#modern traditional witchcraft

[spiralhouseshop]

RESTOCKS!

Southern Cunning: Folkloric Witchcraft in the American South by Aaron Oberon

Backwoods Witchcraft: Conjure & Folklore from Appalachia by Jake Richards

Silent as the Trees: Devonshire Witchcraft, Folklore & Magic by Gemma Gary

The Witch at the Forest's Edge: Thirteen Keys to Modern Traditional Witchcraft by Christine Grace

[witchunderthewillow]

Breaking Tradition: Crafting Your Own Witchy New Year Rituals 🌿✨🍲

Traditions are powerful, magical things—but they’re not set in stone. As witches, we thrive on intention, creativity, and personal connection, which means we have the freedom (and the power) to craft rituals and traditions that resonate with us on a deeper level.

For years, I struggled with the pressure to stick to family traditions I didn’t love—namely, eating black-eyed peas and collard greens every New Year’s for luck and prosperity. While I respect the meaning behind them, I can’t stand the taste and I don’t feel a connection to them. This year, my partner and I decided to break the mold and start something new: creating our own recipes that embody the same intentions but in ways that truly delight us.

Here’s what we’re doing instead:

• We’re choosing ingredients that symbolize abundance, growth, and luck, but swapping black-eyed peas and collards for things we love, like sweet potatoes, green beans, or even orzo (which feels like golden grains of prosperity).

• We’re cooking together, imbuing the process with love, laughter, and shared energy—because that’s what we want to carry into the new year.

• We’re building a tradition that reflects us and our values, blending magic, intention, and delicious food that we actually enjoy eating.

Why It’s Okay to Break Tradition:

Family traditions can be meaningful, but they’re not the only way to honor your roots or celebrate the season. Witchcraft is all about personal empowerment and aligning your actions with your intentions. By crafting your own traditions, you’re creating rituals that hold deeper meaning for you and your path.

A Witchy Recipe for New Traditions:

1. Start with Intention: What energy do you want to invite into your life this year? Abundance? Love? Joy? Build your meal around those themes.

2. Choose Ingredients That Speak to You: Find foods that symbolize your intentions but feel personal and enjoyable. For example:

• Sweet potatoes for prosperity and grounding.

• Green beans for growth and luck.

• Orzo or rice for abundance and wealth.

3. Cook with Magic: Stir clockwise to draw in positive energy. Speak your intentions as you add each ingredient. Light a candle while you cook to amplify your magic.

4. Celebrate Together: Share your meal with loved ones and infuse your space with gratitude and love.

Remember:

Tradition is what you make of it. Whether you love black-eyed peas and collards or you’d rather feast on something else, the magic lies in your intention and the joy you pour into the moment. Make it your own.

This year, I’m embracing the freedom to create something new—something that feels like me. So here’s to delicious meals, abundant magic, and traditions that you can truly call your own. 🍽️🌙

What are your favorite ingredients for a New Year’s meal? Or something you do that’s different than the norm?

[babywitchofthesouth]

Planetary Rulings and Core Associations

Aries is ruled by [♂] Mars, the planet of sex and aggression

Taurus is ruled by [♀] Venus, the planet of love

Gemini is ruled by [☿] Mercury, the planet of communication

Cancer is ruled by the [☽] Moon, the planet of emotions

Leo is ruled by the [��] Sun, the planet of identity and ago

Virgo is ruled by [☿] Mercury, the planet of communication

Libra is ruled by [♀] Venus, the planet of love

Scorpio is ruled by [♇] Pluto, the planet of power and rebirth

Sagittarius is ruled by [♃] Jupiter, the planet of growth and luck

Capricorn is ruled by [♄] Saturn, the planet of responsibility

Aquarius is ruled by [⛢] Uranus, the planet of freedom and invention

Pisces is ruled by [♆] Neptune, the planet of inspiration and compassion

—————————————

Extra information for fellow baby witches

Note that there are discrepancies with the planetary rulings. Some signs are associated with two planets due to modern and traditional practice differences, so you may feel a disconnect with these. I've opted to write up the modern approach.

These are the traditional alternatives, in addition to what's above:

Scorpio is also ruled by [♂] Mars, the planet of sex and aggression

Aquarius is also ruled by [♄] Saturn, the planet of responsibility

Pisces is also ruled by [♃] Jupiter, the planet of growth and luck

[divine-crows]

Now that I'm growing more in my craft, I've found in my personal practice that things that are "betwixt" feel so sacred to me.

The sunrise and sunset are the in between between day and night. Both a hello and a goodbye, and yet so much more.

The fork in a path holds so many promises of adventure and the unknown.

The comfortable pause in a conversation is charged with the potential for the next spoken words.

It made me realize that life is beautiful, and a gift, and in those moments I feel like I'm one with the earth.

[thelanternsglow]

Carols, Chaos and pagan roots.

Even Christmas Carols Have Pagan Roots

Think Christmas carols are all about nativity scenes, snowy landscapes, and goodwill to all? Well, here’s a twist for you: those festive tunes you hum every December have their roots firmly planted in pagan traditions. Yes, even your beloved “Deck the Halls” has a history that’s more wild midwinter festival than church choir.

Long before carols were about angels and silent nights, they were part of ancient celebrations to mark the Winter Solstice. People sang to trees, danced to welcome the sun, and made a racket to banish the dark and invite brighter days ahead. Over time, the church stepped in, tidied them up, and gave them a Christian makeover—but the spirit of those older, wilder rituals still lingers.

So, as you sing along this season, remember—you’re keeping alive a tradition of light, laughter, and maybe just a bit of mischief that’s been going strong for centuries. Let’s unravel the pagan magic hiding in the heart of your favourite Christmas songs.

The Pagan Roots of Christmas Carols

When you think about Christmas carols, it’s easy to imagine warm, cozy evenings with family, perhaps a mug of mulled wine in hand, and cheerful songs filling the air. But did you know that many of these familiar tunes and traditions trace their roots back to ancient pagan midwinter festivals? Long before Christmas became the celebration we know today, people were singing and dancing their way through the darkest nights of the year, honouring the cycles of nature and the turning of the seasons.

The word “carol” itself comes from the Old French “caroler,” which means “to dance in a circle.” Originally, carols weren’t tied to any particular religion but were part of midwinter celebrations that brought communities together to feast, make merry, and sing songs of hope and light. These early carols were less about the birth of Christ and more about marking the Winter Solstice, celebrating survival, and calling back the sun. Over time, Christianity absorbed and adapted these traditions, giving us the carols we know today.

Let’s explore a few well-known carols that carry echoes of their pagan past.

Deck the Halls – A Nod to Ancient Evergreens

“Deck the Halls” is one of the most recognisably festive carols, but its origins are unmistakably pagan. The melody comes from the 16th-century Welsh song “Nos Galan,” which wasn’t about Christmas at all but celebrated the New Year. It was a time for feasting, drinking, and preparing for brighter days ahead.

The lyrics, “Deck the halls with boughs of holly,” point directly to pagan Solstice traditions, where evergreens like holly, ivy, and pine were brought indoors as symbols of life and resilience during the harsh winter months. These plants were believed to house protective spirits, and decorating with them invited good fortune while warding off negative energies.

Even the candlelight mentioned in carols like this ties back to the ancient practice of celebrating the return of the sun after the Solstice. The whole song, in its original form, was less about Christmas and more about honouring the turning of the year and finding joy in the heart of winter.

The Holly and the Ivy – Balancing Nature

“The Holly and the Ivy” feels almost mystical with its repetitive, chant-like melody, and there’s good reason for that. In pagan traditions, holly and ivy represented the natural balance of life—holly symbolised masculinity and the Holly King, who ruled the waning half of the year, while ivy represented femininity and the nurturing forces of nature.

This balance of male and female energies, light and dark, was central to pagan beliefs, especially during midwinter, when communities looked forward to the rebirth of the sun. Christianity later reworked these ideas into the carol we know, linking holly’s sharp leaves to Christ’s crown of thorns and its red berries to his blood.

Still, the original reverence for these plants as symbols of survival and hope remains at the heart of the song, reminding us of the sacred connection to the natural world that midwinter has always celebrated.

Good King Wenceslas – Charity with Pagan Undertones

“Good King Wenceslas” might seem like a straightforward Christian carol, celebrating kindness and charity, but it carries echoes of older traditions too. The story, written in the 19th century, tells of Wenceslas, a 10th-century Bohemian king, braving the snow to deliver food and firewood to a poor peasant on St. Stephen’s Day (December 26th).

While the tale promotes Christian values, it reflects pagan midwinter practices of sharing resources to ensure communal survival during the harshest months. In pre-Christian Europe, leaders were often seen as protectors of their people and the land, responsible for everyone’s well-being, just as Wenceslas is portrayed.

The vivid imagery of his footprints warming the snow for his servant to follow also hints at older myths of leaders or deities guiding their people through dark times, much like the return of the sun after Solstice.

Even the timing—St. Stephen’s Day—has pagan roots, as midwinter festivals often included feasts and rituals focused on giving thanks and invoking blessings for the year ahead.

Here We Come A-Wassailing – Singing for the Land

“Here We Come A-Wassailing” ties directly to ancient midwinter traditions. The word “wassail” comes from the Old English “waes hael,” meaning “be well” or “be in good health.” Groups of wassailers would go door-to-door singing and offering good wishes in exchange for food and drink—essentially the original version of carolling.

But wassailing wasn’t just about people. In many regions, it involved singing to apple trees in orchards, pouring cider around their roots, and making noise to ward off evil spirits. These rituals were meant to ensure a good harvest in the coming year, blending human celebration with a reverence for nature’s cycles.

Over time, this tradition evolved into the communal carol-singing we know today, but the echoes of these older, earth-focused practices remain in the spirit of the songs.

O Tannenbaum – Reverence for the Sacred Tree

While more commonly associated with Germany, “O Tannenbaum” reflects a practice that predates Christianity. In pagan traditions, trees were seen as sacred, often believed to house spirits or even gods. Bringing an evergreen tree into the home during midwinter symbolised life, hope, and renewal, as these trees stayed green even in the harshest weather.

Singing to or about trees was part of many midwinter rituals, and as Christianity spread, these customs were adapted into nativity celebrations. “O Tannenbaum” still carries that ancient reverence for the natural world, reminding us of humanity’s enduring connection to nature.

A Blend of Old and New

Even though Christmas carols are now tied to nativity scenes and Christian ideals, their roots tell a richer story. These songs evolved from ancient midwinter celebrations that honoured nature, survival, and the turning of the seasons. Carols like “Deck the Halls,” “The Holly and the Ivy,” “Good King Wenceslas,” and “Here We Come A-Wassailing” remind us that while the lyrics may have changed, the heart of these songs remains the same: a celebration of life, community, and hope in the darkest nights of the year.

So, next time you sing a carol, remember that you’re not just spreading festive cheer—you’re keeping alive ancient traditions that have been sung for centuries, marking the enduring connection between humanity and the cycles of the natural world.

So, there you have it—your beloved Christmas carols aren’t just cheerful tunes for the season; they’re echoes of ancient traditions that celebrated survival, community, and the triumph of light over darkness. Whether you’re singing to a tree, decking the halls with holly, or wassailing your way through the neighbourhood, you’re tapping into rituals that have been reimagined but never truly lost. Next time you hum along to a carol, take a moment to appreciate the wild, untamed history behind the melody—it’s a legacy of joy, resilience, and a little bit of pagan magic wrapped up in a festive bow.

Follow the Lantern’s

Glow

[pirateswhore]

I'm 100% projecting my own paganism onto my beloved characters but I just think there should've been more pagan magic practice in OUAT.

you're telling me that killian, a man that spent all his life out on the sea, DOESN'T worship the Moon Goddess ? when she has been a protector of sailors for THOUSANDS of years (and is partly why we call ships "she" in her honour)

you're telling me Emma wouldn't have spell jars all over the house, wouldn't sprinkle salt on the doorstep, or leave offerings for the deities ??

we already know Greek mythos is real. why wouldn't other deities be too ? Norse, Slavic, Celtic, Egyptian, Persian, Chinese, Japanese, etc.

I wish magic and spells took more after paganism and witchcraft. sygils carved into wood or written on paper for protection. enchanted jars and crystals that fit in pockets. stirring their hot cocoa clockwise so it makes the headache go away quicker. whispering enchantations into their food before eating.

I have too many thoughts on this

[elhoimleafar]

Hey Witches! It's Time!!

Hey witches, this upcoming May 25-26, we will be hosting the virtual event Our Sorcery Hour for the second year, featuring a curated and diverse list of workshops from 10 different presenters who will teach you about their Craft.

This event is organized and collectively hosted by BIPOC and LGBTQIA members of the Craft. It is one of the few metaphysical events in which presenters are paid for their time, and a cut from each ticket goes directly to the Charity DIRECT RELIEF. DIRECT RELIEF is one of the few charities worldwide that uses 100% of the money it raises for the cause and not for bureaucratic paperwork.

The small cost of this event makes it easily accessible to practically everybody interested. It also supports our collective cause of creating a safe space for seekers of Magic while the teachers are rightfully compensated for their valuable time.

This Year 2024 we are featuring as presenters the incredible: - Daphne la Hechicera Author of Mexican Sorcery. - Mawiyah Kai EL-Jamah Bomani author of 'Conjuring the Calabash'. - Emma Kathryn author of 'Season Songs' and 'Witch Life'. - Thumper Forge co-author of 'Virgo Witch' for Llewellyn Worldwide - Jezmina Von Thiele, co-host of the Romanistan podcast. - Laura González host of Tarot by Laura González and Lunatic Mondays for Circle Sanctuary - Ylva Mara Radziszewski aka Bimboyaga, author of 'A Practical Guide for Witches'. - Aly Kravetz aka BronxWitch Creator of BronxWitch HeadQuarters - And some more to confirm with you soon witches & brujas.

Sponsorship If you own a Witchy Business and you are looking for sponsorship, just contact us. Last year, our event attracted over 200 participants, and the virtual program had 964 downloads in just two weeks.

Grab your tickets here: https://elhoimleafar.com/oursorceryhour/

[sunny-possum-pal]

"The Star" handpainted hoodie

Available on my etsy!

[northsalpha-archive]

WHAT  KIND  OF  NPC  ARE  YOU?

morally  grey  magic  user  who  is  kind  of  a  hermit.      ah,  an  intellectual  and  morally  grey.      how  sexy  of  you.      but  in  more  seriousness,    the  party  of  adventurers  who  run  into  you  and  could  sorely  use  your  help  or  guidance  have  one  hell  of  a  time  trying  to  figure  you  out.      you  do  not  find  yourself  aligning  with  traditional  groups  or  institutions,    but  rather  wherein  your  interests  lie.      you  live  for  doing  what  you  want  to  do  and  are  just  straight  vibing,    and  that  confuses  a  lot  of  people,    but  you  stay  unbothered.      that’s  a  magnificent  quality  about  you.      that  part  of  you  that  has  learned  not  to  give  a  shit  what  other  people  think  because  you  know  that’s  a  waste  of  time.      you  know  what  you  care  about  and  how  you  want  to  live,    and  that  is  what  is  important  to  you.      while  your  trust  is  not  lightly  earned,    anyone  who  does  manage  to  get  on  your  good  side  has  got  themselves  a  very  powerful  and  very  loyal  friend.      rock  on,    you  funky  little  wizard.

TAGGED   BY:      @khenzi      (   thank   u!   ) TAGGING:      @el3nas,      @pehtrohvah,      @strnza,      @siphoncursed,      @klaeus      &      @hybr2d

[samwisethewitch]

Homemaking, gardening, and self-sufficiency resources that won't radicalize you into a hate group

It seems like self-sufficiency and homemaking skills are blowing up right now. With the COVID-19 pandemic and the current economic crisis, a lot of folks, especially young people, are looking to develop skills that will help them be a little bit less dependent on our consumerist economy. And I think that's generally a good thing. I think more of us should know how to cook a meal from scratch, grow our own vegetables, and mend our own clothes. Those are good skills to have.

Unfortunately, these "self-sufficiency" skills are often used as a recruiting tactic by white supremacists, TERFs, and other hate groups. They become a way to reconnect to or relive the "good old days," a romanticized (false) past before modern society and civil rights. And for a lot of people, these skills are inseparably connected to their politics and may even be used as a tool to indoctrinate new people.

In the spirit of building safe communities, here's a complete list of the safe resources I've found for learning homemaking, gardening, and related skills. Safe for me means queer- and trans-friendly, inclusive of different races and cultures, does not contain Christian preaching, and does not contain white supremacist or TERF dog whistles.

Homemaking/Housekeeping/Caring for your home:

Making It by Kelly Coyne and Erik Knutzen [book] (The big crunchy household DIY book; includes every level of self-sufficiency from making your own toothpaste and laundry soap to setting up raised beds to butchering a chicken. Authors are explicitly left-leaning.)

Safe and Sound: A Renter-Friendly Guide to Home Repair by Mercury Stardust [book] (A guide to simple home repair tasks, written with rentals in mind; very compassionate and accessible language.)

How To Keep House While Drowning by KC Davis [book] (The book about cleaning and housework for people who get overwhelmed by cleaning and housework, based on the premise that messiness is not a moral failing; disability and neurodivergence friendly; genuinely changed how I approach cleaning tasks.)

Gardening

Rebel Gardening by Alessandro Vitale [book] (Really great introduction to urban gardening; explicitly discusses renter-friendly garden designs in small spaces; lots of DIY solutions using recycled materials; note that the author lives in England, so check if plants are invasive in your area before putting them in the ground.)

Country/Rural Living:

Woodsqueer by Gretchen Legler [book] (Memoir of a lesbian who lives and works on a rural farm in Maine with her wife; does a good job of showing what it's like to be queer in a rural space; CW for mentions of domestic violence, infidelity/cheating, and internalized homophobia)

"Debunking the Off-Grid Fantasy" by Maggie Mae Fish [video essay] (Deconstructs the off-grid lifestyle and the myth of self-reliance)

Sewing/Mending:

Annika Victoria [YouTube channel] (No longer active, but their videos are still a great resource for anyone learning to sew; check out the beginner project playlist to start. This is where I learned a lot of what I know about sewing.)

Make, Sew, and Mend by Bernadette Banner [book] (A very thorough written introduction to hand-sewing, written by a clothing historian; lots of fun garment history facts; explicitly inclusive of BIPOC, queer, and trans sewists.)

Sustainability/Land Stewardship

Braiding Sweetgrass by Robin Wall Kimmerer [book] (Most of you have probably already read this one or had it recommended to you, but it really is that good; excellent example of how traditional animist beliefs -- in this case, indigenous American beliefs -- can exist in healthy symbiosis with science; more philosophy than how-to, but a great foundational resource.)

Wild Witchcraft by Rebecca Beyer [book] (This one is for my fellow witches; one of my favorite witchcraft books, and an excellent example of a place-based practice deeply rooted in the land.)

Avoiding the "Crunchy to Alt Right Pipeline"

Note: the "crunchy to alt-right pipeline" is a term used to describe how white supremacists and other far right groups use "crunchy" spaces (i.e., spaces dedicated to farming, homemaking, alternative medicine, simple living/slow living, etc.) to recruit and indoctrinate people into their movements. Knowing how this recruitment works can help you recognize it when you do encounter it and avoid being influenced by it.

"The Crunchy-to-Alt-Right Pipeline" by Kathleen Belew [magazine article] (Good, short introduction to this issue and its history.)

Sisters in Hate by Seyward Darby (I feel like I need to give a content warning: this book contains explicit descriptions of racism, white supremacy, and Neo Nazis, and it's a very difficult read, but it really is a great, in-depth breakdown of the role women play in the alt-right; also explicitly addresses the crunchy to alt-right pipeline.)

These are just the resources I've personally found helpful, so if anyone else has any they want to add, please, please do!

[snapdragonsandwhiptails]

Before I’m accused of having an AI avatar, my bestie made this low-poly ps2 lookin ass icon 4 me. AI could never….

[faethefolkwitch]

Starting Over

Hello there witchblr.

I'm not exactly new, but this is a new blog for me.

I've been officially practicing witchcraft for about 7 years now. Been doing cartomancy off and on for way longer (since I was about 11). I was a part of a free online witch academy where I learned some great basics but as the year passed it got more difficult for the witches to keep up with all the educational work. I switched to reading and watching some educational videos to help me further along. I have a pretty good handle on my craft... Just missing the community aspect though for the most part I am a secular witch. My focus is on European and Southern (U.S.) folk magick. Hoping to meet some like minded folks on here. If anything, just reblog and create resources for other witches.

(Maybe some random other things too.)

[stormbornwitch]

"Modern folk witches don't strictly adhere to the eight-spoked 'wheel of the year' used by other neopagans. We prefer to watch our local landscapes and identify days that correspond to the shifting of the seasons where we live. The wheel of the year is a modern invention, and no pagan societies can be said to have observed all of these dates. It's best to look to the lore for specific rituals for seasonal celebrations. Witches who live in Australia or Iceland may prefer different dates for their seasonal rites. What's important is that the days be governed by the tides of nature, not the shackles of convention."

- Roger J Horne's Folk Witchcraft: A Guide to Lore, Land, & the Familiar Spirit for the Solitary Practitioner

I appreciate this perspective as here in Australia, our seasons are just not the same. I'm up in Queensland, and I would say that our seasons are nowhere near as distinct as the classic spring, summer, autumn, and winter that you get in the Northern Hemisphere. I'm currently working on making a seasonal calendar by conferring with Gubbi Gubbi elders about traditional song lines that dictate the changing seasons. Here is a seasonal calendar that the The Wakka Wakka, Jarowair and Barrumgum tribes follow who are the traditional owners of the Bunya Mountains.

Many witches follow an inverted wheel of the year to 'match our seasons' but neither the traditions nor the actual seasons match and it just feels wrong... like sure the solstices (longest and shortest days of the year) can be celebrated but... our celebrations should match up with our regional seasons.

[writers-potion]

Let's Talk About Magic Systems.

There are two broad ways you can establish magic in your story world - work with existing concepts, or adapting it for something new.

Pick a System

High Magic vs. Low Magic

This distinction existes mostly in the western wrld from the Middle Ages onwards. In non-western cultures, this distinct often doesn't exist.

High magic requires magicians to study from books, ingredients are expensive and instruments elaborate and hard to get. The typical practioner of High Magic is of the upper class, highly educated, and rich. They serve in King's courts and have high social standing thanks to their knowledge.

Among the lower classes and women, Low Magic is ore common. It is taught orally and doesn't require reading skills and uses everyday objects and ingredients.

Black vs. White Magic

"White" magic is often associated with good, and "Black" with the evil. However, what really matters is the magicians intension, not the magic system that they work with.

The term "black magic" is often associated with working with the dead. It can also be used by an individual/group who just wants to appear more menacing.

Ceremonial Magic

This kind of magic involves lots of ritual, recitation and prayer, often in ancient langauges such as Latin, Aramaic and Sanskrit.

Most of the time, it's High Magic and practiced by religious figures.

The typical practioner is educated, has great confidence and a good memory.

Natural Magic

It involves ingredients from nature, such as herbs and water.

It may be practiced outdoor, in a kitchen, or in a laboratory.

The rituals are simple and short, and the practioner will watch out for the turning of seasons, phases of the moon, etc.

Religious Magic

This is a diety working through a magician. The magician prays and asks her god to work the miracle.

Most religions have their own form of magic, and the kind of miracles that the magicians can bring can be limited.

Wiccan Witchcraft and Voodoo are largely religious magic.

The typical practioner would be spiritual and devout, often suspicious of other religions.

Alchemy

Alchemy is both High and Low Magic, and it can incorporate religious, spiritual, philosophical and mythological elements.

In a modern setting, alchemy can also be portrayed as "science gone too far".

The typical practioner would be patient, methodious, educated and driven. The tools includes laboratory equipment, astronomical charts, writing materials, and an unsuspecting roommate(?) for testing.

Traditional Witchcraft

Traditional Witchcraft is a form of Low Magic. In early historic periods, the witch played an important role in village life, often old women who owned apothecaries and helped out other villagers.

The typical practioner would be female, uneducated, illiterate, practical, resourceful and poor. She will have a good memory and well-developed senses.

Tools used would be simple household implements - a cauldron, a broom, knife, etc. that can evade the Inquisitor's suspicions.

Wiccan Witchcraft

If you write contemporary fiction, this is the system your character is most likely to use. It's modern witchcraft, based on the religion of Wicca.

Wiccan witchcraft mostly developed in the second half of the twentieth centruy. It is a form of bothe Natural Magic and Religious Magic.

Based on nature worship and the polarity between male and female, the magician often begins a Wiccan ritual with an invocation to a God/Godess. The Lady (Godess) is depicted as having three aspects: Maiden, Mother and Brone. The Lord (God) may be depicted with horns.

The focus of Wiccan magic is often on healing, with an emphasis of ethical consequences of what is being performed.

It is often practiced outdoors, sometimes naked (which they call 'skyclad'). Wiccan witchcraft uses the phases of the moon to amplify its effects.

Wiccan like to gather in groups called 'covens' or to meet once a month or for major festivals. The coven leader may be called 'high piestess/priest'.

Typical tools include a chalice, a knife (called 'athame'), a wand, candles, herbs, crystals, and essential oils.

Necromancy

The magician summons a dead person, either ghost or spirit, sometimes bodily. The dead are enlisted to grant the magicians with favors or are questioned for information.

It may be related to Shamanism, as well as to some forms of psychic work such as channelling and Spiritualist seances.

The typical practitioner is psychally gisted, strong-willed and courageous.

Shamnism

Shamnism is a Low Magic system. The shaman intercedes between the human and spirit world by communicating with spirits, often to obtain information or provide healing.

Shamans may travel to the spirit world to seek answered, with some level of danger. They use drums, chanting, dancing and drugs to alter their consciousness and communicate with spirits.

Practicing shamans often work alone, but they choose a successor to train. The apprentice is supposed to accept the calling.

The typical shaman is musical, sensitive with a strong sense of rhythm and the psychic.

Tools include drums, bells, a costume, herbs, bones, smoke and mind-altering drugs.

Ancient Egyptian Magic

Ancient Eyptian Magic ovelaps with Religious magic, medicine and with psychic work. The deities most frequently evoked are Selket, Aset for raising the dead, and the gof Thoth for anything to do with sickness and healing.

The emphasis of Ancient Egyptian Magic is protection, often done throgugh an amulet or talisman. The circle or oval is the most important shape that has protective qualities.

The precise wording of a spell is important, as well as the colors that are involved. For magic to affect someone the magicians must know that person's true name.

The typical practitioner is male, literate, often a priest attached to a emple.

Folk Magic

This is a form of Low Magic practiced by amateurs.

This includes housekeepers who can keep the rats out, farmers who can ripen fruit before the height of the season, and scullions who can make water boil faster.

This people would only know a handful of spells, ans pass them in to memebers of their family.

Voodoo

Voodoo is religious magic and low magic.

The rituals are held in private, and may involve communication with spirits, especially the spirits of ancestors and saints.

Commonly used to cure aliments, confound enemies, and obtain desires.

Invent a System

Choosing the Right Words

If your character is clearly a witch, shaman, a necromancer, etc. with a specialty, use that term. Otherwise, the word "magician", or "mage" would be most appropriate.

The term "magus" (plural magi) refers to practitioners of the ancient Zoroastrian faith.

Strictly speaking, witches and wizards are practitioners of two very different magic systems, so your female character can be a wizard, and vice versa.

'Warlock' really means 'oath-breaker' or 'traitor' and doesn't describe a magician.

'Conjurer' is someone who can creae effects to impress an audience, not really magical in itself. The more modern temr would be 'illusionist'

A group of magicians may be called a 'coven' (though it applies mostly to Wiccan magic). A magician working alone would be a 'solitary'.

Magic vs. Magick

Normally, "magic" is the correct spelling.

However, "magick" may be used, especially by insiders, to emphasize that they refer to the real thing, not conjuring or other trick of the eye.

The magic systems are sometimes capitalized, sometimes not. When it involves a religion, nationaliy, or a particular family line, it is capitalized. Just make sure to keep it consistent throughout your book.

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[high-priestess-house]

𝖀𝖓𝖉𝖊𝖗𝖘𝖙𝖆𝖓𝖉𝖎𝖓𝖌 & 𝖀𝖘𝖎𝖓𝖌 𝕸𝖆𝖌𝖎𝖈𝖆𝖑 𝕮𝖔𝖗𝖗𝖊𝖘𝖕𝖔𝖓𝖉𝖊𝖓𝖈𝖊𝖘

Witchcraft magical correspondences refer to the associations made between various objects, substances, times, and events with specific magical effects or purposes. These correspondences have deep historical roots and derive from a blend of multiple sources, including ancient alchemy, early science, cultural symbolism, religious beliefs, and intentionality.

Ancient Alchemy

Alchemy, the precursor to modern chemistry, played a significant role in shaping magical correspondences. Alchemists sought to understand the mysteries of matter and the transformation of substances, often imbuing their experiments with spiritual and mystical significance. For example, the seven classical planets (Sun, Moon, Mercury, Venus, Mars, Jupiter, and Saturn) were associated with specific metals (gold, silver, mercury, copper, iron, tin, and lead, respectively). These associations were believed to reflect the planets’ influences on earthly matters and human affairs. Alchemical texts also explored the relationships between colors, elements, and spiritual principles, influencing the development of magical correspondences in witchcraft.

Ancient alchemy holds a significant place in the history of science, philosophy, and mystical traditions, influencing various fields and practices, including witchcraft. The importance of ancient alchemy can be understood through its contributions to the development of modern science, its philosophical and spiritual dimensions, and its enduring influence on magical and esoteric traditions.

The Great Work (Magnum Opus): Central to alchemy is the concept of the Great Work, which symbolizes the alchemist’s quest for spiritual and material transformation. This process involves the purification and perfection of substances, often mirroring the alchemist’s inner spiritual journey toward enlightenment and self-realization.

Symbolism and Allegory: Alchemical texts are rich in symbolism and allegory, using metaphors to convey complex philosophical and spiritual concepts. Symbols such as the philosopher’s stone, the ouroboros (a serpent eating its own tail), and the four elements (earth, air, fire, water) encapsulate profound ideas about the nature of reality, transformation, and the interconnectedness of all things.

Hermetic Tradition: Alchemy is closely associated with Hermeticism, a philosophical and spiritual tradition based on the writings attributed to Hermes Trismegistus. Hermetic principles, such as “As above, so below” and the unity of opposites, permeate alchemical thought and emphasize the correspondence between the macrocosm (the universe) and the microcosm (the individual).

Magical Correspondences: Alchemical principles and symbols have been integrated into various magical and esoteric traditions. The associations between planets, metals, and elements in alchemy have become foundational correspondences in many forms of magic and witchcraft.

Transmutation and Transformation: The alchemical goal of transmutation, particularly the transformation of base metals into gold, has a symbolic counterpart in magical practices. This idea of transformation is applied to personal growth, healing, and the manifestation of desires through magical means.

Ritual and Practice: Alchemical rituals, with their focus on purification, transformation, and the attainment of higher states of being, have influenced the structure and content of magical rituals. The use of specific substances, tools, and processes in alchemy has parallels in magical workings, emphasizing the transformation of both the practitioner and the environment.

Alchemy in the Renaissance: During the Renaissance, alchemy experienced a revival as scholars and practitioners sought to integrate ancient wisdom with emerging scientific knowledge. Figures like Paracelsus and John Dee contributed to the development of alchemical thought, blending it with medicine, astrology, and early chemistry.

Psychological Alchemy: In the 20th century, Carl Jung, a prominent psychologist, explored alchemy as a metaphor for psychological processes. Jung’s interpretation of alchemical symbolism as representing the individuation process—the integration of the conscious and unconscious mind—brought new insights into the relevance of alchemy for personal development and psychotherapy.

Contemporary Practice: Today, alchemy continues to inspire both scientific inquiry and spiritual exploration. Modern alchemists, both literal and symbolic, seek to uncover the hidden principles of transformation in nature and the self. The enduring appeal of alchemy lies in its holistic approach, integrating material, psychological, and spiritual dimensions of existence.

Early Science and Natural Philosophy

Early scientific observations and natural philosophy also contributed to the development of magical correspondences. Ancient and medieval scholars often categorized the natural world into elements (earth, air, fire, and water) and humors (blood, phlegm, yellow bile, and black bile), each with specific qualities and effects. These classifications were used to explain natural phenomena and human health, and they found their way into magical practices. For instance, herbs and stones were categorized based on their perceived elemental qualities, and their uses in magic were aligned with these characteristics.

Cultural Symbolism and Mythology

Cultural symbolism and mythology provided another rich source of correspondences. Different cultures imbued animals, plants, colors, and objects with symbolic meanings based on their myths, legends, and folklore. For instance, the oak tree was sacred to many ancient European cultures and associated with strength and protection, while the owl, often seen as a symbol of wisdom in Greek mythology, became associated with knowledge and divination in magical practices. These symbolic associations were passed down through generations and integrated into the magical correspondences of witchcraft.

Religious Beliefs and Practices

Religious beliefs and practices also shaped magical correspondences. Many magical traditions borrowed from the rituals and symbols of dominant religious practices in their regions. In Western Europe, for instance, Christian symbols and saints were often syncretized with older pagan deities and symbols. The use of incense, candles, and specific prayers or chants in magic often mirrors religious rituals, emphasizing the importance of intentionality and spiritual alignment in magical workings.

Intentionality and Personal Experience

The role of intention and personal experience cannot be overlooked in the development of magical correspondences. Practitioners of witchcraft often develop their own associations based on personal experiences, intuition, and the results of their magical workings. This process of individual experimentation and reflection allows for a dynamic and evolving system of correspondences that can vary between different traditions and practitioners. The intention behind the use of a correspondence is believed to be a critical factor in its effectiveness, highlighting the importance of the practitioner’s focus and purpose.

Synthesis and Evolution

Over time, these diverse influences have synthesized into the rich tapestry of magical correspondences used in witchcraft today. Texts such as the “Key of Solomon,” “The Picatrix,” and various grimoires have codified many of these correspondences, while modern practitioners continue to adapt and expand them based on contemporary understanding and practice. The integration of psychological insights, ecological awareness, and cross-cultural exchanges in the modern era further enriches the system of correspondences, making it a living and evolving aspect of witchcraft.

No single person or group decided these correspondences; rather, they evolved organically through the accumulated wisdom and practices of different cultures. Here are some key influences and sources:

Ancient Civilizations

Egyptians: Ancient Egyptian priests and magicians developed extensive knowledge of correspondences. They believed that everything in nature was interconnected and that specific plants, stones, and symbols held particular powers. Their practices were recorded in texts like the Ebers Papyrus and various temple inscriptions.

Greeks and Romans: The Greeks and Romans contributed significantly to the development of correspondences, particularly through the work of philosophers and physicians like Hippocrates, Theophrastus, and Pliny the Elder. Their writings on herbalism, astrology, and natural philosophy helped establish connections between natural elements and their supposed properties.

Celts: The Druids of the Celtic world had a deep understanding of nature and used various plants, trees, and natural phenomena in their spiritual and magical practices. Their knowledge was passed down orally and later recorded by Christian monks.

Medieval and Renaissance Europe

Medieval Herbalists and Alchemists: During the Middle Ages, herbalists and alchemists in Europe studied ancient texts and conducted their own experiments. They documented the properties of plants, minerals, and metals in texts like the “Materia Medica” and various grimoires. Alchemical traditions, which sought to transform base materials into higher forms, also contributed to the understanding of correspondences.

Astrology: Medieval and Renaissance astrologers played a significant role in establishing correspondences, particularly through the association of planets with specific days of the week, metals, and plants. The writings of figures like Ptolemy and later Renaissance magicians like Cornelius Agrippa and Paracelsus were influential in this regard.

Eastern Traditions

Chinese Medicine and Taoism: Traditional Chinese medicine and Taoist practices developed a system of correspondences based on the Five Elements (Wood, Fire, Earth, Metal, Water). These elements were connected to various aspects of life, including organs, emotions, seasons, and directions. The “Huangdi Neijing,” an ancient Chinese medical text, is a key source of this knowledge.

Indian Ayurveda and Hinduism: Ayurvedic medicine and Hindu spiritual practices established correspondences between herbs, gems, times of day, and deities. Texts like the “Atharva Veda” and various Ayurvedic treatises documented these associations.

Modern Influences

Grimoires and Occult Literature: From the Renaissance onward, numerous grimoires (books of magic) compiled and expanded upon earlier correspondences. Notable examples include the “Key of Solomon,” “The Lesser Key of Solomon,” and “The Picatrix.” These texts were influential in shaping modern Western magical practices.

The Golden Dawn and Modern Witchcraft: In the late 19th and early 20th centuries, the Hermetic Order of the Golden Dawn and similar occult organizations synthesized various magical traditions, creating detailed systems of correspondences. Influential figures like Aleister Crowley and Dion Fortune contributed to this synthesis. In the mid-20th century, Gerald Gardner and others who founded modern Wicca drew upon these traditions, further popularizing and systematizing magical correspondences.

Conclusion

Magical correspondences are the result of centuries of observation, experimentation, and synthesis by various cultures and traditions. They were not decided by any single individual or group but evolved over time through the collective wisdom of countless practitioners. Today, they continue to be an essential part of many magical and spiritual practices, providing a framework for understanding and working with the interconnectedness of the natural and spiritual worlds.

[elhoimleafar]

Forms of Traditional Witchcraft saying you can't have a coven just made by men, run in the same direction of "you can't have a whole coven made by women".

Are you saying independent women need to have a man in their circle to "complement" their sacred space?.

And this goes in the same direction as "you can't have a trans/non-binary person in the circle". Are you saying that these minorities don't have the right to put in practice a Craft made and carried by minorities?.

English is not my first language, so explain this as if I were in primary school.