#GOD NO SHOW HAS MADE ME FEEL LIKE THIS ABOUT CHARACTERS

[auclairedetoru]

“This has been y/n and Satoru, thank you so much for watching, bye!”

The moment they reached the greenroom, y/n's smile drops. God, her cheeks hurt, nobody talks about how hard it is to fake a smile all day, it's like a workout for your face except you gain nothing at the end.

Her co-star walks in behind her, a cocky smile on his face. If she was him she would get tired of herself. How can someone be so egoistic? He loves himself more than his own mother loves him. Every second she's in his presence, she feels herself losing brain cells and getting gray hair, and as much as she loves silver locks on other women, she does not want the cause of it to be Gojo Satoru.

“Great job today, everyone! Y/n you could've been a little more cheerful toda-”

“Shut the fuck up.”

She plops down on the sofa and rests her head against the back of it. They still have one more interview left to do, so she's forced to tolerate that dumbass for a couple more hours, and it's a recorded one so she has to pretend she likes him too.

Why did she choose to become an actress again?

Right, childhood dream, worked hard for it, blah blah blah.

“Whoa! Careful there, tiger! Someone might be filming and you don't want to ruin the season before it even starts.” Gojo smirks, eyes glinting with mischief as he continues to push her buttons.

The people in charge decided to promote the filming of the new season of their show to remind people of it and get them excited, not that anyone was able to forget the last two seasons. According to the statistics, people love a slow burn story, especially when it stretches over multiple seasons. Yes, that does mean y/n has been stuck with Gojo as her co-star for three years now, as known as the longest three years of her life. Everyone around her tells her that time is passing by too fast, but it's been the opposite for her.

She's dreading this season the most. It might be the last, but it means the story will finally reach its long-awaited climax, which means her character and Gojo's will become more than friendly.

She doesn't even want to think about it.

“Leave her alone, Satoru. You still have one interview left.” his manager scolded him making the bright blue eyed man pout like a four year old not getting the candy he wanted.

The fact Gojo and y/n can't stand each other is something known only between them and their close staff, not even the director and producers know that the "chemistry" between them is something they make up on the spot and doesn't come naturally at all. They're surprised no one has figured out they don't like each other in any way, but y/n takes that as a compliment because it means that she's a really good actress who has perfected her craft and is able to fake getting along with a menace like him.

After touch ups, she goes to where the interview is being held, greeting the staff on her way and telling them she's excited to be working with them. Gojo smirks at her from his seat as she makes her way to sit on hers next to him. She mirrored him to keep up with the "we're best friends behind the scenes" thing they somehow built for themselves.

“Why are you looking at me like that?”

“Can't a man admire his friend and co-star?” he teases, milking the hell out of the act they put on for the camera. Y/n wanted to roll her eyes but instead she forces out a laugh and takes her seat.

She ignores the way her heart flutters at his words. No need to focus on that.

A few months into filming...

“Alright, everyone!” the director calls out as he claps his hands, “Cameras rolling, sound is up, let's do this.”

Ah yes, the most important scene of the entire franchise. The first kiss scene. This is what the show has been leading up to, this is the moment everyone has been waiting for, this is the thing y/n has been looking forward to the least, in fact, she has not been looking forward to it at all, she wishes it wouldn't happen.

The scene takes place at her character's apartment, a place the set design team has made so cozy looking she wishes she could curl up and take a nap on the couch. Gojo's character is her coworker and he's coming to check on her because she disappeared from the office party after seeing him flirt with someone. That's when she confesses that she's been pinning over him for years and he confesses back before pulling her into a kiss.

“Okay you two,” the director looks at them, “not to put you in any pressure, but this is the most important scene of the entire show. All your hard work has led up to this moment. Satoru, you're the one leading the kiss, remember that she's very vulnerable and heartbroken, so you need to be gentle and soft, she's the person you love most so you're gonna handle her with the most care. Alright? Here we go!”

The apartment door closes between y/n and Gojo as the clapper loader steps in and holds the slate in front of the camera, “episode 11, scene 45, take 1!” they call out before snapping the clapper shut and stepping back.

The director pauses, glancing around one more time to make sure everyone is ready.

"And... Action!”

Y/n steps into character and hesitantly opens the door. Her expression shifts to shock as she sees Gojo standing across from her, hair and clothes disheveled. “What are you doing here?” her voice is a mix between surprise and hurt, just as the script calls for and just as they rehearsed. Gojo's eyes soften, exactly how he was instructed.

Yes, she can't stand him, but that doesn't mean she won't admit that he's really good at his job. He's not one of the most sought out actors for no reason.

“I was worried about you, you left so abruptly.” he says, letting his eyes dance all over her face only to catch her wet cheeks and red eyes, and no, it isn't makeup and fake tears, she spent half an hour before filming started watching "soldiers reuniting with their dogs" videos to get to that point.

He moves to cup her cheek, but just as scripted, she steps back, her expression flattering. She starts to remind herself of things that make her emotional to start tearing up, “I-I'm fine, you can leave.”

Gojo stares at her a bit longer than he's supposed to, but she blames it on his love to suddenly improve, and not that he's admiring her or anything, not like she wants him to admire her, that would be crazy on her part.

"You don't have to hide from me," he says with the same soft tone.

She tries to hold back the tears to keep up the strong and always optimistic personality her character is known for, and after a moment she allows a couple to flow down her cheeks. Gojo's face morphs into a concerned expression.

“I don't like seeing you with someone else,” she mumbles, her voice breaking with every word that slips out of her lips, “it hurts me, right here,” she taps on her chest with a shaky hand.

Gojo's eyes widen to feign surprise, a perfect mix of confusion and disbelief on his face, playing the oblivious character to perfection, “you... You like me?”

“For the longest time,” she sniffs, her voice thick with emotion as she starts opening up, “I held back, I tried not to make it obvious, but i can't anymore.” She drops an octave to deliver the last line, showing as much vulnerability and pain as possible.

There’s a pause, and everyone on set is on the edge of their seat. They could feel the tension between them, the two playing their roles better than what everyone imagined from reading the script. Gojo goes to take a step closer, stopping half way.

“Can I kiss you?” he asks, his voice shaking to show that his character is feeling nervous. The director looks intensely between the scene in front of him and the one on the screen, making sure that the intensity they feel in the room is accurate on camera to what's happening in real life.

It's her turn for her to be surprised, playing unsure and hesitant, not expecting those words to come out of his mouth, “w-what?”, her voice trembles as her eyes search his face like she's trying to find any uncertainties.

“can I kiss you? Please?”

Gojo takes the step forward. His voice is soft and his gaze holds hers, intense yet tender, leaving no doubt that his character has been lounging for this and wanting it for just as long if not longer than her.

Y/n takes a deep breath. This is it, she's about to kiss Gojo Satoru, the person she despises the most. She hopes it won't be awkward, the scene was going smoothly and the last thing she wants is a retake from the top, she also doesn't want to embarrass herself in front of the whole crew and become the topic of their gossip.

After a small pause, just as instructed by the director, she gives Gojo a small nod. Gently, and hesitantly, he cups her cheek as he brings his face closer to her. The nervousness on her face is mostly real and she doesn't know why she's feeling that way, she wants the scene to end already.

The moment their lips touch, something surged within Satoru and his free hand quickly grabs her waist to pull her closer to him. Did she always smell so... Devine? Why are her lips so soft? Is her lip balm candy flavoured? Why does she taste so sweet? Why can't he pull away from her?

The kiss is supposed to be gentle, a tender moment of affection, yet the way his hand was gripping the pajama top she's wearing betrays his character's intentions. But the way his thumb caresses her cheek is the opposite, grazing the warm skin softly like he's handling a little kitten. He knows he’s supposed to pull away now. He wants to. He needs to, for the sake of this scene. But something holds him there and it's making him not care about the script anymore.

It’s only when he feels a gentle squeeze on his arm that he finally pulls back. He looks down at Y/n, her lips slightly swollen from the kiss, her wide eyes bright with a spark that stirs something deep within him, making him want to lean down and kiss her again.

“cut !”

The pair jumped away from each other. They both forgot they were on a set, filming a show, and not in the comfort of their own homes.

“that was just... Wow,” the director shakes his head with a smile, “Satoru you went a little out of what I told you with the kiss, huh?”

“yeah, sorry,” he smirks with fake confidence, acting like his heart isn't beating faster than a racing car, “I just thought the moment needed that intensity, ya know? He's been waiting to kiss her for so long after all.”

“No I agree, you did the right thing. Go ahead and take five, everyone. This is one of those rare times when there's no need to do multiple takes, the first was perfect.”

Y/n lets out a breath she didn't realise she was holding and quickly leaves to go grab a water and get some fresh air. She can't believe what just happened. That was definitely not a normal kiss, it felt too real. What was Gojo thinking!? Why didn't he stick to the script and kept it short? And why did she like it so much? She's not supposed to! She's supposed to hate him and everything he does.

“Y/n? Can we talk in your trailer, please?”

Fuck... Please don't let that be Gojo, please let her ears be mistaken and it's not his voice asking her to talk in private, please-

She turns around, and it's him. He stands there, hands tucked into his pockets, looking a little... Shy? Since when does Gojo Satoru feel anything less than bold and confident? There's an unusual softness to his expression, one she only sees when he's playing his character, but without the little voice in the back of her head reminding her that he's just acting.

Despite not wanting to talk to him, she still nods and follows him to her trailer that wasn't parked far away from where they stood. She lets him in first and closes the door behind her to ensure no one can hear whatever they're about to talk about.

As they stood across from each other, Gojo's eyes dart everywhere except to her face, something he has never done before. His usual bravado is gone and replaced with an unusual hesitance. She watches him with a puzzled look on her face. Why is he acting so out of character? It's as if he's nervous to talk to her.

Eventually though, he opens his mouth.

“I apologize for going out of script during the kiss. I didn't plan it to happen and I'm sorry if it made you uncomfortable.”

Now he's apologising? Okay, something is definitely wrong. Gojo has never apologised to her in the three years they've been working together. She is starting to feel nervous herself.

“It's okay, really,” she crosses her arms across her chest, “like you explained to the director, it's what you felt the scene needed, and I respect you as an experienced actor to know what you're doing.”

“That wasn't my reason, though.”

Her eyes nearly bulge out of her skull. Huh?!

“what ?”

He takes a step closer to her, a look on his face she couldn't describe, “that's just a lie I made up on the spot. I felt a pull when our lips touched, I don't know what happened to me and it's driving me mad,” he runs a hand through his hair, a habit his manager told her he does when he's anxious, “I couldn't stop myself, so I just let whatever it is take over, but I still couldn't stop, I tried but I just couldn't pull away and I— I want to kiss you again! I want to kiss you right now!”

“Gojo, calm do-” her words fall on deaf ears.

“No! You don't understand! I want to kiss you, but you hate me! You can't even look at me without being disgusted, and I keep making it worse! I keep showing the worst version of myself around you and it makes you hate me more and-”

“Gojo! Stop!”

The look on his face is breaking her heart. He seems so desperate, struggling to put his feelings into words, but every attempt only makes him more anxious, his words stumbling over each other as he tries to make her understand.

“I don't hate you, Satoru”, his heart flutters at the sound of his first name coming out of her lips. Even in interviews, she always used his last name, this is the first time he hears her call him Satoru, “I hate how you act when we're together behind the scenes. You're always so sweet to everyone but I'm always the one you tease, and sometimes your teasing hurts.”

“I'm sorry, I'm so sorry. It's just- I've liked you, as a person, before we even started working together, and I treated you how I treated my close friends. I didn't realise I was overstepping boundaries.”

Why is it so easy to forgive him? It must be something to do with the blue I'm his eyes, it holds some sort of spell that makes everyone want to be on his good side.

“It's okay, as long as you own up to your mistakes and don't repeat them, I'm willing to see past it all and start new.”

A huge smile takes over his face, content with her answer. He is so happy, he's been wanting to do this for so long. He knew he wronged her and needed to apologise for his actions, but he never knew how to approach it.

Without warning her, he lifts her up in a hug. A squeal left her lips followed by a melodic laugh as she hears him thank her over and over again. She allows herself to enjoy the warmth of his hug. His fans didn't lie, he is really good at them.

He pulls away enough to look at her face without unwrapping his arms from around her, “Can we start new by allowing me to take you on a date? I promise I'll treat you like the princess you are.”

She feels her cheeks heating up with a blush as she nods, unable to hide the small, shy smile tugging at her lips. Gojo grins wider, his eyes lighting up with an unmistakable spark of excitement and something tender, “can I kiss you again? Please?”

She barely finishes nodding before his lips are on hers. He’s smiling into the kiss, unable to hide the joy bubbling up inside him as he realizes his newfound feelings are reciprocated.

And yeah, she did like him more than she let on. The small crush she had on him before they met definitely didn't disappear like she thought it did, instead it stayed hidden away and came back out when she felt his lips for the first time.

She never expected this nor planned on letting herself fall for The Gojo Satoru Charm™, but with him here, holding her close, and pressing a kiss filled with passion on her lips, she realises maybe, just maybe, she’s been wanting this all along.

The ending looked way better in my daydream lol. Hope y'all liked it still 💕

[girlwithadragonheart]

I need to yap desperately about one single gripe I have with this game. MAJOR MAJOR MAJOR SPOILERS AHEAD read at your own discretion

The first half is me ranting about how much certain things mean to me and how impacted I was, and the actual gripe comes closer to the end.

I'll preface this by saying this post is about Varric's death and my rage and despair regarding it, but more so about my Rook's.

I've seen people who said they picked up on the hints about whatnot, who knew before the Fade Prison. I was not one of those people. I was so relieved when I saw him after the Prologue that I didn't think twice, because I knew that it would destroy me the second shit started going wrong.

I was already not having a good time when I started the game simply because Varric was getting older. I don't handle aging well or death, and his design showing his age, and the comments he would make about "getting too old for this" just made my heart break.

And then shit got worse. I sobbed disgustingly when that knife went into Varric's chest.

After Rook woke up from talking to Solas and she heard Varric, I was so gods damned relieved. And my Rook was better taken care of by Varric in that year she spent with him than she was in the rest of her entire life.

I cried from the end of Ghilan'nain's fight until the romance scene and on and off after that. I got so used to visiting Varric just to be comforted by his presence. Inquisition was the biggest part of my life for a year and a half when I was just a kid.

I did really bad middle school age writing for it but regardless of the quality, those characters were built up in my head becoming even more than they were in the game. Varric was my biggest support character through everything I was going through at the time.

I don't talk about it much, but I didn't have a great childhood, and I know a lot of people didn't, but I coped with it through writing and video games. Varric was the one supporting me through the abuse I suffered and writing was the way I processed how bad things really were.

When Rook was in the prison she said "What am I going to find here?" And Varric said "I think you already know, kid." I DIDN'T until he said that. The second he said that my entire chest tightened and I just said "No" out loud as I watched Rook find his body.

Now for my real complaint!!!

Rook never gets the chance to grieve Varric. They go from talking to him every day to finding out he's dead and it was all a lie. I have personally never been more fucking pissed at Solas than I am now. But Rook comes back and they have that kind of "closing off" scene with Varric's empty bed (which was so hard to go through btw). And then they fuck their pookie LIKE I CANNOT BE THE ONLY ONE UPSET ABT THAT

FYM I gotta find out my dad is dead and then Rook is up for boning like there's no fucking way unless it's to cope. And at least pertaining to the Lucanis romance, Rook is processing everything that happened and they can say "So much has happened, I just don't know how to feel."

And rather than getting to process that in some kind of way, the devs said nah this scene serves one singular purpose, and Lucanis says "I do" and then dicks them down.

Personally, I felt very dismissed despite being overjoyed about finally having the romance scene, I couldn't even enjoy it with everything that happened prior.

Rook deserved the chance to completely break down after everything they went through. Tbh i don't know how they kept it together. Varric said "don't get all misty eyed" and i thought to myself that's way too delicate a term for what's happening here, I was fully ugly crying.

Fuck your "I had a good run" I still need you bitch.

All this to say I'm very upset, and I'm running my second playthrough and every time I look at, hear, or talk to Varric I tear up again. Wtf Bioware.

Rook should've gotten the chance to actually talk about what Solas did to them, especially in the sense that he made them believe Varric was still there. Or at least get to properly grieve the person who was their closest friend for a long time.

I have very strong feelings about this obviously

[queermarzipan]

OH MY GOD OH MY GOD OH MY GOD

BEST. SURPRISE. EVER.

BTW

I LOVE YOU ASMI I LOVE YOU SO MUCH

SOOIGJLCFGOOOOO

R o b e r t d e n e i r o

R O B E R T D E N E I R O

i'm dying. i'm actually dying

Russel T. Davies

Russel T. Davies

ily asmi

i'm laughing bc this is incredibly obvious to ME but that is EXACTLY THE SAME RHYTHM so i am in fact delighted that you knew that

Yes this is true. Twelve is the lesbian and thirteen is idk pansexual or something idk. some sort of extremely niche microlabel i feel. not 'lesbian'

YOU WOULD THINK WOULDN'T YOU but no the master just really is that much of an ego-full person. he chose the name. like every time lord gets to choose their name and he called himself the master. & honestly there is also some sort of BDSM thing going on where the master REALLY LIKES the doctor using their name. and they're also both firmly in 'I Can Fix Him' territory about each other. fucking hell

MISSY MY FUCKING BELOVED ISTG I'M SO MAD THAT THE ONLY MASTER ARC THAT HAD HER BE LIKE FIXING HERSELF WAS WHILE SHE WAS A WOMAN AND THEY HAD THAT CLEAR DELINEATION THEY MADE BTW 'THE MASTER' AND 'MISSY' & I'M JUST. I LOVE HER. YOU FUCKING GOT ME. W H Y

the fucking bigeneration i was READY TO CRY & then they gave me the BEST GIFT OF ALL FUCKING TIME WHOVIANS EVERYWHERE CHEERED ISTFG

i also fucking sobbed but that's not the point the point is it fixed me

i love how little catherine knows about doctor who. every interview they do where david and catherine are together and something factual about the lore comes up david turns to catherine like "👀😇" i fucking love it

the QPR is the realest thing ever istFG it's so much stronger than stobin it really is and i'm biased towards stobin bc they're my FIRST PLANTONIC SHIP but omg they knocked it out of the park. the doctor 7 donna. forevermore. in the brains of people who have gone insane

THE FUCKING. KILLS HER. FUCK

HE KILLS HER

TO SAVE HER LIFE

BUT HE STILL KILLS HER

AND HE HAS TO CARRY THAT

FUCKING HELLLLLLLLLLL

this is what the 60th anniversary fixed in me btw. this pain. the cracks r still conveniently there & reopen when i put myself back in time within the canon

why would i do that you ask

obviously

i

must

????

pain

donna

</3.

^see. totally reasonable

the original show had shitty effects and so does the new one and everyone loves it. if u genuinely think the shitty effects of dw are something to overcome u r made aware that u r incorrect. we love our ridiculous procreate ass living bin and obviously plastic mickey. go watch avengers if u want GOOD cgi

this is profoundly accurate & also neutral which is smart bc having not watched the show u would ABSOLUTELY not be able to adequately defend your position to avoid having ppl come up to ubto ""explain" why ur wrong.

that said.

tentoo is the best ending rose tyler could have possibly had it tied in with themes in school reunion & impossible planet & family of blood & also fucking army of ghosts & doomsday & no one can ever change my mind. i fucking love it to fucking pieces u can pry the metacrisis from my cold dead hands

HE'S CALLED TENTOO BC HE'S ALSO TEN IT'S A FUCKING PUN IT'S THE BEST PUN EVER I LOVE IT

NuWho is one word & New Who is two words. Expeditiousness is the friend of all. this is the fandom that uses full-on numbers to refer to versions of a character lke the infamous "you can like 11 better than 10" post lmao u expect us to keep two words we could conpress into one??

THE TARDIS SHOULD ABSOLUTELY IMPLEMENT RIBBONS FOR SEATBELTS IF I EVER GET TO WRITE FOR THE SHOW THAT'S MY FIRST FUCKING SUGGESTION. I'M FUCKING LOVING THAT. also the tardis😍😍🩵💙🩵💙💙🩵💙🩵🩵

he does indeed. bridgerton episode

the ninth doctor is sometimes a butch lesbian and sometimes something unknowable & i think it was the unknowable version that was bobbing his head. he fucking rocks also ur absolutely right he has so little rizz. he can get it

truth. nothing more to say

very very queer. nothing more to say

david tennant and catherine tate had SO MUCH FUN during that episode istg i love them so much

the sexuest person is indeed a head. apparently he was supposed to be in a certain story arc & he'd have his head chopped off and that's why he's a head but they couldn't get him. so now we just simply have to assume that he got into a beheading predicament at some point

the Meep's pronoun is the definite article. easy mistake to make. the Meep is always "the Meep". friend shaped because evil subterfuge :,[

.....uh........ idk asmi idk lmao

WAIT OH MY GOD IT'S CASSANDRA YOU'RE TALKING ABOUT CASSANDRA I'M GOING TO EXPLODE THIS IS SO FUCKING FUNNYYYYYY

*strolls into tumblr and falls on my face pretending I haven't been missing for like a month I was out getting the milk hello maggots*

Doctor Who But I've Never Watched It 2.0

For those of you feeling deja vu YES I HAVE MADE POSTS ON DOCTOR WHO BEFORE OKAY but back then I was a young uneducated lad, just a fresh blossom unfucked by tumblr. Now I am surrounded by you lot and by god do y'all love Doctor Who. And I am Educated. My DW virginity is deflowered. All that.

SO HERE WE GO, EVERYTHING ABOUT THIS SHOW I'VE NEVER WATCHED:

The show started in 1963, and then was rebooted in 2005 and the showrunner was... Robert de Neiro? Idk all I know is he gives Pedro Pascal vibes. Like his name. His name is Robert.

There have been 15 Doctors so far. One is a lesbian and it is not Jodie Whittaker, it is actually the 12th doctor.

There's someone called the Master. I don't know what that means, or if it's some kind of BDSM thing, but he has intense sexual tension with the Doctor.

He's also emo and has bleached hair and is kinda babygirl. And is called Missy.

The Doctors all have intense trauma and the 15th Doctor kind of girlbossed it by leaving David Tennant intact when they binary-fissioned.

Donna is a person played by Catherine... Tate? Not Hepburn. And she knows less about Doctor Who than I do. And Donna is in a QPR with the David Doctors (there are two of them).

David Doctor loves Donna very much. And then he kills her. But doesn't kill her. And then they have dinner together with her husband and kid.

The original show had shitty effects. The new show does too, and everyone is happy about this.

Rose is someone the David Doctor is in love with and then she ends up with a human AU of him and he leaves and the fans are very divided and passionate about this.

The human AU is called Tentoo because y'all hate using W's. What the fuck is Tentoo. What is Nuwho. Why isn't it New and Two. Help me.

THERE IS SOMETHING CALLED THE TARDIS, IT IS BIGGER ON THE INSIDE, I HAVE HAD WEIRD DREAMS WHERE IT WAS A FUCKING AUTO-RICKSHAW WITH RIBBONS FOR SEATBELTS, AND IT IS BLUE AND NOT YELLOW BUT IT WAS YELLOW IN MY DREAM. Because of a Drarry fanfic that I misread.

The 15th doctor dances homoerotically with someone during the French Revolution.

The 9th doctor kinda vibes with like his head jiggling idk I've only seen one gif of him.

The 13th doctor keeps forgetting she's in a woman's body.

It is all very gay.

David Tennant's arms are too long.

The sexiest person is a head.

The Meep's pronouns are Meep. Meep is not friend. IF NOT FRIEND THEN WHY FRIEND SHAPED??????

A buttcheek skin talks or something yeah this is all I got.

have at it y'all @robinprinceofchaos @multidimensional-trashcan @wispedvellichor @queermarzipan thanks for the second hand brainrot

*sneaks away under the cover of night* i was never here

[romchat]

Fangs of Fortune (Ep. 25): Quick thoughts on the visuals

Pretty sure that last scene of Fangs of Fortune's Episode 25 made me feral and has not given me a moment of peace since I saw it (where's the fanfic, y'all???), but it did highlight for me something distinct about Director Guo Jingming's visual storytelling that isn't often discussed: his actor blocking.

Like in My Journey to You, Guo often uses how the actors are positioned in relation to the set and one another to reveal something about their characters, and he then shifts them like pieces on a chess board to signify changes in their mental state and/or relationships. This directing choice really gives his scenes a sense of movement and tension because the characters literally end up in different positions than where they started. We see the change on screen as much as we hear it in the script.

At the beginning of the scene, we see Li Lun looming over Zhou Yichen, reveling in the latter's apparent defeat over being harassed for being a demon.

Even though Li Lun eventually kneels down, it is menacing and just as much a power move as when he was standing up.

But we instantly feel the switch in the flow of power within the conversation when the distance between the two actors gets smaller. It's like Li Lun is both compelled and repulsed by Yichen's defense of humans and his criticism of Li Lun's indiscriminate violence towards them.

So we know that Li Lun has lost control of the situation when he stands up again and leg kabedons Yichen, pinning him roughly against the wall. Unlike earlier in the conversation, he now has to resort to brute strength to repress Yichen, and we see that realization on Li Lun's anguished face.

SIDE NOTE: That little grunt and exhale of air from Yichen at that move? Sorry, my mind wandered. Moving on...

Up until this point, Yichen has been relatively calm, but when Li Lun goes too far by calling him a coward like Zhu Yan (big mistake to insult his man!), Yichen demonstrates his power and blasts him away from into the water.

Not only is Yichen now looming over Li Lun, they're literally not on the same level, the latter isolated and cast in darkness. His resentment and crimes have sunk him to such a level that Yichen can only see him as pitiful.

Li Lun's switch to Bai Jiu's form in the background as Yichen walks away reinforces this. As a child actor, Lester Lin is significantly smaller than Yan An, so the use of his body makes Li Lun look even weaker.

SIDE NOTE: What a devastating use of rack focus from Li Lun to Yichen, showing how his manipulation won't work on Yichen no matter how painful it must feel to see Xiao Jiu. The shallow depth of field weakens Li Lun's image (and therefore power) even further.

Finally, I love how this scene ends with Yichen walking past Li Lun who remains immobile in the water but eventually drags himself in the other direction. It's the perfect bookend to the start of the scene. Yichen moves beyond that barrier (Li Lun's body), looking forward into the future despite the challenges he will face, while Li Lun's stays behind, most likely choosing an even more self-destructive end to his tragic story.

God, I love this director even when his writing drives me up a wall.

[zhuoyichenpretty]

Ep 26 Commentary

Alrightyy I've mustered up what's left of my brain for a belated ep 26 commentary post. IRL responsibilities are getting a bit away from me so I wasn't able to spend as much time on this as usual; apologies if the haste shows through! Consider this more reaction than meta.

As always, spoilers under the cut:

A carry-over comment, but I really do appreciate the Li Lun/ZYC scene in ep 25 for how it solidified ZYC's resolve and reminded him of where his heart is, what he believes in, what he chooses to defend. Such a load-bearing and pivotal conversation for both characters in opposite directions of development. It also makes ZYC's return to the Bureau triumphant in a way, despite all the preceding trauma, despair, and hopelessness. WX embraces him in relief that he's safe and in comfort for what they've all just been through, and for us, it's doubly meaningful as a sort of homecoming after a confrontation that only we have witnessed. It's also interesting, the cutaway as they hug, the things we have been made privy to and the things that are kept private from us.

Ouuughh the lines voiced over as ZYZ and ZYC meet eyes for the first time since all that transpired in Tianxiang Pavilion. It gives such a deep sense of wordless understanding and intimacy. I'm reminded of when the show did that for Ranyi and Miss Qi's final lines.

As I mentioned previously, a lot of subtext became text in this episode, which was quite exciting (and also extremely adorable the way ZYC was like "I think I've said too much" /// afterwards). I didn't expect ZYC to convey his understanding of ZYZ to him so soon, but that really goes back to something I love about ZYC: that he doesn't really waste time expressing something once he's come to an emotional conclusion. Maybe there's something to be said there about how he knows, after the loss of his family, how important it is to say the words when you have them to the people in front of you while they're still here.

If ZYC's words and his tears offered to a catatonic ZYZ in ep 23 was an expression of star-crossed and conflicted love, this parallel scene is just an utterly unrestrained confession, the stars be damned.

Also, tbh I never found ZYC's reactions to ZYZ to be unfounded or unreasonable, even when misguided in the beginning (and necessarily so, given the narrative and premise) or at times harsh (which I also found much-needed for ZYZ to hear, and delivered with obvious sympathetic anguish). He was clearly reflecting and actively revising his own preconceived notions this entire time, feeling for ZYZ the whole way through, and I do think he's demonstrated realistically and impressively the full extent of empathy perhaps as far as it can possibly stretch without personally experiencing ZYZ's life himself and while still living and feeling for his own. But to see ZYC so ready to address his previous flaws, to admit them and correct them, to go beyond them and to reach out so plainly for ZYZ in front of him now that he has that personal experience—the relationship between them has transcended the initial set-up of two opposing characters meeting in the middle. The show has gone that extra step and made their perspectives one. And given that I didn't personally find that step to be narratively necessary, so to say, (as in, even without it there's not truly a narrative obstacle because I already believed ZYC loves ZYZ despite everything and we've already seen the lengths he'll go to not to kill ZYZ), it feels like a choice in every definition of the word. Like a development motivated by love all the way down.

WX gets the least traumatic cloak-draping scenes out of the three of them, thank god.

Oh shit I forgot about fixing the Wilderness I'm so glad they didn't lmao.

Ahhh the crossroads moment at a literal (kind of) crossroads right before entering the Bingyi Clan's forbidden area. ZYC suddenly wanting to go alone or back out, stuck weighing the danger to everyone's lives, who they can and can't save depending on his choices. It makes me think of what happens when we let intense love in and it comes with intense fear, makes us freeze up. Suddenly, the stakes are in sharp relief, and the courage to move forward isn't so simple anymore.

"修好了，你也別死" ("Once it's fixed, don't die either.") Head in hands. ZYC's voice here, his expression, that desperation. Yeah I think this episode was so draining because of how all pretense is being stripped away and all that's left is ZYC's profound love for everyone, so raw and vulnerable that it hurts to watch, especially knowing he won't have it easy trying to keep everyone alive.

Kind of love how freely ZYC cries and says the vulnerable things in front of all his loved ones. Like. That's truly his family, his people, his heart.

ZYZ please. Imagine ZYC's grief without you. Please just stay.

Yay 12 seconds of angst-free bickering right before (as someone else called it) the trolley problem

Ok so, I'm not sure how common this interpretation/reading of the following scene is, but it's been rattling around in my head for a while now so I'm just gonna include it here. If y'all disagree, pls disregard! Basically, when ZYC first turned to PSJ and thanked her, I was terrified for a moment that he would ask her to stay. Because on one hand, ZYC would never, but on the other hand, imo there's a lot of (I think deliberate) ambiguity baked into the scene. In ZYC turning to PSJ right after we're told "one of your friends or all three of them," in him starting the series of goodbyes with the character he has the least onscreen development with, in the finality of what he says to her but also the lack of clarity on just who this is final for, in PSJ's expression and WX's reaction, in the dramatic turning away at the end. Like, until he turns away from her, I think there's room for interpretation on what he's decided to do, and as someone who's grown quite surprisingly invested in the ZYC-PSJ dynamic, I'm kind of morbidly interested in this reading of events.

What might be going through PSJ's head at ZYC's words, if at this moment she hasn't yet realized his self-sacrificial intent? Does she think she's going to be asked to stay? Does she assess the situation, conclude that she's the person ZYC is least close to and perhaps the one least able to contribute in whatever comes next as the only human here, and begin resigning herself to this outcome? Are the tears in her eyes the sole indication of her conflicted unwillingness to die here that makes it through because as he's talking, she's evaluated that this is the best possible scenario for them all (esp for WX) and will commit herself to his decision even if it also breaks her heart to be chosen this way?

I may be taking this and running a bit far with it, but I just think the ambiguity of this one brief moment can create such angsty implications between the lines (as if we needed more angst...) and despite their scarce onscreen interactions, I'm kind of a sucker for the "extremely noble (to the point of tragedy) knight choosing to acknowledge and follow and dedicate their silent loyalty to a leader they deeply respect" dynamic, even if it is understated with all the other relationships going on in this show. Given how reticent PSJ is, it makes a meaningful impact on me every time she displays concern for ZYC, so you know it crushed me to watch her desperately and irrationally (the most pragmatic of them all!) try to shoot at him with her arrows while knowing there's no way it'd work. The way she was the first to act, the sound of nothing but the ice and the stretch of the bowstring. I really do love their platonic bond much more than I expected to.

Oof. The freezing. I don't want to sound like a broken record but I loved TJR's acting here because I think it's so easy for this scene to look awkward as he's stuck facing forward and pretending to freeze haha. His microexpressions as he realizes ZYZ is behind him, as he tries to chase him away with his words, as he's probably burning from the inside out with all that ice. That last tear as his gaze turns hollow. A+

I also love ZYZ's lines about not believing he can't overcome ZYC's powers like yeah this is a newborn demon with no inner core and ice powers that he taught him lmao

Okay, that's a wrap for my thoughts on this ep! I was originally going to include ep 27 reactions here too, but seeing as this is getting a little long, maybe I'll roll 27 into my thoughts on ep 28? We shall see!

[dors-ee]

Oh yeeees it's the one where he's like "lots of mouths and teeth, yes so good" 🤣 Still laughing at it. And if I remember correctly you find it like on the island to kill Ghilan'Nain? Tension is high, you are toward the end, and you find that 🤣 (or in his temple which... same thing. Extra tense and stressful and you get him saying that 🤣) "my big dragon" "she wrong but eh. Will concess cause she sad.", "Give my drgaon lots of mouths and teeth. and bigger. Yeah so cool. My dragon is so cool. My dragon is the coolest" (him with Davrin and Emmrich, speaking of their kids. "Mine can fly!", "Mine learnt to talk!", "Mine is big and he'll get lots of mouths and teeths!") and showing a strange form of care for Ghilan'nain.

Some side thoughts -not joking :

like... for me it strips him of some of his prestance, BUT also gives him something more. and even this act of "taking" some mythos out of him thematically works bc well we are told again and again : they are no gods.

It is shown that he cares in a weird way when he gets Ghilan'nain in Hossberg, and here when he, in his weird and a bit condescending way, cares for her mood... There's also the codex fragment with Ghilan'nain, answering to him about Andruil. I don't remember what she says exactly, but it seems she answers him about... a concern? about this. Or just that he spekls of bringing back Andruil (I believe that's what she answers "no let her be" or something like that, for me, is a way of showing a sort of care.).

He also cares about his dragon size, "mine is the biggest! nah!" and seems to share at least a fragment of Ghilan'nain's love for "lots of teeth and mouths". Which if they really are siblings, I thought it was a nice touch to show that one. Both freaks... and both brilliant, even if now blighted.

He is a bit thicker of a cardboard with those elements. More so than when Mythal speak of him having been twisted too, as a spirit.

And I'd rather fight with such an opponent rather than just a cardboard villain that is just vile. Elgar'Nan has a bit of depth, even in his talk with Solas, it is interesting how he reacts. It isn't just pure villain mocking his opponent. Or at least didn't feel like it. speaking of this talk the subject of the other evanuris also for me there was something in how Elgar'nan reacrs and speaks, of that, of the past, etc. Does he only wants to bring his empire back for the sake of power and his ego as a god, like a pure villain... or bc he misses it and misses the other evanuris too? Maybe I'm reaching with this one.

It also is this dialogue bringing how Elgar'nan was brilliant too. and maybe it's just me but I did feel something at the mention of his descent and the dulling of his mind with the blight. Of the loss of this core element of him, and the brillance of him -representation of the brillance of the eleves, also lost?-. He lost his empire, his fellow gods and himself. Like... even what made him a good opponent, a good bad guy, is lost now. He lost himself first when he got twisted as a spirit, thrn became a god/slaver, where he still had lesst was a good bad guy apparently and would-be-wrong-God. But now he doesn't even have that. What a fall eh? for a "risen god".

Don't know if this passage is clear sorry. Writing not confusing and clear literary analyzes is hard enough in my language (my big issue I had during my bachelor degree in literature. Managing to write my thoughts clearly and with structure) so in english x).

Although why having a dulled mind would make him speak the common tongue? shouldn't it be rhe reverse and he's speak his native tongue only? (aka elven) isn't common a learnt secondary language for them?

Yet again : just a tad more development and scenes with him to flesh him not only as this very threatening scary guy but also as a character, as in more of a person, that would have been nice. Helped with the build up too.

elgar'nan, all-father, the eldest of the sun, he who overthrew his father, god of sun and vengeance: NOPE MY DRAGON WAS DEFINITELY BIGGER, HE SHRUNK IN THE WASH

[theoddest1]

Regarding Alastor's backstory and how he rose to power in Hell... it just kind of feels out of character to me.

Because he's more like someone who puts in the work for what he wants, because it would feel more rewarding than just asking for it on a silver platter.

Now, I can understand him making the deal if it was around the time he first arrived in Hell and tried to rise up, only to get curb stomped by demons stronger than him and did worse things. And he makes the deal to feel in control again like when he was alive, that I can understand.

But the leak just... completely destroys Alastor's character AND his role in the story.

If I were to write his character, I'd make it where he never really asked for such things because the thought of asking anyone for help was absurd and breaks his already set idea of himself. [outside of the spirits, he asks for help and protection though he sees then more as tools than gods.]

To him, being a Fawn was completely out of the question. No longer will he be under someone else's egregious, yet sloppy, thumb. He pulls the reigns, and so he shall always do so. This also plays a huge part in how I believed he performed his radio host persona when alive.

"Amongst the people, I am the announcer, the charismatic showman, the one who provides the latest news and tales to tell. I have made the stage and set the standards so no man, woman, or child could ever hate or doubt me in a world made against people who look like me. So how, then, would I be touched? I am no ordinary man, I am their star in their night sky, and they don't even see me! Hah! All they see is tale after tale, horrors that they had no rhyme or reason to believe could bleed into their realities. Yet, without a single thought, the one who marks each harrowing inclination that rattles within is the one who made sure each drop of blood stained their perfect white cloth. Oh, how I LIVE for the spectacle, and they live for me."

This is how I viewed him. Meglomaniac, who is assured in his strength, who doesn't think he needs to make deals, or feel threatened when another powerful foe comes to face him regardless if he were dead or alive during this encounter [He is too assured of his self worth to care about what another strong enemy thinks of him]. He is all about being "alive" in the moment and in control. He does what he wants and sees no hope in his well-being, and with that, he manages to at least gain wisdom in being honest with himself. He knows he's a shithead and understands that what he has done was with no remorse or care because he gave up on being a kind soul long....loooong ago. Someone made sure to seal that fate for him. Why should he care what people think when he already has a stubborn viewpoint of himself? It is what it is.

EDIT: I forgot to add that I also made this one of major reasons for why in Hell he is made into a buck/deer. It is a reminder of what he hates most: an animal known stereotyped as docile, a perception he once wore before he turned to a life of crime. This form is a mockery of his ideals and his self-image.

But nah, the show instead has him as a piss baby spouting modern terms like a braindead Twitter user losing an argument over subjective material. He feels far more insecure and irritable, making whatever rule he set up about his smile feel more like cope rather than a well-rounded point. He smiles, yet his irritation and need to prove himself lessens its impact. He laughs, yet will turn around and cuss at someone all cause they think his name for the Hotel is trash rather than making a confident witty comeback. He asserts "dominance" but the way he does this is by using pure force alone and barely any mi d games, making it feel as though he isn't truly as clever or well thought out as he had hoped. Everything we have seen of him in the show destroys what little he had in the promotion of the pilot AND the pilot. He was more witty and charming back when Ed was still his VA on Hunicast. A true waste of a potentially well-made character.

[sky-scribbles]

Okay, I'm a couple of hours into Veilguard, so I thought I'd share all the things I've really loved so far:

The combat is so much more dynamic and fluid! There were things I liked about the previous games' combat, but I do remember Inquisition often feeling like 'select enemy, then mash buttons until they die.' I love that I can duck and weave around monsters! I love being encouraged to swap between weapons (however much I have to suspend my disbelief about Rook putting away two swords and grabbing a bow in a single second)! It's just really fun!

Maybe I'm imagining it, but I feel like the camera is a bit closer to Rook, and it makes so much difference. Sometimes in Inquisition, and often in Andromeda, I felt really far away from my character, and it creates this sense of distance. It's a tiny thing, but I do genuinely think being that bit closer has made my experience a load better.

I cannot describe how affirming it feels to have an NPC point to my character and casually say 'they.'

Holy shit I love the gang's casual looks. Harding's embroidered florals and Neve's colour scheme?? Also, both of them changing their hairstyles in the field? God I wish I could show this to my 16-year-old self as they stewed in frustration over the women in Mass Effect having to go into battle with their long hair down.

The aesthetics of Arlathan! I made such a delighted noise when I realised they ancient elves had power crystals and magitech-looking devices; sci-fi like elements being introduced into fantasy is my jam, and it works so well to make clear how advanced Elvhenan really was. It reminds me of how cool it was in Critical Role when the characters went to the ruins of Aeor and found a bunch of advanced magitech: that same feeling of 'holy shit, this world we've spent so much time in and treated like a normal fantasy world is post-apocalyptic.'

Being able to give my Rook so many freckles.

[connorsjorts]

cyberlife putting magnets in connors feet is canon to me now. i left the fandom some time ago, now im back, so i can enjoy all the fanworks that came out while my brainrot was dormant. but im so shocked at how widespread the notion that hankcon is problematic now is. it was the main ship a couple of years ago? and now the main tag is flooded with negativity. and idk if my claims hold any water, but i feel like the dynamics that were quite commonly used for hank x connor now are used for reed900? when did this fandom decide that two characters which 1) appear rarely and only to be an asshole and 2) doesn't even have any lines are a better ship than those two bastards who are literally insane about each other? (none of their interactions are normal, but its so in character for both of them, i love it) anyway, i hope you didnt have to experience any of said negativity and are doing well, cause i loved your fanfics <3

Honestly I forget that Connor’s magnet feet aren’t canon—how that clumsy-ass android who botched a barrel-roll into a first story window managed to keep his feet planted on a moving train is the biggest plot hole in all of DBH.

Welcome back to the fandom! Sometimes I wish I had been here from the very beginning, because even when I showed up in 2020 it was like this. I remember wandering into the ship tag, naive and desperate for conktent, and finding nothing but “hankcon shippers are perverts” and literal comparisons between a thirty year old man and a six year old boy 🥲 I pretty much avoided tumblr entirely because of it and stayed exclusively on twitter the first couple years! (RIP.) I feel like tumblr has actually gotten better since then? That said, in the four years I’ve been here I’ve somehow managed to avoid any direct hate, probably partially through luck and partially because I’m not afraid to use the block button. It’s never personal, it’s just that I am here for one thing and one thing only and that is old man yaoi. I would also advise staying off of ig and tiktok for fandom content because good god, people are MEAN over there.

As for reed900, the ship doesn’t really do much for me personally, but one thing that I really love about it is that it’s basically fanfiction of fanfiction. Like, fans basically created that ship and even their characters out of next to nothing, and made something so compelling that it’s now the fandom’s most popular ship on ao3! That is so cool! As someone who doesn’t care about the DBH canon like, at all, and is way more into the fans’ creations and creativity, I have a deep appreciation for reed900 shippers even if I don’t subscribe to their newsletter. 

I do agree that it’s very similar to the hankcon dynamic, which, who can blame them? It’s a great dynamic. And I don’t begrudge anyone for not wanting to ship Hank and Connor. But when it comes to people who ship reed900 but actively hate hankcon, those who call hankcon disgusting and cry about having to see it while never seeming to take any actual steps to avoid it? I dunno, I smell ageism in their hearts, and to them I say—old people are hot, and it’s not our fault if you have bad taste in men 😌

Thank you so much for your kind words about my fics 💖

[lesbianpikachu]

.

[egophiliac]

Okay now i gotta know... As someone who only plays on English server but craves every bit of info on chapter 7....

What's the spoon scene? You mentiond it in the Sebek UM poster post.

no pressure tho, I'm just curious

oh, it's a little flashback scene to Silver and Sebek's first magic lesson (moving a spoon) -- it's one of the missable ones, so there's nothing plot-important in it, I just thought that one was really extra cute! 💚 Lilia does such a bad job of explaining how to use magic ("you go, like, SHWOO") that Malleus steps in and teaches them instead. so it's basically just Silver and Sebek staring intently (and audibly) at a spoon while Lilia flails around making noises and Malleus reminisces about how Lilia's teaching style has always been fascinatingly incomprehensible! pure sugary domestic fluff! just rubbing it in how absolutely terrible things have gotten :)

there are a bunch of cute flashbacks like that in the 7-81 and 7-83 maps; it's definitely worth getting them all if you are also fond of the diafam! I swear, this update has somehow managed to make me even more obsessed with this idiot dad and his three adopted dingbats and that should not have been possible.

[flugame-mp3]

what do you fucking mean that's how charlie dies. THAT'S HOW CHARLIE DIES??? i mean i know the show has a penchant for killing off every character who's not a winchester brother or an angel of thursday but good god. what the fuck. charlie was such a good and enjoyable recurring character, and she had such a fandom impact that i've seen, and she's only around for THREE SEASONS?? (sidebar: it's amazing she has the presence she does for only being around for a couple episodes in the long run!) but: was this necessary? and she just dies offscreen after her skills are utilized to progress the plot of decoding the book of the damned?? oh my god. what in the actual fuck. i'm finding myself getting genuinely very upset at her death. she did not fucking deserve that. and i can absolutely see why the fan response to her death is what it is now. completely fucking unjustified and throwaway and useless.

[akkivee]

they aren’t very good pics but i got a few shots of kuroda-san in the rusty rabbit panel 🤭

[random-meme-bot]

GUESS WHO JUST FUCKING FINISHED HOMESTUCK!!!!

[spacespore]

HI TUMBLRR it’s me

[forcedhesitation]

I stopped caring about twd YEARS ago (I stopped with S7 E1 OTL), but someone shared the first episode of the rick & michonne short series with me...and wow. it's incredible so far.

I'm so glad to see mr. lincoln and miss gurira back together, pouring every bit of their souls into their acting. god their chemistry is unbelievably good...I had long forgotten what that looked like in a live action romantic pairing, as the romance in st seldom works well on any level. I'm so pleased to learn that they are also involved as executive producers & writers. it SHOWS. so does that budget, damn.