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dreaminginthedeepsouth · 3 months ago

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Gary Taxali

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LETTERS FROM AN AMERICAN

August 30, 2024

Heather Cox Richardson

Aug 31, 2024

Trump and the MAGA movement garnered power through performances that projected dominance and cowed media and opponents into silence. Rather than disqualifying him from the highest office in the United States, Trump’s mocking of a disabled reporter, bragging about assaulting women, and calling immigrants rapists and criminals seemed to demonstrate his dominance and strengthen him with his base. In July the Republican National Convention celebrated that performance with a deliberate appropriation of the themes of professional wrestling, including a display by an actual professional wrestler.

Their plan for winning the 2024 election seems to have been to put forward more of the same.

But the national mood appears to be changing. President Joe Biden’s decision to decline the Democratic nomination for president opened the way for the Democrats to launch a new, younger, more vibrant vision for the country.

Democratic nominee Vice President Kamala Harris and her running mate, Minnesota governor Tim Walz, have promised to continue, and even to expand slightly, the programs that under the Biden-Harris administration have started the process of rebuilding the country’s infrastructure, bringing back manufacturing, and investing in industries to combat climate change. As the country did before 1981, they are promising to continue to focus on supporting a strong middle class rather than those at the top of the economy.

Harris and Walz are building on this economic base to recenter the United States government on the idea of community. They have deliberately rejected the identity politics that Trump used so effectively to assert his dominance and have instead emphasized that they see the country not as a community defined by winners and losers, but as one in which everyone has value and should have the same opportunities for success.

Last night, CNN’s Dana Bash asked Harris, whose mother immigrated to the U.S. from India and whose father immigrated from Jamaica, to respond to Trump’s suggestion that she “happened to turn Black” for political advantage, “questioning a core part of your identity.” Harris responded: “Same old, tired playbook. Next question, please,” and she laughed. “That’s it?” Bash asked. “That’s it,” Harris answered.

Harris’s refusal to accept the MAGA terms of engagement, along with the exuberant support for Harris and Walz, has Trump, Republican vice presidential candidate J.D. Vance, and MAGA Republicans reeling. That, in turn, has made them seem vulnerable, and that vulnerability is now opening up room for pundits from a range of outlets to challenge them. They seem to be losing the ability to control the public conversation by asserting dominance.

This change has been evident this week in the response to Trump’s visit to Arlington National Cemetery with the family of a soldier who died in the U.S. withdrawal from Afghanistan three years ago for campaign videos and photos attacking Harris, despite the fact that federal law prohibits campaign activities in the cemetery, in what is widely considered hallowed ground. The moment almost passed unnoticed, as it likely would have in the past, but Esquire’s Charles Pierce asked in his blog: “How The Hell Was Trump Allowed To Use Arlington National Cemetery As A Campaign Prop?”

Led by NPR, different outlets begin to dig into the story, and Trump, Vance, Trump’s spokesperson, and Trump’s campaign manager Chris LaCivita all tried to brush off their lawlessness with their usual rhetoric. Trump tried to change the subject to say he was being unfairly attacked for supporting a military family. Vance tried to suggest that Harris should have attended the private ceremony and that for criticizing it she should “go to hell,” although she hadn’t commented on it. The spokesperson suggested that the female cemetery official who tried to stop them was experiencing a “mental health episode,” and LaCivita, a leading figure in the Swift Boat veterans’ attacks on John Kerry in 2004, reposted an offending video to “trigger” Army officials, he said.

It hasn’t flown. Today, MSNBC’s Dasha Burns asked Trump directly: “Should your campaign have put out those videos and photos?” Trump answered: “Well, we have a lot of people. You know, we have people, TikTok people, you know we’re leading the Internet. That was the other thing. We’re so far above her on the Internet….” Burns interrupted and followed up: “But on that hallowed ground, should they have put out the images…?” Trump said: “Well I don’t know what the rules and regulations are, I don’t know who did it, and, I, it could have been them. It could have been the parents. It could have been somebody….”

Burns interrupted again: “It was your campaign’s TikTok that put out the video.” Trump answered: "I really don't know anything about it. All I do is I stood there and I said, 'If you'd like to have a picture, we can have a picture.' If somebody did it; this was a setup by the people in the administration that, 'Oh, Trump is coming to Arlington, that looks so bad for us.’"

In the days since Biden stepped out of contention, Trump has been flailing—often complaining that it is “unfair” that Biden isn’t his opponent any longer—but his behavior has rocketed downhill since the new grand jury delivered a new indictment revising the four charges against him for trying to overturn the results of the 2020 presidential election and install himself in power. Karen Tumulty wrote in the Washington Post today that Trump is “spiraling,” noting that in the space of 24 hours he posted about Harris engaging in a sex act, promoted QAnon slogans, and called for prison for his political opponents.

Tumulty notes that Trump’s team has been trying to get him to focus on the issues voters care about, but that after he “listlessly delivers some lines from the teleprompter,” he “gets bored and begins recycling the rants from his rallies.” Harris has stayed silent about his behavior, Tumulty says a campaign staffer told her, because “Why would we step in this man’s way?” The Harris campaign wants microphones left on throughout the planned September 10 debate, expecting that Trump will not be able to contain the rants that used to serve his interests but now turn voters off.

To Vance is left the job of trying to clean up after Trump, but he’s not a skilled politician. Asked by John Berman about Trump’s social media attacks, Vance suggested that Trump was bringing “fun” and “jokes” to politics to “lift people up.” But observers on social media noted that claiming that attacks are “jokes” is a key part of asserting dominance.

Vance himself went after Harris by saying that he had an early version of Harris’s CNN interview and then posting an old meme of a young Miss Teen USA who appeared to panic when answering a question and produced a nonsensical answer. When Berman told him that the young woman contemplated self-harm after becoming a national joke and asked if he would like to apologize for bringing up that old video, Vance declined to apologize, suggested we should “laugh at ourselves,” and repeated that we should “try to have some fun in politics.”

Vance got into deeper trouble, though, when asked to explain Trump’s statement when he told Dasha Burns that he opposes Florida’s six-week abortion ban. This November, Floridians will have to vote yes or no on a constitutional amendment that would put abortion rights similar to those of Roe v. Wade into the state constitution.

Trump’s opposition to that amendment reflects the political reality that abortion bans are unpopular even in Republican-dominated states, but the MAGA base is fervently antiabortion. “That ‘thump thump’ you just heard is the entire pro-life movement going under the bus,” one wrote.

A campaign spokesperson promptly tried to walk the statement back by saying that Trump “has not yet said how he will vote on the ballot initiative in Florida,” which Vance reiterated on CNN. When Berman pressed him on it, though, Vance appeared to lose the ability to hear the question, suggesting the feed was bad.

This afternoon, Trump announced he will side with the antiabortion activists and vote against the amendment to the Florida constitution that would restore the rights that were in Roe v. Wade. Harris and Walz, meanwhile, have announced a national bus tour to highlight reproductive freedom. It will start in Palm Beach, Florida, where the Trump Organization’s Mar-a-Lago property is located.

Today, lawyers for Ruby Freeman and Shaye Moss, the election workers Trump ally Rudy Giuliani defamed by accusing them of fraud in the 2020 election, asked a federal court to enforce the judgment that awarded them $146 million. They have asked for a court order requiring Giuliani to turn over his properties in New York and Florida, his luxury car, and his personal valuables including three New York Yankees World Series rings. Giuliani’s spokesperson accused the women of bullying Giuliani.

The Lincoln Project, which believes that needling Trump is the best way to rattle him, today released a video that portrays Trump as a predatory animal who is old, past his prime, and abandoned by his pack. Rather than engaging in his final hunt, he has found himself the prey. The voice-over intones: “The circle of life eventually closes on all things.”

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

#election 2024 #Letters From an american #Heather Cox Richardson #abortion #women's reproductive rights #abortion rights #rule of law #Ruby Freeman and Shaye Moss #The Lincoln Project #Gary Taxali #Arlington Cemetery

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adamwatchesmovies · 6 months ago

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Gargoyles the Movie: Heroes Awaken (1994)

Back in 1995, I distinctly remember seeing a VHS of Gargoyles: The Movie at the video rental store. I picked it as my movie of the week and was disappointed when I realized it was only the 5-part series premiere edited together. This means we’re not really talking about a movie here, but we sort of are as well. Let's consider it a made-for-TV movie for this review's sake. As that, how does this fare?

In 994 A.D., Scotland, Castle Wyvern repels any invaders thanks to its stone gargoyles, which come to life at nighttime. Despite his frightening appearance, their leader, Goliath (voiced by Keith David) desires only cooperation between his clan and the humans who defend them while they are petrified during the day. Following a betrayal from within the castle walls, most of the gargoyles are destroyed and the few survivors are frozen in stone until the castle they defend rises above the clouds. A thousand years later, in Manhattan, billionaire David Xanatos (Jonathan Frakes) has moved the castle above his headquarters. Awoken in an unfamiliar world, they find a friend in Elisa Maza (Salli Richardson), an open-minded police detective.

Don’t expect the visuals to rival a theatrical production or even something like Nickelodeon’s The Last Airbender. While the characters are consistently on-model, I spotted at least one coloring error in the second half of the picture and there is more than one instance of the stone gargoyles looking pretty different from their awakened state - the "statues" are painted as static background elements so the stone texture and the angles of their muscles/limbs are much more detailed than anything in the moving foreground. Finally, this is a pilot so while it is self-contained, many threads will only pay off in later seasons, such as the gargoyle eggs Goliath leaves with Princess Katharine (Kath Soucie) and her wizard (Jeff Bennett) (not sure why he did that, in hindsight). That said, this is a strong debut.

There are many characters in this story and the gargoyles other than Goliath - they name themselves Lexington (Thom Adcox Hernandez), Hudson (Ed Asner), Brooklyn (Jeff Bennett again), Broadway (Bill Fagerbakke), and Bronx (Frank Welker) - are more established than given character arcs. This makes Goliath the protagonist and the others supporting characters. I’ve found that in most children’s television series, the leader turns out to be the least interesting member of a team but that’s not the case here. Goliath is at once trusting of humans and wary of opening up. He can be calm and collected but is also prone to fits of rage and frequently talks of vengeance against those who’ve wronged him. He adapts well to his new setting but shows no affinity for modern-day tech like some of his comrades. He's many things at once, which keeps you watching and wondering what's next. There are no obvious character arcs within him.

Gargoyles rather elegantly uses the limitations imposed upon it as a boy’s property to its advantage. All of the gargoyles in Manhattan are male, guaranteeing there won’t be any weird “should we start repopulating?” discussions. It also adds an extra level of tragedy to the story by making them the last of their kind. Conveniently, this makes Elisa the lone female hero of the show/film without making her a token. If there’s a secondary protagonist, it’s her (which gives you a bit of a Beauty and the Beast vibe) and unlike other shows, her status as a colored woman does not make her feel like a quota. It should also be noted that Xanatos is a person of color as well, making this a show with more POC than Caucasians. It may be because most of the cast are non-humans but that’s still something I feel is worth noting.

The story features plenty of varied action. There are battles set in 994 and others in the present as well - some of which don’t include the gargoyles at all and allow the human characters to shine. There are twists and turns as allies become enemies and new partnerships are formed. The general tone is tragic and adventurous with a few bits of comedy thrown in here and there. Best of all, this is a wholly original property. The show was conceived as an answer to Batman: The Animated Series but rather than dig up some available superhero property (this was years before Disney acquired Marvel), it's is something new.

My favorite scene of the film is an interaction between Goliath and his mate, Demona (Marina Sirtis), who managed to survive the thousand-year slumber. During a mission for Xanatos, she prepares to throw an unconscious guard out of an airlock to his death but is stopped by Goliath. “The centuries have made you weak, Goliath,” she says. The thing is, very little time has actually passed for the winged warrior. He’s been frozen in stone. He HASN’T changed but that one sentence shows how much she HAS. It’s a nice subtle exchange.

I am coming into this review biased. Though I haven’t seen the show in years, I remember it well and certainly, remember how it made me feel in 1994. It played right into my fascination with mythology & monsters and I attribute my affection for Shakespeare (the series draws inspiration from Macbeth, A Midsummer Night’s Dream, among others) to the show. It had a lasting impression on me and I believe it has the power to enchant young audiences once more. (July 28, 2022)

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