#GET OUT OF HERE WHITE BOY

[sapphoscorner]

Edit: please reblog this with some information about demisexuality, I did make a mistake here by saying "Cove doesn't understand sexual attraction" he does, so my bad on that part

SO, I usually don't get too involved in fandom discourse, but with how Baxter fans are acting about the loss in the MDDB I snapped and decided we should have a talk.

(This turned out longer than expected so more under the cut. I BEG YOU TO READ THIS AND TOP UNDERSTAND WHERE THE ANGER AND FRUSTRATION COME FROM.

This is all over place, I tried my best to make this as comprehensible as possible)

Specifically I want to talk about this fandom obsession with him and how, is getting to a point where people are legitimately re-writing the game and erasing Cove existence to have this fucking man instead.

And look, I want to say that I get the appeal, I do, but I don't because Baxter's route is genuinely the worst written one out of the three; Compared to Cove's and Derek's (and Derek treatment in the fandom is a WHOLE OTHER ISSUE) is really not. I'm not here to judge one taste, I am here to tell you that your love for him is ridiculous.

It is genuinely ridiculous how much popular he has gotten and so many of you are forgetting about Cove and how important he is to the story, and generally how he is important to a lot of marginalized people. Some of you keep forgetting that Cove is autistic and demiseuxal and that is such a rare representation to see and it is already erased in the fandom (especially his autism), but now is even more erased because people are grabbing everything that makes Cove Cove, and are applying it to Baxter.

That is also not touching the fandom treatment of Derek and how overly criticize his route his compared to Baxter's, like...DEREK'S PARENTS ARE GETTING MORE SHIT THAT BAXTER CANONICAL BIGOTED PARENTS LOL, WHAT IS THIS?? Are you guys serious?? I've seen a fanfic with Irene being transphobic, why the fuck would someone write that when Baxter's mom is right there?

And Derek shitty treatment doesn't end here because people are straight up erasing the guy and not ?? talking about on how well written he is ?? He is not erased sorry, he's forgotten, no one cares about him. And when people care is a) rare or b) so criticize to the point where is no longer a criticism but just you bitching about it.

And it doesn't end there! Baxter is so talked about that people are more interested in him making a cameo in OL:N&F than the main characters of that game, THAT'S HOW THINGS HAVE GOTTEN, We've gotten to a point where people cares more about some white man than Qiu or Tamarack, which are way more interesting than him as characters but neither of them are white skinny man so lol, who cares about them.

AND TO TOP THIS SHITSHOW IT SOMEHOW GETS WORSE FROM HERE BECAUSE PEOPLE DON'T EVEN ARE CARE ABOUT THE INTERESTING ASPECTS OF BAXTER'S CHARACTER!!

Everyone is molding him like clay to create this, confident rich white boy when he is not?? and that's...the whole point of his route?? That he shouldn't need to put up this mask and to actually be a fucking human being?? THE FACT THAT HE IS A QUEER KID WHO HAD TO CUT OFF HIS PARENTS AND HAD TO BE INDEPENDENT FROM THEM AND LEARNING TO NOT DEPENDENT ON HIS PARENTS? (monetarily wise that is)

And like, people forget the man is queer, he is queer, he's a queer person who had to hide who he is to his parents and then had to cut them out for his own sanity, and no one mentions it.

The fandom as a whole erases queer identities,when this game is literally made FOR queer people don't you love it when straight people come into our spaces and erase our identities lol, that is a problem that more people should acknowledge, alongside the fact that Baxter's stans have taken over this safe space, overtook the main love interest, and ignore the genuine interesting aspects of Baxter's character to make him their own little doll they can play with and not appreciate a guy who is trying to learn how to stop being that mask everyone in the fandom has fallen over.

And I know, I know , I will get shit for daring to go against your favorite white boy, but consider that some of us played this game because an autistic character was in it, consider that this game is queer friendly and the fandom is also erasing that queerness to make horny fan fiction**, consider that some of us fond comfort in Derek and Cove's story and now we see everyone overtaking their stories by a white boy (that you can find in every other game), consider that his talk is tiring, consider also the fact that Baxter is technically queer and no one ever talks about it, consider that this game was a safe space for marginalized people and now it no longer feels that way

.

.

.

**with horny fanfiction I mean people re-writing Cove whole personality (and sexuality if we're being honest here) and making him this...horny big man when...he is not? He got stressed out by simply having to share a bed with MC, he's extremely shy around the subject of sex and he gets incredibly nervous about it.

I personally think that is due of both his queerness and autism (and yeah his personality, but autism affects ones personality so lol, sue me) since demisexuality means he genuinely doesn't understand how people can feel sexual attraction, and mixing that with autism means he probably doesn't understand the SOCIAL pressure around sex and having sex.

Granted that's speculation on my part but as someone who is (probably) autistic and asexual I can tell that, at least a majority feels this way and Cove is literally is the type to have this kind of mentality, he does not understand how Baxter can flirt with him after mere seconds of knowing each other

[demigod-of-the-agni]

The pishacha are manifestations of evil itself, locked within a cursed amulet. The wearer of the amulet is at the mercy of the demon, known for possessing humans and feeding off their host's chakra energy. However, if symbiosis is achieved, the pishacha can grant its host a myriad of powerful abilities.

I just needed to draw something cool okay. I needed to draw some cool goop and some cool looks okay. okay. if I didn't post this I would have exploded okay

[itsmejolie]

the banner 😭

why 😭

why not

[turtleblogatlast]

One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.

And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.

Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.

(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)

[sluckythewizard]

FIIIINALLY almost nailed my designs for lizzie and caspian can i get a HEEEELLL YEAAH???? i think these two make a vvery cute duo and i cannt wait to see them again. i also hope they both get hurt reaaaallly really badly. togeter

[words-writ-in-starlight]

"Thank God this is the country where bribery can do anything" Jonathan Harker says, like half the dock workers in England aren't going to have to list him on their taxes as a major source of income

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[phoenixtakaramono]

It's my birthday 🧁🕯🥳

[minimallycreative]

a list of media i like for when people ask what i'm into

Books

The Hunger Games

Red, White, and Royal Blue

The Song of Achilles

Pride and Prejudice

What If It's Us and Here's To Us

The Truly Devious Series

The Secret History

If We Were Villains

The Handmaids Tale

The Magnolia Palace and The Lions On Fifth Street

A Good Girls Guide To Murder

If This Gets Out

The Seven Husbands of Evelyn Hugo

Circe

One Last Stop

King Lear

TV Shows

Brooklyn 99

ATLA

TLOK

Young Royals (I haven't finished the third season because I know i'll cry and I haven't had the strength)

Good Omens

The Dragon Prince

She-Ra, the reboot

Call The Midwife

Dead Boy Detectives

Sweet Magnolias

School Spirits

Music

Paris Paloma

Hozier

Florence + The Machine

Ramblewood

Stevie Howie

Twenty One Pilots

Fall Out Boys

Ashnikko

Halsey

Miranda Lambert

Carrie Underwood

Erin Kinsey

Sleep Token

Conan Gray

[arom-antix]

Happy birthday to the man, the myth, the legend, trophy husband of Yuuri Katsuki, Viktor Nikiforov!

[bayetea]

seeing non-black people critique rick's portrayal of black characters is interesting sometimes. only like 30% of the critiques I see make any sense to me to be honest

[wulfhalls]

yes complexity yes layers yes conflict yesssss

[puckpocketed]

no amount of quirky soundbites are gonna make me forget that egregious TOI to concussions caused ratio 👍

[grinchwrapsupreme]

for a show that's fundamentally about family it's weird that we've never heard even a passing mention of Pete White or Dr. Mrs. The Monarch's families. Like we saw Sheila's wedding and her family wasn't there, and you can't tell me Rose hasn't asked Pete about his mother at least once. We know more about Brock Samson's family than theirs. Hell we know more about Underbite's family than theirs

[boxwinebaddie]

🎸 happy uncneen pepinursteppermint wintereve 🍬 ❤️‍🔥

❤️🤘 + ft. how i think my styles would say HYH