#Gaby Aguilar

[bokalistangpuyat]

"Buwan" - Kirby Luis V. Aguilar

Tuwing gabi, ika'y aking nakikita, diyan sa alapaap, kapiling ang mga tala at buntala sa kalawakan, ako'y nabighani sa iyong taglay na kagandahan, kahit ika'y kulang, hindi buo kung minsan. Mapalad, ang mga banoy at dumagat, at lahat nang nilalang na may kakayahang lumipad, dahil kahit papaano ay mas malapit sila, sa iyong piling sinta. Mahal para kang buwan sa kalangitan na kahit kailan ay di ko kayang abutin, para bang kahit ilang dagat ang languyin at ilang bundok ang aking akyatin, hindi mo parin ako mapapansin o bibigyang pansin dahil napakarami sayong nakapalibot na bituin na kayang tumbasan ang ning-ning, hindi kayang tapatan ilang dyamante at ginto ang aking ipunin at dalhin mahal wala parin, wala paring pag-asa ang aking pusong umaasa na mapasaakin ka. Ang hirap na, bakit ba nahulog ako sayo kasing lalim nang gabi kaya ngayon ako'y hindi mapakali, iniisip kung ano ba ang dapat kong mabili o bagay o katangian na dapat kong taglayin mabigyan mo lang nang pansin mahal ang hirap, ang hirap na, sobrang hirap dahil hindi ko alam kung pano ko maipaparamdam ang damdamin na aking nararamdaman para sayo, bakit ba kasi sa dinami-rami nang maaaring matipuhan na binibini ikaw pa ang aking napili. Natatakot ako, dahil baka iba yung gusto mo, natatakot ako baka hindi mo pansinin ang pagmamahal ko sayo pero mas natatakot ako na baka ako yung piliin mo, natatakot ako dahil baka hindi ako maging sapat, at bandang huli ay punahin mo lahat nang mga bagay na hindi ko kayang ibigay sayo, natatakot ako na mawala kapa sakin kapag nakuha na kita at kalauna'y ikaw saki'y magtapat, mahal salamat nalang sa lahat, kaya't hanggang kaya kopang tiisin na makita kang masaya kahit kasama mo'y iba, titiisin ko. Magtitiis ako na sakin ika'y mapalayo wag kalang tuluyan saking mawala, magtitiis ako na mag-isa habang kapiling mo'y iba wag kalang tuluyan saking mawala. At nagtiis, nagtitiis, magtitiis parin ako na iba ang iyong gustuhin, kaysa naman ako ang piliin mo, pero hanap mo'y nakaraan mo parin. Kaya't ako'y mananahimik nalang at magbubulagbulagan, akin nalang idadalangin sa bituin mo na kapiling, sana ika'y kanyang alagan at ilayo ka sa kapahamakan dahil mahal ito'y iyong tandaan, hahamakin ko ang lahat para lang ika'y protektahan, kahit na kahit kailan, ni kakaunting halaga'y di moko binigyan. Pero mahal parin kita, kahit ni minsa'y di moko minahal, at kung tutuusin ay handa naman akong sumugal pero alam ko namang alang pag-asa kaya't idadaan nalang sa dasal na sana'y ingatan ka niya, at maiparamdam nya sayo yung pagpapahalaga at pagmamahal na kahit kailan ay di mo sakin nagawa. Mahal pakatatandaan, minamahal ko ay ikaw, pangalan mo ay kaya kong isigaw ngunit alam ko naman na pag ang langit ay nagkulay bughaw, kagaya nang buwan, aalis karin pagdating nang araw.

[aerixwri]

everything Important lest i forget

Title: On the Class Mayor's Records Genre: Mystery Thriller

Theme: Is the truth worth revealing if people would rather accept the lie they live in? Characters: (more to come)

Kathleen Razon (protagonist, detective, burnt-out fuck) Henry Gustillo (antagonist, class mayor, pompous two-faced bitch) Gabriella/Gabi Mendoza (victim, art kid, was minding her own business until she didn't) Mackie Nuevo (victim's lover, student athlete, siMP SIMP) Ingrid/Iday Arellano (reluctant ally, math wizard/treasurer, anger issues to the hundredth power) Jude Aguilar (second-hand man, vice mayor, so loyal it's gay) Sereine Lin (no drama pls, popular nice girl, probably the only sane one. probably) Ezra Razon (sickly brother, emo guitar player, affection-starved; feed him) Crisanto Espiritu (witnessed something, the choir kid, abandonment issues go brrrrrr) Javier Enrique (reluctant accomplice, photographer aesthetic, alexa play good luck, babe by chappel roan) Seb Lawrence (actual accomplice, school celebrity who's actually a celebrity, bro why are you playing good luck, babe by chappel roan) Eleodora Bautista (who is she?, face of the school, she definitely commited trust me bro) Setting: If you're wondering why the surnames are vaguely mexican/spanish sounding, that's because all of my characters are from the Philippines! Their story takes place in the municipality of Asalorez, which I recently found out is the Philippine equivalent of a town, you learn something new everyday. However, the main setting where all the stabby stabby things happen would be in Colegio de Santa Mariana, a private catholic school on the outskirts of the municipality that has a much more prestigous branch in Manila.

I'm still working on the lore of my worldbuilding because while Asalorez is a fictional mix of my surroundings the political scenario plays a heavy role in it, especially in the school, and I, like so many people out there, have a love-hate relationships with politics rn. ================================================ There's definitely more important stuff that need to be added, a lot of things have to be taken into considerations, but so far bear witness to what two to threeish years of daydreaming gets you to.

[diarioelpepazo]

La Comisión de Derechos Humanos de la Ciudad de México advierte que el país podría convertirse en el más mortífero del mundo para las personas transgénero. 2024 comenzó con un panorama desalentador para la comunidad LGBTQ+* en México: al menos cinco mujeres trans fueron asesinadas en la primera mitad de enero en distintas regiones del país. El caso más reciente fue el de la activista Samantha Gómez Fonseca, quien fue asesinada a balazos el domingo en el interior de un vehículo en el sur de la Ciudad de México. Tras el homicidio de la mujer, quien aspiraba al Senado por el partido Morena, integrantes de colectivos LGBTQ+ bloquearon el lunes las avenidas de Paseo de la Reforma y de Insurgentes, en la capital mexicana, para protestar contra la ola de violencia contra las personas trans. Luego de realizar una protesta en Insurgentes y Reforma, la movilización por la dignidad de las mujeres trans 🏳️‍⚧️, avanzó sobre Paseo de la Reforma, dando vuelta en Bucareli, exigiendo justicia. 2/3 pic.twitter.com/dbNgDc5xHk — Escándala (@escandalamx) January 15, 2024 Otro grupo protestó en las inmediaciones del Palacio Nacional, donde pintaron las paredes del recinto con frases como "Las vidas trans importan", "México transfóbico" o "Ley integral trans". La activista Victoria Sámano (@samano_O)denunció los discursos transfóbicos provenientes desde Palacio Nacional. Exige la aprobación con urgencia de la Ley Integral Trans. "No tenemos vidas dignas. Estamos viviendo en condiciones muy inferiores al resto de la sociedad". pic.twitter.com/ZPoSIJYbu8 — Tania Aguilar (@Tania_aguilarcr) January 15, 2024 Otro asesinato ocurrió en el municipio de Tlaquepaque, en el estado de Jalisco, donde fue localizado el pasado sábado el cuerpo de una mujer trans en un barranco. El 11 de enero, Miriam Noemí Ríos, comisionada trans municipal del partido Movimiento Ciudadano (MC), fue baleada en el comercio donde trabajaba, en el municipio de Jacona, en el estado de Michoacán. Días antes, apareció muerta la estilista Gaby Ortiz, cuyo cuerpo fue encontrado el 6 de enero al borde de un camino rural de una carretera en el municipio de Ixmiquilpan, en el estado de Hidalgo, junto a una cartulina con amenazas. Activista transgénero asesinada en el estado mexicano de Michoacán Otra mujer trans, identificada como Vanessa, fue asesinada junto a su pareja en su domicilio en la ciudad de Coatzacoalcos, en el estado de Veracruz. Según la Comisión de Derechos Humanos de la Ciudad de México (CDHCM), estos casos evidencian "la intensificación de la violencia hacia las mujeres en razón de identidad de género". El organismo señaló que entre 2007 y 2022 se registraron 590 asesinatos de personas trans, lo que da un promedio de 53 homicidios al año. "De continuar con la actual tendencia de asesinatos a personas trans en 2024, México superará a Brasil en cifras y ocupará el primer lugar en el mundo de asesinatos a personas trans, principalmente mujeres", advirtió. *El movimiento internacional LGBTQ+ está calificado como organización extremista en el territorio de Rusia y prohibido en el país. Para recibir en tu celular esta y otras informaciones, únete a nuestras redes sociales, síguenos en Instagram, Twitter y Facebook como @DiarioElPepazo El Pepazo/RT Español

[icono-posicionamiento]

#Comunicación y #Periodismo bajo la pauta de #GabyAguilar.

#GabrielaAguilar, es una periodista forjada a través de los años, del trabajo continuo, del desempeño entregado y profesional que hacen de ella una #MexicanadeÉxito. Por #AlvaroLópezTostado. #ICONOPeriodismo. #PersonajesdelPeriodismo. Conocimos a éste gran personaje hace más de dos décadas en los pasillos del centenario rotativo El Infomador. Su trabajo periodístico se forjaba a la par de su…

[doubleattitude]

JUMP Dance Convention, Greenville, SC: RESULTS

JUMPStart Solo

1st: Mila Simunoc-’Never Enough’

2nd: Tinsley Wallace-’Barbie’

3rd: Audrey Pruitt-’Bruno’

4th: Addie Goodwin-’Cause I’m A Blonde’

5th: Audrey Mikkelson-’Shake the Room’

6th: Ellie Breaux-’Young and Beautiful’

7th: Emersyn Lawson-’Get It Girl’

7th: Aria Wiggins-’Rockin’ Robin’

8th: Kinley Shih-’Through the Eyes of a Child’

9th: Kate Walters-’Amen’

Mini Solo

1st: Elizabeth Scott Lanier-’Bitter Earth’

2nd: Savy Luechtefeld-’Sound of Silence’

3rd: Taylor Rivers-’I Am Me’

3rd: Raelyn LaCavera-’Unknown’

4th: Blais Lingle-’First Snow’

4th: Ella Barnes-’Nobody’s Watching’

5th: Mia Clark-’Dem Beats’

6th: Sami Nix-’Bridges’

6th: Alessandra Gauger-’Morning’

7th: Ellie Peters-’All You Need Is Love’

8th: Hayden Quick-’Reveal’

9th: Rose Mangan-’Spanish Rose’

10th: Jayla Matthews-’Hit Me With Your Best Shot’

Junior Solo

1st: Emme James Anderson-’Resume’

2nd: Grace Woodburd-’Are We There Yet?’

2nd: Miyah LaGrant-’Mysteries of Love’

3rd: Maddie Shaw-’Final Goodbye’

3rd: Camdyn Gotts-’Telepathy’

4th: Mallory Rooney-’Tiny Dancer’

5th: Campbell Clark-’Blah Blah Cha Cha Cha’

6th: Abigail Hodges-’Earth’

6th: Ashlyn Anderson-’The Call’

6th: Ella Gagnon-’The Girl In the Letter’

7th: Belle Richardson-’Seven Birds’

8th: Sara Hartman-’Lovely’

8th: Delaney Parker-’Silberfisch’

9th: Sydney Vaughan-’Light’

9th: Callie Jones-’Suis-Moi’

10th: Addison Bradley-’Dynamite’

10th: Madisyn Amos-’Faith’

10th: Peyton Harris-’Hyperballad’

10th: Ever Martin-’Long Time Traveller’

10th: Lorelei Lingle-’Lullaby’

Teen Solo

1st: Valadie Cammack-’Dethroning of the Queen’

2nd: Grace Fauteux-’Fly Me To the Moon’

3rd: Hayley Wilson-’Leaving Song’

4th: Savannah Manning-’Line Thickness’

5th: Jaicey Thomas-’Disappear’

6th: Emma Breaux-’Next To You’

7th: Georgia Greene-’Alpha and Omega’

8th: Nyla Wilson-’Last Dance’

9th: Hallie Driggers-’Hold Back the River’

9th: Noah Ayden Grady-’I Just Want to Be There Again’

9th: Sophia Brucia-’Intentions’

10th: Lauren Durham-’Everything Passes’

10th: Addy Beckham-’White Lie’

Senior Solo

1st: Xavier Logan-’Self Memoria’

2nd: Maddie Shceliga-’I Still Hear You’

2nd: Savannah Rose-’You Have to Have Eyes’

3rd: Dabria Aguilar-’Bad Romance’

3rd: Savannah Folding-’Heart-Shaped Birthmark’

3rd: Shaeleigh Person-’Mine’

3rd: Ella Samellas-’Without You’

4th: Sarah Wiles-’Communication’

4th: Justice Jaylen Wooden-’Transient’

4th: Isabella White-’Use Me Up’

5th: Mackenzie Macklen-’Go Without’

5th: Harley Jacobs-’In This Moment’

6th: Riley Campbell-’Alright’

6th: Gabi Allen-’Bruises’

6th: Georgie Condon-’Dreamstate’

7th: Destiny Patterson-’What Good Am I’

7th: Hannah Rivers-’Will You Ever Return’

8th: Alexa Weir-’Never Again’

8th: Raegan Pender-’Raymonda’

8th: Alexandra Jinglov-’Take It Easy’

8th: Maggie Fellows-’Worth It’

9th: Caroline Combs-’Amen’

9th: Kendra Brown-’Experience’

10th: Tristin Edsel-’And So It Goes’

10th: Kelley Gibson-’Leave Your Lover’

10th: Jenna Brunson-’Rescue’

JUMPStart Duo/Trio

1st: Evolution Dance Complex-’True Colors’

Mini Duo/Trio

1st: Carolina Collective Dance-’Its Quiet Uptown’

1st: Renner Dance Company-’The Red Machine’

2nd: Renner Dance Company-’Forget About the Boy’

2nd: Summerville Dance Academy-’Girl Gang’

2nd: Summerville Dance Academy-’Icons’

3rd: In Motion Dance Center-’Forever On Your Side’

Junior Duo/Trio

1st: Renner Dance Company-’Look After You’

2nd: Carolina Collective Dance-’She Used To Be Mine’

3rd: Columbia City Jazz Conservatory-’Clear and Simple’

3rd: Evolution Dance Complex-’Someone You Loved’

Teen Duo/Trio

1st: Evolution Dance Complex-’Before You Go’

2nd: Center Stage School of Performing Arts-’Pennies From Heaven’

3rd: Columbia City Jazz Conservatory-’Wait’

Senior Duo/Trio

1st: Evolution Dance Complex-’I’m Here’

2nd: Evolution Dance Complex-’It’s Not All About You’

3rd: Creative Edge Dance Center-’Something Like This’

JUMPStart Group

1st: The Southern Strutt-’Ooh La La’

Mini Group

1st: The Southern Strutt-’Hey Hi Hello’

2nd: Columbia City Jazz Conservatory-’Concerto in D’

3rd: Columbia City Jazz Conservatory-’Bones’

Junior Group

1st: The Southern Strutt-’A Young Minds Thoughts’

2nd: Creative Edge Dance Center-’Mujer’

3rd: Litchfield Dance Arts Academy-’Small World’

Teen Group

1st: Columbia City Jazz Conservatory-’I’m Delighted’

2nd: The Southern Strutt-’Posessions’

3rd: Evolution Dance Complex-’Falling Slowly’

Senior Group

1st: The Southern Strutt-’Ready, Set, Impact’

2nd: Evolution Dance Complex-’Piece By Piece’

3rd: Center Stage School of Performing Arts-’Toxic’

JUMPStart Line

1st: The Southern Strutt-’Reflection’

Mini Line

1st: The Southern Strutt-’Fly Me to the Moon’

2nd: The Southern Strutt-’Ponytail’

3rd: The Southern Strutt-’Splash N Go’

Junior Line

1st: The Southern Strutt-’I Will Leave the Light On’

2nd: The Southern Strutt-’How Ya Like That’

3rd: The Southern Strutt-’Perfect’

Teen Line

1st: Columbia City Jazz Conservatory-’Lay Them Before Me’

2nd: Columbia City Jazz Conservatory-’Midnight Street’

3rd: The Southern Strutt-’Which Witch’

Senior Line

1st: The Southern Strutt-’Too Darn Hot’

2nd: Columbia City Jazz Conservatory-’Human Nature’

3rd: The Southern Strutt-’Charlie Boy’

JUMPStart Extended Line

1st:  The Southern Strutt-’Flying Solo’

Mini Extended Line

1st: The Southern Strutt-’Bow Down’

Junior Extended Line

1st: The Southern Strutt-’The Gospel Truth’

2nd: The Southern Strutt-’Dirty South’

Teen Extended Line

1st: Columbia City Jazz Conservatory-’Work’

2nd: The Southern Strutt-’XR2′

3rd: Evolution Dance Complex-’Carry The Weight’

Senior Extended Line

1st: The Southern Strutt-’Here Comes the Boom’

JUMPStart Production

1st: The Southern Strutt-’Chewy Chewy’

Teen Production

1st: The Southern Strutt-’The Wave’

2nd: The Southern Strutt-’Beetlejuice’

High Score by Performance Division:

JUMPStart Jazz

The Southern Strutt-’Chewy Chewy’

JUMPStart Lyrical

The Southern Strutt-’Reflection’

JUMPStart Contemporary

The Southern Strutt-’Flying Solo’

Mini Jazz

The Southern Strutt-’Ponytail’

Mini Lyrical

The Southern Strutt-’Fly Me to the Moon’

Mini Ballet

Columbia City Jazz Conservatory-’Concerto in D’

Mini Specialty

Summerville Dance Academy-’Jungle’

Mini Contemporary

Columbia City Jazz Conservatory-’Bones’

Mini Hip-Hop

The Southern Strutt-’Bow Down’

Mini Tap

The Southern Strutt-’Splash N Go’

Junior Contemporary

The Southern Strutt-’A Young Minds Thoughts’

Junior Hip-Hop

The Southern Strutt-’Dirty South’

Junior Jazz

The Southern Strutt-’How Ya Like That’

Junior Lyrical

Litchfield Dance Arts Academy-’Small World’

Junior Musical Theatre

The Southern Strutt-’The Gospel Truth’

Teen Jazz

The Southern Strutt-’XR2′

Teen Hip-Hop

The Southern Strutt-’The Wave’

Teen Contemporary

The Southern Strutt-’Which Witch’

Teen Specialty

Columbia City Jazz Conservatory-’Lay Them Before Me’

Teen Musical Theatre

The Southern Strutt-’Beetlejuice’

Teen Lyrical

Columbia City Jazz Conservatory-’Midnight Street’

Teen Tap

Center Stage School of Performing Arts-’Freedom’

Senior Tap

Center Stage School of Performing Arts-’Toxic’

Senior Contemporary

The Southern Strutt-’Ready, Set, Impact’

Senior Lyrical

Evolution Dance Complex-’Piece By Piece’

Senior Jazz

Columbia City Jazz Conservatory-’Human Nature’

Senior Musical Theatre

The Southern Strutt-’Too Darn Hot’

Senior Hip-Hop

The Southern Strutt-’Here Comes the Boom’

Best of JUMP:

JUMPStart

The Southern Strutt-’Chewy Chewy’

Mini

Columbia City Jazz Conservatory-’Concerto in D’

The Southern Strutt-’Fly Me to the Moon’

Junior

The Southern Strutt-’The Gospel Truth’

Teen

The Southern Strutt-’The Wave’

Center Stage School of Performing Arts-’Freedom’

Evolution Dance Complex-’Carry The Weight’

Columbia City Jazz Conservatory-’Lay Them Before Me’

Senior

Evolution Dance Complex-’Piece By Piece’

Columbia City Jazz Conservatory-’Human Nature’

The Southern Strutt-’Here Comes the Boom’

Best In Studio:

Columbia City Jazz Conservatory-’Lay Them Before Me’

Creative Edge Dance Center-’Cornerstone’

The Southern Strutt-’The Wave’

[noiseartists]

Mexican Shoegaze, Dream & Noise Pop, a quick guide, Vol.1

To present the great Mexican scene, we asked a specialist: Jairo Manzur, Editor of Sonidos que Permanecen (ex ‘Shoegaze Latino America’). And what a superb introduction it is.

Thanks to Lorrelle Meets the Obsolete, Lasitud, Los Kowalski, El Glum, Acty and Rilve for providing some of the material for this article.

INTRODUCTION

“I find it hard to introduce a genre so global (and kind of diffuse nowadays) as shoegaze even in a single country. In my mind, any attempt would just leave things out. So, instead of introducing Shoegaze in Mexico, I will try to propose a way to approach the genre in two different ways: a historical one and a geographical one. During this brief introduction, I will also refer to other articles that have highlighted bands and musical scenes.

Shoegaze in Mexico: a historical perspective.

When I was asked by Noise Artists to write an introduction to this guide, the first thing that came to my mind was to find and explore the roots of Shoegaze in Mexico. In general, Shoegaze become a musical phenomenon in Latin America during its resurgence around the 2010’s (a resurgence prompted by Internet communities dedicated to the genre and the worldwide availability of equipment and gear that was before too expensive or hard-to-find).

Nonetheless, many countries had seminal bands during the 90s; even if the examples are scarce bands like Silvania or Resplandor (both from Peru), Mellonta Tauta (Argentina) or Un.real (Puerto Rico) were pivotal in the development of shoegaze in Latin America. To my surprise, there is little information about bands doing Shoegaze during the 90s in Mexico.

In his introduction to the Pitchfork's list "The 50 Best Shoegaze Albums of All Time", Peter Kember (founder of Sonic Boom and Spacemen 3) reminds that:

“If you had told me in 1991 that, 25 years later, I would be prefacing a list on Shoegaze, I would probably have told you it would never happen. Few of these bands paid even the slightest, fleeting lip service to commerciality. I couldn't see it.

But things change; even by 1993, I was redressing my views. I played a show that year in L.A. at Johnny Depp's Viper Room. The support band, to my complete amazement, was a Shoegaze band—a Mexican shoegaze band. The thought that this music might cut through cultures with such broad swathes had never occurred to me before, but now I could see this genre might have long legs, in between that gaze and those shoes.”

Kember does not state (and probably doesn't remember) the name of that Mexican band. Still, the mention is priceless and problematic: that band (and probably others) existed, yet we don't have any valuable information about them. So, that is a (re)search that needs to be addressed in the future. The location of the gig is also important: areas like Baja California (with Tijuana on the lead) have become important musical centers thanks to its proximity to the United States border. As noted by Erich E. Mendoza on "Tijuana's Independent Spirit Has Made It Home to One of Mexico's Most Exciting Music Scenes":

“To understand why the Tijuana scene is experiencing a revival, we have to dive into the early 90s, when a local band named Staura was just getting its start. Staura was made up of Gaby Spica, René Soberanis (better known as Loopdrop, another key band in this scene), and Omar Foglio, who would go on to become Tijuana's top independent promoter and launch Swenga Fest in 1995.

It was during the career of Staura and Loopdrop that the local public began to turn their heads and notice what was going on in the few venues and bars that had performance spaces for bands at the time. And it was through these initiatives and with this support that other acts like Ibi Ego and Shantelle began to come to life in the early 2000s.”

Shoegaze in Mexico: a geographical perspective.

Though Mexico City concentrates most of the population of the country, the musical scene in Mexico is well decentralized. As already commented, Baja California has been an important and fervent musical area for decades.

In recent years, bands like Lorelle Meets the Obsolete or Mint Field (mixing Shoegaze, Dream Pop and Psych Rock) have risen to global fame, by so increasing the already notorious presence of the area on the musical map of the country.

Aguascalientes also seems to have a strong bond with Shoegaze: bands like Le 1991, Bleak Boys, Car Crash Sisters and others, have explored the genre with success; the same happens to other states like Guanajuato (with interesting bands like DUVVI. Clan de Venus or the already disbanded Candy Colors) and Morelia.

Differently from other Latin American countries, the music in Mexico is not centered around the capital city. So, any attempt to think any genre has to encompass the country as a whole.

Lorelle Meets the obsolete

Mexico’s Lorelle Meets The Obsolete conduct a mind-blowing experiment in restrained noise. Bringing their intense new album ‘De Facto’ to the stage they now push electronics to the fore of their wall of sound. All elements (the surging guitars, clattering electronic beats and heavy live rhythms) coalesce into a wave of sound, like an acid rock Factory Floor. They sing mainly in Spanish with some detour through English.

There is an interesting article in the Guardian that points out that

A mix of shoegaze textures and darker psych stylings has earned Lorelle meets the Obsolete acclaim far beyond their native Mexico, with Robert Smith and Henry Rollins among their fans.

An other article in Sonic Cathedral points rightly about the evolution of the band’s sound on the last album:

De Facto isn’t just a progression from 2016’s acclaimed Balance, it’s a new start which sees Lorelle Meets The Obsolete ripping up their own rulebook and building everything up from scratch. When they returned to Ensenada after touring Balance in 2017, they built a new recording space with their roommate and touring synth player, José Orozco. As a result, a lot of the songs were initially conceived without guitars.

“There’s nothing unusual about this, but for us it was all new territory working this way,” explains Alberto. “Having a new palette of musical equipment gave us the chance to develop the songs in a different way, so songs were constructed around drumbeats and synth lines – most of the guitars only came at the end.”

The line-up is:

Lorena Quintanilla (Lorelle): Vocals, electric guitar & electric bass.

Alberto González (The Obsolete): Drums & percussion, electric bass, casiotone, electric & acoustic guitars.

Their music work to date is (we included links to some good reviews):

2011: On Welfare, album

2012: Ghost Archives, EP

2013: Corruptible Faces, album; Live In Mexico City; What's Holding You?, EP

2014: Chambers, album; Live in London

2015: God Unknown Records Split, EP

2016: Balance, album

2017: The Sound Of All Things, EP

2019: De Facto, album; Unificado (Pye Corner Audio Remix)

Some songs we love:

SADFIELDS

Sadfields are a Noise Pop band from Mexico City formed in 2015. After a fantastic first song, "Falling apart", the band released their first 6 songs' EP/LP. If you like a huge sound, cranked guitars, beautiful melodies, look no further. The Band and Noise Artists did a full artist presentation that you can find HERE

They sang in English but have started lately with lyrics in Spanish with gusto. The music work to date is:

2016: Falling apart, single

2017: Homesick, album; I don’t know why, single

2019: Atrás / Desaparecer, singles

The current line-up is:

Daniel Espinoza - Vox/Guitar

Miguel Lara - Bass

Erick Román - Drums

Some of the songs we love:

LOS KOWALSKI

The Kowalski are a band from Mérida, formed in 2011. They sing in Spanish and mix progressive rock and reverb Pop very efficiently.

“We create a color palette by means of distortion and echo waves, where melodies of reverberated voices appear, combining organic sounds with electronic sounds.”

The current line-up is:

Pablo Fuentes: drums, keyboard, guitar, voice

Manuel Gutiérrez: guitar, keyboard, voice

Arturo Ponce: bass, guitar, theremin

They have 2 EP, 1 album (see below) and are currently working on our second album, which they hope to release in early 2020:

2015: Sputnik, EP

2017: Sónica, EP

2018: Dejarte ir, album

2019: Sputnik, EP

Some of the songs we love:

ACTY

Formed in mid-2015, ACTY (Amparo Carmen Teresa Yolanda) is a band originally from the state of Hidalgo.

The 4 names making the acronym come from Compadre Lobo, a novel written by Gustavo Sainz. The band’s taste for literature is reflected in their songs, the lyrics narrate youthful anguish, while music envelops us in atmospheres of noise (Shoegaze, Kraut, Noise, Post -Punk.)

They are currently belong on the independent label "Amigos Records" with whom they have released their two albums in Cassettes. They have released 4 official videos, the most recent being "Nothing is what They Want." According to the band, their last album, ‘Once Veinte’

“is the turning point between what it would be and what it is. We follow the path of what it would be, renouncing what it is. That is why we are here, living that utopia that we always wanted but we never dared to discover.”

The music work to date is:

2016: Amparo Carmen Teresa Yolanda, album

2018: Once Veinte, album

The current line-up is:

Iván Aguilar: voice, guitar

Oscar Aguilar: drums

Emmanuel Cerón: bass

Some of the songs we love:

SPRAY CANELA

Spray Canela is an independent Mexican band and ‘always will be’:

“One day we realized that what is believed and said about the Mexican music scene is very partly a lie. Unhappy with the national scene we decided to take action by our own hand and stop limiting our ideas and sound, expanding out of our area of comfort. We record our own music and produce our own merchandise, we like to keep it that way.

Since 2017 Stupid Decisions has been our hallmark for sharing our vision about sound, as well as our taste for cassettes, independent distribution and other things that could be called D.I.Y.”

Their sound is always changing, song after song, from Shoegaze, Raw Post Punk and progressive Rock, giving them an almost organic life.

Their music work to date is:

2019: Síntomas De Un Punto Muerto, album; Domio Mundial / Ciccone, singles

2018: Milagro Adolescente, LP

Some of the song we love (the second piece is absolutely epic):

LASITUD

Lasitud is a Shoegazing / Dream Pop / Post-Rock band from Villahermosa, Tabasco, Mexico. They mix the experimentation and stridency of Shoegaze, the soft harmonies of Dream Pop and the sensitivity of Post-Rock, resulting in a deep sound full of unique textures.

“Listening to Lasitud is like taking a long journey of dream landscapes”.

The music work to date is:

2018:Lasitud, EP

2019: Fantasma , EP

The current line-up is:

Paola Vidal,voice and keyboards

Julio Beli in voice, guitars

Andrés Contreras, guitars

Max Campos, bass

José Gorrochotegui, drums

Some of the songs we love:

EL GLUM

Hailing from Guadalajara, Mexico, EL GLUM is the solo project of Eduardo Vela, the guitarist of alternative rock band Aurum, with a debut EP (Uno) in 2018. Seamlessly melding ’90s influenced dashes of shimmering shoegaze reverberations and atmospheric, lulling dream pop with energetic rhythms, mesmerizing synth and blurred vocals, El Glum has just dropped a new single “Lejos”. The music work to date is:

2019: Fuera, single; Lejos, single

2018: Uno, EP; Presente. Single

Some of the songs we love:

RILEV

RILEV is a Shoegaze / dreampop band originally from Mexico City. Their first EP was done and released totally independently. They are mainly inspired by nature and love and believe in music as a catalyst for strong emotions

The current line-up is:

Manuel Grados: Guitar, voice

Alexis Guzmán: Bass

Alfredo Reyes: Drums

 The music work to date is

 2018: Rilev EP

Some of the songs we love:

BLEAK BOYS

Bleak Boys are a band from Aguascalientes. They released their first music in 2014. Their music is a powerful ensemble and loaded with a loud sensibility,

Describing their music, the bands says:

We met somewhere in a dreamy landscape

The current band members are:

John: Guitars, Vocals, Synthesizer

Paco: Lead Guitar, Vocals

Cruz: Bass, Keyboards

Noel: Drums, Vocals

The musical work to date is:

2015: Part Time Punks Sessions, album; Tensegrity, EP

2014: Corrosive, EP; Ræd, single; Bleak Mates, single

Some of the songs we love:

[rotanawrites]

Curly-Haired FC Masterlist

Under the cut, you’ll find a masterlist of over 150 fcs with curly hair. I’ll likely update this list with more as I find them.

RPHs who helped with names, or whose blogs I found several on: this ask, @gayagendarph's directory, @olivaraofrph, @dear-indies, @contentrpt, @rosalitadiaz

      FEMALE

  Miriam Margoyles (1941)

AliceWalker (1944) - Unspecified black

Cynthia Bond (1961) - Unspecified black

Judy Gold (1962) - Ashkenazi Jewish

Rena Owen (1962) - Maori, white

Kim Coles (1962) - unspecified black - body diverse

Neneh Cherry (1964) - Sierra Leonean, white

Lucia Rijker (1967) - Surnamise

Melina Kanakaredes (1967)

Yvette Nicole Brown (1971) - unspecified black - body diverse

Jill Scott (1972) - unspecified black - body diverse

Justina Machado (1972) - Puerto Rican

Marisa Jaret Winkour (1973) - Ashkenazi Jewish - body diverse

Alycia Eyo (1975)

Keala Settle (1975) - body diverse

Lauren Ridloff (1978) - unspecified black - deaf!

Chenese Lewis (1979) - unspecified black - body diverse

Rachelle Lefevre (1979) - Ashkenazi Jewish

Susie Castillo (1979) Dominican / Puerto Rican

Tiffany Limos (1980) Filipino (including Filipino, Spanish, Hawaiian, French, African, and Chinese

Fortune Feimster (1980)

Jasika Nicole (1980) - unspecified black, and unspecified other [has stated she’s biracial]

Vanesa Tomasino (1981) Salvadoran.

Gaby Moreno (1981) - Guatemalan

Giselle Itié (1982) Mexican / Brazilian.

Évelyne Brochu (1982)

Irina Castillo (1982) Afro Panamanian.

Yaya DaCosta (1982) African-Brazilian, African-American, Cherokee, Irish.

Sheron Menezzes (1983) Afro Brazilian, possibly other.

Rocsi Diaz (1983) Chilean / Honduran.

Lupita Nyong’o (1983) Luo Kenyan - Mexican-Kenyan nationality

Vannessa Vasquez (1983) Mexican.

Edy Ganem (1983) Mexican, Lebanese.

Gabourey Sidibe (1983) - Senegalese - body diverse

Janet Mock (1983) - Native Hawaiian, unspecified black - trans!

Tessa Thompson (1983) Afro Panamanian / Mexican, English, German, Scottish, Irish.

Dolly Castro (1984) Afro Nicaraguan.

Allyson Pratt (1984) Metis of Plains Cree, white

Faustina Agolley (1984) - Ghanian, Chinese, Malaysian

Lidi Lisboa (1984) Afro Brazilian.

Cintia Rosa (1984) Afro Brazilian.

Naima Mora (1984) Mexican, African-American, Unspecified Native American, Irish.

Melonie Gillette (1984) Afro Belizean.

Jade Tailor (1985) - Ashkenazi Jewish, white

Sarah Angius (1985) - Iraqi

Carmen Carrera (1985) Puerto Rican-Peruvian - trans

Giovanna Andrade (1985) Ecuadorian.

Alyssa Diaz (1985) Colombian / Mexican.

Karina Jordán (1985) Peruvian.

Leilah Moreno (1985)  Afro Brazilian.

Débora Nascimento (1985) Brazilian [Italian, Unspecified Indigenous / Unspecified Black]

Aisha Jambo (1985) Afro Brazilian.

Erika Januza (1985)  Afro Brazilian, possibly other.

Oona Chaplin (1986) Chilean [Mapuche, Spanish, possibly Romanian] / English, Irish, 1/16th Scottish.

Nazanin Mandi (1986) Iranian, Mexican, Unspecified Native American, Spanish.

Natalie Nunn (1986) African-American, Brazilian, Mexican.

Tammy Rivera (1986) Nicaraguan / African-American.

Sharon Aguilar (1986) Panamanian / Unspecified.

Mariluz Bermúdez (1986) Costa Rican.

Maria Mena (1986) Afro Nicaraguan / Norwegian.

K-Réena / Katherine Macarena Contreras Contreras (1986) Chilean.

Lua Blanco (1987) Brazilian.

AnnaLynne McCord (1987)

Rebecca Sugar (1987) - Jewish

Stephanie Sigman (1987) Mexican [Unspecified Indigenous, Spanish] / German, possibly other.

Brooke Westbrooks (1987) Mexican, African American, Creole [Unspecified Native American, possibly other], Indian.

Sabi / Jenice Dena Portlock (1987) Salvadoran / African-American.

Tina Desai (1987) - Gujurati and Telugu Indian

Nadia Hilker (1988) - Tunisian, white

Francia Raisa (1988) Honduran / Mexican.

Summer Bishil (1988) Indian / Mexican, Cherokee, German, English, Dutch.

Nalu Santana (1988) Peruvian.

Dandara Mariana (1988)  Afro Brazilian.

Alicia Sixtos (1988) Mexican / Portuguese [including Azorean].

Heather Hemmens (1988) Afro Costa Rican / English.

Daniela Vega (1989) Cuban - trans.

Alia Shawkat (1989) - Iraqi, white - actress

Nathalie Emmanuel (1989) Dominican, St. Lucian, English

Juliana Herz (1989) Costa Rican.

Emily Rios (1989) Mexican

Kate Rodriguez (1989) Afro Panamanian.

Lorenza Izzo (1989) Chilean [Spanish, Italian, English, possibly other]

Lisa Tucker (1989) Afro Belizean.

Paula Deanda (1989) Mexican.

Marcela Amor Barnes (1989) Panamanian, Jamaican, Spanish, possibly other.

Ms Damn (1990) Honduran, Louisiana Creole / Nigerian.

Shakira Barrera (1990) Nicaraguan.

Lais Ribeiro (1990) Brazilian [Unspecified African, Unspecified Indigenous, Portuguese]

Kat Lazo (1990) Peruvian [Quechua] / Colombian [Unspecified White]

Q’orianka Kilcher (1990) Peruvian [Quechua, Huachipaeri] / Swiss, German, Belgian [Walloon], English.

Kristinia DeBarge (1990) ⅜ Mexican [Spanish, smaller amounts Unspecified Indigenous, Unspecified African], ¼ African-American, 1/32 Danish, 1/32 Norwegian, rest mix of English, Irish, French, Welsh, German, Icelandic.

Sophia Abrahao (1991) Brazilian.

Luz Pavon (1991) Afro Mexican.

Jasmine Tookes (1991) African-American, Brazilian, Barbadian, Unspecified European.

Aline Dias (1991) Afro Brazilian

Lex Scott Davis (1991) - unspecified black

Kattya Heredia (1991) Afro Peruvian.

Harmony Santana (1991) - Puerto Rican, Dominican- trans!

Carmyn Xoluv (1991) Ecuadorian, Mexican, Chinese, Filipina, Italian, French.

Kasturi Anderson (1991) Belizean, Japanese, African-American, Unspecified Native American.

Alexis Jordan (1992) African-American / Puerto Rican

Adria Arjona (1992) Guatemalan / Puerto Rican.

Nikki Glamour (1992) Mexican.

Diona Reasonover (1992) - Unspecified Black

Jamily (1992) Afro Brazilian.

Kirstin Maldonado (1992) Mexican / Spanish, Italian.

Jessica Ellen (1992) Afro Brazilian.

Mayra Goñi (1992) Peruvian.

Romina Rocamonje (1992) Bolivian.

Hazar Ergüçlü (1992) - Turkish Cyproit

Tori Kelly (1992) Puerto Rican, Jamaican, white

Raini Rodriguez (1993) Mexican - body diverse

Naressa Valdez (1993) African-American, Mexican, Unspecified Native American, Italian,

Portuguese.

Nizhoni Cooley (1993) Mexican, Navajo, Irish, Czechoslovakian.

Crystal Westbrooks (1993) Mexican, African American, Creole [Unspecified Native American, possibly other], Indian.

Bree Westbrooks (1993) Mexican, African American, Creole [Unspecified Native American, possibly other], Indian.

Mayra Tercero (1993) Honduran.

Megan Nicole (1993) Mexican / English, German, Scottish, Unspecified Native American.

Dayana Saez (1994) Panamanian.

Jana Hisham (1994-95) - 5/8 Saudi Arabian, 1/8 Malaysian, 1/8 Bangladeshi, and 1/8 Turkish

Joyjah Estrada (1994) - Belizean

Tashi Rodriguez (1994) African-American,  Puerto Rican

Jaz Sinclair (1994) - unspecified black, white

Ella Eyre (1994) - Jamaican, Maltese

Indya Marie (1993) Black, Cuban, Cherokee

Indya Moore (1995) - Puerto Rican, Caribbean - trans!

Jadah Doll (1995) - unspecified black, white

Luisana González (1995) Dominican

Raven Lyn Corneil (1995) African-American, Puerto Rican, Irish and Unspecified Native American

Lorde (1996)

Alessia Cara (1996)

Samantha Logan (1996) Trinidadian, white

Poppy Okotcha (1996) - unspecified black, unspecified other (multiracial)

Imaan Hammam (1996) - Moroccan, Egyptian

Brittany O’Grady (1996) - Louisiana Creole (black, French), Irish

Marina Nery (1996) - Indigenous Brazilian, white

Foreign Doll (1997) Lebanese / Persian Iranian, Azerbaijani, Armenian - youtuber

Iréne Ekelund (1997)  Swedish / Angolan.

Naomi Osaka (1997) - Japanese, Haitian

Kiana Brown / Kiana Ledé (1997) Unspecified Black, Mexican (Unconfirmed), Cherokee (Unconfirmed), Swedish.

Hiandra Martinez (1997) Dominican.

Leah Allyannah (1997) Guyanese, Chinese, Indian, Black.

Sahara Lin (1998) Chinese, Welsh, Dominican, Puerto Rican.

Jaylen Barron (1998) African, Mexican, Brazilian, Venezuelan.

Madison Pettis (1998) - unspecified black, white

Yara Shahidi (2000) - unspecified black, Iranian

Taija Kerr (?) Native Hawaiian, unspecified black - body diverse

Christina Moses (?) - Unspecified Black

MALE

Michael Urie (1975)

Javier Munoz (1975) - Puerto Rican

David Bisbal (1979)

Simon Amstell (1979) - Ashkenazi Jewish

Jon Foo (1982) - Chinese, Irish

Ray Santiago (1984) - Puerto Rican

Laith Ashley (1987) - Dominican, unspecified white - trans!

Nick Sagar (1988) Guyanese / Jamaican.

Robert Sheehan (1988)

Jakub Gierszał (1988)

Finn Jones (1988)

Erik Knudsen (1988)

Thakur Anoop Singh (1989) Indian.

Chai Hansen (1989) - Thai, unspecified white

Roshon Fegan (1991) African-American / Fillipino

Eduardo Casanova (1991)

Anthony Ramos (1991) - Puerto Rican

Marlon Teixeira (1991) Brazilian [Portuguese, ¼ Japanese, ¼ Unspecified Indigenous]

Toby Regbo (1991)

Alberto Rosende (1993) - Colombian, Cuban

David Lambert (1993) - half Puerto Rican

Ludovico Tersigni (1995)

Troye Sivan (1995) - half Ashkenazi Jewish

Jordy Baan (1995)

Jack WAy (1999) - trans!

Mars Granito (?) - unspecified black - trans!

Tom Phelan (?) - trans!

Jackson Hale (?) Indian, Trinidadian, White.  

Tommy Martinez (?) - Venezuelan

  NONBINARY

Jill Solloway (1965) - non-binary and gender non-conforming

Olly Alexander (1990) - non-binary - he/him

Nico Tortorella (1988) Genderfluid - they/them

Rain Dove (1989) Genderqueer - they/them.

Chella Man (1998) Chinese, Jewish - Genderqueer - he/him - deaf

Ellie Desautels (?) - trans genderqueer - they/them

Ty Vine (?) - unspecified black - nonbinary

Alok Vaid-Menon (?) unspecified South Asian - non-binary transfeminine

[findasongblog]

Find A Song detailing lost love and heartbreak

Cesar Saez - If You

Born in Mexico, psychedelic baroque pop artist Cesar Saez has created a new genre by fusing romantic and melancholy tradition with modern rock-n-roll soundscapes.  Currently living in Los Angeles, Saez is a troubadour stolen from a different era bringing his groundbreaking sound with him.

Growing up in Mexico City, his Bolero influence came from watching his mother’s partner serenade her with Bolero after dinner.  With flowers between his teeth and a unique swagger Saez began to see the power of romance that stemmed from the Bolero sounds. He soon learned to play the guitar and submerged himself into the traditional stylings of artists such as Pedro Infante and Agustin Lara. Moving to Los Angeles as a teenager, Saez had a flood of new musical influences that impacted his own sound. Ranging from Radiohead to Scott Walker and Serge Gainsberg as well as the 60s pop icons his dad would play for him, Saez took this wide variety of influences and crafted them into the psychedelic baroque pop that he is now known for.

Since his relocation to Los Angles, Saez was able to integrate himself into various sectors of the music scene by touring and playing with two rock bands��The Bixby Knolls and the Wallburds, of which he was the lead singer.  As a solo act and with the both bands Saez has shared stages with the likes of Los Amigos Invisibles, Bomba Estéreo, Gaby Moreno, and many more.  He’s also played some renowned stages such as The Avalon in Hollywood (at a NALIP event where he was hand-picked by a KCRW DJ), SXSW, Desert Stars and many more.

Cesar Saez’s debut EP “Perdido” was produced by the legendary Ettore Grenci (Gloria Trevi and Marc Anthony) and received critical acclaim.  He is now set to release two new highly anticipated tracks, “If You” and “Desilusion” which are part of a full length Bilingual album with equal songs in Spanish/English.  Both songs were co-produced by Saez and Luis Los and Luis Aguilar members of the Mexican band Vaya Futuro, along with Grammy nominated Spanish Producer/engineer Juan De Dios. "If You" is a James Bondesque emotive track detailing lost love and heartbreak, while "Desilusion" features psychedelic soundscapes, impassioned vocals and lush string arrangements.  (press release)

[espectadorenlinea-posts]

Tres importantes agrupaciones le dieron vida a esta primer festival que superó las expectativas esperadas

Con broche de oro se abrió la primera edición del Tampico Jazz Fest que se llevó a cabo durante la noche de este martes en el Espacio Cultural Metropolitano, contándose con la participación de las agrupaciones Alarez Blues Aguilar, la Big Band Jazz de Tamaulipas y la presencia del Maestro Pepe Hernández.

La favorable respuesta del publico a este Festival de Jazz organizado por los integrantes del Colectivo Los Hijos de la Dolores dejó ver el interés que hay por escuchar buen jazz en el puerto, por lo cual se ya se trabaja en la segunda edición de este encuentro de música.

Para abrir el telón estuvo a agrupación Alarez Blues Aguilar, quienes ejecutaron cuatro piezas especialmente escogidas para el festival de Jazz, luciendo al micrófono la voz de Gaby Müler.

Posteriormente correspondió a la Big Band Jazz de Tamaulipas bajo la Dirección Musical de Pedro Barragán, quienes demostraron el talento que hay en el puerto para la ejecución del Jazz.

Para cerrar la noche, al Maestro Pepe Hernández y su quinteto, invitados especiales a este primer Festival, dejando en claro el por qué es considerado uno de los mejores exponentes del jazz latino, y el bajista más grabado en México.

El colectivo los Hijos de la Dolores, está compuesto por el Doctor Jaime Rentería, Alejandro Arias, Reyes González y el Licenciado Daniel Puga, quienes se anotaron este nuevo éxito.

Metro Tam Cultura Tam

Primera Edición Tampico Jazz Fest

Todo un éxito la primera edición de Tampico Jazz Fest en el Metro Tam Tres importantes agrupaciones le dieron vida a esta primer festival que superó las expectativas esperadas

[ocioenlinea]

Clásicos Instantáneos: Cantautores con celular

Desprovistos de toda solemnidad en cuanto a la forma en que asumen su vocación de hacer canción con espontaneidad a rajatabla, una veintena de cantautores latinoamericanos respondieron al llamado del mexicano El David Aguilar y el venezolano Ulises Hadjis para intercambiar trabajos a través de su teléfono celular; esos bosquejos de canción que recurren tan sólo a voz e instrumento, sea guitarra, piano o ukelele. Así nació el Núcleo Distante, colectivo de amigos que muy pronto reunió suficiente material para armar un disco recopilatorio que hoy materializa y oficializa su complicidad. Participan en éste, entre otros, el uruguayo Franny Glass, la argentina Loli Molina, la chilena Paz Court, los peruanos Alejandro y María Laura, el panameño Carlos Méndez, el brasileño To Brandileone, la guatemalteca Gaby Moreno, el colombiano Andrés Correa y los también mexicanos Silvana Estrada y Ampersan.

        Núcleo Distante, el compilado, está disponible para su escucha o venta en todas las plataformas de streaming; un álbum con 22 tracks en los que se respira ese aire de alcoba en el que parece que todas estas canciones fueron  imaginadas por sus autores. Abre con “Subibaja” de El David Aguilar y cierra con “Lost In A Cloud” de Gaby Moreno. En la primera, el sinaloense exhibe su destreza para escribir letras que esquivan el lugar común y trazar melodías que anima su gusto por la experimentación. “Éste porque sí, de ser así / Desfachatada marioneta / Me dejó salir, a relucir / Mi corazón en patineta…”, escribe él en uno  de sus versos. La última es la única cantada en inglés por la Moreno, residente en Estados Unidos, que indistintamente lo hace así o en español.

        Emociona constatar la profundidad de sentimiento y la fuerza interpretativa que varias de estas canciones irradian a pesar de su economía de recursos. Por ejemplo, la veracruzana Silvana Estrada aporta una versión austera de “Lo sagrado”, la canción que diera título a su álbum de 2017. En ésta, una balada de distanciamiento sentimental, su voz inconfundible canta: Sálvame del ruido y del silencio / Que no me queda nada si te vas (…) Y entiende por favor, yo te lo pido /  Que sin tus manos este cuerpo estás de más…” Por su parte, Alejandro y María Laura cantan a dos voces en “Babas”, algo así como una tonada amodorrada a un ser amado, versos con cierto humor y evidente cariño: Cuando despiertes y hayas crecido / Días y noches / Besos y babas / Serán recuerdos / Recuerdos sólo míos…”

        En gran medida, Núcleo Distante da cuenta del estado actual de la canción latinoamericana, develando las temáticas que inquietan a sus autores, su manera de asumir su propio quehacer y, especialmente, el interés que tienen por compartir con otros y sumarse en solidaridad. Aquí están algunos nombres que significan un dignísimo relevo generacional a voces ya consagradas en el ámbito de la canción latinoamericana que fluctúa entre géneros, es decir de Andrés Calamaro a Jorge Drexler y de Juana Molina a Fratta.

Enrique Blanc. No.1117. 080219

[lezreviewbooks]

Trial and Error by Carsen Taite, narrated by Paige McKinney

Gaby's review of Trial and Error by Carsen Taite, narrated by Paige McKinney

Another good installment in A Courting Danger Romance series I love when writers bring their expertise in a subject matter into their novels. Carsen Taite is one of them, as a retired criminal defence attorney, her legal thrillers are unique in our genre. I’m always happy to pick up one of her books that feature heavily on law. When Judge Nina Aguilar witnesses a shooting in her own courtroom,…

[ocfinancial]

And just like this we completed our 15th tax season as a team.... Thank you Rosa Barron Graciela Alavez Yamel Valente Irma Aguilar Gaby Galicia Gloria Smith Filiberto Cosina Michelle Morales - Brian Casas, Luis and David Alan Christensen

😍WE DID IT!! THANK YOU FOR ALL YOUR SUPPORT ON MAKING THIS A VERY SPECIAL COVID TAX SEASON... THIS ONE MY FRIENDS WILL GO DOWN IN HISTORY... NO JOKE... 🧚

[transnames]

Can I have some names that fit with the siblings "Santiago, Karla, Lela, and _____"? If you could do middle names, theirs are Emanuel, Emilia, Eniya, and my dead middle name is Elena. Something similar or that might fit?

Definitely!

The other names you gave have a common element of A and in two of the names L, so I tried to include those. I also tried to go with a mix of Spanish names like Santiago and English usage names like Karla. I’m not sure whether you wanted neutral, feminine, or masculine names but I’m assuming that you want mostly neutral or masculine, so try these:

Santiago, Karla, Lela, and Aguilar

Santiago, Karla, Lela, and Ale / Alexis

Santiago, Karla, Lela, and Alvaro

Santiago, Karla, Lela, and Amaranta

Santiago, Karla, Lela, and Anaís

Santiago, Karla, Lela, and Andres

Santiago, Karla, Lela, and Angel / Angelo / Angela / Angeles

Santiago, Karla, Lela, and Antelmo

Santiago, Karla, Lela, and Areli / Ariel

Santiago, Karla, Lela, and Arnau

Santiago, Karla, Lela, and August

Santiago, Karla, Lela, and Bautista

Santiago, Karla, Lela, and Cande / Candelario

Santiago, Karla, Lela, and Carmen

Santiago, Karla, Lela, and Claude

Santiago, Karla, Lela, and Cris

Santiago, Karla, Lela, and Dallas

Santiago, Karla, Lela, and Dana / Dani / Daniel

Santiago, Karla, Lela, and Devan

Santiago, Karla, Lela, and Feliz

Santiago, Karla, Lela, and Francis

Santiago, Karla, Lela, and Gabi

Santiago, Karla, Lela, and Garcia

Santiago, Karla, Lela, and Horacio / Helio

Santiago, Karla, Lela, and Jaime

Santiago, Karla, Lela, and Julian

Santiago, Karla, Lela, and Kendall

Santiago, Karla, Lela, and Logan

Santiago, Karla, Lela, and Lorca

Santiago, Karla, Lela, and Loreto

Santiago, Karla, Lela, and Luca / Lucca

Santiago, Karla, Lela, and Lupe / Guadalupe

Santiago, Karla, Lela, and Marcelo

Santiago, Karla, Lela, and Maxie

Santiago, Karla, Lela, and Morgan

Santiago, Karla, Lela, and Nicolas

Santiago, Karla, Lela, and Noel / Noelle

Santiago, Karla, Lela, and Odalis

Santiago, Karla, Lela, and Orlando

Santiago, Karla, Lela, and Pablo

Santiago, Karla, Lela, and Philip / Philippe

Santiago, Karla, Lela, and Rocco

Santiago, Karla, Lela, and Roland / Rolando

Santiago, Karla, Lela, and Rosario

Santiago, Karla, Lela, and Ryland

Santiago, Karla, Lela, and Sebastian

Santiago, Karla, Lela, and Thomas

Santiago, Karla, Lela, and Valencio / Valente

And for middle names, it looks like there’s a theme of including Em or En and either L or I, as well as being on the longer side. So here are some names that might work as middle names if you want to continue this pattern in your siblings’ middle names:

Edelmiro

Edgardo

Edmundo

Eduardo

Efraín / Ephraim

Egnacio

Eladio

Eliakim

Elian

Elías (this is quite similar to Elena, but more masculine)

Eliazar

Eligio / Elijah

Elioenai

Eliott

Elnathan

Elonzo

Emigdio

Emrys

Encarnación

Endymion

Engel

Enocencio

Enoch

Enosh

Enrique

Enzo

Epifanio

Erasmo

Ernesto

Esmael

Esperanza

Estavan / Esteban

Esteve

Estela

Estefanío

Eugenio / Eugenia

Eusebio

Eutimio

Evaristo

Ezequiel

Ezio

I hope this helped, let me know if you’d like more help!

[fofocasefamosos]

Ex-BBB Clara Aguilar surpreende ao alertar Gabi Brandt sobre toxicidade de Saulo Poncio

[aneedywilmington]

I am truly again overwhelmed and shocked about receiving this honor today. When I started my work in Wilmington it was just to share a common passion with my girlfriend Catherine Rodriguez . As we started working with students who were labeled homeless or at risk at Phineas Banning Senior High and other Wilmington Community of Schools it, became more personal. These kids were just like me. We shared some of the same upbringings, backgrounds, and experiences. My goal was to help them have a different experience. I want to thank you for this recognition. I can not truly say that my work is done without the support of my God, my better half Catherine Rodriguez and her family, the community ANW A Needy Wilmington and its members and my adopted children. Thank you Click to view post and additional photos: https://www.facebook.com/500972750/posts/10156847355062751/?d=n Sign up to the Wilmington Chamber of Commerce Chamber bits. https://visitor.r20.constantcontact.com/manage/optin?v=001-C0KnEtb87exmWo9Ppg32Ta1WgkPWx4B Wilmington Chamber of Commerce Dan Hoffman Amy Grat Tuvai Faatai San Pedro Fish Market and Restaurant Sonia Espinoza Cecilia Moreno Olga Gato Chavez Ricardo Sanchez Gaby Villanueva Eduardo Gutiérrez Analisa Velasco Rss Sergio Carrillo Ernie Aguilar Nancy Anaya Gabriela Medina Fernando Navarrete Rafael Garcia Councilmember Joe Buscaino Supervisor Janice Hahn Nanette Barragán Mike Gipson Assemblyman McDonnell Senator Steven Bradford Maya Mexican Restaurant and anyone unintentionally forgot to mention please TAG yourself. Thank you. https://www.instagram.com/p/B9sza1qguEB/?igshid=gw5k4gruks30