#Ghost song meanings

[stillchuunya]

Ghost b.c. presentation because brainrot

I wanted to get as much info on Ghost in one place before the Ghovie and I also wanted to let my bestie know what this weird satanic band I'm obsessing over is all about so I made a presentation.

You're a ghestie? You want to understand a ghestie? doesn't matter, all are welcome

it is biased but it has a bit of everything I guess

song meanings, memes, Toblerone quotes, Papa's ass, it's an overview ok and you should be able to make comments >.>

I might've reached new levels of insanity when making this at 3 in the night on a weekday

if I share this with the Internet, will I become a normal citizen? no, but I wanted to finish the post with a question.

[painless-innit-colourful]

o7 dream smp you crazy, weird, unsatisfying, wonderful, random, ridiculous piece of media/server. have a lovely last day darling it hasn't been perfect but I'm so glad we met

[emotionaldisaster909]

Whoever decided to animate Hua Cheng’s movement like this

deserves an award

because it’s so freaking sick

and beautifully unique to him with this vibrant, glowing red

and it’s also so cool to see him use his ACTUALLY ghost BY THE WAY power

like MMMMHHH🤌🏻🤌🏻🤌🏻

what if ghost busters theme but sexy

[starry-bi-sky]

more incorrect quotes for the stillborn danyal au - dpxdc

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Student: so like,, *gesturing to Plasmius* is he like,,, your dad or...?? Phantom: he would be if he wasn't such a BITCH Plasmius: excuse me Phantom: YOU HEARD ME

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Under the Bleachers: Danny and Dash smoking in solidarity Dash: Danny: Dash: do you have notes from Lancer's class today Danny: since when do I ever have notes from Lancer's class Danny: I can ask Tucker but only if you have notes from Abernathy's class Dash: deal

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Sam and Tucker: *making s'mores with Danny's lava hair* Danny, as Phantom: >:I Sam: you're just mad because you didn't think of it first Danny: yEAH

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Danny, freshly ghosted: .... Danny: well. at least i dont need to waste money on lighters anymore

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Tucker: with how long your hair gets we may just have to start calling you rapunzel Danny: don't you dare Sam: rapunzel, rapunzel, let down your lava hair Danny: NO

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Danny's hair tie breaks in the middle of a fight Danny: fuck Skulker: language child Danny, pushing lava bangs out of his face: fuck you! just for this im turning your suit into molten slag Skulker: waitholdonwecantALK--

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Danny: you know, by your logic Maddie is equally as guilty for abandoning you as Jack. She also never visited you while you were in the hospital. Vlad, had put his infatuation with Maddie aside but still kinda had feelings for her: Vlad: you're right Danny, not used to an adult agreeing with him: I-- huh, I am? Vlad: yes. If Dr. Walker had cared about me -- even if only as a friend, she would have tried to remain in contact with me. But she didn't. She is also as equally guilty for the accident that took your life too since she also failed to properly check over the portal for flaws and any improper wiring. Danny: wait- wait, i mean-- Vlad: this means only one thing Danny, bewildered: ??? Vlad, extinguishing all lingering feelings: I have to kill her too (somehow) Danny: nO.

[emeritual]

31 Days of Ghost | Day 6: Favourite Song from: Prequelle

↳ Life Eternal (2018)

[imjustapoorwayfaringgeek]

Alys Karstark and Jon

i wonder what they're laughing at

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY THREE

favourite song from Opus Eponymous — Con Clavi Con Dio

[MESSAGE FROM THE CLERGY] You are uncordially invited to attend the Ministry's conjuration for a night of infernal psalms. Be guided in praise of Sathanas by Papa Emeritus il Quarto; be led in worship of His Unholy Majesty; He shall rise, from precipice through birth. Tonight, siamo con il nostro Dio Scuro!

[sakuraspoke]

31 days of ghost // day 4 - favourite song from: infestissumam ⸸

He is divinity omniscient Seeing the world revolve with spite The surge of humanity oblivious To the divine whom bringeth light Let there be night Weave us a mist, fog weaver Hide us in shadows, fog weaver Come, mist eternal Come, mist eternal Come, secular haze

[narcissistcookbook]

how come ghost stories don't feature more bodily fluids? i just mean you'd think, given the nature of death, there'd be more abjection in ghost stories. the soul outwith the body is the ultimate abjection, after all. so where's all the spectral piss and whatnot

anyway it's 6.30am goodnight

[temeyes]

i'm a shadow, i am cold and now i seek for warmth

[waterghostype]

stoking the flames that burn higher and higher, royalty with a crown of fire

[averlym]

ghost story premiere day! check @melliotwrites for more info

[espumado]

Guys, you don't know what just happened to me!! I love soundtracks so I stopped to listen to The Bear's, i found the official FX playlist on Spotify and was listening to it when suddenly a podcast starts and I was like???? So i looked and it was about a horror film??? I, tring to understanding, went to the FX site to see the playlist and the episodes and saw that it was the song from the beginning of the ep5- Children (the lullaby) with our beloved Natalie💖...So what happened was that the music is from a horror film and instead of putting the soundtrack they put on this podcast!!! And I don't know if it was on purpose or just a mistake!!! (And all this reminded me of the people here who started a tag, I don't know who, about The Bear being a haunted/ghost story💀)

It's this scene, with this song:

And the Playlist has this podcast:

But i was like Nat why you have a horror movie song playing in your head??? And cause I'm curious, I went to find out more about the film, cause I didn't know the movie (horror isn't really my thing) and I discovered that: 

The Night of the Hunter is a 1955 American film noir thriller directed by Charles Laughton. Despite receiving negative reviews upon its original release, it has been positively re-evaluated in later decades and is now considered one of the greatest films ever made. “The movie is best known for Robert Mitchum's extraordinary performance as serial-killer-posing-as-priest Harry Powell, a menacing religious misogynist who marries widows for their money and kills them off in the name of the Lord. Having been jailed for stealing a car, he shares a cell with father-of-two Ben Harper, soon to be hanged for murder and the theft of $10,000. Before his arrest Harper hides the money in a rag doll belonging to his little daughter Pearl, making her and his 10-year-old son John swear never to tell where the money is hidden. The plot hinges on Powell's pursuit of the money and John's determination to protect his sister and escape from a psychopath whom others assume is virtuous. Hiding his past, Powell woos, then marries Harper's widow Willa (Shelley Winters). When she discovers his motives he murders her, and the children escape on a boat down the river. A tense chase ensues. The film exists in that cinematic no-man's-land of fairy tales for adults, is a children's fairytale – strange and idiosyncratic – but also a noir thriller, laced with the darkest elements of both genres: death, guilt, greed, poverty, cruelty, biblical references and a terrifying pursuit by the scariest of bogeymen. Laughton described it as "a nightmarish sort of Mother Goose tale". John, played superbly by the steely eyed Billy Chapin, is pivotal as the boy who is alone in perceiving Powell's true motives. In a tale of innocence and experience, he must quickly grow up in the most sinister of circumstances; he must resist adult hypocrisy and stupidity, and a new "father" who pretends to be loving, but is secretly abusive. Gripping in its narrative, the film is also frequently and darkly humorous.”

“Thinking of The Night of the Hunter in terms of its visual impact on other filmmakers, there’s a striking echo to be observed between its unseen presence in films by Scorsese, Spielberg, the Coens, even Ari Aster, and the influence of silent cinema on Laughton’s own filmmaking choices.”

“We can notice the importance of one particular scene: the escape of the children in a boat (they are running away from the killer). This scene, being so important, is also one of the most memorable of the entire film. The components that make it so memorable are: setting, lighting, framing, blocking and music. In the river sequence, the usual realistic environment of the film disappears, giving place to such an artificial setting that it seems that we are watching a whole new film.[...] Again, we feel that the children are safe again in the boat, as they run away from their hunter.

“The river symbolise safety – it is what separates (even temporarily) John and Pearl from Powell. In a way, it is a metaphor for the transformation of a past full of terror into a brighter future¹ with Rachel.”

About the music: “Composer Walter Schumann called the heavy four brass chords that often accompany Preacher a “‘pagan motif, consisting of clashing fifths in the lower register,’” which cede to the lullaby “Dream, Little One, Dream” with a shot of Gish. This celestial lullaby foreshadows her adoption of the children after they escape downriver. In the opening and river sequences especially, audio-visions juxtapose fantasy and reality, and good and evil, to propel the children to safety.[...] In these sequences, Laughton’s visual constructions and Schumann’s score establish abstract contours that take root in spectatorial memory. When the overture transitions from Preacher’s pagan motif to a tranquil lullaby, celestial sounds and Gish’s presence seem to safeguard the children from Preacher’s tyranny.[...] Schumann’s pagan motif, Miz Cooper’s lullaby, and the sounds of the children’s river journey mix realistic tropes and emotional flourishes in the manner of 1950s melodrama films, which especially employed music to articulate these opposing poles. For Peter Brooks, music punctuates the wordless gestures of the melodramatic “text of muteness”: its sweeping rhythmic motions render space and time tangible to imbue characters—especially muted victims—with emotional depth².[...] Analyzed through a motivic model that binds characters to themes, Hunter’s river lullabies foreshadow the children’s eventual safety with Miz Cooper even though maternal figures are not visible.”

So there is this important and well-known scene in the film when the song plays. When the kids are finaly safe in a boat on the river (the part of the song they use in the series starts at around 3:55):

So basically: there's a father who hid some money in the kid's toy (which reminded me of the money in the cans of tomatoes- KBL); an orphaned brother and sister; children looking for shelter; during the escape they are they feel safe in a boat on a river (when the lullaby plays) and in the end they are adopted and everything is fine.

I wanted to understand what this means for Nat, what it has to do with her. When the scene starts the song says "fear is just a dream…" then she thinks about her fears: her brother, mother and a mom's funeral (Marcus), then the song continues "so dream, little one, dream", like, it's not real, no need to fear it!

So…this is ep5 called Children, where: 1-Syd and Marcus take his mother's stuff out of the house and talk about their family 2-we find out that Ever is going to close (a funeral will happen) 3-Marcus and Nat talk about his mother and to start a new project to honor her while Nat is resting from pregnancy discomfort 4- it's the ep The Computer appears and Nat defends Marcus 5- there are the Faks, including John Cena, talking about their family and the hauntings 6- Syd and Uncle Jimmy talk and he says he wishes he had done more for the kids (she reminds him that he is there for them) and finally 7- Carmy goes to the basement and finds a box with photos of the family (Donna and Mike and himself too and a baby that could be Nat?!!!) then some riffs of the song Mixed Emotions by Rolling Stones start and it cuts to the credits with the lyrics right in the part: You're not the only one, You're not the only ship, Adrift on this ocean. And that's it! Just these lyrics and then just instrumentals. They cut the song to fit the scene and without any other part of the lyrics!!!

Carmy my man, Nat needs you! And she was the one who reminded him in the first season: "did you know i recently had a brother die too?" She's trying. She wants help, she already told him, "the thing that pisses me of is that you never ask her how i am doing!!!" but he can't ask her that "because he feels trapped, because he can't describe how he feels, so asking someone else how they're feeling seems crazy to him" (like, he literally told her that in S1). They need to talk, they need each other, they need family (a new one probably...the restaurant...uncle Jimmy too?? She talked with him about be a parent last season and he is always there for them, saving them). Nat managed to talk to her mother, even asked for help (it’s not a solution for everything, but it was a start)...but Carmy...there's still a long way to go, a next season thing. But I think it may be a thing they need to do together somehow, i dont know...

Nat is afraid of her past, motherhood and knows family is complicated, she is looking for a brighter future¹. She and Carmy (and Mike) are children of a abusive/alcoholic parent and live with the consequences of that (some people here have already talked better about the subject). So they are like the kids from the movie, who are muted victims—with emotional depth², in a complicated family, going throught the river until they reach a safer place with better people.

And also, last seasons they showed the "pyromaniac tendencies" of the Berzatto brothers, there were these references to setting the restaurant on fire as if that was the solution to their problems...and now in season 3 I thought that had been forgotten...instead, the ep1 already starts with (first a train, and then) a lake, which appears other times throughout the season... Copenhagen Carmy living in a boat on a river!!!, and all happy and safe, drawing on a bridge over a river!!!

We also had a scene with water being thrown on the kitchen countertop and "flooding" the space (with a song by Trent Reznor and Atticus for a war doc! that the director describes as profound, haunting, unsettling and deeply moving!!!) in a moment that the crew is cleaning the kitchen and everyone is tired and overwhelmed; there is Donna talking about the fish tank that breaks in a dream that takes place in a place she doesn't know that looks gray except for the tank (surreal, like a noir thriller maybe). These don't seem so safe, but they seem to be about the past, something to be overcome... And there's even a scene of Syd reflecting in front of a lake... Several water references...and I have no idea if that really means anything...or if i am going to deeper into this?😅

...but Nat, dear, are you okay?!...you feel like in a horror movie with your remaining brother seeking safety together somewhere or with someone, running away from a curse, a haunting in your family??? (in S1 Carmy talks about how she blames the restaurant, not her mother or Mike, she says the place sucks up all the work, money and time and all they get back is chaos and resentment) But seriously, someone help her!!!...and Carmy...She must have felt very lonely this season with Carmy like that...But I guess this all means that everything will be fine in the end, like in the movie!

Seriously, I couldn't come to a better conclusion about this but it left me curious and confused... And of course, it might mean nothing and just be an interesting song from an amazing movie that director Chris Storer likes because he likes great movies and that's all 🙃 But with all the movie references, great directors and hauntings...maybe I'm not so crazy😅 <<<I tell myself to feel better🫠

[natjennie]

i want to explain my mental illnesses to robin and have him like nod and grunt along while i talk and then hum really sagely and give some beautiful touching life advice like "brain not bad just.. different. I've seen a lot of people. we all different. world would be big boring if everyone was the same. you just better at some things and worse at other things. that why we all work together, help each other. sometimes you fight mammoth and sometimes you stay in cave with babies. it all come out in the wash."

[cerise-on-top]

Singing Price a Lullaby

Reusing one of my favorite ideas! I actually put in the names of all the characters I write for into a random picker and I got Price! Lovely, he's earned it!

Looking up from your phone, you gazed through the window, looking at the few stars and clouds that were visible. The sun had kissed the planet goodnight a while ago. And yet, here you were, all alone still, lying in your bed as you awaited your lover to finally finish his work for the day. A torturous time, really. Although he may have been so near, you dared not disturb him in what he deemed so important. And thus you were left to your own devices for hours now, asking him whether or not he had desired some food from time to time. Truthfully, an empty stomach was the only thing to make John abandon his oh so important work. And even then, conversation was sparse, he merely thought about work, not paying you much mind. While there may be the occasional answer were you to ask a question, it was short. He may have been the captain of a prestigious force, but that didn’t mean he should neglect you like that. Even you, with your understanding nature, had your limits. But it wasn’t John unintentionally ignoring you for the majority of the day that got to you, no. What really irked you was how few breaks he took. Yes, what he had to do was indeed of utmost importance, but you’d rather have him take care of himself either way. You brought him tea and water, incentives to get away from his paperwork for a few minutes at a time.

Looking at your phone yet again, the clock read 21:23. Had it been up to you, you would have dragged John from his desk and into bed. While you may not have been as strong as he was physically, you would hold him down until sleep would take him. If you needed to, you would learn to tie knots as well, anything to get your boyfriend to rest. With a sigh, you turned off your phone, deciding that you, and him, had had enough for the night. Your bed may have been a bastion of comfort, but it was incomplete without him. And thus, yet again, you sought him out in the one place he could almost always be found.

You knocked on the door to his office and, to no surprise, John invited you in, not bothering to open the door himself, however.

“Evening, love. Can I help you?” It was late, he had been working since the morning. Evidently, he was tired, his speech a bit slower than usual. John even had the gall to stifle a yawn around you. Had you been stronger, you would have picked him up, thrown him over your shoulder and carried him to your shared bed. But alas he was too heavy. The sentiment was still very much there, though.

“John, don’t you think it’s time to head to bed? It’s half past nine pm already, you’ve been at this since ten am.”

Turning back to his paperwork, he tapped the pen against his papers. “Just a little bit longer, then I’ll stop for the time being.”

Those few sentences made you irrationally angry. ‘Just a little longer’, that usually meant he’d be at this for another three hours or so, which was unacceptable. You took a deep breath and gently closed the door behind you. However, you could not pretend to be calm any longer as you stomped over to John, taking his papers from him and scanning them over. “Spelling error. Spelling error. Did you doze off as you wrote this? Wrong use of ‘than’. Spelling error.” You put the papers down with force, it was a surprise none of them had flown off the desk. “John, you’re dead tired and mentally exhausted. I think it’s time you call it quits for the night.”

Putting his pen down, he sighed. “Love, it’s alright. This is important and the deadline is coming up soon enough. I can go to bed later. I’m not tired just yet either.” He wrapped an arm around your waist, pulling you a bit closer and resting his head against you, closing his eyes for a moment. “I’ll join you soon enough, don’t worry.”

“Stop shitting me. You’re leaving this room right now.” Grabbing his arm, you pulled him up. You had expected otherwise, but he put up no fight as you dragged him off the chair. It seemed as though not even he wanted to really work anymore this late. No one was going to burn him at the stakes for heading to bed for the night. Or stopping for any other reason. “And if you’re not tired, fine. We’ll do something else until you are tired.” What a liar. You were sure if you forced him to bed and wrapped a blanket around him he’d be gone in roughly ten minutes. Maybe even less. His eyes were only half open, and he was, yet again, stifling a yawn. “Come on, we’re heading to the living room. I have an idea for what we can do.”

For a moment he hesitated, refusing to go along with you as you were halfway through the door. John looked back at the documents on his desk, barely moving as you tried to drag him through the door. His gaze seemed almost empty as he stared off into space. He was half asleep, even while standing there. Eventually, he relented, turning off the lights and following you into the living room.

Holding onto his wrist still, you sat down on the couch, patting your lap as John simply stared at you. Raising his eyebrow, it was clear what he wanted to convey. ‘I’m too heavy for you, I won’t be sitting in your lap.’ But that wasn’t your intention either.

“Lie down, put your head on my lap.” Although he may have been a captain, he obeyed your command, no complaints from his side either. It was adorable how he looked up at you, barely conscious. You were certain he’d fall asleep eventually. However, maybe, just maybe, you could convince him to go to bed without him actually falling asleep in your lap. You wanted to sleep in your bed as well, after all. All of this could have been avoided if only he would take better care of himself. You’re going to scold him for that, but it could wait until tomorrow. For the time being you ran your fingers through his hair.

“What are we going to do now? Watch the telly?”

“Quiet, my dear. I’m thinking.” What you were about to do was kind of embarrassing. You were only really used to singing to yourself when no one was around. But you always found your voice to be quite soothing. In fact, you could sing yourself sleepy with certain songs as well. It was a blessing and a curse. You hoped you wouldn’t start yawning throughout it. Unfortunately, it wasn’t as unlikely as one would think. Still, you’d give it your all. But what to sing? You wanted to go for something a bit nicer.

Eventually, you settled for a song, looking away from John for a bit before starting to play with his hair again. He never looked away from you, taking in all of your features, regardless of how many times he had seen them.

Your voice wasn’t overly loud, it wasn’t overly high pitched either as you sang. Still, you felt a bit embarrassed, avoiding John’s gaze. It seemed almost humiliating to you, singing in front of someone else after years of not doing so. But it would take John’s mind off of things, you hoped. Your little performance was nice, you could feel yourself relaxing a bit as well.

I think I found a flower in a field of weeds

I think I found a flower in a field of weeds

Searching until my hands bleed

This flower don't belong to me

I think I found a flower in a field of weeds

I think I found a flower in a field of weeds

Searching until my hands bleed

This flower don't belong to me

This flower don't belong to me

Why can't she belong to me?

Slowly, you could feel your eyes getting a bit droopy as well, a yawn coming along with the feeling. Still, you ignored such for the sake of continuing to sing. John shifted in your lap, laying down on his side as he nuzzled into your stomach. You couldn’t tell if he was actually enjoying this, anxiety building up in your chest. However, you had already started, it would be a shame to stop now.

Every word, every thought, every sound

Every touch, every smile, every frown

All the pain we've endured until now

All the hope that I lost, you have found

He wrapped his arms around your middle and sighed contently. Maybe your anxieties were unfounded after all. It wasn’t often he’d sigh like that, only when he was really comfortable. For a moment, you dared to look at him. His eyes were closed and he seemed happy.

Every word, every thought, every sound

Surrender

Every touch, every smile, every frown

Surrender

All the pain we've endured until now

Surrender

All the hope that I lost, you have found

His breathing was shallow and calm. Has he fallen asleep already? You would have preferred it if he had fallen asleep in your shared bed, but you supposed this was better than nothing. You could always just take a nap tomorrow.

I never had the nerve to ask

Surrender

Has my moment come and passed?

Surrender

I never had the nerve to ask

Surrender

Has my moment come and passed?

Surrender

I never had the nerve to ask

Surrender

Has my moment come and passed?

Surrender

I never had the nerve to ask

Your little performance was over now. You had found yourself to be quite tired yourself, but dared not to move in fear of waking John. Yet, eventually, he stirred awake, in spite of you not moving a muscle. His slumber didn’t last very long, if he had even slept in the first place.

“Beautiful, love. How come you never told me you could sing like that?”

“Well, it is a bit embarrassing. Even though I really do love singing. Anyway, go to bed, you stinker. It’s late and you’re tired.”

John sighed, but got up reluctantly. Having pulled you up with him, he linked his arm with yours. You were ready to hold him given how he swayed from left to right as he walked. “Nothing to be embarrassed about. You should sing more often. I’d love to hear you sing again sometime.”

“W-well, I’m sure that could be arranged… We’ll discuss that tomorrow. For now we’re heading to bed.”

“Wouldn’t dream of going anywhere else at this hour.” What a jester. Had you not intervened then he’d still be working away at some boring papers. But you were proud of him for complying. He needed that rest, after all.

You weren’t sure how long it took for him to actually fall asleep, but you could have sworn you heard light snoring the moment he hit the bed. In fact, he wasn’t even moving anymore, it was you, who had to drape the blanket over the both of you. But you didn’t mind. With a gentle kiss to the top of John’s head, you settled down for the night yourself, nestling into the blankets and getting comfortable. Eventually, you, too, fell asleep, tired from singing the lullaby.

[expectiations]

Is it just me or does the phrase "dumb Darillium River" make your ears ring too?

That phrase hurts me like crazy because it takes away how the post-Manhattan events affected her so deeply. And now that we have the added knowledge that she gets to see her parents in New York even after Manhattan, THORS now presents itself in a different light.

River's resounding "the Doctor does not and has never loved me" cements the implication that she and the Doctor had a huge row after Manhattan. What would you feel if the love of your life told you he "does not and has never loved" you? Certainly not happy.

Do you know what grief does to one's mind? No matter how brilliant you are, grief changes you. Grief makes you a different person. I would know, having experienced it myself. And River, in her grief, jumped into a headspace that shut out (or tried hard to) the Doctor.

Yes, she should have recognized it was him she had unknowingly dragged along on her space Robin Hood quest, but for her, it isn't him. It wouldn't be. Because that was the last thing she had heard him say.

Grief and pain clouding her mind, she proudly asserts that no, the Doctor isn't there. He won't show up for her. He has never loved her. But of course, she loves him. She's never denied that. But he proves her wrong soon afterwards. Because she is the Woman The Doctor Loves.

So, yes, on the surface level, "dumb Darillium River" seems to be what THORS had made River to be. But no, it wasn't. It isn't. It was about a grieving River and a chance for the Doctor to right his wrong. (And yes, we were robbed of that kiss. Homie here quite clearly wanted one.)

originally posted over on twitter.