#ancient witchcraft vs modern witchcraft

[themousefromfantasyland]

@ariel-seagull-wings @thealmightyemprex @the-blue-fairie

First off, don’t feed your baked blood to anyone without their knowledge. Don’t be a shitty person.

I have a book at home called Heksens Håndbog (The Witch’s Handbook) written by an elderly witch and I love how her spells have zero chill. It’s a collection of old spells and magic that she has collected over the years and it even has the original ointments from the middle ages that were written down. That means there’s a lot of “catch a white snake with your bare hands on midsummer’s eve” and “coat a raven’s feather in sap and burn it during a new moon”. Oh and there’s a ton of uses for menstrual blood. You get the idea. It’s quite an interesting read.

[writers-potion]

Let's Talk About Magic Systems.

There are two broad ways you can establish magic in your story world - work with existing concepts, or adapting it for something new.

Pick a System

High Magic vs. Low Magic

This distinction existes mostly in the western wrld from the Middle Ages onwards. In non-western cultures, this distinct often doesn't exist.

High magic requires magicians to study from books, ingredients are expensive and instruments elaborate and hard to get. The typical practioner of High Magic is of the upper class, highly educated, and rich. They serve in King's courts and have high social standing thanks to their knowledge.

Among the lower classes and women, Low Magic is ore common. It is taught orally and doesn't require reading skills and uses everyday objects and ingredients.

Black vs. White Magic

"White" magic is often associated with good, and "Black" with the evil. However, what really matters is the magicians intension, not the magic system that they work with.

The term "black magic" is often associated with working with the dead. It can also be used by an individual/group who just wants to appear more menacing.

Ceremonial Magic

This kind of magic involves lots of ritual, recitation and prayer, often in ancient langauges such as Latin, Aramaic and Sanskrit.

Most of the time, it's High Magic and practiced by religious figures.

The typical practioner is educated, has great confidence and a good memory.

Natural Magic

It involves ingredients from nature, such as herbs and water.

It may be practiced outdoor, in a kitchen, or in a laboratory.

The rituals are simple and short, and the practioner will watch out for the turning of seasons, phases of the moon, etc.

Religious Magic

This is a diety working through a magician. The magician prays and asks her god to work the miracle.

Most religions have their own form of magic, and the kind of miracles that the magicians can bring can be limited.

Wiccan Witchcraft and Voodoo are largely religious magic.

The typical practioner would be spiritual and devout, often suspicious of other religions.

Alchemy

Alchemy is both High and Low Magic, and it can incorporate religious, spiritual, philosophical and mythological elements.

In a modern setting, alchemy can also be portrayed as "science gone too far".

The typical practioner would be patient, methodious, educated and driven. The tools includes laboratory equipment, astronomical charts, writing materials, and an unsuspecting roommate(?) for testing.

Traditional Witchcraft

Traditional Witchcraft is a form of Low Magic. In early historic periods, the witch played an important role in village life, often old women who owned apothecaries and helped out other villagers.

The typical practioner would be female, uneducated, illiterate, practical, resourceful and poor. She will have a good memory and well-developed senses.

Tools used would be simple household implements - a cauldron, a broom, knife, etc. that can evade the Inquisitor's suspicions.

Wiccan Witchcraft

If you write contemporary fiction, this is the system your character is most likely to use. It's modern witchcraft, based on the religion of Wicca.

Wiccan witchcraft mostly developed in the second half of the twentieth centruy. It is a form of bothe Natural Magic and Religious Magic.

Based on nature worship and the polarity between male and female, the magician often begins a Wiccan ritual with an invocation to a God/Godess. The Lady (Godess) is depicted as having three aspects: Maiden, Mother and Brone. The Lord (God) may be depicted with horns.

The focus of Wiccan magic is often on healing, with an emphasis of ethical consequences of what is being performed.

It is often practiced outdoors, sometimes naked (which they call 'skyclad'). Wiccan witchcraft uses the phases of the moon to amplify its effects.

Wiccan like to gather in groups called 'covens' or to meet once a month or for major festivals. The coven leader may be called 'high piestess/priest'.

Typical tools include a chalice, a knife (called 'athame'), a wand, candles, herbs, crystals, and essential oils.

Necromancy

The magician summons a dead person, either ghost or spirit, sometimes bodily. The dead are enlisted to grant the magicians with favors or are questioned for information.

It may be related to Shamanism, as well as to some forms of psychic work such as channelling and Spiritualist seances.

The typical practitioner is psychally gisted, strong-willed and courageous.

Shamnism

Shamnism is a Low Magic system. The shaman intercedes between the human and spirit world by communicating with spirits, often to obtain information or provide healing.

Shamans may travel to the spirit world to seek answered, with some level of danger. They use drums, chanting, dancing and drugs to alter their consciousness and communicate with spirits.

Practicing shamans often work alone, but they choose a successor to train. The apprentice is supposed to accept the calling.

The typical shaman is musical, sensitive with a strong sense of rhythm and the psychic.

Tools include drums, bells, a costume, herbs, bones, smoke and mind-altering drugs.

Ancient Egyptian Magic

Ancient Eyptian Magic ovelaps with Religious magic, medicine and with psychic work. The deities most frequently evoked are Selket, Aset for raising the dead, and the gof Thoth for anything to do with sickness and healing.

The emphasis of Ancient Egyptian Magic is protection, often done throgugh an amulet or talisman. The circle or oval is the most important shape that has protective qualities.

The precise wording of a spell is important, as well as the colors that are involved. For magic to affect someone the magicians must know that person's true name.

The typical practitioner is male, literate, often a priest attached to a emple.

Folk Magic

This is a form of Low Magic practiced by amateurs.

This includes housekeepers who can keep the rats out, farmers who can ripen fruit before the height of the season, and scullions who can make water boil faster.

This people would only know a handful of spells, ans pass them in to memebers of their family.

Voodoo

Voodoo is religious magic and low magic.

The rituals are held in private, and may involve communication with spirits, especially the spirits of ancestors and saints.

Commonly used to cure aliments, confound enemies, and obtain desires.

Invent a System

Choosing the Right Words

If your character is clearly a witch, shaman, a necromancer, etc. with a specialty, use that term. Otherwise, the word "magician", or "mage" would be most appropriate.

The term "magus" (plural magi) refers to practitioners of the ancient Zoroastrian faith.

Strictly speaking, witches and wizards are practitioners of two very different magic systems, so your female character can be a wizard, and vice versa.

'Warlock' really means 'oath-breaker' or 'traitor' and doesn't describe a magician.

'Conjurer' is someone who can creae effects to impress an audience, not really magical in itself. The more modern temr would be 'illusionist'

A group of magicians may be called a 'coven' (though it applies mostly to Wiccan magic). A magician working alone would be a 'solitary'.

Magic vs. Magick

Normally, "magic" is the correct spelling.

However, "magick" may be used, especially by insiders, to emphasize that they refer to the real thing, not conjuring or other trick of the eye.

The magic systems are sometimes capitalized, sometimes not. When it involves a religion, nationaliy, or a particular family line, it is capitalized. Just make sure to keep it consistent throughout your book.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[thejournallo]

Explain the basic: What is a Grimoire/book of shadows?

Desclaimer: Everything I will talk about is information that I got from books and sites online and even videos on YouTube. In my years of practice, I learned as much as I could out of curiosity and what works best for me. I suggest you do the same by learning as much as you can on your own (I will be here making posts teaching this kind of stuff) from multiple sources.

A Grimoire and a Book of Shadows are both types of books associated with magical practices, but they serve slightly different purposes and have distinct origins and uses.

Grimoire:

Definition: A grimoire is a textbook of magic, typically including instructions on how to create magical objects like talismans and amulets, how to perform spells, summon spirits, and other magical practices. Historical Context: Grimoires have a long history, with some dating back to the medieval period or earlier. They are often associated with Western esotericism, including traditions such as Hermeticism, alchemy, and ceremonial magic. Contents: A typical grimoire may contain astrological charts, instructions for casting spells, recipes for concoctions, and the proper methods for summoning and controlling spirits or deities. Examples include "The Key of Solomon" and "The Book of Abramelin."

Book of Shadows:

Definition: A Book of Shadows is a personal journal or notebook used by practitioners of Wicca and other forms of modern witchcraft. It serves as a record of magical work, rituals, spells, and personal reflections. Modern Context: The concept of the Book of Shadows was popularized by Gerald Gardner, one of the founders of modern Wicca, in the mid-20th century. It has since become a common practice in many Wiccan and neo-pagan traditions. Contents: A Book of Shadows may include ritual instructions, spell recipes, herb lore, personal reflections, dreams, and experiences with the divine or spiritual realm. It is often highly personalized and may be kept secret or shared with a coven.

Key Differences:

Purpose: Grimoires are typically more formal and instructional, often intended to be comprehensive manuals of magical theory and practice. Books of Shadows are more personal, serving as a magical diary or workbook.

Historical vs. Modern: Grimoires have ancient roots and are part of a historical tradition of magical literature. Books of Shadows are a modern development within contemporary witchcraft and Wicca.

Contents: While there can be overlap, grimoires often focus on detailed magical systems and the mechanics of magic, whereas Books of Shadows emphasize personal experience, practice, and reflections.

Both types of books are integral to their respective magical traditions and are used by practitioners to document and guide their magical work.

[elegantshapeshifter]

Skepticism of Medieval Pagan Witchcraft vs Skepticism of the Sabbath

Among scholars, there is ongoing skepticism regarding the physical nature of the Sabbath. Was it truly a physical gathering, or merely a visionary experience—a dream or a trance-induced event?

Interestingly, however, no one disputes the existence of offerings to spirits, whether Major Spirits similar to deities (like leaders of witches, of fairies and/or of the Wild Hunt), or Minor Spirits, such as household spirits, nature spirits, fairies, familiars, and so on. These offerings are well-documented, and in rare cases, we even have surviving witnesses to such practices. Similarly, the occurrence of visionary experiences, whether in dreams or trance states, is universally accepted.

So why is the idea of a physical Sabbath questioned? Not because of the ritual itself—it closely resembles the other documented offerings—but due to its collective aspect: the gathering of multiple participants. Historical evidence does not conclusively confirm whether individual practitioners of offerings or visionary experiences ever gathered for such rituals.

It seems plausible, however, that gatherings might have occurred under specific circumstances. People often shared their visionary experiences, just as they might discuss dreams with family, friends, or acquaintances. Likewise, the custom of offering to spirits was common knowledge. These factors suggest that practitioners who shared similar beliefs and rituals could have agreed to meet and celebrate collectively, leading to what we now identify as the Sabbath.

Oddly, most scholarly perspectives neglect the possibility of a solitary Sabbath. Its structure does not differ significantly from a personal offering. A hybrid form—a visionary experience supported by a physical ritual, such as a solitary Sabbath or an extended offering—also seems overlooked.

The crux of the debate lies here: scholars skeptical of Pagan Survivals or Traditional Witchcraft in the Middle Ages and Early Modern Period are not disputing the existence of personal practices like offerings, solitary Sabbaths, dreams, or visionary experiences. Instead, their skepticism focuses exclusively on the idea of collective gatherings among practitioners.

Even if we accept the most extreme skeptical scenario—that none of the countless individuals aware of witchcraft beliefs across Europe ever agreed to meet with a neighbor, friend, or family member in an isolated location (such as a forest, clearing, or abandoned building) to perform these rituals—the core of witchcraft would still stand intact.

After all, an individual Hindu today who offers devotion at a home altar, meditates, or dreams of their deities is still considered Hindu, even without participating in communal festivals. Similarly, we would consider an ancient Roman Pagan performing solitary offerings at their household lararium as authentically Roman Pagan.

Why, then, do we set a higher standard for defining Traditional Witchcraft? Why insisting not only on the presence of devotional and visionary practices but also on physical gatherings of practitioners?

In conclusion, when we delve deeper, we see that the few scholars that apparently seems to be skeptical of the existance of a Pagan Witchcraft in the Middle Ages and Early Modern Period are not really genuinely skeptical of its existence. Their doubt pertains only to the physical Sabbath as a collective meeting, rather than the broader, solitary, or hybrid practices that are equally significant to the tradition.

[public-grimoire-attempt]

These research topics go beyond the typical beginner witchcraft topics and delve into more nuanced areas, suitable for an intermediate witch:

**Historical & Cultural:**

1. **The Witchcraft Trials of a Specific Region:** Instead of a general overview, focus on a particular region's trials (e.g., the Basque Country, colonial America, a specific county in England). Analyze the social, political, and religious context unique to that area.

2. **The Evolution of a Specific Witchcraft Tradition:** Trace the development of a particular tradition (e.g., Wicca, Hoodoo, Stregheria) from its origins to its modern expressions. Analyze its shifts in practice and belief systems.

3. **Forgotten or Obscure Magical Traditions:** Research traditions that are less well-known or documented. Examples include specific folk magic practices from a particular culture, historical grimoires, or ancient magical systems.

4. **The Intersection of Witchcraft and a Specific Historical Movement:** Explore how witchcraft intersected with other historical movements like feminism, environmentalism, or the counter-culture.

5. **Witchcraft and Colonialism:** Examine the role of witchcraft accusations and beliefs in the context of colonialism and its impact on oppressed communities.

**Philosophical & Theoretical:**

6. **A Comparative Study of Magical Systems:** Compare and contrast two or more different magical systems (e.g., ceremonial magic vs. folk magic) focusing on their theoretical underpinnings, practices, and outcomes.

7. **The Role of Intention in Magic:** Delve deeply into the concept of intention, exploring different approaches to setting intent, focusing intent, and overcoming obstacles to effective intention-setting.

8. **The Nature of Energy in Magic:** Research and explore different perspectives on what "energy" is in magical practice, comparing metaphysical concepts with scientific understandings.

9. **The Ethics of Divination:** Explore the ethical considerations surrounding divination, including issues of responsibility, accuracy, and potential harm.

10. **The Psychology of Belief and Ritual:** Investigate the psychological mechanisms underlying belief in magic and the effects of ritual on the practitioner.

**Practical & Skill-Based:**

11. **Advanced Herbalism for Magic:** Go beyond basic herb correspondences. Research the advanced alchemical and energetic properties of herbs and their use in more complex spellwork.

12. **Mastering a Specific Divination Method:** Deepen your understanding of a single divination method (e.g., tarot, runes, astrology) focusing on advanced interpretations and techniques.

13. **Developing Your Own Magical System:** Create a personalized magical system that synthesizes elements from different traditions and reflects your own unique beliefs and practices.

14. **Advanced Sigil Magic:** Explore advanced techniques in sigil creation and activation, experimenting with different methods and incorporating more complex symbolism.

15. **Energy Work and Manipulation:** Delve into more advanced energy work practices, such as energy healing, distant healing, or psychic attack/defense techniques (always approach these with caution and ethical considerations).

Remember to approach your research with a critical and discerning eye, comparing multiple sources and considering different perspectives. Always prioritize safety and ethical considerations in your practice.

[grey-sorcery]

Title: Herbology: Medicine & Correspondences

Suggested Reading

Correspondences Biases in Witchcraft Researching Witchcraft What is Witchcraft? Conceptualization Vs. Visualization Beginner Witchtips

Disclaimer:

The information in this article is for educational purposes only and not a substitute for professional medical advice. Herbology and herbal medicine carry risks and should be approached with caution. Individual circumstances and reactions may vary, so consulting a qualified healthcare practitioner is essential. I do not guarantee the accuracy or reliability of the information and are not liable for any damages. Personal responsibility, thorough research, and evaluating sources are important. Herbal remedies can interact with medications and have contraindications. Discontinue use and seek medical attention if needed. Recommendations in this article are not endorsements of specific products or practices.

What is Herbology and Herbal Correspondence?

"Herbology" in English

(hɜːrˈbɑlədʒi, ɜːr-)

NOUN

"the study or collecting of herbs."

Herbal correspondences encompass the intricate relationship between plants and their metaphysical properties. Herbology, as a discipline, delves into the study of herbs for their medicinal applications. Herbology and herbal correspondences hold substantial significance across diverse cultural, historical, and magical traditions. These practices have evolved over centuries, drawing upon the wisdom and experiences of different societies. From ancient civilizations to modern holistic approaches, the use of herbs has played a vital role in healing, rituals, and cultural beliefs. Herbology and herbal correspondences share common elements, yet they differ in their approaches and purposes, which are shaped by cultural, historical, and magical contexts.

While both herbology and herbal correspondences deal with the properties and applications of plants, they diverge in their underlying principles, intentions, and methods. By examining the cultural, historical, and magical contexts surrounding these practices, we can gain a deeper understanding of their similarities and distinctions.

Correspondence

Herbal correspondences are integral to magical rituals, spellwork, and ceremonies, offering a means of aligning with desired outcomes and creating a sacred atmosphere. By assigning specific plants with symbolic meanings, energetic qualities, or intentions, practitioners tap into the attributes of herbs to enhance their magical practices. For instance, purification rituals may incorporate herbs symbolizing the removal of negative energies or the establishment of harmony. Burning herbs as offerings or for energetic transformation is a common practice in magical rituals. The selection of herbs is guided by their correspondences, aligning their energetic properties with the intentions of the ritual.

In spellwork, herbs are utilized to amplify the potency of spells, drawing on their symbolic associations and energetic resonance. Incorporating herbal correspondences allows practitioners to establish a deeper connection with the natural world and access its metaphysical powers. Cultural and historical contexts have shaped these correspondences, resulting in symbolic associations between herbs and qualities, elements, planets, or deities. Different traditions have developed their unique systems of correspondences, reflecting their perspectives and mythologies.

Herbal correspondences serve ritualistic and ceremonial purposes across various traditions. Specific herbs are chosen based on their symbolic attributes and perceived energetic qualities. For example, herbs associated with protection are employed to ward off negative influences. Although the effectiveness of correspondences may vary subjectively, they provide a framework for intention-setting and ritual practices, fostering a connection with nature and the spiritual realm. Symbolism plays a significant role in herbal correspondences, linking herb qualities to broader concepts or archetypal representations. An herb symbolizing vitality and growth, for instance, may represent renewal or the life force itself.

Herbal correspondences exhibit notable variations across different magical traditions and cultural contexts. Magical practitioners and spiritual communities develop their systems of correspondences, drawing from cultural, mythological, and occult traditions. The associations between herbs and planetary influences, for instance, may differ between Western astrology and Vedic astrology. Elemental correspondences assigned to herbs also vary based on specific magical traditions or cultural belief systems. These variations reflect the diversity of magical practices and cultural perspectives worldwide. In ancient Egypt, for example, herbal correspondences were an integral part of their medical and religious systems. The Ebers Papyrus, an ancient Egyptian medical text dating back to 1550 BCE, contains extensive information on herbal medicines and their correspondences. Specific herbs such as frankincense and myrrh were associated with purification rituals and religious ceremonies in ancient Egyptian culture. These correspondences held deep cultural significance and were believed to invoke specific energies or deities. Different regions and traditions within Europe developed their systems of correspondences based on local flora, cultural beliefs, and astrological influences. For instance, in English folk magic, St. John's wort was associated with protection against evil spirits and was often used in rituals during the summer solstice celebrations. In Scandinavian folk traditions, elderberry was considered a protective herb and was used to ward off negative influences. 

15 Examples of Herbal Correspondences:

These correspondences are pulled from various online sources and are open for interpretation or modification.

Lavender (Lavandula angustifolia) Correspondences: Calming, purification, love, sleep, peace

Rosemary (Rosmarinus officinalis) Correspondences: Protection, memory, clarity, purification

Sage (Salvia officinalis) Correspondences: Wisdom, cleansing, clarity, healing

Mugwort (Artemisia vulgaris) Correspondences: Divination, psychic abilities, astral travel, dreams

Basil (Ocimum basilicum) Correspondences: Prosperity, abundance, love, protection

Chamomile (Matricaria chamomilla) Correspondences: Relaxation, peace, purification, sleep

Patchouli (Pogostemon cablin) Correspondences: Grounding, sensuality, wealth, fertility

Cedar (Cedrus spp.) Correspondences: Protection, purification, grounding, strength

Frankincense (Boswellia spp.) Correspondences: Spirituality, meditation, purification, consecration

Myrrh (Commiphora myrrha) Correspondences: Healing, transformation, protection, banishing negativity

Jasmine (Jasminum spp.) Correspondences: Love, sensuality, spirituality, divination

Yarrow (Achillea millefolium) Correspondences: Healing, courage, psychic powers, protection

Sandalwood (Santalum spp.) Correspondences: Meditation, spirituality, healing, purification

Peppermint (Mentha x piperita) Correspondences: Energy, mental clarity, purification, protection

Mugwort (Artemisia vulgaris) Correspondences: Divination, psychic abilities, astral travel, dreams

Herbal Medicine

Herbology encompasses a multidisciplinary approach that combines elements of botany, pharmacology, chemistry, and traditional knowledge. It involves the systematic study of plants, including their chemical composition, physiological effects, and therapeutic potential. Practitioners of herbology seek to harness the medicinal properties of herbs to promote health, alleviate ailments, and restore balance within the body. Throughout history, herbology has been central to various civilizations and cultural traditions. Ancient cultures such as those in Egypt, China, and India developed rich herbal knowledge systems. They documented the healing properties of plants and incorporated them into medical practices, religious rituals, and cultural customs. Over time, this knowledge expanded, influenced by trade routes, exploration, and the exchange of ideas between cultures. Herbology encompasses a wide range of practical applications, including the preparation of herbal remedies, tinctures, teas, and poultices. Different herbs possess specific medicinal properties, such as anti-inflammatory, antimicrobial, analgesic, or digestive effects. Traditional herbalists carefully select and combine herbs based on their observed actions and the desired therapeutic outcomes. This holistic approach aims to support the body's innate healing abilities and address the root causes of imbalance or disease.

Practitioners of herbology employ systematic observation, clinical trials, and scientific analysis to understand the chemical composition, physiological effects, and therapeutic potential of herbs. The primary purpose of herbology is to develop evidence-based remedies and treatment protocols for improving health and alleviating ailments.

15 Examples of Herbal Medicinal Remedies:

1. Echinacea (Echinacea purpurea)

Usage: Immune system support, common cold, respiratory infections Active Chemicals: Alkylamides, polysaccharides Health Warnings: Possible allergic reactions, may interact with immunosuppressant drugs Metabolized in: Liver

2. Turmeric (Curcuma longa)

Usage: Anti-inflammatory, digestive aid, antioxidant Active Chemicals: Curcuminoids, especially curcumin Health Warnings: Potential interactions with blood-thinning medications, high doses may cause digestive upset Metabolized in: Liver

3. Valerian (Valeriana officinalis)

Usage: Sleep aid, anxiety relief, relaxation Active Chemicals: Valerenic acid, valepotriates Health Warnings: May cause drowsiness, avoid alcohol and sedatives, long-term use should be monitored Metabolized in: Liver

4. St. John's Wort (Hypericum perforatum)

 Usage: Mild to moderate depression, mood disorders Active Chemicals: Hypericin, hyperforin Health Warnings: Interactions with certain medications, increased sensitivity to sunlight, may cause gastrointestinal symptoms Metabolized in: Liver

5. Ginger (Zingiber officinale)

Usage: Digestive aid, nausea relief, anti-inflammatory Active Chemicals: Gingerols, shogaols Health Warnings: Higher doses may cause heartburn or stomach upset, caution in individuals with gallstones or bleeding disorders Metabolized in: Liver

6. Peppermint (Mentha x piperita)

Usage: Digestive disorders, irritable bowel syndrome, headache relief Active Chemicals: Menthol, menthone Health Warnings: Safe for most people when used in moderation, may cause heartburn or allergic reactions in some individual Metabolized in: Liver

7. Chamomile (Matricaria chamomilla)

Usage: Relaxation, sleep aid, digestive disorders Active Chemicals: Apigenin, chamazulene Health Warnings: Possible allergic reactions, caution in individuals taking anticoagulant medications Metabolized in: Liver

8. Garlic (Allium sativum)

Usage: Cardiovascular health, immune system support, antimicrobial Active Chemicals: Allicin, alliin Health Warnings: May interact with certain medications, caution in individuals with bleeding disorders or upcoming surgeries Metabolized in: Liver

9. Hawthorn (Crataegus spp.)

Usage: Cardiovascular health, high blood pressure, heart failure Active Chemicals: Flavonoids, proanthocyanidins Health Warnings: Caution in individuals taking cardiac medications, may cause mild gastrointestinal symptoms Metabolized in: Liver

10. Saw Palmetto (Serenoa repens)

Usage: Benign prostatic hyperplasia (BPH), urinary symptoms Active Chemicals: Fatty acids, phytosterols Health Warnings: Rare reports of gastrointestinal upset, caution in individuals with hormone-sensitive conditions Metabolized in: Liver

11. Ginkgo (Ginkgo biloba)

Usage: Cognitive function, memory enhancement, circulatory disorders Active Chemicals: Flavonoids, terpene lactones Health Warnings: May interact with certain medications, caution in individuals with bleeding disorders Metabolized in: Liver

12. Milk Thistle (Silybum marianum)

Usage: Liver support, detoxification, hepatitis Active Chemicals: Silymarin, flavonolignans Health Warnings: Generally well-tolerated, rare reports of mild gastrointestinal upset, caution in individuals with ragweed allergies Metabolized in: Liver

13. Dandelion (Taraxacum officinale)

Usage: Liver support, digestion, diuretic, inflammation Active Chemicals: sesquiterpene lactones, taraxasterol (TS), taraxerol, chlorogenic acid Health Warnings: Generally safe, caution in individuals with gallbladder problems or certain medications Metabolized in: Liver

14. Eucalyptus (Eucalyptus globulus)

Usage: Respiratory conditions, cough, congestion Active Chemicals: Eucalyptol, cineole Health Warnings: Caution in individuals with asthma or epilepsy, avoid internal use in large quantities Metabolized in: Liver

15. Lavender (Lavandula angustifolia)

Usage: Relaxation, anxiety relief, sleep aid Active Chemicals: Linalool, linalyl acetate Health Warnings: Generally safe, may cause allergic reactions in some individuals Metabolized in: Liver

Please note that the information provided is for educational purposes only and does not constitute medical or magical advice. It's always recommended to consult with a qualified healthcare professional before using herbal remedies.

Researching Herbal Medicines

To properly dose herbal medicines and ensure safe and effective usage, a systematic and informed approach should be followed. Here are the steps to consider:

1. Research Active Constituents:

Begin by studying the active constituents present in the herb of interest. Understanding the chemical compounds responsible for its medicinal properties can provide insights into appropriate dosage ranges and potential variations across different processing methods.

2. Analyze Extraction Efficiency:

Different processing methods yield varying levels of extraction efficiency. For example, teas and tinctures involve different extraction processes and result in varying concentrations and bioavailability of active compounds. Take into account these differences when determining dosages.

3. Evaluate Concentration and Standardization:

The concentration of active constituents in the final herbal product may vary depending on the processing method. For instance, tinctures often have higher concentrations of active compounds compared to teas. Consider the concentration and standardization of the herbal preparation when determining the appropriate dosage.

4. Assess Bioavailability:

Bioavailability refers to the extent and rate at which active compounds are absorbed and become available for biological activity. Different processing methods can impact the bioavailability of herbal constituents. Some methods may enhance absorption and bioavailability, while others may reduce it. Consider the potential impact of bioavailability on dosing and adjust accordingly.

5. Consider Route of Administration:

Different processing methods lead to varying routes of administration. For example, teas are typically ingested orally, while salves are applied topically. Recognize that the route of administration can influence the required dosage as absorption, distribution, and metabolism may differ.

6. Evaluate Dosage Recommendations:

Consult reliable sources, such as herbal medicine textbooks or reputable publications, that provide dosage recommendations specific to different processing methods. These sources may offer general guidelines or empirical data regarding appropriate dosages for each form of herbal medicine.

7. Start with Low Doses:

When using a new processing method or preparing a different form of herbal medicine, it is advisable to start with a low dose and gradually increase as needed. This approach allows for monitoring individual responses and helps identify any potential adverse effects.

8. Monitor Individual Response:

Pay close attention to individual reactions and adjust dosages as necessary. Keep track of changes in symptoms, effectiveness, or adverse effects. This self-monitoring allows for personalized optimization of dosage based on individual needs and responses.

By following these steps and considering factors such as active constituents, extraction efficiency, concentration, bioavailability, route of administration, dosage recommendations, starting with low doses, and monitoring individual responses, one can ensure a systematic and informed approach to herbal medicine dosing.

Toxicology

When studying herbal medicine, it is essential to gain knowledge about herbal chemical/drug interactions, avoiding worsening preexisting health conditions, and understanding the impact of metabolism. The following resources offer valuable insights into herbal dosing, interactions, and precautions:

- "Medical Herbalism: The Science and Practice of Herbal Medicine" by David Hoffmann

- "The Master Book of Herbalism" by Paul Beyerl

- "Herbal Medicine: Biomolecular and Clinical Aspects" edited by Iris F. F. Benzie and Sissi Wachtel-Galor

- "Herbal Medicines: A Guide for Healthcare Professionals" by Joanne Barnes, Linda A. Anderson, and J. David Phillipson

- "Textbook of Natural Medicine" by Joseph E. Pizzorno and Michael T. Murray

(Some free reference materials are sited further down)

Considering the potential interactions or worsening of health conditions, it is crucial to be aware of common herbs that may pose risks. Here are some examples along with their potential interactions or effects on health conditions:

1. St. John's Wort (Hypericum perforatum):

May interact with antidepressants, anticoagulants, and oral contraceptives.

2. Ginkgo (Ginkgo biloba):

Can increase bleeding risk and interact with anticoagulants, antiplatelet drugs, and certain antidepressants.

3. Garlic (Allium sativum):

May enhance the anticoagulant effects of medications like warfarin.

4. Valerian (Valeriana officinalis):

Can potentiate the sedative effects of medications like benzodiazepines and antidepressants.

5. Licorice (Glycyrrhiza glabra):

May affect blood pressure and interact with diuretics, corticosteroids, and medications metabolized by the liver.

6. Kava (Piper methysticum):

Has potential interactions with sedatives, anxiolytics, and medications metabolized by the liver.

7. Hawthorn (Crataegus spp.):

Can interact with cardiac medications and enhance their effects.

8. Yohimbe (Pausinystalia yohimbe):

May have significant interactions with medications for high blood pressure and erectile dysfunction.

Consulting with healthcare professionals or herbalists can help evaluate the safety and appropriateness of herbal remedies for specific health conditions.

The potential toxicity of herbal medicines is an important consideration when using them for therapeutic purposes. Understanding the various types of toxicity associated with herbal remedies allows for better identification and management of adverse effects. Monitoring for signs and symptoms specific to each category of toxicity, such as hepatotoxicity, neurotoxicity, cardiotoxicity, nephrotoxicity, pulmonary toxicity, and dermatotoxicity, enables timely intervention and the promotion of safe herbal medicine use. It is crucial to remain vigilant, assess individual responses, and consult healthcare professionals when any signs of toxicity arise. By prioritizing safety and informed usage, the benefits of herbal medicines can be maximized while minimizing the risks associated with their potential toxic effects. 1. Hepatotoxicity:

Hepatotoxicity refers to the toxic effects on the liver caused by certain herbal medicines. It occurs when the liver is exposed to toxic compounds present in herbal remedies, leading to liver damage. The liver plays a vital role in metabolism, detoxification, and the synthesis of essential molecules. When herbal medicines containing hepatotoxic substances are metabolized in the liver, they can cause cellular injury and disrupt liver function. Signs of hepatotoxicity may include jaundice (yellowing of the skin and eyes), abdominal pain, dark urine, fatigue, and elevated liver enzymes in blood tests.

2. Neurotoxicity:

Neurotoxicity is the toxicity that affects the nervous system, including the brain, spinal cord, and peripheral nerves. Some herbal medicines may contain neurotoxic compounds that, when metabolized, can interfere with normal neuronal function and lead to neurological damage. Signs of neurotoxicity may vary depending on the specific herb and its mechanism of action but can include dizziness, confusion, seizures, numbness or tingling in extremities, muscle weakness, and impaired coordination.

3. Cardiotoxicity:

Cardiotoxicity refers to the adverse effects of herbal medicines on the cardiovascular system, particularly the heart. Certain herbs contain cardiotoxic constituents that, when metabolized, can disrupt the normal electrical activity of the heart or cause damage to cardiac cells. Cardiotoxicity can manifest as irregular heart rhythms (arrhythmias), chest pain, shortness of breath, palpitations, and fluid retention.

4. Nephrotoxicity:

Nephrotoxicity involves the toxicity of herbal medicines to the kidneys. When herbal remedies containing nephrotoxic compounds are metabolized, they can damage kidney cells and impair their normal functioning. Signs of nephrotoxicity may include decreased urine output, swelling in the extremities, high blood pressure, electrolyte imbalances, and elevated creatinine and blood urea nitrogen levels in blood tests.

5. Pulmonary toxicity:

Pulmonary toxicity refers to the adverse effects of herbal medicines on the respiratory system, particularly the lungs. Certain herbs may contain pulmonary toxicants that, when metabolized, can cause inflammation, damage lung tissues, or disrupt normal lung function. Signs of pulmonary toxicity may include coughing, wheezing, shortness of breath, chest pain, and abnormal lung function test results.

6. Dermatotoxicity:

Dermatotoxicity is the toxicity that affects the skin. Some herbal medicines may contain compounds that, when metabolized, can induce adverse skin reactions. This can manifest as allergic dermatitis, contact dermatitis, photosensitivity, or skin irritation. Signs of dermatotoxicity may include redness, itching, rash, blistering, swelling, and skin discoloration.

It is important to note that the occurrence of toxicity within each category can vary depending on factors such as the dosage, duration of use, individual susceptibility, and interactions with other medications or substances. Identifying signs of toxicity requires careful monitoring of individuals using herbal medicines and promptly recognizing any unusual or adverse effects. If such effects occur, it is recommended to discontinue the use of the herbal medicine and seek medical attention.

Free reference materials:

Anatomy & Physiology (2013) on OpenStax

Modern Toxicology (2004) on Archive.org

Encyclopedia Of Herbal Medicine (2016) on Archive.org

Handbook Of Medicinal Herbs (2002) on Archive.org

Similarities & Overlap

Both herbology and herbal correspondences approach the qualities of plants from distinct perspectives. Herbology relies on empirical observation, scientific analysis, and clinical studies to understand the medicinal properties and develop evidence-based remedies. In contrast, herbal correspondences view plants as carriers of symbolic or energetic attributes, incorporating their essences and potentials into emotional, spiritual, or metaphysical well-being. Despite their differences, both practices recognize the interconnectedness of body, mind, and spirit and emphasize holistic approaches to well-being. Herbology recognizes the influence of the environment on humans and seeks to restore balance by working in harmony with nature. It provides scientific knowledge on the medicinal properties, safety, and dosage of herbs, ensuring their safe and effective use in addressing health conditions and potential interactions with medications.

Herbal correspondences, on the other hand, focus on the spiritual and symbolic aspects of well-being. They enable individuals to connect with the metaphysical realms and align with the rhythms of the natural world. By incorporating symbolism and intention, they enhance spiritual practices and personal growth. Integrating the insights from herbology and herbal correspondences allows for a comprehensive approach to well-being. It combines the physiological benefits of herbs supported by scientific research with the energetic and symbolic qualities that nourish the mind, body, and spirit. This integrated perspective acknowledges the holistic nature of health and enriches the mystical applications of herbology.

The magical correspondences associated with herbs are influenced by their medicinal properties and symbolic associations. Medicinal properties are derived from the chemical composition of herbs and their physiological effects on the human body. Scientific investigation identifies bioactive compounds that interact with biological systems, eliciting therapeutic responses. Symbolic associations in magical correspondences are influenced by physical attributes, traditional uses, folklore, and cultural contexts of herbs. The convergence of medicinal properties and magical correspondences occurs when shared qualities and effects align. For example, a sedative herb may correspond to calming or promoting restful sleep in magical practices, reflecting its physiological sedative effects. Similarly, the specific medicinal properties of herbs inform corresponding magical intentions. An herb with anti-inflammatory properties may be associated with healing or soothing in magical applications, mirroring its physiological capacity to reduce inflammation.

The credibility of herbal medicines' potency and efficacy reinforces their association with magical correspondences. Tangible effects observed in healing practices validate the belief in their metaphysical influence. The integration of science and symbolism highlights the multidimensional nature of herbology, bridging the physical and mystical realms. Understanding the interplay between herbal medicinal properties and magical correspondences requires comprehensive knowledge and research. Exploring herbal texts, historical references, and cross-cultural perspectives provides valuable insights into the nuanced relationship between herbs and their magical applications. By studying the chemical constituents, physiological effects, and traditional uses of herbs, practitioners unravel the intricate tapestry of correspondences that enriches the practice of herbology and its magical manifestations.

Creating Correspondences Based on Medicinal Properties

To generate magical correspondences for herbs based on their medicinal applications, a systematic process can be followed, incorporating scientific knowledge and symbolic associations. The process involves several steps:

Identify the medicinal properties: Begin by researching and understanding the medicinal properties of each herb. This involves studying scientific literature, herbal texts, and reputable sources to ascertain the herb's physiological effects, chemical constituents, and therapeutic applications.

Analyze the physiological effects: Analyze the physiological effects of the herb in relation to the human body. Consider its impact on various systems, such as the nervous, immune, or cardiovascular systems. This analysis helps establish the herb's tangible influence on physical well-being.

Determine symbolic associations: Explore cultural, historical, and mythological references associated with the herb. Investigate traditional uses, folklore, and symbolic meanings attributed to the herb in different cultures or magical traditions. Symbolic associations may arise from the herb's appearance, aroma, taste, habitat, or historical significance.

Bridge medicinal and symbolic qualities: Identify shared qualities and effects between the herb's medicinal properties and its symbolic associations. Look for connections where the physiological effects align with the desired magical outcome or symbolic representation. For example, if an herb exhibits calming properties, it could correspond to promoting emotional tranquility or soothing energies in magical practices.

Consider elemental or planetary correspondences: Explore elemental or planetary correspondences commonly used in magical systems. Assign elements (such as fire, earth, air, or water) or planets to herbs based on their symbolic and medicinal attributes. This step adds an additional layer of correspondences that align with broader metaphysical concepts.

Document the correspondences: Record the generated correspondences for each herb, documenting the medicinal properties, shared qualities, symbolic associations, and elemental or planetary correspondences. Create a reference guide or database that consolidates this information for future use in magical practices.

Validate and refine correspondences: Continuously evaluate and refine the correspondences based on new research, cross-cultural perspectives, or personal experiences. Seek feedback from knowledgeable practitioners or experts in herbology and magical traditions to ensure the accuracy and coherence of the correspondences.

Tips for Beginners

Start with your local plants

Learn how to harvest and process plants responsibly and respectfully

Keep a notebook of local herbs and how to locate and identify them

Learn about your local ecosystem and ways that you can help it flourish

Study invasive plants in your region that can be used for magical or medicinal purposes

Take notes of key words in this article (in reference to an herbs toxicology) so that you can research each aspect of a local plant before consuming it.

Interested in my other articles? You can find my masterpost here.

Patron Shoutouts!

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This article was reviewed and revised by ChatGPT.

[bucking-mustangs-with-wings]

John Egan - Sorcerer/Warlock/Magicwielder

"Sorcery, the practice of malevolent magic, derived from casting lots as a means of divining the future in the ancient Mediterranean world. Some scholars distinguish sorcery from witchcraft by noting that it is learned rather than intrinsic. Other scholars, noting that modern witches claim to learn their craft, suggest that sorcery’s intent is always evil and that of witchcraft can be either good or bad. The sorcerer has traditionally been feared, in part because of his supposed knowledge of the occult and especially because of his understanding of poisons."

Character Moodboard for my up-coming Sorcerers vs Fae AU

[imhereonthekitchenfloor]

Rating Taylor Swift songs based on how they would be perceived by medieval peasants*: Fearless

*context: I'm imagining showing medieval peasants how awesome the future is by playing them the greatest music of our day and age (Taylor obviously). I am also trying to have them not go insane nor have me be accused of witchcraft.

Debut rating

👑🤺🛡⚔️👑🤺🛡⚔️👑

Fearless: pavement, parking lot, car?? After the confusing first verse this song becomes a really sweet tale about riding in a wagon or cart and ruining your nice dress for the oen you love. Considering most women only own one nice dress and one day dress, this is a beautiful sentiment🥹 8/10

Fifteen: the setting of this song is very confusing. It seems (?) Like this may be about the upper class going to school. A senior boy means a lord. A freshmen is a novice. Fifteen is a good age for marriage, but how is this not arranged? 3/10

Love Story: this is so romantic 😍 this is the most beautiful love story ever heard!! They were going to run away because they didn't have parental consent. Regardless of being peasants, they were each other's prince and princess. 10/10!!!

Hey Stephen: hasn't every medieval girl fallen in love with that boy that every other girl is offering their dowry to? Very relatable but nothing too special. 7/10

White Horse: fun fact! White horses have always been a fairytale symbol throughout ancient history so this symbol would translate well to medieval times. The idea of not being a princess or someone chasing after your hand with promise of a horse are also relatable medieval imagery. 8/10 due to some confusing and modern dialect.

You Belong With Me: 😳 what is happening? There's something here about unrequited love but the details are all lost. 2/10

Breathe: medieval friendships were usually a contractual agreement and the few positive and real friendships were reserved for men as masculinity was seen as a holy state and and only masculine beings could have real friends. This song is likely about 2 men having a falling out. Not super relatable but it mostly makes sense. 4/10

Tell Me Why: is this about a physical fight? Are knights facing off? Is this about lovers?? I'm a little lost on context. 5/10 just because everything but bullets and shots makes sense

You're Not Sorry: what happened here 😳 someone MESSED UP. Who knows what a phone is but this song hit deep. 9/10

The Way I Loved You: passion vs sensibility. A secret lover vs someone who is committed. Marriage is very rarely romantic, so this song feels very relatable. 8/10 because the acting insane is a bit questionable. Why are you risking being accused of witchcraft?

Forever & Always: this sounds like a devastating divorce. Perhaps there was an agreement with another women? That is one of several grounds for divorce and it would track with the anger in this song. Unfortunate. 3/10

The Best Day: pumpkins? Tractor? Car? Video? There's too many anachronisms to listen with ease but some lyrics still can hit. 5/10

Change: Are the serfs revolting??? Good for them! This song is so hopeful! 10/10 even though it's unrealistic.

Jump Then Fall: "jump then fall into me" in itself is a weird phrase but cute enough song about blossoming love. 6/10

Untouchable: a song of yearning AND the singer dreams of being literate. Relatable dreams. 7/10.

Come In With The Rain: (tbh, my twilight analysis of this song made this one really difficult) this is likely about another serf living on the masters property and it sounds scandalous. Clandestine affairs are not aligned with the medieval Christian values. 3/10

Superstar: Is this about a traveling performer or nobility visiting the town? Another song about being into the guy every girl will offer her dowry to, this time with more anachronisms. 4/10

The Other Side of the Door: Nothing is more exciting than passion in romance! It's so rare in the world of arranged marriage. I can't help but wonder if these two are in different social classes and thus the secrecy of throwing pebbles🤭 juicy! 6/10 for all the talks about phones and photographs

Today was a Fairytale: fairy tail? 👀 fairy as in the french word for fae as in A MAGICAL BEING??? "Time slowed down whenever you're around" ‼️ the ability to control the flow of time? "Can you feel this magic in the air. It must have been the way you kissed me" 🔪 THAT'S IT. LET'S GET EM BOYS. 0/10 (you have been burned at the stake for witchcraft)

You All Over Me: Did you say God? Medieval songs LOVE talking about God!! This song seems to be asking for penance. Some of the song is a little confusing but good job being devout! 9/10

Mr. Perfectly Fine: mister as in master, right? Is this song about a master (craftsman) leaving his betrothed? The grammar here is pretty confusing so 2/10

We Were Happy: HE WAS OFFERING LAND AND YOU HAD TO LEAVE HIM? You didn't have choices? Who had a larger dowry and best you to him? 😭 9/10

That's When: oh medieval songs love repetitive choruses and the words "that's when" really delivered! 9/10 because this would raise 0 red flags but also barely makes sense in modern English let alone medieval

Don't You: this album is full of unrequited love. I can imagine walking into the market place and seeing the peasant from two properties over with the woman he ended up choosing. Then he DARES to ask how you are? I don't like it. This is too much. 3/10

Bye Bye Baby: this is DEFINITELY a divorce song. I mean... a traditional couple meets at their wedding and these two used to share a bed so.... The sadness of the singer leads me to question the cause of divorce. Did he commit a crime? Were they spiritually related? Did he have relations with another woman? I have more questions than answers. 2/10

[toulosersthings]

Harry Potter vs. Percy Jackson: A Magical Showdown of Literary Legends

Introduction:

When it comes to the realm of young adult literature and fantasy, two names consistently rise to the top: "Harry Potter" and "Percy Jackson and the Olympians." These two iconic book series have captured the hearts of readers around the world, each offering a unique blend of magic, adventure, and unforgettable characters. But the age-old question remains: Which series is better? The answer, as we'll explore in this blog, ultimately comes down to personal preference.

The Magical World of Harry Potter:

First, let's step into the enchanting world of "Harry Potter," created by the brilliant mind of J.K. Rowling. This series introduced us to a magical universe filled with wizards, witches, spells, and creatures beyond imagination. Hogwarts School of Witchcraft and Wizardry became our second home as we followed the adventures of the young wizard, Harry Potter.

The Mythical Modernity of Percy Jackson:

Now, let's dive into the contemporary and mythologically rich world of "Percy Jackson and the Olympians," crafted by Rick Riordan. This series thrusts us into a world where Greek gods, monsters, and demigods coexist with regular humans. Modern-day America becomes a playground for ancient myths.

Conclusion:

In the end, the battle between "Harry Potter" and "Percy Jackson" is not about which is better; it's about the joy of experiencing both of these literary masterpieces. Readers are free to choose the world that resonates with them the most, or better yet, enjoy both series for their unique contributions to the world of literature and fantasy. So, grab a wand or a demigod sword, and embark on these magical journeys to discover your own personal favorite!

[primeministerofantarctica]

smurfs worldbuilding/ headcanon stuff

language

the original smurf language was a purely tonal language system with hundreds of varieties in pitch and inflection that could only be understood by the smurfs.

for example: "I ate a pie yesterday" in ancient smurf would be "Smurf smURf *smurf* sMurF SMurf" (italics indicate higher pitch, bold indicates lower pitch. asterixs also indicate an increased pitch, so *a* is higher than a while *b* is lower than b.)

as they spread out, they adopted the lingua franca of their respective places so they could communicate with the others, which triggered a gradual shift in their own language.

most notably was the addition of tense markers (smurfed, smurfing) and other affixes (smurfy, unsmurfy)

pronouns, determiners, cardinal numbers, conjunctions, and prepositions switched to the pure lingua franca

nouns are still very tonal, but verbs are losing their tone and becoming more context-dependent

"i smurfed a pie yesterday" could mean "i ate a pie yesterday" or "i baked a pie yesterday", it depends on the context. "i smurfed a pie yesterday, it was delicious" vs "i smurfed a pie yesterday, do you want a slice?"

the only adjectives that carried over were the positive "smurfy" and negative "unsmurfy". neutral descriptions (size, color, etc) are now based on the lingua franca

certain smurfs (brainy) are a stickler for making sure people are pronouncing the tones exactly right. certain smurfs make an effort to get close if the sentence would be ambiguous otherwise.

also, because it's so tonal, it's hell on smurfs with hearing loss or other diffilculties deciphering pitch or intonation. brainy (autistic) got by because he studied hard and now he's kinda mad the others aren't taking it seriously. clumsy (also autistic) and harmony (tone deaf) just have very strange accents.

religion

ancient smurfs were pagan and worshipped the moon as their primary deity (the phases of the moon are tied with the strength of a smurf's magic, so the connection makes sense)

most modern smurfs consider themselves irreligious - they'll still practice the traditions and rituals, but they see it as more of a cultural thing than anything else

today, smurf religion is more concerned with humanistic utilitarianism, aka respecting others and nature

a handful of smurfs are abrahamic-monotheistic (this is the middle ages), in their beliefs "God" is a transcendent deus absconditis and nature spirits like mother nature and father time were created by him to take care of the earth

(also since this is a world that actually has magic and fairies, i imagine the above religions would be more accepting about incorporating those things than the real life "witchcraft will send you to HELL" versions)

traditions and festivals

ancient smurfs used a lunar calendar. modern smurfs have adopted the solar calendar, but the dates of certain holidays are still decided by the moon's phases

new year's, for example, is the first new moon in january, while ostara (easter) is the first full moon in april

the firefly festival takes place in late february and is akin to groundhog day (fireflies only appear when the weather is warm); the imitate festival takes place mid-march and descends from a tradition of trying to scare/ confuse winter spirits away so spring will come

smurfs have also adopted human holidays like christmas, halloween, and valentine's day simply because well, it's fun, and they're not going to pass up a chance at a good party are they?

more modern holidays they've invented are rainbow day (may 8, meant to celebrate hope, life, and new beginnings, SO many colorful decorations), friendship day (march 14, the month after valentine's day), smurfer upper day (october 21, trying to get all the last-minute repairs in before winter really hits), and plant a new tree because the humans just dug one up for their own holiday day (august 9, google it ^^)

smurfdays are equivalent to birthdays, but they don't occur on their actual date of birth (stork delivery?). since baby smurfs only get delivered on blue moons that'd mean celebrating thirty or so birthdays simultaneously which. can get messy real fast. so their "smurfdays" are really just random dates they either chose or were assigned as smurflings

physical characteristics/ natural vs "artificial" smurfs

all smurfs are the same shade of blue, but they all vary in height, weight, freckles and moles, etc.

natural smurfs all have blue eyes, whether they're light, dark, grayish, teal, they're all shades of blue

the concept of gender is inherently meaningless to a smurf, a human called them male a thousand years ago and they just rolled with it

"artificial" smurfs were mostly created as homonculi, servants and assistants to wizards, however since this raised multiple ethical issues the spell was eventually banned

artificial smurfs are born fully-grown (with enough clay, at least), but their minds are like super-sponges and they absorb information at an incredibly fast rate in the first few weeks of their existence

a ressurection/ reincarnation spell is inherently baked into the formula (wizards didn't wanna make a whole nother smurf if their current one tripped into the fireplace), so when they die they just flash-bang-regenerate. like the doctor, but they don't retain their memories, they have to start life all over again. they usually have about 25 regenerations, and their past versions are seen more as "parent who went out shopping before i was born and never came back" than "Me from 500 years ago"

the "descendents" of those artificial smurfs that didn't make their way to a village still live around humans, albeit in hiding since they're technically not supposed to exist. they're like house spirits. brownies. they'll live in your walls and find your lost keys if you leave out some sarsaparilla tea and bread. (the humans know fairies exist, but they don't know the specifics.)

the quickest way to spot an artificial smurf is the eye color, while natural smurfs have blue eyes artificial smurfs have brown or black eyes that match the color of the rock used to make their heart

artificial smurfs have very dry skin that's prone to cracking and flaking (thanks, being made of clay)

to determine a smurf's "human age" simply divide by five. a hundred-year-old smurf is twenty in human terms.

papa smurf did NOT get 100 babies at once omg that would be insane. however since blue moons only occur once every few years he did get them in batches (3 of them, 33 at a time)

economy/ government

the closest thing to an "economy" the smurfs have is best described as "anarchist communism with an authoritarian power figure". it's oxymoronic, but accurate :T

papa smurf does have absolute power but like...this is middle ages europe, it's not exactly known for democracy. maybe in a generation or two they'll implement a parliament/ voting system

there's no written law, the only rule is "don't cause harm or grief to others or society". they need a lawyer smurf new oc just dropped

smurfs don't get money. they tried it and they understand how it works but they don't get it. you're just going to let another person die because they don't have enough shiny things? wack.

general/ other

ancient smurfs lived in giant hollowed-out mushrooms. modern smurfs live in wattle-and-daub houses designed to look like mushrooms. (they're easier and faster to build.)

the ground floor typically has a living room, kitchen, and dining room (rarely used but at least they still have it). the second floor has a bedroom and study.

it's...pretty established that they don't have running water. they have washbasins in the living room for bathing. a lot of times they'll wash themselves and their clothes at the same time.

smurfs who work from home are encouraged to work in their study, but. it really depends? poet will work in his study, but tailor will work on the ground floor since other smurfs are constantly stopping by to drop off and pick up clothes.

no hvac. in the winter they bundle up in blankets and put hot stones in bed. in the summer they open the windows and drink a lot of water. also no electricity either, they have candles and lanterns.

in general, most of the technology is medieval, but handy has invented some more "modern" things like iceboxes

"la la la lalala, la lala lala" is a work song! it's a way for smurfs to identify and locate each other in the forest, since "la" is easy to produce/ settle into a rhythm.

there's a magic barrier around the village. not like a physical barrier that you'll smack into, but more like. a mental barrier. the closer you get, the more your mind tells you you should turn away, there's nothing here, turn back now. that's why gargamel's always walking in circles around the village.

you can't have a party without dancing, and you can't have dancing without music, so music is important to them! everyone knows how to play an instrument or two.

there's multiple villages around the world, but since most smurfs don't travel they rarely (if ever) get in contact with each other.

[forkwarriofr]

While CGI (Computer-Generated Imagery) may seem like magic, it's actually based on mathematics, algorithms, and computer science.

However, the comparison to witchcraft is intriguing:

*Similarities:*

1. Illusion: CGI creates realistic illusions, much like magic tricks.

2. Transformation: CGI can transform objects, environments, and characters, reminiscent of shape-shifting in folklore.

3. Manipulation: CGI artists manipulate digital elements to achieve desired effects.

*Differences:*

1. Science vs. Supernatural: CGI relies on empirical principles, whereas witchcraft is often associated with mystical or supernatural forces.

2. Physicality: CGI exists solely in the digital realm, whereas magic often implies physical interactions.

3. Intent: CGI aims to entertain, educate, or inform, whereas witchcraft's intentions vary across cultures and contexts.

*Historical connections:*

1. Ancient optical illusions: Artists used perspective, shadows, and light to create illusions, precursors to modern CGI.

2. Renaissance art: Artists like Leonardo da Vinci explored optical effects, laying groundwork for modern visual manipulation.

3. Early special effects: Filmmakers used miniatures, matte painting, and stop-motion to create illusions, paving the way for CGI.

*Modern "magic"😗

1. AI-generated content: AI algorithms create realistic images, videos, and audio, blurring lines between reality and fantasy.

2. Virtual reality (VR) and augmented reality (AR): Immersive experiences that alter perception.

3. 3D printing: Physical objects created from digital designs, echoing the "transformation" aspect of magic.

CGI is not witchcraft, but rather a remarkable blend of art, science, and technology.

Would you like to:

1. Explore the history of special effects?

2. Discuss the ethics of AI-generated content?

3. Learn about CGI techniques and software?

Or share your thoughts on the intersection of technology and magic! No one is online. (Maybe offline)

[mirandamckenni1]

Ogham and the Celts: Ancient Script, Modern Pagan Divination Discover the world of the Ogham script, an ancient form of writing developed by the Celts in Ireland during the early centuries CE. Characterized by linear strokes carved into stone and wood, Ogham is one of Ireland's earliest known alphabets. In this video, we explore its historical origins, cultural significance, and modern interpretations within Paganism. We'll tackle: * The scholarly debate on Ogham's origins and its development. * The significance of Ogham inscriptions found across Ireland and the British Isles. * The role of the Book of Ballymote in preserving Ogham knowledge. * The modern neo-pagan practice of Ogham divination and its tree associations. CONNECT & SUPPORT💖 MY COURSES 👩🏻‍🎓 https://ift.tt/0OhKgwJ WEBSITE & NEWSLETTER 💌 https://ift.tt/67TUt3f BOOK A TUTORING OR A LECTURE 📖https://ift.tt/ABkTWnp BECOME MY PATRON! 🎩 https://ift.tt/f6hV4TB SUPPORT ME ON KO-FI ☕️https://ift.tt/I6W2oSO ONE-OFF DONATIONS 💰 https://ift.tt/TAUMWEL JOIN MEMBERSHIPS 👥 https://www.youtube.com/channel/UCPSbip_LX2AxbGeAQfLp-Ig/join MY PODCAST 🎙 https://ift.tt/FJAKBWd MY MERCH 👕 https://ift.tt/tIr1qEy FOLLOW ME👣 - YouTube (@drangelapuca)🌟 - Instagram (@drangelapuca) 📸 - TikTok (@drangelapuca) 🎵 - Twitter (@angelapuca11) 🐦 - Facebook (Dr Angela Puca) 👥 REFERENCES 📚 Eastwood, L. (2020) ‘A Re-evaluation Of The Ogham Tree List’. Order of Bards, Ovates & Druids. Available at: (https://www.druidry.org). Hutton, R. (1999) The Triumph of the Moon: A History of Modern Pagan Witchcraft. Oxford University Press. Available at: [Oxford Academic](https://ift.tt/NnBWAiw). Irving, J. (2012) ‘Ogham’. World History Encyclopedia. Available at: [https://ift.tt/WsEDtrA] Mac Coitir, N. (2012) ‘The Ogham Alphabet—A Military Origin?’, Archaeology Ireland, 26(1), pp. 22-25. Available at: [JSTOR](https://ift.tt/XMVKLCc). MacSweeny, C. and Hitchcock, P. S. I. (1853) ‘The Ogham Inscriptions’, Ulster Journal of Archaeology, 1, pp. 101-105. Available at: [JSTOR](https://ift.tt/kc98SmX). Magliocco, S. (2004) Witching Culture: Folklore and Neo-Paganism in America. University of Pennsylvania Press. Available at: [Internet Archive](https://ift.tt/sdZgD9G). McManus, D. (1991) A Guide to Ogam. Maynooth. Available at: [JSTOR](https://ift.tt/XMVKLCc). Raftery, B. (1969) ‘A Late Ogham Inscription from Co. Tipperary’, The Journal of the Royal Society of Antiquaries of Ireland, 99(2), pp. 161-164. Available at: [JSTOR](https://ift.tt/xwNCs5e). York, M. (2005) Pagan Theology: Paganism as a World Religion. NYU Press. Available at: [Oxford Academic](https://ift.tt/t6uBdIh). ‘What is Ogham, and how is it used?’ (n.d.) Ogham Academy. Available at: [https://www.ogham.academy](https://www.ogham.academy). MY SET-UP 🛠️ - Canon 90D camera 📸 https://amzn.to/3yQclh0 - Canon EF-S 18-55mm f/3.5-5.6 📷 https://amzn.to/3JjU1BS - Teleprompter 🗒️ https://amzn.to/3linWCB - Shure SM7B Microphone 🎙️ https://amzn.to/3Jm5IYK - Microphone stand 🎤 https://amzn.to/3FueJOn - Lights 💡 https://amzn.to/3Zdk8k1 - DJI Wireless microphones 📡 https://amzn.to/3NWAVVQ 00:00 Introduction Ogham -pronunciation guide and explanation 01:01 Support Angela’s Symposium 02:10 Origins of the Ogham writing system 02:52 Geographic extent of Ogham 03:33 Uses of Ogham – Ogham stones 04:19 Insights into Irish culture in the Middle Ages 05:45 Usage by Celts and Proto-Celts 06:56 Earliest inscriptions on Standing Stones 07:28 The Book of Ballymote – a key to reading Ogham 10:08 Other mediaeval manuscripts and archaeology 10:47 The Littleton Weaver's Sword 11:41 Ogham in contemporary Paganism and Divination 12:14 The Ogham Tree Alphabet 13:51 Historical vs. Modern Interpretations 15:04 Support Angela’s Symposium ⚠️ Copyright of Dr Angela Puca, in all of its parts ⚠️ Music by Erose MusicBand. Check them out! via YouTube https://www.youtube.com/watch?v=ywQzDu5vJfU

[elegantshapeshifter]

The Devil, Yahweh, Baal, Bael and the confusion: why Natib Qadish (ie Canaanite Paganism) is important to avoid confusion in European Traditional Witchcraft

Hello everybody!

Many of you asked me why did I begin to talk about Natib Qadish, ie Canaanite Paganism, on this blog, whose main topic is European Traditional Witchcraft.

First of all, what is Traditional Witchcraft? Is the contemporary attempt to reconstruct European Pagan Survivals in Middle Ages and Early Modern Period.

While these survivals were usually heavy Christianized, many of them were demonized or "fairicized".

So we have three kinds of Pagan Survivals: Christianization, such as Gods who became Saints, Fairicizations, such as Gods who became Fairies and Nature Spirits or "Neutral Spirits", neither Good nor Evil, and finally Demonization, ie Gods who became Demons.

While Christianization lead to the eventual complete assimilization of those Gods with saints, at such extent that nowdays no devotee of such saints see them as "masks for the ancient Gods", there was still a definitive distinction and independence of the Demonized and Fairicized Characters from mainstream Christianity.

However, this opposition between the Gods-Demons and the Christian pantheon, lead us to think: is this opposition not only cultural but also theologically relevant?

Is this opposition between Yahweh and the Demonized Gods theologically relevant or is it just a cultural particularity?

Because, while we can and should respect all the religions, Christianity included, we cannot say just "let's respect Christianity and let's stop to think".

Because, while Christianity historically (not necessarily nowdays, because a lot of Christians see the Gods as other ways to their God, but I say from theologically informed view from the Gospels and mainstream Christianity throughout most of the centuries) saw the Gods as Demons, how should we see Yahweh?

Who is Yahweh?

We know that many of those Demons who appear in Grimoires and also in legends and tales all around the Middle Ages and Early Modern Period have strange names, such as "Bael", "Astaroth"... where are those name from?

They were ancient Canaanite Gods. Yeah, Canaanite Gods who still were worked with as demons in Christian Middle Ages and Early Modern Period.

So, let's recap:

Pagan Gods survive

They survive but as Demons

Demons are usually named as Canaanite Gods

So... why are those Gods/Demons Canaanite? And what is the relationship of all this with Yahweh?

We know from historical sources and the Bible that Ancient Israelites worshipped many Gods, such as Baal and the "Queen of Heaven", Asherah or Astarte.

The difference between the Bible and historical sources is that the Bible says that it was a Canaanite influence from foreigners, while the historical sources says that Israelites were originally polytheistic and indistinguishable from other Canaanites.

And well, those names, those same names, Baal, Asherah and Astarte, are the names that will appear in the names of demons such as Bael and Astaroth.

So, does this mean that we have to choose between Baal/Bael and Astaroth/Astarte vs Yahweh?

Because, if we stop here, from only the acceptance of the biblical and medieval sources, it seems like there is a battle in the sky: Yahweh vs Baal and Asherah or Bael and Astaroth.

You either worship the Demonized Gods or work with demons in Grimoires, and you side with the Canaanites, or you worship God and you side with Yahweh.

However, this is just a superficial way of viewing it.

Another way, it's to see who is Yahweh.

Is Yahweh really in opposition to Paganism?

Where does Yahweh comes from?

And here Natib Qadish help us to understand that actually Yahweh is a variation of Baal Hadad, another Storm God that came from the Shasu or Kenites.

Storm Gods, such as Baal and Yahweh, were then merged with Sky Gods such as El.

Storm is a content while Sky is a container.

Similarly it happened in Proto Indoeuropean religion with Perkunos (Storm God) and Dyeus (Sky God). In fact in many Indoeuropean Paganisms, the storm God absorbed the sky God, such as with Perun, or viceversa the sky God absorbed the storm God, such as with Zeus.

So we don't have a battle in the sky.

The Gods didn't lose against another different God.

We simply have:

Sky Gods such as El and Dyeus

Storm Gods such as Baal, Yahweh and Perkunos

It means that, when somebody in the middle ages worked with the demon Bael, they didn't work with an Entity against Yahweh.

They worked with another name for Yahweh.

However, this give us another worldview.

We can either think that we should "pick a side", either with Yahweh or with the Demons/Gods.

Or we can see that there are multiple cultural expressions of the Sky and Storm Gods, one of which is Yahweh.

So, Canaanite Paganism knowledge is essentially because if we lack these informations, we fall in the idea that there is a Deity that hates our Deities and that there is a battle in the sky, with either one God that is stronger than others, or with one God that can and likes to destroy temples for the other Gods because is an enemy to them and to their devotees.

I don't know you, but I don't like to think that there is a Deity that hates me :D

I think that, despite being Pagans, we should know who Yahweh is, because as contemporary practitioners we usually ask ourselves why did the Gods allowed temples to be destroyed.

And Canaanite Paganism allow us to understand that it's due to a cultural and human interpretation, and not because of a battle in the sky.

Because Yahweh is Baal is Bael, and the Divine spirit of the Storm cannot willingly see itself as the enemy.

Humans, only humans are enemies to each others.

Yahweh is Bael. God and Demon are one.

[angelellipsis-devilofdots]

i'll absolutely try my best! it's a lot so it's definitely important to do research as well

paganism usually comes in the form of polytheism, incorporating the gods of different pantheons such as greek, norse, egyptian, roman, celtic, slavic, etc. you can worship as many gods as you want, even across pantheons as you so choose. however, some pagans are non-theistic and don't believe in the gods - rather, they just worship nature itself and focus on spirituality (i am not non-theistic so apologies if any of this is incorrect!). both paths or anything in between are very valid!

there's a lot of pagan subcultures such as wicca, druidry, shamanism, and more. doing research on anything and everything is always a great idea, but before practicing yourself, always make sure it's not a closed practice. cultural appropriation is sadly pretty normalized or overlooked in the pagan community, so it's important not to get involved in that to avoid being disrespectful.

some pagans practice witchcraft - it's common, but not all do, of course. you can find a lot of resources and books on witchcraft for purchase online or at a local library; i don't have a list of recommendations on hand but you can definitely find some online. common forms of witchcraft in paganism include astrology (including magic based on the lunar cycles), tarot cards, oracle cards, crystal usage, etc.

i'm new to paganism myself (converted in december of 2023) so here's where i started:

i did research on pagan deities and tried to see which one(s) i felt most connected to. this happened to be the norse goddess freyja, and i ended up researching the whole norse pantheon and norse mythology and then decided it was what i felt called to

i saved prayers that i liked, so i light candles and say prayers to freyja and the other deities i worship

it was right around yule, so i researched holidays. i watched videos on youtube, looked up articles about ancient practices vs modern practices, etc

i started collecting crystals, jewelry of pagan or spiritual symbols, and extra candles, many of these as gifts from others

i did a lot of research and just wrote shit down. get yourself a journal, it's a great way to stay organized. i wrote (and still write) about deities and mythology, witchcraft and spirituality, and so on

here are some important things to research as a new pagan:

history

pagan deities

offerings (and disposing of offerings)

different pantheons

holidays (the wheel of the year)

non theism, soft theism, polytheism, monotheism

animism

pre-christian practices

modern pagan celebrations and rituals

closed vs open practices

divination

local natural occurrences (bird migrations, seasonal weather, climate change impact, bug hibernations, etc)

spiritual psychosis (an issue that's scarily normalized in the pagan community - so this is really important to learn about and educate yourself on to recognize the signs)

and more; other pagans, tell me if i missed any!

and, if you're interested in witchcraft:

closed vs open practices

grounding and meditation

herbal correspondences

bath rituals

spell jars / spell bags

history of witchcraft

moon phase meanings

deity work

sigils and runes

enchanting objects

color correspondences

divination

and more; other witches, tell me if i missed any!

so sorry if this is overwhelming! this is just scratching the surface; i didn't want to infodump a ridiculous amount unwarranted. i hope this helps you, whether or not you decide to become pagan, and feel free to ask questions 💞

i need to renew my faith in religion and ive been thinking about become pagan, does anybody on here care to educate me on it some more? id LOVE to hear about it from someone first hand, along with doing my own research

[pigeonflavouredcake]

How to organise a grimoire

This is how I've decided to organise my grimoire now that I'm digitising it. I thought this may be of some benefit to other autistic/dyslexic practioners by sharing how my brain likes to formulate things. The trick is to categorise.

I have one large category I'm calling the chapter and every chapter has a number of categories within it and smaller sub categories underneath each one.

So my brain basically works like a russian nesting doll or like a very messy spider diagram. Organising it this way helps me to stay on track and stops me from getting overwhelmed. (I used this method in all my university essays and it helped push my grade up a lot).

I'm not writing it in any specific order but here's a list of what I've completed so far. Please feel free to take any of these. I hope this helps you with your own grimoire writing.

Theory 📚

Terminology

Paganism: historical context. Modern context. Core values.

New Age Spirituality: Development. Capitalism. Modern Example.

Cultural Appropriation: What it is. How it happens. How to avoid it. List of closed practices and red flags.

Wicca: What it is. How it's practiced. Gerald Gardner. Criticisms.

Thelema: Aleister Crowley. Development (egyptomania). Criticisms.

Conspiracy Theories: Development (root cause). Dangers. Examples. List of spiritual conspiracies. List of antisemitic stereotypes and propaganda.

Cults: What are they. How are they dangerous. How to recognise one (B.I.T.E model). List of religious/spiritual cults.

Satanic Panic: Historical development to our current satanic panic. The 1980's moral panic. Christian persecution complex.

KJV: Who was King James. The creation of the KJV. The KJO movement (evangelical and Christian fundamentalism. American Folk magic)

Witches in context: The modern witch. The post-modern witch. Historical context (England. Ancient Greece. Ireland).

Cats in context: Modern context. Familiars. Historical context (Egypt. Greece. China. England).

Transphobia: the idea behind terfism. How to recognise a terf. Examples of Terfism in spirituality (Lister). Dispelling myths and Misinformation.

Queerness: Erasure and queerphobia. Why queer people gravitate to witchcraft/paganism/Wicca. Examples (intersex. Gay relationships. Lesbian relationships. Asexuality).

Practical Basics 🔮

Terminology

Health and Safety: Fire. Smoke. Essential Oils. Toxicity. Wound Care. Biohazards.

How to make a magical space: What they are. Different types. Tools and their uses.

Grimoire/Book of Shadows: What they are. The differences. Different Formats. The Front cover.

Cleansing: What it is. What its used for. Examples.

Grounding: What it is. What its used for. Examples.

Protection: What it is. What its used for. Examples.

Intuition: What it is. What its used for. Developing it. Examples.

Discernment: What it is. What its used for. Steps of discernment (from a Christian perspective. From a secular perspective). Psychosis.

The Year and the holidays: Samhain. Yule. Wassailing. Imbolc. Spring Equinox. Beltaine. Summer Solstice. Lughnasadh. Autumn Equinox. (Historical development. How they're celebrated).

Deity Worship: Scientific Context (Neuroscience of Religiosity). Spiritual Context. Worship Vs working with. Finding a deity. Your religious rights. Critiquing your religious path. For example ↓

Hellenism: Historical context (Wars. Colonisation. Slavery. Citizenship. Pederasty). Modern Context (White washing. Transphobia).

Your Deities (if you choose to have any): Iconography. Mythology. Associations. Offerings.

Spirits: Ghosts. Shadow people. Demons (what they are. fear and labelling. History Vs pop culture). The Warrens (history. Criticisms). Other folklore.

Practical Magic ✨

I have a lot more planned for this section.

Terminology

Divination: What it is. What its used for. List of types and tools. For example ↓

Tarot: Structure of the tarot deck. Historical context. Modern Context. The fool and you.

Basic Astrology: What it is. Historical Context. Signs. Planets. Houses. Reading a natal chart.

Colour Magic: Basic colour theory. Symbolism. Practical application.

Correspondence 🌿

When there's a long list of items and spiritual meanings/applications I keep it in this section at the back of my grimoire.

Colours

Symbols

The Classic Elements

Astrology

Stones

Herbs and Spices (kitchen cupboard specific)

Common plants in your area (invasive and non invasive)

Seasonal fruit and vegetables

Miscellaneous laws and philosophies

[mimis-memes]

🍎 ｡:*• ─ WITCHCRAFT & WIZARDRY PLOTS.    ›  ( a compilation of plot ideas involving witches & wizards, for both modern days and past eras/AUs. )

1. The witch hunter — muse A is an experienced witch hunter/huntress who somehow ends up hurt and/or lost and in need of help. Muse B is a witch/wizard who crosses their path and decides to bring them home and nurse them back to health. Did B recognize A beforehand and decided to help them anyway ?�� Were they oblivious to A’s field of work and what they’ve done to others of their kin ?  How will they react when they find out ?  Did A also recognize B and only accepted their help just to betray them in the end ?  Were they too weak to notice B was the one they were hunting ?  Will this proximity help them see the good in each other and overcome their old beliefs ?  Will they be able to set their differences aside and get along ?  Will an unexpected, beautiful friendship flourish ?  Maybe something more ?  Or will the hunting continue ? 

2. Nature vs nurture — muse A is one of the best witches/wizards in their coven, while muse B is a close friend of theirs who was born without any magical aptitude, despite also having been born to an old family of witches. Because of this, B has always endured some rejection ( maybe even bullying ) growing up. Tired of this situation, A decides to teach B all they know, to the best of their abilities, ignoring all the mockery and mean comments from other members of the coven. And despite their apparent lack of powers, B is strong willed and determined to learn, no matter how bad they are at it in the first place. Will they be able to prove the naysayers wrong ?  Prove that magic can be taught and learned ?  Will B become as powerful as A ?  Would they use their newfound abilities to take revenge on those who made fun of them growing up ?  Use this knowledge to help others in the same situation ?

3. The potion — muse A and muse B are two witches/wizards from two rival covens looking for the same, very rare ingredient for a potion. When they cross paths, will they cooperate and help each other find the said ingredient ?  Brew their potion together and share it ?  Could this be the reconciliation for a centuries-old rift between their covens ?  Or will they try and trick each other ?  Try to sabotage the others potion ?  And what does this potion do ?  Why was it so important in the first place ?

4. The witch trial — muse A and muse B live in the same village. A is accused of witchcraft and facing a witch trial, while B is the one who accused them ( maybe as an act of revenge ?  envy ?  maybe they were coerced into it ? ). In a twist of events, B is also accused by a third person and ends up locked away with A, awaiting their trial. Will they come up with even worse accusations to set up the other, while trying to save themselves ?  Will they cooperate and plot an escape together ?  Can they forgive each other ?  What if one of them really is a witch/wizard ?  What if both of them are ?

5. The chocolate house — muse A is a witch/wizard who lives in a really nice house, not literally made of chocolate, but still very appealing to someone on the run/lost/looking for shelter. Muse B comes knocking on their door and of course A takes them in, taking great care of them with delicious meals and providing a nice warm bed, all with the intent of getting them in perfect shape to use for some kind of ancient ritual. However, as time passes by, both muses get along really well and A changes their mind, having grown fond of B and intending to spare them and keep them as a friend/lover ( maybe even an apprentice ? ). But what will happen when B finds out about their initial intentions and what they’ve done in the past ?  Could they forgive A and stay anyway ?  Would A resort to magic to make them stay ?  Respect their wishes and let them go ? Find redemption or go back to their old ways, if B leaves ?

6. The undercover witch — muse A is a witch/wizard who has decided to leave their coven and try to live as a regular human ( maybe out of sheer curiosity ? wanting to experience college life ?  maybe they fell in love with a human and are afraid they wouldn’t accept their magical abilities ? ). Having moved into a new place, they meet muse B, their very human roommate. As they get to know each other, their days are full of B trying to figure out how A gets things  ( such as chores, meals, homework, etc... )  done so fast, and A not understanding how humans do certain things and surely messing up, maybe even slipping some words, like  “ Maybe we should take my broom ?  Uh… bike, I mean bike… ” . And what if B finally finds out about A’s true nature ?  Would they be scared ?  Find it the coolest thing ever ?  Want to know more about their world ?  Would A enjoy living among humans as one of them, or deem it too difficult/confusing and return to their coven ?

7. The party — muse A was invited to a costume party and has decided to dress up as a witch/wizard. Once they show up to the party’s location, they’re delighted to see everyone is also dressed up as witches and wizards !  They can’t believe they’ve nailed this party’s theme so well !  Even if their costume looks so cheap compared to the ones other people are wearing, which look incredibly detailed and realistic. Looking closer, why doesn’t A recognize anyone at this party ?  Except for muse B, who they’ve seen around the neighborhood/attends the same college/etc...  And why is everyone looking at them funny ?  It turns out, A has got the wrong directions and ended up at a real witches’ meeting, at which B was also taking part. Will B do their best to try and conceal this fact from A, making them believe this is nothing but a regular costume party ?  Tell them the truth ?  Will A find out on their own ?  How will they react ?  Will B, bored of the magical meeting, secretly leave with A and make their way to the real costume party A wanted to attend in the first place ?   ( Alternatively, if both muses are witches/wizards, one of them could have ended up at a rival coven’s meeting. )