#Free spell casters

[rooolt]

deeply niche post for only me, but here are my thoughts on what dnd classes the ck teens would play because I am nothing if not predictable

Miguel - this boy screams paladin so intensely I would be hard pressed to try and think of anything else he would play. The boy is just nice

Sam - I couldn’t explain it, but I think she would severely fuck with ranger, it’s just the vibe I get

Robby - I feel like knee jerk reaction would be to assume rogue, but I honestly don’t think he would. He’s giving me more sorcerer to be honest, particularly wild magic

Tory - every troubled teenage girl should get the chance to play a fucked up little warlock as a method of working out their complicated feelings about a manipulative older man in their life

Demetri - literally do I even have to say it? Wizard, next question

Eli - struggled immensely with this one. His particular penchant for violence obviously gives monk, but I fear that’s a cop out in the karate show, however as ascendant dragon he would get wings eventually which I feel he would severely enjoy. In a similar vein I could also see barbarian, but also hold my hand and see my vision for cleric Eli. I couldn’t tell you why, I feel it deep within my bones

[impossible-rat-babies]

meaningless complaint, but sometimes stuff in bg3 is utterly asinine in how it plays. to me

[kissmarkers]

send me 3 emojis and I’ll make a sim

🌷🧚‍♀️🎠

[indianspellcaster]

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“every magic spell ends when the caster dies”

sirius has always known that. it was one of the first things his tutors told him when he was barely a toddler, and it was mentioned in some hogwarts' classes once or twice.

he sometimes ponders about it, how certain magic wasn't everlasting.

he witnessed it once, in his seventh year. the war had already started, and with each passing day, more and more students got black letters delivered, all of them mentioning some recently deceased relative. it was a third year ravenclaw girl he doesn't quite remember, but who always carried a fairy doll that her uncle enchanted to act like a living one. she always carried it in her pocket and let her out when she was bored or to show it to other students.

the day she got her letter at breakfast, she frantically searched her robes and took out the little doll, and it looked just like that, a doll. no more flapping wings, tiny giggles and fairy dust, just a toy. she burst into tears then, and was inconsolable for months.

it's one of sirius' most vivid memories.

it seemed so bizarre.

he prayed something like that never happened to him, because it would hurt. it would destroy him.

he was only given enchanted things by the people he loved the most, so he would know immediately if any of the different trinkets were to just go dull. the second it happened, he would know he has to face a reality without one the fundamental beings of his very self. it terrified him.

it was one of his biggest fears.

and it happened to him.

it was a thursday afternoon.

they had a rare free day. no fights, no funerals and no war in his and remus' flat, not for that day. james and peter were there too, an 'afternoon with the lads' they called it. they were laying on the living room, sprawled all over, bowie on the record player and cards on the table along with some beers.

he was on the way to the kitchen when he felt his hair falling out of the messy bun he did in the morning.

and, with a little clink, there was a metal star hairpin on the ground.

he knew then.

it was a secret, how he kept that hairpin. well, not a secret per se, but no one knew where it actually came from. only sirius.

no one knew he had the most horrendous time trying to tie his hair when it was long enough to do so. his hair was just as temperamental as him, which meant that they usually didn't get along. he suffered for months until that hairpin was gifted to him.

sirius didn't quite know how it really worked, just that it was charmed to make everything easier. he just had to think about the hairstyle he wanted for the day, and the hairpin would do it, shrinking or getting bigger if it was necessary, securing his hair perfectly and without much fuss.

no one knew that except sirius.

and regulus, who gifted it to him in his third year.

regulus.

his baby brother.

“every magic spell ends when the caster dies”

[freevashikaranspecialist]

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[thydungeongal]

Greenflame blade, a spell introduced into D&D in 4e as a Spellsword at-will, is a really interesting microcosm of how D&D 5e's rules have lots of little interactions that really don't want to cooperate with those types of spells.

The spell effectively allows the caster to make an attack with a melee weapon they are holding that deals fire damage and that also deals fire damage to a secondary target next to the primary target.

Now, of course, in D&D 4e expressing this was simple. All powers, whether martial attacks or arcane spells, used the same formula. You would know that the spell required a weapon due to the Weapon keyword and the fact that the spell had 1[W] in its damage entry.

Fast-forward to D&D 5e and we need to communicate that this spell needs a weapon so it can be cast. If a character were to be holding a weapon, that would mean that they would need their other hand free for making the somatic components of the spell, unless they had an arcane focus in their hand. Could the sword somehow be made to count as an arcane focus? Well, sadly, no, because the types of items a character can use as a spellcasting focus is already prescribed by their class.

Now, it would be possible to introduce a new class that had a bit of text that they could use melee weapons as arcane focuses. Some kind of Swords Mage. But we can't have that. That sounds strange. Instead we need to make this spell work for already established classes somehow.

So the weapon was instead made a material component of the spell.

Now the problem, of course, is that a character with a material component pouch or a spellcasting focus didn't actually need a weapon to cast it now.

A character can use a component pouch or a spellcasting focus (found in “Equipment”) in place of the components specified for a spell.

By a strict reading, a character could whack enemies on the head with their greenflame pouch or focus in lieu of using a weapon.

Which is why they later corrected the spell to state that it requires a weapon of at least 1 sp in value to cast. Because if a price is given for a material component, then it can't be replaced with a spellcasting focus or a material component pouch.

Which is one of the most roundabout ways of having to go about creating a spell that requires a weapon to cast and where the caster can make an attack with said weapon as part of casting the spells. But it's basically because 4e and 5e are pretty much written in completely different languages.

[bestastrologerinusa]

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[avocado-writing]

For the bg3 requests how about the companions realizing they love tav in the middle of a battle(love your work!!!)

partner piece to this!

Astarion

realises when he sees you cut down someone in battle to save him.

you don’t think twice about beheading the cultist, or shooting them full of a magic missile, or stabbing them in the guts from the shadows - whatever you do is equally wonderful.

his eyes go wide as he watches you make the killing blow. warm blood spatters on his face and, when you shout to ask if he’s alright, his heart does a funny little dance in his chest.

he’s alright. he’s the most alright that he’s ever been, actually

kisses you suddenly, the taste of the kill dancing between your lips, and stares at you very sincerely.

“I love you.” then back to the battle before you can press it any further.

Gale

if you’re a spell caster, he falls for you because of your capability using magic. you have a knack for it he finds delightful.

the twirl of your hands, soft speaking as you recite verbal components, all of it - it’s all perfect.

he stares at you, distracted for a moment, and then gets a club in the side of the head and is catapulted back to battle.

if you’re not a mage then it’s when you do something he taught you, silencing an enemy wizard by cutting them off when you realise a somatic component. you shoot him a thumbs up and he feels his whole face go bright red.

you listen to him. you care about him. and he loves you.

Wyll

you’re fighting back-to-back, fending off enemies as they charge towards you, yelling out directions for the other one to be watching.

“wyll! big guy on your left!”

he turns and stabs, running through an orc, and hears you laugh from the exhilaration of battle.

he realises then how much he loves you, how he’d never have any other life than this heart-pounding, blood-pumping excitement with you; and he’d do anything to keep you safe.

there’s no time for him to confess right now��� but he does reach behind himself to give your free hand a little squeeze with his. just so you know. just so he can come back to it and confess later.

Karlach

raging, so it’s less her thinking through it and more a series of realisations which come to her all at once.

you: fighting. you: protecting. you: protecting her. you: capable. you: loveable.

oh, it all slips into place. she can’t do anything about it right now because her axe is buried in the face of an ogre, but after the battle when she’s calmed down she seeks you out.

is a bit awkward about it, finds reasons to be near you, but you manage to work out what it is she is desperate to say.

give her a kiss, and she squeals with excitement. she thinks you’re just perfect!

Lae’zel

ahh, lae’zel. would she fall for you at any other time?

has always watched your form in battle but there’s something about today, this fight. she can’t keep her eyes off of you.

you are flawless. perfect. dispatching enemies with ease.

she realises she feels not just fondness for you, but love. something she did not believe that she’d ever experience.

she is a little distracted and gets hit, but that just makes her focus back on the battle. you check in with her afterwards and she brushes you off, stomping away to go and mull her feelings over.

is… scared to confess to you. may do it one day. not today.

Shadowheart

runs over to heal you during a battle, your wounds are great, but you shake her off:

”you’re in far worse condition than me! heal yourself first!”

she realises how hurt she is for the first time. she sort of learned to deal with the pain as she was raised sharran, but… you’re the one who’s taken notice of her. nobody has ever done that.

suddenly she is overwhelmed with feelings for you. she’d been soft for you before, but now she is overwhelmed with emotion.

she does heal herself, and then you - luxuriating in the feel of your skin under her hands.

Halsin

he’s already fond of you, but the thing that really gets him is during one particular battle.

you’re fighting and he can see you’re doing your best to protect something behind you from your assailants. during a moment when an enemy is down he sees what’s behind you: a baby boar, terrified.

not the most pleasant creature, covered in mud and squealing, but you still are attempting to shield it from the battle, and when the fight is over he sees you use magic to talk to it and calm it down, check it over for wounds.

he realises how smitten he is with you in that moment. how much you care. you are perfect, and he wants to spend his life with you.

Minthara

probably falls for you during an act of violence, a particularly bloody kill.

you show no mercy to your opponent, opening them from throat to navel, eyes bright as you see them bleed out.

you are an angel of death, vicious and proud. you smile at your kill and minthara finds herself smiling too.

charming. you are charming, and that’s all there is too it. she smiles through the rest of the battle at the thought of you.

[sinnamon-wade]

anyone with dnd knowledge please let me know if i filled out my character sheet for my lvl 1 wizard adequately enough. I used the players hand book, the website myth weavers and the dnd 5e homebrew wiki to help me so yeah ✌🏻

[shshshquietnow]

What I like seeing is like... pet mages. Pet spell casters. Were they won in a war? Were they someone born with magic that didn't hide themselves from the town guard well enough? Either way, they get brought to whatever nobles or royals to serve all their magic needs, no matter how cruel or annoyingly frivolous.

Being tantalizingly powerful enough to kill their new master- they have magic and the noble presumably DOESNT- but certainly not being strong enough to get away from the guards or out of the grounds without being caught and punished.

Or worse, some kind of magical restraints that prevent them from casting spells whenever they want, only permitting magic to be used when the noble commands it. The magic itching under their skin, clawing to be free and making them sick as it festers in them.

And a step further on that, being forced all day to charge something maybe, a big battery that fuels the power in the castle, or a secret weapon that they've been working on. Getting exhausted day to day.

Perhaps they're used as a training dummy in the army or guard, learning to fight and catch more mages.

Just gosh, being having the power to partially escape, being subjected to that humiliation, or being used and used until the magic is all gone then being disposed of. Very fun.

[dinrelsanddragons]

so for this post from ovegakart i'm imagining spell rules going along these lines...

Nayru's Shield: Level 3 Abjuration Casting Time: 1 Action Range: Self Components: V, S, M (A blessing from a Great Fairy worth 1000 rupees) Duration: Concentration, up to 1 minute The love and protection of the goddess Nayru shields you. You gain resistance to all damage for the duration. Additionally, this spell also summons a magic shield into your hand, granting the benefits of wielding a shield even if you are not proficient with shields. If you do not have a free hand, the shield does not appear, and this benefit is not granted. Finally, this spell also generates an emanation of protection around you, granting a +1 bonus to AC for any ally inside it, you excepted.

Nayru's Mirror: Level 3 Abjuration Casting Time: 1 Action Range: Self Components: V, S, M (A blessing from a Great Fairy worth 1000 rupees) Duration: Concentration, up to 1 minute The love and protection of the goddess Nayru reflects damage directed at you. You gain resistance to all damage for the duration. Additionally, creatures of your choice within 5 feet of you must make a Dexterity saving throw, taking 2d6 force damage on a failed save or half as much damage on a successful save, as shards of Nayru's protection strike them. Finally, ranged weapon attacks and ranged spell attacks that hit you are reflected off of you after dealing their damage, striking the original attacker for half their damage.

Notes: I split Nayru's Love into two spells, for Link and for Zelda. For Link: I figure this should be a hefty spell given the immense benefits it offers, but still accessible to an Eldritch Knight like Link. So I made it level 3. I'm also not sure about the concentration on it, since you can get smacked but it doesn't drop, I just wanted to make it slightly less busted by making it eat the caster's Concentration. For Zelda: More offensive, I originally thought like Armor of Agathys but re-read the handwriting and realized lol nope. So I made it so enemies who attack and hit you take the half damage that the shield stops you from eating.

Farore's Wind: Level 3 Conjuration Casting Time: 1 Action Range: Self Components: V, S, M (A blessing from a Great Fairy worth 100 rupees) Duration: Instantaneous Briefly surrounded by the divine gales of the goddess Farore, you teleport to a location within sight. Using a Higher-Level Spell Slot: You can teleport to any location you know within 1000 feet (4th level spell slot), any location you know within 5 miles (5th level spell slot), any location you know within 100 miles (6th level spell slot), or to any location you know on this plane of existence (7th level spell slot). If you cast this spell at 5th level or higher, there is a cumulative 15% chance for each level above 4th it is cast at (up to 45% with a 7th level spell slot) for a mishap to occur, sending you to a false destination. Holding or carrying an object linked to the intended destination removes this chance.

Notes: I figure the inspiration spells for this should be Misty Step (but range increased to 'anywhere within sight'), Dimension Door (range increased), and Teleport. It's a sort of catch-all spell. The only issue is that, in order to make it NOT BUSTED AS FUCK (which is already is tbh), I had to level-scale it, which seriously kneecaps Link as an Eldritch Knight. I also had to add in that a mishap can occur because even Teleport isn't perfect.

Din's Fire Level 3 Evocation Casting Time: 1 Action Range: Self Components: V, S, M (A blessing from a Great Fairy worth 300 rupees) Duration: Instantaneous An explosion of Din's holy flames blasts from you in a 20-foot emanation. Each creature in this emanation makes a Dexterity saving throw, taking 8d6 fire damage on a failed save or half as much damage on a successful one. Flammable objects in the area that aren't being worn or carried start burning. Using a Higher-Level Spell Slot: The damage increases by 1d6 for each slot level above 3.

Notes: It's Fireball as an emanation, why not.

Zelda's Light Level 3 Transmutation Casting Time: 1 Bonus Action Range: Touch Components: V, S Duration: 1 hour You touch a nonmagical weapon. Until the spell ends, that weapon becomes a magic weapon with a +1 bonus to attack and damage rolls. Additionally, when a creature hits another creature with that weapon, a bright flash of light accompanies the strike. The target must make a Constitution saving throw (using the caster's spell save DC) or be blinded until the end of its next turn. This spell ends early if you cast it again. Using a Higher-Level Spell Slot. The bonus increases to +2, and the weapon deals an additional 3d6 radiant damage with a 4-6 level spell slot. The bonus increases to +3, and the weapon deals an additional 6d6 (instead of 3d6) radiant damage with a 7+ level spell slot.

Notes: It's magic weapon but added blinding and radiant.

Lens of Truth Wondrous Item, Very Rare (requires attunement) While wearing this lens over your eyes, you have Truesight with a range of 120 feet.

Notes: Should this be legendary? True Seeing is a 6th level divination spell, so maybe! I made it attunement so you can't just pass it between people for a free action or whatever and you need to know it well to use it.

BONUS POINTS (or rather, an edit)

Ocarina of Time Wondrous Item, Artifact This ocarina has been protected by the royal family of Hyrule for ages, and is said to have a powerful connection to the unnamed goddess of time. You can take a Magic action to play a song on the Ocarina of Time, with each song producing a different effect or casting a spell. You must know a song in order to play it.

Zelda's Lullaby – When you play this song, this Ocarina opens a magical lock, or has other magical effects based on other locations which specify this song. This song has no effect on nonmagical locks. Epona's Song – When you play this song, you can cast the spell Find Steed at its base level of 2. Saria's Song – When you play this song, you can cast the spell Sending. The only possible recipient of the spell when cast in this way is the Fey known as Saria. Sun's Song – When you play this song, you can cause day to become night or night to become day, depending on what time it is when you play it. The passage of this time is instantaneous to the Ocarina's player, and does not confer the benefits of a long or short rest, nor does it impose the penalties of forgoing a long rest. Song of Time – When you play this song, you can open the Door of Time or cause obstacles bearing the symbol of the goddess of time to permanently disappear. If this song is played in the realm of Termina, it has an entirely different effect: You can go back in time to a maximum of three days, although in doing so you must forfeit all ammunition (nonmagical and magical) and rupees to go back. Upon returning to the past, all magic item charges are restored, and you gain the benefits of a Long Rest. You cannot use the Song of Time again for another three days. Song of Storms – When you play this song, you can cause the weather around you to suddenly and inexplicably become intensely stormy and rainy, complete with thunder and lightning. This storm lasts for ten minutes, after which time it vanishes. Effects of the storm remain. Warp Songs – When you play any of these songs, you can cast the spell Teleportation Circle, with each song being linked to a specific circle and sending those who stand in the circle's area there: the Minuet of the Forest will send to Kokiri Forest; the Bolero of Fire will send to Death Mountain's crater; the Serenade of Water will send to Lake Hylia; the Nocturne of Shadow will send to the graveyard of Kakariko Village; the Requiem of Spirit will send to the Desert Colossus in the Gerudo Desert; and the Prelude of Light will send to the Temple of Time in Hyrule Castle Town. Scarecrow's Song – When you play this song, you magically summon a wooden scarecrow to a location you can see within 60 feet of you. The Scarecrow is a Construct with 10 HP, AC 10, a movement speed of 0 ft., and immunity to psychic and poison damage. It vanishes when you play this song again. Inverted Song of Time – When you play this song, you can cast the spell Haste on yourself. Song of Double Time – When you play this song, you can magically cause twelve hours of time to pass by. The passage of this time is instantaneous to the Ocarina's player, and does not confer the benefits of a long or short rest, nor does it impose the penalties of forgoing a long rest. Song of Healing – When you play this song, you can cast the spell Calm Emotions, with the added ability to affect any creature capable of having emotions as opposed to solely humanoids. Song of Soaring – When you play this song, you can cast the spell Dimension Door. Elegy of Emptiness – When you play this song, you can create a lifeless statue of yourself. This statue is an eerie reflection of you and weighs the same as you do. It is a Construct that has an amount of Hit Points equal to half your maximum Hit Points, your Armor Class, and it has immunity to psychic and poison damage. It is also incapable of moving on its own.

Notes: No Sonata of Awakening, Goron Lullaby, New Wave Bossa Nova, or Oath to Order because they have extremely specific purposes.

[vigilante24ish]

🌙 Moon Phases 🌙

Agatha Harkness X Fem!Reader

Chapter 1. - Chapter 2. - Chapter 3

Chapter 4. - Chapter 5. - Chapter 6

Chapter 7. - Chapter 8. - Chapter 9

Chapter 10. - Chapter 11. - Chapter 12

Chapter 13. - Chapter 14. - Chapter 15

Chapter 16

Word Count: 1708

Chapter 16:

Once again, and as it was expected, arguments soon rose between the coven members. Yet through those arguments, confessions quickly came to light.

Like the fact that Alice recognised those markings, and was forced to expose one of her deepest secrets.

"I thought it was me, that it's my fault that I can't keep a job, that everything I touch turns to shit, that I couldn't save her" she confessed, refusing to meet any of your gazes. "I convinced myself they were birthmarks. Even though she had the same ones"

Jen seemed to connect the dots the fastest. "Wait, are we talking about a generational curse?"

You held back a groan the best you could, and all that was heard from you was a forced sigh.

Generational curses were the worst of the curses and you had been lucky to avoid them in your prolonged life. They were almost impossible to break, their bases so dark it was almost supernatural in terms of power.

While the tensions between the group intensified, you felt a sharp acute pain coming from both your shoulders.

With a loud gasp, you leaned forward; eyes wide open as you felt as if someone had touched a torch right on your skin.

You could not help but hiss and close your eyes momentarily, trying not to let this pain make you lose focus or have you on the ground.

Once was enough, your pride was not going to let you fall victim to it again; let alone let it make you kneel.

"Fuck" you cursed as you opened your eyes, pressing your teeth against one another and watched Alice rush your way.

To her surprise, you lifted your hand and motioned for her not to approach; confusing them group. Mastering all the self-control you had, you brought your free hand, placed it on the shoulder burning the most, and started to chant something under your breath.

White magic was barely noticeable beneath your hand, but a few seconds after, you constantly repeated some sort of mantra; you felt free of the pain, and you could breathe again.

Panting faintly, you looked at your audience; only two were not utterly surprised by your actions. The rest were both curious and slightly suspicious.

"How did you do that?" Alice asked, not expecting to have another protection witch in the group.

"Anti-curse spell. Works on the caster only, " you explained, not daring to check your skin for any marks.

You would deal with them later, when you would be free of any trial related danger.

Jen narrowed her eyes. "An anti-curse spell powerful enough to keep away a generational curse?" She asked rhetorically, clearly not believing you.

You had been honest on that part, feeling no need to lie. You had to give it to Jen for not settling for the breadcrumbs you had just given them.

However, now it was not the time to go into depth how you made such spell work.

Thankfully for you, the trial or the curse were furious with your little trick and chose to attack a different coven member... Teen.

Though this time, there was no burning sensation or anything mystical.

No, this time, something invisible hit the boy with so much force; it sent him flying.

You gasped and placed your hands in front of your mouth as you saw Teen being thrown mid air, smashing through the two way mirror glass of the recording booth and landing outside; right in the control room.

Everyone rushed to check on him, fearing for the worst after such attack; none questioning why the boy was attacked differently than the rest.

Thankfully, Teen was alright or at least not critically injured. He was even smiling faintly as he noticed almost everyone surrounding him; Jen having chosen to stay in the protective circle.

"Hey." He greeted weakly. "I got attacked by the curse. Does that mean I'm part of the coven?"

His innocent question made you smile faintly, relieved that he was okay. You slowly helped him to stand up, carefully ensuring he would not collapse any moment now.

"Blessings and burdens alike." You told him, seeing his naive little smile growing.

As you all gathered back in the recording booth, you started to discuss how to deal with this curse; the time on the metronome continuing ticking but this time you didn't know just how much Time you had been left.

In the end, by inspecting the broken record; a solution was found. Since the curse came from the record played backwards, the only way to battle it is to play the song normally.

Ironically, the song was none other than the Ballad of the Witches Road; sang by none other than Alice's mother, Lorna Wu.

Also, the genius mind of Agatha made the ultimate deduction.

"What did Lorna want from The Road? What was her intention? To save her daughter. You should have burnt to a crisp years ago, but here you are. Sullen and aimless, but alive. That's because at any given moment somewhere, someone is playing that song that you hate so much. Lorna's Ballad is a protection spell. It protected you."

Agatha's words seemed to bypass any of Alice's defenses, trying to win her over and give her the courage to play the song. Every member of the coven had to participate and since that trial was related to her mother, Alice was the centre of it all.

At Agatha's words, you could not help but glance to the ground momentarily. Hearing of Lorna's love for her daughter, going as far as to create a song spell to save her daughter... it made your heart ache.

You barely knew your mother, anything about her a distant and blurry memory at the very back of your mind. At least your birth mother, that is.

You did not have a motherly figure in your life, many witches doing the bare minimum to help you, but none wished to get attached to you; even though you were a little orphan girl.

Perhaps this was what had attracted you to Agatha in the first place. Being older than you and actually interested in being part of your life, had made you form an incredible bond with her; even if someone might argue this bond was one way.

Sometimes, though, you did wish to know more.

To know if this woman you had called your mother as a child, ghe very same one tht had chosen to look after and raise you, would have done something similar to protect you, rather than leaving through the door one morning and letting you wake up alone to an empty house.

You had never managed to find her again, and as for your birth mother, you had done a lot of research and got some answere; though you wouldn't mind to know more.

However, you feared it would not be possible; not with your situation.

Feeling a pair of eyes, you dared to search for them; only to see Agatha studying you. It was her turn to read through your fake mask and read your intentions, the topic of a mother hard to both of you; for different reasons.

Trying to look the other way, you were caught by Rio. She seemed to be intensely staring at you, though her gaze was soft; and you could swear you saw something that looked like sympathy or even regret.

"So," you cleared your throat. "Who plays what?" You asked, hoping to change the topic and also remind everyone that the metronome was still ticking.

"Okay, who's good on piano? Lilia?" Agatha asked, driving to take the lead since no one else was willing to do so.

"No. No, I studied the zils." The older witch argued. "And a little pan flute."

Defeated, Agatha turned to the other witch. "Jen."

"Ballet."

"Oh, come on, guys!" She groaned, not believing they were in such situation.

Their lives were depending on a stupid song, and no one seemed to have any music experience.

"I play guitar. Sort of." Teen informed a little shyly.

You chose to join. "I also do"

Your words made Agatha stare at you with an arched eyebrow. Her expression was literally screaming 'since when?'

You offered her a plain simple smile, unable to explain to her that you learnt Guitar during a difficult new moon; and then you kept it as a hobby.

Agatha did not comment about it but you could see the twinkle of interest in her blue eyes. When all of this was done and you had reached the end of the road, she would definitely ask you more about it; perhaps even make you play something for her.

Definitely not the Ballad of the Witches Road.

After some discussion that almost led to a argument between Jen and Agatha; you all found your respective instruments.

Rio had the drums, Alice the piano, Jen the Bass, Lilia the Zils (surprising everyone such instrtument was present) and you with Teen had the guitars.

"I am not sure how well I can play this" the boy confesed to you in a hushed tone as he fixed his grip on the instrument.

You both stood side by side.

"It's not a hard one. If you get stuck, follow my lead" you reassured him, a small smile just enough to make him relax a little bit.

He did and offered a small smile in return while trying to fix the guitar strap, all while doing the best to ignore the sharp pain coming from the side of hid abdomen.

Then, you did not notice it and failed to see that his landing was not as smooth or harmless as you thought it was.

Once everyone was ready, the lightning in the room changed and slowly you started to play the beat of the Ballad.

Agatha stood in the middle, right in front of the microphone and yet before she could truly start singing; the curse attacked her too.

"Agatha!" You and Teen exclaimed, almost rushing to her side.

"Keep playing!" She hissed, having bent one knee and supporting herself on the mike stand. "Keep playing!"

Left with no choice, you all focused on the rhythm as Agatha started to sing.

Chapter 17

[nickmarini]

Hi there!

First of all, I just wanted to say thanks for being an amazing D&D players and a very kind and open person t the many fans like myself who saw you for the first time in Downfall and were amazed. I wish I got to play with people like you when I play and DM.

I was wondering about something. Ayden is a multi classing masterpiece and I wanted to know if you have any tricks for building a solid multi class that is both interesting and has a fair amount of powerful abilities. Every time I have tried my characters end up not good at anything or really good at a single thing thats not relevant.

Okay! That’s all! Thanks for being really cool and I hope you have a great day!

Well firstly thank you. I’m def gonna deep dive Ayden, but for multi-classing in general I will sort of talk my philosophy. When multi classing it is important to start with what you are hoping to achieve. I personally like multiclasses because I think it tells the story of a character. Mechanically though there’s a few things to think about. Is the character strictly martial a mix or a primary spell caster? If you’re a primary spell caster then if you’re heavily multiclassing you are likely trading away access to 9th level spells at minimum or simply grabbing something like spell points or a warlock pact. With Ayden being alongside the Archheart and Matron I felt like we had pretty decent 9th level spell access so I wasn’t too worried on that front and instead could focus on being as good of a support character as I could manage. A full caster multiclass will still get 9th level spells slots so your spells that scale based on level are still going to be powerful.

Martial or mixed spell casters multiclass builds are not as limited by the spell access issues full casters encounter but do encounter the same feat/ability score issues.

In terms of overall philosophy, first level dips can give a character an unusual saving throw proficiency or skills that might compliment a build. I look for abilities that compliment each other so for Ayden having guiding bolt (proficiency times a day from druid) and commanding rally (proficiency times a day from knight of the crows feat) let him shoot a bolt and then have someone follow up with a free attack with advantage 6 times a day. Look for combos that might take 2 separate 1 class builds working together to achieve, that you might be able to do pull off as a single character. Also coming from 3.5 I am a firm believer in feats. Feats allow you to customize your character in unique ways that can really shine when multiclassing.

And finally have fun! I am a huge nerd and enjoy pouring over books trying to find interesting combos or figure out how to make an idea I have work better, but to be honest few campaigns go from 1-20 so if you wanna play around with multi classes just do it!

[utilitycaster]

Bells Hells Level Up: Level 14

FUCK IT WE'RE DOING IT LIVE (I forgot to prep this well in advance like a press release as I am wont to do). Gonna be short, sweet, and as always if there are any factual errors let me know! If I simply did not list every single possible feat, spell, or other choice, that is because I did not wish to spend my wild and precious life doing that.

Chetney: With a 13th level in Blood Hunter he gets Brand of Tethering, which is GREAT for making people (Ludinus) not be able to leave. He can also use Blood Maledict 3 times per rest now. Looking ahead: I'm assuming he's sticking with Blood Hunter (or Blood Nutter as the case may be); at L14 he gets advantage on saving throws against being charmed or frightened, and a new crimson rite. He has flame and frozen, and L14 unlocks necrotic, psychic, and thunder options. Their enemies are often immune to psychic but honestly he can just use fire so. Live your best life, Chet.

Laudna: I support waiting to see how the ritual goes! If she levels in Warlock she gets an ASI/Feat (War caster wouldn't hurt; bumping up INT or WIS wouldn't either though my vote, as always, is for INT), another known spell, and continues her quest as Cantrips Georg. If she levels in Sorcerer she also gets another cantrip, as well as another known spell, and I think she should get a 3rd metamagic option but she seems to already have three? Anyway my vote is for Careful Spell. I'll hold off on further speculation until said ritual has completed.

Dorian: Two more spells! Magical secrets, ie, whatever the fuck he wants (true to my name my vote is spending at least one on Counterspell, but go nuts on the other) He also no longer has to burn his inspiration dice on flourishes, though he only gets a d6 rather than his full d10. Looking ahead: He gets 8th level spells of which Mind Blank might be wise given this campaign; he also gets a d12 inspiration die.

Braius is already level 14, thank you Braius.

Fearne: Ok I respect the ASI push but Transport via Plants would be real clutch sometime soon. With that said Dorian or Imogen could take Teleport or they can just hang out with Essek for a while longer. Anyway, as an Arcane Trickster she gets an ASI and another L1 spell; she's been keeping it utility-focused which is smart because her INT score is not high. The ASI move, in my opinion, is bump up INT and CON by one, but she could also benefit from War caster. Looking ahead: As said, take L11 Druid, get 6th level spells, profit.

Imogen: Revelation in Flesh is upon us; I assume it will be electricity themed rather than the traditional Aberrant Mind option which appears to be "cursed axolotl"-themed. This means she can use sorcery points to make herself fly OR swim/breathe water OR see invisible creatures OR squeeze out of tight situations. Looking ahead: 8th level spells next level! Incendiary Cloud seems to be on-brand but Power Word Stun OR Sunburst (miss you Ayden) are both pretty fantastic.

Orym: Fighters get a zillion ASIs, as always; Sentinel might be fun but he could also bump his CON to 16 (if he does this...I must admit I'm warming on the idea of Orym Paladin and wouldn't scoff at a CHA 13 bump either), achieve Chetney-like intellect with an INT bump, or take any number of feats. I am pretty boring with feats honestly so I'm excited to see what Liam picks but I have no good ideas. Looking ahead: At L15, he gets two more maneuvers, which I will definitely look up before they hit L15; he also gets a free superiority die if they roll initiative while he is fully tapped. Fighters: they are unstoppable.

Ashton: It's a path feature! I have no idea what the fuck will be up with that but I'm looking forward to finding out, which, coincidentally, will give us the full picture of Path of Fundamental Chaos! Looking ahead: They get persistent rage at L15, which will make them even harder to knock out, a thing that is already very difficult to do.

[astaroth1357]

Witchy Requests: The Reality of Summoning a Demon Lord

Contents: Violence and demons being demonic

~♡♡♡~

Summoning Lucifer

First off, this is not even remotely easy to do.

Lucifer does not get summoned away very often because it takes a witch at least comparable to Solomon's skill to pull it off. Of the small handful of people who can, only a couple are crazy enough to try (so he already knows them all by name).

Not only is this hard to do logistically, Lucifer also HATES being summoned with a burning passion. It messes up his schedule, gives him a pounding headache, and it's pretty humiliating to be ordered about like a dog on a lead.

Anyone summoning Lucifer has put some seriously strong spells in place to keep him in check. It'll take more than a salt circle to stay protected because he'll just blow that crap away with his wings.

It's well known that he will attack the second that the caster gives him the opportunity. Even so much as looking away could leave enough of an opening for him to fry them to a crisp. Extra potent magic chains and bindings are about the only things that ensure safety....

Deals with Lucifer are extremely costly due to how pissed he is just being there. He doesn't stop at their soul. Depending on the day, he could ask for any number of other sacrifices before he so much as lifts a finger. A person summoning Lucifer must be prepared to lose almost everything...

That said, he always fulfills his contracts to the letter and employs very little trickery. If the agreement was unclear, then that's on the summoner. Not him. They get exactly what they asked for.

There was a rumor going around for a time that if Lucifer was summoned with classical music in background, he'd be easier to deal with. Unfortunately, a naive young witch gave it a try and found out that "easier to deal with" Lucifer is still willing take off a hand or two no matter how sophisticated the room sounds.

Solomon has only managed to summon him twice. The first time was in a bid for a pact (which ended in a very wrecked office) and the second was an attempt to ask the questions about Michael that Simeon refused to answer (he let him go pretty quickly after receiving a death glare that would have turned his hair white if it weren't so silvery already).

Summoning Mammon

So like. It's pretty easy to do, but it ain't cheap.

Mammon only shows up if the caster can offer up some serious wealth in return. We're talking sprinkling the summoning circle in gold coins and Rolex watches to make it happen. They don't get to keep any of it, either. He's taking that as the "entrance fee."

Though he's generally a pretty safe summon, Mammon's motivations are directly tied to how much wealth he's gonna make off of their time together. Bribes aren't just encouraged, they're expected, and he gets pissed off if they think he'll do any work for free.

Since he encompasses the sphere of Greed, he sees a lot of witches and the like who summon him for a bit of luck or to increase their chances of acquiring ill-gotten gains. He usually demands a cut of whatever they manage to get from his help, on top of what it already took for him to play ball to begin with.

The only witches who get to skip his exorbitant prices are, unfortunately, the ones whom he already owes money to and it is degrading to say the least... He tries to keep MC out of that as much as possible and he'll straight up toss anyone who brings it up.

There's an urban legend around witching circles that of you can get Mammon to kiss a Grimm and give it to you, you'll have good fortune for an entire year. He doesn't really believe it himself but he still gave one to MC, just in case.

Solomon hasn't ever tried to summon Mammon, though he knows that he could very easily. He's not too tied to wealth or material possessions, so he's never needed his assistance to start with. If he ever summons him now, it's usually just to ask how MC is doing since the two are so close.

Summoning Levi

Often more trouble than it's worth...

Summoning Levi is really only useful for a VERY small handful of problems, nearly all of which concerning the Devil's Sea in some way. He's the only brother with any jurisdiction over it, much less the ability to talk to fish.

The issue is that Levi hates being summoned just as much as Lucifer. It drags him right out of his comfort zone and puts him a space where he feels like he's being judged for how useless he is... Thus, he'll spend the whole time sulking, irritated, and hissing to be left alone.

Levi has to be spoken to with extreme care because setting him off could result in the caster getting crushed by all 200 tons of Lotan then swept away in the flood that comes after.

Those who can appease him with video games and anime fair better, not by much because he gets even more irritated if they get details the wrong or seem like a "fake fan" (yes, unfortunately he gatekeeps 🥲). Only the most otaku of witches are safe from his temper.

In truth, main reason that anyone summons Levi anymore is for nautical travel through the Devil's Sea. The dude is like a living compass with precise latitude and longitudinal coordinates built into his DNA. But asking for that is also a one way ticket to meet Admiral Levi who is even WORSE to be around than the Otaku version...

The first time Solomon summoned Levi, they actually got along pretty well (largely thanks to Solomon's equally copious knowledge of TSL). He was only looking for the scales of a specific sea monster, but the two ended up chatting for a while. He thought that he could have made a pact with him right then and there, but Levi asked if he liked The Magical Ruri Hana and his answer to THAT shut things down instantly...

Summoning Satan

Practically the OG demon to summon despite being around for the least amount of time.

Satan is one of the easier brothers to summon because he spent a few centuries spreading around just how to do so in the human world. He wanted an excuse to leave the House and piss off Lucifer by fucking with humanity. Architect of the Satanic Panic right here.

I suppose you could say that in his younger years, Satan was something akin to a rockstar in witching terms. Even non-witches knew of him, just not a lot of the accurate details.

Satan was really the "ground zero" for humanity's pop culture surrounding demons. He used to use it as a chance to let loose from Lucifer's constant pressure, so he played up the persona of the "charming, charismatic bad boy with a homicidal mean-streak" beautifully.

You would also have to be a lawyer if you wanted to make a solid contract with him. He was wicked smart even back then and put it good use by tormenting the humans more. That classic phrase, "Deal with the Devil" came from the amount of times he'd gleefully screw someone over.

Since then, he's calmed down considerably and is even a little embarrassed about his old persona if anyone brings it up. He's much more refined in his modern day dealings, though he'll still make a nasty deal or two just to keep the humans on their toes.

Satan's fondness for cats is the reason why cats got tied to witchcraft in media. It was common knowledge that if you summoned him with a cat present, then he would be too distracted to give you a bad deal. Ever since then, it just stuck.

Solomon's true first interaction with Satan was when he summoned him one day to get some advice about making a pact with Lucifer... It was one of his worst ideas to date and he still has the mended ribs to show for it.

Summoning Asmo

Very easy with low risk... for the most part.

Asmo LOVES getting summoned out by witches. It feeds his ego something fierce. So he never makes it all that hard to do, however...

Those who summon Asmo quickly learn that it cannot be a one-time thing. Or if it is, it better fucking stay that way.

Asmo ties a lot of self-worth to how "in demand" he is, so after a witch summons him, he'll keep a tally on how long it takes for them to summon him again.

If they do so quickly and regularly? No issues. He couldn’t be happier! If they take too long between summons though...?

Fury. He'll come at them laying curse after curse because how DARE they forget about him like that!! And after, uh... whatever he did to help them out, no less!

Most witches just preemptively make a pact with him since they know that calling on Asmo is more like an ongoing relationship than a simple business transaction.

Ironically, despite the fact that Asmo wants to be summoned so badly, he is incredibly picky about the kinds of work he'll do. He won't do anything that could ruin his manicures, mess up his hair, strain his muscles, dirty his skin, cause a breakout, make him frown-

All of this absolutely stems from that time he was summoned by Solomon and tricked into doing hard labor to build his Temple. You live and learn, then throw the people who treat you poorly into the desert as punishment. Or something like that.

Summoning Beel

A very unwise decision unless you have the resources of a sultan.

Beel isn't exactly hostile by default, if anything he's very easy going all things considered. It's just that his stomach does a lot of the talking in contract arrangements...

After summoning Beel, the caster has to try and keep him fed at all costs. If he's eating, he's docile and easily negotiable. If he's hungry, he will eat them without hesitation. He's just going to go for the most filling thing in the room and, unfortunately, that tends to be the human in front of him.

As long as they have ten or so caterers on speed dial, deals with Beel are very straightforward. He's refreshingly forthright compared to the rest.

Sure, the first thing he usually asks for is permission to eat them, but he can be easily dissuaded by offering up something else to fill his stomach in their place. He's not bloodthirsty, just hungry.

For a short time, it was theorized that summoning both twins at the same time would make their interactions more safe, but that was quickly canned when it was discovered that Belphie would encourage Beel to eat whomever brought them there... He was not a good influence at all.

Solomon did actually try to summon Beel once thinking that he made enough food to keep him satisfied for a talk. Beel didn't even get three bites into his tuna salad before he lost consciousness... When he woke back up in HoL, he didn't have any memory of it and Solomon tactically decided to never mention it again so he could avoid future arguments.

Summoning Belphie

Blacklisted. Not allowed.

For centuries before MC showed up, Belphie was considered one of the most dangerous demons for a human witch to summon. Full stop. Even worse than Lucifer. The guy's bloodlust was unreal.

How exactly was the weakest brother considered the most deadly to interact with, you ask? Cold, hard manipulation.

Belphegor knows he's considered the weakest. He knows that he doesn't look like much of a threat. He even knows how to play into that "sleepy and harmless baby brother" image that he's spent so damn long building up.

Belphie is even better at persuasion than Satan. He can make whoever summons him feel silly, no, embarrassed for ever thinking he was a threat, then attack them when their guard was down.

Even if they keep him contained, his contracts are notoriously filled with wordplay and deceit. At best, he'll twist the terms around so he doesn't actually have to do anything. At worst, it'll become a death warrant with more than just their life on the line...

All of this, of course, was Belphie back when he still hated humans. But even after settling down with MC, he's in no rush to go correcting any records. He quite likes having his nap days uninterrupted, thank you.

One of the most horrifying rumors about summoning Belphegor is that if you sleep afterwards without fully sanctifying the room, he'll possess you in your sleep. There are still witches to this day who travel to the Devildom with sage in their pockets just in case they see him and need to start cleansing the area immediately.

Much like Mammon, Solomon has also never tried to summon Belphie. Sure, he can be somewhat unscrupulous, but even the witty sorcerer knows when the risk outweighs the reward.

Summoning Diavolo

Really only possible in theory because there has never been a successful attempt.

No one is very sure why all attempts to summon the Demon Prince crash and burn so easily. Solomon himself as spent centuries trying to work out the logistics.

Is there just no sacrifice comparable enough to bring out a being of his magnitude?

Are the sigils and chants required so ancient and esoteric that they've long been forgotten by mortal minds?

Do the summoning circles work but Diavolo, by the nature of his power and authority, just "opts out" of showing up if he feels like it?

Solomon has tried summoning Dia numerous times and every attempt has left him with nothing but wasted materials and broken dreams. This is basically his white whale. Don't bring it up or he'll get pouty.

Summoning Barbatos

Another unwise decision that leaves many with nightmares years later.

Barbatos is an... interesting case to summon. Like Lucifer, the caster has to be incredibly talented. Though unlike Lucifer, Barbatos doesn't react with such upfront vitriol.

To be clear, he is NOT happy. He is NEVER happy to be called away so suddenly from his lord. But it comes across more like a frigid aura of contempt and malice than the white hot hostility of all the others.

Put simply, it just feels like you royally fucked up in ways you can't even process.

The most unnerving thing about accepting a contract with Barbatos is that he will always agree to whatever is asked for with no complaint, but he'll never say what he wants in return.

The terms of all demonic contracts are that whatever is asked must be balanced by an equal sacrifice, but since Barbs NEVER identifies what he plans on taking, it leaves the caster to wonder what they've loss...

Every bad event from then on gets overanalyzed to the point of paranoia where the caster victim tries to identify if their debt has finally been paid or if he may still come to them one day and demand what he's owed...

Solomon doesn't know it, but a popular theory among his peers is that what Barbs took in exchange for their pact was his mortality in hopes that the centuries of loss and isolation would make him go insane. It's a silly little rumor, but it does still make Barbs chuckle whenever he hears it...