#God am I thinking about them

[artemx746]

Okay obviously Vivian is an ass but you do have to wonder about the rest of the Arcadia six. Do you think some of them feel bad for what they did/are doing. Do you think some of them miss Emily Garland, their friend, who helped them escape, not Vivian Walton. Do they mourn her even though she’s not dead, just so unrecognisable from the person they knew. Do you think seeing what was presumably the most traumatic event of their lives being recreated over and over again was their last straw to leave Walton Media. Do you think some of them sought out Trevor and Angela just to try and find some solace in their pain. Do you think they tried to help them create Solano Hills and make the documentary not for some sort of revenge but just as a way of trying to get closure.

Or do you think some of them tried a similar approach to Vivian, pretend, get a new identity, stay with Walton Media even if they’ve hurt you so much because that’s where your friends are. Do you think some of them have become so caught up in a fantasy like Vivian is and have told so many lies to the point where they’ve started believing them.

[secondbeatsongs]

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

[lostonmyroad]

absolutely obsessed with early jongdook bc yjh is really trying to do the whole brooding protagonist thing “nobody understands what i’m going through and i have the burden of saving the world etc etc)” and then this guy (clown) bursts on to the scene, calls you a bitch to your face, tells you he can predict the future and basically turns your world upside down while stealing your name and he’s just like ???? ???? ???? and then it turns out the guy is even more messed up than you the tortured protagonist and he’s like damn it you bastard you can’t die i’m attached now you have changed me irreparably

[mafuyuakgae]

even if I came to love humanity in the end, there’s no proof I was ever here, right?

[xxplastic-cubexx]

[right to left]

finally finished This Wip from Ever ago and so now i ask you ever look into another dudes eyes and suddenly want to do whatever he wants

[words-writ-in-starlight]

listen I expected literally Nothing from the D&D movie okay, like I can't make it clear enough that I expected the most soulless money grab with a good cgi budget imaginable, I went in having already gone through every stage of grief and landed on acceptance and LISTEN

I fucking CRIED during this dumb RPG movie. it wasn't just "not terrible" it was objectively good with a clever plot and compelling characters and sincere emotional beats. this movie loves D&D so fucking much and it NAILS the "a bunch of goobers try to be cool and accidentally discover The Power Of Friendship And Also Great Violence" classic D&D party vibe. their barbarian's last name is fucking Kilgore and my entire family cried in the theater.

I hope they make twelve of these motherfuckers.

[evelynpr]

Congratulations My Hero Academia for providing, possibly, the biggest and longest legit straightbaiting yet in shonen history.

Bonus points that their final chapter was released on yaoi day.

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[ash-and-starlight]

one day, in a thousand years

[hinamie]

god, i wish i knew you back when i was a kid / but when you stare into me now, it feels like i did

[cruel-hiraeth]

꒰ FLESH OF MY FLESH; BLOOD OF MY BLOOD ꒱ KAMO CHOSO X READER — ft. itadori yuuji

warnings ⟢ dead dove: do not eat. minors do not interact—i will block you! incest. yandere elements. implied drugging. noncon. slight forced feminization (choso uses “sister” and she/her pronouns to refer to reader, but reader is nb). religious imagery. reader is yuuji’s twin, but no physical descriptors are used. reader has a vagina.

word count ⟢ 963

notes ⟢ this is part of @ficsforgaza’s kinktober event! my prompt was choso + incest. i have an au with big brother choso and twins yuuji and reader, so this was the perfect opportunity to explore their dynamic. a huge thank you to my dearest lexi—@drleggman—for requesting this (and for allowing me to go full degenerate) <3

“Yuu…”  “Yuu…ji…” “Yuuji…”

Your twin’s name ambles from your petal-soft lips, voice laden with slumber, muted snores drifting through the gaps. The bedroom you share is swathed in midnight’s gloom; moonbeams peek through the cheap apartment blinds, luminous stripes cutting across the men huddled above your nude figure.  

“Our baby sister seems to be having sweet dreams,” Choso states, mouth reluctantly detaching from your nipple, a silvery thread of spider silk connecting his lips to your tender flesh. “She’s naughty, though—calling out to you when I’m the one pleasuring her.”

Choso removes two thick digits from your weeping hole, examining the twitch of your jaw as he strums your clit with calloused fingertips. He experimentally increases the speed and pressure of his caresses, humming when you let out a whimper. As your breath grows heavier and your eyes flicker and dance beneath your lids, he pauses to smear your slick across your pubic hair, and scrapes his teeth up your neck to nip at your pulse point. 

Yuuji lies beside you, honeyed gaze soaking in the tranquil curves of your dreamy expression. He strokes the hair at your temple with the care of a collector admiring his choicest possession; he can’t help but drag his nose across your cheek, blotting a kiss at the hollow behind your earlobe.  

The reverence Yuuji treats you with starkly contrasts the way his muscular body presses against your softness, his bare cock dribbling pre onto the plush of your thigh. It’s something of a punishment that Choso doled out—not being able to indulge in you fully—upset with your twin for being secretive and possessive of you. But as far as Yuuji is concerned, to be anywhere in the halo of your presence is a heavenly gift. To merely witness your divinity, to press his lowly, sweaty skin flush to yours—it’s more than he deserves. 

“Don’t be too rough with them,” Yuuji fusses when Choso abruptly presses your knees to your chest, leveling his face with your spread cunt. “W-wait—I wanna taste, too.” 

After Yuuji shuffles over to join Choso, two sets of broad shoulders hunch over to marvel at your beauty. Yuuji fully expects to be chewed out again—perhaps even shoved off the bed or thrown out of the room; he swallows his pride and formulates a half-hearted apology, prepared to grovel for a chance to revel in you.

Instead, he grunts in surprise when he’s pulled into a kiss.

Chapped, chilly lips slip against his own, urging Yuuji’s mouth open, wet muscles intertwining. A shiver skitters across his limbs when he discovers the little silver ball that pierces Choso’s tongue—now bumping along the expanse of his palate, tracing the velvet of his gums. It’s a sloppy exchange of spit and teeth and tongue, too frenzied to be mistaken as purely passionate. Choso reaches over to swipe a thumb across Yuuji’s fat, leaking cock head. Yuuji keens into his brother’s mouth before ripping himself away, swollen lips parted, blooming rose from the tips of his ears down to his heaving chest.

“Let’s taste her together,” Choso rasps.

Not waiting for a reply, he pecks the fat of your hip before dipping down to lap at the arousal leaking from your hole; Yuuji watches heatedly, letting saliva pool on his tongue and drip onto your clit. He then cleans his mess with noisy sucks, occasionally tugging at your folds. Too preoccupied with coaxing your unconscious body to orgasm, the brothers don’t realize how you begin to stir, fingers and toes flexing and relaxing. They savor your eventual high, admiring your glistening release.

“I’ll have her first,” Choso announces thickly, Adam’s Apple bobbing as he swallows. He’s practically vibrating—pale skin dewy with desire—having fantasized about this exact scenario more times than he can count. “You should prop her up.”

Yuuji leans against the headboard and pulls you between his strong legs, your head resting on his chest. Choso angles your hips and pumps his throbbing length a few times before nudging your entrance. Your breathing shallows and you yawn; Yuuji’s heart catches in his throat.

“Fuck—how much did you give them? Clearly not enough,” he hisses, arms tightening around your waist. “I think they’re about to wake up.”

For the first time all evening, Choso smiles at Yuuji. It’s an unsettling sight: his knife-sharp inscisors gleam in the dusk, irises black as bruised plums. “Relax,” he soothes. “She’s going to enjoy this, too. It will become a treasured memory for us all.”

Before Yuuji can respond, your eyelids flutter open. “Ch-Choso…Yuuji…” you murmur, words slow and slurred as molasses, “what are you—”

The air is promptly punched from your lungs, a strangled yelp interrupting your train of thought as Choso enters you in a single thrust—cock so deep you swear you can taste it. One of Yuuji’s rough palms rests on your belly and meanly presses down with the movement; you throw your head back and warble a moan.

“Call me ‘onii-chan,’” Choso grits out, refusing to succumb to the squeeze of your cunt so soon.

“W-what?” you sniffle. Your brain is foggy from whatever concoction they gave you, incapable of piecing together your predicament.

He grasps your chin firmly, forcing your glazed stare to focus on him. “Onii-chan,” he repeats with a harsh snap of his hips.

You squirm, trying to turn to Yuuji for help, unaware of the tears carving hot rivulets down your cheeks. But Choso won’t let you go. His heavy frame eclipses yours, trapping you in place. “We’re family,” he huffs, fucking you steadily, umber strands falling to curtain his face.

“Everything we do, we do together. You have both been—nnghhh—selfish. It’s time to make it up to onii-chan.” 

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[laurents-secret-diary]

oh damen we're really in it now.mp4

[causticflower]

“—and the love you are made of.” (and I love you because you are love)

@lovesick-x-prince what if i cried. HUH.

[the thing causing big emotion]

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[infamously-winking]

Silly Straw Page Fully Translated:

hbh grfwru ri d gliihuhqw nlqg/ zkr zdqw wr pdnh klv sdwlhqw eolqg = “eye doctor of a different kind/ who wants to make his patient blind”

Qeb alzqlo pxvp/ qeobb pfmp x axv/ tfii jxhb qeb sfpflkp/ dl xtxv = “The doctor says/ three sips a day/ will make the visions/ go away”

Ixvvb hdwhu/ edeb eloob/ zrxogq'w gulqn/ xqohvv lwv vloob = “Fussy eater/ baby billy/ wouldn't drink/ unless its silly”

215 858 117 450 110 628 19 211 120 2256 216 951 25 256 27 532 212 506 18 1317 110 1137 221. 658 23 1330 210 231 118 929 112 2043 = “Twisted out of shape after the kill, the ghosts of his family are haunting him still.”

we’re not talking about that last cipher enough…