and I kept—I was going to, okay? Like maybe after our anniversary, we'd take a week off together and we'd actually be at my house, or take a trip somewhere—"
"You got me basketball tickets," Buck snipes at him.
Tommy stops completely.
"For our six month anniversary, remember?"
"How the hell am I going to forget that?"
"You got me tickets to see the Lakers. Really good tickets."
Tommy rolls his eyes. "Alright, well, that's the last time I call that guy I know in the press office for anything."
Buck thinks he's getting closer to setting something on fire with his mind. "I hate basketball."
Tommy stares at him. "What the hell are you talking about? We met because of basketball."
Buck sits up so quickly and angrily he starts wheezing and that turns into a coughing fit. Tommy's immediately there, sitting on the edge of his bed with water, getting him to take a small sip as he rubs his back. When Buck realizes what's happening, he covers his mouth with his blanket and shoves Tommy away, coughing even more.
"Sorry, I was just—"
"I have turkey flu!" Buck yells through the blanket covering his mouth.
"The doctor said you're not contagious anymore."
Buck points at a small paper box across the room. Tommy, so put-upon, grabs a pale yellow mask and slips it on before he sits in the chair again. "Sorry."
"It's—" Buck halts because Tommy had grabbed two masks and was holding one out to him expectantly. Tommy motions to it again and Buck can see how he wants to make a bitchy comment about not having this conversation through a hospital blanket, but he doesn't. That's what makes Buck reach out and put the mask on. The icy fist around his heart thinks about melting.
"We didn't meet because of basketball, we met because of Bobby and Athena and the cruise ship," Buck corrects. "I wanted to see you again after that tour at Harbor but I couldn't think of another reason—"
"I gave you the widest of openings," Tommy interrupts. "Hello? Flight lessons? When you finally offered to buy me a beer, I almost dropped to my knees right then and there."
"But you never called me! You're the one who left to hang out with Eddie!"
Tommy throws up his hands. "Ball was in your court! Speaking of basketball."
Buck sighs, exasperated. "We weren't, like, running into each other, I didn't have a reason to call you—don't say the beer—so finally I saw Eddie was going to that pick-up game with you and I dragged Chimney along."
"Right," Tommy says. "And you played basketball with us. We kicked your ass in a way that made me think you were pretending to be bad at it to make me feel good or something? And then there was the whole thing with Eddie's ankle."
"I hate basketball!"
"You brought your own ball!"
"I same-day ordered a basketball so that when I showed up you'd be like, wow, that guy's ready for basketball, what a cool guy!"
"So you're mad that your basketball ruse worked on my dumb ass, and worked so well for six months that I got you Lakers tickets for our anniversary."
Buck's so annoyed that he put it like that. Maybe that's true, but he didn't have to say it. "I don't like basketball! It was a ruse but I didn't hide it after. You watched games with Eddie and I never came along because I don't like basketball."
"You said you wanted us to have our Eddie-Tommy friend time!"
"Why do you make me sound and feel like a five-year-old? Eddie-Tommy friend time? Seriously?"
Tommy folds his hands together like he's in prayer and shuts his eyes. "Okay, listen, I just. I wanted to get the house thing off my chest, alright? Because it's—it's bothered me so much."
Buck could argue about the basketball thing for about another 500 years, except that Tommy has said what he said. "Has it?"
Tommy puts his hands in his lap again, folded politely as he looks at Buck. "I meant what I said. You were so swept away in how new and exciting everything felt, that I felt like you forgot who you were talking to. Like… I'm not a guy who's going to move in with you. I'm a guy who has a house with a home gym and a car lift, and—and the winter was so mild that I put in this little patio space in the backyard. I bought furniture for it. I took this corner of my front lawn, too, and started to plan a pollinator's garden because they sounded really interesting after those three days of bee hell. Evan, I have a house."
"You keep saying that," Buck says. His ears are burning, but he's listening too intently to feel embarrassed about it (much).
"I freaked out, alright? Because I heard: give up your house to live in this downtown loft with a couch that has a faded but GIANT blood and placenta stain on the other side of the cushion, and then the words engaged and married got thrown in there, too? All in the same breath?"
Buck stares flatly, then nods. "Yeah. I get it. Sorry." He clears his throat and grabs his water before Tommy can offer it to him. He takes a sip, looking at Tommy before he nods at the closed door. "Are we done here?"
"And I'm not a gay rights hero," Tommy adds. "You said that, too." Tommy looks away, and looks so miserable. "I'm just a guy, Evan. I've been burned before by younger guys who thought I was everything that their first gay boyfriend should be, and then—and they didn't see who I was. It's always—" Tommy holds out his hands like he's balancing scales. "Not straight enough to fake a life with a woman, not gay enough to have a real life with a man."
Buck hasn't done this in so long that his throat almost aches with it. He sighs, pained and breathless, the word crinkling against the mask: "Tommy." He swallows again and asks, "Did you really think that was me?"
Another long pause. It ends with Tommy saying, "I thought you were too good to be true."
"I'm not, though, I'm—I'm just me," Buck says. "And I did have a lot to figure out, but not about you."
Tommy laughs suddenly. "Really? Because you forgot I was a homeowner and I didn't know you hated basketball. Did you even go to that game?"
Buck coughs. "I gave the tickets to Karen and she took one of her brothers. They're nuts about the Lakers."
"Huh," Tommy says. "Well. I'm not mad about that."
The two of them are quiet until Buck says, "Seems there's a lot of things we don't know about each other."
Tommy glances at him; Buck can see the shape of his smirk beneath the mask, and the very specific way it makes his eyes crinkle. "And just when we thought we knew everything about each other."
"Yeah, I thought that, too, and then you dropped that you were engaged to my first serious girlfriend at our six month anniversary dinner." Buck raises his eyebrows. "Do you land helicopters that smoothly, too?"
"I got you here, didn't I?" Tommy bites back, then catches himself with a laugh. "Okay. Fair point."
It's so easy, it's so easy, it's so easy, it's so easy and Buck hasn't had it easy for months. He hasn't had these quips, this back-and-forth, this person who got him until he didn't, who—Buck rubs at his eyes. Tommy made it easy. He made everything easy. Not perfect, not effortless, but easy. Easier.
"So, uh." Buck fusses with the blanket in his lap. "What have you been doing for the past four months? You, uh…"
"Am I seeing anyone?" Buck nods. "I was, yeah. Didn't last that long."
Buck can't help himself: "Neither did we."
"Ouch." Tommy looks back. "And you?"
"Yeah," Buck says. "I liked them but I broke up with them because it just—it wasn't going anywhere."
"And what's wrong with that? Staying in one place? Isn't that what you wanted for us?"
It's not, but Buck can't articulate it, so he says, "Do you think that's the same?"
A beat, and then Tommy says: "No. No, I don't."
"Tommy," Buck says quietly. "How many people do I have to be with before you decide I've figured it out?"
Tommy's eyes widen. "What? I never said that."
"Tell me what you said, then." Buck swallows painfully, that turkey flu kicking his ass harder than he thought. "Tell me what you meant when you said I didn't know what I wanted. Because I told you what I wanted. I told you I was ready for something and all the things we did together, I thought that you believed me. I guess you didn't, so tell me how many bodies it'll take before you believe me."
Tommy doesn't say anything.
"God, and you know what really sucks?" Buck asks. "That we were together long enough to talk about who we'd been with so we could get tested and be safe. We talked about all that, but I never told you how many times I'd had my heart broken and you never told me yours."
"Three," Tommy eventually says. "Shawn, who was like… all of 25. He was all-in, knowing for sure that the first time was the charm, and I was old enough and steady enough to be That Guy. I believed the hype even though I was barely out of the closet. I shouldn't throw stones at Abby's House of Himbos when I set up my own on the other side of town. And then there was Raúl, my Army buddy who came out to his family and immediately moved to LA to get away from them. Everything felt like a fresh start for him, but… not quite for me."
Buck thinks to ask, but Tommy beats him to it. "Do I need to say the third?" Buck shakes his head. "What about you?"
"Abby, and you." Buck looks at Tommy as he says, "It's not just ending things with someone because it doesn't work. It's heart break. Something's gotta break and be mended."
"I don't think I did that part. You've one-upped me there."
Buck wouldn't have believed that 20 minutes ago, but he believes it now.
"So Bobby's been there, watched me since I was Abby's himbo and helped me to grow into the person who wanted that stuff with you. Once he, kinda, told me that if I care about how people see me, then I haven't learned a damn thing," Buck says. "And that is and isn't true, here. I can't live hoping I meet people's expectations of what they think I should be. I want people—I wanted you—to see me as I am. I thought you did but you didn't, and I didn't either because I didn't see how scared you were. I've made my peace with that. We had something really special and made each other feel really good but, in the end, I guess we were saying all the right things to people we didn't know."
Tommy listens, considers, and nods. "Whole lot of past tense, there."
Buck glances at him and doesn't want to look away, but he does. He doesn't meet Tommy's eyes. He's scared, too. He's done enough today: said a lot of things he's been thinking about for four months and said them very calmly and thoughtfully, but this is gonna hurt. It hurt Buck to realize it and it's gonna hurt Tommy to hear it.
"You got what you wanted, right?" Buck asks. "You got to keep your heart, and I don't feel new and excited anymore." Buck inhales deep; it hurts. "I feel like I did before, like I'm short one piece of being whole. Now the ocean I have to search is so much wider and deeper. So thanks for that, I guess."
"Evan—"
"I let you into my family," Buck interrupts sharply. "Because I cared about you and because you fit. I fit because they're mine and that's my family I made, and you fit there right next to me. With us."
"You're absolutely right."
Buck watches him, tries to see behind the sunshine yellow and white mask on his face, but all he sees are his eyes that, like always, make Buck feel too much, like laser beams disintegrating him.
"Were you really that scared?" Buck can't help the way his voice cracks. "You were that scared of me?"
Tommy looks up again, lasers in place. "I was that in love with you." He shakes his head like he did that last night in the kitchen, and looks up like he'll tip the tears back into his eyes. "And those heartbreaks—you'd leave them light-years behind if I let you. You'd leave me light-years behind."
Buck nods, then says, "Could you leave, please." His wet breathing crinkles grossly in the mask. "Thanks for telling me all this, thanks for the closure, but I don't need to see what someone looks like after they've walked away from me."
"You collapsed at a scene three days ago and I was the closest pilot to medevac you here," Tommy says slowly. "You were delirious and told Shreya, Don't tell Tommy I'm sick, he doesn't care anymore."
Tommy clears his throat. "I do care. I never stopped."
Buck sits back in his hospital bed and pulls the blanket up to his neck, the only comfort he's got right now. "If this is a turkey flu dream, I'm gonna be so pissed at you, real you," Buck says.
Tommy laughs quietly, sadly, then hesitates for a moment. "Can I ask you something? Can I ask you the scariest thing I've ever asked anyone in my entire life?"
Buck doesn't move, doesn't breathe. "What is it?" he finally asks.
"Will you give me a second chance?"
Buck, hearing what he's quietly dreamed of hearing for four months, doesn't feel the euphoria he thought he would. He feels something else, though: a strange kind of wonder that someone wants him again. Again. He swallows hard, feeling the pain right in his turkey-flu-ridden throat. Someone knew him. Someone left him. Someone came back—came back for him.
Tommy left. Tommy came back. Tommy wanted him then. Tommy wants him now. Tommy's wanted him all along.
Buck asks, "Will you invite me to your place more than once every six months?"
Tommy's half-smile is still wide enough for Buck to see behind the mask. It falls, though, back into something serious. "Will you forgive me when I'm not a paragon of queer virtue?"
"Will you believe me when I tell you I've fucked around and found out enough for a lifetime?"
Tommy raises his eyebrows ever so slightly. "Will you believe me when I tell you I've fucked around and found out enough for a lifetime?"
Buck thinks he smiles a little behind his mask, but it doesn't stay. "Are we gonna break up again?"
"I don't know," Tommy admits. "But maybe next time we can stop each other and hit the brakes. I love romcoms, but maybe we don't do that again: you don't propose fixing a problem with marriage and a baby, and I won't run out the door."
Buck raises his eyebrows, too. "Who said anything about a baby?"
Tommy sputters. "I mean, you were the one raising the stakes before."
Buck laughs. "Right, right."
The quiet stretches out between them. They look at each other and don't look away. The stubborn, proud, cocky side of Buck feels annoyed that this feels like—like he can't get out of this. Like all roads lead back to Tommy, like he doesn't have a choice. Like if he wants to be happy, it's with this person.
A part of him wants to run and throw himself into the hunt again. He wants to thrive in the search for someone who makes him feel that euphoria and fondness and love that he felt with Tommy. He tries to imagine someone else, some vague smoky figure that isn't Tommy's height, Tommy's build, Tommy's arms crossed over his chest and that tilt of his head. The problem is that Buck feels more looking at that furrow and arch of his eyebrows than he's felt for anyone he's met in the past four months, maybe even longer.
Not all roads lead to Tommy—only the ones he wants to take.
"Say it again?" Buck asks.
Tommy nods ever so slightly. "I'm in love with you." He pauses and a smile reaches his eyes. "I love you."
Buck can't help the way his eyes water; neither can Tommy.
"Ask me again," Buck says.
"Will you give me a second chance?"
"Yeah." Buck wonders if his own smile reaches his eyes. He hopes it does. "Yeah. Will you?"
Tommy chokes out a laugh behind his mask. "Yeah, god, of course. Of course. You sure?"
"About you?" Buck asks. "Yeah. I mean, I want to be. Don't make me regret it."
"Don't make me give up my real estate."
"Don't make me go to any sports events."
"Seriously? Not even baseball?"
"God," Buck moans. "The sleepiest one of all."
"Hockey's good."
"You hate the Kings."
Tommy scoffs. "Of course I do. You always hate your local teams—you just hate visiting teams more. Can't let management get comfortable."
Buck attempts to take a deep, exasperated breath, but he forgets that he has the fucking turkey flu. He chokes and starts to cough and wheeze, but Tommy's there again. He freely, lovingly pushes Buck further to the other side of the hospital bed so he can sit and take care of him: water, tissues, hand on his chest to steady him, eyes worried and on him.
"It's not official until you kiss me," Buck says. "I'm not contagious."
"I mean, not with turkey flu," Tommy says. "Your Buckness? That I'm not so sure."
"Don't call me that anymore," Buck says.
Tommy puts his cup of water on the table next to Buck's bed, then shifts so he and Buck are closer, face-to-face, head on looking at each other. "How'd you get even brattier in only four months?"
"How'd you forget I was this bratty?"
"At my age, well, everything's starting to go."
Buck laughs, then coughs and wheezes. "Stop making me laugh."
"How'd you forget I was this funny?"
Buck tilts his head. "I didn't. I didn't forget a thing."
Tommy searches his face, then cups his jaw with one hand. Buck doesn't lean into it, just lets Tommy hold him as he tips Buck's chin up ever so slightly.
Then Tommy kisses his forehead and his birthmark, and wraps his arms around Buck. It's the warmest Buck has felt all winter. It finally feels like spring.
---
read on the ao3
#911 fic#bucktommy fic#bucktommy#fix-it fic#tevan#tevan fic#tommy kinard#evan buckley#maddie han#my fic#screamlet#this may as well happen
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reblogging comment review by @zyafics
LITERALLY FINISHED AN ASSIGNMENT AND NOW I CAN TAKE A BREATH LETS GOOOO (long annotations below ⬇️)
Arrogant, volatile, downright psychotic — Rafe was a walking disaster.
my psychopath lets gooo
The cabin was small and sparsely furnished: a bunk, a tiny porthole high on the wall, and a single chair bolted to the floor.There was a faint hum of the ship's engines, a constant reminder that you were far from land and any chance of immediate rescue.
ur descriptions paints the scene of s2ep10 when they were on the ship so well, like i remember staring at your words going: wow 😦
"They left. Now, you're my problem. Lucky me.""Now, what am I going to do with you?"
why r all the crazy ones so fine
“To you? Or Ward? Do you only get this cocky when daddy’s not around to rein you in?”
i love LOVE when the reader provokes rafe using his father like bro that's such a trigger for him rein it in 😭
The punch came so fast, you didn’t see it coming. Pain exploded across your jaw, and you tasted blood. He grabbed your chin, forcing you to look at him. “You don’t fucking talk about her, dirty pogue. Ever.”
YOOOOOO 😡
The path led deeper into the heart of the island, the dense foliage casting long shadows as the sun began to set.
god, i love ur descriptions so much u don't understand i'm taking notes as i read this 📝
He blinked, momentarily thrown off guard by your words, “Stay out my fucking way or I’ll kill you myself.”
i love how much of a psychopath he is in this fic, like yes, this is the crazy man of s2 (i can fix him 🤞🏻)
He was a product of his environment, molded by a father who saw him as nothing more than a means to an end.
YES, i love maybank!reader's deep analysis of rafe bc we know and that doesn't excuse his behavior but it helps us understand him 🥹
But beneath it all, there was something else. Something you’d seen before, when you looked at yourself in the mirror after you took the biggest beating of your life and Luke finally got thrown into jail: hope.
i love her lore so so much!!
And you began to see a way out, not just for yourself, but for Rafe too.
she's a love not a fighter fr 😩
"Because he's family. And sometimes, family is all you have. Even when they’re terrible, even when they hurt you, sometimes you can’t just walk away.""Family's supposed to be everything, right?"
my daddy issues babies, sometimes i wanna push u two together like barbie and ken during play sessions (am i making sense idk anymore)
The sight of the blood staining your arm made his expression shift from bewilderment to fury.
I LOVE LOVE LITTLE DETAILS LIKE THIS
“Shut up. Just… shut up.” He turned back to you, his eyes softening slightly as he took in the sight of your injured arm
he has a heart !!!!
"So this is all about you, then? Your precious ass and how it looks to Ward? Typical Cameron bullshit, only caring about themselves."You don't know what you're talking about," he said, his voice dangerously low. "You think this is easy for me? Keeping you safe, dealing with all this? It's not just about me. It's about keeping everything under control."
one of the things i admire so heavily with your writing is ur ability to write tense dialogues, the way they fight back and forth with words!! like i love it so so much!!
"You're impossible," he hissed, his voice a raw whisper."And you’re a coward," you shot back, your voice equally low but no less fierce.The next moment happened in a blur. Rafe’s grip tightened, and before you could process what was happening, his lips crashed into yours with a ferocity that left you breathless.
LOVE LOVE A HATE KISS
The kiss was rough and desperate, fueled by anger and frustration, a collision of two souls too damaged to recognize the depths of their own pain.And yet, beneath the layers of animosity and resentment, there was a spark—as if you were both too messed up to understand how much you needed each other.
the poetry!!! shakespeare!!! u can write hamlet but can william write this?!?!?
"You're impossible," he muttered against your lips, the words barely audible over the sound of your heavy breathing."And you’re an asshole,” you shot back, your voice breathless, your body arching into his touch.He pulled back just enough to look at you, the tip of his nose brushing against yours slightly "Drive me fucking crazy.”
i love when they're making out but they find ways to take shots at each other "I hate you," you panted, pouring as much venom into your words as possible. Your thighs tightened around his hips, feeling every inch of him against you. “Your body doesn’t,” He replies coldly, each syllable slowly drawn from his throat, "“Fucking asshole.”“Fucking brat.”
he's such a prick 😭 i want him in my bed
"Eyes on me,” he growled, his voice rough and commanding. "Let me see you.”
one of the hottest things a man can say to me
“Y-You—“ He sighed, pausing, “Don’t pull that shit again. I’ll get you out, okay?
one of my favorite scenes got me kicking my feet like a school girl (dude u CARE stfu 😭)
“We’re getting out.”You wanted to believe in him more than anything. In that moment, it was the only thing that mattered, “Yeah?"“Yeah, pretty Maybank. You and me."“Okay.”“Okay.”
I'M OBSESSED WITH YOUR WORDS OH MY GOD
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FINAL THOUGHTS | okay okay, let me catch my breath because that smut (their banter!!) was so fucking hot 🥵 (why do i use emojis like a middle school boy? anyways) i think what i truly noticed from this fic is how compelling you can make a scene. the way you built transitions so seamlessly through strong descriptions about what's going on (plot wise!) and it's such an admirable skill that i deeply deeply wish i have. especially because the language and vocabulary you use are so clean and expressive without making the audience (like me) feel dumb about not knowing the definition (does that make sense?) also also. as i always point out, i'm obsessed with your build-up dialogues. right before we hit the intense parts, you manage to build up this anticipation and adrenaline from reader and rafe arguing back and forth. and what i appreciate is how you kept the enemies part of enemies to lovers all the way through, only concluding that reader feels complicated near the end. like i love that she didn't fold; she continues to be defiant and her and that brings me to another trait i love about ur writing: ur consistency in your readers. if u plan on making a certain reader rebellious, you keep it to the very end and i love that. oops, this is getting a little too long. anyways, as always, incredible work gigi, i would love to see more of maybank!reader from you especially a second part to their escape (and what it means for them to be back in obx together?? her brother's reaction?? 🫠)
THE OTHER SIDE OF PARADISE - rafe cameron (+18)
request: "a rafe enemies to lovers 🫣 the reader is jjs sister the whole drama before but then she gets left behind on the ship and rafe ends up comforting her and then yea that’s all I got you can do whatever else the rest 😛" + "def some little smut during the enemies part and a long story"
WARNINGS: maybank!reader; kidnapping; smut!; violence!; rafe is a red flag; guns and blood; p in v; they tell each other to shut the fuck up a lot lmao;
word count: 8k...im sorry
The sun dipped low, painting the Outer Banks marshes in shades of fiery orange. Tensions between the Kooks and the Pogues had hit a fever pitch, and in the middle of it all? Rafe Cameron, the last person you'd want to encounter. Ever.
Every run-in with him left a bitter taste in your mouth, lingering for days. It was like he had a knack for getting under your skin. Arrogant, volatile, downright psychotic — Rafe was a walking disaster. Each interaction with him sucked the life out of you. You were convinced that nothing good could ever come from being around him. And yet, there you were, another Maybank, caught in the chaos of the island's most influential family feud.
You knew the risks, but loyalty drove you forward. And now? Well, now you were in deep shit.
Your plan had been reckless, fueled by the desperate need to save Sarah from her deranged family and retrieve Pope's stolen cross. Everything had gone smoothly until chaos erupted, and you found yourself abruptly yanked away from the corridor by a strong grip on your arm, before you could even call out for your brother and Kie. Another hand clamped over your mouth, stifling any attempts to scream. In a blur, you were dragged into a dimly lit cabin, the men's hold on you unyielding. Struggling was futile against his iron grip. He tossed you inside, slamming the door shut and locking it behind him. The gravity of your situation hit hard immediately – you were alone, at the mercy of Ward Cameron. The man who'd silenced anyone who dared oppose him, even going as far as faking his own death, kidnapping his own daughter, and manipulating his son into committing murder.
Because in his twisted world, family trumped everything. Even murder.
Your mind raced as you took in your surroundings. The cabin was small and sparsely furnished: a bunk, a tiny porthole high on the wall, and a single chair bolted to the floor. There was a faint hum of the ship's engines, a constant reminder that you were far from land and any chance of immediate rescue. You quickly assessed your options. The door was solid, and you didn't have anything strong enough to force it open. Fuck, fuck fuck.
You took a deep breath, trying to steady your nerves. Panic wouldn't help; you needed a plan. But then, like a nightmare come to life, the devil himself stepped into the room, his eyes piercing as they landed on you. The man who had captured you stood behind him, a smug grin on his face.
Rafe was visibly surprised to see you, but he quickly concealed it behind a cold, calculating expression. His forehead glistened with sweat, his hair damp and sticking to his temples. His shirt clung to his back, soaked through from the scorching heat, and beads of perspiration trickled down his face. He wiped his brow with a weary hand and his gun gleamed ominously in the dim light.
"Well shit,” Rafe said, his voice dripping with sarcasm. "Look what we have here. Didn't expect to see ya again so soon pretty Maybank.”
You tried to keep your expression neutral, but your mind was racing with questions. Where were your friends? Were they safe? Was your brother even alive? Before you could ask, Rafe continued, his tone mocking.
"Your brother really did a number on you, huh? Left you behind without a second thought. Typical Maybank shit, huh? Always knew you were unreliable."
Son of a bitch. You clenched your fists, fighting to keep your composure. "You're lying," you countered, your voice steady despite the fear gnawing at you, "He wouldn't leave me."
Not unless he was forced to.
Rafe chuckled, a dark, humorless sound. "Believe what you want. They left. Now, you're my problem. Lucky me."
“You’re lying.”
His eyes gleamed with a dangerous glint as he advanced towards you. You took a step back, but there was nowhere to go. The cold, metal wall pressed against your back, mirroring the chill that had settled in your bones.
"Now, what am I going to do with you?" he mused, tilting his head as if genuinely contemplating your fate. The gun in his hand swung lazily at his side, but you knew better than to think it wasn't ready to be used at a moment's notice. You swallowed hard, your mind frantically searching for a way out of this hellhole. He was unpredictable and volatile; years of snorting cocaine and family trauma did that to some people.
But maybe, just maybe, you could reason with him.
“Rafe, listen. You don't have to do this. Let me go and we can both walk away from this. No one has to get hurt."
Again.
His laugh was sharp and bitter. "You think I'm going to let you go just because you asked nicely?" He stepped closer, his breath hot against your face. "Nah. You're going to stay right here until I decide what to do with you.“
You tried to keep your breathing steady, but fear clawed at your chest. The odds were against you, as they had always been your entire life.
"What do you want, Rafe? The cross? We can make a deal."
His eyes narrowed, the amusement fading.
"You think this is about money? About that fucking cross? This is about power. Control. And right now...huh, shit, I control you." He leaned in, his voice a deadly whisper. "The cross is mine now. How do you feel about the Bahamas?”
Your top lip curled in disgust, “I’d rather drown.”
His smile twisted into something even darker. “I think you’re worth more alive, at least for now.”
You refused to show him any more fear. “To you? Or Ward? Do you only get this cocky when daddy’s not around to rein you in?”
Rafe’s expression hardened, and for a moment, you thought you’d pushed him too far. He leaned in close, his eyes cold and unforgiving.
“Watch your fucking mouth, Maybank. You don’t know anything about my family.”
You laughed bitterly, unable to stop yourself. “Yeah, no. You're right. Just that you're dad’s little lapdog, doing his dirty work while he pretends to be some upstanding citizen. And where’s your mom in all this? Oh! She left.”
The punch came so fast, you didn’t see it coming. Pain exploded across your jaw, and you tasted blood. He grabbed your chin, forcing you to look at him. “You don’t fucking talk about her, dirty pogue. Ever.”
Anger took over you like wildfire, burning hotter than the pain. Your jaw throbbed, but the rage was stronger. You wanted to hit him back, to wipe that smug look off his face, to make him feel the hurt he had inflicted on you. Your fists clenched at your sides, every muscle in your body taut with the desire for retribution. The fury in your eyes matched the darkness in his.
You spat blood at his face, glaring up at him defiantly. “You’re just a puppet. Your sister hates you, your dad uses you, and deep down, you know it. You’ll never be more than his bitch.”
His grip tightened painfully, rough fingers digging into your flesh, lips twitching into a snarl, but you didn’t flinch. If you were going down, you’d go down fighting. His eyes flickered with something you’d never seen in him, before he released you, stepping back. “You think you’re so smart, don’t you? So tough.”
“Smarter than you,” you shot back. “At least I know who I am. What are you, Rafe?“
He stared at you, tongue pressed against his cheek, eyebrows furrowed. Then he laughed, a harsh, grating sound that sent chills down your spine. His hand reached out, and your breath stilled throat tightening as he fiddled with a lock of your hair. He’d let out another laugh, entirely dismissive of the trepidation you’d felt stuck.
“You’ve got guts, Maybank. It's gonna get you killed.“
You wiped the blood from your mouth, meeting his gaze with unwavering defiance. “I’ve survived worse than you.”
And you had. If anything prepared you for violence, drugs, and pain, was living with Luke Maybank your entire life. And maybe, if you didn’t hate Rafe with every fiber of your being, after everything he’d done, you’d feel sorry for him. But you didn’t, and he sure as hell didn't feel sorry for you.
For a moment, the room was silent except for the low hum of the ship’s engines. Then Rafe turned on his heel, motioning to the man by the door. “Watch her. Make sure she doesn’t go anywhere.”
“Do I look like fucking Michael Phelps? Where the fuck would I go? We’re on a ship you crazy bastar—Hey! Rafe! Open the fucking door!”
The door slammed shut behind him, the sound echoing through the small, dimly lit cabin. You listened to his footsteps fade away, feeling a sense of relief and dread settle in your chest. What the fuck had you gotten yourself into? They could kill you, dispose your body in the ocean and no would give a single fuck. No one would think you’d gone missing, because you’re a Maybank and that’s what your kind of people did, apparently. Your brother would probably assume you’re dead, he’d try to get justice and fail in the end, because the rich always won.
The musty air of the cabin felt oppressive as you turned away from the small porthole, where the bright sun and endless expanse of blue ocean taunted you from beyond. Days had melded into one another, each marked only by the arrival of meals and the sporadic presence of Rafe. You had hoped for some sense of clarity, some hint of what your future held, but his visits offered nothing but insults and foreboding silence.
You paced the small room, your mind racing with the possibilities of what they had planned for you. The guard remained a silent sentinel, a constant reminder that escape was not an option. But then, the cabin door creaked open again, and you tensed as Ward Cameron stepped in, his presence commanding immediate attention.
He gave a nod to the guard, who stepped out, leaving you alone with the man who held your fate in his hands. A fucking lunatic with enough means to play for all the dramatics he enjoyed. Great.
"Get comfortable," Ward said, his voice smooth but carrying an edge that set your nerves on edge. "We're almost there."
"Almost where?" you asked, trying to keep your voice steady.
"The Bahamas," he replied, a hint of a smile playing on his lips. "A little slice of paradise, if you will."
"And what happens then?" you pressed, needing to know more.
Ward studied you for a moment, as if weighing how much to reveal. “Keep out of sight, stay quiet. Rafe and I have some business to attend to, and we can't afford any distractions."
"And if I refuse?" you challenged, though you knew the answer.
Ward's smile widened, but there was no warmth in it. "Let's not be stupid, sweetheart. You're here because you know too much. Refusing isn't an option. Cooperation, however…”
A chill ran down your spine at his words. The stakes were clear, and you realized that your only chance was to play along, at least until you could figure out a way to escape this nightmare.
The rest of the day passed in a tense haze. Eventually, you felt the ship slow, the engines quieting as you approached your destination. When the door opened again, Rafe was there, his expression unreadable.
"Time to go," he said simply, motioning for you to follow, "Move."
You stepped out onto the deck, the warm, salty breeze hitting your face as you looked around. The sight of the lush, tropical landscape did little to ease your anxiety. You were led to a smaller boat, and soon you were speeding towards a secluded island, the main landmass of the Bahamas visible in the distance. This was a world away from the familiar streets and faces of The Cut. It was straight out of a postcard. Something you and JJ would fantasize about while high of your asses and writing bucklists.
God, JJ. You only hoped he made it. You’d never gone a day without each other before you were dragged into this mess last summer. It wasn’t fair. You only wanted enough money to get by, an easy fix to get everything sorted, finish college, ship your dad somewhere far away from you two. But Ward’s greedy ass had to ruin everything for you.
As the boat neared the shore, you couldn't shake the feeling of impending doom. The island loomed closer, its pristine beaches and swaying palm trees offering a stark contrast to the danger that lurked just beneath the surface.
Rafe’s hand gripped your arm, his grasp tight and unyielding as he led you onto the sandy beach. Ward followed close behind, his expression unreadable as he surveyed the scene before him.
"This way," he said, his voice cutting through the sound of the waves crashing against the shore. You followed obediently, your mind racing with possibilities. Escape seemed unlikely, but you clung to the slim hope that you could find a way out of this mess. As you walked, you couldn't help but wonder what awaited you on this remote island.
The path led deeper into the heart of the island, the dense foliage casting long shadows as the sun began to set. You could feel the weight of Ward and Rafe's gazes on you, their presence a constant reminder of the mess you were in.
Finally, you reached a clearing, and your heart sank as you saw what awaited you. A small house. In the middle of nowhere. Oh god, you were a dead woman.
“This will be your home for the time being," Ward said, his voice cold and unfeeling, as if he was offering you a vacation rental and not kidnapping you. You wanted to protest, to demand answers, but you knew it was futile, there was a sinking feeling in the pit of your stomach, it practically swallow you whole.
“My son will be keeping you company, don’t get too excited.”
The way Rafe’s head snapped in his father’s direction told you more than what you needed to know. Once again, daddy dearest was calling the shots without taking his opinion into consideration. Ward’s casual cruelty was suffocating, a stark reminder of the power he wielded over everyone. As he turned to leave, leaving no space of negotiations or pleadings, Rafe’s eyes bored into yours. No questions asked, only blind devotion to his father.
The door slammed shut, leaving you alone with Rafe once more. He looked at you, resentment playing across his face and something inside you urged you to fight.
“I’m not going to make this easy for you," you said, your voice a low growl, “I’m not dying here. Not with you.”
Rafe chuckled, greasy bangs moving as he shook his head, “You really think you have a choice here?” He stepped closer, his presence overwhelming in the confined space, “You think you’re special? Nah, Maybank. He’ll get rid of you eventually, don’t worry.”
“Exactly. He will, not you. You don’t have any control either and I think you hate being here as much as I do. That shit makes us both prisoners.”
He blinked, momentarily thrown off guard by your words, “Stay out my fucking way or I’ll kill you myself.”
You were sure he wouldn't, only if Ward asked him to. He’d fucked up enough before, when he accidentally shot Sarah and didn’t look the slightest bit apologetic. You know he wouldn’t do it again, not if he wanted to keep his head on his shoulder and his trust fund. Ward Cameron hated slips ups, hated even more the monster he raised, but he sure came in handy when he needed him.
Rafe’s words hung in the air like a noose, but you refused to let them tighten around your neck. "Empty threats," you shot back, squaring your shoulders. "I've dealt with bigger monsters than you, Rafe."
For a moment, a flicker of doubt passed through his blue eyes. They were bloodshot red, perhaps from the lack of sleep or maybe because he was high off his mind, you didn’t care to ask. But just as quickly, his usual sneer returned. "Enjoy your stay, Maybank.”
With that, he turned and left the room. Him and the stupid slamming of doors. You were alone again, your pulse racing but your resolve intact. You had to get out of here. You knew it wouldn't be easy, but you were a Maybank—survival was in your blood. You took stock of your surroundings once more, this time with a sharper eye. The walls were thin, the windows barred, but there had to be some weakness, some way to exploit the situation. You ran your fingers along the seams of the walls, looking for anything that might give. Your mind raced through every piece of advice JJ had ever given you about breaking and entering. You’d done a lot of that over the years, and while most people thought you pogues were simply criminals, they never cared enough to ask why you and your brother spent so much time in and out of the sheriff’s department.
So, what if two dirty, no-good kids were barely hanging on for dear life? No one gave a shit.
Weeks blurred into each other, each one marked by the same routine. Rafe's visits, Ward's looming threats, and the endless search for an opportunity to escape. You watched Rafe carefully, noting his every move, his every interaction with Ward. You noticed the way Ward belittled him, treating him more like a tool than a son. It was a toxic dynamic, one that made you wonder if Rafe was as much a victim as you were. You’d seen bits and pieces before, but Sarah had described Ward as some sort of saint up until recently. Rafe on the other hand? Their dynamic was so different from what you were used to. You and JJ were like two peas in a pod, you’d die for him and you know he would do the same, no questions asked. If there was one good thing in your life, it was your brother.
You couldn't help but feel a twinge of pity for Rafe, despite everything he'd done. He was a product of his environment, molded by a father who saw him as nothing more than a means to an end.
You saw the cracks in his armor, the moments of doubt and vulnerability. The way his hands would shake every time Ward raised his voice, the way he would bite his nails to hide the embarrassment booming in his cheeks. How he never walked into his father’s space or any other room without announcing his presence. It gave you whiplash.
You began to argue less with him, your animosity slowly giving way to a grudging understanding. You hated feeling so…forgiving. This boy had done unspeakable things to you and your friends, to your family…and there you were. Feeling sorry for him like you didn’t know better.
One evening, as the sun dipped below the horizon, casting long shadows across the small house, Rafe brought you dinner. He placed the plate on the table, his movements tense, his expression unusually subdued. Strangely so, you’d memorized that expression. You didn’t even have to ask to understand what had gotten under his skin. You watched him for a moment before speaking.
"Why do you let him treat you like that?" you asked, your voice softer than usual. You didn’t understand why you did it. You regretted the words the moment they came out of your lips, but there was something inside itching you to ask.
Rafe's eyes snapped to yours, rage and something else—pain—flashing in them. "What the hell do you know about it?" he snapped, but there was less bite in his words.
At this point he just sounded tired.
"I understand,” you replied, thinking of your own father. "I know what it's like to want to prove yourself, to be more than what they think you are."
Rafe's jaw clenched, his eyes dropping to the floor. For a moment, he looked lost, like a boy searching for something he could never find. "You don't know shit," he muttered, but there was no conviction in his voice.
"I know enough," you said quietly. "You don't have to keep doing this. You don't have to be his puppet."
He laughed bitterly, shaking his head. "You think it's that simple?"
"Maybe not. But you can choose to be better than him. You can choose to stop this.”
Rafe looked at you, really looked at you, for the first time. It was borderline unnerving. The weight of his stare. The way your stomach flip-flops under his attention.
“Shut the fuck up and eat, Maybank."
But beneath it all, there was something else. Something you’d seen before, when you looked at yourself in the mirror after you took the biggest beating of your life and Luke finally got thrown into jail: hope.
He didn't say anything, just turned and walked out, leaving you alone.
Again.
The days continued to pass, but something had shifted. Rafe was less hostile, more contemplative. He didn't treat you as roughly, didn't hurl as many insults. It was a small change, but it was there. And you began to see a way out, not just for yourself, but for Rafe too. You knew what he did, knew what he was capable of, but no one deserved to rot in hell with someone like Ward. You needed to bide your time, to wait for the right moment. And when that moment came, you had to be ready to act.
Another day began with the same oppressive heat. The sun had just started to rise, casting a golden hue over the island. You were in the small kitchen of the house, preparing a meager breakfast from the limited supplies you had. The routine had become almost mechanical, a way to keep your mind occupied and stave off the rising panic.
Rafe entered the kitchen, eyes barely open as he wiped the sleep away. He poured himself a glass of whiskey, the sound of the liquid hitting the glass breaking the silence. He stood with his back to you, staring out the window.
“What’s Luke like?”
You froze, your hands pausing mid-motion. It was an unexpected question, one that cut deep and made you want to hurl on the spot even though you hadn’t had anything to eat yet.
“Why do you want to know?" you asked cautiously, trying to keep your voice steady.
Rafe shrugged, still not turning to face you. "Just curious. You Maybanks are a tight bunch, right? So what's he like?"
Tight bunch…that was one way to put it.
You took a deep breath, trying to decide how much to reveal. "He’s a drunk, a thief. But he's still my dad."
He finally turned to look at you, his eyes narrowing. "So why do you stick around? Why not just leave him?"
You knew what he was trying to do, giving you a taste of your own medicine. You couldn’t blame him.
You met his gaze, the raw honesty of your answer surprising even you. "Because he's family. And sometimes, family is all you have. Even when they’re terrible, even when they hurt you, sometimes you can’t just walk away."
Rafe seemed to consider this, his expression unreadable. "Family's supposed to be everything, right?" His voice carried a bitter edge, hinting at his own unresolved conflicts.
"That's what they say," you replied quietly.
He took another sip of his whiskey, his eyes never leaving yours. "Must be tough, having a dad like that."
Tough? It’s heartbreaking. Knowing that the one person who was supposed to love you, cherish you and protect you for life never gave a single fuck about his kids? Yeah, sure it’s “tough”
You nodded, a sad smile playing on your lips. "Guess we have that in common.”
Rafe looked away, his jaw tightening. "Yeah, we do." He set his glass down with a heavy thud, the sound resonating in the small kitchen.
For a moment, the two of you stood in silence, but then he took a deep breath, his shoulders sagging slightly. "I get it," he said quietly. "More than you know."
You watched him, the way his fingers ran along the rim of the glass. "Then why do you keep doing this? You don’t have to."
His eyes blazed with anger. “It's not that simple," he snapped. "You think I have a choice? I killed someone. For him.”
It was the first time he had said those words out loud. And it made him sick to his stomach. That he’d been scared and high enough to do something so reckless, just so they wouldn’t take away his dad.
"We always have a choice," you countered, your voice firm. "Maybe not the best ones, but we can always choose to be better."
He stared at you for a long moment, his expression a tumult of emotions. Then he shook his head, turning away. "You don't know anything," he muttered, but there was less conviction in his words than before.
"I know enough," you said softly, watching his retreating back. "And so do you."
He paused at the doorway, his hand gripping the frame tightly. Without turning around, he spoke, his voice low and strained. "I'll see you later."
As he left, the kitchen felt colder, but you knew you had reached him, even if just a little. And that gave you hope.
After that, Rafe’s visits were less frequent, and when he did come by, there was an uneasy tension between you both. You couldn't tell if it was the weight of your conversations or the sheer exhaustion of being trapped in this toxic cycle. Still, every interaction chipped away at the walls he'd built around himself, revealing glimpses of the person he might have been, had his life taken a different path.
Tonight, the air was still, the only sound was the gentle lapping of waves against the shore. You had been biding your time, watching for the perfect moment to make your escape. The house was quiet, Ward was gone and you hadn’t seen Rafe in two days. By now, you knew how the guards outside fell asleep before 2am like clockwork.
You could it.
This was your chance, and you couldn't afford to waste it.
You moved silently, slipping out of the small bedroom and into the hallway. Every creak of the wooden floorboards seemed to echo in the stillness, and you held your breath, praying you wouldn't be caught. The front door loomed ahead, your path to freedom. Your heart raced as you slowly turned the handle, wincing at the faint click that accompanied the action.
The night air hit you like a wave as you stepped outside, the cool breeze a stark contrast to the oppressive heat that had been your constant companion. You glanced around, ensuring the coast was clear, then made your way towards the small boat moored at the edge of the beach. The plan was simple: get to the boat, start the engine, and head for the main island where you could find help.
You kept low, moving quickly but cautiously, every step bringing you closer to your goal. The boat was within reach when a noise behind you made your blood run cold.
The crunch of gravel underfoot was unmistakable. You turned sharply, and in the dim moonlight, the silhouette of one of the guards emerged from the shadows. The asshole who’d gotten you here in the first place. He was closer than you had anticipated. Your heart pounded, adrenaline surging through your veins as you broke into a sprint, abandoning stealth for speed.
"Stop!" the guard shouted, his voice carrying across the trees. You didn't dare look back, your eyes locked on the boat. A sharp crack split the night—a gunshot. You felt a searing pain in your arm, but you couldn't stop. You pushed through the pain, your goal now just a few yards away.
Another gunshot rang out, but you were too focused to determine where it landed. You reached the boat, hands trembling as you fumbled with the ropes. The pain in your arm intensified, but you forced yourself to keep moving. Suddenly, a heavy hand grabbed your shoulder, spinning you around. You struggled, kicking and thrashing, but he was stronger. He pulled you to the ground, pinning you down as he radioed for backup.
"Got her," he said into the radio, his breath hot against your ear. You tried to wriggle free, but his grip tightened. Moments later, two more guards arrived, hauling you to your feet and dragging you back towards the house.
Your mind raced the sting in your arm a painful reminder of your failed attempt. As they pulled you inside, the walls seemed to close in around you, your brief taste of freedom slipping away.
Moments felt like hours as you sat in the chair, the pain in your arm throbbing with each heartbeat. The quiet murmurs of the guards outside were interrupted by the heavy, hurried footsteps of someone approaching. The door flew open, and there stood Rafe, disheveled and wild-eyed, a gun clutched tightly in his hand.
“What the fuck is going on?” he barked, his voice a volatile mix of anger and confusion. His gaze scanned the room, landing on you.
The sight of the blood staining your arm made his expression shift from bewilderment to fury.
He stormed towards you, his eyes blazing. “What happened?” he demanded, his voice low but dangerous. Before you could answer, he whirled around to face the guards who had re-entered the room. “Are you fucking kidding me?” Rafe shouted, waving his gun erratically. “She’s bleeding! I try to sleep in peace and this is what I come back to?”
The guards exchanged nervous glances, shifting uncomfortably under Rafe’s glare. “She was trying to escape, Mr. Cameron,” one of them stammered. “We had to stop her.”
His expression twisted with rage. “So you fucking shot her?” His voice dripped with incredulity and disdain. “Do you even understand what you’ve done? My father wants her in once piece.”
The guard who had caught you tried to explain, but Rafe cut him off. “Shut up. Just... shut up.” He turned back to you, his eyes softening slightly as he took in the sight of your injured arm. Or maybe the pain was making you delirious.
“We need to get that cleaned up,” he muttered, more to himself than to anyone else. Without another word, he holstered his gun and gently took your uninjured arm, pulling you to your feet. The guards looked on, unsure of what to do or say.
Rafe shot them a deadly look. “Get out,” he snapped. “Before I shoot you bitches myself.”
Once Ward’s men had left, Rafe's demeanor changed. His concern, which had briefly softened his striking features, hardened back into anger. He ran a hand through his long hair, pacing the small bathroom before finally stopping in front of you. His eyes were intense, burning with frustration.
He sneered at you, his voice dripping with disappointment and exasperation, "I thought you had some brains in that pretty little head of yours," he spat out, his frustration palpable. "What were you even thinking? Do you realize how close you came to getting yourself killed?"
You tried to speak, to defend yourself, but he didn't give you the chance. His words came fast, each one like a dagger aimed at my heart. "You could've died out there! A bullet barely missed you—do you even understand how lucky you are?"
His fists clenched at his sides, his eyes burning into yours. "I just don't get it. Do you think you're invincible? Because you're not. You're just..." He stopped himself, taking a deep breath as if trying to regain control of his temper. "You're just reckless," he continued, his voice quieter but still seething with anger. "You didn’t think about the consequences, about what it would do to..."
He trailed off, his attention faltering for a moment before snapping back to you. You could see the conflict in his eyes, the battle between knocking you out cold and something else—maybe concern, maybe fear.
"Don't act like you give a shit about me," you called after him, your voice trembling with both pain and defiance.
He stopped in his tracks, his back stiffening for a moment before slowly turning to face you. The fury in his eyes was matched only by the bitterness in your own. "I don't," he retorted, his tone icy. "But my ass is on the line too. You think Ward won't come down on me if something happens to you?"
You stood up, despite the throbbing pain in your arm, facing him head-on. "So this is all about you, then? Your precious ass and how it looks to Ward? Typical Cameron bullshit, only caring about themselves."
Rafe's eyes narrowed, his jaw clenching. "You don't know what you're talking about," he said, his voice dangerously low. "You think this is easy for me? Keeping you safe, dealing with all this? It's not just about me. It's about keeping everything under control."
You scoff through your nose "Here we go again. Control? You think dragging me back here, shooting at me, is control? It's chaos, Rafe. You're just as trapped as I am, and you can't stand it."
His face twisted showcasing his wrath, and he took a step towards you, closing the distance. "Shut up!” he growled. "You don’t understand the pressure I'm under. The expectations, the demands. I didn’t ask for any of this."
"And neither did I," you shot back, a strict finger aimed at his face in warning, “So shut the fuck up.”
He took another step towards you, his face inches from yours, his breath hot and ragged.
"You have no idea what you're talking about," he growled, his voice low and dangerous. "You think this is just about me? It's about keeping everything from falling apart. It's about—"
Before he could finish, you grabbed the front of his shirt, pulling him even closer, your faces almost touching. "I don’t care about your excuses, Rafe. I don’t care about your pressures or your fucking control. All I know is I’m not staying here.”
The look he gave you was filled with enough ire to have a hint of satisfaction sparking in your chest, the hollow beneath his dark brows deepening as his classical features twisted into an expression of silent hatred. His breath came in short, sharp bursts. His hands came up, gripping your waist, not gently but not roughly either, as if he couldn’t decide whether to push you away or pull you closer.
"You're impossible," he hissed, his voice a raw whisper.
"And you’re a coward," you shot back, your voice equally low but no less fierce.
The next moment happened in a blur. Rafe’s grip tightened, and before you could process what was happening, his lips crashed into yours with a ferocity that left you breathless. His mouth was demanding, almost punishing, and you responded, your hands fisting in his shirt, pulling him closer even as you wanted to push him away.
The kiss was rough and desperate, fueled by anger and frustration, a collision of two souls too damaged to recognize the depths of their own pain. And yet, beneath the layers of animosity and resentment, there was a spark—as if you were both too messed up to understand how much you needed each other. Each fingertip left an imprint, a silent declaration of the strength he was restraining. It was like he was fighting to contain this force within him, to keep it from overwhelming you both.
If someone told you you’d be kissing Rafe fucking Cameron of all people just a month ago, you’d think they were crazy. And yet… All you wanted were his hands on your body, his warm skin against your own.
Oh his hands.
They roamed slowly yet purposefully over your lower back, over your waist. You breathed out a sigh of relief, taking the collar of his shirt in both your hands as you pulled him closer, relishing in his warmth. He smelled like whiskey and cigarettes.
He pulled away slowly, your lips the last to part, and blinked down at you. You watched him lick his bottom lip, taking in the sight of you.
“’You’re bleeding—“
“Shut the fuck up.”
His eyes flared with renewed anger, but also with something else—something darker, more primal. Your words were like a match to gasoline. He didn't respond verbally; instead, he took a half step back before swooping you into his arms, lifting you effortlessly.
With a swift, decisive motion, Rafe carried you to the dining table, and you barely had time to register the cool wood against your back before he was on you again, his body pressing down on yours with a desperation that matched your own. There was no tenderness there, only raw need and a desire to consume. He pried your lips apart again, his tongue sweeping in as he kissed you deeply, his mouth moving invasively over yours. His fingers gripped your jaw with a vice-like hold. A strange sensation fluttered beneath your skin, and you wrapped your legs around his hips, closing the distance between your bodies as he pressed flush against your center.
His hands moved with such intent, slipping under your shirt, his fingers tracing every curve with a delicious blend of roughness and urgency. You reciprocated eagerly, your own hands tangling in his hair, urging him closer as your kiss deepened. Everything around you blurred as the room spun, his warmth against you making you breathless, his taste lingering on your lips, intoxicating and irresistible.
You tugged at his shirt, fingers fumbling with the buttons because you just couldn't wait. He let out that deep, sexy growl that made a shiver run down your spine. His hands were all over you, touching your skin and leaving fiery trails wherever they went. It felt like he was trying to memorize every inch of you, wanting to claim you in a way that words could never capture.
"You're impossible," he muttered against your lips, the words barely audible over the sound of your heavy breathing. He leaned down closer to your collarbone, to catch the scent on your skin, and he couldn't tell if you were amused or annoyed from the way your cheeks rounded as you narrowed your eyes at him.
"And you’re an asshole,” you shot back, your voice breathless, your body arching into his touch.
He pulled back just enough to look at you, the tip of his nose brushing against yours slightly "Drive me fucking crazy.”
"Good," you replied, your fingers tightening in his hair, pulling him down again. You could feel the tension in his body, the way he was holding back, trying to maintain some semblance of control. But you didn't want control. You wanted to lose yourself in this moment, to forget everything you'd been trough and just feel.
Rafe seemed to sense this, his hands becoming more insistent, his touch more possessive. He lifted you slightly, positioning you better on the table, his body slotting perfectly between your legs. The friction was exquisite, a delicious tease that left you craving more.
"Rafe," you breathed, and he almost fell to his knees at the soft whimper that left your lips when he couldn’t help but jerk his hips forward. He responded instantly, his hands gripping your hips, pulling you closer as he kissed you with a fervor that left you dizzy. The table creaked under your combined weight, but neither of you cared. Your hand grabbed his forearm, over the veins strained from his grip on you, your nails sinking into the skin exposed.
You broke the kiss, gasping for air, your eyes locking with his. There was a wildness there, a reflection of the storm inside you. You reached up, tracing his jaw with your fingers, feeling the stubble beneath your touch as his mouth, hot and demanding, left a trail of fire in its wake on your neck. A noise of pleasure slipped from your mouth as he palmed at your breast, thumb grazing across your nipple as his teeth grazed your collarbone, kissing down, littering your skin bite marks.
"I hate you," you panted, pouring as much venom into your words as possible. Your thighs tightened around his hips, feeling every inch of him against you.
“Your body doesn’t,” He replies coldly, each syllable slowly drawn from his throat, "
“Fucking asshole.”
“Fucking brat.”
You opened your mouth to hiss something at him, to fight back, show him that you were the one in charge, but the intention died the moment Rafe cupped you through your shorts. A pathetic excuse of shorts due to the heat. Heat bloomed in your stomach, melting into a torrent want that flooded your skin and left you breathless. His determined blue eyes pierced into yours, watching as he pressed the heel of his palm against the apex of your thighs, his middle finger tracing your entrance and applying light pressure to the sensitive dip between your legs.
“Cat got your tongue, pretty?” He asked, lips brushing over your mouth, loose bangs brushing against your brow “Thought you had more fire in you.” he rasped coldly, moving your shorts and underwear out of the way and your lips parted on a sharp inhale as you felt him touch you for the first time, “Yeah, thought so.”
Every nerve ending seemed to come alive under his hands, and the room around you blurred into insignificance. All that mattered was the man in front of you, his relentless grip on your senses, his unwavering control over your body.
"God, I hate you," you whispered again, the words almost a prayer, a futile attempt to cling to the anger that had fueled you for so long. But even as you said it, you knew it was a lie. You hated how much you needed him, how much you craved his touch, his dominance. Perhaps you’d been locked away from society for too long. That was the only plausible reason for you to let Rafe Cameron touch you.
Rafe smirked, a dark, satisfied gleam in his eyes. "No, you don’t.”
You did. At least you used to, everything’s confusing now.
He teased you, his touch light and teasing, drawing out your frustration, your need. "Tell me what you want," he murmured against your lips, his voice a seductive growl that made your heart race.
You bit back a whimper, refusing to give him the satisfaction of hearing you beg. But the need was overwhelming, a fierce ache that demanded release.
“Fuck you," you spat, your defiance crumbling under the weight of your desire.
He chuckled darkly, his fingers finally slipping inside you, curling and stroking in a way that made your hips buck against his hand. "That's right," he whispered, his breath hot against your ear. "Let me hear you."
A broken moan escaped your lips, and you arched into his touch, your body writhing with need. His fingers moved expertly, finding all the right spots, driving you near the edge with a skill that left you breathless. Every touch, every stroke was designed to push you closer to the brink, to break you down until you were nothing but a trembling, pleading mess.
"Rafe, please," you finally gasped, the words ripped from your throat by the overwhelming pleasure. "Please, I need you."
His smirk widened, and he pulled his fingers away, making you whimper in frustration. He didn't make you wait long, though. With swift, practiced movements, he freed himself from his pants, the sight of him hard and ready making your mouth water.
Without a word, he positioned himself between your legs, the head of his pretty cock teasing your entrance. "You ready for me?" he asked, his voice a rough whisper that made your heart skip a beat.
You nodded, your eyes locking with his, the intensity of the moment almost too much to bear. "Yes," you breathed, your voice trembling with anticipation. "Please, Rafe."
He didn't need any further encouragement. With a single, powerful thrust, he buried himself inside you. The sensation was overwhelming, a perfect blend of pain and pleasure that made you cry out. Your back arched involuntarily, your lips parting as he entered you, filling you completely in a way you had never imagined.
He rolled his hips firmly against yours, and your head tipped back as his cock rubs perfectly against you. You’d never felt so full. He didn’t give you a moment to catch your breath. After another firm roll of his hips, testing you out, figuring out his rhythm. His movements were hard and relentless, pounding into you, knocking the breath from your lungs with each forceful thrust, barely giving you time to adjust.
You clung to him, your nails digging into his muscular back, your body moving in perfect rhythm with his. The table creaked and groaned beneath you, but you didn't care. All that mattered was the man above you, his relentless drive, his unwavering control. His hands gripped your hips, pulling you closer, deeper, his thrusts becoming more erratic, more desperate. You could feel him losing control, his need matching your own.
Your eyes squeezed shut, blocking him out so you could pretend you weren’t stupid enough to let the man that ruined your life fuck the living hell out of you.
"Eyes on me,” he growled, his voice rough and commanding. "Let me see you.”
Even though you really wanted to shut him out, you just couldn’t fight the crazy pull he had over you. His voice was like a force of nature. You opened your eyes and locked onto his intense gaze. Seeing him above you, his face twisted with raw need and determination sent chills down your spine. His eyes were locked onto yours, filled with this dark, unyielding intensity that left you totally breathless.
“Good girl,” he murmured, his voice dripping with approval and something deeper, something that made your heart race even more. It made you want to run for the hills, "Fucki—Oh, fuck"
With each thrust, he drove you closer to the edge, your body responding to him in ways you couldn’t control. The pleasure was overwhelming, a torrent of sensations that left you gasping, moaning, begging for more. His name slipped from your lips in a broken, desperate plea, and he answered with a renewed vigor, his movements becoming more frenzied, more primal.
"Fuck," he growled, his voice rough and strained. "You're so tight... feels so fucking good."
You could barely form coherent thoughts, let alone words. Your entire world had narrowed to this moment, to the feel of him inside you, to the overwhelming pleasure that consumed you. Your body arched beneath him, your nails digging into his skin, leaving marks that would undoubtedly linger.
"Rafe," you whimpered, the sound barely more than a breath. "I'm... I can't..."
He understood. His pace quickened, his thrusts becoming almost brutal in their intensity. "Come for me," he commanded his voice a raw whisper that sent shivers down your spine. "Let go."
His words pushed you over the edge, and you came with a scream, your body convulsing around him. The intensity of your release was like nothing you'd ever felt before, a white-hot explosion of pleasure that left you trembling and breathless.
Rafe followed you over the edge, his own release crashing through him with a force that left him shaking. He buried his face in the crook of your neck, his breath hot and ragged against your skin as he rode out his orgasm, his movements slowing until he finally stilled, still buried deep inside you.
For a moment, everything was still, the only sound the ragged breaths but then Rafe lifted his head, his eyes meeting yours, and for a moment, there was something almost tender in his gaze.
“Y-You—“ He sighed, pausing, “Don’t pull that shit again. I’ll get you out, okay?
“Rafe...“
Before you could process his words, before you could question or argue, his lips were on yours again. Differently this time. Gentle.
Devastating almost.
“You’re still bleeding Maybank.”
Rafe’s words snapped you back to reality, the pain in your arm a sharp reminder of your injury. The moment of vulnerability between you evaporated, leaving you with the stark realization of your situation. You pushed at his chest, forcing him to back off slightly, and hissed through clenched teeth, "Then do something about it."
He just stood there, staring at you as if he had never seen you before. As if he was truly seeing you for the first time despite having known you since you were seven, despite all the moments marked by violence and terror. And you hated every second of it because your heart was practically leaping out of your chest. No one had ever looked at you like that before.
And then he simply shook his head, drew closer again, resting his forehead against yours, hands back on your thighs, fingers pressing as if he needed to ensure that you were real, that everything was real.
“We’re getting out.”
You wanted to believe in him more than anything. In that moment, it was the only thing that mattered, “Yeah?"
“Yeah, pretty Maybank. You and me."
“Okay.”
“Okay.”
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Please more Trail's gone cold au I'm begging you I need it just pour out every thought in your brain I want to hear it
hgdhhfbd i mean, sure why not
everything plot related is in the main post, there's nothing else really to tell. but i could share random details that didn't really fit into the lore drop. again tho, it's a small au and mostly an exploration of the concept, so there's not a lot.
❄️ gem and etho are siblings, i don't think it was mentioned anywhere? blood related and all that, they both have black hair, gem just dyes hers.
❄️ behind the scenes reasons for the order of deaths. generally i picked these three to be the main cast because i suddenly realized pet crew were just dungeon master and his two winners, and that was too crazy of a concept to not do anything with? so, tango as the main guy and actual master of the dungeon had to die first, seeing how he's the cave's favorite. pearl as the main explorer and as the one to unlock all the secrets had to die second, because she had to return to the dungeon / the cave to find out the truth, and she conquered it but never actually got out. and etho had to survive, because he's the "proper" winner and the one who actually escaped the dungeon with treasures.
❄️ lore reasons for the order of infection. tango you already know, but pearl and etho went in at the same time so in theory they had to start experiencing the effects together. but because etho was wearing a mask it did lessen the amount of sculk he inhaled, slowing down the process. wear masks kids!
and, well, you did say you wanted to hear every thought so. i really like the plot point of them leaving tango to die, so im gonna ramble a little about it. even just, the difference in their views on the situation is so satisfying to me. because tango had no idea something scary was happening to him! and for pearl and etho it was a life or death situation. and just-- they were talking about leaving tango and tango obviously, obviously, protested, because what the actual hell??? yes okay he's ill and a burden, but don't leave an ill guy to freeze to death in a cave, what is wrong with them????? or, okay, what is wrong with etho, pearl was against the idea. but, straight up tango did not plan for it to end this way, he had his whole life ahead of him and so many things ha still wanted to do! of course he cried when they left, what else was he supposed to do? thank etho for his awesome decision? be all cool and stoic and sacrifice himself? hell no, he didn't want to die, he never asked for this.
he did die tho, so. whomp whomp 🎺... i imagine he passed before pearl and etho even reached the stairs, so at least he didn't suffer for long. if he had a breakdown about being left alone he probably hyperventilated and inhaled like a ton more sculk, so that killed him even faster. must've sucked tho...
and then pearl, god, pearl.... she didn't encounter any dangers on the way back, since she wasn't trying to escape and the cave had no reason to be hostile towards her. but seeing how she was at the last stage before turning... she probably didn't get to tango before collapsing... not dying just yet, but too feverish and too weak to walk. but if tango was already back, he could very much go and find her. can you imagine the pure horror of drowning in your regrets as you slowly die and then having your supposedly already dead friend appear in front of you all cheery and oh so wrong. i dont know how much of tango is left in that thing, but the image of him sitting by pearl and holding her until she dies is so-- its haunting but it's sweet. and then there's still enough time to catch up with etho.
actually, gahhhh, all three pet povs are their own unique horror story and it's so good.
the horror of having to go through this terrifying experience, and then being the only survivor, knowing full well that the only reason you lived is because you left your friends to die, and there's no way of fixing it now.
the horror of everything falling apart around you because of miscommunication, and then the one time you decide to do it right you end up regretting every single decision and witnessing the direct result of your mistakes come for you.
the horror of being stupid... the horror of losing all control over your life and being betrayed in the moment of your most vulnerability, dying fully and utterly helpless.
this au is so sad but i love it so much...
okay wow that's enough for one post, ask more if you want tho!
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Library time is officially over, and I may have spent an extra hour or so there than I meant to. All cause I may have had a *little* too much fun writing all the pain and trauma that the three of them are simultaneously going through just to break down a door 😈
#Outlast au#God this scene was not supposed to be as long as it was#But it was the first time ive really had a chance to sink my teeth into the whole feelings bit of their connection#Pulse delve into the ways murkoff made each of them just as selfish and ruthless as all the other varients#God they are so fucking possessive in the most toxic ways imaginable and i love it#Fuck i missed this au so bad holy shit fhdjdldjdhd
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No homo, but let's synchronize our instruments together.
[First] Prev <-->Next
#poorly drawn mdzs#MDZS#season 1#lan wangji#wei wuxian#lan qiren#wwx gets a new outfit! which he doesn't keep for long because we are just about to hit all the flashback content#This comic and the last one are supposed to be a set though hopefully they work on their own#I hope it captures the chaos of the lan juniors.#also please for the love of god I hope it reads as one cursed arm rapidly flying about and not 4 limbs slapping Ye Ol'Uncle Lan around#so far in the script i have LQR doesn't show up past this scene so...sorry LQR fans#I don't know how to draw an absence of something but I hope you guys know its canon in this universe than his ass is *so* flat#the lan qiren big naturals are for another world....
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truly and literally obsessed with how advtime civilizations see their ancient founders as glowing angels
#the human founders one reallllllly gets me. like the wizards might actually have been glowing figures of light#but i know the humans were just scared refugees like everyone else. fleeing from the mutants and destruction#wizard city didnt have to go so hard on that scene of them ascending out of their bodies. its like. one second long.#ahgmeemgheme. goes crazy insane.#adventure time#not art#i feel like theres another similar instance but these are the only glowing angels i know of... the s-mos utter reverence for bmo is close#also. those.were those the founders or the usurpers. of wizard city. i get confused. how was that city built. or made. or what.#how did all that work. it makes no sense to me. she tells pep in a fit of desperation before trying to make him die to host her god.#give me more information you horrible woman.#i dont blame her. shes angry she came downstairs and found out her friends didnt clean up the dead guy they were supposed to clean up#ok stops myself from talking infinitely about nothing. i am supposed to only talk about what is relevant.#'angels' is a loose term i can apply to anyone who looks cool in adventure time including those evil lookin triangle mfers
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Dr. Magnus Hirschfeld lecturing on sexology in Different From the Others (1919 dir. Richard Oswald), a silent film arguing against German legal code Section 175, which criminalized homosexuality. Parts of the film are lost due to the later Nazi government's attempt to destroy all copies of it.
#pictures of queer people from decades ago and in this case over a hundred years ago make me so. like. god#also watching this film and realizing that was the actual magnus hirschfeld on film trying to educate people on gender & sexuality#as early as 1919. fucking hell man!!#also wanted to add that last gif to really emphasize how many people wanted to work on this film. how many people sat in that lecture hall#to be a part of making this activist film about normalizing queerness. in 1919. that's so many people#ntm crew and the other actors and everyone who pieced it back together when it was burned#and translated it#and made the cards in between saying what was supposed to happen in the lost scenes#:(#cricket gifs#magnus hirschfeld#different from the others#long post#queer history#lgbt#lgbt history
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new cat!vanessa animation part 1
also lipsync test
guess the song!! (well i did reveal it in the notes in the post announcing this new animation) last word is gonna edited on the headshot
i had to delete a lot of inbetween frames, was initially slowing it down but made it too slow lol
also i theres a last scene at the end after the headshot but ill draw it later
@send-me-a-puffalope @jasminetea1234
#blizz's art#cat!vanessa au#vanessa shelly#vanessa afton#fnaf movie#animation#ibispaintx#this lipsync animation is so much better than my first oen with aura in summer 2022#its really bad im not showing it ever 😭😭😭#also the letters were there to guide me lol i will remove them later#and also resize the mouth bc its too small#thank god no more flipaclip 😭😭😭#ignore the pause frame LMFAOOO#uhh and also the ears#ALSO UHHH FUCK I ANIMATED THE MOUTH TOO LONG#I FOROGT WHICH PART OF THE SONG I WAS ANIMATING AND THE HEADSHOT IS SUPPOSED TO BE ON THE WORDS “TOO MUCH”#and the last scene/shot is on the last word
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devlog for mission one of ieytd3 because im not normal about devlogs, video games, or ieytd
#ieytd#ieytd3 spoilers#of a sort#i expect you to die#sure i'll use the big tag why now#autistic people when there's unreleased scenes and concept art at the function#honest to god i've been captivated by this video for so long... the fact that robutler wasn't even supposed to exist#but the devs loved him so much they made him real anyway#the changes he went through. from cold and robotic to almost too human to the perfect balance he has now#the clear use of palette consideration when making prism's home- straying from red (seemingly) because of its ties to zoraxis#'the rock was supposed to fall on his head' *cut to clip of the rock completely missing his head*#and the stupid ass stretched jpeg of the zoraxis logo on the computer... i love placeholder assets
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among the boundless billions zaniness like laugh track as it definitely has that moment of expressing "rolling my eyes as The Left makes a kerfuffle of Acting like they have a stance as a veneer over the true belief that [xyz] is cool & chill actually" like what, approximate 0.000% chance wendy isn't, as usual, given the Objective Stance of "yeah yeah ohh we are cancelling involved parties talking about how we Don't watch this But. we all love this damn epic movie & already have it memorized so shut the fuck up, kids today" like. don't wanna really delve into how much billions thinks taylor or anyone is "really" trans / nonbinary like not too much benefit of the doubt in this material including what does provide info abt that specifically
& the general like [head in hands. what do you think any of this could possibly be about (you're the one that made your show at all about Power)] of "yes, it's bad/wrong to be someone that someone has done something to / victim of something" like that to be anti misogyny All Women Must Be Epic Winners b/c there's something to be proved: that they don't Deserve to be victims (of misogyny), not taken as a Given. while when we see some epic winner men stepping on other men (who need not all be guaranteed Winners so as to say misogyny is wrong), that's often Good, well beyond any assumption that various forms of basic disrespect / violation / patterns of emergent/entrenched power difference as Bad (for being things done to people, not for there being people they're being done to), & generally billions has to take an extra step when ppl get shitted on & tell us the Specific Cases when it was undeserved actually & someone was being mean to a specific person who didn't deserve that. & the specific cases when hey guess it wasn't that bad(tm) or when hey It's Okay that you're someone something was done to, in this case. & tell us what we were supposed to know all along like when someone who something was being done to (wrong Of Them, whether b/c they inherently deserve it no matter what, &/or b/c they failed to be someone who could make it Impossible to do anything to them, which, how do you do that besides being The Authority / Superior yourself, exactly? nonrhetorically? what if the in group vs out group / fascism / authoritarianism protected Me?) was actually being treated Too Well b/c ah well the abuse meant you were getting any attention, maybe it meant you were claimed as any superior's property, maybe it meant you weren't Already disposed of, as all Losers were in the end, You're Welcome.
obviously referring to winston where it's spelled out all the abuse towards him was deserved, & More than he deserved in the case of rian having more access & taking advantage of that, all for billions' enjoying its own sendoff there of, again, maximizing violation & violence short of [real violence is physical & leaves bruises / draws blood / Literally kills] which would be distasteful in general But doesn't it make wags look like the winner & winston the loser is that the former's completely unrelated completely impersonal ego blow gets way amplified taken out on winston, the most vulnerable recurring character when spyros as [first & ultimate Everyone Hates Him role] is more entrenched in there & billions still magnanimously pities tuk, as it does winston too, just not quite as much. again that like completely surface level realized power fantasy of forcing the mirror up to the Inferior so they're like nooo my inferiorityyyy & in doing so like, the projection in that lmao, we get it re: the valuing of & need(tm) for such Power Tripping & Reaffirming My Superiority & My Ego Restored; Everyone Claps like good god. & then for all ben & tuk are the slightly softer Two Too Nice Boys duo to the rian & winston quant duo, also like too nice i guess but not as much, ben is in charge of tuk but Any instance of rian being in charge of winston outstrips them in that "yay interpersonal abuse" dynamic, like then in the end billions may be like "yeah it's possible to be mean to them unlike how being mean to winston is actually Nice b/c he deserves everything he gets, we only vicariously enjoy it vs Feeling Bad for tuk & ben sometimes (still magnanimously & it's Not That Bad / just goofin)" like ben & tuk still Fail by not being people it's impossible to do anything to. & not Exceptions who anyone is really being Too Mean to. like if they were women, in which case, no problem surely with a "positive" kind of victim blaming where there is something Inherent that Will be victimized so hey how about to cancel that out there's this special Paternal Protection you Need always, Or Else? :) but instead they are men who are asian & is ben gay & w/tuk & winston nobody mentions glasses or fatness but billions doesn't really do much or very in depth textual mentioning of Anything, even w/nonzero mention that there may be gender & race in this world. a gay man, once. no disability. we just Know who are the inferiors who deserve it when they're treated inferiorly, or if they don't, they start deserving it when they fail to stop/avoid it, but if you start mentioning the factors behind who we all totally agree is inferior like whoa nobody was Saying any of that? being the real agent of oppression on the basis of the factors only You spelled out, much? nonbinary? i never say anything about the Gender Binary when i'm subscribing to it, sounds like You've created & enforced it. obfuscation & deflection onto [so Just Normal nobody has to label, explain, or argue it] couldn't serve a purpose & protect the existing power differences as they are. maybe You're the problem? perhaps you brought it upon yourself & now you're causing too much trouble standing up for yourself while everyone else's criticism is laser focused on you as the prior & continuing negative actions done to you are taken as a given / unquestioned / covertly protected to overtly encouraged?
anyway so wild if the Completely Normal(tm) Victim Blaming is uncritically recreated & oft embraced for "if you're watching this & don't wish you were axe / find him appealing" [billions as a sequence of vicarious power trips] purposes in this series....but a bit wild considering like this is your multiseason show that wasn't just purporting to be those power trips for [enough demographic & apparently specific personal tastes overlap w/creators] & was at all purporting to question the matters of power at play in the material, or yknow, at least to not be completely superficial material while said material is textually & thematically all about power difference being leveraged, how, the consequences, & so on. thus i will have to intermittently talk about it forever like this like lord unbelievable. & the funny little & sometimes less funny less little characters it has trapped in there so that those of us who were never meant to be in the audience can be cursed with this knowledge. like i have some feedback. "imagine not victim blaming" & "imagine adjusting your perspective can go beyond superficial layers added to politely defer to some other ppl while they're present but really like cmon do they deserve that. am i not just saying what we're allll thinking"
#another random night another Verbal Effusion of [forehead to hand]#winston billions#who needs actual questions about power or the consequences of getting to consider others Lessers & acting accordingly#when we can last minute be like uh wendy is god actually. take it away wendy (wait she just does whole other shit half the season)#okay Now take it away wendy i guess b/c the series is dead set on you being the Moral Center#if mostly b/c gosh everyone either loves owning you as pseudo wife or correctly recognizes & defers to your superiority#the scene i couldn't bear to sit through at the start of s7 way too long sequence of wendy Going To Work to the ''cuz im awesome'' song#i was like. lol. i was like okay that is wendy's mood / perspective then. Wrong. it was billions conveying Fact to the audience. rip#abt as great setup for ''the only other shoe that finally dropped was that of Yeah It's This Completely Surface Level'' as possible (:#prince has exactly the same attitudes & actions as wendy does? uh well you see. it's just bad when he does it#if only more wendys were in charge. if only we go ''well even if it's bad if wendy does it? or axe or whoever? Could Be Worse''#nothing to analyze in the [but at least it's not worse] dead end re: justification of Power Leveraging & minimization of its consequences#tl;dr just the victim blaming embraced everywhere & the idea that everything that Deviates from the Norm Too Ethically Mindedly#is just that veneer slapped on overtop of [haha but truly: the norm] like no but seriously we all know It's Not That Deep(tm)#even for the characters written to exercise this [my Extra Mile Ethics] trait regularly it's expressed as this Polite Addendum#to the [what's Really at play] normal. the And Enbies tacked on; that's that on that & it Is an extra veneer to the norm#prince asking if taylor's changing up their pronouns; no more Meant a red flag than him immediately shitting on winston i'm sure#yet yknow why tf suppose taylor more than anyone else would Change Pronouns. taylor who the series also only ever shows as being#misgendered As A Woman. whose drag / cisguise As A Woman is not treated in the same way a man's would be / is#whose emotive / expressive affect isn't either. billions like [the genders are m/f] to [perhaps also amab/afab] Tacked On#as something politely Extra you do to their face that doesn't actually change (threaten) your idea of what's just Normal & True#like it's normal & true that ugh god don't you hate the autistic people around you? don't you wish you could go sicko mode on them#so that they couldn't be around you anymore & they'd have brought it upon themself & really it was good of you b/c The Group Cohesion#thanks you & b/c you just gave them free ABA? yes yep Surely Unquestionably#problem isn't abuse & concomitant violation in & of itself. it's Bad to be someone that's done to. we will announce Exceptions#rest of you either you brought it upon yourself or you failed to Correct that you're not someone who inherently deserves it#that is: someone who just can & will Stop It if done to them. well so you see winston pushing back is ignored or treated to further#backlash & then he withdraws (expression of his experience / creation of a consequence which tells the other Stop Doing This)#&/or otherwise conveys displeasure / being hurt (same as before. ''uh well push back / express xyz'' ppl did & were steamrolled/ignored)
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just watched 21 jump street and looked up the cast bc thats what i do when i watch movies and found out that there was a tv show also named 21 jump street that the movie was a kinda sorta but not really sequel to the show and that the random cameo with johnny depp at the end was in fact not a random famous comedic actor cameo at all bc he was like the main character in the original tv show and that led me down a weird rabbit hole (incoming pun not intended) and learned about the other cops in that show one of them being Judy Hoffs which if youre like me ur former disney brain immediately connected that to Judy Hopps from zootopia and looked it up to see if it was intentional and apparently the name (and job) similarities were not supposed to be a reference on the zootopia team's part and its "just a play on how rabbits jump" and they were "unaware of the 21 jump street character when naming judy" which i think is some pretty big bullshit because theres no way a character who's first name is Judy and last name is hopps (spelled with two P's the way hoFFs is spelled) and just so happens to also be a young and brand new cop is just a crazy random coincidence
#no paragraph breaks bc this is how my brain works when im in lore deepdive mode#no ones gonna read this but whatever#anyway i didnt think id like 21 jump street the movie bc i usually hate 2010s R- comedy movies#and like anything jonah hill is in HAHA#but i figured ive gone long enough not knowing its references and also i felt like doing a channing tatum binge#bUt i actually giggled at a few jokes i hate to say#most of them were on channings part hes pretty funny. cant stand jonah hill tho sorry not sorry#also they look nothing alike but the amount of times i mix up tom hardy and channing tatum in my head is fucking crazy#anyway#kats movie rants#also i'll bring this up in everything thats relevant but i fucking love Zootopia ive seen it so many times#ive read and watched so many concept videos of the movie in preproduction and making ofs and docu's of that movie omfg#also yes i love nick wilde no not like that hes just silly goofy okay i just love suave sarcastic (fox) characters i swear#every time i remember how the movie plot was supposed to go (shock collars) another little piece of me dies inside because#goddamn its such a good and heartwrenching concept and i still wanna see it on the big screen SO BAD#especially all the test animations and storyboards they already did for that plot line OUGH IT LOOKED SO GOOD#and the fact that the supposed building that nick owned in the concept can be seen (delapadated) in the bkrd of the movie in a scene too BR#god i cant stop talking about it now oh god i unleashed my own beast i need to stop im stopping okay goodnight#yeah so if u cant tell i really love zootopia HAHA
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Konohamaru: Origins
a/n: the title's a little misleading-- yes konohamaru is heavily featured, but this is mainly about his dad who's an oc 🫶
oc | gen word count: 1.9k
When Konohamaru was born, Azura and the Third had a huge blowout argument. Namely over the fact that Konohamaru came to them in a basket on their doorstep, brought in by ANBU guards.
Hiruzen was furious at his carelessness, insisting that they sent the unnamed infant to a foster family or at least a shelter because there was no way he was ready to take on a child; let alone a baby. Azura, just barely 19 and out of his mind with stress and other overwhelming feelings, refused.
Asuma made the mistake of questioning the legitimacy of this claim and ignited an entirely new argument in the confines of their living room. Part of him wished he could swap places with the ANBU outside ordered to pacify the kid over all this screaming.
It was the first time Asuma had seen their father that upset and his brother that angry and culminated in a silence that permeated the house for at least a week, only broken by the baby's babbles or midnight crying. Eventually, Azura left. Packed up his newborn son, everything he could fit in an overnight bag, his mother's picture with the basket Konohamaru came in, and slammed the door behind him.
It took around an hour for the adrenaline to wear off for Azura to realize he was out on his ass.
He considered his options; a hotel would be a quick fix but he didn't know if the money he crammed into his pockets would last, Hyou had two other young siblings already at home, so did Tsume (she also scared him), and as much as he loved and respected his other team mate, something about Sou told him that his house probably wasn't fit for a baby.
Azura felt the grace of god that day when Hizashi was close enough to the front of the Hyuga compound to see him begging another branch member to let him see his sensei at this time of night.
He was brought indoors immediately, if only to take the bundle of fussy hands and chakra not dissimilar from his own held so closely to Azura's chest Hizashi was worried his grip was too tight. Once Konohamaru - a named decided on by the Third - was fed Hiashi stepped in to see what all the commotion was about and locked eyes with his brother's student.
He looked a mess; bloodshot eyes and a heavy 5 o'clock shadow, the rest of him looked mildly unkempt from his tussled hair to the single fingerless glove and uneven bandages. His stare was vacant as he attempted to lull his son to slumber. If not for the knowledge of his specific circumstances, Azura would've been just the standard image of a new parent.
Hiashi had a litany of questions and protests, but his twin wordlessly communicated that they'd talk about it later with a motion of his hand. He had a teenager on the verge of tears with a baby in tow. Hizashi had heard rumors in the few days prior but he never took village gossip to heart; but more importantly it was his student that came knocking for help, and Hizashi fully intended to offer it.
Come sunrise, Hyou and Soitsu were called over for an impromptu team meeting - only to be met with their sensei's son curiously watching an unfamiliar baby play with one of his old toys. Before this, Azura was sure he'd never seen both his team mates' pupils not at least partially covered by their eyelids. He was immediately bombarded with questions, concern and confusion in equal measure, and it took the better half of the morning to fully answer everything.
Among those questions, Sou was the one to pose what Asuma had said initially; if Konohamaru even was his baby. The answering elbow in the rib from Hyou and their team mate's twisting expression did nothing to deter him. Sluggishly, Azura pulled a note from his pocket - the only other thing that had arrived with Konohamaru aside from the basket.
It spoke of how the woman who'd left him had planned to keep this a secret, how she thought she could handle it all on her own without burdening him but ultimately a child was too much of a burden for her, and that she was sorry. Azura knew the penmanship well, because he'd been writing letters to her for a year or so prior to their meetup. She was a nice girl who lived near the port and offered him a hiding place while he fought the missing-nin plaguing their small merchant town.
Remembering the argument he had with his father about tracking her down to give the child back bittered the taste of Azura's tea as he sipped.
When all was said and done, the sun was close to the horizon. They'd spent all day just lounging about on Hizashi's porch, no closer to a solution for Azura's lodging. For the Konohamaru's sake, the idea of sucking it up and just going home was floated around a lot but he was still too angry to so much as look at his father. Azura wouldn't be able to leave the village on missions, either, unless he found someone to babysit his son for extended periods of time - and everyone here had their own mouths to feed.
What they landed on? Was that Azura and baby Konohamaru would stay the Hyuga compound, at least for the moment. Hizashi was sure his brother and the elders would protest and write up a long list of their objections, but their sensei insisted that it would be better for Konohamaru's overall wellbeing to not be exposed to too many germs and different environments if his father had to bring him on the move constantly.
Hyou offered to babysit when he could, since they were already juggling Hana and Kiba in their spare time for Tsume. And, uneasy as he looked, Sou promised he'd support him as best he could as a friend, whenever he asked, through the likelihood of him babysitting was very low, being completely transparent with him.
Azura was so happy he could cry. So he cried, and he wept at the feet of his team in prostration and eternal gratitude.
Weeks passed and everyone got on with their lives with these new (although temporary) arrangements. Jaws dropped, Azura explained the situation that brought him here over and over again, he was quite tired of this rinse and repeat cycle honestly. Reactions ranged from shock to unearned praise, and understandable concern. By the end of it, he had half a mind to just let the rumors catch everyone up because it seemed like half the village already knew anyway.
He was lucky enough to catch Tsunade on her way out of the village with Shizune to run a last minute check-up to make sure Konohamaru was the happy, healthy, bouncing baby boy he seemed to be.
Months had gone by, knowledge of the Third Hokage's new grandson had run its course through the village and soon became old news. Azura hadn't taken any new missions in that time, but he subsisted on the help of his friends and Hizashi's grace.
Lord Third was sure his son come crawling back soon, realizing just how (right Hiruzen was) difficult parenting would be and secede to his father's perfectly reasonable solutions. But the longer he waited, the longer Azura's absence weighed on him. Hiruzen considered just calling him into his office as an order from the Hokage, but he didn't think that would go over too well.
Asuma called his bluff, pointing out that he was just scared of rejection if Azura refused to come home and if he really cared about his brother like he claimed to, he'd get off his ass and talk to him instead of creepily watching his son and grandson through a crystal ball like some kind of weirdo. Hiruzen huffed and puffed his pipe, muttering something under his breath about the right timing long after his youngest had left the Kage's office.
His moment came in Azura's darkest.
After only a handful of months living there, Azura had to find a new home for him and his son with the death of Hyuga Hizashi. Sensitive information that was only shared with other people at the top in Konoha and their guards that had to pretend not to know - but considering one of his students was living there, he might as well let them all know; it was only fair that he told them beforehand.
The team was devastated, whether they showed it or not, but no one was more shattered than Azura - the most tenderhearted of the three of them. Of course they were, these were kids that Hizashi practically raised. Hiashi wasn't cruel enough to throw an almost 20 something and his infant son out on the day of, but there was an expectation that they'd have to leave eventually, ideally soon. Azura and Hyou made sure to check on Neji even in their own grief, the boy was inconsolable the last they saw him. But without Hizashi there to give them away in, Neji would once again be sheltered away (from outside harm but also comfort) in the private Hyuga compounds.
Azura returned home begrudgingly. Asuma helped him move his things back that Hyuga branch members so graciously packed up without his knowledge while Azura was out on a mission and Konohamaru was at Hyou's. He tried cracking a joke about their stuffiness to his brother as they walked but it fell flat, predictably.
His brother didn't do much else but walk around in a fugue state for the next few days; still caring for his son in familiar motions Azura would be able to do with his eyes closed, but his mind was far enough away for autopilot to kick in.
Finally. Finally.
Hiruzen scooped Konohamaru out from his slumbering father's arms and put him back in his cot. Azura awoke with a startle a moment later; reflexes far too late from an ANBU Black Op, but sooner than one would expect a grieving, sleep deprived young man.
The Third quietly lamented about how Biwako would scold him for sleeping in the same bed with him and Asuma, go on long tirades about how delicate babies were and how the smallest things could put their health in incredible danger. As a medic-nin, the lecture was to be expected, as their mother, Biwako would have a conniption every time she caught her husband doing it.
Azura immediately got up to check on his son, only half listening to his father's spiel but once he was sure Konohamaru was okay - almost paranoid that he'd vanish into thin air if he didn't see him or touch his little hands - Azura sat on the edge of his bed with a heavy creak. After a moment, Hiruzen joined him.
Azura's voice was hoarse when he asked if his mother would be as angry at him as Hiruzen was if she were around to see him in this mess. The Third picked his words carefully; they were both aware of the kind of woman Biwako was - a stern, but loving mother, the strong head on her shoulders was what Hiruzen fell in love with the way she'd always push her husband and children to the best versions of themselves, despite Azura's tenderness as a perceived weakness.
Ultimately, Hiruzen says that even if his mother might have her misgivings, her worries for both her son and grandchild, that she'd come to love them both all the same as he did.
Azura cried in his father's arms that night. Just down the hall, Asuma was surprised he didn't wake the baby with his bawling.
#cebwrites#naruto#naruto ocs#asuma sarutobi#third hokage#hiruzen sarutobi#hyuga hizashi#sarutobi azura#inuzuka hyou#oh my god its so long#cant believe i almost broke 2k#i'm slowly SLOWLY bringing my writing muscle back to life#i have so many thoughts#and headcanons#can you believe this was supposed to be LONGER#i had a whole thing in my head about azura weeping#over just how much he loves his baby boy#and an entirely different scene where he was critically injured#but he just couldn't die here#not yet at least#because his son was waiting for him at home in the leaf#and when azura learned asuma died#because that meant he was the only one left of his family#besides konohamaru and kurenai and he supposed mirai now#but i just didn't have the brain power
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I finally got my friend to watch episode 5 of trigun stampede and I feel incredibly validated
#ok I saw somewhere once that people thought the episode was badly paced#/ badly arranged because of the way they mix current scenes with flashback rollo child scenes#and like!!! how can you lack media literacy so much that you think this is not an intentional choice!!#the reveal of information is supposed to be slow so the punch is bigger when you realize that rollo and monev are the same person#and the amount of incredibly good dramatic irony this episode has#rollo the child who was born on a windless day dying on a night when the wind finally blows#the city lighting up from the wind Long after anyone is actually alive to see it#god the child of blessing episode is so good#also because the way it frames Vash’s sort of hubris in his desire to save others and yet his inability to do so#anyways I have a lot of thoughts about trigun stampede#please watch it
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Ah yes my favorite kind of scene - two deeply damaged people who maybe cared about each other once in another life before they were both broken beyond repair both being as awful as possible <33
#rip Izzy’s likability I suppose I think I just flushed it down the drain#which only makes her more appealing to ME#& hopefully other connoisseurs of fucked up little guys#I have been having visions of the trizzy abortion talk since I started this book god it took so long to get here#a stairway to nowhere#it’s been time for a trick pov for so long I knew this was the scene for it though#gotta show the one time he’s not the worst person in the vicinity
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#dkhghgghkslghhhgh I'm Not Normal about rotg#my interest in it picks back up for a few weeks each year and I just. sigh#please dreamworks I know you had sequels planned. you don't know how big it would be amongst today's audiences. I prommy#director PETER RAMSEY and executive producer GUILLERMO DEL TORO both want to give it a second chance#as does joyce. the guy who sold the IP to dreamworks#nooo because there are so many interesting things the movie could pull on if it starts looking at the guardians with respect#to events of the past#a big critique of rotg is that it doesn't have much plot and I think that largely comes as a result of the movie being mostly setup#it needed to spend so much time establishing its world and I'm so glad that it did#but it did lead to people questioning what the heck bunny and tooth are and why pitch feels so flat etc etc#oh my GOD if they dug into how pitch was created it would add so much subtext to the antarctica scene#I wouldn't care about whether they brought in nightlight stuff or not by integrating more material from the books bc movie canon#is already so distinct but YOU'RE TELLING ME that this man... a guard in his own right... succumbed to the powers of fear#because he was mourning the loss of his child??? because he wanted to protect her??? and then he tried to connect with jack#(a child) over how much he longed to be known and have a FAMILY??? how am I supposed to be normal about this#there are so many ghosts of the books' influence in the first movie that could be explored so much#not to mention something something fear exists to keep people (kids) safe and eliminating it completely would be Bad Actually#maybe I'm realizing I just want pitch to be explored more sdkfjsldfjks#I've seen a lot of folks say they want more seasonal characters to be introduced and I guess that could work in the context of a show#but if they dove more into how the guardians came to be and what MIM's deal is and how that all affects the present#ohhhh baby that's good content right there#fern muses
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how am i supposed to collect my gay little shows when i am sleeby and work and have to rewatch the multi-seasoned shows i literally just finished
#i have a whole trajectory in my brain. im like ‘okay after i Finally finish x-files (1.5 eps left) im gonna go thru twin peaks bc it’s#basically the same premise except slightly earlier and also it’s only two seasons and also men in black bc obviously’#but that means i also gotta watch buffy tvs if im collecting the spn-like shows arsenal (but good)#but after twin peaks i was prolly gonna FINALLY do hannibal after like a decade also bc it’s only 3 seasons#and also iwtv bc i promised brenna a while ago and it’s only two seasons#but also wwdits ive been meaning to forever especially since it’s still kinda coming out. oh and cant forget merlin. which has been on my#list since 2014 like hannibal. oh and i Actually gotta rewatch + actually finish house md. which i kinda wanna do before all that but maybe#not. and oh fuck im way overdue on ACTUALLY getting thru the star treks other than just TOS#but how am i supposed to do any of that (ignoring any movies i wanna get seen) if i know im just gonna boot up xfiles s1ep1 right after#literally so unfair on god#i cant even Partially (mostly) split attention either. sometimes it’ll take me twice as long or MORE to watch an ep cause of how much im#pausing or repeating scenes/going back to process#mandont#dont even get me started on how much writer’s block (despite ideas) ive had
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