#GENDERS. COME GET YOUR GENDERS.

[madnessofmen]

Type A Akron-Tissot Masks worn with Simplexene Permeable Fighting Suits, Dipped Gloves, and Overboots. War Department, Chemical Warfare Service, 1917-1918.

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[buggachat]

remember when miraculous ladybug finally decided to do an "adrien hangs out with The Guys" episode, like how we get scenes of marinette hanging out with The Girls all the time, but i guess the writers decided that the only way adrien would fit in an environment with a bunch of guys was if they were in a gay night club, and the night club was adrien's bedroom, and they were throwing around rainbow glitter and kissing each other and blasting The Village People so loud that it almost killed his already dead mother and

[the-odd-shu]

Sky regrets trying to play wingman

A continuation of lab shenanigans.

Masterlist

Next part

Characters: Viktor, Jayce, Reader, Sky

(Pre-Jayce/Viktor/Reader) (POLYCULEEEE!)

Summary: A sketchbook goes missing, Viktor and Jayce feel soft about it and Sky is fighting for her life.

Note; this takes place during season 1, and the reader is gender neutral with they/them pronouns.

Lab Illustrator!Reader has a secret A5 sketchbook they don't use for assignments. It's a small thing, that they keep tucked beneath all of their other paperwork during the day, and take home with them every night.

It is as non-descript as sketchbooks come, with a plain, black cover and pages brimming with hundreds of sketches and stuck in sheets of paper.

But what makes it different from their professional sketchbook, you ask? And why does it need to be a secret?

Well, because it is a notebook solely dedicated to drawings and doodles of their co-workers. And neither of them know that Reader has been drawing them.

There are hundreds of stolen moments stuffed between these pages. Late night coffee breaks, where the pencil lines are thick and dark to accentuate the dimness of the lab against the stark light leaking out of the kitchenette, where backs are turned and coffee mugs steam, whilst eyes fall to half-mast from the sheer weight of the late hour.

There are a dozen or so slower, more carefully done doodles of Jayce sprawled out across the lab couch in various positions. Several cane studies, because Viktor had a habit of leaving it in more and more odd places when he has had a breakthrough, and sheer determination and spite keep him standing unaided before the whiteboard.

There are pages dedicated to Viktor reading. And pages brimming with Jayce's broad shoulders and winning smile.

There is a double page spread of Viktor stood before the chalkboard, cane in one hand, his other tucked under his chin with a piece of chalk tucked between two of his fingers, his lips pursed in thought as he tried to find a solution to the problem before him. The lines of this sketch are soft and gentle, almost dreamlike, as the image was teased out of the page.

The pages directly after it show a heavy handed pen drawing of Jayce bent over his desk, goggles over his eyes, his tongue peeking out from between his lips as he welds pieces of metal together. A single, loose curl of hair having broken free of its slicked back appearance, and is now sprawled cutely down his forehead.

And that's only the beginning.

Neither of them know that Reader draws them. As far as they know, Reader can't even draw people. And Reader wants to keep it that way. Because if EITHER of them found the sketchbook, they just KNOW they would not let them live it down. Jayce would be embarrassed, no doubt asking stupid questions like, 'is my nose really like that from that angle' or 'why didn't you tell me I had soot on my cheek', which, how dare he, you'd spent hours learning how to draw him and picking out imperfections was just an insult to your skills. Whilst Viktor would make fun of your subject choices, and then make it one hundred times harder to sketch him without him getting suspicious and catching on and deliberately moving around MORE to make it seventeen times more difficult.

Out of everyone in the lab, Sky was the only other person remotely artistically inclined. She'd shown an interest in your work one afternoon, and let slip that she liked to draw in her spare time. And although she insisted her work was nothing like your professional illustrations, they were good! And you told her as such.

Unofficially, the pair of you had begun taking your lunches outside in the academy gardens together to chat and draw. She did not look it, but Sky was a mean gossip, and seemed to know everything that was going on in the science department. Such as who in the academy was currently trying to court who, or the latest experiment that blew up (literally) in a freshman's face, or that Councillor Medarda herself dabbled in painting.

The last one certainly caught your attention more than the drama on campus, which of course Sky was more than happy to provide more details for. Apparently, the Councillor's paintings were bold and striking. Depicting scenes from her childhood lands, and figures dressed in traditional Noxian-style garbs.

"Gorgeous, simply gorgeous." Sky said, tone bordering on wistful. "And large too. Councillor Medarda works on such a large scale, that some of her pieces literally command your attention the moment you step into the room. I'm sure you can talk Jayce into getting you a glimpse of some of her works. He and the Councillor have been growing close lately."

You ignored the suggestive hint to her voice, in favour of humming noncommittally and finishing up your lastest sketch of Sky perched on the wall beside you, waving her sandwich around as she talked animatedly. You were so engrossed in your work that you didn't notice she was watching, when you flipped back towards the front of your sketchbook, only for her to choke on her next bite.

“Wait!" She blurted out between sharp coughing. "Is that Viktor!?” And then suddenly your sketchbook was no longer on your lap and the apprentice of the man you were always drawing was flipping through the pages. The pages that HEAVILY featured Viktor's face.

Your cheeks burned, and lunged for the sketchbook out of sheer panic, as Sky began discovering just how MANY sketches of Viktor you've been hoarding and that he's not the ONLY ONE you've been drawing.

"Jayce too I see." She mused, more to herself than you. And then she snorted. "Why are there so many?”

“Because I get bored sometimes, and they're always just there!" You defend yourself guiltily. "It's good anatomy practice.”

Which wasn't technically a lie. The lines never came as easily as they did when you’re sketching your co-workers. So much so, that now, it had almost become instinct to know when your pencil had drawn a line wrong, even before you glanced back to the reference themselves to check. The pair of them were just so effortlessly beautiful in their own ways. It would a a crime for you <i>not</i> to draw them, and focus solely on the things you're SUPPOSED to be illustrating instead.

Sky hummed along, having paused on a page with a rapid, barely recognisable pen sketch of Jayce ducking away with a cackling laugh as a furious Viktor swung his cane at his head. Her fingers idly slid down the sketchy lines, a fondness to her expression.

"Have you shown them these?" Sky asked, "they're really good. All loose and fun. I can practically hear Jayce laughing in this one with how you captured his expression."

“Of course not!" You were quick to deny as your cheeks heated. "Do you know how embarrassing it is to show someone you’ve drawn them? Jayce will pretend to be all impressed but subconsciously begin to pick out all the things I got wrong. Like the shape of his ears. And Viktor will tell me it's 'lovely' without looking up from his textbook."

You shuddered at the very thought, already seeing Viktor's disinterested frown and Jayce's tight grimace in your mind's eye.

Sky frowned, her eyes jumping between your down turned expression and the sketchbook in her hands. “I dunno about that."

“Can I have it back now?” She shook her head and went back to flipping through the pages, the other half of her sandwich forgotten in her lap. “You know, I think Viktor would be flattered if he knew you paid so much attention to him. And Jayce would probably try to steal a couple of these and frame them for his desk.” You scoffed.

Sky's frown deepened. "Why are you having such a hard time believing they might like these?"

“Because in the end it doesn’t matter how they'd react,” you decided sharply, “because they're not going to find out. Are they, Sky?”

“You’ve even drawn Viktor's canes!”

“Sky, focus!” “I am focused- IS THAT A JAYCE HAND STUDY-?!”

"OKAY ENOUGH OF THAT FROM YOU!" You tackled her, and she went down screeching, drawing the attention of several passing students as the pair of you fell cleaningly off of the wall and landed in the flowerbeds below.

Sky did not keep her promise.

After a week or two of waiting to give the impression she'd forgotten about the whole ordeal, she sprung into action.

It was obvious now that she knew just how much Reader paid attention to their co-workers. It seemed like they were constantly sketching the boys throughout the day, a private, fond smile on their stupidly love-struck expression, as their pencil flew across the page, documenting coffee breaks and break throughs, and verbal spats. Now Sky has noticed that they did it, she couldn't stop seeing it, and it is driving her crazy. All three of them are so oblivious, and watching her superiors pine for one another whilst doing nothing to move things forward, was NOT the working environment she'd been hoping for during this internship.

So she took matters into her own hands.

When the hour was late, and the lights were dim, Jayce passed out at his desk for a quick nap, Viktor's attention on his textbooks at the chalkboard, and Reader in the kitchen cracking open a can of energy, Sky sidled over to the latter's desk. Her eyes immediately clocked the little, black sketchbook, easily overlooked amongst the other papers and opened notebooks with half complete drawings scrawled all over the place. It was a testament to how much they trusted each other in the lab, that no one questioned why she was lingering so close to a desk that was not her own.

It almost made it too easy for her to simply pluck the sketchbook out of the pile, add it to her pile of library books already balanced in one hand, all before loudly calling "good night" to the room and leaving.

Sky planned to be the first person in the next morning to plant the sketchbook, but the lab doors were unlocked when she turned up, and all three of her superiors were already in the room, looking in various states of exhaustion. Did they even go home last night?

Not to mention, half of the lab looked like a hoard of dogs had come tearing through. Come to think of it, Reader's desk was especially messy, with papers strewn everywhere and the drawers hanging on just barely- oh fuck! They had already noticed, hadn't they?

"Ah Sky, good morning." Viktor acknowledged her from where he was calmly sorting through a stack of books. Picking one up, and shaking it out before placing it onto a second stack and picking up the next. "Right on time." "Good morning," Sky greeted calmly, "what's going on here?" She motioned to the war zone that was the lab. To Jayce balanced precariously on a chair, checking a high book shelf, and the frantic shuffling sounds of Reader under their desk. They were out of view, but somehow, Sky could just envision the frenzy in their expression from the sound of their searching alone.

"Ah, well, Y/n appears to have misplaced a rather important sketchbook."

There was a yelp as a skull collided with the underside of a desk, before Reader's head popped up over the edge. "Sky! I can't find it!"

"Oh no." Sky replied, trying to ignore the burning weight of the 'it' in question, currently hiding in her backpack. "Where did you see it last?"

"They insisted it was on their desk." Jayce interjected, hopping down from his chair with a shake of his head.

"But I'm assuming it's grown legs," Sky joked, "judging by that picked over, barely standing, mess of a desk."

"This isn't funny Sky."

"No, you're right." She put down her backpack and began to help in the search. After all, not doing so would immediately out her as guilty, and she'd already come this far, why stop now. "Come on, it can't have gone far."

Of course, Viktor discovered it amongst his books and papers a couple of days later.

It was during one of those rare hours in the lab when he was alone. The hour was late, but the curtains were not yet drawn despite the darkening sky.

He frowned when his fingers brushed the unfamiliar notebook, tucked behind a stack of textbooks and scrunched up balls of notes. Pulling it out of its hiding place, his brows furrowed as his eyes tracked the state it was in. How the edges of the hardback covers were creased from numerous journeys in bags, whilst pencils marks and scuffs from countless hours of being opened and used, marred the covers.

At first, he assumed it was one of Jayce’s notebook. The material was expensive enough. Definitely of high quality. The paper itself was thick when he rubbed his finger along a page. But when he opened it, he quickly realised the pages are not lined, and were once blank before they had been filled in with hundreds of drawings.

The first few pages were illustrations of everything under the sun. Still life drawings. Animals. People. Silhouettes. Isolated body parts with detailed annotations encircling them, such as the names of muscles and tiny corrective comments like ‘fingers too long’ or ‘that muscle doesn’t stretch that far’. 

Then he turned a page, and was met with himself. And then Jayce. And then more and more sketches of himself and Jayce. Sometimes together and interacting. Sometimes just existing.

The drawings were skilfully done, as all of Reader's illustrations tended to be. A little rough in the beginning, from rushed pen strokes. But then the artist seemed to understand something. A break through of sorts, and he recognised himself more and more. The sketches held his likeness. From the way he stood, to the slouch of him sitting at his desk, to the way his hand held something as simple as a stick of chalk.

They were always sketches from behind or a side profile. Never head on. And any that did depict him as facing the artist, were drawn when his attention was elsewhere; focused down at a textbook, or fixing something on the table. 

It was flattering really. He looked good in the drawings. Confident, with an authoritative aura. Seemingly engrossed in every task he sat down to complete.

And Jayce, Jayce looks good in his drawings too. His sunny personality shining through in drawings where he was animatedly talking or debating with sketched Viktor. There seems to be a whole double page spread trying to figure out the shape of his slicked back hair, and then even more drawings of the gel softening throughout the day, causing strands to fall down around his ears and frame his eyes.

But what really catches Viktor's attention was the way the artist had caught their interactions. The way they have depicted Jayce's softened eyes when looking at Viktor when his attention was elsewhere. The way they caught Viktor's private little smile when Jayce got lost in a muttering spell and stopped including Viktor in the debate. It left him feeling a little raw in truth, like this person had seen something no one else had taken the time to notice before.

No wonder Reader had been so adamant about finding this sketchbook. This must have been hours upon hours of careful work.

Carefully, Viktor closed the sketchbook and sat back in his chair. It felt heavy in his hands, and he almost didn't want to put it down.

The door to the lab swung open then, and Jayce called out a greeting.

"What you got there V?"

And of course, Viktor was contractually obligated to show him. It would simply be criminal if he didn't show his partner just how well their resident illustrator managed to capture his winning smile. A much more accurate depiction of it, compared to the 'man of progress' merchandise the academy sold nowadays.

The sketchbook continued to go unfound.

Reader was growing more and more distraught.

The guilt gnawed at Sky and she confessed.

All hell broke loose.

An hour later, Skye came SPRINTING into the lab, the double doors CRASHING into the walls in her haste to get into the room.

Both Viktor and Jayce jumped in their seats in the kitchenette. Viktor barely managing to keep from spilling his sweetmilk everywhere. And Jayce almost THREW the little black sketchbook across the room, where he had been admiring its pages.

“Woah there, where’s the fire?” Jayce tried to joke, but Sky looked GENUINELY scared. 

“Sorry! Sorry! I left something in here, and the owner is NOT happy with me.” Sky scrambled to explain, as she charged towards Viktor’s desk and began pulling apart stacks of paperwork. Sweat beading on her brow.

“Hey, calm down. What is it? Where did you see it last?” “It was a sketchbook. Um, uh, black, hard cover, it was practically bulging with how many pages it had stuck in it.” Sky explained, "I could've sworn I left it on Viktor's desk." Viktor’s brows jump up in realisation. His eyes dart over to the sketchbook in Jayce's hands, before leaping up to meet the man's wide, knowing eyes.

“I take it that Y/n found out you took it then.” Viktor spoke up. Sky winced. “I may have let it slip-” her voice began to backpedal, before the distant stomp of approaching footsteps made her pale. The gait the recognisable, the tempo just a touch faster than its normal pace. “DON’T THINK HIDING BEHIND VIKTOR OR JAYCE WILL SAVE YOU NOW!” A booming voice hollered from down the hallway. 

Sky became frantic again. She redoubled her efforts.

Jayce very slowly lowered the sketchbook down to his lap, where the table would conceal it from view if anyone peered into the kitchenette. And Viktor just sighed as he got comfortable.

Heavy footsteps approached the laboratory door, which was then promptly kicked open, so fast that the door smacked into the opposite wall for the second time today. Y/n, brandishing a broom of all things, visibly seethed in the doorway. 

“Do you know how much <i>work</i> has gone into that sketchbook?” They demanded, more furious than Viktor had ever seen them before. “How many hours I’ve spent amongst those pages.” Sky looks appropriately guilty. “I know! And I’m so sorry I lost it, I really thought I was doing you a favour!”

Reader’s lip curls up into a furious snarl, eyes narrowing. “And I thought I told you to leave it alone!” They snarled.

“But they’re just so good. I seriously don’t think you should be hiding your talent. What if the right person managed to find it, like Councillor Medarda, imagine the connections-” “And how, pray tell, is Councillor Medarda, supposed to come across my sketchbook in the laboratory of all places.” Skye’s voice lowers. “Well, she does stop by to see Jayce often enough.”

Reader sighed heavily. "Side-stepping that poor excuse, because we both know you were just trying to embarrass me-" "I was not! They're good drawings!"

“Where is it Skye? For the final time.”

They stepped menacingly into the room then, broom clutched tightly in both hands, only to pause when a single sheet of paper slipped out of their pocket and fluttered to the ground. The action clearly held significance, because Sky winced.

Meanwhile, Reader took a deep, steadying breath, before slowly, calmly leaning down to pluck the paper off of the floor. It was only for a second, but Viktor could have sworn he saw yet ANOTHER sketch of him and Jayce, which HOW? They'd been with the pair of them in the lab ALL DAY!

“Now look at me, I’m shedding paper left and right without my sketchbook to keep all my thoughts ORGANISED!” “I’m sorry! I’ll buy you a new one.”

A groan. “Skye, that is NOT the point-!”

“Okay, okay! Time out! Let us all take a breath.” Viktor interjected to which both apprentice and Illustrator startled. 

Reader visibly seethed in place, whilst Sky just winced and ducked her head.

It was the former who spoke up first. “Sorry for the interruption.” They said sharply, eyes cutting over to Viktor and Jayce. To which Viktor just inclined his head, whilst Jayce very poorly concealed his guilty wince. Reader was too preoccupied with Sky however to notice as they turned back to her. “May we continue this debate outside? Preferably away from the workshops?” Skye seemed to shrink in on herself more. Eyes darting over to Viktor, then jumping up to Jayce. 

“Sky!”

“Only if you promise to stop yelling.” She demanded. 

Reader breathed out forcefully through their nostrils. Expression thinning out, shoulders easing, although the tightness to their jaw remained stubbornly present. “Fine.”

"Leave the broom!" Viktor called after them, to which Reader audibly groaned but let the broom in the lab before stepping out into the hall with Sky. The door clicked shut behind them. 

Jayce and Viktor shared a look and held their breaths. Waiting. Listening. The conversation that inevitably started up once the door closes was fast paced, but in the promised quieter tone. 

"I'm just going to-" Jayce began to say before motioning to the desks out in the main lab. Viktor shrugged, and allowed his partner to stand, sketchbook in hand, only for both of them to freeze when a loose slip of paper fell out.

"Oh no." Jayce said aloud as Viktor quickly pinned the sheet to the floor with the toe of his shoe, before it could drift away. "This is going to be adorable, isn't it?"

Viktor did not reply, as he stooping to pick it up. He turned it over, and he and Jayce collectively sighed as they discovered yet another sketch of the pair of them.

They're stood in front of the chalkboard, which seemed to be Reader's favourite place to draw them without being discovered. And it was clear from the way the pair were facing each other that they were deep in one of their debates. But what really caught the pair's attention, was the way that their drawn selves were looking at one another.

Viktor's with a small, knowing smile and a visible twinkle in his eye - which should have been an impossible thing to capture with merely a pencil. And Jayce's who was staring down at Viktor with an intensity in his eye and a playful lift of his eyebrows that spoke of challenge. They looked happy together. Feeding off one another's energy.

And it was startling that an outside perspective had managed to capture such a moment without either of them noticing.

"We don't get that absorbed in our debates, do we?" Jayce asked tightly, a soft look in his eye now as he gazed down at the sketch with reverence.

Viktor did not bother to deny it, because they both knew that they did. Here was a sketchbook stuffed with the evidence right before them.

Jayce tucked the sketch back between the pages, his expression complicated and yet oh so fond for someone who was no longer in the room with them.

Jayce and Viktor put the sketchbook back on Reader's desk, who later comes back in, visibly more subdued, and Sky nowhere in sight.

Viktor cracks a joke about them having stuffed her in a supply closet somewhere.

To which they reassure him that, "no, she had a meeting," and he would still have an apprentice turning up to work tomorrow.

Jayce looks up from his work, as does Viktor, when they make a beeline for their desk. In time to watch Reader stiffen when they see the little, black sketchbook placed neatly on top of their larger, official lab sketchbook. Then they lunge forward, snatching it up and flipping through the pages, shoulders loosening when all seems to be in order.

"You found it!"

"Viktor found it." Jauce interjected.

To which Viktor just preens and makes another joke about Sky thinking twice about getting between Reader and their belongings. He also throws in a compliment on the penmanship, just to see how Reader reacts.

To both of their surprises, Reader locks up at the compliment. “Please tell me you didn’t look though it.”

“I liked them." He said truthfully, "you certainly captured my likeness.” They groan and drop eye contact. 

“Please don’t joke about it.” They plead, “it was just anatomy practice. But I completely understand if it makes you uncomfortable-”

“Uncomfortable?" Viktor parrots back, shooting Jayce a look. "Why would it make us uncomfortable?" "You might feel watched?" Reader offers.

Jayce shrugs. Viktor waves off their concern.

Jayce, "can we put some up on the pin board?" "No. None of these are remotely good enough to be hung up on display!" Reader is quick to deny.

By the end of the day, there are three new papers pinned to the pin board above Jayce's desk. One drawn by each of them in the lab. A chicken scratch drawing of Jayce, courtesy of Viktor. A carefully, but wonkily drawn Reader, courtesy of Jayce. And a recognisable and remarkably good drawing of Viktor done by Reader.

(Yes, they had a drawing competition and sat in a circle around someone's desk, simultaneously posing for and drawing each other. The boys had to do some major convincing so that Reader didn't assume they were being made fun of. And they all ended up having a great time).

Next part

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[uncanny-tranny]

You know, I'm not a cheerleader for cis people who get gender-affirming care (especially if it's "gender nonconforming," such as a cis guy who gets vaginoplasty) because I think cis people are superior or that they should be coddled, but rather, because I don't want people to respect my gender-related care simply because I'm trans. I want people to respect my bodily autonomy because... I'm a human person. It sometimes feels like people want you to prove that they should respect your bodily autonomy, and that's something I fundamentally despise.

I shouldn't need to be open about my transness in order to be respected because... that's not information you're inherently privileged to, nor are you entitled to somebody's transness/gender situation in general. I prefer that we start seeing gender care as something that isn't "for" one group of people when that's not how the world will work, y'know. There will always be people who seek specific care no matter what or who they are, because they're human people who can make decisions.

[qiu-yan]

lbr if fanon portrayals differing wildly from canon characterization is enough to warrant the existence of a "canon [character]" tag, then we desperately need a "canon wei wuxian" tag.

[1000dactyls]

TRANS HICCUP!!!! Him and Astrid are very t4t

berk’s power couple

[deoidesign]

A frustrating development with the growing lack of reading comprehension I've personally noticed is an emerging fervor of insisting things aren't canon unless they are explicitly stated beyond all reasonable doubt.

I can not emphasize enough how harmful a mindset this is to have. Yes, it's wonderful to have characters outright say "I'm trans," but to deny a character's identity for not saying that is dangerous.

Plenty of real people prefer not to use specific labels. Historically, people didn't have our modern terms or modes of expression. Many modern cultures don't use these terms, either, and plenty of people within those that do can't safely openly identify.

If the only representation you accept as canon is within modern (and let's be honest, wealthy white able-bodied American) standards, then you are denying yourself and others a huge amount of representation and seriously limiting the media around you.

[tls12lessthan3]

i love when orv calls kim dokja a homo in a derogatory fashion. makes my day really

[multifandomhoodies]

jacob pitts farmer tan appreciation post

this guy's outside

(top left color corrected by @beebobeebo!)

[cator99]

out of curiosity, would you consider yourself butch?

used to be a blonde underweight twink and now I'm a based jock still got the chanel bag and the sick albeit matured mind of a suckpig to prove it so I'm gonna let you decide whether you wanna call me that word just cuz I got a pussy and short hair. I promise you that there have been enough advancements made in the art of lesbian sexual dynamics in the past 50 years to broaden the vocabulary used to describe the plethora of types of masculine females.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[punmster]

being ace means i don't get giggly or horny about omegaverse aka abo but instead become painfully obsessed with details in anatomy and world building

[starboundsingularities]

♡ Hatecute

A gender connected to hatred that is either hidden by a cute persona or presented in a cute way! The cuteness of it can be in any aspect whether it's childlike and playful or soft and sweet just as long as you'd consider it cute!

[ethanscrocs]

the other day i was explaining to my bf how i don't mind "genderbent" merlin art if it's not annoyingly heterosexual because she's transfem to me but "genderbent" arthur art just feels so very unrealistic. if he was born a girl he would just transition to be honest... people will try to do genderbending but "trans positive" by just saying it's lesbian merthur but then they're both conventionally feminine cis women and truly i don't think that works with their characters... merlin who defies every boundary and societal norm? arthur pendragon? arthur would never be a cis woman he would just transition sorry...

actually hold on. arthur is assumed to be a "tomboy" crossdresser and he pretty much only takes on the role of a princess when his father expects it. considered a harmless fancy. gets to the point where everyone even his knights call him prince arthur but as a "joke" because of how masculine he is. merlin gets assigned as the princess' maidservant and eventually arthur is like Merlin... you must understand... this isn't playing dress up, to me. this is who i am. and merlin's like Ohhh Okay. Lol. Me Too it's okay i get it. and then she walks away and it takes arthur days to realize that merlin was implying she's transfem

there's your yuri merthur if it was awesome and transgender. butch transmasc he/him lesbian arthur and genderfluid trans girl merlin. love wins!